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Welcome!
We’re thrilled to welcome you to the kickoff of our 2024-2025 Season! Many of you have been season ticket holders for years and many of you are joining us for the first time. Congratulations! You’re all part of a recordbreaking number of subscribers this year. We’re so glad you’re here and appreciate your support. The growth in the Series enables us to bring shows direct from Broadway, earlier in their cross-country runs, which is fabulous.
It’s great fun to kick off this season with every “Buddy’s” favorite holiday musical. Based on the beloved 2003 film, Elf The Musical features songs by Matthew Sklar (The Prom, The Wedding Singer) and Chad Beguelin (Aladdin, The Prom, The Wedding Singer), with a book by Tony Award winners Thomas Meehan (Annie, Hairspray, The Producers) and Bob Martin (The Drowsy Chaperone). The show is also running on Broadway through the holidays.
Next we’re looking forward to Moulin Rouge! The Musical, our second show of the season. Baz Luhrman’s revolutionary film comes to life on stage, remixed in a new over-the-top musical extravaganza. The original Moulin Rouge cabaret in Paris opened in 1889 and was co-founded by Charles Zidler and Joseph Oller. It is known as the birthplace of the modern form of the can-can dance, which grew into a new form of entertainment and led to the introduction of cabarets across Europe. We look forward to welcoming you to the Moulin Rouge!
Many thanks to the amazing team at Clowes Memorial Hall. Thanks to you for supporting the arts, we can’t do it without you. And Happy Holidays from all of us at Broadway in Indianapolis!
Leslie Broecker President
Broadway in Indianapolis
Broadway in Indianapolis Staff
President Leslie K. Broecker
Midwest Director of Operations Angela Cox
Director of Marketing Hilary Ford
Marketing Associate Kevin Vestal
Public Relations Matthew Porter, Think Tank Marketing
Controller Jan Taylor
National Reporting Coordinator Tara Shambaugh
Regional Sales Operations Manager Megan Neumann
Ticketing Manager Rob Bartee
Group Sales Manager Chris Schneider
MAKING ELF SPARKLE INSIDE AND OUT
The tour’s director, Sam Scalamoni, reveals the vision behind the musical’s magic.
STORY BY Ruthie Fierberg
The curtain rises, the lights glow, and Santa…realizes the football game he wanted to watch wasn’t taped! His plans foiled, he realizes, “It’s Christmas! Let’s read a Christmas story.” Santa cracks open a book, the world of Elf begins to unfold.
The tour’s director, Sam Scalamoni, collaborated with the musical’s design team specifically to create a pop-up book come to life in his version of Elf Santa’s workshop (designed by Christine Peters) looks like an illustrated cottage. The elves’ clothing (designed by Gregg Barnes) pop with color, like a bag of jelly beans, and their silhouettes dance with whimsy. The New York City backdrops hang like paintings on a page. As Scalamoni said, “As Santa reads us the story out of his pop-up book, we step into the pop-up book.”
The musical, much like the movie it’s based on, is “the story of Buddy, the elf” — a man raised in the North Pole as an oversized elf, who discovers in adulthood
Jackson Reagin in Elf The Musical. Photo by Jeremy Daniel, 2024.
that his biological father lives in New York City. Buddy ventures to Manhattan to find his dad and, eventually, reinvigorate the Christmas spirit of the entire city. While the idea of holiday spirit can seem naïve to some, Buddy’s fortitude in kindness and joy is the driving engine of the story’s endearing nature.
Will Ferrell iconically originated the role of Buddy in the 2003 film, and it would be easy to consider the overgrown elf a ridiculous character. “People think of Will Ferrell as this big, outrageous, larger-than-life character,” Scalamoni said. “Actually, if you watch the movie Elf, it’s one of his more grounded, honest, genuine performances.”
That earnestness is the key to Scalamoni’s staging — which has been touring since 2012. “Every time we do this, I talk to the actor who plays Buddy, and I say, ‘I know it feels like you want to chew scenery here, but that’s not what this is about,’” said the director. “This is about being an adult who was raised by elves with Santa Claus in the North Pole, and then plucked from that situation, placed into another one and how to react to these situations.”
“They have to come from a real place,” Scalamoni said of the actors who play Buddy. “I think that helps ground the show.”
And that doesn’t just go for Buddy. Scalamoni tasks every actor in the cast with finding truth rather than fantasy. “I have this conversation with the elves all the time,” he said. “I say to them, ‘These are just people who happen to work at a toy shop. They are not little pixies. We need to play them as people.’”
Capturing that humanity is what allows for the magic. As Scalamoni said, “It’s about spirit.”
While Buddy drips with spirit, New York City does not. But Scalamoni has also been careful about the portrayal of the people who make up the metropolis. “Manhattan gets a bad reputation for being a little gruff and rough sometimes,” he said. “We paint the people in New York as people who are burdened. I talk to the gentleman who plays Walter [Buddy’s dad], and I always say, ‘You’re not mean. You’re a good guy. You’re just buried under a lot of pressure — family pressure, work pressure.’ I think we all can relate to that.”
That relatability is key to Elf, and book writers Bob Martin and the late Thomas Meehan infuse empathy — as well as a sleighful of joy — into the script, while composer Matthew Sklar and lyricist Chad Begeulin do the same for the score. Like Scalamoni said, “We watch Buddy crack that [burden] open with his spirit, true joy and passion for wanting to live this joyous life that he’s grown up in and share that with others.”
Sharing the spirit of Elf is what has kept Scalamoni with the tour of the musical through 15 different companies over the course of 12 years. “I love telling the story and I love what it says about the season,” Scalamoni said. “We bring the idea of spending time with family and the people that you care most about. That is really what the season is about: taking time to enjoy the season of giving and caring,” he said. “We do the show at the holidays, but you could see it any time.”
“I feel we get to share that with the rest of the country every year when the tour goes out,” he continued. “That really keeps me passionate about it. We have a little gem here, and I love preserving it.”
For more in-depth interviews, up-to-date news and show reviews on Broadway, visit broadwaynews.com.
INSIDE THE REAL MOULIN ROUGE
The Tony Award-winning musical of the same name pays homage to a landmark of Parisian history.
