October 2011: The Rach II - Ravishing "Pictures"

Robert Spano Music Director Donald Runnicles Principal Guest Conductor Michael Krajewski Principal Pops Conductor

October

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contents October 2011

46

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20

features

the music

20 “Nyx”

25 This week’s concert and program notes

Esa-Pekka Salonen and Robert Spano are of one mind on a conductor’s role.

46 Community Corner: Meet Sheehan Hanrahan

In the community, making a difference.

50 ASO Media: Three for Three

Garrick Ohlsson performs Rachmaninov’s Piano Concerto No. 3 on new CD.

8 EncoreAtlanta.COM

departments 12 President’s Letter 14 Orchestra Leadership 16 Robert Spano 18 Musicians 35 Contributors 52 Calendar 54 Administration 56 General Info 58 Ticket Info 60 Gallery ASO

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atlanta symphony orchestra Rob Phipps Karl Schnittke program annotator Ken Meltzer

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Welcome Con-cert (kan-surt) n. [from Latin com-, with + certare, to strive] 1) mutual agreement, concord; 2) a performance of music — in concert, in unison.

Welcome to the Atlanta Symphony Orchestra’s 2011-2012 Delta Classical Concert Season, our 68th! This season has been years in the making. We deliberated and planned and developed and tested idea after idea, all in an effort to fulfill the hopes, to meet the needs and expectations of our audiences. I am confident that we’ve created a season that will delight you, move you, and inspire you.

Over the coming weeks you will see and hear us: In Concert with Great Music: Beethoven’s immortal Ninth Symphony, Tchaikovsky’s beloved Violin Concert, Brahms’ dramatic Symphony 4, Rachmaninov’s The Bells, music of our own day from renowned composers Osvaldo Golijov, Michael Abels, and Esa-Pekka Salonen — and much, much more.

In Concert with Great Artists: Music Director Robert Spano, soprano Christine Brewer, our own Atlanta Symphony Orchestra Chorus, legendary violinist Joshua Bell, pianists Terrence Wilson and Horacio Gutierrez and many, many more.

In Concert With This Community: Through our nationally recognized education programs — Sound Learning, the Talent Development Program, the Atlanta Symphony Youth Orchestra and Symphony Street Concerts — we are nurturing the musical gifts of Atlanta’s children and shaping both the present and the future of our city.

We are able to be in concert with great music, with great artists, and with this community thanks to your support. Bravo — and thank you!

Wishing you all the best,

Stanley E. Romanstein, Ph.D. President

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leadership Atlanta Symphony Orchestra League 2011-2012 Board of Directors Officers Jim Abrahamson D. Kirk Jamieson Joni Winston † Chair Vice Chair Secretary Karole F. Lloyd Meghan H. Magruder Clayton F. Jackson Chair-Elect Vice Chair Treasurer Directors Jim Abrahamson Pinney L. Allen Joseph R. Bankoff * Paul Blackney Janine Brown C. Merrell Calhoun Donald P. Carson Ann W. Cramer † Richard A. Dorfman David Edmiston Gary P. Fayard Dr. Robert M. Franklin, Jr. Paul R. Garcia Carol Green Gellerstedt

Thomas Hooten Tad Hutcheson † Mrs. Roya Irvani † Clayton F. Jackson D. Kirk Jamieson Ben F. Johnson III Mark Kistulinec Steve Koonin Carrie Kurlander Michael Lang Donna Lee Lucy Lee Karole F. Lloyd Meghan H. Magruder Belinda Massafra * Penny McPhee

Victoria Palefsky Leslie Z. Petter Suzanne Tucker Plybon Patricia H. Reid Margaret Conant Reiser John D. Rogers Stanley E. Romanstein, Ph.D. * Martin Richenhagen † Dennis Sadlowski Lynn Schinazi William Schultz John Sibley H. Hamilton Smith Lucinda B. Smith

Thurmond Smithgall Gail Ravin Starr Mary Rose Taylor Joseph M. Thompson Liz Troy Ray Uttenhove Chilton Davis Varner † S. Patrick Viguerie Rick Walker Thomas Wardell Mark D. Wasserman John B. White, Jr. † Richard S. White, Jr. † Joni Winston † Patrice Wright-Lewis Camille Yow

Board of counselors Mrs. Helen Aderhold Robert M. Balentine Elinor Breman Dr. John W. Cooledge John Donnell Jere Drummond Carla Fackler Arnoldo Fiedotin

Charles Ginden John T. Glover Frances B. Graves Dona Humphreys Aaron J. Johnson Herb Karp Jim Kelley George Lanier

Patricia Leake Mrs. William C. Lester Mrs. J. Erskine Love Carolyn C. McClatchey Joyce Schwob Mrs. Charles A. Smithgall, Jr.

W. Rhett Tanner G. Kimbrough Taylor Michael W. Trapp Edus Warren Adair R. White Neil Williams

Life Directors Howell E. Adams, Jr. Bradley Currey, Jr.

Mrs. Drew Fuller Mary D. Gellerstedt

Azira G. Hill Dr. James M. Hund

Arthur L. Montgomery * ex officio † 2011-2012 sabbatical

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His mother said, “If you are a soldier, you will become a general.

If you are a priest, you will be the pope.”

Instead, he was a painter and he became Picasso.

Get to know Picasso.

PICASSOTO WARHOL FOURTEEN MODERN MASTERS

Opening October 15!

Presenting Sponsor

Lead Sponsors

The Gary W. and Ruth M. Rollins Foundation

Additional support is provided by The Rich Foundation, the Modern Masters Circle of the High Museum of Art, and an indemnity from the Federal Council on the Arts and the Humanities.

This exhibition is part of the MoMA Series, a collaboration between The Museum of Modern Art, New York, and the High Museum of Art, Atlanta.

Pablo Picasso (Spanish, 1881–1973), Girl before a Mirror, 1932, oil on canvas, 64 x 51 1/4 inches. The Museum of Modern Art. Gift of Mrs. Simon Guggenheim. © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

H I G H

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Robert Spano music Director

M

usic Director Robert Spano, currently in his 11th season as music director of the Atlanta Symphony Orchestra, is recognized internationally as one of the most imaginative conductors today. Since 2001, he has invigorated and expanded the Orchestra’s repertoire while elevating the ensemble to new levels of international prominence and acclaim.

Under Mr. Spano’s artistic leadership, the Orchestra and its audiences have together explored a creative mix of programming, including Theater of a Concert performances, which explore different formats, settings, and enhancements for the musical performance experience, such as the first concert-staged performances of John Adams’s Doctor Atomic in November 2008 and the production of Puccini’s Madama Butterfly in June 2011. The Atlanta School of Composers reflects Mr. Spano’s commitment to nurturing and championing music through multi-year partnerships defining a new generation of American composers, including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis, Michael Gandolfi, and Adam Schoenberg. Since the beginning of his tenure (to date), Mr. Spano and the Orchestra have performed more than 100 concerts containing contemporary works (composed since 1950).

angela morris

Mr. Spano has a discography with the Atlanta Symphony Orchestra of 19 recordings, six of which have been honored with Grammy® awards. He has led the Orchestra’s performances at Carnegie Hall, Lincoln Center, as well as the Ravinia, Ojai, and Savannah Music Festivals. Mr. Spano has led the New York and Los Angeles Philharmonics, San Francisco, Boston, Cleveland, Chicago and Philadelphia Symphony Orchestras, as well as Orchestra Filarmonica della Scala, BBC Symphony and Amsterdam’s Royal Concertgebouw Orchestra. In addition, he has conducted for Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring cycles. Mr. Spano was Musical America’s 2008 Conductor of the Year.

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In March 2010, Mr. Spano began a three-year tenure as Emory University’s distinguished artist-in-residence, in which he leads intensive seminars, lectures, and presents programs on science, math, philosophy, literature, and musicology.

In March 2011, Mr. Spano was announced as the incoming music director of the Aspen Music Festival. He was in residence in Aspen for the 2011 summer season as music director-designate and will assume the full role of music director in 2012.

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Robert Spano

Donald Runnicles

Michael Krajewski

Music Director The Robert Reid Topping Chair *

Principal Guest Conductor The Neil and Sue Williams Chair *

Principal Pops Conductor

FIRST VIOLIN

SECOND VIOLIN

VIOLA

CELLO

David Coucheron Concertmaster William Pu Associate Concertmaster The Charles McKenzie Taylor Chair* Justin Bruns Assistant Concertmaster Jun-Ching Lin Assistant Concertmaster Carolyn Toll Hancock John Meisner Alice Anderson Oglesby Lorentz Ottzen Christopher Pulgram Carol Ramirez Juan Ramirez Olga Shpitko Denise Berginson Smith Kenn Wagner Lisa Wiedman Yancich

David Arenz Principal The Atlanta Symphony Associates Chair* Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair* Jay Christy Assistant Principal Sharon Berenson David Braitberg Noriko Konno Clift David Dillard Eleanor Kosek Ruth Ann Little Thomas O’Donnell Ronda Respess Frank Walton

Reid Harris Principal The Edus H. and Harriet H. Warren Chair* Paul Murphy Associate Principal The Mary and Lawrence Gellerstedt Chair * Catherine Lynn Assistant Principal Wesley Collins Marian Kent Yang-Yoon Kim Yiyin Li Lachlan McBane Jessica Oudin Ardath Weck

Christopher Rex Principal The Miriam and John Conant Chair* Daniel Laufer Associate Principal The Livingston Foundation Chair* Karen Freer Assistant Principal Dona Vellek Assistant Principal Emeritus Joel Dallow Jere Flint Jennifer Humphreys Larry LeMaster Brad Ritchie Paul Warner

SECTION VIOLIN ‡

Judith Cox Raymond Leung Sanford Salzinger

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BASS

Ralph Jones Principal The Marcia and John Donnell Chair * Gloria Jones Associate Principal Jane Little Assistant Principal Emeritus Michael Kenady Michael Kurth Joseph McFadden Douglas Sommer Thomas Thoreson

Jere Flint

Norman Mackenzie

Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra The Zeist Foundation Chair*

Director of Choruses The Frannie and Bill Graves Chair

FLUTE

BASS CLARINET

TROMBONE

HARP

Christina Smith Principal The Jill Hertz Chair* Robert Cronin Associate Principal Paul Brittan Carl David Hall

Alcides Rodriguez

Colin Williams Principal Stephen Wilson Associate Principal George Curran

Elisabeth RemyJohnson Principal The Delta Air Lines Chair

PICCOLO

Carl David Hall OBOE

Elizabeth Koch Principal The George M. and Corrie Hoyt Brown Chair * Yvonne Powers Peterson Associate Principal Ann Lillya † CLARINET

Laura Ardan Principal The Robert Shaw Chair* Ted Gurch Associate Principal William Rappaport Alcides Rodriguez E-FLAT CLARINET

