EQ AM Fall 2018

EVEN MORE PASSION . FALL 2018 . $8

Volume 08 . 2018

IN THIS ISSUE: ARENA EVENTING? EQUINE ARTIST DONNA B TAPS

FEATURING: SHOW JUMPING CLASSICS

WASHINGTON INTERNATIONAL AMERICAN GOLD CUP CAPITAL CHALLENGE

8 EXCLUSIVE INTERVIEWS WITH THE

US DRESSAGE TEAM

TOP RIDERS, COACHES, STAFF, AND SPONSORS

EQ AM MAGAZINE UNITED BY THE PASSION FOR HORSES . VOLUME 09 . 2018.

PUBLISHER

CLR Media, LLC EDITOR

Carina Roselli EDITORIAL ASSISTANTS

Lays Coutinho - Afonso Westphal CONTRIBUTING WRITERS

Lindsay Brock Lisa Hellmer - Debbie Robert Loucks Caroline Nickolaus - Nelson Pessoa Monty Roberts - Carina Roselli - Molly Sorge SPECIAL THANKS TO

Olivia Lagoy-Weltz Hunter Messineo of Connie Sawyer, LLC Jennifer Wood of Jump Media, LLC PHOTOGRAPHERS

Nancy Jaffer - Raphael Macek Shawn McMillen - Lawrence Nagy Doug Finstad - Amber Heintzberger COVER PHOTO:

Raphael Macek GRAPHIC DESIGNER

Afonso Westphal WEB DESIGNER

Chris Roselli ADVERTISING SALES

advertise@eqam.com EQ AM MAGAZINE IS OWNED BY

4222 FORTUNA CENTER PLAZA, SUITE 660, DUMFRIES, VA 22025 A VETERAN OWNED AND OPERATED LLC

Equestre Americas became EQ AM Magazine in Spring 2018. EQ AM is published four times a year and is distributed at select equestrian locations, shows, newsstands, and is available by subscription for home delivery or online viewing.

SUBSCRIBE at www.eq-am.com/subscribe - TO PURCHASE PAST ISSUES contact us at info@eq-am.com FOR SUBSCRIPTION MANAGEMENT AND ADDRESS CHANGES contact us at info@eq-am.com SEND LETTERS TO THE EDITOR TO carina@eq-am.com

All rights reserved by the Publisher: CLR Media, LLC. Contents may not be reproduced in any form without the written consent of the Publisher.

Publisher reserves the right to refuse advertising. Publisher accepts no responsibility for advertisement errors beyond the cost of the portion of the advertisement occupied by the error within the advertisement itself.

Publisher accepts no responsibility for submitted materials. Publisher is not responsible for the opinions and statements expressed in signed articles and paid advertisements. Such opinions are not necessarily the opinions of CLR Media, LLC and its staff. While Publisher makes every effort to avoid errors, we assume no liability to anyone for mistakes or omissions. Publisher will announce corrections when warranted. Kindly direct any corrections to the Editor, Carina Roselli, at carina@eq-am. com. All submitted materials are subject to editing.

@EQAMMAG 2

PROLOGUE

DEAR READER, Welcome to EQ AM Magazine, the new face of Equestre Americas! As the new Owner/Publisher/Editor (and one-woman variety show), I’ve done a lot more than just give this magazine a facelift. EQ AM (pronounced ekam) has the same artful esthetic as its predecessor, but now includes editorials and interviews from the worlds of dressage, showjumping, and cross-country, as well as several lifestyle themes.

We’re spotlighting functionally beautiful home and barn

Debbie McDonald thinks about training the ladies as both rider

design, unique and passionate equine artists, luxurious and

and mentor, and how she’s ready to take the reins from Robert

adventurous equestrian travel, innovative equine science

come December. Let Hallye Griffin explain the ins and outs of

and technology, and the most inspiring equestrian-based

the incredibly structured USEF Dressage pathway programs.

philanthropy and nonprofit organizations. I swear they all

And then find out why Betsy Juliano gains great joy from

deserve that many adjectives.

supporting Laura and Adrienne, and how Salvino came to be

Now, EQ AM is shorthand for “Equine America,” so I’ve dedicated our pages to expanding your awareness of the

all hers. Each of these interviews is extremely fascinating for its insights, character, and pure passion.

best America has to offer in horse sport. That’s not to say EQ

Along with this mighty dressage line-up, this issue offers

AM won’t keep an eye on the international and share the

stories from the American Gold Cup, Capital Challenge Horse

extraordinary with our readers, but the plan is to show you that

Show, and the Washington International Horse Show. For the

America offers some of the best equestrian products, services,

cross-country enthusiasts, I wrote an editorial on the history

and talent (two-legged and four) in the world. Talent also goes

(and controversy) behind Arena Eventing. Our Equine Artist

well beyond horse and rider; it extends to designers, artists,

is the beautifully talented Donna B, whose paintings show

and innovators.

us what our intense love of horses might look like on

This, our first issue—“the relaunch”—grew into an

canvas. Finally, please read through our feature on

incredible and unexpected “Special Edition” on the 2018 World

TAPS (Tragedy Assistance Program for Survivors)

Equestrian Games U.S. Dressage Team. Exclusive interviews

and learn how they make losing a military hero

with team riders Laura Graves, Adrienne Lyle, Kasey Perry-

a little less painful for the ones left behind. On

Glass, and Olivia Lagoy-Weltz, Chef d’Equipe and Technical

the brighter side, we’ll explain how they use

Advisor Robert Dover, Private Coach Debbie McDonald, USEF

horses to do it.

Managing Director of Dressage Hallye Griffin, and Owner/ Sponsor Betsy Juliano give us an inside look at who they are,

For all of you welcoming EQ AM into your lives, I wish you a great read.

what they do, why they do it, and what it’s all like.

Read about how this team grew into fabulous friends and why individual scores always come second. Learn their expert tips for managing their horses’ stress during international travel and competition. Find out which riders sweat out their own

Carina Roselli - Editor

stress and which ones started in a western saddle (hint: it’s the

P.S. I want your feedback. Contact

same two), and find out which horse is a complete ham and

me at our website, eq-am.com,

which one loves Otter Pops.

or on our social media

Learn how Robert Dover was the Chef d’Equipe and Technical Advisor with a master plan and how truly passionate

@eqammag on Instagram and Facebook.

he is about the sport, the horses, and the riders. Read what Photo by Doug Finstad

4 | EQ AM MAGAZINE

EQ AM MAGAZINE UNITED BY THE PASSION FOR HORSES . VOLUME 09 . 2018.

CONTRIBUTORS RAPHAEL MACEK Raphael Macek is recognized worldwide for capturing unique images filled with expression and feeling. In 2014, the German publisher teNeus invited Macek to produce his first photographic book (Equine Beauty), which is available in more than 20 countries.

LISA HELLMER Lisa Hellmer is a USDF bronze and silver medalist, working towards her gold on her own “free” Oldenburg, Aniko. She graduated summa cum laude from Johnson & Wales University with a degree in equine business management and riding, is a USPC B grad, and a former event rider who loves cross-training all the horses she works with.

NELSON PESSOA Nelson Pessoa is the biggest name in Brazilian equestrianism. His many major achievements include the tetra Brazilian championship, two World Cup silver medals (1984 and 1991), individual silver and team gold medals at the Winnipeg Pan American Games, and over 150 GPs in Europe and hundreds of competitions around the world.

LINDSAY BROCK Lindsay’s work has appeared in other prominent equine magazines like The Chronicle of the Horse, Equestre Americas (our prior brand), Equestrian Living, Horse & Style, Puissance, and Sidelines. As a proud member of the Jump Media team, she’s dedicated to bringing the best of horse sport to the masses.

MOLLY SORGE Molly started working for The Chronicle of the Horse in 1998 as a staff writer and advanced to senior editor and website content editor in her more than 20 years there. She’s covered Olympic Games, World Equestrian Games, FEI World Cup Finals, and most major venues in the U.S. In 2018, she became Jump Media’s new Managing Editor, overseeing client editorial and social media content.

6

DIVINE

EQUINE The latest trends in equestrian products.

LADY DUFFLE The Noel Asmar Lady Duffle Calfskin is a sophisticated, feminine adaptation on the duffle. Made in Italy and crafted in fine Italian leather with black calf hair contrast, it is sure to draw the eye at work, at play, and at the barn (if that’s how you roll).

This purse fits all your necessities wherever the day takes you. The zipper closure opens wide to a large single compartment with an inside zipper pocket on one side and two inside slot pockets on the other side to manage all your gear and gadgets. Knowing their audience, Asmar put studs on the bottom of the Lady Duffle to protect its supple leather from wherever riders might leave it. Find it and many other lovely things at Noel Asmar Equestrian retailers: $389. www.asmarequestrian.com

SAFE STYLE Finally, there is a jacket that combines safety with style. Issi Equestrian has seamlessly integrated Point Two air vests into hunt and show coats made with high performance technical fabrics that are breathable, washable, and optionally water repellent. With a nod to tradition, Issi combines innovative materials with immaculate craftsmanship to offer riders the confidence of feeling as smart on the inside as they appear on the outside. Designed by riders who know what it feels like to hit the ground. Made in America—each jacket is hand made in the iconic Garment District of New York.

The Heavyweight Hunt Coat: made of revolutionary woollook technical fabric; traditional three button design with hidden zipper and single back vent; Point Two airbag system zips into coat with lanyard extending through pocket flap; available in black, sizes XS to XL; allow 8-10 weeks for delivery; $1,200. www.issiequestrian.com

8 | EQ AM MAGAZINE

GHODHO The features

Aubrie

pro

imported

breech Meryl®

technical fabric for maximum comfort with moisture wicking properties. This breech features ultra figure flattering seaming and piping details, grippy geometric silicone knee patches, a soft flexible knit leg cuff for a form fitting feel under your riding boots, and our signature logo embroidery. Designed for the professional or serious competitor; $220. exceptionalequestrian.com

SUN STALLION BEX JAXYN

My profession and passion is painting the form of the horse with

The BEX JAXYN III™ is inspired by the adventurous

bold unexpected colors and dramatic textures in a signature style.

spirit of the active lifestyle and designed for those

Compelled by this same sensibility and with a love of both art and

who embrace it. Equally suited for high intensity

fashion, I have designed uniquely elegant equine jewelry. The Donna

sports such as equestrian sports or leisure wear. Fits

B Brand uses only the finest materials and artisan jewelers and stylists.

easily under your helmet.

We craft each one as an heirloom piece that will last a lifetime.

NYLON

My signature designer piece, SUN STALLION, comes from my first

features lightweight, durable nylon polymer temples

collection, “Equilibre.” In 14K yellow gold and 100% pure sterling

with impressive flexibility, durability and memory. Now

silver, this two-tone equestrian pendant is approximately 2” square with

made in the USA. $120. www.bexsunglasses.com

3 gypsy-set diamonds, has a finely textured mane, and is highpolished

THE

DETAILS:

BEX®

PERFORMANCE

throughout. Elegant and uniquely created from my original equestrian lifestyle art. A stunning piece to wear on any occasion, and one that lets everyone know you are serious about the equine lifestyle. Each piece is a custom order and individually made. Pendant only.

Comes with a designer Donna B branded jewelry box for a lifetime of safekeeping. Priced at USD $1,695.00 and includes free shipping anywhere in the United States. Available online only at donnaber nstein.com.

Please allow 2-3 weeks for delivery.

PRIX DE LUTECE If the beauty and sophistication of a classic Town and Country look makes you melt, our Equestrian Collection is tailored just for you—literally. We’ve meticulously tailored everything for your everyday life or your on-holiday needs, from sleeveless, beach-ready beauties to our classic Rake Shirt for your next mountain excursion.

Each couture, made-to-order masterpiece is designed to be a classic for life.

Couture. Colorful. Clever. Collectible. Covetable. Proudly American Made.

The Prix de Lutece takes you from stable to table as French race horses gallop along chevron reins across this eye-catching print. Exquisitely detailed with braided rein and brass buckle zig-zag pattern and classic French race paintings in each cuff and inside the collar. Perfectly tailored, real-woman cut crafted in luxurious and crisp premium weight cotton; $395 at middnyme.com and fine boutiques from Palm Beach to Nantucket and from California to the Carolinas.

UNITED BY THE PASSION FOR HORSES | 9

TURNOUT

STIRRUP TRENDS

ONTYTE Ontyte StarGrip Composite RedCrystal Stirrup is designed and 100% made in

JIN

the U.S.A. Durable, lightweight, with a

The Jin Precious Stirrup feature real

soft, wide footpad, it is the perfect weight

Swarovski crystals to give the stirrups a

and comfortable. Top performance in a

glamorous and stylish finish, making them

modern design with luxurious Swarovski

the perfect pair of stirrups for any aspiring

RedCrystal detail. www.ontyte.com

dressage rider. Made from high quality aluminum and carrying all the features of the original Jin Stirrup, these are a real must have. www.americanequus.com

FLEX-ON Green Composite Stirrups are made of organically-

ACAVALLO

sourced polyamide material and shock-absorbing “elastomers” that stop the impact from transferring to your

The Opera stirrup is a completely new concept in riding because of

knees and ankles. They’re extremely customizable, from incline of

its special patented loop construction, which allows the stirrup to

the “Ultra Grip” footbed to several color combinations. The incline

adhere to the saddle flap, avoiding friction between the leg and the

allows better foot positioning, which creates better posture. These

stirrup, for a more correct, comfortable and secure ride. The large

stirrups are a good fit for any discipline, and now you can match

stirrup pad in stainless steel gives riders better grip and relieves

your stirrups to your outfit and/or show your national pride with

tension in the hips, knees, ankles and calves. www.acavallo.com

magnetic Flex-On flags. www.flex-on.fr/en

| EQUESTRE AMERICAS MAGAZINE

AMERICAN EQUUS The Hunter EQ Slim FILLIS stirrup blends a patent pending traction pin footbed design with the look of a traditional “Fillis” stirrup. The footbed

system

naturally

eases

knee, ankle, and foot pressure

EQUILINE

with a unique ramp-in design. Each stirrup is hand-polished to a mirror like surface then Show Chromed for

The new Equiline S1 Safety First Stirrups

a luxurious, durable, and lustrous

offer the latest in performance, comfort,

finish . www.americanequus.com

and safety for the modern equestrian.

The outer arm can move 90 degrees outward and 360 degree around the footpad, allowing for the release of the rider’s foot. Customize your S1 Safety First Stirrups with your choice of eight replaceable outer branch covers!

www.equilineamerica.com

TOP PICK! Our top pick is the American Equus English Elite Stirrups Shooting Star Edition. They’re luxuriously crafted and engineered for performance and they are FULL of subtle tech! Made of CNC Milled 6061 Aircraft Aluminum construction that provides an incredibly safe ride with a 3000lbs. per sq.in. lateral crush strength.

They feature ergonomically designed branches that naturally contour your legs around the horse’s barrel to ease knee, ankle, and foot pressure and a patent-pending, proprietary, interchangeable, traction pin system that secures your foot in connection with the base of the stirrup. Each stirrup features 11 Swarovski Crystals and is hand-polished to a mirror-like surface then Deep Anodized for a luxurious, durable, and lustrous finish. Need we go on? Well there actually is even more to it. Check them out at www.americanequus.com

“The Patriot”

Inspired by thoughts of how the horse has marched through history alongside man: as a warrior, a workhorse, a method of transport, an elegant agent of sport, a classic subject of art, poetry, culture, and style.―I think no other animal has given so much to Man. Not to mention the horse is a symbol of freedom in the United States (but still wild mustangs are persecuted as you read this). Who has been a better patriot than the American Horse? And what better colors to convey that than red, white, and blue? Captions by Donna B.

12 | EQ AM MAGAZINE

EQUINE ARTS

DONNA B

Painting From

her Mind’s Eye Professional artist, Donna B, grew up without horses - a rarity in the equine art community. Instead, she created horses to experience them. Her work reflects these dreams and imaginings of the horses she never had. Through her art, she now rides with them on an artistic journey.

Donna drew and painted horses as a

or interesting pose, and I will remember it

child because she felt spiritually connected

and recreate my mind’s vision of it in my

to them, as if she had an intuitive sense of

art.” She explains that her work comes from

them. She studied them voraciously—their

“experiencing what a horse is, rather than

anatomy, form, and attitude. She observed

trying to depict what a horse looks like.”

horses intently at every opportunity. If she visited a farm, she would sit for hours and

Over the past 10 years creating as a

watch, “not wanting to draw at that time, for

professional artist, Donna B’s work has

fear of missing something.” Later at home

become unique, dynamic, and expressive

she drew from memory. Donna B explains

of horses’ energy, as she presents it in a

that her imagination also played a great

minimalist style that some have characterized

role.“That is why my stylized abstractive

as Asian or primitive. Often she will plan the

works reflect a non-realistic perspective, but

piece in her mind; she never works from

with accurate anatomy,” she says.

pictures,

although

she

does

voluminous

sketching. “When I see it, I begin it,” she By keenly observing, Donna memorized

says. “When I see it in my mind’s eye, I start

their nuances of movement and personality.

to create it on the canvas.” Many of her

Her work draws on this deep reservoir of

works are large or life-size contemporary

imagery she has collected in her mind. “To

equestrian paintings. Her piece, “Carousel in

this day, I might see a horse do something

Pink,” is painted across four canvas panels,

unusual, or be in a particularly pleasing

each six feet high by four feet wide. Donna

UNITED BY THE PASSION FOR HORSES | 13

EQUINE ARTS

“Carousel in Pink”

I was determined to keep the colors simple in this monumental piece… just black, pink, and white. My vision was the feeling of a wonderful carousel, with horses moving in every direction, colorful, playful, and fierce, all at the same time―a modern carousel, if you will. also combines mediums in innovative ways

as a man to sketch horses in Paris parks).

that evoke movement and life. For example,

Bonheur’s piece “The Horse Fair” (1852) was

“Eohippus” is a minimalist, contemporary

seminal for Donna. Also, Picasso, Pollack,

piece, and references the earliest prehistoric

Frankenthaler, Mitchell, Degas, and Monet—

horses. Textured with ink and dry art media, it

impressionists and originals—are some of

captures a sense of cave paintings, yet has a

her favorites.

great sense of movement and communication between the two pictured.