STORY BY Michael Abourizk
While the Tony Award-winning musical Moulin Rouge! The Musical is a work of fiction, it is rooted in a specific time and historic place. Adapted from the 2001 Baz Luhrmann film of the same name, the musical chronicles the interactions of young writer Christian and a cast of characters (some fabricated, some factual) swirling around the real-life Moulin Rouge nightclub in Paris. Moulin Rouge! is set during the turn of the century at the height of La Belle Époque period. This was an era of French history ranging from the end of the Franco-Prussian War in 1871 to the start of World War I in 1914. The time was marked not only by economic prosperity in France, but the flourishing of arts and culture. A certain joie de vivre was felt throughout society. During this time, the Moulin Rouge club was the inimitable hub of Paris’ nightlife entertainment. Founded by Charles Zidler and Joseph Oller, the Moulin Rouge opened on Oct. 6, 1889. Zidler and Oller wisely chose Montmartre in the 18th arrondissement (neighborhood) as its locale. The northern Parisian location was a lower-class
Adéa Michelle Sessoms and Jennifer Wolfe in the North American Tour of Moulin Rouge! The Musical Photo by Matthew Murphy for MurphyMade.
neighborhood, known for its population of artists. Zidler and Oller knew the allure of mingling between bohemians with the middle- and upper-classes had appeal, as La Belle Époque’s sense of mirth allowed social barriers to blur.
The nightclub opened at the Jardin de Paris. The outdoor garden offered food, drink and cabaret entertainment. A giant stucco elephant, purchased by Zidler and Oller at the 1889 Exposition Universelle, watched over the al fresco space. An opium den sat inside the elephant, accessible by a spiral staircase in one of its legs.
Within this outdoor space and an indoor auditorium, the Moulin Rouge offered an ever-changing variety of acts. Regular offerings ranged from operettas and musical revues to circus-oriented performances, such as the famous French flatulist Le Pétomane and the clown duo Foottit and Chocolat. One hallmark of the space was the guarantee of dancing chorines, earning the nightclub the moniker “Le Premier Palais de Femmes” — the first palace of women.
Much of the dancing at the Moulin Rouge featured the can-can, a style performed by a chorus line incorporating high kicks, splits and cartwheels. The origin of the can-can is disputed; while it predates the establishment of the Moulin Rouge, the venue increased its popularity. The choreography became practically synonymous with the club. Sonya Tayeh’s Tony-winning choreography for the musical juxtaposes the can-can with more modern dance.
Beyond the stage, the can-can is a prominent fixture of much of the artwork inspired by the Moulin Rouge. Jules Chéret’s “Bal au Moulin Rouge” painting and Alfred Choubrac’s “Au Joyeux Moulin Rouge” served as advertising for the nightclub and are still recognizable images today. Perhaps most notably, painter Henri de Toulouse-Lautrec was commissioned to create a series of posters for the venue. His works such as “Au Moulin Rouge” and “Moulin Rouge–La Goulue” depict both performers and patrons of the club and immortalize the famous hall.
Toulouse-Lautrec’s Moulin legacy extends beyond his iconic images. He is one of the several characters portrayed in Moulin Rouge! based on a real person. Of them, the character of Toulouse most closely matches his real-life counterpart: He was indeed a bohemian artist seen often at the club and used a cane. The master of ceremonies seen in the musical, Harold Zidler, is inspired by the aforementioned co-founder Charles Zidler. “Roxanne” dancer Nini is based on real Moulin performer Nini Pattes en L’Air (Nini Legs in the Air), who, in real life, was known as a preeminent interpreter of the can-can, teaching the dance to future generations.
Finally, Satine, the star attraction of the Moulin Rouge seen in the musical, is a fictionalized version of Jane Avril. Avril was a noted performer throughout Parisian dance halls, who became a headliner of the Moulin Rouge in the 1890s. Her prominence and nimble dancing are captured in Toulouse-Lautrec’s painting “Jane Avril.”
The Moulin Rouge still stands today. Despite a 1915 fire that destroyed the original structure, the venue was rebuilt. The Moulin Rouge remains a major entertainment destination for visitors to Paris, offering a peek into the arts and culture explosion of La Belle Époque. The musical, which opened on Broadway in 2019 and launched a national tour in 2022, does the same, eight times a week. Moulin Rouge! The Musical is scheduled to play January 14-19, 2025 at the Old National Centre.
For more in-depth interviews, up-to-date news and show reviews on Broadway, visit broadwaynews.com.
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Book by
Thomas Meehan and Bob Martin
Music by Matthew Sklar
Based on the New Line Cinema film written by David Berrenbaum
Featuring Jackson Reagin
Zuly Cabrera Ralph Prentice Daniel Mark Fishback Marie Lemon
Theodore Lowenstein Tyler Price Robinson Tara Nicole Vinson with
Mia Bergstrom David Couter Jackson Hurt Evan Hussey Lacey Kim Kriston Adolfo Ortiz-Feder Beatrice Reyes Mario Rizzi Miles Schmidt
Emily Ann Stys Keara Sweeney Alysia Vastardis Galvin Yuan
Scenic Design Christine Peters
Hair/Wig Design Bernie Ardia
Music Supervisor Michael Gildin
Casting Wojcik Casting Team
Production Stage Manager Bethany Sortman
Size/Specs: 5.375" x 8.5", 4 color AD: Insertion Date: 2023-2024 Season
Costume Design Gregg Barnes
Vocal Arrangements Phil Reno
Lighting Design Paul Miller
Sound Design Shannon Slaton
Flying Effects ZFX, Inc. Orchestrations Doug Besterman
Dance Arrangements David Chase
Music Coordinator John Mezzio
Production Managers NETworks Presentations
Alex Williams Hector Guivas
General Manager Gentry & Associates Steven Varon-Moore
Executive Producer Trinity Wheeler
Choreography by Connor Gallagher
Directed by Sam Scalamoni
Music Director/Conductor Charlie Yokom
Think Tank Marketing
Company Manager Ryan Buchholz
Lyrics by Chad Beguelin
CAST
(in order of appearance)
Santa MARK FISHBACK
Mrs. Claus LACEY KIM KRISTON
Buddy JACKSON REAGIN
Charlie JACKSON HURT
Tiara MIA BERGSTROM
Walter Hobbs ................................................................................................ RALPH PRENTICE DANIEL
Sam. ........................................................................................................................................... GALVIN YUAN
Matthews ............................................................................................................................. JACKSON HURT
Chadwick .............................................................................................................................. DAVID COUTER
Emily Hobbs MARIE LEMON
Michael Hobbs THEODORE LOWENSTEIN
Deb ZULY CABRERA
Security Guards MARIO RIZZI, EVAN HUSSEY
Macy’s Sales Woman BEATRICE REYES
Store Manager TYLER PRICE ROBINSON
Jovie......................................................................................................................... TARA NICOLE VINSON
Fake Santa............................................................................................................................ DAVID COUTER
Little Boy on Santa’s Lap ............................................................................................... MILES SCHMIDT
Policemen ............................................................................................ JACKSON HURT, GALVIN YUAN
Mr. Greenway. TYLER PRICE ROBINSON
Charlotte Dennon MIA BERGSTROM
Ensemble MIA BERGSTROM, DAVID COUTER, JACKSON HURT, EVAN HUSSEY, LACEY KIM KRISTON, BEATRICE REYES, MARIO RIZZI, MILES SCHMIDT, KEARA SWEENEY, ALYSIA VASTARDIS, GALVIN YUAN
UNDERSTUDIES
Understudies never substitute for the listed performers unless a specific posting or announcement is made at the time of the performance.