Ted Gurch

BASSOON

Carl Nitchie Principal Elizabeth Burkhardt Associate Principal Laura Najarian Juan de Gomar

BASS TROMBONE

George Curran TUBA

Juan de Gomar

Michael Moore Principal

HORN

TIMPANI

Brice Andrus Principal Susan Welty Associate Principal Thomas Witte Richard Deane Bruce Kenney

Mark Yancich Principal The Walter H. Bunzl Chair* William Wilder Assistant Principal

TRUMPET

Thomas Sherwood Principal The Julie and Arthur Montgomery Chair* William Wilder Assistant Principal The William A. Schwartz Chair* Charles Settle

CONTRA-BASSOON

Thomas Hooten Principal The Madeline and Howell Adams Chair* The Mabel Dorn Reeder Honorary Chair* Karin Bliznik Associate Principal Michael Tiscione Joseph Walthall

PERCUSSION

KEYBOARD

The Hugh and Jessie Hodgson Memorial Chair* Peter Marshall † Beverly Gilbert † Sharon Berenson LIBRARY

Rebecca Beavers Principal Nicole Jordan Assistant Principal Librarian John Wildermuth Assistant Librarian

‡ rotate between sections * Chair named in perpetuity † Regularly engaged musician Players in string sections are listed alphabetically

Atlanta’s Performing Arts Publication 19

“Nyx,” Esa-Pekka Salonen, and Robert Spano who conducts the U.S. premiere of Salonen’s “Nyx” October 27/29, are of one mind on a conductor’s role

By Karl Schnittke

a 17-minute work by the Finnish conductor and composer Esa-Pekka Salonen, arrives with its own mystique. Did Salonen title his composition after the ethereal figure Nyx, the goddess of the night in Greek mythology and a figure previously best captured on canvas by painters in search of a muse? Salonen himself isn’t saying, but Anna Frankenberg, a representative for the composer, says “he is hard at work completing his description of the piece.”

20 EncoreAtlanta.com

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“ The most important function … is developing local musical life.”

All shall be revealed Thursday and Saturday evenings, Oct. 27 and 29, when Robert Spano and the Atlanta Symphony Orchestra give the U.S. premiere of “Nyx” — plus Scriabin’s Poem of Ecstasy and Rachmaninov’s The Bells.

Then it’s on to Carnegie Hall for the New York premiere of “Nyx,” and the Orchestra’s first performance at Carnegie without the Chorus since 1997, on Nov. 5. Instead of The Bells, pianist Garrick Ohlsson will perform the Rachmaninov Third Piano Concerto. (He plays the work on the new ASO Media recording, also featuring the composer’s Symphonic Dances, to be released in early November.

A related article appears on page 48.)

The piece, a co-commission by Radio France, Carnegie Hall, the Atlanta Symphony Orchestra, the Barbican Centre and the Finnish Radio Symphony Orchestra, had its world premiere Feb. 19, 2011, during the final concert of Festival Présences Paris. “Nyx” affords audiences here and at Carnegie a glimpse of kindred sprits at work: Spano and Salonen, luminaries of contemporary music who believe making new music begins at home.

One of the hallmarks of Spano’s career has been an unwavering advocacy of modern composers. Prior to his appointment as the Orchestra’s music director in 2001, Spano was at the Brooklyn Philharmonic 22 EncoreAtlanta.com

where he brought a vital edge to the orchestra’s repertoire and an enthusiastic audience that came from every borough in New York City to hear what some called “classical music’s new era.”

Spano redoubled his commitment when he moved to Atlanta — where he now lives year-round — and founded the justly acclaimed Atlanta School of Composers. Members include Jennifer Higdon, Christopher Theofanidis, Osvaldo Golijov, Michael Gandolfi and Adam Schoenberg, with more composers on the horizon. Their orchestral and choral works are an essential part of the Orchestra’s recorded oeuvre.

“Spano has found that audiences react to these composers with pleasure,” wrote Los Angeles Times critic Mark Swed in 2008. “The Orchestra takes pride in sending its listeners home happy, having been given a big sonic hug.”

Spano and Salonen are not the first conductors, of course, to try and solve the ultimate mystery of the orchestra business, which is how to attract new listeners without alienating established ones. Their reputations for bold choices, however, draw music lovers, and the kind of media swirl that Salonen for one can live without.

Continued on page 42

program Robert Spano, Music Director Donald Runnicles, Principal Guest Conductor

Delta Classical Series Concerts Thursday, Friday and Saturday, October 20, 21 and 22, 2011, at 8 p.m..

Miguel Harth-Bedoya, Conductor Horacio Gutiérrez, Piano Nikolai Rimsky-Korsakov (1844-1908)

Capriccio espagnol, Opus 34 (1887) I. Alborada. Vivo e strepitoso

II. Variations. Andante con moto

III. Alborada. Vivo e strepitoso

IV. Scene and Gypsy Song. Allegretto

V. Fandango of the Asturias Sergei Rachmaninov (1873-1943) Concerto No. 2 for Piano and Orchestra in C minor, Opus 18 (1901) I. Moderato

II. Adagio sostenuto

III. Allegro scherzando

Horacio Gutiérrez, Piano INTERMISSION Modest Mussorgsky (1839-1881) (Orchestrated by Maurice Ravel—1923)

Pictures at an Exhibition (1874)

Introduction: Promenade I. Gnomus

Promenade II. Il vecchio castello

Promenade III. Tuileries

IV. Bydlo

Promenade V. Ballet of Little Chicks in their Shells

VI. Samuel Goldenberg and Schmuyle

VII. The Market Place in Limoges

VIII. Catacombae — Cum mortuis in lingua mortua

IX. The Hut on Hen’s Legs (Baba-Yaga)

X. The Great Gate of Kiev “Inside the Music” preview of the concert, Thursday at 7 p.m., presented by Ken Meltzer, Atlanta Symphony Orchestra Insider and Program Annotator.

The use of cameras or recording devices during the concert is strictly prohibited.

Atlanta’s Performing Arts Publication 25

sponsors

is proud to sponsor the Delta Classical Series of the Atlanta Symphony Orchestra.

Delta is proud to be celebrating our 70th anniversary as Atlanta’s hometown airline. Delta’s community spirit worldwide continues to be a cornerstone of our organization. As a force for global good, our mission is to continuously create value through an inclusive culture by leveraging partnerships and serving communities where we live and work. It includes not only valuing individual differences of race, religion, gender, nationality and lifestyle, but also managing and valuing the diversity of work teams, intracompany teams and business partnerships.

Delta is an active, giving corporate citizen in the communities it serves. Delta’s community engagement efforts are driven by our desire to build long-term partnerships in a way that enables nonprofits to utilize many aspects of Delta’s currency — our employees time and talent, our free and discounted air travel, as well as our surplus donations. Together, we believe we can take our worldwide communities to new heights!

The Atlanta Symphony Orchestra’s concert on November 5, 2011 at Carnegie Hall is made possible through the generous support of Delta Air Lines and Thurmond Smithgall.

Solo pianos used by the Atlanta Symphony Orchestra are gifts of the Atlanta Steinway Society and in memory of David Goldwasser. The Hamburg Steinway piano is a gift received by the Atlanta Symphony Orchestra in honor of Rosi Fiedotin.

The Yamaha custom six-quarter tuba is a gift received by the Atlanta Symphony Orchestra in honor of Principal Tuba player Michael Moore from The Antinori Foundation.

This performance is being recorded for broadcast at a later time. Atlanta Symphony concert broadcasts are heard each week on Atlanta’s WABE FM-90.1 and Georgia Public Broadcasting’s statewide network.

The Atlanta Symphony records for ASO Media. Other recordings of the Orchestra are available on the Argo, Deutsche Grammophon, New World, Nonesuch, Philips, Telarc and Sony Classical labels.

Media sponsors: WABE, WSB AM, and AJC. Trucks provided by Ryder Truck Rental Inc.

26 EncoreAtlanta.com

program Notes on the Program

By Ken Meltzer Capriccio espagnol, Opus 34 (1887) Nikolai Rimsky-Korsakov was born in Tikhvin, Russia, on March 18, 1844, and died in Lyubensk, Russia, on June 21, 1908. The first performance of the Capriccio espagnol took place at the Small Theater in St. Petersburg, Russia, on October 31, 1887, with the composer conducting the Orchestra of the Imperial Russian Opera House. The Capriccio espagnol is scored for piccolo, two flutes, two oboes, English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, harp, triangle, snare drum, tambourine, castanets, cymbals, bass drum and strings. Approximate performance time is sixteen minutes.

First ASO Classical Subscription Performance: February 27, 1949, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: May 8, 9 and 10, 1997, Louis Lane, Conductor.

“Glitter with dazzling color”

N

ikolai Rimsky-Korsakov composed his brilliant Capriccio espagnol in the summer of 1887. For some time, the composer had been occupied with the orchestration of his opera, Prince Igor. However, according to Rimsky-Korsakov: “In the middle of the summer this work was interrupted: I composed the Spanish Capriccio from the sketches of my projected virtuoso violin fantasy on Spanish themes. According to my plans the Capriccio was to glitter with dazzling color, and manifestly, I had not been wrong.”

It was Rimsky-Korsakov who led the October 31, 1887 premiere of his Capriccio espagnol.

The concert took place at the Small Theater in St. Petersburg, as part of the Russian Musical Society’s concert series. Rimsky-Korsakov conducted the Orchestra of the Imperial Russian Opera House. The concert, according to Rimsky-Korsakov, “was played with a perfection and enthusiasm the like of which it never possessed subsequently, even when led by (Arthur) Nikisch himself. Despite its length, the composition called forth an insistent encore.”

Rimsky-Korsakov has long been hailed as one of the masters of orchestration. The composer himself acknowledged that the Capriccio espagnol, along with Scheherazade (1888) and the Russian Easter Overture (1888), marked the culmination of a period in “which my orchestration had reached a considerable degree of virtuosity and bright sonority…”

Nevertheless, Rimsky-Korsakov admonished: The opinion formed by both critics and the public, that the Capriccio is a magnificently orchestrated piece — is wrong. The Capriccio is a brilliant composition for the orchestra. The change of timbres, the felicitous choice of melodic designs and figuration patterns, exactly suiting each kind of Atlanta’s Performing Arts Publication 27

instrument, brief virtuoso cadenzas for instruments solo, the rhythm of the percussion instruments, etc., constitute here the very essence of the composition and not its garb or orchestration. The Spanish themes, of dance character, furnished me with rich material for putting in use multiform orchestral effects. All in all, the Capriccio is undoubtedly a purely external piece, but vividly brilliant for all that.

Musical Analysis Rimsky-Korsakov chose the melodies of the Capriccio espagnol from a collection of songs and dances, edited by the 19th-century Spanish composer José Inzenga y Castellanos (18281891). The five movements are played without pause.