Through her influences and inspirations, Donna B has developed a signature style,

Donna B’s artistic influence comes from

easily recognized by clients and collectors

several places. She explains she “felt closely

for its movement, clarity of feeling, and a

aligned with the ancient cave paintings:

sense of intimacy. One client remarked, “her

minimal, intuitive, and intimate,” as well as

horses exist somewhere between heaven

the mythological history and symbolism of

and earth.” She’s created a personal artistic

the horse itself. As far as other artists, Donna

blend, both moder n and classic in structure,

feels heavily influenced by Rosa Bonheur, a

appealing to both the horse lover and formal

19th-century woman who painted horses

art collector. See http://donnaber nstein.com

in amazing detail long before women were

and www.donnabcollection.com for more

allowed to study anatomy (she would dress

information.

14 | EQ AM MAGAZINE

The Horse Fair by Rosa Bonheur “Golden Day�

Full of movement, simplicity, high style, and a designer quality, painted in gold and framed in gold. I felt strongly about an almost Asian inkpainting feel to this piece, and its subjective, abstract qualities.

UNITED BY THE PASSION FOR HORSES | 15

EQUINE ARTS

“Red Tower of Horses�

One of my favorite artists is Franz Marc, of Der Blu Reiter artist salons in early 20th century Europe. He loved to paint horses in full-color and often looking as if he saw them through a prism or a kaleidoscope. His work must be experienced; so colorful, abstractive, and ahead of his time. This piece is an homage to his unique and creative style.

16 | EQ AM MAGAZINE

“Blue Eyes”

When creating this piece, I focused on soft movement, a powerful feel, yet a generous look to the eye. As I completed the piece, I felt there was an energy that needed focus, and the element of blue came into play. Art is so intuitive.

When I placed blue in the eye area, it became obvious that I needed it nowhere else; the feeling I was looking for had been achieved.

“Silver Strides”

I love metallic paint, shine, texture, and simplicity, although sometimes the simple is not so simple. I have watched and studied horses forever—their anatomy, muscles, illnesses, cures, form, and attitudes. Personalities. So when painting an ink piece like this one, I must see in my mind exactly how the horse is going to move, and where every part of him belongs. There is no erasing… no do-over. I love work that challenges my true perception of horses and the spontaneous energy that evolves from it.

UNITED BY THE PASSION FOR HORSES | 17

EQUINE ARTS

“Eohippus�

A mixed media creation, with the feeling of a painting you might find in an ancient cave, this textured work is both modern, prehistoric, minimalist, and complex. I love the feeling of the one horse looking back at the other, and the feeling of time and space. Eohippus is the name given to a prehistoric precursor of the horse itself—a smaller animal that had not yet developed hooves. The horse in the foreground reminds me of that ancestral animal.

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“Tandem I”

This is a large painting. I wanted to stretch myself, so I ordered a 5 x 8 foot canvas. After preparing the surface, I worked in acrylics, inks, charcoals, and large scale pastels to recreate the feeling of a life-size drawing. This was my experience of “The Horse Fair”— the two big grays in the foreground working in teamwork and comfort, as opposed to the other horses in Bonheur’s classic piece. Hence the name “Tandem.”

“White Horse Grazing”

This piece is a bit more traditional in form than much of my usual work: a grazing horse, slowly moving across a field under a blanket of darkness and starlight. The background is dark yet sparked with metallic flecks of light. I want a horse so at home in his surroundings—a horse that feels safe and free.

Donna B and Amadeus, a fabulously proportioned dressage horse from Harmony Hill Farm in upstate New York.

19

Photo: Phelps Media Group

20 | EQ AM MAGAZINE

E D I TO R I A L

AMERICAN GOLD CUP BRINGS EUROPEAN-STYLE SHOW JUMPING TO UNITED STATES SOIL

By Caroline Nickolaus/Phelps Media Group Set among the serene horse country of North Salem, New York, the American Gold Cup has become one of the most iconic equestrian competitions in the realm of international show jumping.

Currently in its 47th year, the annual event

U.S. Olympic gold medalist and three-time World

takes place each autumn at the historic Old Salem

Equestrian Games (WEG) competitor, is a longtime

Farm, which sits on 120 unspoiled acres of land

supporter and competitor at the American Gold

ideal for world-class competition.

Cup. Madden is a two- time American Gold Cup

U.S. Olympic gold medalist McLain Ward,

winner, most recently finishing second in the 2017

who is currently ranked No. 3 in the world, had

American Gold Cup Qualifier CSI4*-W to advance

fond remarks about the famed international

to the Longines FEI World Cup™ Jumping New

competition.

York CSI4*-W, where she finished among the top

“The American Gold Cup is an iconic event

10.

in show jumping. To be able to host it in North

“We consistently spend a good part of our

Salem, New York, at the beautiful Old Salem Farm

year at competitions in Europe and returning to

only adds to its unique and special feel,” Ward

the American Gold Cup each year is always a

acknowledged. “A traditionally horse-y area, I

highlight. I love riding on the picturesque grass

cannot think of a better home for such a great

field and the local equestrian community is always

sporting competition.”

supportive and enthusiastic,” Madden praised.

Ward will surely be aiming to add his name

“The atmosphere and the crowds remind us a

to the historic trophy at this year’s show after

bit of the European-style competitions, but it is

his 2017 second place finish aboard HH Callas,

conveniently located in North Salem, not far from

behind winner Devin Ryan, in the Longines FEI

our home base in Cazenovia, New York.”

World Cup™ Jumping New York CSI4*-W.

As the recent winner of the coveted 2018

It is no wonder athletes return year after year

Longines FEI World Cup™ Jumping Final in Paris,

to Old Salem Farm—the facilities are second to

aboard Breitling LS, Madden is no stranger to

none and include a world-class, grass Grand

this level of competition and will undoubtedly

Prix field, three large indoor riding arenas, and

have her sights set on qualifying again for the

five outdoor riding rings, all of which boast

$204,000 Longines FEI World Cup™ Jumping New

premier, all-weather footing and are exceptionally

York CSI4*-W at the 2018 American Gold Cup.

maintained. Old Salem Farm is the quintessential

Over the course of five days, some of the

venue to match the high caliber of competition

sport’s most elite names will come together to

that the American Gold Cup brings to New York.

showcase their talents on American soil, while

New York native, Beezie Madden, a two-time

enjoying an atmosphere that resembles some of 21

E D I TO R I A L Photo: The Book LLC

BEEZIE ON HER WAY TO A 2ND PLACE FINISH IN THE QUALIFIER

the famed show jumping competitions in Europe.

$75,000 Fidelity Investments® Classic CSI4* on

The stunning Grand Prix field sets the stage for

Saturday.

the show’s most prestigious classes, including the

Part of what sets the American Gold Cup apart

competition’s signature event: the Longines FEI

are the enthusiastic fans—die hard show jumping

World Cup™ Jumping New York CSI4*-W. The

aficionados, families just being introduced to the

pinnacle of the American Gold Cup, the class will

sport, New York City socialites, and Westchester

conclude the show—beginning at 2 p.m. on Sunday

County locals—who attend the event each year. Like

afternoon, Sept. 30.

its European counterparts, the American Gold Cup

Proud to be one of a select few CSI4*-W

is notorious for its exhilarating atmosphere, which

competitions in the nation, the American Gold Cup

includes an array of fine dining options, family-

is designated by the FEI as a Longines FEI World

friendly activities like pony rides, face painting, magic

Cup™ Jumping North American League qualifying

shows and more, as well as top-notch entertainment

event. The 2018 American Gold Cup will mark the

and an unmatched boutique shopping experience.

competition’s fourth year as part of the East Coast

Shoppers can peruse luxury clothing, jewelry,

division of the Longines FEI World Cup™ Jumping

and high-end equestrian apparel on Boutique Row,

North American League. International athletes from

featuring

13 different leagues around the world must qualify

Limited, and others. Attendees can even look for

to participate in these renowned classes as they

their next vehicle at the Danbury Porsche and Audi

vie to attend the annual Longines FEI World Cup™

display.

Jumping Final, next set to take place April 3–7, 2019 in Gothenburg, Sweden.

22

other

important

Skiffingtons

Boutique,

Hunt

Throughout the week, spectators will fill the grassy hill overlooking the famed Grand Prix field to take

The American Gold Cup also plays host to numerous

Hermès,

FEI-ranking

in the American Gold Cup’s exciting competitions,

classes

while others watch the action from the popular VIP

including the $35,000 Trelawny Farm Welcome

Taylor Harris Club, a double-decker hospitality tent

Stake CSI4* on Thursday afternoon, the $75,000

perfectly situated next to the Grand Prix field. The

American Gold Cup Qualifier CSI4*-W on Friday,

full-service club caters to some of the equestrian

presented by Windsor Show Stables, and the

industry’s most influential owners, athletes, trainers,

E D I TO R I A L

Photos: Phelps Media Group

SPECTATORS

COOPER DEAN

DEVIN RYAN

sponsors, celebrities and their guests. The Taylor

The star-studded roster of equestrian athletes is

Harris Club offers exclusive seating to its members,

not limited to those from the United States, however.

at tables for six or eight in the catered dining area

Past athletes include Irishmen Shane Sweetnam,

serving gourmet food and beverage options, along

Paul O’Shea, Daniel Coyle, and 2015 American

with the best views of the captivating show jumping

Gold Cup winner Richie Moloney, who was the

activity going on below.

first non-North American athlete to claim the title.

This year’s American Gold Cup will occur Sept.

South America and Europe continue to have their

26–30, shortly after the conclusion of the 2018 FEI

countries represented as well, including Ramiro

World Equestrian Games™ in Tryon, North Carolina.

Quintana and Luis Pedro Biraben of Argentina, Beat

Most of the members short-listed on the NetJets®

Mändli of Switzerland, and Liubov Kochetova of

U.S. Show Jumping Team are regular competitors at

Russia.

the American Gold Cup, including Madden, Ward,

For years, the American Gold Cup has stood out

Ryan, Laura Kraut, Adrienne Sternlicht, Margie

amongst the finest show jumping competitions in

Engle, and Lillie Keenan.

the United States, and even rivals some of the best Charlie

in the world. Spearheaded by Michael Morrissey,

Jacobs is also an ongoing supporter of the American

Highly-acclaimed

grand

prix

athlete

American Gold Cup event manager and president of

Gold Cup. In 2016, he and his talented partner,

Morrissey Management Group, the mission of the

Cassinja S, took the second place ribbon in the

American Gold Cup is to provide discerning athletes,

Longines FEI World Cup™ Jumping New York

trainers, and spectators with an event that is beyond

CSI4*-W at the American Gold Cup. Perhaps one

compare. The ongoing improvements for both

reason Jacobs continues to make the American Gold

horses and athletes continue to reflect the venue’s

Cup a staple on his competition schedule is due to

unwavering dedication to ensure that the show only

its prime conditions, first-rate footing in the rings,

grows better each year.

and grass fields that keep his horses safe, sound, and comfortable.

Known for being more than just a horse show, the American Gold Cup is an experience. A taste

“The American Gold Cup is held at one of the

of European-style show jumping in America is

finest show jumping venues in the United States.

something one can only enjoy at the American Gold

Every detail is considered regarding the welfare of

Cup! For those who cannot attend this iconic event

both horse and rider. Top grass footing and excellent

in person, the 2018 American Gold Cup will be

all-weather footing allow the American Gold Cup to

showcased on multiple global platforms, including

set a high standard that few American shows can

live streaming on TheAmericanGoldCup.com and FEI

rival,” Jacobs said.

TV and television broadcasts on NBC Sports Network.

23 23

Photo: The Book LLC

24 | EQ AM MAGAZINE

MCLAIN IN THE OPENING ROUND OF THE 2017 $216,000 LONGINES FEI WORLD CUPâ„¢ JUMPING NEW YORK CSI4*-W 25

N OT E S F R O M N E L S O N

NOTES FROM

NELSON PESSOA Nelson Pessoa is one of the leading experts in the international showjumping community. His success inside the ring, as well as that of his students, makes him one of the most sought after coaches of today. Nelson recently accepted an invitation to coach the Australian Eventing team in showjumping.

The

Australian

Eventing

team

is

currently

competitions. In the old days, cross-country was

training in England. I go every 15 days to coach

essentially a testament of courage, but nowadays

them and then they come to Belgium to compete.

you need to have much more control of the horse

I am enchanted by these riders because they have

because it is a faster test than before. Courses

shown me true horsemanship—which I have always

present narrow obstacles, irregular lines, and

believed is essential to succeeding in horse sport.

other difficulties that require the rider have a high

These athletes travel with their animals, dedicate

technical index of skills, honesty, and physical

much of their time to the care and well-being of

preparation of their horse. I have many thoughts

their horses, train assiduously, and really work the

on this, but I will outline some of my core beliefs

jumps. I also perceive a great deal of empathy and

for training any showjumping horse and rider.

friendship among the riders from different nations.

I can see that they find more importance in the evolution of the sport than with individual results.

As horse people, they are excellent.

Body For practical purposes, a rider who wishes to be well united with their horse should focus their

In recent years, Dressage and Showjumping

body attention on four main areas: ankles, knees,

technique have become very important in Eventing

waist, and elbows. The part that encompasses the

26 | EQ AM MAGAZINE

THE MORE CONTACT YOU HAVE. NELSON PESSOA

“

“

THE LESS SADDLE YOU HAVE BETWEEN YOU AND YOUR HORSE,

ankles and knees is vital because they make

recommend a saddle that is not very wide

the contact between the two bodies: horse

and that allows for close contact, without

and rider. For this to happen, the rider must

attachments. Less is more here because the

keep their ankle positioned very low to ensure

less saddle you have between you and your

their stability on top of the horse.

horse, the more contact you have.

The

rider’s

knees

must

remain

well

attached to the animal, to allow for balanced

Mouth

movement on the vertical axis. With respect

Another important part of communication

to the waist, it needs to be flexible to allow

between horse and rider is through the

the body to move on the horizontal axis. The

mouth. Riders must pay attention to the oral

elbows must also remain flexible to give the

health of their animal. Special care is needed

reins at the time of the jump and take them

here to ensure that the rider’s commands are

back at the time of the landing and forward

carried out through the bit. If the horse’s

impulsion to the next question.

mouth suffers from inflammation, it could

These

are

the

four

“joints”

between

interfere with the horse’s ability to understand

horse and rider, but for good balance and

commands. This often, mistakenly, causes

communication between horse and rider, the

the rider to exert unnecessary pressure to

remainder of the body should not move. The

transmit information, which inevitably makes

rider must keep their gaze straight—don’t

the situation worse and a cycle of difficulties

look down. Be sure to keep the chest upright

is born.

and aligned, but allow flexibility at the waist.

Cross-training Saddle

Still

on

the

subject

of

posture

and

The body’s contact with the horse is

techniques to improve riding, I believe that

also very important to choice of saddle. I

an essential modality for any equestrian

27

N OT E S F R O M N E L S O N

“

STILL ON THE SUBJECT OF POSTURE AND TECHNIQUES TO IMPROVE RIDING,

“

I BELIEVE THAT AN ESSENTIAL MODALITY FOR ANY EQUESTRIAN SPORT IS DRESSAGE, NELSON PESSOA

sport is Dressage. At the beginning of my career, I was very weak in this area, and I confess that it took me some time to be able to improve myself. In the beginning, I competed in Brazil, and this country does not have much tradition of working horses on the flat.

I travelled to Germany, and there I had the best Dressage teachers. From them, I learned the fundamental principles of dressage and I affirm that this was one of the pillars for my success in showjumping.

Through this type of cross-training, you educate your horse and fine-tune your communication so that you can increase or decrease the animal’s speed, and thus reach the best distance to make the jump.

28

29

ASK

MONTY ROBERTS Does it matter what words you use with your horse?

One can train any action with any word depending

flat muscle separating our lungs from our intestines)

on the number of times that you use the word and

by breathing in deeply and compressing it downward,

request the action. To enhance the learning process,

which significantly enlarges our thoracic cavity and

if one uses the closest sound to what innately

creates more space for our lungs. Causing the area

produces the desired action, the faster one can

of the lungs to be larger does more than just allow

expect to get the desired results. If you want to take

for a greater volume of air. When this occurs, it

a long time to teach your horse to stop, run him

automatically lengthens our vocal chords, which

fast and yell out “Yikes!� You will eventually get it,

allows us to create vibrating sounds in lower tones.

but your horse might be very old and unable to run

Any singing, acting, or speech coach will tell you

fast at that point. As horsemen, each of us should

that diaphragmatic breathing will lengthen the vocal

be working hard to meet the needs of our horses

chords, consequently enriching the quality of voice.

by giving them the clearest possible communication.

Breathing high, or raising the diaphragm, will cause

to sound

it to take on a dome shape. This shortens the vocal

vibrations. Sounds vibrating in low tones tend to

Flight

chords and reduces the volume of air. Adrenaline

bring adrenaline down. Conversely, high pitched

automatically tends to cause the human anatomy

and sudden sounds tend to bring adrenaline up.

to elevate the diaphragm, creating higher tones

Horsepersons should learn diaphragmatic breathing,

that will put your horse on alert rather than ready

the practice whereby we can use our diaphragm (the

to work.

