Encore Atlanta October 2008 FOX by Encore Magazine

The Fabulous Fox Theatre

October 2008 FoxTheatre.org EncoreAtlanta.com

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contents October 2008

features

the performance

8 14 20 46 52

23 Program and notes

The Man Behind the Curtain Gregory Maguire’s novel Wicked soars onstage.

Growing up ‘Good’

Katie Rose Clarke talks about Wicked.

The Fox Theatre Institute

Restoring Georgia, one theater at a time.

Fox Dining Guide

Keep this guide handy when shopping, dining or seeing a show.

Out On the Prowl

Where you should spend your nights.

58 Brunswick

& the Golden Isles

Explore these islands of opportunity.

Encore Atlanta

departments 45 64 65 68

Staff/Golden Rules Information The Buzz Fox Gallery: Jersey Boys

Cover Photo: keith dorton

joan marcus; The fox theatre institute; jekyll island cvb

Exotic. Sensual. curved.

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Claudia Madigan claudia@encoreatlanta.com ENCORE ATLANTA is published monthly by Atlanta Metropolitan Publishing Inc. Tom Casey Diane Casey cfo Jack Whipple controller Suzzie Adams vice president, sales and marketing Evan Casey internet and technology director Nik Freeman president

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THE ARTS ALLOW US TO DISCOVER WHO WE CAN BE Imagine the world without music and dance, or literature and art. Life is incomplete without ways to express ourselves, and to discover who we are and what we can be. That’s why Northern Trust proudly supports the arts in its many diverse forms. Northern Trust has been helping clients meet their financial needs for more than 119 years.

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ore than a decade ago, Gregory Maguire published Wicked: The Life and Times of the Wicked Witch of the West, a novel that reconfigured pop culture’s perception of one of the most widely despised characters of American literature and cinema. By retelling The Wizard of Oz from the point of view of Elphaba — a smart, passionate girl who grows up to become the infamous and widely feared witch — Maguire allows readers to take a more complex look at the nature of truth, the value of beauty and the cost of moral behavior. “I wanted to examine the nature of evil,” Maguire says. “I wanted to investigate it so I could understand it.” Encore Atlanta

The man behind the curtain Gregory Maguire’s novel Wicked soars onstage By Kristi Casey Sanders The idea took root in Maguire’s imagination after two events he witnessed in London, at the start of the first Gulf War. One morning, Maguire picked up a normally conservative paper running a headline comparing Sadaam Hussein to Hitler. “I had a very strong emotional reaction to that,” Maguire says. “Based on that word, Hitler, I was prepared to read the story in a certain way. And I watched how scared everyone became when you called someone evil. How that makes that person worthy of all sorts of attacks.”

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Oz — to write a deep, rich, complex and compelling history.” The thought that someone else might have the same idea eventually spurred Maguire to sit down and write Wicked in spite of himself. The history of Elphaba, her friendship with the “good” witch, her love affairs, the politics of Oz, and why she wanted those ruby slippers so badly are all told in Wicked, which became a best-seller. Universal Studios bought the movie rights a week after its publication. “The story was appealing from the beginning,” Maguire says. “I would tell friends that I was writing a book that would tell The Wizard of Oz from the witch’s point of view and they were very interested.

joan marcus

The second incident involved two schoolboys who abducted a two-yearold from a shopping mall and murdered him. “There was a lot of discussion from the pulpit and in the papers, a lot of chatter about how these boys could have done that, what might have caused behavior like that, and if they could be called evil.” Maguire, who had previously only written books for children, began looking for the vehicle he could use to explore the questions being raised. When he thought of the Wicked Witch of the West, he knew he had found his story. “Aside from Hitler, [she] is the scariest person to my generation,” Maguire says. “And the more I thought about it, the more I thought how perfect she was because everyone knows her, but no one knows anything about her. I mean, we know she’s a lean, green, flying machine, but we don’t know her history.” Maguire had the germ of an intriguing idea. He had the perfect vehicle. But he doubted his ability to do it justice. “Most children’s books are, in a sense, like sitcoms. But writing about a life, it’s like a Dickens novel. I wasn’t sure I could do it. I wanted to be Tolkien to

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What’s the story?

12 Encore Atlanta

into a movie because it would make a better play,’” Maguire remembers. “And I really think he persuaded them they didn’t want to make a movie of it. Mark Platt at Universal steered it towards the stage, and Universal became one of the primary underwriters of the musical.” Maguire did not take part in the adaptation process. He left that to Schwartz and veteran TV writer Winnie Holzman (“My So-Called Life,” “thirtysomething”). “It made more sense to me to let the professionals do their jobs without my input. … I thought it was the only way to proceed without being too nervous.” Opening night of Wicked on Broadway, Maguire was nervous anyway. “I was sitting in the middle of row five, and I thought, ‘This is going to be dreadful. Continued on page 66

joan marcus

“It’s an American story too,” he continues. “We in the States particularly pay lip service and genuinely believe in the rights of the individual, however disenfranchised they may be in society. Who is less integrated in a society that prizes integration than a green-skinned witch? And that’s what she thirsts after. What she wants more than anything else is to be a member of the community. Her massive difference is really only skin deep, but nonetheless, she is pilloried for it. And that’s American, too, because we, unfortunately, have a serious and regrettable history of racism that is not completed yet.” The book may have remained on the shelf had veteran Broadway composer and lyricist Stephen Schwartz (Godspell, Working) not chosen to read Wicked on holiday. “He told me about 100 pages in he realized that it was going to be his comeback vehicle,” Maguire says. The fact that Universal held the rights did not deter Schwartz. “He said, ‘I’ll wait until Universal realizes they can’t do it. They don’t want to put $100 million

If you think you know The Wizard of Oz, try hearing it from the “wicked” witch’s point of view. Wicked tells the history of Oz and how two best friends from boarding school grew up to become Glinda the Good Witch and the Wicked Witch of the West.

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‘good’ growing up

A conversation with Wicked’s Katie Rose Clarke

By Kristi Casey Sanders

Knowing what you know now, what advice would you have for the young woman you were three years ago, or any young woman about to embark on a career in the theater? You’ve got to stay grounded no matter what. You have to find those anchors, whether it’s your family or your close group of friends. Remember what’s truly important, because at the end of the day, that’s all you have. It’s difficult; it’s a difficult lifestyle, but it’s very exciting. You’re on the road all the time, so to have your family to call at any time of day or night — it has been a lifesaver. 14 Encore Atlanta

joan marcus

atie Rose Clarke doesn’t need any help identifying with her Wicked character Glinda, the “good” witch. “She’s becoming a woman and discovering what’s important in life; I relate on that level,” Clarke says. A recent graduate of Sam Houston State University, the Texas native has only been in New York, acting professionally, for three years. Yet, she’s already appeared on Broadway and in a “Live from Lincoln Center” broadcast as Clara in The Light in the Piazza. Working professionally and spending most of her time in touring shows has helped her focus on what really matters, she says.

How would you describe Wicked to someone who knows nothing about it? It’s a different take on the familiar characters from the Wizard of Oz story, the story of them before [the movie], so it should be different and unexpected. It’s not necessarily what you see in the movie. I play Glinda from the time she’s a young schoolgirl first moving to college to a young woman, and show how she becomes the Glinda the Good you see in the movie. I would say it’s the story of the witches of Oz before Dorothy comes in. In a deeper way, it looks at the relationship between the two women and investigates how we define good and evil, and how that’s perceived. What do you love about playing Glinda? She has to grow up. You really get to play with the idea of someone who [goes] from not understanding what matters and life to having the most important people in her life taken away from her. That makes her grow up and understand what’s truly important. She’s so strong because of her experience, and she is a public figure who has to negotiate her feelings in the public eye. It’s an exciting journey to portray. What’s the role’s biggest challenge? The endurance required vocally, physically and emotionally [from the two witches]. But, it’s a challenge in a great way. In one number, you’re singing

16 Encore Atlanta

soprano from coloratura to a high C, and the next you’re belting in mid-range. I just try to rest when I can, use my voice less. (Clarke laughs) I used to talk on the phone a lot more than I do now. You’ve got to keep yourself healthy. What are your favorite Wicked moments? Pretty much every moment I share the stage with Carmen [Cusak, who plays Elphaba, the “wicked” witch]. In particular, there’s a moment in Act I when she comes to this school dance and I’ve given her this ridiculous hat to wear. It’s the moment where we become friends, and it’s magical. What makes it magical? In the show, it’s two women who wouldn’t normally become friends (if one would judge a book by the cover). But they get to know each other and become the best of friends. Carmen is very dear and amazingly talented and, from day one, I could tell we were going to be friends. We just gelled. I love Carmen like a sister, and I think that’s the uniqueness of this show. It really highlights an important relationship between two women, a strong and dynamic relationship. What’s your favorite moment to watch from the wings? The best moment for me to rest and watch is [Elphaba’s] “No Good Deed.” It’s her perfect 11 o’clock moment at the end of Act II, and it is powerful and exciting.

I watch it from offstage right, before I go into the next scene. It really fuels me to finish the show and get into the next scene. It’s exciting, like a rock number. What do your audiences seem to enjoy most? They always tell Carmen and I that they love “Popular,” how we play off each other and “For Good” at the end. The moments the witches get together on stage are the most powerful and exciting in general, but it’s an affecting, deep number, how we wrap up the whole show. What’s the response you get from the stage door fans after the show? It varies. They’ve just experienced a big, magical piece of live theater. They’re always lovely and want an autograph from the cast. That’s fun for us, too, no matter how tired we are. It’s energizing to go out after the show and see people really jazzed about it.

joan marcus

Wicked plays The Fabulous Fox Theatre Oct. 5-Nov. 2.

Atlanta’s Performing Arts Publication 17

The Fabulous Fox Theatre Event Schedule

10/02 Lewis Black

10/08-11/02 Wicked 11/06-16 High School Musical 2 11/18-23 Ainâ&#x20AC;&#x2122;t Misbehavin 11/28 The Christmas Music of Mannheim Steamroller by Chip Davis 11/29 Winter Wonder Slam Toby Mac, Relient K, Family Force 5, B. Keith

12/05-28 Nutcracker

Call Ticketmaster at 404-817-8700 or visit ticketmaster.com to order tickets. Group tickets (20 or more) are available for many shows â&#x20AC;&#x201C; call 404-881-2000 for rates.

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Generous support is provided byTheHenryLuceFoundation. This exhibition is presented in association with the British Museum with support from Morgan Stanley.

