Erica Boncaldo_Architectural Portfolio

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Erica Boncaldo|Architectural Portfolio



Index

0|Curriculum vitae Bachelor

1 Finale Emilia Urban Center 2 Rethink Ragusa

Master

3 Urban Grafting 4 As Found 5 Porto di Mare Aquatic Center

Competitions

6 Piazza al Cubo 7 A Fountain for Piazza del Carmine 8 Korean Expo Pavillion


Languages Italian

Mother tongue

English

Level B2

Certifications: - TOEIC Score 830/990 - Waystage Level (Wall Street Institute)

Softwares Skills Erica Boncaldo Place|Date of Birth Catania, 05|05|1992

Permanent Address Via Marco Polo, 3, 95027, San Gregorio di Catania (CT), Italy

Drafting

Autocad

3D Modeling

SketchUp Revit Rhinoceros

Certifications: Workshop Revit 100 h at Politecnico di Milano

Graphics

Photoshop Illustrator Indesign

Video

Premier

Contact Via Averardo Buschi, 21, 20131, Milano (MI), Italy +39 3400831926 erica.boncaldo@gmail.com

Personal Skills Determination and hard working Comfortable to work in multicultural groups Curiosity and continuos willing to learn Dedication and attention to details


Education

Employment | Other Experiences

April 2019

May 2019 | ongoing

Master’s Degree in Architecture Politecnico di Milano, Milan, Italy

School of Architecture, Urban Planning, Construction Engineeniring Final Grade: 107 | 110 Thesis: “Garden of Gardens, an interfaith memorial park in Milan” Superivisor: Andreas Otto Kipar July 2015

Bachelor’s Degree in Architecture Politecnico di Milano, Milan, Italy

Junior Architect

LAND, Milan, Italy November 2018

Architectural Internship

SuperSpatial, Milan, Italy - Collaboration in international competitions about architectural projects. May 2018

Finalist Project in the competition

A fountain for Piazza del Carmine

School of Architecture, Urban Planning, Construction Engineeniring Final Grade: 107 | 110 Thesis: “Rethink Ragusa, strategic guidelines to regenerate Ragusa Superiore” Superivisor: Carlo Alberto Maggiore

Design of a drinking fountain for Piazza del Carmine in Florence.

July 2010

Curator: Carlo Alberto Maggiore Exposition: Politecnico di Milano, Ragusa - Contibution with material from my Bachelor’s Thesis.

High School Artistic Diploma

(design course) Istituto Statale d’Arte di Catania, Catania, Italy

Workshops June 2016

International Workshop

Landscape in Art and Science

December 2016

Exposition + Publication

Re-Use Ragusa, sustainable strategies to revive the city center

May 2016

Competition

AAA architetticercasi 2015 “Piazza al Cubo” Refurbishment of “Palestra Lupo”, Catania, Italy

Politecnico di Milano, Milan, Italy Curators: Alessandro Rocca, Elisa Cattaneo

February | May 2014

September 2014

- Collaboration in research activity on the topic of self-renovation of abandoned buildings, related to the project “Ersilia CASAinterfaccia” by Architetti senza Frontiere. - Assistance during surveys on building sites. - Collaboration in architectural projects.

International Workshop

Re-Use Ragusa, sustainable strategies to revive the city center Ragusa, Italy Cuartors: Ado Franchini, Carlo Alberto Maggiore

Architetctural Internship

Silvia Nessi Architect, Milan, Italy


Bachelor’s Degree Design Studio III a.y. 2012|13 Professors: Franco Tagliabue, Flavio Barbini Programme: Urban center and new facilities for the football field Site: Finale Emilia (Modena)

1| Finale Emilia Urban Center

Public space

Enhancement

New building

New funtion or Relocation of existing ones

Urban Acupuncture strategy The strategy proposes a set of focused interventions that, taking advantage by the benefits brought to their areas, can improve the whole city Each intervention involves the construction of a new building and the enhancement of the public space, responding to the needs of the city both before and after the earthquake.