I. Alborada. Vivo e strepitoso — The Capriccio espganol opens with a scintillating Alborado (an aubade, or morning serenade). The sparkling introduction leads to playful solos for the clarinet and violin.

II. Variations. Andante con moto — The horns introduce a languid, dolce theme that serves as the basis for a series of variations, showcasing the orchestra’s wide range of colors. The movement concludes with a cadenza for the solo flute.

III. Alborada. Vivo e strepitoso — The third movement offers a repetition of the opening Alborada, now transposed from A to B-flat Major.

IV. Scene and Gypsy Song. Allegretto — A roll of the snare drum introduces a series of cadenzas for the horns and trumpets, violin, flute and clarinet, and harp. A vibrant Gypsy song dominates the latter part of the movement, gathering impressive momentum as it proceeds directly to the finale.

V. Fandango of the Asturias — The final movement opens with a Fandango, a lively dance in triple meter. The Gypsy song briefly returns, as does the opening Alborada, bringing the Capriccio espagnol to a dazzling Presto conclusion.

Concerto No. 2 for Piano and Orchestra in C minor, Opus 18 (1901) Sergei Rachmaninov was born in Semyonovo, Russia, on April 1, 1873, and died in Beverly Hills, California, on March 28, 1943. The first performance of the Second Piano Concerto took place in Moscow on November 9, 1901, with the composer as soloist and Alexander Siloti conducting the Moscow Philharmonic Society. In addition to the solo piano, the Concerto No. 2 is scored for two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, bass drum, cymbals and strings. Approximate performance time is thirty-three minutes.

First ASO Classical Subscription Performance: December 17, 1949, Jacques Abram, Piano, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: February 6, 7 and 8, 2003, André Watts, Piano, Robert Spano, Conductor.

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program “A conservatory in Hell”

W

hen Sergei Rachmaninov completed his First Symphony in August of 1895, he was 22, and brimming with all the confidence of youth. “I imagined that there was nothing I could not do and had great hopes for the future,” he later recalled. Rachmaninov’s First Symphony received its premiere in St. Petersburg on March 27, 1897, with composer Alexander Glazunov conducting. But what should have been one of the great triumphs of the young Rachmaninov’s life almost permanently ended his career as a composer.

Rachmaninov began to lose faith in his First Symphony during the first rehearsal. The composer’s doubts were hardly allayed by Nicolai Rimsky-Korsakov, who remarked, “Forgive me, but I do not find this music at all agreeable.” Any possibilities of success for the Symphony were foiled by a performance Rachmaninov described as “beneath contempt.” Immediately after the final chords, Rachmaninov “fled, horrified, into the street.”

While Rachmaninov was able to escape the confines of the theater, he still had to face the wrath of the critics. Russian composer César Cui wrote in the St. Petersburg News: If there were a conservatory in Hell, if one of its many talented students were instructed to write a programme symphony on the “Seven Plagues of Egypt,” and if he were to compose a symphony like Mr. Rachmaninov’s, then he would have fulfilled his task brilliantly and would delight the inhabitants of Hell.

It’s not surprising that Rachmaninov was devastated by this disastrous turn of events.

He lapsed into a profound depression, and vowed to give up composing. Rachmaninov recalled: “This condition, which was as tiresome for myself as for those about me, lasted more than a year. I did not live; I vegetated, idle and hopeless.”

Rachmaninov’s friends were alarmed by his condition, and tried all forms of cures. Princess Alexandra Lieven arranged for Rachmaninov to visit his idol, the author Tolstoy. But when the terrified Rachmaninov was finally able to summon the courage to play one of his piano compositions, Tolstoy queried: “Tell me, does anybody need music like this?”

“You will begin to write your Concerto” Finally, the Satin family convinced Rachmaninov that he should consult Dr. Nikolai Dahl, a doctor who had gained some prominence for his employment of suggestion and autosuggestion. Between January and April of 1900, Rachmaninov visited Dr. Dahl on a daily basis. Rachmaninov had tried, unsuccessfully, to compose a piano concerto he promised for London. The composer recalled: I heard the same hypnotic formula repeated day after day while I lay half asleep in the armchair in Dr. Dahl’s study. “You will begin to write your Concerto...You will work with great facility...The Concerto will be of an excellent quality...” It was always the same, without interruption.

Although it may sound incredible, this cure really helped me. Already Atlanta’s Performing Arts Publication 29

at the beginning of the summer I began again to compose. The material grew in bulk, and new musical ideas began to stir within me — far more than I needed for my Concerto.

Rachmaninov completed the final two movements of his Second Piano Concerto in the autumn of 1900 and performed them at a Moscow charity concert in October. Rachmaninov added the opening movement in the spring of the following year, and appeared as soloist in the November 9, 1901 premiere of the entire Second Concerto. In gratitude, Rachmaninov dedicated the Concerto to Dr. Dahl.

Musical Analysis I. Moderato — The soloist intones eight chords that crescendo to the orchestra’s presentation of the surging opening melody, marked con passione. After a brief, capricious flight by the soloist and a forceful orchestral statement, the pianist introduces the second theme, one of the haunting, expansive melodies that are a hallmark of Rachmaninov’s art. The development, prominently featuring the soloist, builds to a climax. This leads to a recapitulation in which the orchestra’s repetition of the first theme is juxtaposed with a martial proclamation by the soloist. A solo horn reprises the lovely second theme. The movement concludes with a terse, powerful coda.

II. Adagio sostenuto — The Concerto’s slow movement opens with muted strings. The pianist accompanies the solo flute and clarinet as they softly introduce the movement’s principal melody, closely related to the opening Moderato’s second theme. The Adagio proceeds as a haunting fantasia on the melody. Toward the latter part of the movement, there is an agitated episode for the soloist. Soon, however, the atmosphere of the opening returns, and the soloist brings the Adagio to a serene conclusion.

III. Allegro scherzando — The orchestra presents a march-like figure. After a brief solo passage, the pianist introduces the finale’s descending principal theme. The violas and solo oboe introduce the beautiful second theme, one of Rachmaninov’s most famous melodies (and the basis for a 1940s popular song, “Full Moon and Empty Arms”). The soloist then offers his own ardent version of the melody. The opening theme returns, presented in varied and thrilling fashion. A brief interlude by the soloist introduces the solo flute and violins’ reprise of the second theme. After a reflective passage for soloist and orchestra, fragments of the opening theme return, leading to the opulent closing measures. A lush presentation of the second theme, capped by the soloist and orchestra’s headlong dash, bring the Concerto to a thrilling close.

Pictures at an Exhibition (1874) (Orchestrated by Maurice Ravel—1923) Modest Mussorgsky was born in Karevo, district of Pskov, Russia, on March 21, 1839, and died in St. Petersburg, Russia, on March 28, 1881. The premiere of the Maurice Ravel orchestration of Mussorgsky’s Pictures at an Exhibition (originally composed for piano solo) took place in Paris, France, on May 3, 1923, with Serge Koussevitsky conducting. The Ravel orchestration is scored for two piccolos, three flutes, three oboes, English horn, two clarinets, bass clarinet, alto saxophone, two bassoons, contrabassoon, 30 EncoreAtlanta.com

program four horns, three trumpets, three trombones, tuba, timpani, two harps, celeste, xylophone, snare drum, tam tam, triangle, whip, ratchet, cymbals, bass drum, orchestra bells, suspended cymbal, chimes and strings. Approximate performance time is thirty-four minutes.

First ASO Classical Subscription Performance: March 10, 1953, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: October 1, 2 and 3, 2009, Robert Spano, Conductor.

ASO Recording: Yoel Levi, Conductor (Telarc CD-80296)

I

n 1873, the Russian artist Viktor Hartmann died at the age of 39. After Hartmann’s death, the St. Petersburg Society of Architects presented an exhibition of Hartmann’s works. One of the people attending the exhibition was Hartmann’s dear friend, the Russian composer Modest Mussorgsky.

Mussorgsky was as profoundly impressed with the quality of Hartmann’s works as he was saddened by the sudden loss of a dear friend. Mussorgsky decided to offer a tribute to Hartmann in the form of a musical representation of several of the pieces of art featured at the St. Petersburg exhibit. In 1874, Modest Mussorgsky completed his work for solo piano, Pictures at an Exhibition, published after the composer’s death in 1881.

While many critics have suggested that Mussorgsky did not write in a particularly idiomatic fashion for the piano, the original version of Pictures can make a stunning impact when interpreted by a sympathetic virtuoso. Still, it was not until Maurice Ravel applied his brilliant talents to Mussorgsky’s original score that Pictures at an Exhibition became destined for the immense popularity it enjoys today.

Conductor Serge Koussevitsky commissioned Ravel’s orchestration for the annual Paris Concerts Koussevitsky, where it premiered, to great acclaim, on May 3, 1923. Since that time, the Mussorgsky/Ravel Pictures at an Exhibition has been celebrated as a quintessential showpiece for orchestras and conductors alike. It is one of the most performed and recorded works in the concert repertoire.

Musical Analysis Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto — The Promenade serves as a connecting motif between musical portrayals of the various pictures.

Russian music critic Vladimir Stassov described the promenade as depicting the composer “moving now to the left, now to the right, now wandering about aimlessly, now eagerly making for one of the pictures...” The composer’s unpredictable movements are reflected in the odd combinations of 5/4 and 6/4 rhythms. In Ravel’s orchestration, the main Promenade theme is first played by the solo trumpet and, ultimately, by the full orchestra.

I. Gnomus. Vivo — Many of Hartmann’s works disappeared during the period between the 1874 St. Petersburg exhibition and Ravel’s 1923 orchestration of Mussorgsky’s composition.

And so, there is disagreement as to the exact nature of the picture that inspired this music.

In the original piano edition, Stassov describes Hartmann’s work: “A dwarf walks about Atlanta’s Performing Arts Publication 31

awkwardly on crooked little legs.” However, Alfred Frankenstein, longtime Music and Art Editor of the San Francisco Chronicle, engaged in a detailed search and study of the original Hartmann pictures. Frankenstein stated that “(t)he picture was a design for a nutcracker in the form of a gnome with huge jaws.” In either case, the music depicting Hartmann’s drawing is ominous and, at times, violent.

Promenade — A more introspective statement of the Promenade theme serves as a bridge to the following picture.

II. Il vecchio castello. Andante — The painting depicts an old Italian castle, before which a lute-bearing troubadour stands. The troubadour’s melancholy ballad, principally intoned by the saxophone, is set to an undulating 6/8 rhythm.

Promenade. Moderato non tanto, pesamente — A brief, weighty restatement of the Promenade leads to: III. Tuileries. Allegretto non troppo, capriccioso — Mussorgsky’s own subtitle for this section is “Children Quarreling After Play.” The painting depicts the Parisian Tuileries gardens, where children play under the watchful eye of their nurses. The action is portrayed in a fleeting, airy section that, in Ravel’s orchestration, prominently features the woodwinds.