For Santa — TYLER PRICE ROBINSON; for Buddy — JACKSON HURT; for Walter Hobbs — DAVID COUTER; for Emily Hobbs — LACEY KIM KRISTON; for Deb — LACEY KIM KRISTON; for Store Manager — DAVID COUTER; for Jovie — MIA BERGSTROM; for Mr. Greenway — DAVID COUTER; for Michael Hobbs — MILES SCHMIDT.
DANCE CAPTAIN: EMILY ANN STYS
ASSISTANT DANCE CAPTAIN: ADOLFO ORTIZ-FEDER
SWINGS
EMILY ANN STYS, ADOLFO ORTIZ-FEDER
To view the cast list for this performance, scan the QR code below:
Jackson Reagin
Zuly Cabrera
Ralph Prentice Daniel Mark Fishback
Marie Lemon
Theodore Lowenstein
Tyler Price Robinson
Tara Nicole Vinson
Mia Bergstrom
David Couter
Jackson Hurt
Evan Hussey
Lacey Kim Kriston
Adolfo Ortiz-Feder
Beatrice Reyes
Mario Rizzi
Miles Schmidt Emily Ann Stys Keara Sweeney
Alysia Vastardis
Galvin Yuan
Overture
WHO’S WHO in the CAST
JACKSON REAGIN (Buddy) is beyond excited to be making his National Tour debut! Regional: The U.S debut of Ragtime in Concert with the Cincinnati Symphony Orchestra (Harry Houdini). Huge shoutout to his loving family and friends, his incredible reps at Henderson Hogan, and the Wojcik Casting Team for making this dream come true. CCM MT’ 24 @jackson.reagin jacksonreagin.com
ZULY CABRERA (Deb). A tiny but mighty Puertorican! Credits: The Lightning Thief National Tour: TYA Edition (Annabeth Chase), Dogman: The Musical Tour (Lil Petey & Flippy U/S), Hunchback of Notre Dame (Gargoyle), Into the Woods (The Witch), Matilda: The Musical (Ms. Wormwood), Shrek: The Musical (Sugarplum Fairy/Gingy), Beauty & The Beast (Silly Girl), On Your Feet! (Ensemble). University of Puerto Rico, Rio Piedras campus, NY’s Circle in the Square Theatre School. To God the Glory! @TheZulyCabrera / TT: Zuleyka1212
RALPH PRENTICE DANIEL (Walter Hobbs) is thrilled to join the company of Elf this holiday season. Ralph was last seen as Wilbur Turnblad in the National Tour of Hairspray. Regional credits: Oliver (Fagan), Mary Poppins (George Banks), Footloose (Rev. Shaw, St. Luke’s Theatre), Assassins (Guiteau), It Shoulda Been You (Albert, The Studio Theatre Tierra Del Sol), Tuck Everlasting (Man in Yellow), Newsies (Pulitzer, Orlando Repertory Theatre). Many thanks to friends, family, and Brian at The Hell’s Kitchen Agency. @rprenticed
MARK FISHBACK (Santa) joyfully returns to this beloved Christmas musical, with several years in international and North American tours: West Side Story, Elf, 42nd Street, the new musical Elf on the Shelf, along with several regional productions including Mary Poppins, Kinky Boots, and Newsies. Happiest of Holidays!
