REISE MAGAZINE

Project Internationalisering 2015 KASK School of Arts Gent

Reise Magazine

Pannecoucke Scholten

Berlin Issue June 15

REISE N G E S MAGA-GT E. ZINE

E I N E F Ü R U D U R C H D I E A U F R E N D E S T A D

Table Of Contents

Contact is content 3 Why Oh Why 5 Spamroom 6 Micro-apartment Moabit 11 Ortner&Ortner 12 Tour #1 Tiergarten 18 Studio_Ce 22 Tour #2 Kreuzberg 25 Exhibitions, we love you 30 FAKT 32 Tour #3 Wedding 36 Tour #4 Hansaviertel 40 Personal Section 44 PS / Pannecoucke 46 PS / Scholten 48

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Enya Pannecoucke & Susanna Scholten, two different nationalities but sharing the passion for architecture.

Both are students Interior Design, currently studying at School of Arts Gent, who choose to go to Berlin for their school assignment called project international.

They wanted to explore the atmosphere of this bustling Mekka of creative spirits and get in touch with inspiring architecture studio’s.

Instead of just doing this assignment they descided to investigate the whole project that accompagnies the branding of a young designer team.

By that they created the platform PS Studio, related to their names Pannecoucke Scholten.

This trip was architecture related, including the visit of established neighbourhoods and inspiring talks. The main aspect was to get more content about the workscene of this profession. To talk about design visions, approaching of projects and internships. Also they did some field work by visiting projects of those architects they talked with.

It was a new start in the early design existence of these girls.

PANNECOUCKE and SCHOLTEN

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Studio PS

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BER LIN. 12 52° 31’ N

18 March 2015 13° 23’ E

Berlin caught our attention because of its multicultural design atmosphere.

All kinds of design disciplines are excersized in Berlin, not only now but also it the past. We both love the creative scene where people just do what they want to do, thinking everything is possible.

We wanted to explore more of this underground atmosphere.

Besides this aspect, Berlin has a lot more to offer. With our interest in inspiring architecture, both old or new, we hit the road to discoverd all kind of treasures. We want to give you an impression of our schooltrip.

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Interview

Spamroom

ARCHITECT & DESIGN STUDIO

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This young studio got our attention because of its original small projects. We contacted the founder Paola Bagna to set up a meeting but because of her busy schedule we couldn’t meet unfortunately. She proposed to do an interview to answer our questions since she had the idea we were very motivated students.

We had an interview on the 25th of February, just before her departure to Africa where she would be working a new project.

Paola Bagna I started something, not knowing what to do

When we talked to Paola she was finishing her latest project in Berlin, she explained to us what the end of a project involves.

Paola Bagna is a your Spanish architect who studied architecture in Barcelona but moved to Berlin and London because of internships and exchange programs. Because of it benefits she returned to Berlin after seeing different design cultures. Today she lifes in Berlin for already 6 years and her third year in Berlin she had to opportunity to start working on her own project.

In London she worked on a project to design a spa & gym in Ethiopia, this client contacted her a couple years ago and they got in touch again.

She was asked to accompagny him in his new project, in Ivory Coast.

That client wants to building new housing on 7000 square meters so it’s a whole challenge but interesting to examine how to adapt a new construction methodology.

This is exactly what she wants, networking and discovering new places not only in Europe

It’s a challenge to re-use materials.

Networking is an important aspect Paola explaines us, she worked for different offices, one interior design office in Berlin, a bigger office in London et cetera.. A main fact is that you learn more by working or doing an internship than going to school, definitely in Spain.

By experiencing different focusses in these offices she found out interior design was what she liked the most. Details and materials, positioning all the functies in already exhisting places was a bigger challenge to her then architecture itself.

After working so many years in this sector she created three principles for herself. By that you can describe her desing style more less. These principles are; the priority of recycled materials, the constant search for new collaborations and the close work with craftsman. These three principles are guiding her trough life.

but also on different continents.

This leaded her to the question if she already experienced a difference in the countries she’s been living in. The answer was a very clear yes.

Starting in Barcelona, where she had the impression architects where needed to build big constructions, housing and gouvernment buildings for example, it was very new to her to work in a Berlin office.

People are more productive and super focused, same for London. As a new independent starter it’s interesting to search for your position among all the other small design offices.

It’s good to go abroad as a student. By that you will start working on projects and get to know what fits you best. Skills will improve by doing more and more projects.