30 | EQ AM MAGAZINE

animals

are

acutely

tuned

MONTY ROBERTS

Conversely the reduction of adrenaline will tend

Surprisingly, I discovered that “Vooo” does cause a

to cause the human anatomy to power the center

greater vibration within the chest cavity. Should one

of the diaphragm, creating the desired effect. It

choose to school your horse with “Vooo,” it is my

seems clear to me that the earliest riders learned to

opinion that you will be more successful than using

cause their horse to relax, stop, and also to stand

the word “Whoa.” Give this one a try on your own.

still when they said the word “Whoa.” Horses will

I might be the first person to ever write about

habituate to virtually any sound, so you could teach

why a horse goes faster when their rider makes a

a horse to stop when you say, “YIKES!” but the word

high squeak or clucking sound, but I think I have

“Yikes” tends to cause the human to breath high in

made an interesting connection. Defining the act of

the chest which does not allow for diaphragmatic

causing a horse to go faster by using the kissing or

breathing. Your horse will eventually stop when you

clucking sound undoubtedly relates to a response

say “Yikes!” but he will habituate more successfully

to a predator breaking twigs in the bush or forest.

when you say “Whoa!”

I learned it in a funny way by watching a David

Recently, I met a man named Dr. Peter Levine.

Attenborough documentary and realizing that the

He took me one-step further and said, “Why don’t

lioness moves her advancing foot sideways a few

you try the word Voooooo (rhymes with Booooo).”

strokes to clear any twigs from the ground before

Wow! When I tried it, I quickly learned that putting

pressing her weight down, which would undoubtedly

your lower lip behind your front teeth to make the

break the twigs and signal the prey animal to get

V sets one up to more easily lengthen the vocal

the heck out of there. Think about these innate

chords and you begin to use the letters OOOOO. I

characteristics the next time you communicate with

tried it by alternating the “Whoas” and “Vooos.”

your horse.

32 | EQ AM MAGAZINE

EXTRA EXTRA Photo: HKJC Photo

PAKISTAN STAR Monty Roberts Helps Pakistan Star Go From Refusing to Race to Refusing to Lose

By Debbie Roberts Loucks

Perhaps not since race fans chanted “Lomitas, Horse

of

Lomitas, the

Year

Club (racing club) in Hong Kong about

Lomitas!”―1991

15 years ago, and asked him to come

and

Champion

back. He invited Monty to be a guest

3-year-old―has a German-bred horse

speaker at the Carbine Club, and on

so captured the fascination of famed

10 December 2017, Monty returned to

horse trainer, Monty Roberts. Pakistan

Hong Kong.

Star’s story may be the next opportunity

In the last week of September 2017,

for Monty to tell us how a talented

Monty began the long journey there by

five-year-old Thoroughbred, completely

way of several stops. First, he arrived

misunderstood and banned from racing,

in the UK to work with Her Majesty

is able to go from refusing to race to

Queen

refusing to lose.

needed proper starting. Monty went

Elizabeth’s

race

horses

that

Last year, Monty received a visit from

on to perform demonstrations in the

Daniel Zigal. Zigal is a prominent horse

UK and Ireland. Then, on 10 November,

owner in the China and Hong Kong

he traveled to Germany to work with

racing circles. Zigal reminded Monty

horses at the famous stud farm, Gestüt

that he had spoken at the Carbine

Fährhof, for the Jacobs family. He

33

EXTRA EXTRA

Photo: HKJC Photo

“

IT IS NOT GOOD ENOUGH TO GET YOUR HORSE TO DO

“

WHAT YOU WANT. IT IS FAR BETTER TO CAUSE YOUR HORSE TO WANT TO DO IT., MONTY ROBERTS

also performed demonstrations there, at four

noted was that they trained him going away from

weekend ticketed events in Germany.

the direction of the stables, stopped him and

Before Monty left for Asia, a message came

then came right back to the stable area. From

through from Hong Kong unrelated to the

this, Monty determined Pakistan Star’s negative

speaking engagement. Pakistan Star’s owner,

tendencies, whereby he stopped running, were

Kerm Din, was calling for Monty’s counsel.

manufactured and not remedial. “I’ve worked

Winfried Engelbrecht-Bresges, This is never easy.

with a lot [of horse] that won’t go in and a lot

“I watched the videos and saw a jockey using

that won’t go out [of the barrier gates]. This was

a whip on Pakistan Star that I would consider

different. But an hour there and I knew what was

inappropriate. I am thinking, I have no idea what

wrong with this horse. Ray Charles could see it,”

I am going to do with this horse! I have to do

said Monty. This training routine was habituating

something. I am there for a couple of days and

Pakistan Star to not run past the middle of the

didn’t even have physical contact with him. I

racetrack.

hadn’t seen this particular issue. Stopping mid-

Monty then met with Kim Kelly, Chief Racing

race and standing on the track taking a beating?

Steward of the Hong Kong track, and asked about

Never,” said Monty. And he remembers worrying

allowing Pakistan Star to finish his morning work

he wouldn’t have the time to work out Pakistan

by going all the way around the track before

Star’s significant issues.

heading back to the stable, rather than his

Monty asked the team to describe Pakistan

routine of not completing the full trip around the

Star’s normal morning routine. The first thing he

track. Monty wanted to reset Pakistan Star’s mind

34 | EQ AM MAGAZINE

EQUESTRIAN ART & FINE JEWELLERY

DONNABERNSTEIN.COM

“

FOR CENTURIES, HUMANS HAVE SAID TO HORSES, ‘YOU DO WHAT I TELL YOU OR I’LL HURT YOU.’ HUMANS STILL SAY THAT TO EACH OTHER -- STILL THREATEN, FORCE AND INTIMIDATE. I’M CONVINCED THAT MY DISCOVERIES WITH HORSES HAVE VALUE IN THE WORKPLACE, IN THE EDUCATIONAL AND PENAL SYSTEMS, AND IN THE RAISING OF CHILDREN. AT HEART, I’M SAYING THAT NO ONE ELSE HAS ANOTHER HUMAN., MONTY ROBERTS

“

THE RIGHT TO SAY ‘YOU MUST’ TO AN ANIMAL -- OR TO

to complete the oval and finish his

Audemars Piguet QEII Cup (2000m) on

work heading toward his home, hoping

29 April. Then Pakistan Star doubled his

his natural instinct to go home would

Group 1 record with complete ease on

motivate him.

27 May with Tommy Berry riding him to

Trainer Tony Cruz would wait until

a comfortable victory in the Standard

February 2018 to bring Pakistan Star

Chartered Champions & Charter Cup

back to the Sha Tin Race Track. The

(2400m) at the Sha Tin Racecourse. For

horse was not yet in form. He needed

Pakistan Star, it was his second Group 1

January and February to get back into

win in as many starts.

Photo: Taylor Pence

shape and overcome the antics he was

To date, Pakistan Star is the highest

legend for if he was ever going to pass

earning German-bred Thoroughbred in

the tests that would allow him to race

history, globally, and also the highest

again.

earning horse that Monty has ever

In February, Pakistan Star passed

worked with. In the time since Monty

the tests and earned himself another

figured out the complicated horse,

chance. William Buick rode Pakistan

Pakistan Star has won $4.5 million US

Star to a three-length win in the

dollars.

Photo: HKJC Photo

Proud Partner of the

Washington international horse shoW

3033 Wilson Blvd. Third Floor, Arlington, VA 22201

38 | EQ AM MAGAZINE

E D I TO R I A L

ARENA EVENTING? Story by: Carina Roselli, Editor

Anyone familiar with the historic Devon Horse Show and the elegant Central Park Horse Show may have witnessed a new phenomenon in the sport of Eventing: arena eventing—and it’s quickly become “a thing” in the United States. But what is it? Where did it come from? What do we think of it? Is it good for the horses? The riders? The sport? There’s a lot of talk about it right now, so let’s get educated and maybe get in on the conversation.

Online

chatter

about

arena

eventing

is

euthanized. Express Eventing went kind of quiet

timestamped as far back as January 2007 (thank you

after that, appearing mostly in less dangerous

HorseandHound.co.uk and “skye123” wherever

young rider competitions for the next few years.

you are), but then the chatter quickly turned to

Then, in 2011, it suddenly reappeared at the UK’s

something called “Express Eventing.” Primarily in

Horse of the Year Show. In 2012, eventing legend

the United Kingdom, Australia, New Zealand, and

William Fox-Pitt agreed to participate in a new

sparingly in Germany and Canada, Express Eventing

team version of Express Eventing at the HorseWorld

held all three eventing disciplines: dressage,

Live show at the ExCel Arena in London. Fox-Pitt

showjumping, and cross country, in a shortened

applauded Express Eventing for “taking the sport

format taking place in one-day of competition

of eventing to a new and wider audience”—arena

within one arena. After the first dressage phase, it

eventing in the US is now garnering the same

was essentially a mad race through what could be

response.

an indoor and also outdoor cross country course,

Fast forward to 2014, FEI releases a set of

then straight back into the arena for the jumping

recommendations advising all indoor and arena

phase with no stopping in between.

eventing competitions should be classified at 3*

I use past tense to describe Express Eventing

level, should be designed by an experienced 3*

because it seems to have grown into the UK’s

eventing course designer, and should follow one

version of arena eventing and no longer exists in

of these three formats: (1) Indoor/Arena Derby

its own right. This is at least partly because, in

competition in line with jumping rules, untimed

November 2008, British Olympian Mary King lost

other than time limit, and pole-topped obstacles,

her Olympic partner Call Again Cavalier during the

(2) Indoor/Arena Eventing competition untimed

inaugural Express Eventing International Cup in

with valuation for style, or (3) a two-phase

Cardiff, Wales. The pair fell badly during the arena

competition where phase one has traditional fixed

cross country phase; very unfortunately, Call Again

eventing obstacles and runs for optimum time,

appeared to have broken a femur and had to be

and phase two is a jump-off with 6-8 eventing-

39

E D I TO R I A L

Riders and their horses acclimate to Devon’s arena eventing course and the imposing grandstand, an important safety measure introduced by Devon Horse Show and Country Fair.

inspired, but knock-down obstacles. Here we begin to see

countries, points seemed to accrue based on optimum time

the evolution of what we now know as “arena eventing”

only. Around this same period, arena eventing was quickly

(it’s really just arena cross-country, but that name would be

making its way across the pond.

an oxymoron).

The first major American showing of arena eventing

Still, even under its new name, riders suffered several

was at the historic Devon Horse Show and Country Fair in

nasty falls at an Indoor/Arena Eventing competition in

May 2017. Devon press releases described arena eventing

Toronto, Canada in late 2014. Canadian World Equestrian

as three-day eventing’s cross country phase, but made up

Games rider, Selena O’Hanlon misjudged a Normandy-

of solid (but portable) cross country fences of typical shapes

bank-style obstacle causing her horse, First Romance, to

mixed with knock-down show jumps of typical varieties.

flip over the fence and land on top. O’Hanlon broke her

The class was therefore open to eventers and show jumpers

collarbone and spectators broke the internet voicing their

alike, but eventers needed to have earned a qualifying

concerns all over social media. One scathing post read,

score in a 2* CCI competition and jumpers needed to have

“Whatever that was at the Royal Winter Fair, it wasn’t a

competed at 1.40m or higher.

true depiction of the sport of eventing. They should scrap it

The competition featured 25 jumps, with 15 of them

or rename it demolition derby.” This started another fresh

being cross country fences. All obstacles were set at a

debate about the risks posed by arena eventing, and the

maximum height of 1.20m or 1.40m for brush fences, with

competition went back underground.

a maximum top spread of 1.60m. And to be sure they got

All was not lost. In 2016, the UK starts promoting

it right, this first American course was designed by Olympic

arena eventing again (and the British @ExpressEventing

gold medalist Captain Mark Phillips, former coach of the

Facebook page goes permanently silent). The next couple

U.S. Olympic Eventing Team. He soon becomes the father

years breathed new life into arena eventing. Australia was

of arena eventing in the US, designing every course so far.

back in the game, mixing show jumps and cross country

Devon smartly built safety measures into their first go at

obstacles in the same arena, while the UK format started

arena eventing. First, Capt. Phillips made excellent use of

competitors over stadium jumps and then sent them

Devon’s ample arena space. He designed the course to be

straight on to a field full of cross country obstacles. In both

tight and demanding in the show’s Dixon Oval arena, and

40 | EQ AM MAGAZINE

E D I TO R I A L

USEF took to Twitter to give spectators a sense of what the 2017 Devon Horse Show arena eventing course looked like, extending out into a second arena in the first phase, then tightened up into just one for the jump off.

then sent riders out into the adjacent Gold Ring where

The crowd really delighted in the tight competition ending

obstacles were set on a loop that really gave the riders a chance

in a close victory for Sara Kozumplik Murphy (USA) and

to open up their horses’ strides as they would in traditional

Rubens D’Ysieux in 75.03 seconds. Indeed, the crowd

cross country. From there, they returned to the Dixon Oval to

went wild when Murphy reached into her pocket and gave

tackle more short distances and turning questions. Second,

Rubens his usual post-round treat. Practical Horseman

Capt. Phillips’s design was challenging, but he ensured the

later reported that Devon’s arena eventing debut was a

first couple of obstacles were knock-down show jumps, not

“resounding success, captivating the crowd and getting

solid pieces, to ease horses into the course.

enthusiastic reviews from participants.” And all of this was

Lastly, riders were given time and opportunity to

in the midst of steady rain.

acclimate their horses to the arena before competing.

Next came the 2017 Rolex Central Park Horse Show in

Performing in an arena, at night, under lights, in front of a

New York, New York. When several dressage competitors

huge crowd was sure to be quite a different experience for

declared they would not be able to perform per usual

eventing horses used to running through the countryside in

because of conflicting show schedules, Mark Bellissimo’s

the middle of the day. To mitigate fright-related accidents,

International Equestrian Group, LLC (IEG) punted and

riders rode or lead there mounts around the fences, under

swiftly rounded up the necessary ingredients for the show’s

the lights, and past the imposing grandstand looming at

inaugural arena eventing competition. “Eventers bring a

the edge of the arena. All three of these measures were

new dimension to the show and it is a great opportunity

smart risk management for everyone involved and will

for the riders to shine against the incredible New York City

hopefully become a constant in American arena eventing.

skyline,” said Bellissimo.

There were two rounds of competition. Round 1

Like

Devon,

Capt.

Mark

Phillips

designed

an

was the qualifier, and the top 12 clear rounds under the

Intermediate/CCI 2* level track incorporating both show

optimum time moved on to the next round; round 2 was

jumping and cross-country elements, including a bounce-

the jump-off, following traditional showjumping format

bank and a now-iconic giant Big Apple. One significant

where the fastest clear round ultimately won.

difference, however, was that Wollman Arena is tiny in

It turned out to be a thrilling and successful night of

comparison to the combined area of Devon’s grand Dixon

eventing, where 24 eventers and one hunter/jumper rider

Oval and Gold Ring. This course was faster and tighter than

took the field to compete for the $50,000 in prize money.

either round was at Devon four months before.

41

Unlike Devon, the event hosted 24 riders organized into 12 teams of two in a competition termed “Arena

42

at a much smaller arena, like in Toronto or [Wollman Arena in] New York.”

Eventing Pairs,” a new derivative of arena eventing.

Horse and rider combination requirements and

The teams, named after quintessential New York City

obstacle heights remained the same as last year, but

locales (East Village, Time Square, Chelsea, etc.),

this time forty riders decided to give arena eventing

worked in a relay race format with both riders in the

a go. Competition was high, which became especially

ring at the same time, with the second rider taking

evident when less than half a second separated the

off just as the first made their way through. In a two

top three rides. Chris Talley and Sandro’s Star took the

round competition, the top six teams that completed

win as one of only four pairs with no added faults in

the first round track under the time allowed, and

the first round and one of three pairs who managed

without incurring any jumping penalties, moved on to

a fault-free round in the jump-off. The combination

the final, speed-driven money round to compete for

crossed the finish in 78.260 seconds, with last year’s

$50,000. The winners, Australian riders Dom Schramm

winner, Sara Kozumplik Murphy and Rubens D’Ysieux,

on No Objection and Ryan Wood on Alcatraz, finished

not far behind with 78.580 seconds.

the second round in 168.31 seconds and earned

Talley commented, “I was a little overwhelmed

the brand new title of “U.S. Open Arena Eventing

when I first got in there, and I started walking

Champions.” With the whole exhibition considered a

everything [during course acclimation], and I didn’t

resounding success, it looks like that title will be up

know how it was going to ride, and everything rode

for grabs again in the future.

beautifully.” He added, “Going so quick in a small

This past May, after the “immense success” of its

arena with solid obstacles, you’re not quite sure if the

2017 debut, the Devon Horse Show and Country Fair

striding works out and everything, but I think they

hosted another arena eventing competition. Capt.

did a wonderful job designing the courses. I think

Mark Phillips again designed the course, consisting

it challenged the horses but rewarded the horses

of 15 standard (portable) cross country jumps and 10

too.” And Murphy again expressed her enthusiasm

show jumps, over a 1,000-meter course. Capt. Phillips

for Devon’s arena eventing, “The crowd here is like

remarked, “The advantage that Devon has is the use

nothing I have ever seen before in this country. Even

of the two arenas. You have more scope there to do

in Kentucky it’s not like this carnival atmosphere

more interesting things on the course than you do

where so many people are cheering along.”

E D I TO R I A L

The top three teams take to the podium in front of the now-iconic Big Apple jump at the inaugural Central Park Horse Show arena eventing pairs competition.