IV. Bydlo. Sempre moderato pesante — “Bydlo” is the Polish word for “cattle.” Hartmann’s watercolor depicts an ox-drawn cart with massive wooden wheels. The lumbering movement of the cart is reflected in the plodding 2/4 rhythm and dark orchestration, including an extended tuba solo.

Promenade. Tranquillo — A short reprise of the Promenade serves as a bridge to: V. Ballet of the Chicks in Their Shells. Scherzino. Vivo leggiero — The sketch that inspired this delightful miniature scherzo was made by Hartmann for the ballet, Trilby. It features costumed children impersonating chicks newly emerging from their shells. Ravel’s filigree scoring of Mussorgsky’s tripping rhythm is sheer magic.

VI. Samuel Goldenberg and Schmuyle. Andante — The title of this section is the creation of Stassov—Mussorgsky’s original reads, “Two Polish Jews; one rich, the other poor.” This episode appears to be based upon a Hartmann drawing of the Sandomir ghetto. Mussorgsky owned the drawing and loaned it to the St. Petersburg exhibit. The exchange between the wealthy Goldenberg (lower strings supported by woodwinds) and Schmuyle (muted trumpet) eventually erupts into an argument, as the two simultaneously attempt to express themselves.

Here, Ravel omits Mussorgsky’s repetition of the Promenade and proceeds to: VII. The Market Place in Limoges. Allegretto vivo, sempre scherzando — Hartmann’s watercolor portrays the façade of the Limoges Cathedral. Mussorgsky focused on a small portion of the watercolor that shows market women engaged in lively conversation. The quicksilver musical portrayal of their gossip is interrupted by: VIII. Catacombae, Sepulchrum Romanum. Largo — The painting depicts Hartmann and a friend standing in a Paris catacomb, observing a pile of skulls illuminated by a guide’s lantern. Brass pronouncements alternating loud and soft dynamics lead directly to:

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program Cum mortuis in lingua mortua. Andante non troppo, con lamento — Mussorgsky’s own footnote to this section’s title reads: “A Latin text: ‘With the Dead in a Dead Language.’

Well may it be in Latin! The creative spirit of the departed Hartmann leads me to the skulls, calls out to them, and the skulls begin to glow dimly from within.” The bond between Hartmann and Mussorgsky is made clear by the repetition of the Promenade theme, played over mysterious string tremolos. The oboes and English horn first play the theme, followed by the bassoons and contrabassoon.

A moment of silence is shattered by: IX. The Hut on Hen’s Legs (Baba-Yaga). Allegro con brio, féroce—Andante mosso— Allegro molto — Baba-Yaga is a mythical Russian witch who lured victims into her hut.

There, Baba-Yaga ground her prey’s bones with a giant mortar that she also used to transport herself through the air. Hartmann’s drawing is a representation of a huge clock in the shape of the witch’s hut that, according to legend, stood on four chicken feet, thereby allowing the quick capture of each new victim. Mussorgsky’s musical portrayal of the witch’s grotesque hut and her flight leads without pause to: X. The Great Gate of Kiev. Allegro alla breve. Maestoso. Con grandezza — The final picture represented Hartmann’s entry in a competition to erect a gateway in Kiev. The gateway was intended to serve as a memorial to Tsar Alexander II’s escape from assassination.

Hartmann envisioned a massive and ornate structure, featuring a cupola in the form of a Slavonic war helmet. Mussorgsky’s music, enhanced by Ravel’s orchestration, evokes the epic grandeur of Hartmann’s design, as well as images of ceremonial processions through the extraordinary gate. The Promenade theme returns in triumphant fashion, leading to one of the most thrilling conclusions in concert music.

miguel harth-bedoya, Conductor

M

usic director of the Fort Worth Symphony Orchestra for more than a decade, Miguel Harth-Bedoya is one of this country’s most exciting and sought-after conductors. Under his leadership, the artistic level of the Fort Worth Symphony and its contribution to the cultural life of the community have grown enormously.

He has also appeared with the symphony orchestras of Atlanta, Baltimore, Boston, Chicago, Cincinnati, Cleveland, Miguel Harth-Bedoya Colorado, Dallas, Detroit, Houston, Los Angeles, Milwaukee, Minnesota, National (Washington, D.C.), New York, Philadelphia, St. Louis, San Diego, Seattle, Toronto and Utah, and the Saint Paul Chamber Orchestra.

Worldwide, Mr. Harth-Bedoya has performed with the BBC London Symphony, BBC Scottish Symphony, Berlin Symphony, Birmingham Symphony, Dresden Philharmonic, Gøteborg Symphony, Helsinki Philharmonic, MDR Orchestra/Leipzig, London Philharmonic, Malmø Symphony, Montreal Symphony, Munich Philharmonic, NDR Orchestra/Hamburg, Orchestre National Bordeaux Aquitaine, Orchestre National de Lyon, Orchestre de Atlanta’s Performing Arts Publication 33

Paris, Orchestre de la Suisse Romande, Orquesta y Coros Nacionales de España, Orquesta Nacional de Madrid, Orquesta Sinfónica de Castilla de Lyon/Valladolid, Orquesta Sinfónica de Galicia, Orquesta Sinfónica de Tenerife, Residentie Orkest/The Hague, Royal Scottish National Orchestra, Royal Stockholm Philharmonic, Stavanger Symphony (Norway), SWR Orchestra/ Stuttgart, Sydney Symphony, WDR Orchestra/Cologne and Zurich Tonhalle as well as tours of New Zealand with the New Zealand Orchestra and of Scandinavia with soprano Renée Fleming.

Equally at home in the theater, Miguel Harth-Bedoya conducted a new production of La Bohème at the English National Opera/London in 2009, directed by Jonathan Miller. He has also led productions with the opera companies of Canada, Cincinnati, Minnesota and Santa Fe. Winner of the 2002 Seaver/NEA Conductors Award, Mr. Harth-Bedoya also has served as music director of the Auckland Philharmonia, Eugene Symphony, and the Philharmonic Orchestra of Lima.

Horacio Gutiérrez, Piano

C

onsidered one of the great pianists of our time, Horacio Gutiérrez is consistently praised by critics and audiences alike for the poetic insight and technical mastery he brings to a diverse repertoire. Since his professional debut in 1970 with Zubin Mehta and the Los Angeles Philharmonic, Mr. Gutiérrez has appeared regularly with the world’s greatest orchestras and on its major recital series.

Horacio Gutiérrez His 2011-12 engagements include returns to the Symphony Orchestras of Baltimore, Atlanta, St. Louis, San Francisco, Winnipeg and San Diego, plus opening the new Soka Arts Center in Orange County, Calif., performing the Rachmaninov Concerto No. 2 with the Pacific Symphony. Mr. Gutiérrez has given recitals at Amsterdam’s Concertgebouw, Berlin’s Philharmonie, the Schleswig-Holstein Festival and New York’s Carnegie and Avery Fisher, halls and has twice performed on tour with the Cleveland Orchestra.

A favorite of New York concertgoers, Mr. Gutiérrez has frequently performed at Lincoln Center’s Avery Fisher Hall and at Carnegie Hall in recital and with orchestra. He has been a frequent soloist at the Mostly Mozart Festival and has appeared on its season-opening “Live From Lincoln Center” telecast. As a chamber musician, he has collaborated with the Guarnieri, Tokyo and Cleveland quartets as well as the Chamber Music Society of Lincoln Center. In 1982, he received the prestigious Avery Fisher Prize.

Mr. Gutiérrez is a strong advocate of contemporary American composers. Of special importance were his performance of William Schuman’s Piano Concerto in honor of the composer’s 75th birthday at New York’s 92nd Street Y, and of André Previn’s Piano Concerto with the New York Philharmonic with Mr. Previn conducting.

His TV performances in Britain, the United States and France have been widely acclaimed, and have won him an Emmy Award for his fourth appearance with the Chamber Music Society of Lincoln Center.

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support The Atlanta Symphony Orchestra gratefully acknowledges the generous gifts of individuals, corporations, foundations, government and other entities whose contributions help the Orchestra fulfill its mission to be a vigorous part of the cultural fabric of our community. The following list represents the cumulative total of philanthropy of $1,750 and above to the Orchestra’s fundraising campaigns, events and special initiatives from the fiscal year 2011: June 1, 2010 through May 31, 2011.

(Please note that donor benefits are based solely on contributions to the annual fund.) $500,000+

Mrs. Thalia N. Carlos** Delta Air Lines

The Mabel Dorn Reeder Foundation The Zeist Foundation, Inc.

$250,000+

Madeline & Howell Adams, Jr. Mrs. Anne Cox Chambers

The Coca-Cola Company Mrs. William A. Schwartz

$100,000+

GE Asset Management Abraham J. & Phyllis Katz Foundation Mr. & Mrs. Charles H. McTier

Turner Broadcasting System The Vasser Woolley Foundation, Inc. Woodruff Arts Center

$75,000+

Fulton County Arts Council

National Endowment for the Arts

UPS

$50,000+

Anonymous AT&T Real Yellow Pages Marcia & John Donnell GE Energy The Graves Foundation InterContinental Hotels Group

The Charles Loridans Foundation, Inc. The Reiman Foundation Mr. Thurmond Smithgall Robert Spano Susan & Thomas Wardell

SunTrust Bank SunTrust Foundation SunTrust Bank Trusteed Foundation – Walter H. and Marjory M. Rich Memorial Fund

$35,000+

Massey Charitable Trust Porsche Cars North America

Publix Super Markets Charities Patty & Doug Reid

Sutherland Asbill & Brennan LLP

Lucy R. & Gary Lee, Jr. MetLife Foundation The Sara Giles Moore Foundation Nalley Automotive Group Terence L. & Jeanne P. Neal* Victoria & Howard Palefsky Mr. & Mrs. Solon P. Patterson* Printpack Inc. & The Gay & Erskine Love Foundation

Ryder System, Inc. Mrs. Charles A. Smithgall, Jr. Mr. & Mrs. K. Morgan Varner, III Adair & Dick White Ann Marie & John B. White, Jr.* Sue & Neil Williams

$25,000+

Susan & Richard Anderson Stephanie & Arthur Blank Mr. & Mrs. C. Merrell Calhoun Mr. & Mrs. Bradley Currey, Jr. Georgia Council for the Arts Georgia Natural Gas Ann & Gordon Getty Foundation John H. & Wilhelmina D. Harland Charitable Foundation, Inc.

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

Atlanta’s Performing Arts Publication 35

$17,500+

Anonymous (2) Jim and Adele Abrahamson The Arnold Foundation, Inc.