AFTER: Morton Theatre, Athens

The Fox Theatre Institute: Restoring Georgia, one theater at a time By Kristi Casey Sanders

20 Encore Atlanta

BEFORE: Morton Theatre

formalize it,” Vella continues. “[The Fox Institute] will select theaters that are in a good position — they have a supportive community, etc. — so we’re not setting them up for failure.” For its pilot year, the Fox Institute selected 15 theaters and created a customized program for each. Some need assistance remodeling their lobby

The fox theatre institute

Prior to 1950, the state of Georgia had more than 350 historic theaters. Nearly half have been demolished. The Fox Theatre Institute’s mission is to save the rest. “The [Atlanta Landmarks Inc.] Board came to me and said, now that we’re stable financially, it is time to share the wealth,” says Fox Theatre General Manager Allan Vella. “No other theater in the world has what we do — the Restoration Department. We’re going to share that. We’re going to pick theaters that want to renovate themselves, help them find grants and teach them how to do it. “We’ve already been doing it for years, by sharing advice and going to other theaters, but we recognized a need to

Fox Institute projects: ABOVE: Before and after the restoration of the Rylander Theatre in Americus.

or auditorium. Some want to learn about sales and marketing, or need assistance with programming and ticket sales. Some want to train in-house restoration staff. The goal is to help the theaters become viable economic and cultural centers for the communities they’re in, much like the Fox has done under Atlanta Landmark’s guidance. The Fox is booked more than 325 nights a year. It regularly ranks among the top-grossing theaters in the world. It also has been the catalyst for the revitalization of Midtown Atlanta, creating an audience not only for live theater but also for restaurants, bars, nightclubs and hotels. “The success of the Fox demonstrates the relevance of historic preservation,” Vella says. “With the money we make, we typically invest it in three ways. Every year, $1-$1.4 million dollars goes back into the building, we make donations to other theaters, and we have outreach programs. We’re a non-profit theater that makes money. We’ve been operating in the black for 30 years. If it wasn’t for Atlanta, we couldn’t do this.” Alan E. Thomas, board president of Atlanta Landmarks, says, “Everyone should know the value of the arts. In America, it means $166 billion and 6 million jobs. In Atlanta, it’s a $274 million

• Rylander Theatre, Americus • Morton Theatre, Athens • Imperial Theatre, Augusta • The Ritz, Brunswick • Gem Theatre, Calhoun • Springer Opera House, Columbus • Holly Theater, Dahlonega • The Fitzgerald Grand, Fitzgerald • Cox Capitol Theatre, Macon • Douglass Theatre, Macon • Grand Opera House, Macon • Strand Theater, Marietta • DeSoto Theatre, Rome • Emma Kelly Theatre, Statesboro • The Ritz, Thomaston industry and has an economic impact of more than $700 million.” Fox Institute theaters are poised to make a tremendous difference statewide. “Our desire is to use the gifts we were given to help other theaters around Georgia become economic engines within [their] communities,” Thomas says. After this pilot year is complete, the institute will open its resources to a wider pool of theaters. Membership to interested community groups is free; benefits include social networking and educational seminars. Interested in joining the Fox Institute or learning more about it? Sign up at FoxTheatre Institute.org or call 404-881-2100. Atlanta’s Performing Arts Publication 21

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Atlantaâ&#x20AC;&#x2122;s Performing Arts Publication 23

Marc Platt Universal Pictures The Araca Group and Jon B. Platt

David Stone present

Music and Lyrics

Book

Stephen Schwartz

Winnie Holzman

Based on the novel by Gregory Maguire Starring

Katie Rose Clarke

Carmen Cusack

Tom Flynn Cliffton Hall Deedee Magno Hall Brad Weinstock Terra Lynn Arrington Antonette Balestreri Melissa Bohon Meggie Cansler Merideth Kaye Clark Maia Evwaraye-Griffin Kyle Hill Lori Holmes David Hull Spencer Jones Ryan Patrick Kelly Renée Lawless-Orsini Philip Dean Lightstone Andrew Madsen Lauren Masiello Kyle McDaniel Robert Pendilla Kristine Reese Ryan Rose Christopher Russo Adam Sanford Paul Slade Smith Robert Spaniolo Jessica Walker Betsy Werbel Blake Whyte and

Myra Lucretia Taylor Lenny Wolpe

Settings

Costumes

Eugene Lee

Susan Hilferty

Projections

Wigs & Hair

Elaine J. McCarthy

Tom Watson

Music Arrangements

Associate Set Designer

Edward Pierce

Casting

Telsey + Company

Boko Suzuki

Special Effects

Chic Silber

Production Stage Manager

Peter Van Dyke

Production Supervisor

Thom Widmann

Music Director

Alex Lacamoire & Stephen Oremus

Lighting

Kenneth Posner

Dance Arrangements

James Lynn Abbott

Associate Choreographer

Corinne McFadden Herrera

Press/Marketing

Phillip Aleman

General Management

321 Theatrical Management

Orchestrations

William David Brohn Music Supervisor

Stephen Oremus Musical Staging by

Wayne Cilento Directed by

Joe Mantello Grammy Award-Winning Cast Recording on Decca Broadway

24 Encore Atlanta

Presented by Precision Productions, Inc.

Sound Sound

Tony Meola Technical Supervisor

Jake Bell

Music Coordinator

Michael Keller Associate Director

Lisa Leguillou Executive Producers

Marcia Goldberg & Nina Essman

cast (in order of appearance) Glinda.................................................................................... Katie Rose Clarke Witch’s Father.......................................................................... PAUL SLADE SMITH Witch’s Mother.......................................................................... Lauren Masiello Midwife............................................................................ Renée Lawless-Orsini Elphaba......................................................................................Carmen Cusack Nessarose........................................................................... DEEDEE MAGNO HALL Boq........................................................................................... BRAD WEINSTOCK Madame Morrible.............................................................. Myra Lucretia Taylor Doctor Dillamond................................................................................. TOM FLYNN Fiyero.............................................................................................CLIFFTON HALL Ozian Official............................................................................ PAUL SLADE SMITH The Wonderful Wizard of Oz...............................................................Lenny Wolpe Chistery................................................................................................. Kyle Hill Monkeys, Students, Denizens of the Emerald City, Palace Guards and Other Citizens of Oz......Antonette Balestreri, Melissa Bohon, Meggie Cansler, Merideth Kaye Clark, Maia Evwaraye-Griffin, KYLE HILL, DAVID HULL, Renée Lawless-Orsini, ANDREW MADSEN, Lauren Masiello, Kyle McDaniel, RYAN ROSE, ADAM SANFORD, PAUL SLADE SMITH, ROBERT SPANIOLO, Jessica Walker, Betsy Werbel, Blake Whyte STANDBy FOR ELPHABA Donna Vivino UNDERSTUDIES Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance. Understudy for Elphaba — Merideth Kaye Clark for Glinda — Melissa Bohon, Meggie Cansler for Fiyero — Kyle McDaniel, Blake Whyte for The Wizard and Dr. Dillamond — Christopher Russo, Paul Slade Smith for Madame Morrible — Renée Lawless-Orsini, Betsy Werbel for Boq — David Hull, Adam Sanford for Nessarose — Lori Holmes, Kristine Reese for Chistery — Spencer Jones, Ryan Patrick Kelly, Philip Dean Lightstone for Witch’s Father and Ozian Official — Philip Dean Lightstone, Christopher Russo SWINGS Terra Lynn Arrington, Spencer Jones, Ryan Patrick Kelly, Robert Pendilla, Kristine Reese, Christopher Russo Dance Captains/Swings Lori Holmes, Philip Dean Lightstone There will be one 15-minute Intermission. Atlanta’s Performing Arts Publication 25

musical numbers Act I “No One Mourns the Wicked”............................................ Glinda and Citizens of Oz “Dear Old Shiz”........................................................................................Students “The Wizard and I”...................................................................... Morrible, Elphaba “What Is This Feeling?”........................................... Galinda, Elphaba and Students “Something Bad”........................................................... Dr. Dillamond and Elphaba “Dancing Through Life”........... Fiyero, Galinda, Boq, Nessarose, Elphaba and Students “Popular”...................................................................................................Galinda “I’m Not That Girl”.....................................................................................Elphaba “One Short Day”.......................... Elphaba, Glinda and Denizens of the Emerald City “A Sentimental Man”.............................................................................The Wizard “Defying Gravity”.................................... Elphaba, Glinda, Guards and Citizens of Oz Act II “No One Mourns the Wicked” (reprise)................................................ Citizens of Oz “Thank Goodness”..............................................Glinda, Morrible and Citizens of Oz “The Wicked Witch of the East”....................................Elphaba, Nessarose and Boq “Wonderful”....................................................................... The Wizard and Elphaba “I’m Not That Girl” (reprise)..........................................................................Glinda “As Long As You’re Mine”........................................................... Elphaba and Fiyero “No Good Deed”....................................................................................... Elphaba “March of the Witch Hunters”............................................... Boq and Citizens of Oz “For Good”...............................................................................Glinda and Elphaba “Finale”............................................................................................................ All Traveling ORCHESTRA Conductor: Boko Suzuki Associate Conductor/Keyboard 2: P. Jason Yarcho Keyboard 1: Michael Sobie Keyboard 3: Sean Greiner Guitars: Louis Garrett Drums: Darcy Macrae local ORCHESTRA Flute/Piccolo: Jeanne Skelton; Oboe/English Horn: Mandy Wickham; Clarinets/Sop. Sax: Tony Carere; French Horn: Kathleen Wood; Trumpet/Flugel: Lee King; Trombones: Tom Gibson; Percussion: Scott Douglas; Basses: Marc Miller; Keyboard 4: Robert Strickland; Sub Keyboard: Andrew Fazackerley; Contractor/Mgr: Leonard Altieri Orchestrations adapted by Christopher Jahnke The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. 26 Encore Atlanta

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profiles KATIE ROSE CLARKE (Glinda) is extremely grateful to be joining the Wicked family. Under the direction of Bartlett Sher, she portrayed the role of Clara Johnson in the Broadway production, live PBS broadcast, and national tour of The Light in the Piazza, as well as the recent debut of Craig Lucas’ new play, Prayer for My Enemy at the Long Wharf Theatre. Regional credits: TUTS Houston Anything Goes (chorus). B.F.A. from Sam Houston State University. Love and thanks, family! Carmen Cusack (Elphaba) Carmen’s West End credits include: Fantine — Les Misérables (also touring the U.S. and Far East), Rose — The Secret Garden (RSC), Kim — Personals and Chesty Prospects in Saucy Jack and the Space Vixens. Inter national: Christine — Phantom of the Opera, Rizzo — Grease, Svetlana — Chess and Eva Cassidy in Over the Rainbow. Carmen joins us from the Chicago production of Wicked. Originally from Texas, Carmen is overjoyed to be back performing to American audiences again. MYRA LUCRETIA TAYLOR (Madame Morrible) Broadway: Nine (Tony Award Best Revival 2003), Macbeth, Electra, Chronicle of a Death Foretold, Mule Bone and A Streetcar Named Desire. Off-Broadway: Crazy Mary, Fabulation (Playwright’s Horizons). Regional: Native Son (Intiman), Safe in Hell (Yale Rep.), The Old Settler (McCarter/Long Wharf, world premiere) and the Williamstown Theatre Festival. Myra was a member of the Royal Shakespeare Company, and performed with the company in London and Stratford-upon-Avon. TV: “Law & Order” (all three shows), and “Oz” (HBO). Film: The Private Lives of Pippa Lee (upcoming), The Understudy, Changing Lanes, Unfaithful, Music of the Heart, and Lobster Farm. HBO: Life Support, A Dog Year and Angel. Myra is a Fox Fellow. LENNY WOLPE (The Wizard) Broadway: The Drowsy Chaperone, The Sound of 28 Encore Atlanta