So, three significant American arena eventing

When balancing the risks to horse and rider

competitions in the last one-and-a-half years—

against the rewards of novelty and exposure, I

without casualties, without tragedies, and with rave

think the overarching question becomes, “Is arena

reviews by riders, spectators, and journalists alike.

eventing really worth it?” This, of course, breaks

Each event promised and delivered “an action packed

down into several other questions. Is it doing great

evening and unrivaled opportunity to promote our

things for the sport of Eventing? Or is it a whole

sport and our riders to a new audience.” Still, it’s

new sport in itself (already with an established pairs

clear that everyone realizes (and remembers) arena

team derivative!)? Is it teaching a new audience

eventing offers up a whole new recipe for danger.

of spectators about the sport of Eventing? Or

The 2018 FEI Eventing rules for “Indoor / Arena

is it just misleading and confusing them about

Cross Country” now state only two options for

traditional Eventing? To that end, does arena

organizing arena eventing competitions: (1) apply

eventing

to the FEI to organize the class as an international

eventers? Or might it lead to a new generation

competition subject to FEI approval, or (2) organize

of just arena eventers (which brings us back

the competition under National rules and under

to whether it’s a whole new sport in itself)?

the responsibility of the National Federation to

Undoubtedly, there are many more complex,

enforce “compulsory minimum requirements.” The

debatable questions and opinions about this

rules go on to list those minimum requirements:

newfangled competition, so EQ AM invites you to

(1) qualification of athletes requires A, B, or C FEI

join the conversation and tell the equestrian world

categorized athletes “to ensure all athletes have

(and us) what you think.

encourage

a

new

generation

of

adequate experience,” (2) maximum 2* level

I will leave you with this interesting tidbit

obstacles and speed related to arena size, and (3)

though—at the bottom of page 91 of the 2018

competition format must be either against the clock

FEI Eventing Rules adding Indoor / Arena Cross

“ONLY” with knock-down fences or hedges at a

Country, under Rule 4, the authors saw fit to remind

minimum 1/3 height of the fixed obstacle, or for

commentators that large format video clips are

optimum time if over fixed obstacles.

available to show spectators the “real sport.”

43

U.S. Dressage United States Dressage has a bright future; some of the most amazing people in the country are propelling it forward. A lot of those people are included in the next several pages of exclusive interviews.

U.S. Dressage Team members Laura Graves, Adrienne

Hallye Griffin, USEF Managing Director of Dressage,

Lyle, Kasey Perry-Glass, and Olivia Lagoy-Weltz tell us all

tells us her absurdly long list of responsibilities, how

about their equine partners and what the last few years

these elite riders got to where they are, how you can

have been like in the lead up to WEG, and beyond.

climb the ladder, and how it’s really all about Tokyo.

We had a long and inspiring conversation with

Finally, Betsy Juliano, Horse Owner and Rider Sponsor,

Technical Advisor and Chef d’Equipe (and general

explains what it’s like to support the team, how and why

dressage legend), Robert Dover. He tells us how

she does it, and where she hopes U.S. Dressage is headed.

amazing this WEG team is, but not just because of

You can’t imagine how logistically challenging it was

their incredible talent.

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to get all of these incredible people in one magazine!

Debbie McDonald (venerable dressage queen) tells us

Getting to know the rising stars of U.S. Dressage—and

what it’s like to be the personal coach for all 4 of the

the “team” behind them—was more than worth it. Read

team’s ladies.

on and get to know them too!

Interview with U.S. Dressage Team Rider:

Laura graves Where is home for you?

Home for me is Geneva, FL (just outside of Orlando), but REAL home for me is Vermont.

What do you love most about where you live?

I love that it is a quiet town with unassuming people. The success or failure of my riding career is very unimportant to them.

Tell us about your start with horses. Where did you first start riding? When did you start riding dressage?

Who makes up your support team?

We are very lucky to have such a terrific support team. At

My start with horses came from my mom. My parents

home, on the closest level, I have my partner Curt and my girls

traded an old washer and dryer for two old ponies: Spanky and

who care for my horses. I am extremely close with my family:

Rafter. My two sisters and I were all in 4-H where we learned

my parents and my two sisters. When it comes to work, Debbie

about horses but also about giving back to our community. It

McDonald has been my trainer since 2014. Betsy Juliano came

wasn’t until I was about 8 that I decided I wanted to ride. It was

on shortly after as a huge supporter of me and my training.

shortly after my basic lessons that I fell in love with dressage.

There are SO many people and names that I could make a list two pages long.

How long have you been partnered with Verdades?

I have had my team horse since he was 6 months old. It will

Is this your first WEG?

be about 16 years come September and the World Equestrian

This is my 2nd WEG.

Games.

How does WEG compare to the Olympics? Is there any How did you know Verdades was “the one” to partner

difference in the way you prepare for team selection for

with?

each?

It wasn’t my choice, it was his. We literally could not get

I was in the last Olympics in 2016 in Rio. As an athlete,

rid of him. He was very particular about his rider (and still is).

nothing tops the Olympics. But as an equestrian, the WEG is as

His personality taught me a lot about patience. Now, I couldn’t

good as it gets. The preparation is the same, for sure focusing

imagine my life without him.

on the team medals.

Tell us something funny about Verdade’s personality.

How long have you been working towards this WEG?

He always has his ears forward, but he loves to bite! It’s a

This WEG has been the focus since the 2016 Olympics

bit like a game of tag for him, and if you tell him “No!” he will

ended. Literally the day they were over, my mind was already

toss his head and wring his neck. He thinks he’s VERY funny!

looking ahead to Tryon.

What do you love most about him?

Which is your favorite class and why?

I love everything about this horse. He is incredibly loyal to me.

Usually I love the Grand Prix Special. It tends to be a good

He is the best part of my day. He gives me so much and asks for

test for my horse. But this WEG has things set up a little

so little. He has the best work ethic and always the brightest eyes!

differently where only the Grand Prix counts towards the team 45

medal and both the Grand Prix Special and Grand Prix Freestyle

What charges you and what drains you. Being honest about

count towards individual medals. So ask me at the end which

these things will make or break you. Thankfully, everyone on the

one is my favorite test!

current team is such good friends and understands what we all need to be at our best.

What are some of the challenges of traveling in Europe with Verdades?

The US dressage team has earned itself a reputation for

We are lucky to have a great support staff at USEF,

its riders having an incredible team spirit and being very

specifically Hallye Griffin who makes travelling to Europe a

supportive of one another. What’s it like to be a part of

breeze. The biggest challenges are actually not for the horse,

that?

since they travel First Class all the way. We fly in special hay,

It’s like wearing a glove. This team is what every team should

grain, or whatever they need. Just being away from my business

be. And honestly, I could name a list of other American riders

is the hardest part.

who would fit in just the same. It is a real way to success. Having other professionals who support you and who you can turn to is

What’s the best part about traveling in Europe with

normal in most jobs, but not always in professional equestrian

Verdades?

sports. It’s amazing to call my teammates my best friends and

Because I only travel with one horse, the best part is

mean it.

getting the complete permission to spend such one-on-one time with him. I swear it is his favorite time. Whatever he needs on whatever schedule he wants is how life goes in Europe.

It’s actually rather hard for him to adjust when he comes home.

What do you most love about your team?

We know each other inside and out. We literally live together at times. There is never a question of how we feel about each other. It is really a perfect marriage.

What is something you do for him to make the stress of travel and competition a little easier?

It is so important to take care of your horse’s stress needs BEFORE they become a problem. The more I travel, the more I have learned to be proactive about it. Trying our best to keep a

What’s your happiest memory for you personally from the lead up to WEG? We had a great round at the farewell of nations in Aachen and have some nice photos to remember that!

routine and things like Gastrogard are essential.

What are you most looking forward to doing after WEG? What do you do to help yourself handle the times of stress that come with being on tour/qualifying procedure?

In high stress times, you really learn a lot about yourself.

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Relaxing! The pressure is on your mind every day leading up to the Games, whether you are in the saddle or not. So having that relief will be a vacation on its own.

Interview with U.S. Dressage Team Rider:

Adrienne Lyle Tell us about your start with horses. When did you transition solely to dressage?

I grew up on a little cattle farm on Whidbey Island, Washington and we’d always just had ranch horses on the property. I was riding since before I can even remember; we had some little quarter horses and ponies around, and I’d just trail ride. I started out riding western actually. Then I got into to pony club, but when I was around 7 or 8 years old, I started doing eventing. Through eventing I was introduced to dressage, and I think right around when I was 13 or 14 years old, I decided I

stallion, is that he’s just got the sweetest temperament and he’s

really wanted to focus mostly on dressage. I was fascinated by

so laid back—he’s such a cool customer—he doesn’t get flustered

it. I still jumped a little bit, but that was not going to be the

by anything. He can go out in a big grass turnout next to other

career path I was going down. I really wanted to become a

horses, not in the same turnout obviously, but I can turn him out

good dressage rider.

next to someone and he’s fine. I was just hand grazing him today and he’s so funny, he lies down and rolls on the lead rope and

How long have you and Salvino been partnered?

This is our 3rd year together.

then sits halfway up like a donkey just looking at me, then he’ll lie back down, proceed to graze lying completely flat on his side for a couple minutes, then get up. He’s just a goofball that way.

Where did you find him?

We actually found him in Madrid, Spain. I’d been looking for

So is his personality your favorite thing about him?

quite a while, almost a year at that point. He was an eight-year-old

Yeah, he’s got a great personality, which is very important to

when we found him. He showed talent, but was still very green in

me. And he seems to have a good work ethic. He tries hard to

a lot of the training. So the whole first year we had him, I didn’t

figure out what you’re asking him to do. But what’s really fun about

compete on him; we just took the time and got to know each other

riding him is how incredibly powerful and scopey he is. I don’t think

and make sure he really had a good understanding of the system.

we’re even close to his limitations for most of the movements. I think there’s still a lot more in there.

How did you know Salvino was the “one” to partner with?

Who makes up your support team?

I didn’t actually want a stallion, so he kind of had that

I have an amazing support team. I always say I’m so, so, so lucky

against him when I was looking at him, but there were just

to be surrounded by this team. I have been training with Debbie

little glimpses and moments while riding him. There were little

McDonald for 13 years now. I came to her as a working student

glimpses where I thought, wow, if I could capture that ability,

when I was 20, and working student kind of evolved into being a

if he just took a step or two, and if I could teach him to hold

catch rider and then assistant rider for her. Then when she decided

that posture and maintain that… He had beautiful elasticity and

to retire from competition, I took over showing the Thomas’s

suppleness about him, big range of motion, and I really liked

horses with Wizard and went to the Olympics and the World

that. He just needed time to learn to contain that big range of

Equestrian Games on him. We’re now partners in a business

motion and get strong enough to hold it.

together called River Grove Equestrian, so she’s obviously been instrumental in my success and in my career and she’s

Can you tell us something personal about Salvino?

I think what’s kind of unique about him, especially being a 48

amazing. Also her husband, Bob, runs the management side of the business. I’ve learned equally as much from him about

running a business as I have learned from Debbie about riding.

helps the high performance riders plan all this stuff out as far

I also have some really awesome grooms. Dorte Sorenson is

as what shows do you want to do in Europe? What shows

my head groom. She’s been with me for many years now. She is

could you be qualified for? And we sit down with Robert and

absolutely the most amazing groom and she runs a tight ship. She

talk about a strategy to get where we want to go. Then once

has everything organized, keeps me organized, she keeps everyone

you have that strategy, you’ve got to go to your owners and

in line and I trust her 100%. Morgan Klingensmith is my groom

your sponsors because they’re the ones funding all of this. The

who travels to Europe with Salvino and me. I also have Quinn

owners have a decision-making role too. We break the plan

Iverson who is my assistant, and she does all the riding for me

down for them so that they understand the preparation needed

while I’m gone in Europe. My other groom Monica Stanke came

to give their horse the best chance to make a team. And,

to me about a year and a half ago, and she’s a great groom as

inevitably stuff goes wrong along the way, so you have a plan

well. When I’m over competing in Europe, I don’t ever have to

a, b, c, d, e, f, and it’s continually changing, but you try to keep

worry about how my horses are at home because I know the

your focus on your long-term goal.

girls have good judgment and good horse sense, and they’re very trustworthy.

What are some of the challenges of traveling in and around Europe with the horses?

How does preparing for WEG compare to preparing for the Olympics, is there a difference?

Traveling is always a challenge and it’s not natural for the horses, so your biggest worry is keeping them happy and healthy

No, not really; not in the preparation as far as training. It’s still

throughout all of this. Flying in airplanes and being shipped

a team event and you’re riding for your country, and the focus is

around in trailers stresses horses out. Learning how to manage

always putting on a strong performance for your team—that’s

them from a veterinary standpoint and from a mental standpoint

first and foremost. You want to do well individually, obviously,

takes a lot of practice. The more you travel with horses in general,

but when you’re riding for a team, you have added pressure

and the more you travel with each particular horse, you learn

and added desire to really hold everybody up and put in a solid

through experience what you need to do differently—things that

test for them.

you need to do better, how you prepare them.

I always worry about their safety and keeping them from

How long have you been working towards this specific

getting mentally exhausted. You also have to plan enough time

WEG? Is it a continuous progression, or is there a mark on

for them to recover in Europe. They need a little bit of downtime

the calendar for the day you start preparing?

and then time to bring them back up to the competition level so

With the Olympics every four years, it’s two years apart between WEGs, so there’s always a year in between that we

that they’re peaking for the competition, and then giving them enough recovery time on the back side of that.

would call an “off” year, but an off year is not really an off year.

You’re still going to Europe, and you’re still looking forward

Is there something in particular that you do for Salvino to

either to WEG or to the Olympics. You know it’s always coming

make the stress of travel or competition easier?

the next year and you’re starting your preparation that far out.

At the moment, he is completely bonded at the hip with

If you have your long-term plans and you break it down, with

Kasey’s horse Dublet. They’ve been traveling together. They

WEG in 2018, I knew I needed to get to Europe in 2017 to get

always fly together. They always stable next to each other, so

some exposure. And so you’re already planning a year ahead of

having him as a travel buddy has been really crucial. When we

time so that by the time WEG rolls around, you’ve been there,

got back to Florida, Dublet is staying here in our barn too. I

done that. So it’s definitely not something you start working for

tried to put Dublet down in the lower barn and Salvino up in

the year of WEG—planning starts years ahead.

the upper barn, and they had a total meltdown. So I thought, you guys stay together until after WEG, then you’re going to

Do you and other riders at your level actually write out

have to separate from each other. Being a stallion, Salvino

your plans and meet with your team to figure out how

really has this need to feel like he has a herd to control; it’s

you’re going to reach those benchmarks?

hard with stallions because they get so stressed out if they

Yes, but there’s always the element with horses where you

feel like they’re herd is getting taken away from them. Luckily,

can plan as best as you can, but something’s going to go wrong

Dublet is a wonderful travel buddy and Kasey’s very obliging to

along the way. So you’re always adjusting your plans, but you

let Salvino feel like his babysitter everywhere we go.

have this kind of general idea of what you’d like to shoot for and then how you work backwards from that. And that’s something you definitely sit down and talk about with the USEF. The equestrian team has an incredible support staff that

What’s something that you do for yourself to help you handle times of stress?

I try to be very religious about working out, and staying fit.

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I think that’s important as a rider. Staying in that routine when

So I’m saying, “It’s okay buddy. We’ll get it tomorrow. We’ll get it

we’re traveling has always been really helpful for me. There’s

tomorrow.” And it just happened! It was Christmas morning and

something very de-stressing about putting in my headphones,

I’d just picked up the canter diagonally across the arena and we just

listening to my music, and being able to run on a treadmill and

banged off 15 ones! That was the best Christmas present ever. I got

sweat it out and get my mind on something else.

off and put him away.

What’s your favorite thing about being part of the team?

What has been the highlight of your preparations for this

This is an absolutely amazing team. I feel so lucky to be a

WEG?

part of this with all these awesome riders who are just really

There have been several highlights for me, but one of the

good horse people. Every one is so committed to their horses

biggest was at the nation’s cup in Wellington at the last competition

daily care, and Laura and Kasey do a lot of their own grooming

of the season. We got over an 80% in the freestyle and it was

themselves. We’re all very much a part of the every minute,

the first time I’ve ever broken into the 80% range. That was pretty

every hour, and every decision with these horses. They’re also

awesome, but what gets me the most excited is little achievements

incredibly supportive of each other. In Europe, and now in our

every day. I love the training process, so it’s more about all those little

training camp, everyone watches everyone’s lessons every day,

breakthroughs. One day they come out and they do it brilliantly and

we video for each other. Sometimes it’s just helpful to have

you’re like, “YES, we’re getting it. You can do it!” That’s what gives

someone to bounce an idea off of that you feel comfortable

me the most satisfaction. It’s not whatever the score sheet says at

talking to and know they’re going to give you honest advice.

the end of the day.

You can also be sure they’ll never tell you something was good when it wasn’t just to flatter you.

What are you most looking forward to doing after WEG? I am looking forward to going home to Idaho and visiting friends

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Do you have a particular happy or funny memory on this

and family there because I haven’t gotten to do that since we left

journey with Salvino?

last October. I’m not going to get to go home for long, but I’m

I remember I was riding on Christmas Day, it was probably two

hoping at least to get up in the mountains. I love hiking; hiking and

years ago, and we’d been trying to get the one-tempies. Those

camping are like my favorite things in the world (besides horses).

are one of those things that just happen when they happen. It

There’s not a lot of that in Florida, so I can’t wait to get back to the

takes infinite patience and you only get to try a couple of times

mountains and take my little camper that I have—a 1954 teardrop

a day, but it can also be rather comical when it doesn’t go right:

camper trailer that I totally re-did on the inside—hitch it up to my

you’re running, landing on 10 different leads, all over the place.

pickup and head off into the mountains with friends.

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Interview with U.S. Dressage Team Rider:

Kasey Perry-Glass Where is home for you?

Home has been all over the place for the past 4 years. I moved away from my hometown of Sacramento, CA to Spokane, WA in 2012 to train with Christophe Theallet, my coach at the time.