Mr. & Mrs. Paul J. Blackney Janine Brown & Alex J. Simmons, Jr. City of Atlanta Office of Cultural Affairs

Gary & Nancy Fayard Mr. & Mrs. Paul R. Garcia Jane & Clay Jackson Karole & John Lloyd

Mr. Kenneth & Dr. Carolyn Meltzer Loren & Gail Starr Alison M. & Joseph M. Thompson Camille Yow

Mr. Donald F. Fox Mr. & Mrs. Lawrence L. Gellerstedt III Charles & Mary Ginden Ann A. & Ben F. Johnson III* Sarah & Jim Kennedy Steve & Eydie Koonin Carrie & Brian Kurlander

Michael & Cindi Lang Donna Lee & Howard C. Ehni Meghan & Clarke Magruder Jeff Mango Verizon Wireless Mr. & Mrs. William T. Plybon*

Dr. Stanley & Shannon Romanstein Lynn Schinazi Irene & Howard Stein Mary Rose Taylor Ray & John Uttenhove Mr. & Mrs. Edus H. Warren, Jr.

The John & Rosemary Brown Family Foundation The Walter & Frances Bunzl Foundation Cynthia & Donald Carson Dr. John W. Cooledge Trisha & Doug Craft Cari Katrice Dawson Eleanor & Charles Edmondson Rosi & Arnoldo Fiedotin Mary D. Gellerstedt GMT Capital Corporation Nancy D. Gould The Robert Hall Gunn, Jr. Fund

Joe Guthridge & David Ritter* Jan & Tom Hough Mr. Tad Hutcheson Roya & Bahman Irvani Anne Morgan & Jim Kelley Mr. & Mrs. Donald R. Keough Mr. & Mrs. John M. Law The Livingston Foundation, Inc. Mike’s Hard Lemonade Morgens West Foundation Lynn & Galen Oelkers Primerica

Margaret & Bob Reiser Bill & Rachel Schultz* Joyce & Henry Schwob Mr. John A. Sibley III John Sparrow Carol & Ramon Tome Family Fund* Trapp Family Mike & Liz Troy Turner Foundation, Inc. Mark & Rebekah Wasserman Neal & Virginia Williams Suzanne Bunzl Wilner

Breman Foundation Jeff & Ann Cramer*

Mr. & Mrs. Jesse Hill, Jr. C. Tycho & Marie Howle Foundation

JBS Foundation The Hellen Plummer Charitable Foundation, Inc.

Dr. & Mrs. Carl D. Fackler David L. Forbes James F. Fraser The Fraser-Parker Foundation, Inc. Betty Sands Fuller Sally & Carl Gable Dick & Anne Goodsell The Jamieson Family Philip I. Kent James H. Landon George H. Lanier

The Sartain Lanier Family Foundation, Inc. Pat & Nolan Leake Links Inc., Azalea City Chapter Belinda & Gino Massafra Linda & John Matthews John F. & Marilyn M. McMullan Penelope & Raymond McPhee* Dr. & Mrs. Mark P. Pentecost, Jr.

Margaret H. Petersen John & Kyle Rogers Hamilton & Mason Smith* Sandy & Paul Smith Peter James Stelling Mrs. C. Preston Stephens Triska Drake & G. Kimbrough Taylor, Jr. Charlie Wade & M.J. Conboy Russell Williamson & Shawn Pagliarini

Ellen & Howard Feinsand Four Seasons Hotel Atlanta Herbert & Marian Haley Foundation Steven & Caroline Harless

Mr. & Mrs. John E. Hellriegel Mr. & Mrs. Daniel H. Hollums JoAnn Hall Hunsinger

Paul & Rosthema Kastin Dr. & Mrs. James T. Laney* Mr. & Mrs. William C. Lester*

$15,000+

Pinney L. Allen & Charles C. Miller III The Antinori Foundation Lisa & Joe Bankoff Mary Helen & Jim Dalton Mr. & Mrs. David Edmiston In memory of Polly Ellis

by Admiral James O. Ellis, Jr. $10,000+ Anonymous The Aaron Copland Fund for Music, Inc. AGCO Corporation, Lucinda B. Smith Mark & Christine Armour The Balloun Family Kelley O. & Neil H. Berman Mr. David Boatwright Mrs. Suzanne Dansby Bollman & Mr. Brooks Bollman The Boston Consulting Group $7,500+ Atlanta Federation of Musicians Edith H. & James E. Bostic, Jr. Family Foundation

$5,000+ Anonymous (3) John** & Helen Aderhold* Aadu & Kristi Allpere* Ms. Julie M. Altenbach The ASCAP Foundation Dr. Robert L. & Lucinda W. Bunnen Charles Campbell & Ann Grovenstein-Campbell Richard A. & Lynne N. Dorfman Christopher & Sonnet Edmonds

$3,500+ Anonymous Mr. & Mrs. Dennis Chorba Mr. James L. Davis & Ms. Carol Comstock* Jere & Patsy Drummond

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support

$3,500+ continued Deborah & William Liss Dr. & Mrs. James T. Lowman Ruth & Paul Marston Mr. & Mrs. Harmon B. Miller III

Walter W. Mitchell Leslie & Skip Petter Mr. & Mrs. Rezin Pidgeon, Jr. Mr. & Mrs. Joel F. Reeves S.A. Robinson

Nancy & Henry Shuford In memory of Willard Shull Elliott Sopkin Ms. Kimberly Tribble & Mr. Mark S. Lange

Burton Trimble Drs. Julius & Nanette Wenger H. & T. Yamashita*

Gregory & Debra Durden Ms. Diane Durgin Cree & Frazer Durrett The Robert S. Elster Foundation George T. & Alecia H. Ethridge John & Michelle Fuller Mr. & Mrs. Edward T. Garland Dr. Mary G. George & Mr. Kenneth Molinelli Ben & Lynda Greer Dr. & Mrs. Alexander Gross Paul B., Paul H., & M. Harrison Hackett Sally W. Hawkins Darlene K. Henson Mr. & Mrs. Harry C. Howard Richard & Linda Hubert Dr. William M. Hudson Mr. & Mrs. William C. Humphreys, Jr. Dr. & Mrs. James M. Hund Dorothy Jackson Ms. Cynthia Jeness Mr. & Mrs. Robert A. Johnson Mr. W. F. & Dr. Janice Johnston Dr. Maurice J. Jurkiewicz**

Hazel & Herb Karp Mr. & Mrs. John H. Kauffman Mr. & Mrs. L. Michael Kelly Dick & Georgia Kimball* Mr. & Mrs. Daniel J. King Dr. Fulton D. Lewis III & Mr. Stephen Neal Rhoney Mr. & Mrs. J. David Lifsey Mr. & Mrs. Paul A. Lutz* Mr. & Mrs. Frederick C. Mabry Barbara & Jim MacGinnitie The Devereaux F. & Dorothy McClatchey Foundation, Inc. Mr. & Mrs. Albert S. McGhee Birgit & David McQueen Gregory & Judy Moore Ms. Lilot S. Moorman & Mr. Jeffrey B. Bradley Dr. & Mrs. R. Daniel Nable Mr. & Mrs. Robert Olive Ms. Rebecca Oppenheimer Mr. & Mrs. Andreas Penninger Susan Perdew Dr. & Mrs. W. Harrison Reeves, Sr.

Mr. & Mrs. Richard L. Rodgers Mr. & Mrs. George P. Rodrigue Dr. Paul J. Seguin Elizabeth S. Sharp Angela & Morton Sherzer Kay R. Shirley Beverly & Milton Shlapak Helga Hazelrig Siegel Lewis Silverboard Baker & Debby Smith Amy & Paul Snyder Mr. & Mrs. Raymond F. Stainback, Jr. Lynne & Steven Steindel* John & Yee-Wan Stevens Mr. & Mrs. George B. Taylor, Jr. Mr. & Mrs. Mark Taylor Annie York-Trujillo & Raul F. Trujillo Mr. William C. Voss Dr. & Mrs. James O. Wells, Jr. David & Martha West Mr. & Mrs. Peter L. Whitcup Mary Lou Wolff Jan & Beattie Wood Mr. & Mrs. John C. Yates

Elizabeth & John Donnelly Xavier Duralde & Mary Barrett Cree & Frazer Durrett Dr. Francine D. Dykes & Mr. Richard Delay Mary Frances Early Ree & Ralph Edwards George T. & Alecia H. Ethridge Bill & Susan Gibson Carol & Henry Grady Mr. Lewis H. Hamner III Thomas High In memory of Carolyn B. Hochman Stephanie & Henry Howell Mary B. & Wayne James Aaron & Joyce Johnson Veronique & Baxter Jones Lana M. Jordan Mr. Thomas J. Jung Dr. Rose Mary Kolpatzki Mr. & Mrs. David Krischer

Thomas C. Lawson Mr. & Mrs. Craig P. MacKenzie Kay & John Marshall Martha & Reynolds McClatchey Captain & Mrs. Charles M. McCleskey Virginia K. McTague Angela & Jimmy Mitchell Mrs. Gene Morse** Barbara & Sanford Orkin Dr. & Mrs. Keith D. Osborn Dr. & Mrs. Bernard H. Palay Mr. & Mrs. Emory H. Palmer Elise T. Phillips Dr. & Mrs. Frank S. Pittman III The Reverend Neal P. Ponder, Jr. Provaré Technology, Inc.

Ms. Susan Robinson & Ms. Mary Roemer The Gary Rollins Foundation John T. Ruff Dr. & Mrs. Rein Saral Alida & Stuart Silverman Sydney Simons Alex & Betty Smith Foundation, Inc. Johannah Smith Mr. & Mrs. Gabriel Steagall Kay & Alex Summers Elvira Tate Mr. & Mrs. William M. Tipping Drs. Jonne & Paul Walter Alan & Marcia Watt Mr. & Mrs. William White* Hubert H. Whitlow, Jr. Mrs. Frank L. Wilson, Jr. Charlie & Dorothy Yates Family Fund Herbert & Grace Zwerner

$2,250+ Anonymous (3) Mrs. Kay Adams* & Mr. Ralph Paulk Mr. & Mrs. Phillip E. Alvelda* Paul & Marian Anderson Jack & Helga Beam Ms. Laura J. Bjorkholm & Mr. John C. Reece II Rita & Herschel Bloom Margo Brinton & Eldon Park Jacqueline A. & Joseph E. Brown, Jr. Dr. & Mrs. Anton J. Bueschen Major General & Mrs. Robert M. Bunker Dr. Aubrey M. Bush & Dr. Carol T. Bush The Buss Family Charitable Fund Ms. Marnite B. Calder Mr. & Mrs. Beauchamp C. Carr Chip & Darlene Conrad Mr. & Mrs. Thomas G. Cousins Mr. Robert Cronin & Ms. Christina Smith Sally & Larry Davis Elizabeth & John Donnelly

$1,750+ Anonymous Mr. & Mrs. Stephen D. Ambo Dr. David & Julie Bakken Mr. & Mrs. Ron Bell Leon & Linda Borchers Mr.** & Mrs. Eric L. Brooker Mr. & Mrs. Russell E. Butner Mr. & Mrs. Walter K. Canipe Susan & Carl Cofer Mr. & Mrs. R. Barksdale Collins* Ralph & Rita Connell Dr. & Mrs. William T. Cook Jean & Jerry Cooper Mr. & Mrs. Brant Davis* Mrs. H. Frances Davis Mr. & Mrs. Peter T. de Kok Drs. Carlos Del Rio & Jeannette Guarner

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

Atlanta’s Performing Arts Publication 37

additional support Blonder Family Foundation

William McDaniel Charitable Foundation

Appassionato

William Randolph Hearst Endowed Fund

Meghan Magruder, Appassionato Chair

The Atlanta Symphony Orchestra is privileged to receive annual contributions from individuals throughout the Southeast. Appassionato was inaugurated in 2000 and welcomes annual givers of $10,000 and above. Appassionato members provide the Symphony with a continuous and strong financial base in support of our ambitionous aritistic and education initiatives.

