LIVE
LEARN
FOLLOW
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THE MAGAZINE PUBLICATION NAME
DESCRIPTORS
DSGN - Live. Learn. Follow.
DSGN is a design magazine for the younger creative mind. Don’t think of this magazine as a formal textbook, think of it as inspiration to
WHAT IS DSGN?
guide you on your quest for the perfect design career. There are three
It is an informational digest for young creatives,
categories in order to make it easier for you to find what you want;
ages 20–30. It is a tool to help you become em-
Live, Learn and Follow.
ersed into the professional design world. Some magazines that would bookend ours would be
LIVE is all about how to help you live your life creative-
CommArts and Print.
ly. From what design objects you just have to have to creative cities across the country, this category will give you suggestions to keep you inspired.
TRIM 8.264” x 11.694
DESIGN FIELD FOCUSES Architecture
LEARN is here to teach you. Don’t worry, it’s not like school, it’s interesting. We teach you how to organize your studio, ace your presentation and how to become a business proffessional.
Industrial Design Graphic Design Illustration Photography
FOLLOW is our way to show you who you should keep your eye out for in the design world in order to stay inspired. We featured two different designers that are meant to inspire, teach, and show you where you can go with your careers.
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THE TEAM Daniel Held Stephanie Schulz Eric Norton Micaela Clarke Sam Williger
[ ART DIRECTOR ]
T AR R
TO
C RE
DI
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WORD LIST Design to prepare the preliminary sketch or the plans for (a work
Humor a comic, absurd, or incongruous quality causing amuse-
to be executed), especially to plan the form and structure of: to design a new bridge.
ment or generally good/happy feelings.
Witty possessing wit in speech or writing; amusingly clever in
Archive Usually, archives. documents or records relating to the
perception and expression: a witty writer.
activities, business dealings, etc., of a person, family, corporation, association, community, or nation.
Casual without definite or serious intention; careless or offhand;
Modern of, pertaining to, or characteristic of contemporary
passing: a casual remark.
styles of art, literature, music, etc., that reject traditionally accepted
Inspiration something inspired, as an idea. Creativity the ability to transcend traditional ideas, rules, patterns, relationships, or the like, and to create meaningful new ideas, forms, methods, interpretations, etc.; originality, progressiveness, or imagination.
Educational tending or intended to educate, instruct, or inform by the means of providing learning material.
Insight an instance of apprehending the true nature of a thing, especially through intuitive understanding.
or sanctioned forms and emphasize individual experimentation and sensibilities detached from said traditions.
Arts the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance.
Culture the quality in a person or society that arises from a concern for what is regarded as excellent in arts, letters, manners, scholarly pursuits, etc.
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DEMOGRAPHIC Target Gender: Gender nuetral Target Age Group: 20 – 30 Education: Undergad torecent graduates Income Level: $60,000 and under Marital Status: Not applicable Other Comments: Someone in a field of design or an interest in design.
AUDIENCE RESPONSE The audience that our magazine is targeting loves a good layout, however craves dynamic content that is evolving as fast as the design world around it. We want to have some pieces which are low on text, and others where large quantities of type/information are showcased. Our magazine strive towards the best content available regardless of whether that content be visual or textual. The subject matter is what is important and the education and inspiration of our readers is what will always be our magazine’s top priority. Our design will remain clean, sophisticated and appropriate because our team has a understanding of the design ideal in this case, both through being a part of our target demographic and through a unanimous realization that clean/clear communication sells. This established design aesthetic will allow us to provide our readers with a well-constructed and cohesive magazine that will ultimately be a noteworthy and satisfying addition to the ‘design-digest” genre of reading material.
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AUDIENCE PROFILE CHAD TARPENTER Meet Chad Tarpenter. Chad currently lives in Kansas City, MO and works as a Graphic Designer and Illustrator as well as teaches these subjects at a four year university. He likes to travel and frequently vacations in Mexico and many other South American countries. In his free time (or what little he has of it) he usually finds himself work on his design undertaking or doing something equally as creative. He drives a Landrover which was his first self-bought vehicle. He graduated from the University of Kansas in 2002 and has enjoyed teaching at his alma mater. Illustration/Graphics have always been a passion of his and he enjoys getting to transform those passions into a career as well as teach young people about the craft. An example of his music tastes is the band Arcade Fire. He enjoys movies from the Criterion Collection such as “Playtime” and the “The Descendents.” He also has a monthly description to the popular graphic design magazine, Communication Arts, which will be on of our magazine’s leading competitors.
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AUDIENCE PROFILE ZERIN INGRE Meet Zerin Ingre. She is a student living in Seattle, WA and spends most of her time job hoping amongst trendy stores like Urban Outfitters, ATC and Wildman Vintage to appease her lust for “good-looking, well-designed things.” When she does have the time (and the money) to go on a vacation she loves to visit the many musically oriented cities such as New York, L.A., and Nashville. She plays the cello in a band called “Panda Circus” and likes to draw and write to release her creativity. She drives a Corolla and attends the Art Institute of Seattle studying multiple majors including Illustration, Art History, French and Graphic Design (she has a lot of homework). She enjoys listening to obscure music (keeping her trendy nature at the forefront by watching many Indie films and reading magazines like “The New Yorker,” “Communication Arts”, and “National Geographic.”
