CUATRO ENTREVISTAS CON ARTISTAS DE SÃO PAULO ARTE
Teléfonos celulares bloqueados, reproducciones de espacios y objetos a escala, láminas de madera con formas sensuales o a punto de explotar y dispositivos que producen experiencias multisensoriales únicas componen la oferta más llamativa del arte contemporáneo en Brasil.
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ARTE
MARCELO CIDADE
“Mi relación con São Paulo ha sido siempre ambigua, es una relación de amor y odio.”
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YG"#$%&'('") ED. 12 BRASIL EN PARTÍCULAS
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ARTE
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Fogo amigo,&@A!&2$+'!4&B+&8C,&D!)4,.&D!5$47C,&B,&E-$"!9)+"!.&8C,&D!)4,.&2"!%$4F&@GGHF&I,#,>"!=J!K&&L$'>&3)%!
“El absurdo es la rutina diaria de un artista lúcido.”
ED. 12 BRASIL EN PARTÍCULAS )"#$%&'('"YY
ARTE
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“No creo que mi trabajo tenga algo metafísico. Más aún, no creo que sea posible responder a la situación actual con algún tipo de estrategia trascendente.” Yl"#$%&'('")ED. 12 BRASIL EN PARTÍCULAS
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ARTE
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ED. 12 BRASIL EN PARTÍCULAS)"#$%&'('"Y`
ARTE
HENRIQUE OLIVEIRA TF&MRYV,&B+?'+%&#)&9",9$,&#"!-!W,K& +%&+%6)4#)"!.&9$'#)"!.&$'%#!4!6$Y'& ,&)'!&V+064!&/)+&+%6!9!&!&+%#!%& #-&1,'$/-"H %65/*<L"=6+"23"=,*8.+3"J"8613D93" =,*86"/*"2,/*:6K"31/5>7"1/"5,"8+3@3;6" 8+,1,5/*7,6*32B"#78/"8+3@3;6"3*8/</1/" 3"86167"267"1/5>7"JK"32",*,<,6K"I./"23" +/I/+/*<,3"-./"6+,/*8O"5,"1/<,7,O*"1/" 8+3@3;3+"<6*"237"2>5,*37"1/"531/+3" <6*8+3<43=313"r./01""-sK"<6*" *6<,6*/7"1/"76@+/=67,<,O*K"8/M8.+3K" <626+"J"56D,5,/*86B"0+3<,37"3"5," /M=/+,/*<,3"<656"=,*86+"=.1/"D/+"=6+" =+,5/+3"D/:"267"I+3C5/*867"1/"531/+3" <656"=,*</23137"P.*3"=/+</=<,O*"-./" I./"I.*135/*832"=3+3",*,<,3+"/783"7/+,/" 1/"8+3@3;67PB X0K#"2#!)34*)$#*$%2)1*%&#5)#'&0!/**)+,# 8+,1,5/*7,6*32K"=6+-./"32C.*37"6@+37" 7/"=67,<,6*3*"5>7"<23+35/*8/"<656" /7<.28.+37K"5,/*8+37"-./"68+37"7/" "2(%8$"*",#",#/,#*%5'0#),!"1,)!09# e76"8L+5,*67"<656"Q/7<.28.+3"1/" =3+/1RK"Q+/2,/D/R"/"Q,*78323<,O*"1/" =3+/1R"=3+3"=61/+"13+2/7".*"6+1/*K" =/+6"76J"<6*7<,/*8/"1/"-./"5.<437" 1/"/7837"6@+37"*6"76*"/M3<835/*8/" *,*C.*3"1/"/737"<6737B %+/6"-./"23"*38.+32/:3"1/"5," @V7-./13"/7"<+/3+"6@+37"-./"7/" 53*8/*C3*"/-.,1,783*8/7"/*8+/"23" =,*8.+3"J"23"/7<.28.+3B"g/6"/7867" "2'%*)02#>%*402#"#),*$%2)1*%8$"2# <656"<35=67"IL+8,2/7"=3+3"23"<+/3<,O*" <6*8/5=6+>*/3B I<(05"(2$34'&5(&%1717(57(%2)-#&'( 5$%)!4&9,B+",%,.&',&%Y4,&9,"&4!& #'2=%7-#%?7(31(#'4'$1"(O(4'"( 9!#",'+%&/)+&6"+!%.&%$',&#!V-$O'& 9,"&%)&>"!'&=,"V!#,&*&4!&4)0& K51(%7"&-4-"<(FJ?2'(#'7#%=1"( #-3-(/$34'&&*&6)1'#,&#!"B!%&+'& "+!4$0!"4,<
“Hay un grupo de mis trabajos que está ligado más directamente a la idea de una transmigración de ciertos procedimientos pictóricos a otro medio. Y hay otras obras donde la referencia principal es la carne y la materia orgánica en general.”
YF"#$%&'('")ED. 12 BRASIL EN PARTÍCULAS
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ED. 12 BRASIL EN PARTÍCULAS)"#$%&'('"Ya
ARTE
REJANE Y LEONARDO
“Nuestro objetivo es diseñar y desarrollar dispositivos capaces de darle la posibilidad al visitante de experimentar, percibir y comprender –de forma natural e intuitiva– ideas, teorías, sensaciones y/o fenómenos físicos.” ;<(!4(&$-=-D'(31(J-7&'7%(X(J$1"#17&%(&%171(57-(#4-$-($14-#%?7(#'7(4-(#%17#%-<( ML+&BY'B+&5$+'+&+%#+&$'#+"O%&9,"&P#"!B)6$"Q&4!&6$+'6$!&+'&!"#+<
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Ym"#$%&'('") ED. 12 BRASIL EN PARTÍCULAS
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ED. 12 BRASIL EN PARTÍCULAS )"#$%&'('"Y[