The project is part of an urban rede­ve­lo­p­ment stra­­­ tegy for Finale Emilia, a town in Emilia Romagna region in Italy affected by an earthquake in 2012. The site is located between the Robinson foot­ball field, which was the main refugee camp for the citizens, and via Cimitero, along which se­ ve­ ral services and com­ mercial activities were tem­ porarily moved. The value that this area has had for the community, makes it ideal to host a meeting place where citizens after the earthquake can discuss the future of their town. The general strategy, which combines the function of Urban Center with the en­

han­ce­ment of the foot­­ball field throu­gh new faci­­li­ties, is in­ter­pre­­ted through two semi-hy­po­­­gean vo­lu­­mes which, by re­sha­­­ping the al­ready slo­ping gro­und, increase the con­ nection between the boule­vard and the foot­ball field, sug­ge­­sting to cross the small park. The Urban Center’s buil­ ding is more related to the boulevard, interrupting the row of trees with its roof, it creates a rest area along the way. The second buil­ding, which con­tains chan­­ging rooms, first aid room and a cafe­ teria, forms a large portal from which the pla­yers can make their “trium­ phant” entry to the field.


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The project is solved in all its parts by simple architectural elements that interact delicately with the context: the concrete walls that contain the ground, the ramp from which light enters, the seats from which attending games and training, the paving plan from the gate to the field.

Via Cimitero

Urban Center

Football field facilities


Football field

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Section A | A’

Section B | B’


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1. Entrance 2.Changing rooms 3. Office 4. Urban center infopoint 5. Auditorium 6. Cafeteria 7. Kitchen 8. First aid room 9. Storage 10. Toilets

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Bachelor’s Degree Graduation thesis: Rethink Ragusa, strate­gic guide­lines to regenerate Ragusa Superiore Supervisor: Carlo Alberto Maggiore Site: Ragusa

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RETHINK RAGUSA Indicazioni strategiche per la rigenerazione di Ragusa Superiore

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R e t h i n k

Ragusa Superiore was born after a catastrophic event: the earthquake that affe­ cted eastern Sicily in 1693, which led to the splitting of the primary settlement of Ragusa Ibla. The city and its design are the expression of a society that has seen in the earthquake an opportunity to emerge and give itself an urban form. Retracing the key steps in the evolution of the city, we perceive how urgent it is to put in place, today that the historic center is threatened by aba­n­don­ment and de­ gra­dation, pro­pul­sive e­ner­ gies of tran­sfor­ma­tion, si­ milar to those carried out by the population at the

R a g u s a

time of the earthquake. Then I asked myself about the possible directions of a transformation, starting from a reading of the urban space that allowed me to extract from the city itself the principles and resour­ ces necessary for ts radical change. Although the strategic indi­ cations proposed do not possess, by their nature, neither the maturity nor the normative tools behind them to be directly translated into a project, they are an attempt to outline a possible Ragusa, in the idea that only by having clear what future to wish for a city it is possible to elaborate a valid urban project.



Strategic guidelines

New perspectives: squares The policies of the past oriented towards maximum land use, have progressively determined the saturation of the city’s fabric, which today is lacking in open spaces.

0. Existing squares

RIQUALIFICAZIONE DELLE PIAZZE ESISTENTI

The existing squares are in a state of decay and they are mostly used as parking; the goal is therefore to bring these places back to their nature of public space

1. Redevelopment of existing squares

CREAZIONE DI NUOVE PIAZZE

Proposal for three new squares that would constitute the new hinge spaces for the surrounding districts, and for a terrace-garden to emphasize the western border of the historic center.

2. New squares

New squares’ spatial principle 1. Undifferentiated grid 2. Ecce Homo square and church: example of variation of the urban fabric by intersection with the grid. 3. View of Ecce Homo church: the intersection of buildings with the sloping road generates a spectacular perspective.

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Strategic guidelines:

New perspectives: edges

0. Built edges

1. Localized demolitions

2. Total opening of the edges

Comparison between the perception of a road before and after the demolition of the buildings that prevent the view on the surrounding landscape.

Today the relationship between the ci­ty and its land­ scape is com­ pro­ mised due to the reckless edification of the city’s margins. This also constitutes a serious danger due to the strong hydro­­ geological risk

The demolition of buildings could be implemented gradually, starting with the creation of panoramic terraces on the northern edge and creating openings on the main roads on both margins

With the completion of liberation of the margins the relationship between the city and its landscape would be restored: to the north, the view on the surrounding territory, to the south, the visual connection with the other part of the city.