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THE COLORS
Color Orange
Color Black
Color White
Color Grey
Color Lt. Ornage
C: 02 M: 83 Y: 91 K: 00
C: 00 M: 00 Y: 00 K: 100
C: 00 M: 00 Y: 00 K: 00
C: 00 M: 00 Y: 00 K: 100
C: 02 M: 83 Y: 91 K: 00
Tint 100%
Tint 100%
Tint 100%
Tint 50%
Tint 50%
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THE LOOK & FEEL SWISS DESIGN SIMPLE PALETTE CLEAN LAYOUTS
SAN SERIF TYPE DETAILED TREATMENTS TYPOGRAPHIC COLOR
HIGH-RES PHOTOS RELEVANT IMAGERY
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FINAL LOGO & ELEMENTS MASTHEAD Univers Light Condenced
LIVE
LEARN
FOLLOW
SUBHEAD/FLAGS Helevtica Neue Bold-11 point
ARROW ELEMENT
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FINAL COVER
Cover deisgn by: Daniel Held
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STYLE GUIDE
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Grid
.75”
.75”
.25”
flow line
.95”
1.5”
1.25”
1.75”
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Department Specifications
LEARN DEPARTMENT NAME
Helvetica Neue, Regular, All Caps, 9/12pt. Helvetica Neue, Bold Italic, 45pt.
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Header Style
Helvetica Neue, Regular, 22pt.
Subhead Style
Helvetica Neue, Regular, 14pt.
Author
Helvetica Neue, Italic, 14/20pt.
“Hey, look here! This is a pull quote.” —This is who said so
Helvetica Neue, Bold Italic, All Caps, 11pt. Helvetica Neue, Bold Italic, 8/12pt.
1. NUMBERED CONTENT HEAD
Helvetica Neue, Bold Italic, 60pt.
1.3 Solid Rule 1.3 Japanese Dots
This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text.
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Department Sample
Samuel Williger
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Feature Opening Specifications
LEARN FEATURE NAME
Helvetica Neue, Bold, Varies: 72-90pt.
Helvetica Neue, Regular, 22pt. Helvetica Neue, Regular, 14pt. Helvetica Neue, Italic, 14/20pt.
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HEADER Subhead Style/Subhead Style Author “Hey, look here! This is a pull quote.” —This is who said so
White Icons on Orange Circles
Helvetica Neue, Bold, 8/12pt.
1.3 Solid Rule 1.3 Japanese Dots
This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is Intro Text. This is
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Feature Opening Sample
Micaela Clarke
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Feature Interior Specifications
LEARN FEATURE NAME
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Helvetica Neue, Regular, All Caps, 9/12pt.
Interior Header
Helvetica Neue, Regular, Varies: 26-28pt. Helvetica Neue, Italic, 14/20pt.
“Hey, look here! This is a pull quote.” —This is who said so
Helvetica Neue, Bold Italic, 11pt.
1. Numbered Content Header This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This
Helvetica Neue, Bold Italic, 8/12pt. 50% Tint
is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text. This is Body Text.
BOXED HEADER 1234 HEADER STYLE > Subhead Style This is a caption. This is a caption. This is a caption. This is a caption. This is a caption. This is a caption. This is a caption. This is a caption. This is a caption. This is a caption.
Helvetica Neue, Bold Italic, 60pt. 1.3 Solid Rule 1.3 Japanese Dots
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Feature Interior Sample
Stephanie Schulz
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Spread Thumbnails
Micaela Clarke
Eric Norton
Daniel Held
Eric Norton
Samuel Willger
Eric Norton
Micaela Clarke
Daniel Held
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Micaela Clarke
Stephanie Schulz
Samuel Willger
Samuel Willger
Daniel Held
Daniel Held
Stephanie Schulz
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Daniel Held
Daniel Held
Micaela Clarke
Samuel Willger
Samuel Willger
Samuel Willger
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Micaela Clarke
Micaela Clarke
Micaela Clarke
Samuel Willger
Eric Norton
Eric Norton
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Eric Norton
Stephanie Schulz
Stephanie Schulz
Eric Norton
Stephanie Schulz
Samuel Willger
Micaela Clarke
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Stephanie Schulz
Stephanie Schulz
Stephanie Schulz
Daniel Held
Eric Norton
Micaela Clarke
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DIVISION OF LABOR AR T O CT
RE
DI R
Feature
Department Ads
Other
Daniel Held
Stephanie Schulz
Eric Norton
Micaela Clarke
Samuel Willger
Giving a Good Presentation
Meet: Tad Carpenter
Blocks and Barriers
10 Best Cities for Creative Minds
Business Ready
On Trending
$hit to Get
Creative Health
Up and Coming
Then and Now
Expedia Nike
Pottery Barn IKEA
Prismacolor Urban Outfitters
Starbucks Canon
Ray Ban Toyota
Front and Back Cover Editing
Logo Editing Style Manual
Table of Contents Style Manual
Intro Parting Shot Editing
Contributors Page Style Manual