Poala is looking forward to receive interns in her own practice.

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10 In the early years when she was living in Berlin, she worked for Berlin based architect office called Karhard. They are known for their design of Berghain and they are located in a yet more unknown area of the city called Neuköln. It’s in the south-east of Berlin and seen as a rather alternative area but aslo getting more and more attractive for locals since it’s close to the city but a bit more peacefull.

There she got in touch with someone who wanted to start a hotel, Paola was asked to design this hotel. Since this was a big step in her young carreer she decided to desing one room of the hotel and try to settle down in Berlin so she could give it a try, to start her own practise.

Designing only one room gave her the opportunity to collaborate with different people. Without any expectations she started working, not knowing what to expect, not knowing how it would develop.

Main questions as ‘Where go I get the woods?’ and ‘How am I going to combine everything in this smalle space?’ popped up in her mind.

So it was all about experimenting and discovering how to make it work, for real. Context is very important to give value to your design.

Plus One Berlin by Spamroom

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Micro-apartment Moabit, Berlin Saturday, March 14.

We have visited the mircoapartment during our trip to Berlin.

The apartment designed by Spamroom is located in Moabit, in the north-west area of this city.

Today, Lena Praznov is living in this tiny apartment, her dad is the owner.

We had the opportunity to visit Lena and see the apartment by ourselfes and talk with her how it is to live in such a small well designed place.

She informed us that a place like this is not always that easy to live in since the amout of square meters is so small but all the functions needed in a house are present.

Her dad bought a small studio when Lena was planning to study

in Berlin, but it had to be renovated. For us it seemed like a really peacefull place to study with smart solutions. If you see the buildig or the floor plan you could never haved guessed it would have such an open athmosphere. The light would combined with white was gives us an scandinavian impression.

For us as interior designers it’s was interesting to see how the project is used by it’s owners.

We saw, for example, that Lena her personal style is completely different than the interior so in that point of view we were a bit dissapointed. Interior-style and personal style have to match at some point.

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Studio Visit

Ortner & Ortner BAUKUNST

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14 The picture on the previous page was found on the internet in the beginning of this schoolyear.

It caught our attention so we decided to send them our postcard, followed by an e-mail with further explanation. This architecture practice has a main focus on big projects so for us it was difficult to get them interested in us.

We did research about this office and found out they had more projects that had a twist. For example in art archives, no windows are needed but almost always there are windows included in the facade.

We visited them for an interview and a office tour.

Ortner &

Ortner interview with MARKUS PENELL, architect

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16 Markus Penell, the managing director and architect at the O&O office in Berlin, studied architecture as well as town and regional planning in Berlin. Markus Penell is a member of the O&O staff since 1996, he has headed the Berlin office since 2001 and is the managing director since 2011.

For us both it was the first time we were in such a large architectural firm.

That behind the closed façade such a big and bright architectural firm was concealed was a big surprise for us.

Markus Penell managed to explain how things work at a large office as O&O. During a project, everyone has its own task. These will rotate every project. Depending on the number of projects, it has been several, different tasks. There are no separate draftsman or designers specializing in a certain field. It is important that everyone who works here knows how to transfer the 'spirit of O&O’.

This brought us to the question what exactly is the ‘spirit of O&O’.

Markus Penell thought this was a difficult question to answer. O&O is a company with three branches in three different cities, this is not without reason. O&O will continue to get inspired by the evaluation of the city and society. To stay constantly in touch, O&O regularly organizes lectures, debates and exhibitions on a particular social issue. Artists are invited to exhibit their work on the basis of the data subject, including speakers are invited to talk an debate about these topics.

Another way for O&O to get inspired and to stay up to date is to collabrate with other designers.

Until recently, O&O had no specific interior department.

O&O then searched for interesting designers to collabrate with.

Currently, O&O is working on starting their own interior department, in this deparment students interior design are welcome to work here as an intern.

So far, Markus Penell can give us a clear picture of the process and the spirit of O&O. Something we, as future architects can learn from.

Yet, according to Mark Penell being conscious of the past is an essential element in the architecture.

Although the work of O&O looks very modern and contemporary, there goes a lot of time to researching aspects of the past within the architecture. Recently, R & D has done a major study in stone plaster, in which they put an old and forgotten craft back on the map by applying this in their design.