MARIE LEMON (Emily) is a New York City-based actor, originally from Austin, TX. National Tour: Elf The Musical (Emily), The Producers (Shirley Markowitz). Recently: Baby (Arlene), Laughing Wild (Woman), Working (Waitress). BFA, Millikin University. Special thanks to Sam and the entire Elf team. For Mom, Dad, Sissy. marielemon.com
THEODORE LOWENSTEIN (Michael Hobbs) is excited to be making his National Tour debut! Theatre credits include All My Sons (Iona Stage). He would like to thank NETworks, Wojcik Casting, Bercy Talent and all of his friends and family whose support is helping to make his dreams come true. theodorelowenstein.com @theodorelowensteinny
TYLER PRICE ROBINSON (Macy’s Manager/Mr. Greenway) is an actor/educator from New Orleans, Louisiana. He is beyond excited to join this tour for the holiday season! Recent Credits: Beauty and the Beast (Beast, Pagosa Springs Center for the Arts), Sister Act (Eddie Souther, Rivertown Rep), Big River (Jim, Round Barn Theatre), and Guys & Dolls (Nicely, Prather Productions.) Gratitude to WCT and the entire creative team. He’s very grateful for his family, friends, teachers, students. @t.ylerprice
TARA NICOLE VINSON (Jovie) is a Brooklyn-based actress excited to be touring with NETworks Presentations for the first time ever! Since graduating from the American Musical and Dramatic Academy in 2018 she has been in the U.S National Tour of Peppa Pig Live! (Suzy Sheep, Daisy u/s) along with regional performances of The Polar Express (Bailey), Chicago (Roxie Hart), Sister Act (Deloris Van Cartier), and Who’s Afraid of Virginia Woolf (Honey). d@tara.nicole.vinson
MIA BERGSTROM (Ensemble) is thrilled to join this company! Regional: Frozen (North Shore Music Theatre), Escape to Margaritaville (Ogunquit Playhouse), Sister Act (Sister Mary Robert, John W. Engeman Theatre), Fiddler on the Roof (Hodel, Virginia Stage Company), James Joyce’s The Dead (Gretta, Hangar Theatre). BFA from New York University Tisch School of the Arts New Studio on Broadway. Many thanks to her friends, family, MTA, and Henry for their endless support. @miagbergstrom
DAVID COUTER (Ensemble). Favorite credits include Peter in Comfort (Lincoln Center), Lucius/Demetrius in Titus Andronicus (Rose Playhouse London), and Alex in Caddywhompus (FringeNYC). He holds a BFA in Theatre from the University of Memphis. For Kelly. Smile. Skip. Laugh. @dtcouter
JACKSON HURT (Ensemble) is thrilled to be back on tour! Tour: My Fair Lady (2nd, 3rd Nat’l) Select Regional: Sound of Music, Memphis (The Lex), Cinderella (Aurora), Little Women, Grease, Little Mermaid (The Palace), Pippin (Cincinnati Landmark), Hunchback (The Carnegie). Cruise: RCCL. Many thanks to his incredible wife Evan, his family, and UIA Talent. NKU BFA Alum. @jackson.hurt12. Ephesians 6:16.
EVAN HUSSEY (Ensemble) is happy to return to Christmastown for another holiday season! National Tour: Elf, Hairspray. Regional: A Chorus Line, Elf, Mary Poppins, La Cage, Scrooge, Something Rotten! MMC MT Alum. Thanks to Mom, Dad, Wheeler, Brian at HKA and all cast/ crew/creatives involved with Elf!
LACEY KIM KRISTON (Ensemble) is excited to be back on the road with Elf this season. Previous credits include Beauty and the Beast National Tour (u/s Potts/Madame de la Grande Bouche), Elf National Tour (u/s Emily), Disney Cruise Line (Mary Poppins, Garderobe, Aurora, Cruella de Vi). She would like to thank her parents Kerri and Chelsea for all of their support. See you in the North Pole!
ADOLFO ORTIZ-FEDER (Swing, Assistant Dance Captain) is full of holiday cheer as a part of this show! Previous credits include: National Tours: Chicago, Fiddler on the Roof; New York: Broadway Bares 2024; Regional: Elf The Musical (Ogunquit Playhouse); Cruise: Grease, Saturday Night Fever. Many thanks to the entire Elf team, Wojcik Casting, About Artists, and my loving friends. A mi familia, no estaría aquí sin tu apoyo.
BEATRICE REYES (Ensemble). Recent Credits: Blippi Live (Ensemble), Sesame Street Live (Elmo), and Peppa Pig Live (Swing/ DC). Beatrice is a proud alumna of UF Dance & BDC’s ProSem. They want to wish their agent Tiera, family, friends & partner a MERRY CHRISTMAS! @be.at.rice
MARIO RIZZI (Ensemble) is beyond thrilled to be making his National Tour debut in Elf The Musical. Recent credits: A Chorus Line (Mike Costa), 42nd Street, and Tootsie at Theatre By The Sea. Other credits: A Chorus Line (Mike Costa) at The Argyle Theatre, and White Christmas at Tuacahn Amphitheatre. He was also
an onstage performer for Disney World and was on Season 16 of “So You Think You Can Dance.” Mario would like to thank his family, friends and partner for their amazing love and support.
MILES SCHMIDT (Ensemble) National Tour debut! Select credits: Ralphie in A Christmas Story, Nigel in Matilda, Plankton in SpongeBob the Musical Thanks to Bonnie Shumofsky, Susan Lipton, MPAC, Annie’s Playhouse, Paper Mill Playhouse, and his friends and family for their support. A true believer, Miles visited Santa 33 times in 2019.
EMILY ANN STYS (Swing, Dance Captain) is thrilled to be back with Elf on tour! Recently she was on the road with Mean Girls as the Swing/ Dance Captain. Other favorite credits include Rock of Ages (ACT of Conn), A Bronx Tale (the Engeman), Little Mermaid (the Palace) and Saturday Night Fever (Circa 21). Much love to the Stys family, and always grateful to Brian at HKA! @eastys
KEARA SWEENEY (Ensemble) is thrilled to be making her National Tour debut! Recents include Ice Queen (92NY), Norwegian Cruise Line: Footloose/Elements (WendyJo/ Dancer/Aerialist). Growing up she trained under Abby Lee Dance Company and is a proud alumni of The Institute for American Musical Theatre in NYC! Dance on! @kearasweeney
ALYSIA VASTARDIS (Ensemble) is ecstatic to be making her National Tour debut in Elf The Musical! Recent credits include Beetlejuice (NCL), Elf The Musical (Ogunquit Playhouse); Jersey Boys and Tootsie (North Shore Music Theatre), Grease and 42nd Street (The Palace Theatre). She is a graduate of Point Park University with a BFA in Musical Theatre and a minor in Dance. She’s so thankful for the constant love and support of her family and friends! @alysiavastardis alysiavastardis.com
GALVIN YUAN (Ensemble) National Tour debut! Previous credits include Catch Me If You Can (Johnny Dollar), Grease (Eugene), Mary Poppins (Ensemble, u/s Robertson Ay). Special thanks to NETworks, Wojcik Casting, and to my friends and family who have been there for me through it all. Merry Christmas and happy holidays! BM Manhattan School of Music. @galvinyuan
THOMAS MEEHAN (Book) won the 2003 Tony Award for co-writing the
book for Hairspray after having won the 2001 Tony Award for co-writing the book of The Producers. He received his first Tony Award in 1977 for writing the book of Annie, which was his first Broadway show, and he has written books for the musicals I Remember Mama, Ain’t Broadway Grand, Annie Warbucks and the American version of Bombay Dreams. His work includes Annie, Chaplin, Elf The Musical, Young Frankenstein, for which he co-wrote the book with Mel Brooks, and Cry-Baby, co-written with Mark O’Donnell.