Patron Partnership

Thomas J. Jung, Chair

The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support.

Henry Sopkin Circle Recognizing planned gifts that benefit the Atlanta Symphony Orchestra Madeline & Howell E. Adams, Jr. Mr.* & Mrs. John E. Aderhold William & Marion Atkins Dr. & Mrs. William Bauer Neil H. Berman Fred & Bettye Betts Mr.* & Mrs.* Karl A. Bevins Mr.* & Mrs. Sol Blaine Frances Cheney Boggs* W. Moses Bond Robert* & Sidney Boozer Elinor A. Breman William Breman* James C. Buggs, Sr. Mr. & Mrs. Richard H. Burgin Hugh W. Burke Wilber W. Caldwell Mr. & Mrs. C. Merrell Calhoun Cynthia & Donald Carson Margie & Pierce Cline Dr. & Mrs. Grady Clinkscales, Jr. Miriam & John A. Conant* Dr. John W. Cooledge Mr.* & Mrs.* William R. Cummickel John R. Donnell Dixon W. Driggs* Catherine Warren Dukehart Ms. Diane Durgin Kenneth P. Dutter Arnold & Sylvia Eaves Elizabeth Etoll

John F. Evans Doyle Faler* Rosi & Arnoldo Fiedotin Dr. Emile T. Fisher A. D. Frazier, Jr. Betty & Drew* Fuller Carl & Sally Gable William H. Gaik Kay Gardner* Mr.* & Mrs. L. L. Gellerstedt, Jr. Ruth Gershon & Sandy Cohn Micheline & Bob Gerson Mr. & Mrs. John T. Glover Mrs. Irma G. Goldwasser* Robert Hall Gunn, Jr. Billie & Sig* Guthman Betty G. & Joseph* F. Haas James & Virginia Hale Miss Alice Ann Hamilton* John & Martha Head Ms. Jeannie Hearn Mr. Walter T. Heist* Jill* & Jennings Hertz Albert L. Hibbard, Jr.* Richard E. Hodges Mr. & Mrs. Charles K. Holmes, Jr. Mr.* & Mrs. Fred A. Hoyt, Jr. Dr. & Mrs. James M. Hund Mary B. James Calvert Johnson deForest F. Jurkiewicz* Herb & Hazel Karp Anne Morgan & Jim Kelley

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Bob Kinsey James W. & Mary Ellen* Kitchell Paul Kniepkamp, Jr. Miss Florence Kopleff Ouida Hayes Lanier Mr. & Mrs. William Lester Liz & Jay* Levine Jane Little Mrs. J. Erskine Love, Jr. Nell Galt & Will D. Magruder K Maier John W. Markham, III Ann Bernard Martin* Mr. Michael McDowell* Dr. Michael S. McGarry Mr. & Mrs. Richard McGinnis Vera A. Milner* Mr. & Mrs. Bertil D. Nordin Roger B. Orloff Dr. Bernard & Sandra Palay Bill Perkins Mr. & Mrs. Rezin E. Pidgeon, Jr. Janet M. Pierce Reverend Neal P. Ponder, Jr. William L. & Lucia Fairlie Pulgram The Reiman Foundation Carl J. Reith* Edith Goodman Rhodes* Vicki J. & Joe A. Riedel Dr. Shirley E. Rivers Mr. & Mrs. Martin H. Sauser

Mr. Paul S. Scharff & Ms. Polly G. Fraser Edward G. Scruggs* Dr. & Mrs. George P. Sessions W. Griggs Shaefer, Jr.* Mr.* & Mrs.* Robert Shaw Charles H. Siegel* Mr. & Mrs. H. Hamilton Smith Mrs. Lessie B. Smithgall Margo Sommers* Elliott Sopkin Elizabeth Morgan Spiegel Daniel D. Stanley* Peter James Stelling Barbara Dunbar Stewart* C. Mack* & Mary Rose Taylor Jennings Thompson IV Margaret* & Randolph Thrower Kenneth & Kathleen Tice Steven R. Tunnell Mary E. Van Valkenburgh Mrs. Anise C. Wallace* Mr. & Mrs. John B. White, Jr. Adair & Dick White Hubert H. Whitlow, Jr. Sue & Neil Williams Mrs. Frank L. Wilson, Jr. Elin M. Winn* Joni Winston George & Camille Wright Mr.* & Mrs. Charles R. Yates Anonymous (12) *Deceased

corporate & government support

Classical Title Sponsor Classic Chastain Title Sponsor Family and SuperPOPS Presenting Sponsor

Holiday Title Sponsor Muhtar Kent President and Chief Operating Officer

Richard Anderson Chief Executive Officer

Darryl Harmon Southeast Regional President

Major funding for this organization is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

Atlanta School of Composers Presenting Sponsor

Supporter of the Atlanta Symphony Orchestra Chorus

Philip I. Kent Chief Executive Officer

Jerry Karr Managing Director

This program is supported in part by the Georgia Council for the Arts (GCA) through the appropriations of the Georgia General Assembly. GCA also receives support from its partner agency, the National Endowment for the Arts

Atlanta Symphony Orchestra programs are supported in part by an award from the National Endowment for the Arts.

Major support is provided by the City of Atlanta Office of Cultural Affairs.

Atlanta’s Performing Arts Publication 39

Atlanta Symphony Associates The volunteer organization of the Atlanta Symphony Orchestra

2011-2012 board Belinda Massafra President Sylvia Davidson President Elect Suzy Wasserman, Leslie Petter, Camille Yow Advisors Ruth & Paul Marston Decorator’s Show House & Gardens Advisors Elba McCue Secretary

Sabine Sugarman Treasurer Camille Kesler VP Administration Dawn Mullican VP Public Relations Paula Ercolini VP Youth Education Ruth & Paul Marston VP Membership Gayle Lindsay Parliamentarian

Ann Levin & Gail Spurlock Historians Judy Schmidt Nominating Committee Chair Amy Mussara, Chair, Decorators’ Show House & Gardens Natalie Polk & Hillary Inglis Co-Chairs, Decorators’ Show House & Gardens

Janis Eckert & Gail Spurlock Chairs, ASA Fall Meeting Poppy Tanner Chair, ASA Night at the ASO Glee Lamb & Adele Abrahamson Chairs, ASA Spring Luncheon Pat King ASA Notes Newsletter Editor Jamie Moussa Chair, ASA Annual Directory

Nancy Levitt Ambassadors’ Desk Helen Marie Rutter Bravo Chair Elba McCue Concerto Chair Joan Abernathy Encore Chair Liz Cohn & Betty Jeter Ensemble Chairs Karen Bunn Intermezzo Chair

BRAVO! ON THE “BEACH” Members of Bravo!, the young professional volunteer group of the Orchestra, took in former Beach Boy Brian Wilson’s August show at Delta Classic Chastain. Shannon Smith, Helen Marie Rutter (Bravo! Unit Chair), and Wadette Bradford (left to right) soak up the “Good Vibrations.”

40 EncoreAtlanta.com

DINNER & A SHOW For less than what it costs for a single admission, you can purchase a Dinner & A Show package and get a TICKET PLUS A $20 GIFT CARD redeemable at a fine Atlanta restaurant.

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Patron Circle of Stars By investing $15,000 or more in the Woodruff Arts Center and its divisions – the Alliance Theatre, Atlanta Symphony Orchestra, High Museum of Art and Young Audiences – these outstanding Annual Corporate Campaign donors helped us exceed our $8.8 million fundraising goal for 2010–11. Thank you!

Chairman’s Council ★★★★★★★★★★★★★ $500,000+

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AirTran Airways Bank of America Delta Air Lines, Inc. Kaiser Permanente King & Spalding LLP ★★★★★★★★★★★ $450,000+ KPMG LLP, Partners & Employees Cox Interests Atlanta Journal-Constitution, The Marcus Foundation, Inc. WSB-TV, Cox Radio Group The Sara Giles Moore Atlanta, James M. Cox Foundation Foundation Novelis, Inc. Hon. Anne Cox Chambers Regions Financial Corporation Wal-Mart Stores, Inc. ★★★★★★★★★ $200,000+ The David, Helen & Marian Woodward Fund AT&T The Community Foundation for ★★★★★★ Greater Atlanta, Inc. $75,000+ Deloitte LLP, its Partners & Employees Holder Construction Company Ernst & Young, Partners & The Sartain Lanier Family Employees Foundation, Inc. The Home Depot Foundation Patty & Doug Reid Family Foundation Jones Day Foundation & Employees ★★★★★ The Klaus Family Foundation $50,000+ PricewaterhouseCoopers Partners AGL Resources Inc. & Employees Mabel Dorn Reeder Foundation Lisa & Joe Bankoff Cisco Turner Broadcasting System, Inc. Coca-Cola Enterprises Ann & Jay Davis ★★★★★★★★ Doosan Infracore International $150,000+ Frank Jackson Sandy Springs Alston & Bird LLP Toyota and Scion Equifax Inc. & Employees GMT Capital Corporation The Rich Foundation, Inc. Beth & Tommy Holder SunTrust Bank Employees & ING Trusteed Foundations Mr. & Mrs. M. Douglas Ivester Harriet McDaniel Kilpatrick Townsend & Marshall Trust Stockton LLP Walter H. & Marjory M. Newell Rubbermaid Rich Memorial Fund Primerica Thomas Guy Woolford Darrick Stephens Charitable Trust Sutherland Asbill & Greene-Sawtell Foundation Brennan LLP Wells Fargo The Zeist Foundation, Inc. The Coca-Cola Company Georgia Power Foundation, Inc. UPS

42 EncoreAtlanta.COM

★★★★ $35,000+ Accenture & Accenture Employees Katharine & Russell Bellman Foundation Mr. & Mrs. Bradley Currey, Jr. GE Energy The Imlay Foundation, Inc. Invesco PLC Norfolk Southern, Employees & Foundation SCANA Energy Siemens Industry, Inc. Harris A. Smith Troutman Sanders LLP Frances Wood Wilson Foundation, Inc. ★★★ $25,000+ Air Serv Corporation Assurant Atlanta Companies Assurant Solutions Assurant Specialty Property Atlanta Foundation Julie & Jim Balloun BB&T Corporation BDO USA, LLP Laura & Stan Blackburn Brysan Utility Contractors, Inc. Chartis CIGNA Foundation Cousins Properties Incorporated Crawford & Company Drummond Company, Inc. Eisner Family Foundation First Data Corporation Ford & Harrison LLP Genuine Parts Company Georgia-Pacific Jack & Anne Glenn Foundation, Inc. IBM Corporation Infor Global Solutions Sarah & Jim Kennedy Philip I. Kent Foundation The Ray M. & Mary Elizabeth Lee Foundation, Inc. LexisNexis Risk Solutions

The Blanche Lipscomb Foundation Livingston Foundation, Inc. Macy’s Foundation McKinsey & Company, Inc. Katherine John Murphy Foundation Piedmont Charitable Foundation, Inc. J. Marshall & Lucile G. Powell Charitable Trust Mary & Craig Ramsey Rock-Tenn Company Richard D. Shirk Southwire Company Spectrum Brands Towers Watson Waffle House, Inc. Gertrude & William C. Wardlaw Fund Waste Management Charitable Foundation Yancey Bros. Co. ★★ $15,000+ 22squared, inc.