In 2014, I started spending winters in Florida and summers in Spokane. The summer of 2015, I began working with Debbie McDonald, which moved my summer home base to Hailey, ID for the months I wasn’t competing in Europe. After the 2018 World Equestrian Games, my husband and I will establish our summer home base in northern California at my parents beautiful facility in

Eventually, I started moving away from eventing and getting out of

Orangevale. I will continue to make my way to Wellington during

pony club to start full training with Gina. All through high school

the winter circuit.

and most of college, I spent my weekends during school and most of my summer months training with Gina.

What do you love most about where you live?

After graduating college, I wanted to further my career and

I love a lot of things about Orangevale, CA. First and foremost, I

goals in dressage and become more competitive, that’s when I

love that my family is there. I truly believe in having a balance in our

began working with Christophe Theallet. Chris helped me navigate

lives. We can drive ourselves crazy about our horses and training if

through a big step in my career; he introduced me to the high

we are just solely concentrated on that. Having my family around

performance side of dressage. Also, he helped me find Dublet.

gives me a reality outside of horses. Also, I love being around my nieces and nephews.

Chris helped connect me with Anne Gribbons in Florida. I would go train with her before I went to Wellington for the show

Second, I love our facility. My parents have built a place that has

circuit. During the summer of 2015, I began training with Debbie

a great mix of a training facility with a great relaxing/let down feel.

McDonald. Debbie helped me get Dublet from competing in Small

In addition, they bought the property next door and are building

Tour to qualifying for the Olympic team in less than a year.

another barn and paddocks to retire our horses there. We hate selling horses; we get too attached. It’s a problem :)

How did you know Dublet was “the one”?

Tell us about your start with horses. Where did you first start

the last of a lot of horses that I tried at Andreas Helgstrand’s barn

riding? When did you start riding dressage?

in Denmark. Dublet had/has this energy about him that is hard not

I knew Dublet was the one right when I sat on him. He was

I started riding when I was around 5. My mom needed a place

to love. He always tries 110% for you, and I felt that in my first ride

to go to keep us 5 girls busy so she could have a little “her time.”

with him. Dublet had three good gaits and lots of power! When I try

We went to a local barn down the road from our house. I learned

out horses, I look for: (1) a good mind, (2) 3 good gaits, (3) the ability

how to walk trot and canter on a western schooling pony. Then, I

to push and withstand a little added pressure, and (4) suppleness.

watched my mom on her hunter/jumper horse and thought that looked like more fun. I began doing hunter/jumpers for a couple

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What do you love most about him?

years on my first pony, Velvet. Eventually, I started with our local

I love Dublet’s kindness over EVERYTHING. Yes, he is an amazingly

Pony Club chapter, Sierra Gold Pony Club. That is when we met

talented and expressive mover, but there is so much more to him than

Carmela Richards. Carmela runs Oak Creek Training Stables, an

that. He has the best character in the barn—yes I am bias. He loves his

extremely fun, educational, and positive eventing training barn in

people and thrives off of his consistent routine, team, and bananas ;)

Granite Bay, CA.

Tell us something funny about Dublet’s personality.

Carmela was insistent that we get correct dressage training

He loves to scratch! Anything and everything. If you are standing

to help us with our jumping. She would bring in Gina Duran for

in front of him, be prepared to have him pull you in with his head to

monthly clinics. Once I started with Gina, I fell in love with dressage.

scratch him and, he will give you a back rub in return. (Readers: check

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out @kasey-perryglass on Instagram to see the most adorable video of

What do you do to help yourself handle the times of stress

this exact scenario).

that come with being on tour/qualifying?

The European tours and selection tours can be very stressful if

Who makes up your support team?

you let it get to you. Usually, we only have one or two horses with

Diane & Robert Perry and Jim & Joyce Teel (Sponsors) and Debbie

us on these tours, so it can be exhausting when your mind is set

McDonald (Coach) and Dana Glass (Husband) and Holly Gorman

strictly on those one or two horses. It takes you out of your everyday

(Sister & Groom) and Lauren McNabb (Groom) and Dr. Rick Mitchell

training pace of riding multiple horses a day. At home, if you have a

(Vet) and Dr. Carole Holland (Acupuncture/Chiropractor) and Jace

not-so-good ride on one horse, you can hopefully have a positive ride

Abbatti (Farrier) and Amanda Perry (Sister & Manager).

on another—it balances out the day. In Europe, if you have a not-sogood ride on that one horse, you are stuck thinking about it all day.

What are some of the challenges of traveling in Europe with

That can be quite a challenge for my mind. There were some years

the horses?

where I did let it affect my mental happiness and I’ve worked hard to

There are many challenges to traveling with your horse and competing in Europe.

listen to myself about what makes it less stressful.

One way I do this is to try to have FUN! I know that sounds cliché,

(1) Traveling by plane can be wearing on the horses. It is a lot of sitting

but it’s true. There can be a lot of outside pressures, and the pressure

around in a stall or container. Then the plane ride is about 9 hours.

you put on yourself to preform, but in between all of that you have

(2) As much as you try to keep their daily routine the same, it always

to find a way to clear your head and have some fun. Surrounding

changes. You ultimately have to conform to a new normal, which can

yourself with people who are lighthearted and positive is a key piece

take some time.

of that. You need people who can make you laugh and pull you out

(3) Your horse’s diet changes because a lot of grain and supplements

of a “funk” when you get yourself into one.

we use in the US aren’t available in Europe. I always pack enough

In addition to having fun, I also like to stay active and fit. Keeping

supplements to get me through my stay. If I can arrange things

moving and working out helps me keep my motivation up and

with my grain company to get my grain shipped to Europe, that is

endorphins going. I am lucky to be a good friend and teammate with

amazing, but often times it can’t be done. We usually have to switch

Adrienne because we both enjoy each other’s company and the gym!

the horses over to a new brand of grain. The hay will also be different for them. Slowly letting them adjust to this change is key for their

The US Dressage Team has earned itself a reputation for

stomach health.

having an incredible team spirit and being very supportive of one another. What’s it like to be a part of that?

What’s the best part about traveling in Europe with the horses?

IT’S AMAZING!!! We all have each other’s backs and want the

Even though traveling to Europe can be stressful or inconvenient

best for each other. We can either be strong alone (and I know each

at times, the benefits are huge!

of us can be) or unstoppable together. We each bring something to

(1) Every time I’ve gone to Europe, I only had one or two horses, so I

the table and we all know what are job is. We are ready to show our

was able to do all my own care and really get to know them inside

best and represent our country as a TEAM!

and out; (2) I have time to create a special bond with each of them.

(3) I get the experience of competing against all the top riders in the world; (4) I get to know other riders and make new friends.

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What’s been your happiest memory in this lead up to WEG? My happiest memory on this journey was the whole show at

(5) I watch other professionals train and get new ideas for my own

Aachen! As a team, we showed we are a force to be reckoned with,

riding; (6) I get to experience new competition venues; (7) I love

and as an individual, Dublet and I showed we can compete with the

experiencing the European culture.

best and hold our own.

Interview with U.S. Dressage Team Alternate Rider:

Olivia LaGoy-Weltz Where is home for you?

Home will always be Northern California. It’s where I grew up.

But now I live in Haymarket, Virginia and Wellington, FL… and after this year, it feels like Europe as well.

What do you love most about where you live?

In California it’s definitely the people. In Virginia it’s the land.

It’s such beautiful horse country. Everything grows so well there: the grass, the garden, the trees. I love the summer rain. In Europe it’s the horse culture. There are so many good horses there and so many good riders. And I love how fast the stop lights are in Holland;

Tell us something funny about Lono.

Lono loves Otter Pops. Really if you have it, he would like to try

they are very good with traffic lights.

it. Also donuts.

Tell us about your start with horses. Where did you first start

What do you love most about him?

riding? When did you start riding dressage?

I used to ride everything I could get my hands on when I was

His personality. He’s really become very interactive and he’s evolved a lot.

little. The vacuum cleaner, the spring horse… our golden retriever (I was very small and he was very big). When I was around 6, I started

Who makes up your support team?

taking one lesson every two weeks in the beginner program at a

There are lots and lots of people but these are the main

stable called “Bottomley Farm” in Martinez, California. I used to call

people: Debbie McDonald (trainer, coach, mentor and all

horses “bounce me’s.”

around awesome role model), Eliot Danner (husband),

When I was 8, my parents bought me Oz who was a 9-year-

MaryAnne McPhail (co-owner and biggest supporter),

old Arabian they purchased from the same person we bought our

Nicole Ardito (assistant trainer, manager, rider, groom—

chocolate lab puppy from. They knew nothing about horses and

basically she keeps the business going when I’m gone. She’s

so we desperately needed a trainer. Luckily we found Heidi Riddle

amazing), Micah Andrews (working student, young horse

also in Martinez, and I moved to her barn. Heidi did (and still does)

rider, groom, court jester. She also keeps things going when

both dressage and eventing, so I grew up riding both. I switched to

I’m gone and makes everyone laugh), Egbert Kraak (former

all dressage when I was 18 and moved to Holland right after high

boss in Holland, mentor and person most able to kick me

school.

up a notch mentally if I’m struggling), Timothy Ober (vet), Jeremy Fox (farrier), Tina Steward (friend, mentor, horse

How long have you been partnered with Lono?

chiropractor), Janus Marquis (horse PT).

Since fall of 2011, so 7 years.

How long have you been working towards this WEG? How did you know he was “the one” to partner with?

I don’t think you ever “know.” You look for really good qualities

This level has always been the goal with this horse. I’ve always believed he could do it, so I guess 7 years?

and a horse you click with, and pick the best thing you can find in your price range, and then you hope to fill in the gaps. Lono was

Which is your favorite class and why?

clearly very athletic, he was my size, and he was the nicest thing I

I like the freestyle because you can really set it up to

saw in my modest budget; he also had an amazing tail (no I didn’t

show off your horse, and I love it when the audience gets

buy him for the tail but… it was a plus). I got really lucky with him.

into it.

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What are some of the challenges of traveling in Europe with

people who are so genuine. Of course we all want to make the

Lono?

team, and do our best, but being able to separate that and have it

I think getting everything organized around farriers and

not be personal is really nice and I think very impressive.

feeding is the most difficult. Also, living out of a hotel for months at a time is not always easy, particularly over there because there isn’t always climate control in the rooms so summer heat waves aren’t fun. Also riding only 1 horse a day when you are used to

What do you most love about your team?

That we can really have a lot of fun together. It makes the process much more enjoyable.

riding 8+ is hard.

What’s your happiest memory for you personally from this What’s the best part about traveling in Europe with him?

lead up to WEG?

Getting to spend lots of time with my horse and getting

I have one happy one and one funny one. The happy one

to compete at some of the biggest horse shows in the world.

for me was Aachen. The entire team did so well and we had so

Also, getting to really hang out with the other riders and

many top placings. I had a pretty tough show in Luxembourg

watch each other work. That is a really great experience. We

before Aachen, so it wasn’t an ideal lead up to the biggest

are always so busy in Florida so we don’t often get to just hang

show. Doing well in the GP and doing the awards lap side-by-

out together.

side with Steffen was already great, but getting a 77% and 3rd in the freestyle and having Shelly win—which put 2 of us in the

What is something you do for Lono to make the stress of travel and competition a little easier on them?

Turnout! Lono loves to go outside at home. When we stay places that have good turnout, it really helps him to feel right at home.

top 3—was a great way to end the trip.

The funniest memory was going to the movies with the other girls (Kasey, Laura, Adrianne, and Adrienne’s groom Morgan). We went to a scary movie (I am not a scary movie person) and this movie went on and on and on… At the very

What do you do to help yourself handle the times of stress

end, the main character jumped out a window and this guy in

that come with being on tour/qualifying?

the back of theater laughed. It was so inappropriate which made

I’m still working on that. I think reading a book and just enjoying

me laugh at him laughing, and then all the girls started laughing,

the people around me. I’m not great at exploring, but sometimes

and then most of the theater started laughing. It was ridiculous.

taking a day away can really help (when possible). Doing fun stuff like going to the movies helps too.

What are you most looking forward to doing after WEG?

The US Dressage Team has earned itself a reputation for

who have been so supportive! Seeing my dogs (2 German

its riders having an incredible team spirit and being very

Shepherds, Rocky and Trooper) and going to Eliot’s brother’s

supportive of one another. What’s it like to be a part of that?

wedding in Colorado (they scheduled the wedding around

Getting to spend some time at home with my amazing clients

Pretty darn cool! It’s really nice to be on tour with a group of 56

WEG for me).

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Interview with U.S. Dressage Team Chef d’Equipe and Technical Advisor:

Robert Dover How did you find yourself in this position for the last 6 years, and with Canada before that?

This is a pretty personal story. When I was maybe 20, my trainer was the coach of our Olympic team. He took me aside one day when we were training in Maryland; he was getting ready to go back to visit his home in Sweden and he said, “Robert, you are going to be responsible for remembering the things that I’ve taught you and using it to teach people.” Of course, I had no idea what he was talking about. He went home, and one night when his wife was getting the car because they were going

meaning the developing and the emerging program (and the

out to dinner, she came back inside and found him dead at the

youth programs and young horse programs), were also getting

bottom of the stairs. He’d had a heart attack. Somehow he knew

upgraded to a much higher class than they were and administered

that he wasn’t coming back, and I’ll never forget that he told me

by world class leaders. It’s about the next generation of team

that before he left because somehow he knew—he knew what

riders. Since the beginning of 2013, it’s been another big goal

my life was going to be. I’ve always felt a great responsibility to

for me to keep on honing and producing greater programs all

live up to those words. So I went through my life being on all of

the way from the bottom to the top of the pyramid, and to bring

these teams and I always saw myself giving it all back someday,

on the greatest possible leaders and coaches for those programs.

giving back in whatever ways I could.

Now we have coaches that are world class, most of them are medalists themselves.

Can you describe your role as Technical Advisor and Chef d’Equipe? What do you do?

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When I first took over, I produced a 58-page document, with the help of the other coaches and the staff, called “The Roadmap

It’s very multifaceted because, when I took this job, the role

to the Podium” because we had been off of the podiums since

was not exactly the role that I actually ended up filling. The

2004. From the time that I took over in 2013, I was determined

specifics of the job looked different on paper than what I felt

that we would be back on the podiums by the next Olympic

was necessary. For instance, the role of the Technical Advisor

Games in 2016. This gets into the third part of what I actually

and Chef d’Equipe has a long list of requirements, but none of

do—coaching. I work with the coaches of our elite riders. I go to

them were to raise the kind of funding I’ve raised over these last

the riders’ shows, all across the country and all over Europe, and

years in order to send the horses and riders to Europe. I ended

make sure that their personal coaches have everything they need

up sort of creating my job description as I went along because I

and that we all work together to produce great results.

knew that fundraising was going to be one of the most impactful

And the fourth part of my job is to fulfill the administrative

things that I could do. I needed to raise enough money to have

role of the Chef d’Equipe. It’s very logistical. In general, the Chef

world-class competition and training programs. So that was my

oversees everything and is responsible for everything that goes

own personal goal. My fundraising efforts over the last 6 years

on with the team when they’re at these competitions. When I

were ongoing and I held a major fundraising event every single

first took over as Chef, I had the riders and everybody around

year. I’ve helped raise about $1.5 million dollars. Then, I tried

a big round table at the Equestrian Team at Gladstone. I said,

to bring in donors for the USEF and for programs. In the last 6

“Well, for the next four years, just so you know, you guys can

months we brought on Discover Dressage to fund the Emerging

call me day and night, and if you have a hangnail I want to know

Dressage Athlete Program—and that’s another million.

about it.” (I really thought I was only going to be Chef for just

Another part of the job has been to create the programs

the four years). That’s really what I do—whatever they need and

themselves for all of the different divisions. So while my job as

whatever I can do, whether it’s actual training or if they need me

the Chef d’Equipe is to oversee the elite division, another aspect

for whatever they need, they know they can call on me day or

of it is to make sure that the divisions below the elite division,

night.

How long would you say “the road to WEG” actually is for

sport and because they’re so proud of being number one, when

the team? How long have they been preparing for this and

they aren’t they are not happy about that. They were not happy

how long have you been preparing for this?

at Aachen when we were the talk of the town more than the

It never stops. Where one stops and the next thing starts, it’s

German team, but of course I loved it.

hard to exactly say because, for instance, this WEG is a stepping-

Still, even if we have another amazing show at WEG, what

stone toward Tokyo. The 2016 Rio Olympics was not only a

you have to know is that the Germans are never letting up;

stepping-stone, but also a milestone for us in saying, “Were not

the Dutch are out there trying to get stronger; the Swedes are

only back, but we’re a threat! Watch us now as we work toward

trying to get stronger; the Danes have a whole crew of young

the next world championships!” And there’s everything in

kids that are just amazing and there is so much money being

between. It’s an ongoing, very fluid progression, and the biggest

pumped into the Danish group of riders and horses—it’s just

thing is to not let up.

crazy.

Even as I prepare to leave this job, I’ve already been talking with Hallye [Griffin], our USEF Director of Dressage, and my

How do you and Debbie work together?

successor Debbie [McDonald] about what I’d be planning to

We’re like an old married couple. We’ve been working

do if I wasn’t leaving. If I were going to keep this job, I would

together on the Dressage Team for the last 6 years and we’ve

make sure the riders had not one but two tours next year—two

known each other from way before that when we were

fully funded tours of riders and horses going over to Europe. We

teammates together, and we’re great friends. I adore her. We

need to send no less than 10 riders and their horses to Europe

are so similar in how we think, and how we treat horses, and

to prepare for the Olympic Grand Prix, so the team that goes to

what we believe in, and how horses should go, and how riders

the Pan American Games could be a team made up of small tour

should work, that by the time I’m about to say something,

combinations because the elite riders wouldn’t be available. This

Deb’s already saying it and vice versa.

is where the Chef’s strategizing also comes into play. The Pan

In the Army, a lot of us have what we call “war

American Games can be small tour or mixed, or it can be all large

husbands” or “war wives” where you often connect

tour, which we did in Toronto. But, the only reason we would

with someone during stressful times—in a fraternal way

send a top, top, top team to Peru next year would be if we were

(that’s key). That person becomes your confidante that

not in the top six in at the World Equestrian Games… knock on

you can lean on when deployments get hard. It sounds

wood, we will definitely be in the top six.

like you and Debbie have that!