BOB MARTIN (Book) has been working as a writer, performer, and producer in television, film, and theatre in Canada and the U.S. for more than three decades. Bob is co-creator of the musicals The Drowsy Chaperone, Elf The Musical, and The Prom, which are beloved by critics and audiences alike. The Prom was adapted into a Netflix film with an all-star cast. Recent theatre projects include Hey Look Me Over! (Encores!), Half Time (Chicago, Paper Mill), The Sting (Paper Mill). His theatrical endeavors in development
include Night at the Museum, The Princess Bride, Smash, and a sequel to The Drowsy Chaperone. Mr. Martin was the co-creator of Slings & Arrows, which multiple publications continue to name as one of the best television shows of all time. His television projects also include Michael: Tuesdays and Thursdays (CBC), Michael: Everyday (CBC), and Sensitive Skin (HBO), with more in development.
MATTHEW SKLAR (Music). Twotime Tony, Emmy Award-nominated composer of The Prom (Tony nom. for Best Original Score, winner of the Dramatists Guild Frederick Loewe Award), Elf The Musical, and The Wedding Singer (Tony nom. for Best Original Score). Film/TV: The Prom (Golden Globe nom. for Best Motion Picture – Musical or Comedy), Elf: Buddy’s Musical Christmas (Emmy nom. for Outstanding Music Direction), “Sesame Street,” “Wonder Pets!” and PBS’s “American Masters.” Honors also include the ASCAP Foundation Richard Rodgers New Horizons Award, the Gilman/ Gonzalez-Falla Theatre Award, and
the Jonathan Larson Performing Arts Foundation Award.
CHAD BEGUELIN (Lyrics) is a sixtime Tony Award-nominee whose works include Disney’s Aladdin (Tony noms. for Best Book and Best Original Score, Drama Desk noms. for Outstanding Lyrics and Best Book), The Prom (Tony noms. For Best Book and Best Original Score and Drama Desk noms. for Best Book and Outstanding Lyrics), and The Wedding Singer (Tony noms. for Best Book and Best Original Score, Drama Desk nom for Outstanding Lyrics). He also wrote the lyrics for Elf The Musical. Chad is the recipient of the Edward Kleban Award for Outstanding Lyric Writing, the Jonathan Larson Performing Arts Foundation Award, the Gilman & Gonzalez-Falla Musical Theatre Award, and the ASCAP Foundation Richard Rodgers New Horizons Award. Chad is a graduate of New York University’s Tisch School of the Arts Graduate Dramatic Writing Program. His debut novel Showmance is available wherever books are sold. Much love to his husband Tom.
SAM SCALAMONI (Director) is proud of the critically acclaimed Elf The Musical which has toured the U.S. since 2012 with successful runs at The Kennedy Center and The Theatre at Madison Square Garden! In development he has: A Thousand Faces, based on the life of film icon Lon Chaney; Unbelievable, based on baseball legend Jackie Mitchell, and a miniseries based on the same story titled JACKIE, Baseball’s forgotten legend. Sam developed and directed the new musical, The Elf on the Shelf: A Christmas Musical, the premiere of the holiday musical Noel with book by best-selling author of the Artemis Fowl series, Eoin Colfer, and his Storytime Live! for Nickelodeon broke box office records at Radio City Music Hall. Sam is the Associate Director of Disney’s Beauty and the Beast for Broadway and has mounted multiple companies worldwide, most recently in Australia. His Les Misérables won him the SALT Award for Best Director of a Musical and Best Musical of the Year and his Agatha Christie’s An Unexpected Guest won him the Broadway World Award for Best Director of a Play, both at Cortland Repertory Theatre. For Tricia, Spencer and Mia.
CONNOR GALLAGHER (Choreographer). Recent work as director/choreographer: The Big
Gay Jamboree (Orpheum Theatre, NYC) and the world-premiere stage adaptation of Disney’s Moana (Disney Treasure.) Other work: Beetlejuice (Broadway) The Robber Bridegroom (Roundabout Theatre Company, Astaire Award) and a reimagined Beauty and the Beast for Disney Creative Entertainment (Director, Brass Ring Award.) Spent a year on Broadway as a dancing rug. connorgallagher.com
CHRISTINE PETERS (Scenic Design) Credits: Pretty Woman tour, Charlie and the Chocolate Factory tour, Tootsie tour, Elf The Musical tour, First Date, Mickey & Minnie’s Doorway to Magic. Broadway (associate designer): Bad Cinderella, King Kong Alive on Broadway, Miss Saigon, 1984, Paramour, Les Misérables, Testament of Mary, Jekyll & Hyde, The Book of Mormon, Newsies The Musical, The Addams Family, Elf The Musical, Bonnie and Clyde, The House of Blue Leaves, Elling, Enron, Mary Stuart, The American Plan, Cyrano de Bergerac, Chita Rivera. National Tours (associate designer): Newsies, Dirty Dancing, Andrew Lloyd Webber’s Wizard of Oz, The Phantom of the Opera, Jekyll & Hyde, Mary Poppins, Les Misérables, Beauty and the Beast.
GREGG BARNES (Costume Design). Broadway: Some Like It Hot (Tony Award, Drama Desk Award, Outer Critics Award), Pretty Woman, Mean Girls, Tuck Everlasting, Something Rotten!, Aladdin, Kinky Boots (Olivier Award), Follies (Tony Award, Drama Desk Award, Henry Hewes Award), Elf, Legally Blonde, The Drowsy Chaperone (Tony Award, Drama Desk Award, Outer Critics Award, Olivier nom.), Dirty Rotten Scoundrels, Flower Drum Song, Side Show. Other: Dreamgirls (Olivier nomination).
PAUL MILLER (Lighting Design). Broadway: Ruben & Clay’s Christmas Show, Amazing Grace, The Illusionists, Legally Blonde, Freshly Squeezed, Laughing Room Only National Tours: The Illusionists, The Producers, Hairspray, Nunsense Many commercial Off-Broadway productions and City Center Encores! Regional: The Old Globe, Stratford Shakespeare Festival (Ontario), DC Shakespeare, Chicago Shakespeare, Idaho Shakespeare, Great Lakes Theatre Co, Asolo Rep, American Conservatory Theatre, Cleveland Playhouse, Pasadena Playhouse, The Goodspeed Opera House, Pittsburgh CLO, and Seattle’s 5th Avenue Theatre, and The San Diego Symphony among others.