Strategic guidelines

New hierarchies: centalities

0. Axis’ current hierarchy

1. System of terraces

2. New axis’ hierarchy

Via Roma model for the new hierarchy of parallel axes Via Roma is the main road of Ragusa Superiore along with the ortho­ gonal axis to it, Corso Italia. The road has at one end a pa­ no­ ra­ mic terrace, “La Rotonda”, and at the oppo­ site end there is one of the brid­ges connecting the old town to the southern expan­ sion of the city.

The urban scheme of Ragusa is set on a cross of roads consisting of a flat vertical axis and a steeply sloping horizontal axis. Their intersection determines the center of the city.

In relation to the liberation of the margins from the curtain of buildings, the creation of a sequence of pano­ ra­ mic terraces would evoke a proposal of 1931 of which only the terra­ce at the end of via Roma (vertical axis) was built

Repeating the model of via Roma through the inclusion of the terraces at the north end of some of the axes, we want to suggest the introduction of new centralities to rebalance the urban structure.


Strategic guidelines

New hierarchies: paths Small roads and alleys, once the extension of domestic life, are nowadays crossed indifferently by cars and used by residents as parking spaces.

0. Paths’ current hierarchy according to use

By grouping the urban blocks into “macro blocks”, according to the structure of the urban fabric, the transit of cars could be limited to the main roads that have a suitable dimension.

1. Paths’ new hierarchy: mixed car-pedestrian paths

CREAZIONE DI SPAZI APERTI DI VICINATO

Narrow streets and alleys are limited to pedistrians and eventually connected, so as to constitute a network of alternative paths to the orthogonal grid.

2. Paths’ new hierarchy: pedestrian paths

Macro blocks’ principle 1. Paths’ current hierarchy: cars and pe­de­­strians circu­ late both in the main streets and in the alleys. 2. Paths’ new hierarchy: cars only in the main roads. 3. Paths’ new hierarchy: internal roads and alleys used only by pedestrians. 4. Remodeling of road space in relation to the reco­ nfi­gu­ration of housing units to consti­tu­te small neighbor­ hood open spaces.

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Master’s Degree Design Studio I a.y. 2016|17 Professors: C. Zucchi, P. Sturla, M. Cassani Team: M. Filipovic, N.Ninkovic Programme: Hostel, Multipurpouse space Site: Porta Genova rail yard, Milan

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Porta Genova rail yard

Current situation: Enclosure

Concept: Dissolution + Riflection

Concept: Urban garden + Street

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Urban Grafting

The site is located near­ by Porta Genova rail­ way station. The area is presen­ tly un­re­­solved for a spe­­ cific rea­ son: the rail yard that cut the ur­­ban pat­­te­rn is now under decom­­mis­sio­ ning. The design program in­ clu­ de a student hostel, services and a multipurpose space for events and ex­ po­­ sitions, plus a public open space. The buil­ ding, follo­­wing the deve­lopment of the site, constitutes on one side a new road façade and on the other one a green space. The triangular building, used as a multipurpouse space, is aligned to via Tortona and to the street opposite it, connecting them and defi­

ning a new public space with a strategic role as it is located at the intersection of important flows coming from the design district (via Tortona) and from the adja­ cent square of Porta Genova station. The building and its open space create a unique sy­ stem. The shape of the buil­ ding is rectilinear and more com­pact on the side of the street, while it be­co­ mes si­ nuo­ us on the other side to ac­ co­ mmodate and almost inco­r­porate the new green space. The façade is made up of ve­rti­cal terra­cotta ele­ments that remain compact on the road side, while they thin out on the cur­vi­li­ne­ar front fa­cing west, wor­king as brise soleil


Grafting What we call urban de­ sign could be seen as an act of “grafting” a new or­ga­nism onto an existing one, intro­­­du­cing a new physiology in an exi­sting pattern. Rather than the mere applica­ tion of an abstract model, a new urban intervention is the result of a com­ plex interplay between the typo­ logical and mor­pho­­lo­­gi­­cal para­digms that a design cul­ tu­ re feels appro­ pria­ te in a point in time and the con­ diti­ o­ ns and limits of a specific place and its context.