After the interesting interview with Markus Penell we got a tour of the offices of Ortner & Ortner Baukunst. Here we saw returning all aspects of a large-scale architectural firm where Markus Penell told about. Satisfied we said goodbye and we went further on our architectural adventure in Berlin.

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If you embrace the new, you should definitely embrace the old.

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Tour #1

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Tiergarten

After our meeting with Ortner&Ortner we discoverd it’s neighbourhood, called Tiergarten.

We passed by BIKINI Berlin, it’s a shoppingmall known for it’s good architecture. The whole complex accomodates a cinema, shopping mall, offices, a hotel, a rooftop bar/restaurant and overlooks the zoo. It’s a nice place to visit and stay for a while. The building is reconstructed by Hild und K Architekten. We visited this place because it includes all kinds of temporary shops, the designs of these units were interesting to see. We also visited a shop designed by Gonzalez Haase.

Opposite of BIKINI Berlin state Kaiser Wilhelm Gedächtnis-kirche that we have visited because old churches or chapels always have these special ornaments. We also visited the Bauhaus Archiv, one of our favourite stops in this whole Berlin-trip. We think we like modernism! And we went to Neue National Gallerie too. In the evening we went to an exhibition in the Mikael Andersen Gallery in Mitte.

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Studio Visit

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StudioCE ARCHITECTS

This architect office got our attention because of there axiometrics plans.

It’s a small office but with a large archiv of projects. We were invited in their office in Kreuzberg, where they have an architect studio combined with a shop for Tokyobikes. Accompagnied with a coffee, view on a very peacefull square, we sat down and interviewd Christian Dengler. He is the owner of StudioCE. We talked about his practice, studies, designing and we showed our portfolio to get an impression of how they look at it.

On Monday the 16th of March we had an appointment with Christian Dengler from Studio Ce. Studio Ce was the first architectural firm that contacted us by using our sent postcard. Our agreement with Studio CE had long been fixed in advance.

After having done some research into the projects of Studio CE, we noticed that all the projects are very serene, light and minimalist. Almost Japanese. After we presented ourselves, we

In good architecture can fit someones old 18th century sofa. coincided with the point: “Are you inspired by Japanese architecture?”

This led to an interesting conversation about modernism, the design process and its aspects.

For Christian Dengler is the Japanese influence, which is reflected in its projects, not a direct source of inspiration. He appoints the Japanese architecture a role model for every modernist and minimalist. This does not even have to be related to architecture. Christian Dengler calls itself therefore a modernistic and minimalistic architect.

Since the establishment of Studio CE in 2005, Christian Dengler and his partner Holger Schwarz are working on different projects. In their projects, the consistency of old and new is an important aspect. Christian Dengler: “It transforms social processes into

aesthetic values and bridges the gap between history and now”. This is something we heard earlier in our conversation with Markus Penell of Ortner & Ortner Baukunst.

The day before our visit we were in a side street of Bernauerstrasse (Tour # 3). This street has been designed by contemporary Berlin architects. Yet this street has a messy look.

It seems that the residents do not understand how to deal with this architecture. We explained it to Christian Dengler. Christian tol dus that as an architect you should know that there is a certain limit of freedom. Clients always their own memorable furniture that you, as an architect, might not like. In good architecture can fit someones old 18th century sofa. An advice Christian Dengler gave us and to add in your project is trying to add some terrible furniture and see if that damaged your design. If not, it’s a very good design.

After our conversation with Christian Dengler we asked to take a look at our portfolios. This gave us an interesting and new perspective on how an architect a portfolio assessed. Afterwards we had a lot of good advice to work with in the improvement of our portfolios.

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refleca d n a g of thinkin orld. Within y a w a s ial w ture i “Architec urrounding mater l reflection of es tica imagition of th sterity and a cri d n a e c au experien , e times of g ractice d p e l y w a o d n y k r y, the eve r o f modernit l a i t n e esse l design.� a r u t c nation ar e t i of arch

Studio Ce

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Tokyobikes

Tour #2 After our visit to StudioCe we went cycling in this bustling neighbourhoud. On our to do-list we had the interior of Voo Store, retail design by Gonzalez Haase and one of our favourites. We also passed

by Betahouse, this is a co-working are with a creative atmosphere.

Near Betahouse we have visited Modulor where you can buy all different things needed in art. From paint to model-material, 3D-printing, concrete service, wood service..