Music, Copperfield, Into the Light, Onward Victoria. Off-Broadway: Mayor, Brownstone, Company, The Wonder Years. Created the role of The Wizard in the original LA workshops of Wicked. National tours: Little Shop of Horrors, …Forum, South Pacific. Regional: Baker’s Wife (Baker), Gypsy (Herbie opposite Betty Buckley), Tale of the Allergist’s Wife (Papermill Playhouse), A Class Act, Radio Gals (Pasadena Playhouse), Fiddler (Tevye in six productions), Fiorello, She Loves Me (Reprise! L.A.) TV: Series regular: “Baby Talk,” “You’re The One.” Guest star on over 80 shows from “L.A. Law,” “ER,” “Six Feet Under,” “And The Band Played On” to “Golden Girls,” “Ally McBeal” and “The Chappelle Show.” Tom Flynn (Doctor Dillamond) Broadway: original companies of The Who’s Tommy, Juan Darien and How to Succeed… revival. Equity tours: Les Misérables, Evita, Chess and Terrence McNally’s The Lisbon Traviata. Regional theater: leading roles at the The Mark Taper Forum, Huntington Theater, La Jolla Playhouse, Actor’s Theater of Louisville, Center Stage, O’Neill Center, Studio Arena, SCR, et al. Proud member of Actors’ Equity for 22 years. For Travis! Cliffton Hall (Fiyero) Broadway/ National Equity Tours: Miss Saigon and Les Misérables, where he played the roles of Chris and Marius. Toured internationally with Miss Saigon playing opposite wife Deedee Magno. Other theater credits: Master Class (Tony), Grease (Danny), Oklahoma! (Will), Bark! (Ben), Flower Drum Song (Ta). Film/TV: Someday. He thanks the creative staff for this opportunity and especially The One Up Above. He dedicates this show to Deedee and Kaeden. DEEDEE MAGNO HALL (Nessarose) Theater: Kim in Miss Saigon (Broadway, Equity second national tour), Juliet in Romeo and Juliet (Goodspeed), Jasmine in Aladdin, Making Tracks, TV/Film: New “Mickey Mouse Club,” “As The World Turns,”

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profiles “Third Watch,” Dellaventura, Rear Window, Sister Act 2 and Face. Recordings: 4 albums with Hollywood Records’ pop group, The Party. It’s a dream come true to be joining this Wicked company! All my love to my boys, Cliffton and Kaeden. BRAD WEINSTOCK (Boq) comes directly from one year in Chicago’s The 25th Annual Putnam County Spelling Bee (Chip). Chicago: Shenandoah (Marriott Theatre), Misia (Ravinia). Brad is a 2006 Northwestern graduate; favorite shows: Waa-Mu & Tina Landau’s Was (L. Frank Baum). Brad’s first role was the Tin Man in The Wizard of Oz, age 10 at summer camp…he is thrilled to come full circle. Love to Mom and Dad. Donna Vivino (Standby for Elphaba) Proud Equity member. Broadway: Martin Short: Fame Becomes Me, Hairspray, Saturday Night Fever, Les Misérables. TV/ film: “Sopranos,” “My Sassy Girl,” “Everyday People,” “Married To It.” Thanks to all at Leading Artists and Telsey + Co. for giving her “the chance to fly!” www. donnavivino.com. Terra Lynn Arrington (Swing) is originally from New Jersey and is thrilled to be a part of the first national tour of Wicked. Broadway credit: Aida. Other credits: Broadway Soul Jam (Europe); Spirit (national tour). Terra thanks God for this opportunity and mom, dad, and family and friends for their love and support. ANTONETTE BALESTRERI (Ensemble) is so grateful to be joining the cast of Wicked. Favorite regional credits include West Side Story (Fulton Opera House), Hot Mikado (Westchester Broadway Theatre) and Footloose (Marriott Theatre). Proud Northwestern graduate. Thank you KSA, Telsey + Co, my Monterey and N.Y. families, and my love, Jeremy. www.antonettebalestreri.com MELISSA BOHON (Ensemble, u/s Glinda) U/S and performed the role of Chava in 30 Encore Atlanta

the Broadway revival of Fiddler On the Roof, toured with the Tokyo Philharmonic and more. Thanks and love to God, her family and her husband Corey. MEGGIE CANSLER (Ensemble, u/s Glinda) Broadway: The Apple Tree, Wicked. Workshops/readings: Cry Baby, Heaven on Earth with Hugh Jackman. Regional: MUNY, MTW, Starlight, Dames At Sea (Ruby), American Heartland. Thanks to Craig, Diane, Dad, Mom and her family. LTM. MERIDETH KAYE CLARK (Ensemble, u/s Elphaba) “Laugh, breathe, love.” Old Globe, Alabama Shakespeare Festival, The Prince, Irish Rep, American Heartland, KC Starlight, Totem Pole. Degree in Neuroscience, Emory University; M.F.A. Musical Theatre, San Diego State. Thank you to my teachers. www.girlrobot.tv. MAIA EVWARAYE-GRIFFIN (Ensemble) is elated to join the national tour of Wicked. Favorite credits include the national tour of Sweet Charity and Radio City Christmas Spectacular (N.Y.C.). Thanks to Corinne, Wayne, her wonderful family and her love, Simon. KYLE HILL (Chistery) feels extremely blessed and grateful to be joining the cast of Wicked. Television: “So You Think You Can Dance” Paula Abdul Special, “Paris by Night,” Honda, Roundtable Pizza and Kia. Stage: Grendel at Lincoln Center, Betsey Johnson, Balagon and The Nutcracker. Thanks to my family for letting a little farm boy live his dream! Lori Holmes (u/s Nessarose, Dance Captain/Swing) Broadway: Taboo (Nicola u/s); Footloose (Rusty u/s); International tour: Fosse (Asst. Dance Capt.); Workshops: Georgia (Annabelle); Chicago (Mona); Trinity Repertory; West Side Story (Velma, Consuela, Dance Capt.); Annie (Annette); Off-Broadway: Hair (Angela); Bikram yoga teacher. Choreography Hole in the Wall Gang Camp’s annual gala. NYU B.F.A.

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profiles DAVID HULL (Ensemble, u/s Boq) A recent graduate of the University of Michigan, David is extremely grateful for this opportunity. Recent credits: High Button Shoes (Goodspeed), …Tommy (Cousin Kevin), White Noise (world premier), A Chorus Line (Mark) and Gypsy starring Patti LuPone. Thanks and love to family, friends and God. SPENCER JONES (Swing, u/s Chistery) is beyond excited to be a part of this amazing show. National/Euro tours: Grease, A Chorus Line (Mark), Footloose, The Music Man, Radio City Christmas Spectacular. Regional: Papermill Playhouse. Love to Mom, Dad, Ryan and Hun’s. RYAN PATRICK KELLY (Swing, u/s Chistery) attended NYU. Credits: Pippin (dance capt.), Radio City, Nights on Broadway III, Pirate Queen (pre-prod), Cats, Sweet Charity, The Music Man, Tokyo Disneyland. TV/film/commercial: Sleepy’s beds, Sylvania light bulbs, Spanish Lottery, Across the Universe. Thanks Mom, Pat, Lee, CTG and Heather. This is a blessing. RENÉE LAWLESS-ORSINI (Midwife, u/s Madame Morrible) Broadway/nat’l tour: Beauty and the Beast. Regional: Menopause: the Musical, Always…Patsy Cline, Nine, Tintypes. Film/TV: Ghost Story, “Heaven’s to Betsy.” Gospel CD – A Live Sampler, TV Host/ Spokesperson. Thank you Jesus and parents. PHILIP DEAN LIGHTSTONE (Dance Captain, Swing, u/s Witch’s Father, Ozian Official, Chistery) is stoked to join the cast of Wicked. Film/TV: Bad Santa, Thank Heaven, “J.A.G.” National tour: Fame. Regional: Happy Days (dir. Garry Marshall), Bare: a pop opera (LA/world premiere). Thanks MSA, the Marshalls, my parents, family and friends. ANDREW MADSEN (Ensemble) is thrilled to be touring with Wicked. He holds a B.F.A. in Musical Theatre and Modern 32 Encore Atlanta

Dance. Much love to his amazing family, friends and mentors for their continuous support and loyalty. Many thanks to the creative team and to God for the endless blessings and human experiences. LAUREN MASIELLO (Witch’s Mother, Ensemble) National Tour/Madison Square Garden: Peter Pan starring Cathy Rigby (Tiger Lily). International: Grease (Jan/ Patty u/s); A Chorus Line (Diana u/s). Regional: South Pacific starring Reba McEntire/Brian Stokes Mitchell; Cats (Sillabub/Rumpleteaser). NYU B.F.A. Thanks Mom and Dad. KYLE McDANIEL (Ensemble, u/s Fiyero) is back in Oz after a yearlong hiatus in LA. He blames the writer’s strike for not becoming a movie star. Good thing he prefers the stage anyhow. If you’d like to learn more about him (credits, clips, anecdotes, etc.) visit www.kylemcdaniel.com. ROBERT PENDILLA (Swing) Broadway: Wicked (Swing). National Tours: Mamma Mia! (Pepper). Off-B’Way/NYC: Victor Woo (Henry). Regional: Flower Drum Song (Original LA Cast), My Fair Lady (Hollywood Bowl), Mame (Hollywood Bowl), Dorian (Buell Center). International: Aida (Original German Cast). Thanks Mom, Dad, Bro, Carson, Friends and the ‘MINE’! KRISTINE REESE (Swing, u/s Midwife, u/ s Nessarose) Broadway: Les Misérables. National tours: Mamma Mia! (Sophie u/s). Regional: Grease (Frenchy); MUNY, Annie (Star to Be); TOTS, Hello, Dolly; KC Starlight. Performed internationally as soloist with over a dozen symphony orchestras. CCM Grad. Thanks Telsey, DGRW, mom/dad. For B. RYAN ROSE (Ensemble) is pleased to be making his national touring debut with such an amazing production. He would like to thank everyone who as been there for him from the beginning supporting him along the way. “This one’s for you!”