Ballet: The New Jersey Ballet, Eglevsky Ballet, Grand Rapids Ballet. Television: Live from Lincoln Center, Netflix, Showtime, Comedy Central. International: Productions in São Paulo, Toronto, London, Vienna, Milan (Teatro alla Scala), Manila, Johannesburg, Beijing, Slovenia, Canada, and Mexico. Paul has been the Lighting Director for the internationally televised New Year’s Eve Celebration from New York’s Times Square for the last 25 years.
SHANNON SLATON (Sound Design) on Broadway has designed The Illusionists and My Window: Melissa Etheridge. He has designed many National Tours including Shrek; Once on this Island; The Producers; Kiss Me, Kate; Noise/Funk; The Full Monty; Contact; A Chorus Line; Tap Dogs; Sweeney Todd; The Wizard of Oz; The Drowsy Chaperone; and The Wedding Singer. Shows he has mixed on Broadway include Springsteen on Broadway, Man of La Mancha, Bombay Dreams, A Christmas Carol, Sweet Charity, Jersey Boys, Dirty Rotten Scoundrels, The Drowsy Chaperone, Spring Awakening, Fela!, Anything Goes, Annie, Legally Blonde, and Cabaret.
BERNIE ARDIA (Hair and Wig Design). Enjoying a 50-year career, starting in television. Mr. Ardia has designed and coordinated well over 100 productions. He is happy to be a part of this seasonal favorite Elf. Ragtime, The Kennedy Center, Cameron Mackintosh’s Les Misérables, Toronto; Kiss of the Spider Woman; Starlight Express, Cinderella /Eartha Kitt. Mr. Ardia was mentioned recently on TCM for his contribution to the John Waters: Pope of Trash exhibit at the Academy Museum. Also, the author of Barbra Streisand in New York City, and currently At Sea with Patrick Dennis: My Madcap Mexican Adventure with the Author of Auntie Mame.
DOUG BESTERMAN (Orchestrations). Three-time Tony Award winner. Broadway: Anastasia, A Bronx Tale, Charlie and the Chocolate Factory, It Shoulda Been You, Bullets Over Broadway (Tony nom.), Rocky, On a Clear Day…, Sister Act, How to Succeed… (Tony nom.), Elf The Musical, Young Frankenstein (Drama Desk nom.), Tarzan, Dracula, Thoroughly Modern Millie (2002 Tony/Drama Desk Awards), The Producers (2001 Tony/Drama Desk Awards), Seussical, The Music Man (Drama Desk/Tony noms.), Fosse (1999 Tony), Big (Drama Desk nom.), Damn Yankees (Drama
Desk nom.). Off-Broadway: Carrie, Weird Romance. Regional: The Honeymooners, The Sting. TV/Film: Schmigadoon, Mary Poppins Returns, Beauty and the Beast, Frozen, Chicago, Mulan.
MICHAEL GILDIN (Music Supervisor) is a conductor and pianist whose recent credits include the National Tours of Peter Pan, My Fair Lady, and Fiddler on the Roof. He is a frequent research consultant for New York City Center’s Encores! Series, scouring archives around the world to revive lost scores by the likes of Gershwin, Porter, and Rodgers & Hart. With Tony-winning conductor John Mauceri, he has reconstructed Harold Arlen and Johnny Mercer’s long-lost Blues Opera, to be produced next year.
JOHN MEZZIO (Music Coordinator) has conducted National Tours including State Fair starring John Davidson, Victor/Victoria starring Toni Tennille, and Cinderella starring Eartha Kitt and Debbie Gibson. Additionally, Mr. Mezzio was Associate Conductor for Andrew Lloyd Webber’s Starlight Express at the Las Vegas Hilton. National Tours: Oklahoma!, The Producers, Spring Awakening, Hairspray, The Book of Mormon, A Bronx Tale, Beauty and the Beast, and Fiddler on the Roof
CHARLIE YOKOM (Music Director/ Conductor) is thrilled to spread the Christmas cheer by playing loud for all to hear on the road with Elf this season. Previous credits include the global tour of The Sound of Music (MD/Conductor) and the U.S. National Tours of Hairspray (AMD) and Waitress (AMD). Many thanks to Trinity, Michael, Nate, Marissa, and my family!
MUSIC THEATRE INTERNATIONAL (MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 70,000 professional, community and school theatres in the U.S. and in over 60 countries worldwide. MTI is particularly dedicated to educational theatre and has created special collections
to meet the needs of various types of performers and audiences. MTI’s Broadway Junior™ shows are 30- and 60-minute musicals for performance by elementary and middle schoolaged performers, while MTI’s School Editions are musicals annotated for performance by high school students. A Broadway Junior version of Peter Pan is available for licensing at mtishows.com. MTI maintains its global headquarters in New York City with additional offices in London (MTI Europe) and Melbourne (MTI Australasia).
WOJCIK CASTING TEAM (Casting).
B’way: The Little Prince. Tours: JC Superstar, Shrek, Kite Runner, Motown, Dreamgirls, Jekyll & Hyde, West Side Story, Something Rotten!, RENT, Kinky Boots, Rock of Ages, Flashdance, Joseph… Dreamcoat, A Chorus Line. Riverside Theatre-FL, Tuacahn-UT; Theatre Aspen, Arvada Center-CO, Stages St. Louis-MO, Theatre Raleigh-NC, Engeman Theatre-NY, Summer Theatre of New Canaan-NY and 92nd Y, NYC. wojcasting.com @wojcasting
THE ROAD COMPANY (Tour Booking) Founded in 1997 by Stephen Lindsay and Brett Sirota. In addition to Elf, current representation includes Wicked, The Outsiders, Beetlejuice, Moulin Rouge! The Musical, Back to the Future, Kimberly Akimbo, The Great Gatsby, and more.