Everything! It was really cool to visit this shop and we also had a tutorial in 3D-printing. Surrounded by all these art supplies we had the enthousiasm to conitue working.

Surrounded by all these art supplies we had the enthousiasm to conitue working.

Kreuzberg is very inspiring since it’s the area of the creative spirits.

Lots of art students, artists and young people live here.

We cycled around to see the Berlin Mauer for it’s history and Michelberger Hotel for it’s nice interior. Seeing different parts of this city makes it easier to understand it. When Tiergarten was more commercial to us, Kreuzberg seemed a very alternative area.

Walls are covered by grafitti, all kinds of shops are present (from vintage to punk, to old bookshops).

Kreuzberg

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ELIE B S I D F NO O I S N E SUSP

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Opening exhitbition KW Institute for Contemporary Art Monday, March 16.

We like art and scenography.

Luckily for us that was the main subject of this exhibition.

Scenographical artworks by Elin Hansdottir and drawings by Channa Horwitz.

Opening exhitbition Bauhaus Archiv Tuesday, March 17.

After visiting Fakt we went directly to Bauhaus Archiv, that night a new exhibition would be opened for public. We saw architectural drawings, artwork, models..

All inspired by Bauhaus.

Opening exhitbition Hamburger Bahnhof Museum Together with our local friend Mara, we went to an opening in the Hamburger Bahnhof Museum.

Exhibition openings always attracts people with interesting spirits, so we got in touch with local architecture students.

Friday, March 13.

The exhibition was very large and included phot o g ra p hy, mixed media, sculptures.

Opening exhitbition Institute for architectural drawing Friday, March 13.

We visited this incredible building for an exhitbition of Alexander Brodsky, a Russian artist and architect. Architectural drawings are always very nice to see, knowing it takes hours to make them. The building was magnificent too.

Glad we paid a visit.

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Studio Visit

FAKT ARCHITECTS

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fakt Tuesday, March 17.

Our last studio visited was at FAKT. We got to know FAKT by our local friend Mara, she’s an architect student from Antwerp currently living and working in Berlin, at FAKT. We visited this architecture parctice located outside Berlin in a factory.

This visit was very interesting, and inspiring, because the guys behind this label are young and driven. The 4 of them studies architecture and have a big passion for this profession.

Together with their internships they do both projects and competitions. At the time we were there they were working on 2 competitions so they were very busy.

We had luck we could mee these guys.

We got to know more about young people starting up an architecture practice, Berlin as their hometown but Switserland as their motivation, studies and the love for architecture.

We still have contact with them because they liked our mindset.

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Tour #3 Wedding

Sunday, March 15.

This day was all about discovering different kind of atmospheres. To start this day, we visited the Gadänkstatte Berliner Mauer followed by a visit of this new quarter in Bernaur Strasse. It’s an interesting street to visit since all the houses are modern and designed by known German architects.

Afterwards we headed to Wedding, passing by one of our favourites underground places; Stattbadt. It’s an old swimming pool used for exhitbitions, parties, happenings, cinema nights...

Our main intention of this day was to get inspired by old buildings, old architecture.

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In our tour of city district Wedding, we have created a cycle route along progressive architecture from the ‘20s.

The plans for this residential area have been realized around 1920

by Bruno Taut. Taut was inspired by the Dutch architect J. J. P. Oud, known from De Stijl. In the buildings in Wedding is his inspiration for the Dutch architect to see, the red brick reminiscent of the Amsterdam School.

Even Mies van der Rohe built in this district. The yellow apartment blocks in the Afrikanische Strasse be sure to cycle along it but can not be visited unfortunately, they are to this day still inhabited today.

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Tour #4 Hansaviertel

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Hansavier tel

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Tuesday, March 17.

Our day started at the Holocaust Memorial, something you can not miss when visiting Berlin.

It’s impressive to discover. When we were there we met the group from our school who was also visiting Berlin at the time we were there.

We continued our tour by cycling trough the parc of Tiergarten. It’s very peacefull and quit.

We enjoyed cycling in this parc, knowing we are in a very busy city as Berlin. It was good to pass by this parc and get in this peacefull mood before seeing all the beautifull old architecture

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If you are looking for a large amount of architecture of the great masters in architecture and if you do not want to travel too far, then Hansaviertel perfect for an afternoon walk. Hansaviertel is a small neighborhood between the Tiergarten park and the River Spree.