A. E. M. Family Foundation ACE Charitable Foundation Acuity Brands, Inc. AGCO Corporation Alix Partners Alvarez & Marsal Arnall Golden Gregory LLP The Partners & Employees of Atlanta Equity Investors Atlanta Marriott Marquis Beaulieu Group, LLC Susan R. Bell & Patrick M. Morris The Arthur M. Blank Family Foundation The Boston Consulting Group Catherine S. & J. Bradford Branch George M. Brown Trust Fund of Atlanta, Georgia Bryan Cave LLP Buck Consultants

The Capital Group Companies Charitable Foundation Talela & Beauchamp Carr Roxanne & Jeffrey Cashdan CB Richard Ellis Center Family Foundation Mr. Charles Center Mr. & Mrs. Fred Halperin Ms. Charlene Berman The Chatham Valley Foundation, Inc. Chick-fil-A, Inc. CornerCap Investment Counsel Ann & Jeff Cramer DLA Piper Duke Realty Corporation Egon Zehnder International Exide Technologies Feinberg Charitable Trust Mr. & Mrs. Frank L. Fernandez Fifth Third Bank Robert Fornaro John & Mary Franklin Foundation, Inc. Gas South, LLC Georgia Natural Gas Dolores & Javier C. Goizueta Grant Thornton LLP Harland Clarke HD Supply The Howell Fund, Inc. ICS Contract Services, LLC Jamestown Jenny & Phil Jacobs Mr. & Mrs. Tom O. Jewell Weldon H. Johnson Family Foundation Ingrid Saunders Jones David & Jennifer Kahn Family Foundation Mr. & Mrs. Muhtar Kent Kurt Kuehn & Cheryl Davis Lanier Parking Solutions The Latham Foundation Barbara W. & Bertram L. Levy Fund

Karole & John Lloyd Lockheed Martin Aeronautics Company Marsh-Mercer McKenna Long & Aldridge LLP Mohawk Industries, Inc. Mueller Water Products, Inc. Noonan Family Foundation Gail & Bob O’Leary Vicki R. Palmer The Sally & Peter Parsonson Foundation, Inc. Paul, Hastings, Janofsky & Walker LLP Printpack Inc./The Gay & Erskine Love Foundation David M. Ratcliffe J. Mack Robinson Interests Frances & Jesse A. Sasser, Jr. Emily Winship Scott Foundation Selig Enterprises, Inc./ The Selig Foundation Skanska USA Building Inc. Spencer Stuart Karen & John Spiegel Superior Essex Inc. Sysco Atlanta TriMont Real Estate Advisors, Inc. United Distributors, Inc. WATL/WXIA/Gannett Foundation John F. Wieland Mr. & Mrs. James B. Williams Sue & Neil Williams Womble Carlyle Sandridge & Rice, PLLC Carla & Leonard Wood The Xerox Foundation Mr. & Mrs. Robert A. Yellowlees

*As of May 31, 2011

Atlanta’s Performing Arts Publication 43

Continued from page 20

“Being a conductor myself, I do have some knowledge of the ‘empty hype’ that goes with this profession,” he said in an interview several years ago with Alex Ross of The New Yorker. “Conductors should be what they used to be — spokespeople for music in their hometown. But [as a composer] only I can write my own music.

There’s no one else who can do it for me.”

Having studied horn, composing and conducting at the Sibelius Academy in Helsinki during the 1970s, Salonen initially considered himself to be a conducting composer, until 1983, when he pinchhit on short notice for a performance of Mahler’s Third Symphony with the Philharmonia Orchestra in London and became a composing conductor virtually overnight. His orchestral works are regularly performed and broadcast around the world.

“ Conductors should be spokespeople for music in their hometown.”

44 EncoreAtlanta.COM

The Salonen-Spano pairing has prompted a palpable buzz in Atlanta music circles.

After all, Spano and the ASO have performed nearly 100 contemporary pieces (works composed since 1950), since 2001, including seven ASO-commissioned world premieres, two additional world premieres, and two U.S. premieres as of the 2011-12 season. The Orchestra has received a total of eight Grammy awards for five recordings of contemporary works and, in 2007, was awarded ASCAP’s most prestigious honor, the John S. Edwards Award for Strongest Commitment to New American Music.

Next up, “Nyx.” Tickets and more information on the performance and the complete 2011-12 season are available at aso.org, at the Woodruff Arts Center box office or by calling 404.733.5000.

community corner

In the Community, Making a Difference Meet Sheehan Hanrahan, a member of the Atlanta Symphony Youth Orchestra and a student at Alpharetta High School. A Youth Orchestra student council leader and sole student member of the Atlanta Symphony Orchestra’s Education Committee, Sheehan also develops community service projects for his school orchestra and now is developing a Youth Orchestra community service plan.

Share a little about the community service plan you’re developing for the Youth Orchestra.

I envision every member participating in at least one community service project this season, which is a challenge because we do a lot more than practice and perform music.

We’re involved in sports, school clubs, organizations and many other activities, but I am confident we can do it — from volunteering at instrument petting zoos and a Youth Orchestra fundraiser to working in the community. Student musicians are the Youth Orchestra’s greatest resource, and following the lead of the Atlanta Symphony, we have the potential to take our music and talents throughout Atlanta and Georgia. There are many of us and taking part in one service project will have a lot of impact in the community.

What started you on the path to community service?

I started early, joining clubs and activities in my elementary, middle and high schools, and a community organization with my family. In middle school, I was a member of the chamber music program, Beta Club, Junior Honor Society and a member of the Atlanta Indian Catholic Association.

All these organizations arranged for community opportunities which I took part in; all of them exposed me to community service and giving.

Tell us about your work with the ASYO Student Council.

I’ve been a member for two years. The student council is comprised of members from each [instrumental] section, and we meet throughout the year to discuss the non-music and social aspect of being in the orchestra and bring up any questions or concerns. We also plan events throughout the year that give students an opportunity to socialize and get to know one another.

In the past we have held secret Santa gift exchanges and kickball games and will add community service as a priority.

46 EncoreAtlanta.COM

Our Professional Ensemble Bruce V. Benator, CPA, Managing Partner Kevin J. Hedrick, CPA, Partner Steven G. Horn, CPA, Partner Laura E. Speir, CPA, Partner Patricia A. Yeager, CPA, Partner

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community corner continued

What are the challenges you face as the “student voice” on the Orchestra’s Education Committee?

One of the biggest challenges is finding ways to make music more interesting and to incorporate it into students’ lives in the community and in their schools. Many students who would have been exposed to music at an early age are now missing out due to budget cuts, and this is devastating.

We are all aware of the numerous studies that repeatedly show the positive effects of music on children, yet many families are not inclined towards music or are unable to afford private music tuition. My peers in the Youth Orchestra and I are a testament to the positive impact that music can have on students. I started playing the violin in fourth grade, and since then I have realized how much it has benefitted and helped me in various aspects of my life. There are many ideas as to how to solve this problem and efforts are underway to improve the situation.

How does the ASO impact your life and lives in your high school and community?

It’s my favorite thing about this city and has provided me with so many wonderful experiences and opportunities, both musical and non-musical. To me, there is nothing that can compare to a night at the symphony.

Watching our outstanding orchestra perform music with unsurpassed skill and musicality offers me something that no movie or theater can. My visits to Atlanta Symphony Hall are always the highlight of my week and always create fantastic memories.

The Orchestra also allows us to grow and develop by providing us mentoring from by its musicians. Participating in master classes is a privilege that very few students

48 EncoreAtlanta.COM

elsewhere receive. Musicians volunteer their time to travel to schools throughout the city to work with students and teachers, and perform at Verizon Wireless Amphitheatre at Encore Park and Chastain Park Amphitheater, Family concerts and Symphony Street concerts. These provide wonderful music experiences for the general public and serve to make the Symphony an ever bigger part of the Atlanta community.

On a more personal level, our parent orchestra has helped me develop my leadership, social, academic and organizational skills to a great extent. These skills have helped me start a chamber music group in my school that performs throughout the community, and represent the Atlanta Symphony Youth Orchestra at local music camps. I am grateful.

Edited and condensed by Karl Schnittke

“ The Orchestra also plays a large role in the community.”

Sheehan Hanrahan

Lovett

At Lovett, we’ve set the stage— and the standard—for creative excellence.

Open House Sunday, November 13, 2011 K–Grade 5, 1:00 pm Grades 6–12, 3:30 pm We offer more than 50 classes in the visual and performing arts, as well as private lessons, all taught by professional artists.

Come to our Open House and explore the arts at Lovett— just one component of our whole education for the whole child.

The Lovett School practices a nondiscriminatory admission policy.

Financial aid is available.

Learn more at www.lovett.org The Lovett School Encore Atl ad 4.625” x 3.625” (1/2 page horiz.)

FINAL

Schwartz Center for Performing Arts

Hilary Hahn, violin with Valentina Lisitsa, piano Thursday, October 27, 8 p.m.

TICKETS ON SALE NOW! arts.emory.edu 404.727.5050

Photo by Gary Heery

© Opus 3 Artists

Peter Miller

Schola Cantorum de Venezuela Friday, November 11, 8 p.m.