So your crucial point here is that these riders can never

together and we really need each other when we’re there.

really let up?

We are so similar. Even down to the last second when our

We definitely have that. That’s how we feel. We go to war

No, you just can’t. The problem is if you do let up, then

combinations are going around the arena, Deb and I will be

you’re assuming that other countries are and they aren’t—they

dancing up and down together as if we’re trying to keep the

are never letting up. For a lot of our biggest competition, riding

horses moving; even though we obviously know that we aren’t

is their national sport. The Germans believe that they own this

accomplishing anything, we’re still bouncing up and down.

How does it work between the two of you when Debbie

to think about when they get in the arena and that is riding great

is coaching, but you are also the Technical Advisor for the

and being fantastic. Then, when that all happens and they stand

team?

on a metal podium together, that’ll be super and my job is done.

Debbie’s the personal coach for all four of the team’s ladies

We’ll get to that in a minute…

(Laura, Adrienne, Kasey, and Olivia). I step in when we’re at the shows and Deb’s great because I insert myself wherever I feel

Do you have a happiest moment from this lead up to WEG?

the need to and she is wonderful about allowing me to do that.

One of the things that I honed in on was that picture you

We’re a team. A great example of that is that our riders had tests

posted on Instagram of Olivia and Ashley Holzer changing

scheduled so close together that Deb would have to leave one

out Adreinne’s broken noseband seconds before she was

and go onto the next one, so I would do the last 15 minutes with

due in the arena.

Laura to keep her going and get her into the arena and watch her go, while Deb was busy getting the next one ready.

Yeah. That picture is so great (photo credit Ken Braddick). It captured the highlight of my Rotterdam 2018 experience. I was unbelievably proud after that because these people are trying out

Would you say that you and Debbie serve as mentors to

for a team. They’re trying out for a team—against Adrienne—

the riders?

and still helping each other in that moment of need. You saw

I would hope so, for sure. We’re obviously older than most

that’s what real teammates do. They stopped thinking that they

of the riders. Deb had a stellar career. I was on so many teams: 6

were competing against each other and ran to help each other.

Olympic teams, 4 WEG teams, 7 World Cup teams, and I don’t even

That was just an awesome thing that made me so proud to be

know how many Nations Cups and international Grand Prixs—4

American.

decades of it. So I have a large base of experience to draw from, and between Deb and I, we try to use that to give our opinions,

As you move into retirement, what is your greatest memory

share thoughts with the riders, and help them make good choices.

from your career?

What’s been the hardest part of your job, both personally

to have through my life with my teammates and just amazing

and professionally?

owners, and personally with Robert over the last 30 years—just

I’ve had literally thousands of moments I’ve been fortunate

Personally, the hardest part of the job is always leaving home

so many of these moments over the last decades. I think that if

and being gone from Robert and my dog, and not having the

I really have to compare moments, the top one is having Robert

other side of my life. I have a completely other part of my life that

and my parents at my last Olympic Games, when they were still

is not horsey. I have great friends that I usually see and I missed a

alive. One of the best performances I’ve ever done was with them

lot of that over this last year, but I knew that I was going to miss

there—and that was great.

that this year, so I was prepared for it.

In November, how will you hand over the reins to Debbie?

What is your favorite part of preparations for this WEG?

Deb and I work together all the time, so it is something that

I’ve always been an extremely optimistic person, so my favorite

will be very seamless. She knows the job. I think the job is going

part is daily keeping tabs on my riders; making sure that things

to be different for her, as it should be. I don’t think she needs to

are coming along between them with Deb, the veterinarians, the

do the same things in the same ways that I did, and so she’ll do

farriers, and making sure that everything is coming together. I’m

the job her way and therefore it will be somewhat different, but it

trying to fit all the puzzle pieces into place, and then the show

will work fine.

goes on! It’s all really interesting for me. Also a little exciting. And a little scary because anything can happen.

Fortunately, Hallye, who’s worked with me these last few years, is staying on as the Director of Dressage for Deb. She just makes

I’m very proud and happy that we have Olivia who is just super

life so much easier. She’s brilliant at her job, so the two of them will

with her super horse, Lonoir (Lono), because they are a fantastic

be perfect. I don’t think that anybody will really see any difference,

reserve combination and if anything goes wrong, she’ll be ready

honestly. I think it’ll just go straight on and it will be seamless.

to step straight into a team spot, if need be. So we’re ramping her up as well right now, and she knows that she has to be prepared,

Is there anything you’d like to say as a message to your

not only to ride for the team, but she knows that she’s got to be

team?

getting her freestyle together right now. I’ve been really pressing

I could not be more proud of all of you. For my team and my

her on that because we got to get it done so she’s confident if the

reserve rider, I am so honored to have been your Chef and to be

moment comes. These are the kinds of things that I am now both

a part of your successes over these last years. All I can say is that

excited about—it’s kind of like watching each piece fall into place.

I wish all of you the very best of luck and that all your dreams

When the plan comes together, the riders have only one thing 60

come true.

Interview with USEF Developing Rider Coach (and incoming Chef d’Equipe):

Debbie McDonald Tell me a little bit about your amazing career.

I had a very successful career. I was sponsored by the Thomas family. Without them, it would not have been possible for me to be where I am today. I rode their big chestnut mare “Brentina” who retired in 2009. We won team and individual gold medals at the Pan American Games in 1999. After that, we represented the US at WEG in Jerez, Spain and brought home a team silver and finished 4th individually. We represented the US at the 2004 Olympic Games in Athens, winning team bronze and 4th individually.

Then there’s everything happening behind the rider;

We were also the first American

people maintaining the horse and other keeping the

combination to win the World Cup in Gothenburg,

process on course. We can never forget all the people

Sweden.

in the background who really don’t get enough credit;

After the 2008 Olympics, I decided to retire from

that’s the entire USEF staff, grooms, farriers, vets, and

competition and focus on coaching. My goal was to help

families that sacrifice just as much as the riders do, if

riders make it to WEG and the Olympics. In 2012, my

not more.

now assistant, Adrienne Lyle, represented the US as an individual at the London Olympics. In 2014, Adrienne and

We could never be a winning team without all the people behind us. Thank you!!!

Laura represented the US at the WEG in Normandy. In 2015, Laura and Kim Herslow represented the US at the Pan American Games in Toronto, Canada and won the

What’s the hardest part of your job?

For me, the hardest part is being on the road so much.

team gold. Laura won the individual gold. In 2016, Laura and Kasey were on the bronze-medal team for the Rio

What’s your favorite part of your job in the lead up

Olympics. In 2018, all of my girls: Laura, Adrienne, and

to these big competitions?

Kasey were named to the Tryon WEG team, while Olivia was selected as the alternate. It’s very rewarding to have

My favorite part of my job is watching the team have amazing rides and their dreams coming true!

several students be selected for the team.

What’s the greatest thing about working with this Can you explain a bit of the process behind preparing for competitions like WEG?

team?

The greatest thing about working with this team is

When it looks like you have a horse that could be a

they are truly there for each other. They are all friends

contender for WEG, you are already planning shows a

and have good times in between the stressful ones. It

good year before. You need to decide which ones fit into

very special to see the friendships that happen in teams

a schedule that you map out for each individual horse,

like these. I was also very lucky to be part of a great team.

while the whole time trying to plan for them to peak at

So I know the importance of a positive environment.

WEG and not before. That could be one of the hardest parts, with the year starting in January and WEG being in

Every rider has a bit of their own style and certainly

September; there is no way to keep a horse fresh, sound,

their own personality. Do you have different

and happy and ride them 100% all that time. That is why

strategies to guide different riders?

it requires an individual plan for each horse.

Everyone has a different way of dealing with pressure.

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When you have the chance to work with someone long

Since Robert’s retiring after WEG 2018, what is your

enough, you know just what he or she needs. I think

vision for the team going forward?

a lot of us that are coaches feel that you really have

My vision for the team is no different than any other

to have good skills and intuition in that department.

Technical Advisor’s has been. That is to try to create and foster

Just being there for them, and making sure they know

more depth; to see all of our teams, from Juniors to Young

they can talk to me about anything, is very important

Riders to the Elite, on the podium bringing home medals; and to

to me.

help riders in any and every way possible to reach their dreams.

Would you say that you have become a mentor to

Do you have a basic plan for Tokyo 2019?

the team riders?

I do believe your coach can become your mentor. I know in my case, it was very much that way with Klaus

As far as Tokyo goes, getting the team ready isn’t really any different from preparing for WEG, especially when you’re always reaching for the stars.

Balkenhol. The biggest thing is that you are there for the riders in good times and in bad. You are there to support

What is your happiest memory from preparing for

them in any way that you possibly can.

this WEG? My happiest memory is of watching this team of riders

How long have you and Robert worked together?

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work so hard and closely for 7 straight weeks on the road

Robert and I have been doing this for about 6 years

through Europe. It has been a real pleasure working with them

now. We work very well together and are a big source of

all. They are super role models for the younger generation and

support for one another.

their horsemanship is truly amazing.

USEF Managing Director of Dressage

Hallye Griffin Where is home for you?

I’m based in Lexington, Kentucky at the USEF headquarters, which is located at the Kentucky Horse Park. I grew up in Kentucky just about 45 minutes from the Horse Park.

How did you get into horses and working for the USEF? My mom was a farrier, so I grew up going around with her to all of her clients. We had horses, too. We did hunter jumper and eventing. I was in Pony Club and 4-H, I tried to do everything I could do with horses. I evented my way up through the levels,

develop a selection process to select and prepare the best team

continued through college and after college, and then of course

possible for every games and championships. Then we actually

I started trying to figure out what I was going to do with my

conduct the selection process, meaning observations at CDIs. That’s

life. I was lucky enough that the World Equestrian Games were

kind of where I kick in; I manage a lot of the logistics around getting

coming to Lexington, so I started working for the Organizing

the right people to each of these events. We also have athlete

Committee in 2008 in preparation for the 2010 WEG. I was

meetings that we run at a lot of the major events.

a Competition Assistant doing miscellaneous things here and

Once we’ve named a shortlist, like we had this summer of 9

there, but it really introduced me to this whole world of high

horses and 8 riders (that dropped down to 8 and 7 respectively), I

performance sport at the international level.

communicate with that crew on a daily basis. I do all the logistics

After the 2010 WEG, I stayed in that job for about 2 more

for their trips: helping coordinate the horse flights, arranging

years. I definitely was committed to staying in this kind of

the accommodations in Europe, preparing their entries for the

work. When an opening came up at USEF, I jumped it—

competitions, making sure that we have all the equipment they

at Director of National Programs for Dressage. I worked a lot

need, making sure we get all the support staff that’s required

with our youth programs, young scholars, the rulebook, and

(human physios, equine physios, farriers, etc.). There are a lot of

licensing officials, so a lot of things at the national level of the

people that we put into our circle to help make sure the riders and

sport. I did that for several years, and then in 2015, I took on

the horses are as supported as we can make them.

this Managing Director role, which is my job now.

Communication is probably the biggest thing across my whole job—making sure that people understand the expectations around

What does the Managing Director of Dressage do?

the major games and championships. This year, we’re going into

I’ve got a few areas that I work in. My main role is overseeing

WEG, and of course we’re shooting for the medal podium, but our

the Dressage Department at USEF. There are five of us in our

number one goal is to secure Olympic qualification for Tokyo 2020.

office right now, so it’s not a large department. We work very

To do that, we need to finish as a team in the top six, which—

closely with USDF, our affiliate, on a lot of programs. We have

knock on wood—we’re hoping for and should be able to do.

the Emerging Program, Developing Program, Young Horse

That is my main priority, so that way, next year we can focus on

Program, and we have the rules, Matters of Licensed Officials,

preparing horses for the Olympics instead of worrying about trying

competitions, and national championships—so we have quite a

to secure a team spot for the Olympics.

bit that’s going on day-to-day. That’s one big piece of the job.

Another piece of it is managing the logistics and selection

How do you actually manage the current Elite riders with

process for the major games and championships. My role in that is

the up-and-coming riders? How do you focus so much on

the development of the selection procedures. I work with selectors

so many?

and a committee, the Chef d’Equipe, and the Technical Advisor to

We’ve developed programs at USEF (and now we use the same 63

nomenclature across the different disciplines). We have an Elite

broader net of riders who are so close, but not quite at the

Rider Program, Developing Rider Program, and Emerging Rider

Elite Program level. The Pre-Elite group is really us trying to

Program, and each of these has their own criteria. We’re lucky

get a few more resources to the group just below Elite to see

in dressage because we get very clear scores to work off

if we can push them up to that level.

of, so most of the qualification process is score-based. For

The Development Program is probably the most

example, our Elite Program has many specific requirements,

subjective of all the programs. Although there are still score

but the score required is 73% or higher in CDI. So if you’re

requirements, it’s pretty broad. We cover Grand Prix, Prix St.

consistently getting 73% + in Grand Prix tests at CDIs, USEF

Georges, and U-25. We even put top-top young riders in

will probably put you in our Elite Program.

the Development Program. This makes for some crossover

Once a rider is in the Elite Program, we do home visits

between the Pre-Elite and the Development Program.

typically twice a year. The rider has riding sessions with

The Development Program is very similar to the Elite

the Technical Advisor; we give their top horse a veterinary

Program in that they have training and evaluation sessions,

evaluation; we sit down and go through the calendar, talk,

we do home visits, and we get them some financial support

and agree on some targets for the next 6-12 months; we

to put toward their targets. With this program, it can

also talk about other horses that rider might have coming

sometimes include European competition targets, but it’s

up. We sit down in those meetings and set goals and then

usually more about getting them to enough CDIs to qualify

we put funding towards those goals.

for championships or getting them consistent help from a

We normally encourage the rider to have their own

top FEI-level trainer.

veterinarian, their trainer, and anyone else they want from

One of our biggest challenges is that our country’s so big.

their team to be there for their own piece of mind, but also

Through our Development Program, we’re trying to shrink it

because we want to meet and get to know their trainers,

a little bit by getting our coaches and our team here at USEF

grooms, etc. We want to make sure their whole team is

out across the country so they can identify the talented ones

onboard with our team (and vice versa) and that we’re

coming up and get them some support. We’re also working

working together towards the same goals.

with the trainers of those talented riders to set up a better

For example, if a rider’s target this year is to make

network to bring talented riders and trainers closer together.

the WEG team and get over 75% in the Grand Prix, we’ll

64

provide funding to help support that rider in Grand Prixs

How do riders get on the radar for the Emerging

and European competitions. Funding might help pay for

Program?

the horse flight or for training with a certain trainer. I’m

Emerging is a little more youth-based. It’s really U-25,

really trying to specifically target our resources as much as

whereas the Development Program has no age requirements.

we can towards these goals. I think these home visits play a

We use a lot of the competitions already in place to help

huge role in us getting to know the rider on a deeper level;

identify the riders—the National Championships and the

they make it much easier to target funding because we

North American Junior Young Rider Championships (now

have this one-on-one time with their team and an ongoing

called the North American Youth Championships). The

relationship throughout the whole year. Right now our Elite

riders that qualify for those championships can qualify

Program has 6 riders, which isn’t too difficult to manage.

using national shows, so they don’t have to go to Florida or

Just under the Elite Program, we have the “Pre-Elite”

California, and they don’t have to go somewhere where there

list—the ones coming up—the riders in the 69% to 72%

are CDIs. Riders can qualify probably within their own region.

Grand Prix range. Those riders have training sessions with

Through results and observations from those championships,

the Technical Advisor twice a year, we also sit down and

we are normally able to identify the riders who are at the top

make targets and give them as much support as we can.

of their game for that level.

Support might include financial support if we have the

There are also training and evaluation sessions with the

funds available. This sub-category of riders is still part of

Emerging Program speckled across the country. Riders have

the “Elite” Program, which is a little unique to dressage (we

to have certain scores to enter them, and USEF might identify

always want to be a bit special). We are trying to capture a

riders for the Emerging Program there too.

Is this a fairly new design for U.S. Dressage? Or is this

best support possible. Probably immediately following Rio,

how it’s been for a while?

I was already thinking about the next four years to Tokyo—

We’ve had some dressage programs in place for a while,

it’s crazy how fast it’s gone.

but I think we are more strategic about how we’re using

I guess I did very clearly have a sigh of relief when

our resources. When we offer funding to a rider, it’s not just

Laura finished the Grand Prix Special. I thought, “We got

“Here’s $5,000 because we think you’re good,” it’s, “Here’s

it!” Then, as soon as they got those medals around their

some funding to go towards this specific thing, and if you

necks, my brain immediately shifted towards Tokyo. We’d

don’t use it for this and continue progressing, you’re not

just managed to get the team bronze, and I thought,

going to get any more funding.” We now hold riders to

“That’s awesome, but now what do we have to do to

account for what they’re achieving with our funding, and

stay on the podium? What do we have to do to climb the

that’s been a big evolution over the past 2-3 years.

podium?” It becomes kind of scary, but at the same time,

We’ve had a Youth Program and a Development

I think a lot of it drives us forward.

Program for some time, but we’ve added to and tweaked those programs, and we’ve been trying to make them more

What gets you most excited about this process of

accessible, more transparent, and more effective every year.

getting these riders successfully through WEG and

We continue to tweak them, but I think we’re really getting

then on to Tokyo?

things on the right track.