During World War II, Hansaviertel completely destroyed. The district was rebuilt from 1957 to 1961 in the framework of Interbau ‘57.

Interbau ‘57 was an international architecture exhibition in 1957 in West Berlin. The most important part of the exhibition was the Hansaviertel district. 53 architects from 13 different countries have designed buildings in the style of post-war reconstruction. Many of these architects were big names like Alvar Aalto, Oscar Niemeyer, Arne Jacobse, Walter Gropius, Jo van den Broek and Jaap Bakema. On Wednesday, March 18th, we made a bike ride through the neighborhood and visited the Art Academy of Berlin which is also located in Hansaviertel.

PE SO NA

A MAGAZIN VEL REPORT WITH LOVE OF BERLIN

ER NE AND TRAT , DESIGNED AND FULL O NSPIRATION. AL

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Mijn ervaring

Enya Pannecoucke

Dit project omschrijven in één woord is haast onmogelijk. Na het falen van vorig jaar had ik een duidelijke kijk over hoe ik het dit jaar zou aanpakken. Doordachte acties, research doen, in eerste instantie géén mail sturen..

Ik wou het uiterste uit dit vak halen omdat ik voelde dat er veel uit te leren valt. Het fijne was dat ik in gesprekken met Susanna merkte dat ze er hetzelfde over dacht en dat we mekaar wel goed konden aanvullen. Zij voedde mijn interesse in geschiedenis en ik bracht haar bij hoe we ons moesten profilleren als zijnde Studio PS doordat ik bij Belgische architecten bureau’s had afgetast wat zij belangrijk vonden.

We kregen heel goede reacties op onze postkaart die we verstuurden. Ik ervaarde dat als een soort bevestiging dat we goed op weg waren. ‘Seems you’re on a good track’ kregen we van grote bureau’s in Berlijn te horen, aan motivatie om dit project te doen slaan was geen gebrek.

Het is me opgevallen door dit project te doen dat ik het leuk vind om me bezig te houden met ‘branding’, het bepalen van een huisttijl en een bepaalde aanpak om mee naar buiten te komen. Iets dat me niet onbelangrijk lijkt als jong toekomstig ontwerper. Het plaatje moet kloppen.

Ook op dat vlak was het direct een goede match met Susanna waardoor we de lat een beetje hoger gingen leggen.

De P.Int-reis is een architecturale studiereis geworden, letterlijk en figuurlijk. We zijn op geschiedenis-reis gegaan en hebben gebouwen van de hand van gevestigde waarden opgezocht, stuk voor stuk fantastische gebouwen. Heerlijk om die sfeer op te snuiven in deze bruisende en veelzijdige stad.

We zijn op ontdekkingsreis gegaan door interviews te doen de architecten van de bureau’s die we bezocht hebben. Ik vond het interessant om verschillende verhalen te horen, we hebben gepraat met 2 mannen die al jaren in het vak zitten en de evolutie van een bureau (en een stad) hebben meegemaakt. En daarnaast met jonge mensen gepraat, die mijn motivatie wel konden voedden met hun verhaal. Onze laatste stop bij 4 jonge architecten was een perfecte afsluiter, ze stimuleerden ons om onze passie achterna te gaan.

Het was ook een ontdekkingsreis als PS Studio. We zagen dit project ook als een uitdaging om t e zien of we goed kunnen samenwerken. Het zou jammer zijn om niets te doen met een gemeenschappelijke passie..

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Project Internationalisering 2015 heeft me een goede vriendin bezorgt, een soulmate maar ook een werkpartner. De wil om verder te gaan in architectuur is enkel toegenomen en daar kan ik niet om treuren.

Het fijne is dat we nog contact hebben met Paola van Spamroom, ik was heel enthousiast om mee te werken aan haar project in Afrika. En ook met de jongens van Fakt behoud ik contact, zij zijn momenteel bezig met een project in Hamburg.

Tijdens ons bezoek heb ik hen verteld dat ik een application had ingediend om op erasmus te gaan naar Hamburg en stelden ze voor om contact te houden.

Als keuzevak in Hamburg is mijn voorkeur ook gegaan naar het vak ‘branding’ omdat dit in de lijn ligt van wat ik geleerd heb uit dit P.Int-project.

Als ik de klok kon terugdraaien zou ik het zo opnieuw doen maar dan langer. Onze dagen zaten boordevol maar kon er ook geen genoeg van krijgen.