Swimming Pool

Rooms|Dormitories Common kitchen Lounge area

Gym

Rooms|Dormitories Common kitchen Lounge area

Coworking space Commercial open space

Hostel’s m Rec


Common kitchen

Chillout area

Rooms|Dormitories Lounge area

Chillout area|Auditorium

Common kitchen

Pc area

Rooms|Dormitories Lounge area

Multipurpose space

main entrance ception Cafeteria Restaurant Cocktail Bar

Multipurpose space


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Ground floor plan detail

West elevation detail

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Library Coworking space Toilets Emergency stairs Storage

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6. Playground 7. Commercial open space 8. Laundry 9. Office 10. Hostel’s reception hall

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First floor plan detail

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Swimming pool (+2 floor) Gym Gym’s changing rooms Emergency stairs Common kitchen Shared toilets Lounge area

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1. Ashlar pavement made of white and grey granite and grey-brown porphyry; thk 10 cm. 2. Sand. 3.Cast in place concrete pave­ ment; thk 18 cm. 4. Precast concrete bench. 5. Bench integrated light. 6. Lamp with metal finishing; h 270 cm, d 15 cm. 7. “Pyrus Calleryana Chanticleer”.

1. Ashlar pavement made of white and grey granite and grey-brown porphyry; thk 10 cm. 2. Sand. 3. Cast in place concrete pavement; thk 18 cm. 4. Precast concrete bench. 5. Bench integrated light. 7. “Pyrus Calleryana Chanticleer”

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URBAN GRAFTING

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Master’s Degree Design Studio II a.y. 2017|18 Professors: G. Floridi, G. A. Giannoccari, A. Rocca Team: Elena Georgievska, Maria Kubin Programme: Kindergarden and depart­ment store Site: Milan

4| As Found

Site’s current situation

Basilica Aemilia, Rome, 179 BC For the proportions and the division in aisles the building can be associated with the typology of Roman Basilica.

The aim of the Design Studio was to design a kindergarten to­ge­ther with ano­ ther function. The re­ sul­ting hybrid buil­ding had not to be merely an expres­ sion of the two functions, but rather had to re­ so­ na­ te with the context through its physical consi­sten­cy, pro­portion, or­na­ment, ty­ pology, matter; seeking for breadth and inti­ ma­ cy against their com­ mon loss in glo­bali­sation pro­ces­­ses. The project assigned to my group included the function of department store together with kinder­ garten. The project area is located in the center of Milan and is currently occupied by a garage; important

presence is the head­quar­ter of the fascist party in Milan designed by architect Piero Portaluppi between 1935 and 1940. Taking as “ancestor” the Roman Basilica, the buil­ ding stands as an iso­la­ted object, and it has a rectan­ gular layout subdi­vi­ded into aisles. The kindergarten is placed on the top floor while the remai­ ning floors, with the exception of the ground floor, are entirely occupied by the department store. To give to the buil­ding a sense of mas­ sivity while creating a con­nection with the historical context, stone was chosen as material together with a cor­ru­ga­ted and perforated steel sheet.



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Ground floor plan

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Model, view from the passage that connects the open spaces.

Compared to the urban fabric consisting mainly of blocks of court houses, the buil­ding stands as an isolated object, dividing the site into two open spaces: a mineral one and one with trees and a more intimate character. The two spaces are connected by a passage that divides the ground floor into two parts, one for the department store and one as entrance hall for the kindergarten.


Kindergarten 1700 mq

+ Department Store 4600 mq

Floor +3 Kindergarten - 6 classrooms - Free activity space|Playground - Canteen - Patios

Floor +2 Department Store - Men’s department

Floor +1 Department Store - Women’s department

Floor 0 Kindergarten - Reception - Teachers’ room - Director’s room Department Store - Food Court and Market

Floor -1 Department Store - Home and kids departments - Storages - Offices


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Third floor plan|Kindergarten

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First floor plan|Department store

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Master’s Degree Building Technology Studio a.y. 2017|18 Professors: B.A. Dal Lago, E.Rotta, A. Tartaglia Team: V. Aksenfeld, I. C. Màrquez, T. Toofanian Programme: Acquatic Center or­gani­zed in olympic, training and leisure areas. Site: Porto di mare area, Milan

5| Porto di Mare Aquatic Center

Phisical and visual permeability

Volumes based on main activities

Underground distribution and services

Our main goal was to achieve the physical and visual connection between the dense urban part in the North-West and the rural green area in the South. Since the beginning we have been focused on keeping the ground level permeable for any visitor. The building is acces­ sible mainly through the underground level, which can be reached with ramps. The facilities vary widely, offering several types of experience to users. It is visible on the ground level how the general functions are separ­ ated. There are three main on-ground volumes: the Leisure part, the Training part and the