profiles Christopher Russo (Ensemble, u/s The Wizard, Dr. Dillamond, Witch’s Father, Ozian Official) Broadway: The Grapes of Wrath (Al Joad — Steppenwolf); Meet Me in St. Louis (John u/s); Equity national tours: Miss Saigon (Chris u/s); The Who’s Tommy (Ernie); TV: “Law & Order: Criminal Intent;” “Baywatch Hawaii;” “North and South.” Film: The Manchurian Candidate; lead role in Limbo, an indie feature, www.Limbomovie.com. ADAM SANFORD (Ensemble, u/s Boq) is proud to be a part of Wicked. Regional credits include Cinderella, Crazy For You (MUNY), Good News, Footloose (Music Theatre of Wichita). Graduate of The Boston Conservatory. Thank you to my family and to Katie for always believing in me. PAUL SLADE SMITH (Witch’s Father, Ozian Official, u/s The Wizard, Dr. Dillamond) was born in West Hartford, Conn.; amassed 50 acting credits in Chicago; toured with Phantom; and wrote the hit comedy Unnecessary Farce, which had its world premiere at the BoarsHead Theater in Lansing, Mich. Check out www. unnecessaryfarce.com Two n’s, one c, two s’s. He madly misses Erin. ROBERT SPANIOLO (Ensemble) Regional: A Chorus Line, South Pacific, The Music Man, Pippin, Jesus Christ Superstar, Crash Club world premiere. TV: “Nip/Tuck.” Commercials: Honda; Director/Writer: Products For Life (films.lapride.org). Thanks to my ever-loving parents. JESSICA WALKER (Ensemble) is thrilled to be joining the national tour of Wicked! Broadway: Movin’ Out. Las Vegas: Phantom of the Opera. 2004 B.F.A. from Fordham University/The Ailey School. Much love to family and friends. Proud member of Actors’ Equity. BETSY WERBEL (Ensemble, u/s Madame Morrible). Originally from Cleveland, Betsy is thrilled to be joining the cast of Wicked.

Broadway/National tours: Les Misérables. Betsy recently made her Carnegie Hall debut in Jerry Springer, the Opera. CCM graduate. “Thanks to my family and friends for believing. For my brother, Brian.” BLAKE WHYTE (Ensemble, u/s Fiyero) N.Y.C. theater/workshops: The Fearless, Summer Play Festival; Only Children, Lincoln Center Director’s Lab; Perfect Harmony, Fringe; Let’s Face It, 45th Street Theatre; The Mormon Project, Vineyard Theatre. So much Love and thanks to Emily and my incredible family and friends! STEPHEN SCHWARTZ (Music and Lyrics) has contributed music and/or lyrics to Godspell, Pippin, The Magic Show, The Baker’s Wife, Working (which he also adapted and directed), Rags and Children of Eden. For films, he collaborated with Alan Menken on the scores for Disney’s Pocahontas, The Hunchback of Notre Dame and the current Disney musical Enchanted; and wrote the songs for the DreamWorks animated feature The Prince of Egypt. He has released two CDs of new songs entitled Reluctant Pilgrim and Uncharted Territory available at www. stephenschwartz.com. Mr. Schwartz is also the artistic director of the ASCAP Musical Theatre Workshops and a member of the Dramatists Guild Council. Awards include three Academy Awards, four Grammy Awards, and a tiny handful of tennis trophies. WINNIE HOLZMAN (Book) received a Tony nomination and a Drama Desk award for her work on Wicked. For television: created “My So-Called Life” (Emmy nomination). Also wrote for “thirtysomething” (WGA Award nomination) and executive produced (again with Marshall Herskovitz and Edward Zwick) “Once and Again” starring Sela Ward. For theater: Birds of Paradise (with composer David Evans). For features: ’Til There Was You. Ms. Holzman can be seen in Jerry Maguire (if you Atlanta’s Performing Arts Publication 33

profiles look really close). She lives in Los Angeles with her husband, actor Paul Dooley. Thanks, Arthur. This is for Savannah. JOE MANTELLO (Director) Directing credits include November, The Receptionist, The Ritz, Three Days of Rain, The Odd Couple, Glengarry Glen Ross, Laugh Whore, Assassins (Tony Award), Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, A Man of No Importance, Design for Living, The Vagina Monologues, Bash, Another American: Asking and Telling, Love! Valour! Compassion!, Proposals, The Mineola Twins, Corpus Christi, Mizlansky/Zilinsky, Blue Window, God’s Heart, The Santaland Diaries, Snakebit, Three Hotels, Imagining Brad, Film: Love! Valour! Compassion! As an actor: Angels in America (Tony nom.) and The Baltimore Waltz. Recipient of the Outer Critics Circle, Drama Desk, Lucille Lortel, Helen Hayes, Clarence Derwent, Obie and Joe A. Callaway awards. He is a member of Naked Angels and an associate artist at the Roundabout. WAYNE CILENTO (Musical Staging) Broadway: Sweet Charity; Aida; The Who’s Tommy (Tony, Drama Desk, Astaire awards); How to Succeed… (Tony nom.); Dream: The Johnny Mercer Musical (director and choreographer—Tony nom., Best Choreography); Jerry’s Girls; Baby (Tony nom.). West End: The Who’s Tommy (Olivier nom.). Other credits: Off-Broadway’s A Hot Minute and Angry Housewives; the national tour of Spirit (director and choreographer); …Forum at La Jolla (San Diego Drama Critics and Drama-Logue awards). Mr. Cilento’s credits as a performer include A Chorus Line (Mike, original cast), The Act, Seesaw, Perfectly Frank, Irene, Big Deal, Rachel Lily Rosenblum and his Tonynominated performance in Bob Fosse’s Dancin’. His career as a choreographer was launched by his work in over 100 national commercials. Mr. Cilento has done musical staging for Liza Minnelli, Barry

34 Encore Atlanta

Manilow, Chita Rivera, Billy Joel, Donna Summer and Pete Townshend. EUGENE LEE (Scenic Designer) has been resident designer at Trinity Rep since 1967. He has B.F.A. degrees from the Art Institute of Chicago and Carnegie Mellon University, an M.F.A. from Yale Drama School and three honorary Ph.Ds. Mr. Lee has won three Tony Awards for Bernstein’s Candide, Sondheim’s Sweeney Todd and Wicked. He is the production designer for NBC’s “Saturday Night Live.” Other New York theatre work includes The Pirate Queen, Alice in Wonderland, The Normal Heart, Agnes of God, Ragtime, Uncle Vanya, Ruby Sunrise and A Number. Film credits include Coppola’s Hammett, Huston’s Mr. North and Malle’s Vanya on 42nd Street. Mr. Lee is an adjunct professor at Brown University and lives with his wife Brooke in Providence, where they raised their two sons. SUSAN HILFERTY (Costume Designer) has designed over 200 productions for theatres across America and internationally. Her directorial collaborators include Athol Fugard (set, costumes, co-director), James Lapine, Robert Falls, Robert Woodruff, Joe Mantello, JoAnne Akalaitis, the late Garland Wright, Mark Lamos, Frank Galati, Des McAnuff, Sharon Ott, David Petrarca, Richard Nelson, Chris Ashley, Marion McClinton, Laurie Anderson, Tony Kushner, Carole Rothman, Mark LinnBaker, Garry Hynes, and Emily Mann. Recent work: Assassins, Into the Woods (Hewes Award, Tony nomination) Lapine’s Fran’s Bed, Jitney, Dirty Blonde, Alvin Ailey Love Stories and Rodney’s Wife. Other credits: Elton John’s Lestat, Manon LA Opera, and the late August Wilson’s new play Radio Golf. She designs opera, film, TV and dance and chairs the Department of Design for Stage/Film at NYU Tisch. Her numerous awards include 2004 Tony, Drama Desk and Outer Critics Circle awards for Wicked.

profiles KENNETH POSNER (Lighting Designer) Broadway: The Coast of Utopia (Shipwreck), (Tony Award), Dirty Rotten Scoundrels; Little Women; The Frogs; Hairspray (Tony nom.); Imaginary Friends; The Adventures of Tom Sawyer (Tony, Drama Desk and Outer Critics Circle noms.); Swing!; You’re a Good Man, Charlie Brown; The Goat; Uncle Vanya; Side Man (Lortel Award); The Lion in Winter; Little Me; A View from the Bridge (Drama Desk nom.); The Last Night of Ballyhoo; The Little Foxes and The Rose Tattoo. Off-Broadway: The Wild Party (Lortel Award, Drama Desk and Outer Circle Critics noms.), The Play About the Baby, tick, tick…BOOM!, The Waverly Gallery, Pride’s Crossing (Lortel Award), As Bees in Honey Drown, Cowgirls and The Food Chain. Opera includes: New York City Opera and Chicago Symphony Orchestra. OBIE award for sustained excellence in lighting design. TONY MEOLA (Sound Designer) Broadway includes: Laugh Whore; Man of La Mancha; Sweet Smell of Success; Copenhagen; Kiss Me, Kate; Footloose; The Lion King (Drama Desk Award); The Sound of Music; Juan Darien; A Christmas Carol (MSG); Steel Pier; Forum; The King and I; Moon Over Buffalo; Smokey Joe’s Café; Guys and Dolls; Five Guys Named Moe; She Loves Me; The Red Shoes and Anything Goes. London includes: Kiss Me, Kate; The Lion King; Smokey Joe’s Café and Anything Goes. National and international include: The Lion King; Les Misérables; Mozart; Der Gloeckner von Notre Dame. Off-Broadway includes Here Lies Jenny and The Normal Heart. Tony is a graduate of Ithaca College’s Department of Theatre Arts. Thanks, Dick. ELAINE J. McCARTHY (Projection Designer) Recent designs include Broadway: Spamalot, Urban Cowboy, Good Vibrations, After the Fall, Assassins, Man of La Mancha, Into the Woods, Judgement at Nuremberg, The Green Bird. Off-Broadway: Embedded, The Stendhal Syndrome, 36 Encore Atlanta