Bedankt voor dit vak maar ook bedankt aan Susanna om er zo’n topervaring van te maken.

Op naar een boeiende toekomst als Studio PS. Enya Pannecoucke

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Mijn ervaring

Susanna Scholten

Toen we begin dit schooljaar de opdracht kregen om voor Project Internationalisering zelf een architectuurreis te organiseren was ik meteen enthousiast.

Ik ben zelf een ontzettende geschiedenisfreak dus wist meteen dat dit iets was wat ik binnen dit project wilde verweven. Uiteraard was het niet mijn intentie om kathedralen en ruĂŻnes te bekijken, maar het modernisme en wat dit voor een invloed dit heeft op de hedendaagse architectuur is iets wat mij erg boeit.

In deze zelfde tijd leerde ik Enya Pannecoucke kennen. We herkende onze passie voor architectuur in elkaar en tijdens onze boeiende gesprekken over architectuur is het balletje gaan rollen om samen een project te doen. Studio PS, dat staat voor Pannecoucke Scholten, was geboren. Beide met een grote passie voor architectuur, eentje die stiekem groter is dan de passie voor interieur, hebben wij besloten Project Internationalisering als zijnde Studio PS te volgen. Samen zijn we toen opzoek gegaan naar interessante architectenbureaus die ons beide aanspraken. Onze uiteindelijke keuze ging uit naar Berlijn, hier zaten voor ons de meest interessante architectenbureaus gevestigd.

Eigenlijk is heel het plannen van onze reis ontzettend soepel verlopen. Samen legde we contacten met architectenbureaus door middel van een postkaart en

het daaropvolgende mailcontact met als gevolg dat wij van 12 t/m 18 maart jongstleden de kans kregen drie architectenbureaus en verschillende projecten te gaan bezoeken. Daarnaast hadden we een overvolle planning met het bezoeken van belangrijke modernistische architectuur die de stad Berlijn gemaakt heeft hoe deze vandaag de dag is.

Berlijn is een grote stad met ontzettend veel te ontdekken. We hebben bijna een week lang mogen proeven van deze heerlijke stad met haar levendige geschiedenis en interessante architectuur. Van Mies van der Rohe tot Walter Gropius en Bruno Taut. Voor mij kan er nooit genoeg architectuur bekeken worden. Als we geen afspraken gehad hadden met architectenbureaus en geen workshop in Polen achter onze Berlijnreis hadden gepland, fietste ik nu waarschijnlijk nog ergens in Siemensstadt of Gartenstadt Falkenberg.

In totaal hebben wij contact

gehad met vier architectenbureaus waarvan we er drie hebben kunnen bezoeken en met eentje een skypegesprek hebben gehad. De keuze voor deze vier bureau heeft uiteindelijk zo goed uitgepakt. Allen interesseerden ze ons maar onderling waren ze ieder verschillend en hebben we heel diverse en interessante gesprekken kunnen hebben. Van Paola Bagna heb ik geleerd om echt eropuit te trekken, contacten leggen in het buitenland doormiddel van stages en Erasmus. Dat is wat haar tot haar huidige bureau heeft gebracht. Bij Ortner & Ortner Baukunst leerde ik nog eens extra hoe belangrijk het is om onderzoek te verrichten naar het verleden ook al ben je met totale nieuwbouw bezig. Van Christian van Studio Ce heb ik waardevol advies gekregen over mijn portfolio en dus ook mijn toekomst. En hoe ik die toekomst tegemoet zou kunnen gaan heb ik gezien bij FAKT, waar vier vrienden samenkwamen met een doel en gedeelde passie waarmee ze hun eigen bureau zijn gestart.

Hoe, met wie, en wanneer ik die toekomst tegemoet ga staat nog niet vast.

Wel weet ik dat ik, mede door deze reis, een goede partner in Pannecoucke heb gevonden waarmee ik sowieso meer architectuur gerelateerde projecten mee zou willen. Na onze workshop in Polen is voor onszelf gebleken hoe goed wij ons door tegenslagen heen kunnen werken om toch een mooi ontwerp neer te zetten. Wij zijn al zoekende naar meerdere projecten om als Studio PS aan te gaan!

Susanna Scholten

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Magazine by Studio PS Project International2015 Interior Design KASK School of Arts G h e n t May

2015