ALLIED GLOBAL MARKETING
(Tour Marketing & Press) is a fullservice integrated marketing agency working with the world’s leading entertainment, consumer, and lifestyle brands, including 80+ Broadway shows over three decades. Current tours: Ain’t Too Proud, Back to the Future, Beetlejuice, The Book of Mormon, Funny Girl, Hadestown, The Hip Hop Nutcracker, Mamma Mia!, Mean Girls, Mrs. Doubtfire, Pretty Woman, Some Like It Hot, Wheel of Fortune LIVE! Upcoming tours: Mystic Pizza, The Notebook, The Outsiders, and more.
GENTRY & ASSOCIATES (General Management) has managed nearly 250 National and Interational Touring theatrical productions over the past 25 years. Current and upcoming productions include A Beautiful Noise, Beetlejuice, The Book of Mormon, Come From Away, Elf, Funny Girl, Les Misérables, Life of Pi, Mean Girls, Peter Pan, and The Wiz.
BETHANY SORTMAN (Production Stage Manager) Tours: Chicago, Summer: The Donna Summer Musical, Finding Neverland, Wizard of Oz (US
& International), Cabaret. Regional and ‘Stock favorites: Mary Poppins, Spamalot, Young Frankenstein, White Christmas, A Chorus Line and more. Early Career SMs/Students, please do not hesitate to reach out! @bsort19. For DH.
HOPE JEWELL (Assistant Stage Manager) is honored to make the Nice List and travel to Christmastown this holiday season. Tour Credits: Come From Away, A Celtic Christmas, A Taste of Ireland. Warm thank you to Bonnie Brady, Abby Bobb, and Networks for continuous mentorship and support. All glory to God!
RILEY GIBSON (Assistant Stage Manager) is thrilled to be joining the Elf family! National Tours: Little Women, Peter Pan. Regional: Company Management (2023) & Production Management (2024) at The REV Theatre Co, Auburn NY. Proud graduate of Elon University. For my family, friends, and ever growing support system!
RYAN BUCHHOLZ (Company Manager). National Tours: 1776, Fiddler on the Roof, Hairspray, Mean Girls, The Book of Mormon. Regional: Powerhouse Theater. Ryan holds a degree in Theatre from the University at Albany.
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SHAWN PASSERO (Assistant Company Manager) is thrilled to be joining the Elf team as an Assistant Company Manager. Passero holds an MFA in Shakespeare and Performance from Mary Baldwin University where he earned his concentration in acting. Over the summer, he had the opportunity to work with Powerhouse Theater as an Assistant Company Manager. shawnpassero.com
TRINITY WHEELER (Executive Producer). Broadway: 1776 (dirs. Diane Paulus and Jeffrey Page), Les Misérables. National Tours: The Sound of Music (dir. Jack O’Brien), 1776, Les Misérables, Peter Pan (dir. Lonny Price), A Beautiful Noise, Hairspray, Once on This Island, Waitress, The SpongeBob Musical, Chicago, Finding Neverland, Dirty Dancing, Bullets Over Broadway, Elf The Musical, Disney’s Beauty and the Beast, The Royal National Theatre production of Oklahoma!, The Wedding Singer, The Producers, The Wizard of Oz, The Phantom of the Opera, Mary Poppins, Young Frankenstein (dir. Susan Stroman) and Rent starring Adam Pascal and Anthony Rapp. Gratitude to Ken, Seth, Clayton, Angela, Fred, Alecia, Cameron and Tom for believing. Love to Alan and Colin for everything. @trinityonbroadway
WARNER BROS. THEATRE
VENTURES (Producer), under the supervision of Executive Vice President, Mark Kaufman, is currently readying the Broadway return of the hit musical version of Beetlejuice, which opened on Broadway in April 2019 and received eight Tony award nominations including Best Musical. Prior to that, the division produced the West End, Broadway, and First National Tour of the Olivier Awardwinning musical Charlie and the Chocolate Factory; the Broadway stage adaptation of Stephen King’s Misery by William Goldman, starring Bruce Willis and Laurie Metcalf; the Tony Award-winning The Curious Incident of the Dog in the Nighttime; the Tony Award-winning musical The Bridges of Madison County; and the Broadway holiday hit musical Elf. The division is also currently navigating the musical version of Dave towards Broadway, after a successful run at Arena Stage in Washington, DC. Upcoming projects include a musical adaptation of 17 Again, which had its world premiere in Tokyo in May 2021; a dramatic version of Dog Day Afternoon, adapted by Stephen Adley Guirgis;
as well as musical stage versions of the classic movie A Star is Born Additionally, the division oversees and serves as creative consultants on the licensing of third-party stage rights to the various properties held within the Studio’s vast media library, including such recent stage productions as Hairspray, The Wizard of Oz, The Color Purple, 42nd Street, Singin’ in the Rain, Top Hat, The Bodyguard, Honeymoon in Vegas, and A Christmas Story, as well as the upcoming Mr. Saturday Night, The Notebook, and Broadway Vacation.
UNIQUE FEATURES (Producer) is an independent company that was launched in 2008 by Robert Shaye and Michael Lynne, who together built New Line Cinema into an industry powerhouse. The company is currently developing and producing several film and television projects, including The Mortal Instruments with Constantin Film, starting production this month with director Harald Zwart; an animated adaptation of Paul McCartney’s illustrated book High in the Clouds to be directed by Rob Minkoff, written by Josh Klausner with original music by McCartney; Sailing to Byzantium, based on the award-winning novella by Robert Silverberg; French Lessons, based on the successful novel written by Ellen Sussman. In television, the company is developing an original television series with Bennett Miller and Kristen Gore, and developing the reality series “Dude, That’s My Sister” for MTV with Bunim-Murray.