Suitcase, The Thing About Men, Speaking In Tongues, The It Girl, Goodbye My Friduchita. Regional: Limonade tous les Jours, Fran’s Bed, Once in a Lifetime, Hair, Blue Man Group: Tubes (Chicago). National tours: Forgiveness, Spirit. Opera: Dead Man Walking (NYC Opera), War and Peace (Kirov and Metropolitan Opera), Tan Dun’s The Gate, Peter Sellar’s The Peony Pavilion. Dance: Remote (White Oak), Philip Glass and Susan Marshall’s Les Enfants Terribles. Awards: 2003 Eddy Award. TOM WATSON (Wig and Hair Designer) is head of the wig department at the Metropolitan Opera. He designs hair and wigs for many theatres including Santa Fe Opera, Opera Theatre St. Louis, New York Theatre Workshop and the Goodman in Chicago. He has also designed wigs for the Broadway productions of Cat on a Hot Tin Roof; The Violet Hour; Anna in the Tropics; Dirty Blonde; Jane Eyre; Into the Woods and Amour. JOE DULUDE II (Makeup Designer) Inspired by monster makeup as a kid, he is the designer for Wicked productions. Broadway: Assassins, Into the Woods (key makeup Vanessa Williams). Off Bway: Birdie, Broadway Bares (design and bodypainting). Film and Television: E!, Style, Lifetime, PBS, Access Hollywood, MTV. Print and Runway: Vanity Fair, Marie Claire, Vibe, Rolling Stone, Diesel, Enyce, and more. Other: Artist Relations and consultant for MAC Cosmetics. STEPHEN OREMUS (Music Supervisor/ Music Arrangements) is music supervisor/ arranger of the Broadway and worldwide productions of Wicked and Avenue Q, which he also orchestrated. He was music supervisor, vocal arranger/co-orchestrator of All Shook Up and Vocal Arranger of High Fidelity, both on Broadway. Off-Broadway: Music Supervisor, Vocal Arranger/Orchestrator of tick, tick…BOOM! and Music Director of Andrew Lippa’s The Wild Party. Other credits: Music Director for Rent

profiles national tour, Music Director for Rufus Wainwright Sings Judy Garland and Music Director/Conductor of Jerry Springer—The Opera, both at Carnegie Hall. Next project: Music Director/Arranger for Dolly Parton’s score of the musical, 9 to 5. He is a graduate of Berklee College of Music. WILLIAM DAVID BROHN (Orchestrations) received the 1998 Tony Award for Best Orchestrations for Ragtime. Other credits include Miss Saigon; The Secret Garden; Show Boat; Crazy for You; Carousel; Sweet Smell of Success; Oklahoma! (B’way); Mary Poppins; Oliver!; The Witches of Eastwick; My Fair Lady and South Pacific (London). He has provided arrangements for Marilyn Horne, James Galway, Placido Domingo and Joshua Bell’s recording of Bernstein’s West Side Story Suite for Violin and Orchestra. ALEX LACAMOIRE (Music Arrangements) served as orchestrator and musical supervisor for High Fidelity and music director and arranger/orchestrator for In the Heights, for which he won the 2008 Tony Award for Best Orchestrations and Bat Boy: The Musical (Off-B’way) and the 2001 tour of Godspell (DRG Records). After working with Stephen Schwartz on regional productions of Working (Long Wharf) and Pippin (Paper Mill), he is proud to be collaborating with him on Broadway. As always, love to Mom, Dad and Little Sis. BOKO SUZUKI (Musical Director) music directed Rent on Broadway and the first national tours of Mamma Mia! and Swing! (L.A. Drama Critic’s Circle Award nomination). Other credits include Phantom of the Opera, Miss Saigon, The Who’s Tommy and Sunset Boulevard. JAMES LYNN ABBOTT (Dance Arrange ments) Broadway: Aida, Tarzan, Bombay Dreams, Rent, Footloose, Joseph…, Cats, Sunset Boulevard and Miss Saigon. National tours include Starlight Express, Kiss of the Spider Woman, The Who’s Tommy and Jesus Christ Superstar. He has per-

formed with Aretha Franklin, Dennis De Young of Styx, Shirley Bassey, Bob Hope, Vanessa Williams and Elton John. Clients include Dr. Pepper, Frito Lay, American Airlines and General Electric. MICHAEL KELLER (Music Coordinator) is conductor and drummer for Marvin Hamlisch. Music Coordinator for Spamalot; All Shook Up; Avenue Q; The 25th Annual Putnam County Spelling Bee; Fiddler on the Roof; La Cage Aux Folles; The Boy From Oz; Mamma Mia!; The Lion King; Barbra Streisand concerts (1994 and 2001). Life is complete with wife Pamela Sousa and children Zach and Alexis. TELSEY + COMPANY (Casting) Broadway/Tours: Speed-the-Plow, Equus, [title of show], South Pacific, In the Heights, Legally Blonde, Hairspray, Rent, How the Grinch Stole Christmas!, The Color Purple, The Drowsy Chaperone, Bette Midler: The Showgirl Must Go On (Vegas); Off- Broadway: Rock of Ages, Blue Man Group, Boys’ Life (2nd Stage), Atlantic, MCC, Signature; Regional: 9 to 5 (Ahmanson), Hair (Arizona Theatre Co.), La Jolla, Shakespeare Theatre, Westport; Film: I Love You Phillip Morris, Rachel Getting Married, Sex and the City, Dan in Real Life, Then She Found Me, Across the Universe, Ira and Abby, Rent, Pieces of April, Camp, The Grey Zone, Finding Forrester, The Bone Collector; TV: “Ugly Betty” (pilot), “Whoopi,” HBO’s “Undefeated,” commercials. JAKE BELL (Technical Supervisor) has been a stage manager and technical production manager on Broadway for more than 20 years. Broadway, national and international credits include The Phantom of the Opera; Les Misérables; Miss Saigon; Swan Lake; Putting It Together; Oklahoma!; Dreamgirls; Cats; Chess; Shirley Valentine and Five Guys Named Moe. Jake has consulted on theatre renovations all over the U.S. and served as a guest speaker for university theatre arts classes. Atlanta’s Performing Arts Publication 37

profiles LISA LEGUILLOU (Associate Director) worked with Joe Mantello on Frankie and Johnny…; Take Me Out and The Vagina Monologues. She appeared in eight Broadway shows; on TV in “Sex and the City,” “NYPD Blue” and “NY Undercover;” and in the films Changing Lanes; Center Stage; Everyone Says I Love You and HBO’s “Angels in America.” CORINNE McFADDEN HERRERA (Asso ciate Choreographer) has worked with, and assisted Wayne Cilento on Sweet Charity (Broadway and national tour), and Wicked (Broadway). As a performer, Corinne was featured in the Broadway revival of Sweet Charity, and the original companies of Aida and Wicked. She also has appeared in, and assistant choreographed numerous commercials and music videos. Thanks to Mom, Dad, Manny and Wayne. EDWARD PIERCE (Associate Scenic Designer). Provides entertainment design and production services for Broadway, national tours and International theatrical productions. Select collaboration include: Wicked, Aida, Ragtime, Cabaret, Noise/Funk, The Tempest, GRACE — The Musical, The Pirate Queen. www.edwardpierce.com. CHIC SILBER (Special Effects) Broadway: Sherlock Holmes; Edward Gorey’s Dracula; The Elephant Man; Amadeus; Nicholas Nickleby; Tintypes; Working; The Dresser; Alice in Wonderland; Grand Hotel; Piaf; Orpheus Descending; Moon Over Buffalo; Footloose; The Civil War; Aida; Kiss Me, Kate; Annie Get Your Gun; Dance of Death; Brooklyn; La Cage aux Folles; Lennon. Circus: Monte Carlo Circus Spectacular, Ringling Bros. and Barnum & Bailey, Clyde Beatty-Cole Bros. PETER VAN DYKE (Production Stage Manager) was born in Chicago and raised on a farm in Wisconsin. He has worked at several regional theaters, including the Old 38 Encore Atlanta

Globe in San Diego, where he lives. He has also been the PSM of The Phantom of the Opera and Les Misérables on tour. AMY TEPEL (Stage Manager) has stage managed, wardrobe supervised and/or done props on the Actors’ Equity Association and IATSE national tours of Les Misérables, Miss Saigon, Joseph… Dreamcoat, The King and I, Swing! and Movin’ Out. ROLANDO A. LINARES (Assistant Stage Manager) comes from the Chicago company of Wicked. He has worked as a stage manager at The Goodman Theatre in Chicago (A Christmas Carol, Electricidad, Proof, The Story and the world premier of Bounce). Chicago Shakespeare Theater (Pacific Overtures, Romeo & Juliet). Born and raised in Panama, he is a graduate of The Theatre School at DePaul University. GREGORY MAGUIRE (Author of Original Novel) published a dozen novels for children before writing his first adult novel, Wicked. A devotee of children’s fantasy, Maguire’s subsequent novels for adults are variations on a theme: Confessions of an Ugly Stepsister considers Cinderella as a seventeenth-century maid from Haarlem; Lost evokes the ghost of Charles Dickens’ Scrooge; and Mirror Mirror features a High Renaissance Snow White daunted by the wickedest stepmother, Lucrezia Borgia. Maguire’s novel Son of a Witch, a sequel to Wicked, will be followed this fall by Volume III of the Wicked Years, a new novel called A Lion Among Men. He lives in Massachusetts and Vermont with his husband, the painter Andy Newman, and their three children. 321 THEATRICAL MANAGEMENT (General Management) Nina Essman, Nancy Nagel Gibbs and Marcia Goldberg’s Broadway, Off-Broadway and national tour management credits include: The 25th

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profiles Annual Putnam County Spelling Bee; Man of La Mancha; The Graduate; Striking 12; The Vagina Monologues; Bat Boy; Fully Committed; The Search for Signs of Intelligent Life...; Lifegame; The Lion King; De La Guarda; Hank Williams: Lost Highway; Rent; Guys and Dolls; How to Succeed...; 42nd Street (original production); I Love You, You’re Perfect...; Visiting Mr. Green; Full Gallop; Smoke on the Mountain; Santaland Diaries; Smokey Joe’s Café; and Family Secrets. Marc Platt (Producer) Theater: Wicked (Broadway, Chicago, North American tour, London, Los Angeles, Tokyo, Stuttgart, Melbourne); Three Days of Rain (Broadway); and Matthew Bourne’s ballet Edward Scissorhands. Films: Wanted, Legally Blonde, Legally Blonde 2, Honey, Josie and the Pussycats, The Perfect Man, The Seeker: The Dark Is Rising. Television: HBO’s “Empire Falls,” “Once Upon A Mattress” (ABC), “The Path To 9/11” (ABC). Mr. Platt has served as president for three movie studios (Orion, TriStar and Universal), where he developed and guided the production of such films as Silence of the Lambs, Sleepless In Seattle, Philadelphia, As Good As It Gets, My Best Friend’s Wedding and Jerry Maguire. UNIVERSAL PICTURES (Producer) is a world leader in the production, marketing and distribution of motion pictures, including such franchise series as The Mummy, American Pie, The Fast and the Furious, Meet the Parents, The Bourne Identity and the Oscar® winners Gladiator, Erin Brockovich, A Beautiful Mind, Ray and King Kong. Universal’s upcoming films include Wanted, produced by Marc Platt, directed by Timur Bekmambetov and starring Morgan Freeman, James McAvoy and Angelina Jolie; The Mummy: Tomb of the Dragon Emperor, starring Brendan Fraser and Jet Li; director Guillermo Del Toro’s Hellboy II: The Golden Army; Mamma Mia!, the film version of 40 Encore Atlanta

the global smash musical starring Meryl Streep; and Changeling, directed by Clint Eastwood and starring Angelina Jolie. THE ARACA GROUP (Producer) Matthew Rego, Michael Rego and Hank Unger are principals of The Araca Group LLC, a theatrical and film production company formed in 1997. Currently they are represented on Broadway by Wicked. Recent Broadway includes: ’night, Mother; Eve Ensler’s The Good Body, Urinetown The Musical, Frankie and Johnny in the Clair de Lune and Match. Off-Broadway: Debbie Does Dallas, The Vagina Monologues, The Laramie Project and David Auburn’s Skyscraper; and the film 30 Days. Upcoming projects include the musical film versions of Urinetown and Debbie Does Dallas. JON B. PLATT (Producer) Tony Awards: Copenhagen, Angels in America: Millennium Approaches (Pulitzer Prize for Drama); Perestroika. Tony Award nominations: Damn Yankees; Peter Pan; Hello, Dolly!; The Diary of Anne Frank; Lonesome West; Man of La Mancha; Wicked. National: The Sound of Music; Sunset Boulevard; Hair, Jesus Christ Superstar; Fiddler on the Roof; Best Little Whorehouse in Texas; A Chorus Line; The Graduate; Blue Man Group Tubes. OffBroadway: Forbidden Broadway. TV: “SVU Special Victims Unit.” DAVID STONE (Producer) is currently represented by Wicked. He has produced The 25th Annual Putnam County Spelling Bee, Three Days of Rain, Man of La Mancha, The Vagina Monologues, Fully Committed, Lifegame, The Diary of Anne Frank, Full Gallop, The Santaland Diaries and Family Secrets. David serves on the boards of The Broadway League and Broadway Cares/Equity Fights Aids. He also serves on the advisory boards of V-Day and Second Stage Theatre. David has lectured on theatre at the Juilliard School, NYU, Yale, Columbia and his alma mater, The University of Pennsylvania.

