Architecture Portfolio Zeki Eneshan KavaklÄą
1
cantilhotel
Cantilhotel, located under the s bridge of sögütlüçesme (kadık temporary accommodatio train station functions to serve center, especially the stadium marriage office in its immediate v
In order not to interfere with the pr of the old trees and the interruptio public park, the construction a determined so that it would not b out of the projection of the s bridge.
The parts of the bridge exc railways were removed and the lightened for utilizing sunlight. to provide movement on the and to obtain varying volume interior, cantilevers were created.
Accommodation units are po around the inner courtyard, ai have private areas in crowd center. 1 2 3 4 5 6 7
non-accessible public space
vast transportation opportunities
preserved nature
new metrobus route multistorey car park vehicle road bus stops pedestrian road kadıköy town hall kadıköy marriage office
possibility of make use of stream
positioning close to public buildings
interaction with commercials a
mass diagram
suburban kรถy), has on and e the city and the vicinity.
rotection on of the area was be much suburban
cept the e bridge In order e facade es in the .
ozitioned iming to ded city
h city center and housing
horizontal configuration under the viaduct
orientation of building according to curved vidauct
remodelling around bearings
atrium for utilize sunlight and having open spaces
cantilevers gives a dynamic shape
circulation scheme
cantilhotel
+0,00 m plan
front elevation
a
a
plan types +3,50 m plan
a-a section
2
destinaction
Space is where culture takes place. The most important part of the culture of knowledge-based workspaces is creativity. Creativity is the key to moving forward, catching opportunities and creating opportunities. In the provision of creativity, spaces as well as personality have a driving force. Contribution of the fields of study is the communication, which is the way that motivation and different ideas can be obtained. Aiming to be the place that event happens, destinaction provides transparency, eliminates superiorsubordinate relationship, provides the opportunity to meet and learn by gathering different behaviours in an open space.
actions mass diagram meeting workspaces of the future
rest building form shaped by parcel transparent
group work
individual work introverted space isolated from the main road
n connective
education
food-beverage (informal meeting)
flexible
usage of sunlight for inner court
activity
continuous court zone sharing (informal meeting)
b
a
b +0,00 m plan
a-a section
+5,00 m plan
+10,00 m plan
a
+15,00 m plan
+20,00 m plan
b-b section
3
code
preservation of existing -structure -circulation pattern -character
existing as superimposition... the approach of preserve is to see at the very first end. beyond maintaining visual elements, it is keeping the story of the building.
In the making of adaptive reuse project Code, which is functioned school of art, beyond revealing memories only with visual sculpture, it is intended to be a refresher, also telling the story of the building by preserving the total layout of the plan. In this way, a new superimposition is produced which strengthened the relation to the new function to be processed into the structure. It is aimed to see the first ones seen in the building after the building was over. Among its definitions, “dissolving different ideas in a pot�, it is wanted to spark creativity, by emphasizing the importance of relationships. Connecting users with a holistic design, it was aimed to experience users with diversity in terms of space and structure. Along with the transparent and preservative epoch, the steel which evokes the lightness and the transience is selected as the building material. The approach that seeks not to fill the construction in a heavy and disruptive manner has been followed. Glass for transparency, easy-workable wood, a natural material for surfaces that have been used. The additional parts were considered not to attach to the existing structure, present the past uninterrupted.
transformable spaces with multipurposed elements
transformable spaces with multipurposed elements
. undefined spaces give rise to “event�
existing open plan
divided volumes preserve holistic pattern
existing circulation scheme
same entrances, considering similar route
existing building volume
new detached structure
sub-ground floor for repair
sub-ground level involved service spaces
b
a
a
b
+0,00 m plan
a-a section
front elevation
b
a
a
+5,00 m plan
b
b-b section
Structural elements that strengthen diversity include mezzanine, underground, galleries, amphitheatre, enclosed units, floating units; circulation elements, ramps, staircases, bridges and roof navigation platforms. These volumes were met, separated or intersected. This attitude, which is required to experience the user into different atmospheres, overlaps with the rotating and unpredictable perspective of the building. The undefined gaps, surfaces, lines were drawn to users, where they could make something of themselves and make a difference. Thus, a dynamic life that always evolves and evokes unfinished has been revealed.
-ribbed wood floor (8 cm) -wood girder (6x28 cm) -steel beam (IPE 400)
-brick masonry wall (90 cm) -cavity (10 cm) -steel column (30x30 cm)
system section
4
atelier kumkapÄą
Kumkapı, where minorities lived and settled their own cultures throughout the centuries, this culture is now close to disappear. Atelier kumkapı is a workshop structure that returns Kumkapı’s history with today’s methods. The building is included into the silhouette described by the gradually rising topography starting from the beach so as not to go out of the existing building contours. The workshop building is intended to be a display facing the coast and also viewed from the beach. A transparent, welcoming, dynamic façade interface is used to obscure the distinction between exterior and interior space to enable meeting and involvement. In the master plan proposal, commuter train route is considered as a recreation area and a bicyclewalking trail.
silhouette
N
+0,00 m plan
south elevation
a-a section
N
+4,00 m plan
east (front) elevation
b-b section
5
lucentudio
Lucentudio is a musician’s house an music studio. Differentiated volume such as studio, living area, bedroom a separated without the use of walls. predominant wind direction direction of view
sun direction
environmental conditions that affected the building form and positioning
controlling direct sunlight and passive climatization
nd es are
-2,70 m plan music studio and basement
a-a section
roof-window joint
skylight-roof joint
studio wallceiling joint
slab-window joint
ext. wall-window joint
slab-ext.wall joint
ext. wall-window joint
system section
workshop meds byblos cubetto
The graphic on this page is produced by Eugenio Chironna and Alex Marguerie.
Design Team Tutors
Eugenio Chironna (Italy) Alex Marguerie (France) Participants
Andrew Byrne (Ireland) Eduardo Crespo (Spain) Zineddine Djouama (Algeria) Karen Gebara (Lebanon) Theresa Jaspers (Germany) Zeki Eneshan Kavaklı (Turkey) Elif Cansu Kayikci (Turkey) Uli Kneisl (Germany) Paula López (Spain) Stevo Marovic (Serbia) Begüm Saral (Turkey) Robby Stubbs (USA)
Lebanon is currently facing the issue of the has resulted in a lack of public space
This intervention seeks to address this ne territory of the Mediterranean. The pavilion i that is accessible to everyone.
Cubetto’s frame is constructed from renew inspire local architecture that is both socially
Within this frame is a parabolic form that is c The transparent quality of the fabric creates its lightness allows Cubetto to become attract interest of passers-by.
The article is taken from the website include http://medsworkshop.com/byblos/
The graphics on this page are produ
e over
e.
privatisation of land, which
eed by situating itself in the neutral is meant to be a recreational amenity
wable and recycled materials to y and environmentally sustainable.
constructed from hung strips of fabric. s a complex layering of space, while animated by surrounding winds and
es further information,
uced by Eugenio Chironna and Alex Marguerie.
The photos on this page are taken by Jan Von Der Heyde and Vlad Georgiev.
Thank you! Zeki Eneshan KavaklÄą zekavakli@gmail.com