I love seeing the riders meet their own personal goals!

When I was a kid I wanted to go to the Olympics on the

What are you working towards for U.S. Dressage?

U.S. Eventing Team, but that wasn’t in the cards… Now,

What are your personal goals as Managing Director?

seeing the riders achieve their goals is really special for

I definitely want to see a team medal in Tokyo; that

me.

is a big one for me. Another sort of side passion I have is

The other thing I love is watching how dedicated these

trying to bring the top of our sport and the lower end of

riders are to their horses. They are totally committed to

our sport closer together. We have the USEF Convention

their health and happiness. I don’t think a lot of people

every year, but we typically haven’t had a lot of our top

understand how much these riders are there for the day-

dressage riders attend. It’s not really something that’s on

to-day and often won’t leave their horse’s side.

their radar, but I think it’s huge. If we can bring more of our top riders to the Convention and get them involved

What is one absolutely incredible moment you’ve

in the committees that are helping to govern the sport

had working with this Team?

nationally, I think knowledge sharing and shared goal

For me, it was Rio, when Laura finished her test and

setting with them would really make an impact. We also

we knew we had the team bronze. That was by far such

need to work more closely with the USDF if we really want

a moment. I didn’t think I would feel emotional, but

to bring more people into dressage and make it successful

I definitely felt a bit emotional. I didn’t cry, but it was

in our country.

all there and that was an almost surprising feeling—but not—because we work so hard for things and it’s so nice

What has the journey to this WEG been like for you?

How long were you working on it before the actual event?

when it happens!

I would say, anytime that we have a team or rider that does well, I’m always so happy. I think we’re at a point

For me, it’s more about the road to Tokyo. In my role,

with U.S. Dressage where we’re still building and we’re

I’m trained to look at everything on Olympic cycles. When

on an upward trajectory, so every time we have a success,

I came into this role in 2015, the 2016 Rio Olympics were

whether it’s with a rider or a horse—like maybe the score

the following year, so I was really focused on Rio from day

wasn’t great, but the horse showed some sort of potential—

1. I wanted to do everything I possibly could to make us

everyone gets so excited. Anytime we have those moments,

successful at Rio by having the best team possible and the

it really puts me in my happy place.

65

U.S. Dressage Team Horse Owner and Rider Sponsor:

Betsy Juliano How did you first become involved with horses?

I grew up in a suburb of Cleveland, Ohio in a family that had nothing to do with animals at all. I think I was around 7-years-old when my parents signed me up for a day camp at a local school in the summer and they took us out to ride once a week for an hour. That was it. I absolutely fell in love with it.

On the east side of Cleveland, there was a really wonderful camp called Red Raider. They had an afterschool riding program and all different kinds of summer camp,

dressage. He had us study all of the old masters and their

but one of the things they did that was unique was they

riding, and it instilled in me a real love of the theory

had a whole fleet of big yellow school buses that went

behind dressage and the the French and the German

around the east side of Cleveland and picked kids up and

schools of dressage. It was really a great beginning.

dropped them off. That was music to my mother’s ears,

Then I spent several decades building my career and I

so she signed me up for that camp and I spent about 10

didn’t ride at all from the late 70s until the mid-90s. Then

years, from age 8 to 18, doing everything I could to get

a friend asked me to rehab a horse for her at the Chagrin

out there and ride.

Valley Hunt Club stables, which was close to where I was

During high school, I worked several jobs so that I

living. Even though I was still working more than full

could save up and buy my first horse, a Thoroughbred

time, it was something that I really wanted to do. It got

named Seabreak. I must have gotten him when I was

me back into riding and then eventually got me back into

around 17, right before I finished high school. I had to

dressage. So dressage was always of interest to me, but

work several jobs to afford him. When I finished high

I was never able to pursue it until much, much, much,

school, I decided not to go to school right away. I went

much later in life.

right into the workforce so that I could afford my horse.

It wasn’t until much later that I went on to get my

When did you transition into being an owner/

bachelor’s degree on a part time basis.

sponsor for other riders?

When I started taking lessons with George Williams in

When did you transition specifically to dressage?

When I was a student at Red Raider, probably around

buy horses, and have somebody other than me compete

11-years-old, there was a gentleman who came to teach

them. So George and I went to Germany several times and

there who said he was a dressage instructor. That’s when

I bought some horses and he competed them successfully.

I first got involved in it and became really fascinated by

Then I separated from George and it wasn’t until 2015

it. Here we were trying to do shoulder-ins and dressage

that I met Jen Baumert upon the recommendation of

movements on these poor old camp horses, but what he

Debbie McDonald and Kathy Connelly. Jen became my

taught us was that dressage is for every horse to the best

home trainer. She rides the horses at my farms in Ohio

of their ability and the riders ability. So even though, by

and Florida, and competes my horse Handsome. In 2015,

today’s standards, there was zero comparison to what we

I also met Adrienne, so I asked Adrianne and Debbie to

were doing, it was every bit as rewarding and gratifying

take on some of the other horses that I had, including my

to ride those horses to try to do what we could as best as

horse Horizon.

we could, in the right way.

66

2006, I was inspired to work closely with a professional,

Later that year, a syndicate headed by Akiko Yamazaki

This riding instructor also had a very deep love and

purchased the now U.S. Dressage Team horse Salvino

knowledge of the masters and literature in the area of

(then called Sandronnerhall). Akiko felt that the U.S.

needed another horse and rider combination to round

credentials? You often can’t get credentials for more

out the team. She always appreciated and respected

than one or two owners at an international competition,

Adrianne, so when Adrienne had to retire her Olympic/

so who gets them? Things like that.

WEG mount, Wizard (owned by Peggy Thomas), Akiko

We had all that stuff worked out ahead of time in

came up with the idea to purchase a horse for Adrianne

our partnership agreement so that when we did get

to ride and compete, and hopefully develop into a team

into competing, there was not one question about all

horse. However, Akiko didn’t want to own the horse;

the details, which obviated any hard feelings. A great

she wanted to get the ball rolling by financing the initial

deal of thought needs to go into setting something

purchase and then bringing in shareholders and eventually

like this up. The same amount of thought needs to go

sell her shares. So that’s exactly what happened.

into how to dissolve the partnership. I always say to

Akiko sent Debbie and Adrianne out to find a horse,

people, “In life, it’s never how the relationship starts

and Adrianne went several times before they found

that’s important, it’s how the relationship ends.” So

Salvino in Spain. Akiko purchased him and then sold

when you go into something like this, it’s important

shares to me and two other entities. In June of 2017,

to also explore and discuss and resolve how this thing

the other members of the syndicate came to me and

will end if somebody wants to end it. Our partnership

said they wanted to sell their shares. They all felt they’d

worked very hard to come up with the right plan that

accomplished what they set out to do, which was that

allowed for a smooth transition from the syndicate to

Salvino looked like he was going to be a team horse. They

private ownership.

gave me some time to put together some other owners or to make some other plan, but ultimately I decided to

Your syndicate formed Sandronnerhall Partners, LLC

purchase the rest of him myself. So that’s what I did, and

and organized and managed it just like a company,

by the end of January 2018, Salvino was mine and I was

right?

an owner.

Yes, we formed an LLC. There was a partnership agreement that everybody signed and it was very formal,

Can you explain how a syndicate comes together?

but I have to say it was the right way to go about it. Not

Does it happen organically? Or is it more like buying

once in the entire process were there any hard feelings

into a company?

about anything because we spelled everything out very

For one thing, there are no rules for a syndicate,

clearly in the beginning.

so it really can be anything you want it to be. You can

At the beginning of any kind of a relationship,

syndicate the ownership of a horse. You can syndicate

everybody loves one another and so sometimes you

the support of a horse. You can pretty much do whatever

might skip the formalities, but then when things change

you want to get the job done. I want to encourage riders

it goes downhill quick. We knew that. To avoid it all, we

or owners facing the daunting task of figuring out how

very, very carefully crafted our agreement, and I think

to do this; there are a lot of different ways to go about

that’s what made the syndicate so successful.

it—I want to emphasize this—get creative, open up your thinking.

In our case, we had a very good agreement—a

How many horses do you own in total?

12 horses and 1 donkey.

partnership agreement—and this is very important for anyone considering a syndicate: you’ve got to have an

The premise behind your Havensafe Farms is that

agreement that works out all of the details ahead of

horses are never going to have to find another place

time. I mean even small details, for instance, who gets

to live, right?

the ribbons? Who gets the trophies? Who gets the prize money? Where does it go? Who gets the show

Yes. This is how I express my passion; it’s not a business so I’ve never sold a horse.

67

Can you tell us about Havensafe north (Ohio) and south (Florida)?

How many riders do you sponsor right now?

I sponsor Jen Bahmer and Adrianne, both of whom

I purchased the Ohio farm in 1998. I realize now that

ride horses I own (Handsome, Horizon, and Salvino). I

it was sort of a reaction to learning that Gates Mills, Ohio

also support Laura with additional funding as a sponsor

had gone from a 5-acre minimum to a 2.5-acre minimum

of hers. I think I’m the only non-commercial, non-

for development. It is a beautiful old village in northeast

product-related sponsor she has. And of course I don’t

Ohio, and I was really upset about it. It didn’t pose a

own Verdades.

threat to me in my immediate surroundings, but I still didn’t like it.

Why do you sponsor riders?

Shortly thereafter, I fox hunted (when I briefly fox

First of all, it’s a tremendous joy to help someone who

hunted) through the land that is now Havensafe Farm.

deserves it. Second, people helped me coming up in my

When I heard that it was for sale, I wanted to buy the

life, maybe not so much financially, but people gave up

land. Over time, I built an indoor and outdoor arena, and

their time, their advice, and their support. When you’re

then about 4 years ago I completed the building of a very

given that help, it really is an honor to be able to do

large and really pretty barn.

that for somebody else because you know how much it

The 102-acre property was surrounded on two sides by a 348-acre parcel owned by the Presbytery trustees

meant, and still does. It’s just really a joy to be able to do that.

of the Western Reserve. It had functioned as a church

When I was in Toronto for the Pan American Games

camp for about 50 years. I discovered it was for sale so

in 2015, I watched Laura be in a position where she had

I asked a good friend (who was also a parishioner) to

to make some difficult decisions on how to manage some

help me approach them to negotiate a sale. Part of the

of the things she wanted for her horse that were causing

negotiation involved putting the land into a conservation

her financial strain. I was and still am in a position that I

easement so that it could never be developed. So that

can alleviate some of that for her, so I asked her if I could

348 acres is in a conservation easement, which brings

help her—because I believe in her.

Havensafe’s total land holding to 450 acres even.

Havensafe north was only ever meant to be my

How do you select the riders you sponsor?

private place. It’s not a commercial farm; it doesn’t make

Except for meeting Jen upon the recommendation of

any money. But in 2007, I was in Wellington taking

Debbie and Kathy, most of the time I’ve gotten to watch

lessons from George Williams and I fell in love with the

these folks and observe them just by happenstance. I

place where he was based, and that is now Havensafe

watch how they handle their horses, life’s ups and downs,

south. It’s a little b i t o ff th e b e a te n p a th. There’s a

and competitions’ ups and downs. I’ve seen all three

lot of spa c e a n d a l o t o f tre e s — i ts o l d F l ori da. I t’s

riders I sponsor in very jubilant times and in profoundly

a n int e re st ing a re a wi th a m i x o f we a l thy peopl e

disappointing

a nd f unk y pe o p l e ; I a l wa ys s a y i t’s Wa l l S t reet meets

conducted themselves with grace and professionalism. I

Boulde r, C olo ra d o .

knew I would be proud to support people like that and

times,

and

I’ve

admired

how

they

H a v e nsa f e s o u th i s me a n t fo r l e a s i n g dry s tal l s

maybe make their lives a little bit easier and a little bit

t o pe ople duri n g th e wi n te r. We h a ve 5 0 ac res and

better so they could do what they do well with less stress.

a bout 50 st a l l s , b u t we d o n ’t fill it. There’s a lot of

68

space for the horses to move around; 2 arenas (1 covered

What’s it actually like to be an owner and/or a

and 1 outdoor arena); there’s a lunging circle and a

sponsor?

separate round pen; and the Serengeti (think wide open

Great question. I get a lot of inquiries from riders who

spaces) for the horses to kind of stretch their necks out

want to develop sponsors and I always enjoy talking to

and walk around calm and quiet. Several trainers also

people about it. A lot of times they approach me and

work out of Havensafe, but by invitation only to ensure

they say, “How do you do this? How should I go about

we have people who follow a similar philosophy on

it?” Well, everybody’s story is different and everybody’s

training and horse care. It’s worked out really well.

structure is different. That’s what makes this fun and

challenging. And like I said before, there are no rules.

isn’t to say that her training isn’t sometimes rigorous, but

Find someone or something to develop a sponsorship

it is always very fair to the horse, and that is why I admire

with, and make it whatever serves both of your interests.

Debbie and her methods so much.

One of the things I always say to the riders, and

I’ve said this before, I think that the dressage world—

sometimes to the owners, is that you have to make sure

at least the world that I want to exist in—owes Carl

you understand what your sponsor wants out of the

Hester a huge debt of gratitude for turning things around

arrangement. If you have a sponsor who wants to win,

in 2012 by making classical theory and kind riding a

that’s fine, but you need to know that (especially if it’s in

philosophy that wins medals. He showed us that we can

your contract). For me, I really love the process. I love the

move away from the trick-type performance style of riding

relationship with the horses. It’s such a joy to the watch

and excel. When you ride with tremendous harmony and

the horse’s personality and skills grow, and to watch the

confidence, the horses still have a lot of life in their eyes

partnership grow, and that to me is really what’s fun. It’s

when they perform and you can see the difference in

also an indescribable thrill to have your horse go down

their faces. Now that style of riding is appealing to the

the centerline representing the U.S. That’s a very cool

judges.

feeling as well!

Certainly, since Debbie is the personal coach for all 4 ladies on the team right now, and since she’ll be the

You are very much a proponent for classical dressage

Chef d’Equipe and Technical Advisor come December,

theory, and in the past there’s been a lot of criticism

it’s likely her classical style will come through more in

that America is getting away from classical dressage

the U.S. teams. Each rider is certainly entitled to their

and moving more toward trick-type training. Do

own private coach, so some may or may not ascribed to

you have any thoughts on bringing that classical

that theory, but as far as Debbie’s work as coach, that’s

dressage theory back to the forefront?

who she is and who she was as a competitor. She’s not

Debbie is the trainer that I watch the most, and classical

going to impose her philosophy on people, but that

dressage rider Klaus Balkenhol was very influential to her.

is her philosophy and the Federation committee that

I see Debbie’s teaching and philosophy as very classical. I

selected her knew. Therefore, one can assume that her

think what I mean by that is she has a methodology that

philosophy is what the Federation would like to see more

is overwhelmingly sympathetic and fair to the horse. That

of—classical, sympathetic, patient riding.

69

Photo: Shawn McMillen Photography

Victory in the WCHR Pony Challenge at the 2017 Capital Challenge Horse Show went to Grace Debney on Storyteller.

E D I TO R I A L

CAPITAL CHALLENGE HAS BEEN HOME

TO EXCELLENCE AND INNOVATION FOR 25 YEARS What began as just a “What if?” thought in Oliver Kennedy’s mind in 1993 has grown into one of the country’s preeminent horse shows and a fixture on the fall indoor calendar. On September 28-October 7, 2018, the Capital Challenge Horse Show is celebrating its 25th anniversary as a destination show for top hunter, jumper, and equitation riders.

By Molly Sorge/Jump Media

Professional,

amateur,

junior,

and

pony

The combination of the WCHR and Capital

riders will travel from all over the country to

Challenge was created when then co-show

the Prince George’s Equestrian Center in Upper

managers

Marlboro, MD to compete in highly competitive

approached Louise Serio of the WCHR with

divisions and the year-end finals they’ve worked

the idea to build Capital Challenge around the

to qualify for all year.

WCHR program. “We created all of the WCHR

Capital Challenge also plays host to the popular

World

Championship

Hunter

Rider

Oliver

Kennedy

and

Billy

Glass

Challenge Classes that they never had,” said Kennedy,

referencing

the

special,

year-end

(WCHR) Finals. The WCHR program puts the

classes for riders in each WCHR category—

spotlight on the horses and riders of the hunter

amateurs,

divisions unlike any other horse show. In fact,

developing professionals, and professionals—

two of the extremely rare hunter scores of

who qualify throughout the year to compete.

100 were achieved at Capital Challenge. In

“Billy and I lost a lot of money the first year we

1997, Rick Fancher and Osczar scored the first

did it, but we knew we had a hit! Everybody

100 awarded in a numerically scored class as

loved it; they had a great time, and we knew

they competed in Capital Challenge’s regular

that if we survived that first year, things would

working hunter division. Then in 2003, Shachine

work out.”

adults,

juniors,

children,

ponies,

Belle and In Disguise also earned an honorable

Riders in each division show at specific

score of 100 in a class in the second year green

WCHR-designated shows throughout the year,

hunter division.

with the points they earn from their placings

71

E D I TO R I A L

The Capital Challenge Horse Show has been the site of some historic moments in hunter history, including a score of 100 for In Disguise and Shachine Belle in 2003.

counting toward year-end standings. They then

scores and ride horses provided by the show over

have a chance to qualify for the WCHR Challenge

four different courses. They’ll rotate through the

class in their division. The qualifying races are hotly

roster of horses, ear ning a score on each, and

contested, and a ribbon in the Challenge classes is

the highest total score at the end of the evening

a coveted prize.

wins the WCHR Professional Finals. This year,

One of the spectator highlights is the $25,000 WCHR Professional Challenge, where the top-

the Professional Finals continue to evolve, with $10,000 in prize money.

ranked pro riders go head to head on some of

Capital Challenge is also one of the few horse

their best hunters. And in the amateur-owner,

shows that really focuses on developing future

adult amateur, junior, children’s, and pony riders

stars of the sport. Kennedy and Glass listened

challenge classes, riders from each age bracket

to what exhibitors wanted, and one prominent

and pony or junior hunter height division compete

request was more opportunities for young talent—

against each other. Capital Challenge is also the

both equine and human—to grow and shine. Now

only horse show where fans can see top hunter

on the schedule, the Developing Pro Challenge

riders catch-ride on their way to a title.

helps draw attention to the future star riders and

The ever-popular WCHR Professional Finals

the Green Hunter divisions spotlight young equine

have a unique Final Four format where the

talent, which culminate in the $25,000 Green

highest-scoring four pro riders, ranked after

Hunter 3’ and 3’3” North American Championship.

the first two rounds of the WCHR Professional

There were more than 150 horses jumping in the

Finals, jump four rounds on unfamiliar horses.