profiles STAFF CREDITS for Wicked GENERAL MANAGEMENT 321 Theatrical Management Eric Cornell, John Esmay, Tara Geesaman, Julie Griffith, Lisa Koch Rao, Jeanette Norton, Nicholas Porche, Susan Sampliner, Greg Schaffert CASTING Telsey + Company Bernie Telsey CSA, Will Cantler CSA, David Vaccari CSA, Bethany Knox CSA, Craig Burns CSA, Tiffany Little Canfield CSA, Rachel Hoffman CSA, Carrie Rosson CSA, Justin Huff CSA, Bess Fifer CSA, Patrick Goodwin TECHNICAL SUPERVISION JAKE BELL PRODUCTION SERVICES LTD. Marketing & Publicity Phillip Aleman Company MAnaGer................ STEVE QUINN Engagement MAnaGer...... Ken Silverman PRODUCTION STAGE MANAGER........PETER VAN DYKE Stage Manager..............................Amy Tepel Assistant Stage Manager......Rolando A. Linares Associate Company Manager.........Tanase Popa Assistant Director.............................Paul Dobie Associate Music Supervisor.... Dominick Amendum Dance Supervisor................... Patrick McCollum Assistant Choreographer.....Kristen Leigh Gorski Assistant to Mr. Schwartz..............Michael Cole Assistant Scenic Designer........... Nick Francone Oz Map Design......................... Francis Keeping Costume Coordinator for Wicked Worldwide........Amanda Whidden Wig Coordinator...........................J. Jared Janas Assistant Costume Designers...... Amela Baksic, Amy Bradshaw, Amy Clark, Martin Lopez, Mary-Margaret O’Neill, Cathy Small Associate Lighting Designer........Karen Spahn Assoc. Lighting Designer/ Automated Lights................. Warren Flynn Assistant Lighting Designer.........Aaron Spivey Assoc. Sound Designer/ Prod. Sound Engineer..............Kai Harada Assistant Sound Designer............ Adam Rigby Projection Programmer................ Hillary Knox

Assistant Projection Designer.... Jake Pinholster Projection Animators................ Gareth Smith, Ari Sachter-Zeltzer Special Effects Associate............ Aaron Waitz Flying Effects....................ZFX Flying Illusions Associate Hair Designer.......Charles LaPointe Production Carpenter.................. Rick Howard Head Carpenter.......................... Mick Lohrer Automation Carpenter............Lavoid McKibbin Assistant Carpenters.................. Stuart Dobbie, Kent Hasper, Tony Ward, Joe Wright III Production Electrician...........Robert Fehribach Head Electrician............................Todd Davis Assistant Electricians...... Mike Flynn, Jacob Martin Production Properties Supervisor.....George Wagner Head Properties........................... Trevor Ricci Assistant Properties.......... Rachel Juozapaitis Head Sound Engineer..........Michael Weferling Assistant Sound Engineer.........Brian Kallaher Production Wardrobe Supervisor.... Alyce Gilbert Wardrobe Supervisor...................Mary Seasly Assistant Wardrobe Supervisors....Patricia Emmert, Shevhan Lusteck Hair Supervisor..........................Lisa Thomas Assistant Hair Supervisor..... Andrea DiVincenzo Makeup Design.................... Joseph Dulude II Masks and Prosthetics....... W.M. Creations, Inc. Matthew W. Mungle, Lloyd Matthews Advance Carpenters....... Chris Cory, Joel Gburek, Matt Levy, Dave Rader, Dennis Richards Advance Electricians.......Eric Rimes, Drew Scholl Advance Sound........Allen Rowand, Laurie Turnau Advance Wardrobe........... Christina Cocchiara Assistant Technical Supervisor...... Ana M. Garcia Music Preparation........Anixter/Rice Music Service Synthesizer Programming..........Andrew Barrett Guitar Effects Programming......... Chuck Pierce Advertising...........Serino Coyne/Greg Corradetti Caroline Thompson, Heather Millen, Jean Leonard Website..................................... Istros Media Merchandise........................ The Araca Group Banking......................JP Morgan Chase Bank/ Salvatore Romano Payroll..................... Castellana Services, Inc. Director of Finance................... John DiMeglio Production Administrator.........Bob Brinkerhoff Accountant....................... Robert Fried, C.P.A. Insurance......AON/Albert G. Ruben Insurance Legal Counsel...... Loeb & Loeb/Seth Gelblum Legal Counsel for Universal Pictures......Keith Blau Atlanta’s Performing Arts Publication 41

profiles Physical Therapy.......................NEURO TOUR Physical Therapy Inc. Lindsey Facciolo, MPT, Medical Director Joseph S. Wilkes, MD Travel Agent...............The A Team, Tzell Travel Makeup provided by MAC Cosmetics MARC PLATT PRODUCTIONS Adam Siegel, Greg Lessans, Joey Levy Jared LeBoff, Nik Mavinkurve, Tia Maggini, Dana Krupinski, Conor Welch, Adam Wilkins STONE PRODUCTIONS David Stone Patrick Catullo Aaron Glick UNIVERSAL PICTURES President & COO, Universal Studios, Inc.................... Ron Meyer Chairman.................................... Marc Shmuger Co-Chairman....................................David Linde President of Marketing............... Adam Fogelson Co-President of Marketing.................Eddie Egan Co-President, Production & EVP, Universal Pictures................... Jimmy Horowitz

Exclusive tour Direction Stephen Lindsay Brett Sirota The Road Company www.theroadcompany.com

CREDITS Scenery built by F&D Scene Changes. Scenic motion control featuring Stage Command Systems© by Scenic Technologies, a division of PRG. Lighting equipment from PRG Lighting; Sound equipment from PRG Audio, both divisions of Production Resource Group LLC. Special effects by Sunshine Scenic Studios & Aztec Stage Lighting. Video projection system by Scharff Weisberg Inc. Projections by Vermilion Border Productions. Costumes

42 Encore Atlanta

by Barbara Matera Ltd., Parsons-Meares Ltd., Tricorne, Eric Winterling, Scafati, & Cego. Millinery by Rodney Gordon & Lynne Mackey Shoes by T.O. Dey, Frederick Longtin, LaDuca & J.C. Theatrical. Flatheads & monkey wings by Michael Curry Design Inc. Life-casts by Todd Kleitsch and Sunday Englis. Fur by Fur & Furgery. Undergarments & hosiery by Bra*Tenders, Inc. Antique jewelry by Ilene Chazanof. Specialty jewelry & tiaras by Larry Vrba. Custom Oz accessories by LouLou Button. Custom screening by Gene Mignola & Izquierdo Studios. Certain props by John Creech Designs & Den Design Studio. Nessarose armoire woodwork by The Woodworker Shop. Graphic props & spellbooks by Proper Decorum, Inc. Confetti by Artistry in Motion. Puppets by Bob Flanagan. Electronic instruments & equipment from Victor’s House of Music & misc. percussion from Drummer’s World. Acoustic guitars by Taylor Guitars; Guitar amplifiers by Mesa Boogie. Rehearsed at New 42nd Street Studios. Emergen-C Super Energy Booster provided by Alacer Corp. The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. The musicians employed in this production are members of the American Federation of Musicians. The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. United Scenic Artists represents the designers and scenic painters for the American Theatre. Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.). The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers. This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

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Lovett

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At Lovett, we’ve set the stage— 9/3/08 10:42:31 AM and the standard—for creative excellence.

We offer more than 50 classes in the visual and performing arts, as well as private lessons, all taught by professional artists. Come to our Open House and explore the arts at Lovett— just one component of our whole education for the whole child.

Open House Saturday, Dec. 13, 2008, K–Grade 5, 9:00–11:00 AM Sunday, Dec. 14, 2008, Grades 6–12, 1:00–3:00 PM The Lovett School practices a nondiscriminatory admission policy. Financial aid is available.

4075 Paces Ferry Road, N.W., Atlanta, Georgia 30327-3099 ■ (404) 262-3032 ■ www.lovett.org

1708 Peachtree St. NW, Suite 410, Atlanta GA 30309 Monday - Friday 10:00 a.m. - 5:00 p.m. 404.873.4300 Stephanie Parker . . . . . . . . . . . . Vice President, Mid-South Region Jennifer Waxman . . . . . . . . . . . . . . . . . . . . . . Marketing Director Rachel Bomeli . . . . . . . . . . . . . Ticketing /Administrative Assistant Rebekah K. Jones . . . . . . . . . . . . . . . . . . . . . . . Technical Director Terry Romanoli . . . . . . . . . . . . . Director of Corporate Partnerships For media inquiries, please contact Ashley Cameron at KC Public Relations, 404-233-3993.

Thank you to our Sponsors:

FOR INFORMATION regarding corporate partnerships and promotional opportunities with Broadway Across America — Atlanta, please call 404.873.4300. Broadway Across America — Atlanta is bringing the BEST of Broadway to you in 2008-2009! Season tickets are on sale now starting at only $74 for a five-show package. Guarantee your seats now for AIN’T MISBEHAVIN’, A CHORUS LINE, HAPPY DAYS, CHITTY CHITTY BANG BANG and JERSEY BOYS by becoming a Broadway Across America — Atlanta Season Ticket Holder. Order online anytime at www.BroadwayAcrossAmerica.com or call 1-800-278-4447 to order by phone (M-F, 10 a.m.-5 p.m.).