Rachmaninov TM

Piano ConCerto no. 3 Symphonic DanceS

Garrick Ohlsson, piano Robert Spano Atlanta Symphony Orchestra

three for three

The Atlanta Symphony Orchestra Rachs ’n’ rolls into November with the release of an all-Rachmaninov recording on its own ASO Media label.

Music Director Robert

By Karl Schnittke Spano leads the Orchestra in the composer’s Symphonic Dances and Garrick Ohlsson, a frequent guest at Atlanta Symphony Hall, performs the mighty Third Concerto, a touchstone of the piano repertoire.

The album is the third release this year

by ASO Media. The Orchestra created the label in late 2010, and “It was an exciting and vital step forward for us,” recalled John Sparrow, who guides the label as vice president of orchestra initiatives and general manager. “We were thrilled to build on our longstanding tradition of excellence with our partners at Telarc, which had brought us national and international recognition.”

The Orchestra-Telarc partnership spanned four decades and produced 27 Grammy awards, and ended only when Concord Records purchased Telarc. Telarc producer 50 EncoreAtlanta.com

Elaine Martone and recording engineer Michael Bishop, both of whom received Grammys for their work with the Orchestra, are part of the ASO Media team as well, a fact applauded by Spano.

“We have a great recording history together,” he said, “and working with Elaine and Michael provided the opportunity to perpetuate this legacy and ensure our recording history remains a vital and integral part of our future.”

ASO Media’s first recording came out Feb. 22, 2011. Music Director Robert Spano conducted the Orchestra in works by two members of his Atlanta School of Composers: On A Wire, a concerto by Pulitzer Prize-winner Jennifer Higdon, an Atlanta native, with the chamber ensemble eighth blackbird; and Michael Gandolfi’s choral work, QED: Engaging Richard Feynman (“The most exciting choral work I’ve heard in a while” — America Record Guide), with the Orchestra Chorus.

On June 28, ASO Media released the world-premiere recording of Atlanta School member Christopher Theofanidis’s Symphony No. 1 (“fresh and provocative” wrote the San Francisco Chronicle), and Peter Lieberson’s Neruda Songs, inspired by the poetry of Pablo Neruda, sung by mezzo-soprano Kelley O’Connor.

A few years back, critic Susan Elliott remarked that “no other orchestra in this country has commissioned and performed as much new work in a similar time frame as have Robert Spano and his players.” With the launch of ASO Media and three records in less than a year, it’s safe to say the ASO is still on track.

ASO Media recordings are available at the Symphony Store.

calendar

October 27/29 Thu/Sat: 8pm Delta Classical Esa-PEkka salOnEn: Nyx scriabin: Poem of Ecstasy rachmaninOv: The Bells Robert Spano, conductor Tatiana Monogarova, soprano Sergey Romanovsky, tenor Denis Sedov, bass Atlanta Symphony Orchestra Chorus

november 17/19 Thu/Sat: 8pm Delta Classical rugglEs: Angels sEEgEr: Andante for strings mOzart: Flute concerto no. 1 sibElius: symphony no. 2 Ilan Volkov, conductor Christina Smith, flute

October 30 Sun: 1:30 & 3:30pm Family a stOrybOOk hallOwEEn Jere Flint, conductor Lee Harper Dancers Wendy Bennett, vocalist

JamEs bEckEl: Celebrations liaDOv: From the Apocalypse gabriEla lEna Frank: La Llorona

november 10/12/13 Thu/Sat: 8pm/Sun: 3pmDelta Classical

brittEn: The Building of the House Overture brahms: Double concerto OlivEr knussEn: symphony in One movement brittEn: Young Person’s Guide to the Orchestra Oliver Knussen, conductor David Coucheron, violin Christopher Rex, cello

november 20 Sun: 3pm

Overture

stravinsky: The Firebird Jere Flint, conductor Jennifer Stumm, viola Atlanta Symphony Youth Orchestra november 25/26 Fri/Sat: 8pm

SuperPOPS!

symPhOnic sPEctacular – See the Music!

Michael Krajewski, conductor

Dazzling imagery on giant screens accompany the world’s best loved music in a breathtaking SuperPOPS! first!

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staff Administrative Staff Executive Stanley E. Romanstein, Ph.D. President Aysha H. Siddique Manager of Board & Community Relations Brien Faucett Administrative Assistant to the President’s Office Evans Mirageas Director of Artistic Planning

Education & Community Engagement (cont.)

Nicole Bird Education Program Coordinator Janice Crews Professional Learning Teaching Artist Tiffany I.M. Jones Education Sales Associate

DEVELOPMENT Sandy Smith Vice President for Development Rebecca Abernathy Development Services Coordinator Zachary Brown Director of Volunteer Services Corey Cowart Director of ADMINISTRATION Corporate Relations FINANCE & John Sparrow ADMINISTRATION Melissa Donalson Vice President Development Coordinator Donald F. Fox for Orchestra Initiatives Executive Vice President Janina Edwards & General Manager for Business Operations Grants Consultant Mala Sharma & Chief Financial Officer Ashley Krausen Assistant to the Shannon McCown Special Events Coordinator Vice President Assistant to the Jessica Langlois for Orchestra Initiatives Executive Vice President Director of Leadership Gifts & General Manager for Business Operations & Planned Giving Julianne Fish & Chief Financial Officer Sarah Levin Orchestra Manager Susan Ambo Volunteer Project Manager Nancy Crowder Vice President of Finance Stephanie Malhotra Operations/Rental Kim Hielsberg Director of Development Events Coordinator Director of Financial & Education Services Kelly O’Donnell Planning & Analysis Toni Paz Artist Assistant April Satterfield Director of Individual Giving Carol Wyatt Senior Accountant Barbara Saunders Executive Assistant Peter Dickson Director of to the Music Director Staff Accountant Foundation Relations & Principal Guest Michael Richardson Meredith Schnepp Conductor Venues Analyst Prospect Research Officer Jeffrey Baxter Stephen Jones Tammie Taylor Choral Administrator Symphony Store Manager Assistant to the Ken Meltzer ASO Presents VP for Development ASO Insider Clay Schell Andrea Welna & Program Annotator Vice President, Programming Major Gifts Office Russell Williamson Sarah Zabinski Orchestra Personnel Manager Trevor Ralph General Manager and Senior Individual Giving Manager Susanne Watts Director of Operations Assistant Orchestra Holly Clausen Personnel Manager Director of Marketing Paul Barrett Keri Musgraves Senior Production Promotions Manager Stage Manager Lisa Eng Richard Carvlin Graphic Artist Stage Manager Lela Huff Chastain Park Amphitheater Assistant Stage Manager Tanner Smith Program Director Education & Community Engagement Verizon Wireless Mark B. Kent Amphitheatre at Senior Director of Education Encore Park & Community Engagement Katie Daniel Melanie Darby VIP Sales Manager Director of Education Jenny Pollock Programming Operations Manager Ahmad Mayes Rebecca Simmons Community Programs Box Office Manager Coordinator

54 EncoreAtlanta.com

MARKETING & CONCERT PROMOTIONS Charles Wade Vice President for Marketing & Symphony Pops Alesia Banks Director of Customer Service & Season Tickets Ted Caldwell Group & Corporate Sales Assistant Meko Hector Marketing Production Manager Jennifer Jefferson Director of e-Business & Interactive Media Melanie Kite Subscription Office Manager Shelby Moody Group & Corporate Sales Manager Seth Newcom Database Administrator Kimberly Nogi Publicist Robert Phipps Publications Director Melissa A. E. Sanders Senior Director, Communications Christine Saunders Group & Corporate Sales Associate Karl Schnittke Publications Editor Robin Smith Subscription & Education Sales Rachel Trignano Manager of Broad Based Giving Russell Wheeler Director of Group & Corporate Sales Christina Wood Director of Marketing

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Atlanta’s Performing Arts Publication

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general info LATE SEATING Latecomers are seated at the discretion of house management. Reserved seats are not guaranteed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons.

SPECIAL ASSISTANCE All programs of the Atlanta Symphony Orchestra are accessible to people with disabilities. Please call the box office (404.733.5000) to make advance arrangements.

SYMPHONY STORE The ASO’s gift shop is located in the galleria and offers a wide variety of items, ranging from ASO recordings and music-related merchandise to T-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.

THE ROBERT SHAW ROOM The ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and dining on concert evenings — private rentals available. Call 404.733.4860.

IMPORTANT PHONE NUMBERS Concert Hotline 404.733.4949 (Recorded information) Symphony Hall Box Office 404.733.5000 Ticket Donations/Exchanges 404.733.5000 Subscription Information/Sales 404.733.4800 Group Sales 404.733.4848 Atlanta Symphony Associates 404.733.4865 (Volunteers) Educational Programs 404.733.4870 Youth Orchestra 404.733.5038 Box Office TTD Number 404.733.4303 Services for People 404.733-5000 with Special Needs 404.733.4800 Lost and Found 404.733.4225 Symphony Store 404.733.4345

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ticket info CAN’T ATTEND A CONCERT? If you can’t use or exchange your tickets, please pass them on to friends or return them to the box office for resale. To donate tickets, please phone 404.733.5000 before the concert begins. A receipt will be mailed to you in January acknowledging the value of all tickets donated for resale during the year.

SINGLE TICKETS Call 404.733.5000 Mon.—Fri., 10 a.m.– 8 p.m.; Sat.–Sun., Noon–8 p.m. Service charge applies. Phone orders are filled on a best-available basis. www.atlantasymphony.org Order any time, any day! Service charge applies. Allow two to three weeks for delivery. For orders received less than two

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weeks prior to the concert, tickets will be held at the box office.

Woodruff Arts Center Box Office Mon.–Fri., 10 a.m. – 8 p.m.; Sat.–Sun., noon–8 p.m. The box office is open through intermission on concert dates. No service charge if tickets are purchased in person.

Please note: All single-ticket sales are final.

No refunds or exchanges. All artists and programs subject to change.

GROUP DISCOUNTS Groups of 10 or more save up to 15 percent on most ASO concerts, subject to ticket availability. Call 404.733.4848.

GIFT CERTIFICATES Available in any amount for any series, through the box office. Call 404.733.5000.

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gallery

symphonic summer 1 SPANO AT ASPEN Robert Spano, the music director-designate of the Aspen Music Festival, led Rachmaninov’s 2nd Piano Concerto, with Vladimir Feltsman at the keyboard.

2 INTO THE WOODS WE GO! The Orchestra’s student musicians play a vital role in the Alliance Theatre’s opening production of Stephen Sondheim’s Into The Woods.

3 BRAVO, BRAVES! Members of the Youth Orchestra, under Jere Flint, performed the National Anthem at the Atlanta Braves’ inaugural Music Appreciation Night.

4 VWA WOW! The Orchestra’s fourth summer at Verizon Wireless Amphitheatre hit all the right notes, including a concert with Cirque de la Symphonie.

1

2

Erik Dixon

3

60 EncoreAtlanta.com

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