3’ and 3’3” Green Hunter divisions at the 2017

In the Final Four, riders start on a clean slate of

Capital Challenge.

72 | EQ AM MAGAZINE

E D I TO R I A L

Photo: Jump Media

Photo: Shawn McMillen Photography

Hunt Tosh rode Lights Out to the top of the North American Green Hunter Championship at the 2017 Capital Challenge Horse Show.

Oliver Kennedy has been a guiding force behind the evolution of the Capital Challenge Horse Show over its 25 years.

“I think it’s the best thing that has happened

This year, the Low Junior/Amateur-Owner Jumper

to our industry because it has made people want

division that debuted last year will also return to join

to go out and buy young horses,” said three-time

the Children’s, Adult Amateur, and Medium Junior/

United States Hunter Jumper Association (USHJA)

Amateur-Owner classes.

International Hunter Derby Champion Liza Boyd, in

Kennedy now manages the show alongside JP

a previous interview. “Horses from this class have

Bordeleau, after Glass retired in 2016. Together

gone on to be famous horses, and that is something

they’re guiding the show into the future—developing

really special.”

and innovating atop Capital Challenge’s 25 years

The first weekend of the show is devoted to

of tradition. “There’s something about being lucky

equitation classes with multiple feature classes for

enough that you’re in the right place at the right

riders of all levels. Junior competitors will take to the

time and destiny kind of takes you somewhere,” said

ring for the Palm Beach International Academy North

Kennedy.

American

Junior

Equitation

Championships,

the

“We had people who saw Billy and my vision

Taylor Harris Insurance Services National Children’s

for the show that we put out there, and they were

Medal Finals, and the return of last year’s exciting

willing to take a shot on us—and it’s worked. The

new addition, the 3’3” USHJA Jumper Seat Medal

25 years of this horse show wouldn’t be possible

Final - East.

without those people and the exhibitors, sponsors,

For adult riders looking to excel in equitation, Capital Challenge offers the North American Adult Amateur Equitation Finals and the ARIAT National Adult Medal Finals. Both are much sought-after titles.

and staff who support us and believe in the next 25 years of Capital Challenge!”

Learn more about Capital Challenge at www.

CapitalChallenge.org.

73

OUR WORLD

THE EQUESTRIAN COMMUNITY JOINS TAPS TO HONOR THE FAMILIES OF FALLEN HEROES The Tragedy Assistance Program for Survivors (TAPS) shares a special connection with horses that brings hope and healing to those grieving the loss of a fallen Service Member.

Most people think of horses and immediately

provide them emotional support not just immediately

envision their beauty and grace, but for some,

after the loss, but for a lifetime. With programs

what’s most important is their keen therapeutic

offered all across the country, TAPS makes sure all

ability to perceive human emotion. For this reason,

military survivors are part of a caring community that

we frequently use these treasured animals to bring

helps them know they’re never alone.

comfort to those facing life’s most difficult challenges.

Before founding TAPS, Ms. Carroll had a long

It’s no surprise, then, that horses have long been a

history in the equestrian world. She grew up riding

part of the work done by Tragedy Assistance Program

competitively and received a degree in equine

for Survivors (TAPS), an organization whose mission is

science through Springfield College at Morven Park

to provide compassionate care and support for those

Equestrian Institute.

grieving the loss of a fallen military hero.

Because of her connection to horses, they’ve always

Since 1994, TAPS has assisted more than 80,000

played an important role in TAPS programming. Over

surviving loved ones who have lost their military

the years, TAPS has partnered with several charitable

service members. TAPS helps survivors in their journey

equine

to find hope and healing by connecting them with

Horses Help Heroes and Project Horse Empowerment

others who have shared their experience. They provide

Center—to bring small groups of survivors to horse

a foundation of support to all those grieving the loss

farms in their local communities where they can bond

of a loved one who died while serving in the Armed

with others and heal in the company of horses.

Forces, regardless of cause of death or the survivors’ relation to the deceased.

organizations—including

most

recently

TAPS has befriended many horses over the years, but one special equine stands out: Klinger. A black

Bonnie Carroll, a 2015 Presidential Medal of

Percheron Morgan crossbreed with a white star on his

Freedom recipient, founded TAPS following the death

forehead, Klinger has served as the unofficial mascot

of her husband, Brigadier General Tom Carroll, who

of TAPS for more than a decade. His connection to

died in an Army C-12 plane crash in November 1992.

the TAPS family runs deep. No ordinary horse, Klinger

Understanding that the needs of survivors go beyond

serves in the esteemed Caisson Platoon of the 3rd

what the government can offer, her goal was to

United States Infantry “Old Guard,” where his mission

74 | EQ AM MAGAZINE

OUR WORLD

is to provide the mounted escort for our nation’s

him while he’s lying down—was their immediate

fallen heroes during Full Honor Military Funerals at

choice.

Arlington National Cemetery.

Since that day, TAPS survivors of all ages have

TAPS first met Klinger during its annual National

loved Klinger and embraced him as a member

Military Survivor Seminar, held over Memorial

of the TAPS family. They recognize that there is

Day weekend in Washington, D.C. The seminar

more to this beautiful horse than just his distinct

invites children who have lost a loved one in the

markings and gentle demeanor, which is why he’s

Armed Forces to participate in Good Grief Camp,

so special.

where they partner with military mentors to share

“Klinger and the Caisson honor the fallen, and

feelings and learn coping skills through games,

that’s exactly what our organization does,” Ms.

crafts, and other age-appropriate activities.

Carroll said. “That’s what makes for such a strong

During the weekend of learning and bonding,

connection.”

TAPS has routinely brought children participating

Klinger has become an integral part of the TAPS

in Good Grief Camp to Fort Myer, Virginia to visit

community, appearing as mascot at events and

the Caisson Platoon. Many of these children have

continuing to comfort children in grief. In 2010,

attended funerals at Arlington Cemetery and may

Betsy Beard, a military surviving mother, authored a

associate the horses in the platoon with a sad,

children’s book entitled “Klinger: A Story of Honor

dark, and scary memory. Good Grief outings aim to

and Hope” based on Klinger’s journey from a farm

undo that trauma, and in this instance, show the

in Iowa to the Caisson Platoon at Arlington. In the

young survivors that horses are gentle creatures

book, Klinger undergoes the hardship of leaving

that can provide comfort and companionship.

his parents, like many of the children TAPS serves,

Over a decade ago, on one such excursion, TAPS leaders asked Good Grief volunteer soldier

but eventually he finds meaning in honoring those who have made the ultimate sacrifice.

mentors from the Caisson Platoon to select a horse

Today, the Klinger story continues to serve as

that could serve as an unofficial mascot for TAPS.

a relatable way to describe a military survivor’s

Klinger—a horse so gentle he lets soldiers sit on

journey through grief. The children’s book—which

Photo: TAPS photo

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OUR WORLD

Photo: TAPS photo

Photo: TAPS photo

A TAPS family greets Klinger at the annual National Military Survivor Seminar and Good Grief Camp held over Memorial Day weekend in Washington, D.C. For nearly a decade, TAPS has partnered with the show to create memorable experiences for military survivors and foster an ongoing connection between the equestrian community and the Armed Forces.

has sold tens of thousands of copies across the world—is

Speed Final—an event made possible by the generosity

included in the resource package given to families when

of T. Boone Pickens—to raise awareness and funds for

they are first connected with TAPS. Through Klinger,

the families of America’s fallen heroes.

TAPS children come to understand what it means to

At the horse show and beyond, TAPS is proud

be part of the long American legacy of service and

to stand shoulder to shoulder with the equestrian

sacrifice.

community in the shared commitment to honor our

In the future, Klinger and his fellow horses will

nation’s fallen by caring for those they have left

continue to support the TAPS mission of caring for

behind. It is a partnership embodied in the spirit of

the survivors of our nation’s fallen military heroes. In

Klinger, and one that TAPS intends to nourish for

October, Klinger will once again make an appearance

years to come.

at the Washington International Horse Show (WIHS) in downtown D.C. For nearly a decade, TAPS has proudly partnered with WIHS to support a lasting connection between the equestrian community and the Armed Forces.

Engagement with the show has provided many opportunities

for

surviving

family

members

to

participate through course walking with Olympians, presenting championship ribbons, and being in the ring when the entire WIHS community honors TAPS

Bonnie Carroll founded TAPS in 1994 to provide

on Military Night of the event.

emotional support to all those grieving the loss

At this year’s 60th annual show, TAPS will once

of a fallen service member, regardless of where

again man a booth on the concourse to educate

they are in their grief journey. Ms. Carroll has a long

equestrian enthusiasts about the TAPS mission. As part

background in the equestrian world, having ridden

of Military Night, WIHS riders will have the chance to

competitively for many years.

“Jump for TAPS” in the $50,000 International Jumper 76

JOIN US

LIVE OR LIVESTREAM

Photos: Shawn McMillen

Sponsored by World Equestrian Center

• $25,000 Green Hunter North American Championships

CELEBRATING 25 YEARS OF EXCELLENCE

sponsored by the Wheeler Family

• $25,000 WCHR Professional Challenge sponsored by the Gochman Family

• $10,000 WCHR Professional Finals sponsored by Radwanski Enterprises

• Ariat National Adult Medal Finals • THIS National Children’s Medal Finals • USHJA 3’3” Jumping Seat Medal Finals

September 28 - October 7, 2018 The Show Place Arena • Upper Marlboro, MD

c a p i t a l c h a l l e n g e h o r s e s h o w. o r g

The Washington International Horse Show’s first program cover, 1958.

78 | EQ AM MAGAZINE

E D I TO R I A L

A MILESTONE IN THE CITY: THE WASHINGTON INTERNATIONAL HORSE SHOW TURNS 60

By Lindsay Brock/Jump Media

A look back at the storied history of the Washington International Horse Show (WIHS) is a glimpse into 60 years of rich tradition, bright city lights, and top horse sport. Founded in 1958, the first WIHS took place from October 10-15 at the National Guard Armory, a 15-minute drive east of its current home on F St. NW at Capital One Arena.

A single dollar could buy you a horse show program and grant entrance to the

Frank Chapot, all left their mark on WIHS and horse sport as a whole.

1958 event, which featured the gamut of

Specifically, Oare won the Virginia Horse

disciplines from show jumping to carriage

Show Association’s equitation award at

horses, dressage, saddle seat riding, and

the inaugural WIHS, and earned herself a

more. The event quickly made a name

feature in Sports Illustrated Magazine for

for itself, not only among the equestrian

the honor. Jenkins and his famed mount,

community, but also in the D.C. social scene.

Idle Dice, won the President’s Cup Grand

In 1963, Jacqueline Kennedy served as

Prix in 1970 and 1971 before also winning

the show’s honorary chair, followed by Pat

the WIHS Puissance three times.

Nixon, who took up the title in 1970. U.S.

The Puissance offers a lesson in history

Presidents, including Dwight D. Eisenhower,

itself. Once a popular event at horse shows

Gerald R. Ford, Hubert H. Humphrey, and

from coast to coast, its popularity has

John F. Kennedy, reveled in the spectacle

dwindled to include only a handful of events

that was WIHS in its early years.

throughout North America. But, at WIHS,

While royalty from Washington, DC’s

the $25,000 Puissance is an iconic and fan-

political arenas sat in the stands, equestrian

favorite event that has continued to thrive

royalty—both

four—

throughout the years. WIHS is still home to

strutted their stuff in the competition ring.

two-legged

and

the standing indoor Puissance record, set

WIHS has been a milestone for many of the

in 1983 at 7 feet 7½ inches by U.S. rider

greatest riders in U.S. history and beyond.

Anthony d’Ambrosio and Sweet ‘n’ Low.

WIHS Hall of Fame members, including the

Supported

by

the

pomp

and

likes of former U.S. Chef d’Equipe George

circumstance of a beloved show, top sport,

Morris, Betty Oare, Rodney Jenkins, and

and

unmatched

entertainment,

WIHS

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Photo: Courtesy of Jump Media

Rodney Jenkins and Idle Dice take on the WIHS Puissance.

Photo: Courtesy of Jump Media

First Lady Jacqueline Kennedy presents the President’s Perpetual Championship Cup to 18-year-old Argentinian rider, Carlos Damm, Jr. in 1961.

Photo: Courtesy of Jump Media

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Bertalan Denemethy, Frank Chapot, Dennis Murphy, Buddy Brown, and Michael Matz - 1976.

E D I TO R I A L

delivers horses to the masses in the

be in the stands, but spectators

heart of Washington, DC.

can also spot top young talent in

WIHS has been filling the stands

the

competition

ring.

The

WIHS

for show jumping competition for

Equitation Classic, now known as

decades. In 1994, WIHS launched

The Lindsay Maxwell Charitable Fund

their “Barn Night” event to engage

WIHS Equitation Finals, features the

local

horse

country’s top junior riders in one of

lovers while inviting them to attend.

riders,

trainers,

and

the most coveted year-end equitation

The results were overwhelming and

titles. In 2004, Brianne Goutal added

“Barn Night” has been a sold-out

her name to the list of WIHS riders

event ever since, proving that North

to go down in history by winning

American horse fans appreciate top

the

sport and the horse shows that host

successfully pulling off a clean sweep

it.

of all major equitation finals that year.

WIHS continues to be innovative

in

attracting

Classic

and

“Each year, the show seems to get better and better by drawing the very

the event. In 2009, the Gambler’s

top-ranked U.S. riders,” said WIHS

Choice costume class was added to

President, Victoria Lowell. “WIHS is

the show schedule, and in 2013,

such a unique and historic show, and

the

Steeplechase

we work hard to make it special to

(presented by Charles Owen) joined

competitors by celebrating all riders,

an entertainment line-up that never

but most notably Team USA, in the

disappoints.

nation’s capital.”

Pony

fans

Equitation

to

Shetland

equestrian

WIHS

The future of show jumping may

Riders from the U.S. and around

Beat Mandli & Dsarie Photo: Alden Corrigan

2017 Presidents Cup Winners

Photo: Rex Reed

The view from the Hospitality and VIP Tables at WIHS. Photo: Ashley Neuhof

Photo: Alden Corrigan

Georgina Bloomberg and Calista share a moment

Taylor St. Jacques and Di Samorano win

in front of an eager crowd at WIHS.

the WIHS Equitation Finals in 2017.

THE 60TH ANNUAL WASHINGTON INTERNATIONAL HORSE SHOW RETURNS TO THE HEART OF WASHINGTON, DC FROM OCTOBER 23-28, 2018. THE EVENT ATTRACTS MORE THAN 26,000 SPECTATORS ANNUALLY AS RIDERS COMPETE FOR PRIZE MONEY TOTALING MORE THAN HALF A MILLION DOLLARS. FOR A COMPLETE SCHEDULE OF EVENTS AND MORE INFORMATION, PLEASE VISIT WWW.WIHS.ORG.

the world often mark WIHS on their show schedule

history woven into the tapestry of Washington, DC’s

well in advance. The reason? As a member of the

social and political landscape, WIHS is an event that

Longines FEI Jumping World Cup™ North American

belongs at the top of any rider, trainer, or horse

League, WIHS offers coveted qualifying points for

sport fan’s bucket list.

the 2019 Longines FEI World Cup™ Jumping Final in Göteborg, Sweden.

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For more information on WIHS, please visit www. wihs.org, join WIHS on Facebook, and follow the

In 2014, WIHS was selected as a USEF Heritage

excitement on Twitter, Instagram, YouTube, and

Competition, the highest honor for any USEF show.

Snapchat. Tag WIHS using #WIHSTurns60, #WIHS2018

After five decades of unforgettable sport, and a

#HorsesInTheCity, #FEIWorldCup, and #Longines.

EPILOGUE

HONOR & SERVICE Klinger, a black Percheron x Morgan gelding, has

the rest of “The Old Guard” Platoon of 1st Battalion,

served as the unofficial mascot for the Tragedy Assistance

3d U.S. Infantry Regiment. Klinger entered into military

Program for Survivors (TAPS) for more than 10 years. He’s

service in 2000, the same year he was foaled. Stationed at

also pretty well known around Washington International

Fort Myer, in the heart of the National Capital Region, he

Horse Show (WIHS), especially on Military Night, presented

has served as a Wheel Horse and in a leadership capacity

by Caterpillar, Inc., when he takes center ring to present

as the Section Horse for more than 5,000 full-honor

the esteemed “Perpetual Award for Honor and Service”

military funerals. Every day—sun, wind, rain, or snow—

given annually in his name—known colloquially as the

he and his herd honorably carry our nation’s fallen heroes

“Klinger Award” (he was the first to receive it in 2013).

to their final resting place in Arlington National Cemetery.

The Klinger Award recognizes a horse, individual, or

Klinger will present his award to the next worthy

organization that best demonstrates the values of honor

recipient on Military Night, Friday, October 26th,

and service embodied by Klinger himself in his work with

2018 at WIHS.

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