GOLDEN RULES The following brief, but important article has been published to assist in audience etiquette. To this day we get at least one phone call a week asking for reprint rights. These calls and letters come from orchestras and theaters, opera and ballet companies all over the United States and Canada, big and little troupes alike. The message, telegraphed between the lines, seems to be an S.O.S.: American audiences are out of control. Are they? Here’s a refresher course. Please read on, and remember, part of one’s pact as an audience member is to take seriously the pleasure of others, a responsibility fulfilled by quietly attentive (or silently inattentive) and selfcontained behavior. After all, you can be as demonstrative as you want during bows and curtain calls. 1. Go easy with the atomizer; many people are highly allergic to perfume and cologne. 2. If you bring a child, make sure etiquette is part of the experience. Children love learning new things. 3. Unwrap all candies and cough drops before the curtain goes up or the concert begins. 4. Make sure cell phones, beepers, and watch alarms are OFF. And don't jangle the bangles. 5. The overture is part of the performance. Please cease talking at this point. 6. Note to lovebirds: When you lean your heads together, you block the view of the person behind you. Leaning forward also blocks the view.

T h e F ox T h e at r e 660 Peachtree Street, N.E. Atlanta, Georgia 30308 404.881.2100 • www.foxtheatre.org

STAFF

Allan C. Vella . . . . . . . . . . . . . . . . . . . General Manager Adina Alford Erwin . . . . . . . . Assistant General Manager Pat “Sunshine” Tucker . . . . . . . . . . . Box Office Manager Robert Burnett . . . . . . . . . . . . . . . . . . . . . . . Controller Jennifer S. Farmer . . . . . . . . . Director of Sales/Ballrooms Oliver Diamantstein . . . . . . . . Director/Food and Beverage Len Tucker . . . . . . . . . . . . . . . . . . Director of Operations Pat Prill . . . . . . . . . . . . . . . . . . . . . . . . House Manager Greta Duke . . . . . . . . . . . . . . . Assistant House Manager Kristen Delaney . . . . . . . . . . Director of Marketing & PR Ken Shook . . . . . . . . . . . . . . . . Patron Services Director Shelly Kleppsattel . . . . . . . . . . . . . . . . . . . . . . Manager, Administrative and Community Services Jamie Vosmeier . . . . . . . . . . . . . . . . Group Sales Director Molly Fortune . . . . . . . Preservation Department Manager Andrew Nielsen . . . . . . . . . . . . . . . .Production Manager Rebecca J. Graham . . . . . . Assistant Production Manager Amy Mark . . . . . . . . . . . . Assistant Production Manager Gary Hardaway . . . . . . . . . . . . . . . . . . Master Carpenter Larry Watson . . . . . . . . . . . . . . . . . . . . . House Flyman Scott Hardin . . . . . . . . . . . . . . . . . . . . . Property Master Ray T. Haynie . . . . . . . . . . . . . . . . . . . Master Electrician Cary Oldknow . . . . . . . . . . . . . . . . . Assistant Electrician Rodney Amos . . . . . . . . . . . . . . . . Head Sound Engineer Larry Douglas Embury . . . . . . . . . . Organist In Residence

EXECUTIVE COMMITTEE AND BOARD MEMBERS

Arthur Montgomery . . . . . . . . . . . Chairman of the Board Alan E. Thomas . . . . . . . . . . . . . . . . . . . . . . . President Robert L. Foreman Jr. . . . . . . . . . . . . . . 1st Vice President Beauchamp C. Carr . . . . . . . . . . . . . . 2nd Vice President John A. Busby Jr. . . . . . . . . . . . . . . . . 3rd Vice President Julia Sprunt Grumbles . . . . . . . . . . . . 4th Vice President Robert Minnear . . . . . . . . . . . . . . . . . . . . . . . . Treasurer Edward Hutchison . . . . . . . . . . . . . . . Assistant Treasurer Edward L. White . . . . . . . . . . . . . . . . . . . . . . . Secretary Clara Hayley Axam . . . . . . . . . . . . . . Assistant Secretary Robyn Rieser Barkin . . . . . . . . . . . . . . Member at Large Walter R. Huntley, Jr. . . . . . . . . . . . . . . Member at Large Sylvia Anderson, Ada Lee Correll, Richard Courts IV, Keith Cowan, F. Sheffield Hale, John R. Holder, Florence Inman, Steve Koonin, Charles Lawson, Starr Moore, Joe G. Patten, Carl V. Patton, Glen J. Romm, Nancy Gordy Simms, Clyde C. Tuggle, Carolyn Lee Wills, Lee Winfield.

HONORARY BOARD MEMBERS

Anne Cox Chambers, Arnall (Pat) Connell, Rodney Mims Cook Jr., Jere A. Drummond, Richard O. Flinn III, Joseph V. Myers Jr., Edward J. Negri, Edgar Neiss, Herman J. Russell, Preston Stevens Jr.

7. THOU SHALT NOT TALK, or hum, or sing along, or beat time with a body part. 8. Force yourself to wait for a pause or intermission before rifling through a purse, backpack or shopping bag. 9. Yes, the parking lot gets busy and public transportation is tricky, but leaving while the show is in progress is discourteous.

Official Beverage

The Fox Theatre

Official Airline

The Fox Theatre

Official Vehicle

The Fox Theatre

10. Honor the old standby: Do unto others, as you would have them do unto you. Atlanta’s Performing Arts Publication 45

Murphy’s

Atlantans love to eat. And shop. And see shows at The Fox Theatre. Here’s a handy dining guide you can keep with you for reference when the mood strikes to indulge those passions. By Taylor Dahl Shop and nosh For some reason, burning up credit cards works up a serious appetite. Luckily, no matter where you shop in Metro Atlanta, there’s a dining oasis near you. Power malls Phipps Plaza (3500 Peachtree Rd. NE) and Lenox Square (3393 Peachtree Rd.) are the epitome of luxury shopping and eating. If you’re in a hurry at Lenox, head to California Pizza Kitchen (404-262-9221) or Panera Bread (404-848-9997). Feel like treating yourself? Prime (404-812-0555) serves steaks, sushi, seafood and salads. Need a 46 Encore Atlanta

place to relax at Phipps? Twist (404-8691191) has seafood, sushi, tapas and wraps. Meet your friends for their signature drinks or people-watch on the patio. The Tavern at Phipps (404-814-9640) has one of the best bars in Atlanta, and is a great place for a power lunch or happy hour. Restaurants and shops keep popping up at Atlantic Station. Lobby at Twelve (361 17th St., 404-961-7370) is a casual American bistro that highlights the best flavors of the season. STRIP (245 18th St., 404-385-2005) serves steak, seafood and sushi. Doc Green’s (264 19th St., 404-347-5216) is a quick way to satisfy a sandwich or salad craving. If you’re near Perimeter Mall (4400 Ashford-Dunwoody Rd.), popular chains The Cheesecake Factory (678-3200201) and Maggiano’s Little Italy (770804-3313) are packed with tired shoppers nightly. Or try the funky seafood restaurant Goldfish, which serves complimentary hors

murphy’s

Fox Dining Guide

Join us After the Show for Some Wicked Brew buy one, get one free Lunch, Dinner, Late Nite and Kidâ&#x20AC;&#x2122;s Menu 3 Block North of The Fox Theatre on Peachtree St.

848 Peachtree Street, NE Atlanta â&#x20AC;˘ 404-870-0805 gordonbierschrestaurants.com Bring in this ad, and receive one entree of equal or less value with the purchase of an entree. Limit one offer per ad. Offer expires 12/31/08.

Noche

d’oeuvres Monday-Friday 5-6:30 p.m. (770-671-0100). Across the street, Eclipse de Luna (4505 Ashford Dunwoody Rd., Suite 11, 678-205-LUNA) has delicious and inexpensive tapas, and an even better drink list. Boutique shopping? The Virginia Highland neighborhood has some of the best restaurants in the city. Murphy’s (997 Virginia Ave., 404-872-0904) has a great brunch menu to start your day. Noche (1000 Virginia Ave., 404-815-9155) serves Spanish-style tapas and delicious margaritas and mojitos. La Tavola (992 Virginia Ave., 404-873-5430) has savory Italian dishes and an affordable wine list. Let’s make a date: dinner and a show Nothing beats dinner and a show. Here are some places within a stone’s throw of The Fox Theatre, where theater lovers can grab dinner, drinks or dessert. Gordon Biersch: Enjoy a pint and unwind after the show. A seasonal menu complements a full menu of handcrafted beers. Patio dining’s available, as is a billiard room. 848 Peachtree St., NE; 404-870-0805; gordonbiersch.com. Shout: The Atlanta hot spot serves up dishes from around the world, such as Mediterranean tapas, pizzas and sushi. 48 Encore Atlanta

Shout

South City Kitchen

The rooftop bar is an excellent place to dine or drink on crisp fall nights. Specials include $10 all you can eat tapas Mondays or $10 all you can eat pizza and salad Sundays. 1197 Peachtree St.; 404-846-2000; h2sr.com. Two Urban Licks: Located in a funky warehouse, this American restaurant serves wood-fired meats and fish. Patrons dine al fresco in a courtyard that overlooks the downtown skyline. Live blues plays Tuesday-Saturday nights. 820 Ralph McGill Blvd.; 404-5224622; twourbanlicks.com. South City Kitchen: This DiRoNA restaurant serves contemporary Southern food, including buttermilk fried chicken, crab hash and banana pudding. Located in a historic bungalow off Crescent Ave., South City Kitchen serves barbecue every Sunday night (adults: $19.50, children 12 and under: $9.95). 1144 Crescent Ave. NE; 404873-7358; southcitykitchen.com Savoy at the Georgian Terrace: The original lobby of the Georgian Terrace has been transformed into this finedining restaurant, where you can dine on the hotel’s terrace, overlooking the Fox. Patrons park for free, and you can’t beat the location for a pre- or post-show meal.