NETWORKS PRESENTATIONS (Producer) is an industry-leading producer of touring theatrical productions, committed to delivering quality entertainment to audiences worldwide for more than 25 years. Current and upcoming productions include A Beautiful Noise, Beetlejuice, The Book of Mormon, Come From Away, Elf, Funny Girl, Les Misérables, Life of Pi, Mean Girls, Peter Pan, and The Wiz. networkstours.com
STAFF FOR Elf The Musical
Executive Producer
Trinity Wheeler
General Management
Gentry & Associates
Gregory Vander Ploeg
Madeline McCluskey Steven Varon-Moore Maia Sutton
Production Management
NETworks Presentations
Jason Juenker
Hector Guivas Walker White Alex Williams
pesci Aimeé Mangual Pagán
Exclusive Tour Direction
The Road Company
Stephen Lindsay Brett Sirota Shawn Willett
Gracie Lewis Quinn Wasson Shane Parksmith
Natalie Rine AnaBella Kalish Jacob Hoffman www.theroadcompany.com
Tour Marketing & Press
ALLIED GLOBAL MARKETING
Andrew Damer
Jennifer Gallagher Scott Praefke
Jessica Cary Davis Adina Hsu Amenkha Sembenu
Jessica Steans-Gail Emily Toppen Anne Waisanen
Casting WOJCIK CASTING TEAM
Casting Diretors Scott Wojcik & Holly Buczek, CSA
Casting Associate, Cassie Maguire
Casting Intern, Emma Rose Johnson
Company Manager
Ryan Buchholz
Assistant Company Manager
Shawn Passero
Associate Director Drew King
Assistant Choreographer ............................ Daniel Pahl
Production Stage Manager Bethany Sortman
Assistant Stage Manager Hope Jewell
Assistant Stage Manager .......................... Riley Gibson
Costume Coordinator Andrea Hood
Assistant Costume Coordinators.......... Jeanna DiPaolo, Isabel Martin, Danica Martino
Associate Lighting Designer Wheeler Moon
Moving Light Programmer ......................... Liam Corley
Associate Sound Designer Nikki Belenski
Associate Hair Designer ........................ Cheyenne Hart
Production Sound Derek Stevenson
Production Electrician
Olivia Doniphan
Head Carpenter............................................. Will Blair
Assistant Carpenter Evan Brown
Flyman
Graham Savage
Head Electrician Kay Hawley
Assistant Electrician
Price Foster
Head Sound ........................................ Graham McNeil
Assistant Sound Tristan King
Head Props Rico Slominski
Head Wardrobe Tiffany Janiczek
Hair and Makeup Supervisor Justen M. Brosnan
Dance Captain ..................................... Emily Ann Stys
Assistant Dance Captain Adolfo Ortiz-Feder
Production Assistant Nicholas Carlstrom
Physical Therapy ....................... NEURO TOUR Physical Therapy, Inc
Medical Director ............................ Melody Hrubes, MD
Radio Spot Production HMS Media
Television Spot
Design/Video Production ........................... HMS Media
Production Photography Amy Boyle, Joan Marcus, Jeremy Daniel
Merchandising Araca Group
Accounting NETworks Presentations LLC
Legal Services ........................ F. Richard Pappas, Esq.
HR Services Global Solutions, Inc., K+K Reset, LLC
Housing Road Concierge
Travel Agency Kessler & Co. / Direct Travel
Trucking ............................................... Clark Transfer
Busing Croswell VIP Motorcoach Services, Russell Coach
Staff for NETworks Presentations
Chief Executive Officer Orin Wolf
Chief Financial Officer
/Chief Operating Officer Margaret Daniel
Business Affairs ............................... Scott W. Jackson
Chief Producing Officer Seth Wenig
Executive Producers Mimi Intagliata, Trinity Wheeler
Associate Producer .......................... Hannah Rosenthal
Executive Assistant Isabella Schiavon
Vice President of Finance Scott Levine
Sr. Director/Finance John Kinna
Controller Jennifer Gifford
Director of Tour Accounting ................... Laura S. Carey
Tax Director Pat Guerieri
Accounts Payables & Receivables Clerk Lisa Loveless
Sr. Director, Booking and Engagements .................................. Amanda Laird
Directors, Booking & Engagements
Stacey Burns, Colin Byrne
Director of Sales ................................ Zach Stevenson
Director of Marketing
Sr. Director/General
Heather Hess
Management Gregory Vander Ploeg
General Managers Madeline McCluskey, Steven Varon-Moore
Associate General Manager Maia Sutton
Sr. Director/ Production Management Jason Juenker
Sr. Production Manager. Hector Guivas
Production Managers .......... Walker White, Alex Williams
Technical Director pesci
Production Coordinator Aimeé Mangual Pagán
Director of Operations Pearce Landry-Wegener
Resource Director Kayla Rooplal
Office Manager ...................................... Michelle Adye
Music Coordinator John Mezzio
Warehouse Manager Joseph Spratt
Warehouse Costume Manager Bobby Maglaughlin
Warehouse Costume
Shop Assistant ................................ Grace Santamaria
Rehearsed at Carroll Studios, New York Credits
Scenery provided by Hudson Scenic Studios; Puppets provided by Proof Productions; Sound equipment by Masque Sound; Lighting equipment provided by Christie Lites; Properties by BrenBri Props; Flying Effects provided by ZFX, Inc.; Costumes prepared by Bethany Joy Costumes, Arel Studio, Lynne Mackey Millinery, Tricorne Costumes, Jennifer Chapman, Kieron Cotter, Jess Gersz, Rodney Gordon, Laduca Shoes, Worldtone Shoes, Lizet Rubinos, Gene Mignola, Diana Belanger.
Special Thanks to The EKU Center for the Arts, Richmond, KY
Insurance Broker Services
EPIC Entertainment & Sports
Financial Services and Banking Arrangements by Flagstar Bank N.A.
Stock and Amateur rights for Elf The Musical are represented by Music Theatre International, New York City. 212-541-4684 www.mtishows.com
Visit the Elf The Musical tour at @ElfMusicalTour #ElfTheMusical ElfTheMusicalTour.com
All stage work performed by employees represented by IATSE.
UNITED SCENIC ARTISTS represents the designers and scenic painters for the American Theatre. The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union.
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Wendling
Artistry and experience.
Exceptional quality and design. Dedication to our clients.
Specializing in custom design for over 50 years.
Indiana Design Center (South-East Corner, 2nd Floor)
200 South Rangeline Road, Suite 217, Carmel IN 317-817-9000 • www.aronstam.com
Holiday Hours
Mon–Fri: 10 am–6 pm • Sat: 11:30 am–5 pm • Sun: 12–5 pm Call ahead appointments are advised.