659 Peachtree St. NE; 404-897-1991; georgianterrace.com/dining.

Ruth’s Chris Steakhouse: Quality steaks and seafood in three convenient locations. Ruth’s Chris also offers pretheater dining menus. 3285 Peachtree Rd. NE; 404-365-0660; ruthschris.com. Veni Vidi Vici: Savor delectable Italian handmade pastas and rotisserie meats. This month, Veni Vidi Vici is participating in Buckhead Life Restaurant Group’s “Ultimate Restaurant Week,” and will offer three course menus for $29 on select dates. 41 14th St.; 404-875-8424; buckheadrestaurants.com. Melting Pot: Personalize your dinner menu and cook the food to your tasting. Remember to leave room for dessert, you don’t want to miss the chocolate fondue platter! 754 Peachtree St. NE; 404-3890099; meltingpot.com. E Street Grille at the Ellis Hotel: E Street Grille serves up a light dinner of fine Southern food and has a balcony overlooking Peachtree Street. An adjoining lounge serves cocktails and after-dinner libations. 176 Peachtree St. NW; 404523-5155; ellishotel.com/dining. Dogwood: Located in Midtown, Dogwood dishes out sophisticated Southern food. Get half-price sommelier wine selections on Tuesdays. Dine preor post-theater and receive half-price wines by the glass with the purchase of 50 Encore Atlanta

Veni Vedi Vici

Dogwood

an entrée. 565 Peachtree St.; 404-8351410; dogwoodrestaurant.com. Vickery’s Bar and Grill: Vickery’s Crescent Avenue Bar and Grill is a Midtown favorite serving American food with a Lowcountry influence. Its historic location was once home to Margaret Vickery, a bosom buddy of Margaret Mitchell; legend has it that many chapters of Gone with the Wind were written here. 1106 Crescent Ave. NE; 404-881-1106; vickerysbarandgrill.com. Steamhouse Lounge: It’s oyster season, so head to “the best little dump in Midtown” for seafood and cold beer. Sports lovers can catch the game in its upstairs bar; private party space is available. 1051 West Peachtree St.; 404233-7980; steamhouselounge.com. Highland Tap Steak Cellar: Steakhouse named for their signature martinis. This cozy speakeasy is suitable for groups of any size. At Highland Tap, a martini goes with brunch, lunch or dinner. 1026 N. Highland Ave.; 404-875-3673; nnnwcorp.com/highlandtap.html.

buckhead life restaurant group; dogwood/ Lauren Rubinstein

New York Prime: Feast on USDA Grade prime beef. Enjoy live entertainment and fine cigars at the martini bar. 3424 Peachtree Rd. NE; 404-846-0644; centraarchy.com/newyorkprime.php.

It’s not polite to shout during the show. So we invite you to

after.

preSent your ticket and receive 15% off food only at Shout* offer valid with your atlanta Symphony orchestra or fox theatre ticket stub. expires 10/31/08.

complimentary parking for aSo patronS

1197 Peachtree Rd • (404) 846-2000 • h2sr.com Open 7 nights a week serving dinner • Lunch served Mon-Fri

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A MEMORABLE EVENING, ACT TWO

A “Best New Restaurant in America” —Esquire “Atlanta’s Best Wine List” —Critic’s Choice, Creative Loafing “Best Appetizers” —Jezebel

Just blocks from the Fox Theatre at 40 7th Street in Midtown

Monday-Thursday, open until 11pm; Friday-Saturday, open until 1am; Sundays, open until 10pm

404.347.9555

•

fifthgroup.com

STATS

out on the prowl

Where you should spend your nights

By Taylor Dahl

pub lovers Charlie Mopps Public House, “the house that beer built,” has 300 beers, with 90 on tap, and occasional live music. If you’re more of a scotch and cigar type, Highland Cigar Co. is the place for you. Highland carries international cigars and their own private label line. Beer connoisseurs will enjoy TAP, a gastro-pub with sophisticated takes on traditional pub favorites and an extensive beer and wine menu. Fado Irish Pub & Restaurant is an authentic Irish pub with several themed rooms 52 Encore Atlanta

and a rooftop patio. Tin Roof Cantina is gameday central for college football fans. It has three outdoor seating areas, darts, pool tables, beer pong, video games and live music on select nights. Sports bar STATS has five bars, 70 high-definition TVs and “beer” tables, complete with their own taps. hip-hop royalty Jermaine Dupri’s Studio 72 features an 850-gallon aquarium and VIP sections with hot tubs, waterfalls and complimentary cigars. Dupri hosts on

STATS; TAP; Studio 72/Raevaughn Lucas

Forbes recently ranked Atlanta its Best City for Singles, based on its “coolness, cost of living alone, culture, job growth, online dating, nightlife and number of singles.” If you’re on the prowl, or just looking for something different to do at night, check out these exciting options for nightcrawlers of every stripe.

TAP

Studio 72

Krog Bar

tragically hip Suffering from the midweek blues? Head over to Halo, a modern looking club with chic cocktails and a laid-back crowd. Lola Bellini Bar and Restaurant has two outdoor patios: one for feasting on Italian-style food and one for lounging and drinking. Castleberry Hill’s M Bar has a cozy interior and live jazz on select nights. Krog Bar in Inman Park is a quaint space with a hefty wine and tapas menu. Beluga Martini Bar offers a variety of martini concoctions and live entertainment Monday-Thursday at 10 p.m., Friday and Saturday at 10:30 p.m. Discover the next Miles Davis or Louis Armstrong at Churchill Grounds, an intimate jazz club next to the Fox. On the other side of the theater is Bazaar, a chic, Euro-trendy lounge. dancing queens Cosmopolitan Lava is upscale and luxurious and the place to go for drinks, if money is no object. This posh club has three dance floors, five bars and a tropical deck overlooking the Atlanta 54 Encore Atlanta

skyline. Opera is the epitome of chic and well worth the line to get in. Famous DJs spin hot tracks while celebrities canoodle in the VIP section. Take your cocktails to the cabana for a great view of the Midtown skyline, or survey the scene from the mezzanine level. Dance, dance, dance at Leopard Lounge. The soft lighting and couches are comfy places to rest your heels and unwind when you need a break. Want to get away from the fashionistas? Let your hair down at MJQ Concourse. This unpretentious club has two full bars, a live music venue and a crowd that’s all about dancing and music. Who says you have to ever hang up your dancing shoes? Women and men who are old enough to know better, but too young to resist, flock to Johnny’s Hideaway to dance to big band and retro sounds. the out-of-towners Don’t overlook Atlanta’s swanky hotel bars — here you’ll find some of the most elegant, chic nightclubs in town. Mint Julep Martinis and the Georgia Peach are signature drinks at the Ellis Hotel’s e Street Lounge. Come to the Ritz-Carlton, Buckhead’s lounge for the celebrity spotting and stay for the cocktails and live jazz. Pulse Bar at the Marriott is a cool cocktail lounge with views of the hotel’s atrium. The W’s Whiskey Park is glamorous and trendy, with signature cocktails and a rock ’n’ roll vibe.

Rathbun’s restaurants

Saturday nights, so come dressed to impress. Club Crucial has three full bars, pool tables, an exclusive VIP room and a dance floor where you can groove to hiphop beats. Rub elbows with celebrities like owner T.I. and his friends Usher and Ludacris on “Celebrity Saturdays” or get $3 drinks on “Thirsty Thursdays.”

“ATLANTA’S BEST ITALIAN RESTAURANT.” -Consumer’s Choice

404 .875 .8424 • 41 Fourteenth St. buckheadrestaurants.com A BUCKHEAD LIFE RESTAURANT

culture vultures Variety Playhouse is an intimate live music venue that sits near the intersection of Euclid and Moreland avenues. This month, artists Hanson, Joan Osborne, Grace Potter & The Nocturnals, Girl Talk and the Hotel Café Tour will be gracing the stage. Enjoy improvisational comedy at Dad’s Garage Theatre Company. Shows run Thursday-Saturday, and students get half-off admission on Thursday nights. At

midnight on Oct. 25, Dad’s presents its popular “Puppet Slam,” an experimental, improvisational adult-themed show that’s a cult favorite. Darkhorse Tavern’s 10 High has Metalsome Inc. shows every Monday, Friday and Saturday night. Karaoke lovers sing their favorite tunes while a live rock band jams out with them. Eddie’s Attic is a local acoustic pub that has launched the career of musicians such as John Mayer, Sugarland and Shawn Mullins.

out on the prowl directory • Lola Bellini Bar and Restaurant (Midtown): Terminus 100, 3280 Peachtree Road NE; 404-892-9292; h2sr.com • M Bar (Castlebury Hill): 257 Peters St.; 404-5231555; mbaratlanta.com • Krog Bar (Inman Park): 112 Krog St.; 404-5241618; krogbar.com • Beluga Martini Bar (Buckhead): 3115 Piedmont Rd; 404-869-1090; belugamartinibar.com • Churchill Grounds (Midtown): 660 Peachtree St. NE; 404-876-3030; churchillgrounds.com • Bazaar (Midtown): 654 Peachtree St.; 404-885-7505; bazzaaratlanta.com dancing queens Hip-hop royalty • Cosmopolitan Lava • Studio 72 (Tucker): 3965 (Midtown): 45 13th St.; Lawrenceville Hwy.; 770-934404-873-6189; cosmolava.com 2975; studio72atlanta.com • Club Crucial (Bankhead): • Opera (Midtown): 1150 Peachtree St. NE; 404-8742517 Donald Lee Hollowell 3006; operaatlanta.com Pkwy.; 404-794-2114; profile.myspace.com/index. • Leopard Lounge (Midtown): 84 12th St. NE; cfm?fuseaction=user.viewpro 404-875-7562, leopardfile&friendid=83148592 loungeatl.com tragically hip • MJQ Concourse (Poncey• Halo (Midtown): 817 W. Highland): 736 Ponce De Peachtree St. NW; 404-962Leon Ave. NE; 404-8707333; halolounge.com 0575; mjqatlanta.com Pub lovers • Charlie Mopps Public House (Sandy Springs): 5830 Roswell Rd.; 404-8450713; charliemoppspub.com • Highland Cigar Co. (Virginia Highland): 245 N. Highland Ave. NE, Ste. 140; 404-477-2415; highlandcigar.com • Tap (Midtown): 1180 Peachtree St.; 404-347-2220; tapat1180.com/home.php • Fado Irish Pub & Restaurant (Buckhead): 273 Buckhead Ave.; 404841-0066; fadoirishpub. com/Atlanta • Tin Roof Cantina: 2591 Briarcliff Rd. NE; 404-3294700; tinroofcantina.com • Stats (Downtown): 300 Marietta St. NW; 404885-1472; statsatl.com

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• Johnny's Hideaway (Buckhead): 3771 Roswell Rd.; 404-233-8026 johnnyshideaway.com The out-of-towners • Ellis Hotel (Downtown): 176 Peachtree St. NW; 404-523-5155; ellishotel.com • The Ritz-Carlton (Buckhead): 3434 Peachtree Rd. NE; 404-237-2700; ritzcarlton.com • Marriott Marquis (Downtown): 265 Peachtree Center Ave.; 404-586-6081; marriott.com • The W Atlanta (Midtown): 188 14th St. NE, Atlanta, GA 30361; 404-892-6000; starwoodhotels.com/whotels/index.html Culture vultures • Variety Playhouse (Little Five Points): 1099 Euclid Ave.; 404-524-7354; variety-playhouse.com • Dad’s Garage Theatre Company (Inman Park): 280 Elizabeth St., Suite C-101; 404-523-3141; dadsgarage.com • Darkhorse Tavern (Virginia Highland): 816 North Highland Ave.; 404-8733607; darkhorseatlanta.com • Eddie’s Attic (Decatur): 515-B North McDonough St.; 404-377-4976; eddiesattic.com

For tickets, call 404.733.5000 or visit alliancetheatre.org

NOW PLAYING ON THE HERTZ

Performances end October 26

NOW ON SALE

PLAYING ON THE ALLIANCE STAGE

Performances begin April 15