Olympic part; latter is also acces­ sible from the gro­ und level and completely suitable for all Olympic water sports. During the games, an extra number of bleachers can be installed in the perimeter area of the “box” to satisfy the need of bigger capacity of the venue. The Centre has an outdoor leisure pool with warm water, restaurants, cafeterias and shops, in this way the place becomes friendly not only for athletes, but also for local people and Milan visitors. This idea led us to the choise of designing a mixed-use sports complex, able to bring life to the whole neighborhood


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South elevation

Ground floor plan


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Leisure area

Section A-A’

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Underground floor plan

Training area


Competition area

A’

Detail next page

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View from the “dirty” path (on the left), which leads to the changing rooms, and view from the “clean path” (on the right) that connects changing rooms to competition swimming pools.

View from the olympic swimming pool with the bleachers to see the competitions. In the backgroung we can see the diving boards. The lattice steel structure is exposed.


Competition AAA architetticercasi 2015 Team: D. Pagano, M. Pullisi, G. Ruta, G. Scarafini, G. Setti Programme: Building and public space refurbishment Site: Piazza Lupo, Catania

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Piazza Lupo current situation

Current situation: Introverted functional monobloc

Strategy: multiplicity and fun­ ctio­nal adaptability

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P i a z z a

“Piazza al Cubo” arises from the social and urban necessity of working on the empty space of Piazza Lupo, involving the existing building in a transformation process able to read the role of public space and new forms of living. The fun­ ctions included, serving the resident po­pu­la­tion (laundrybars, work­shops for children and the elderly, brico-lab), determine a condition of flexibility that imagines the space as a single interactive ground. Every part of the interior space of the building is designed as flexible, modifiable in case of need. The rhythm of the exi­ sting structure is preserved and deter­ mines the form of the

a l

C u b o

new internal par­tit­ions, these can be open each time in a dif­ ferent way, allo­wing different confi­gu­ rations of internal spatiality. The movable walls as well as part of the façade are designed in xlam to reduce construction operations and reduce construction times. The choice of pre­ser­ving the existing archi­tec­tural struc­ ture, coming from the desire to use the possible tran­spa­ ren­ cies, thanks to the use of po­ly­­car­bo­na­te, to see ‘through’, ima­gi­ning ideally connecting the activities that take place inside the square and then the city . In conclusion, the project looks at the square to transform and reuse the existing building.


Bicycle repair area

Laundry - CafĂŠ

Brico - Lab


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1. Bicycle repair area 4. Multi-purpose hall 7. Underground waste 9. Playing 10. Tables 2. Brico-Labs 5. Laundry-CafĂŠ collection area 3. Start up 6. Technical room 8. Children playground 11. Bowls


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field s/chessboards field

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Public space’s focus


Space’s flexibility throughout the day


Laundry-CafĂŠ

Social cooperation

Brico-Lab

Recreational spaces

Study/Work areas

Sustainable mobility

Events/performances

Variation of functions during the day


Competition A fountain for Piazza del Carmine Finalist Project Team: Silvia Binetti, Fabiana Olivieri Programme: Drinking fountain Site: Piazza del Carmine, Florence

7 | A fountain for Piazza del Carmine

The project pro­posal consists in the insertion inside of Piazza del Carmine in Florence of three drin­­ king foun­ta­ins, dif­ferent from each other but that follow the same compo­ sitional logic. The three elements tran­sform the simple water distribution system into a more ela­ borate system of water games, first of all en­hancing the ae­ sthe­ tic result and, sub­se­quently, the functional aspect. The timed system of water supply provides a jet of limi­ ted duration. The water released will flow, initially through a system of cups, designed to create a game of falling of water before it reaches the level of the ground in which it will

be collected by a grid. The attention to the con­tex­ tua­ li­ zation of the project inside the square is mainly due to the choice of materials: bur­ nished brass, whose color tone recalls that of the Carmine church, for the water distri­ bution elements and the collection cups, while for the base of the fountains, Serena stone that is also found as the paving of the square. The three fountains have been de­velo­ped paying par­ti­cular attention to the dif­ ferent users. In this way, the heights of the fountains, the type of jet, the positioning of the button and the method of collecting excess water have been defined.



1100


1. Water distribution button 2. Burnished brass tube de = 50 mm, di = 30 mm 3. Burnished brass water collection cup thk. 4 mm 4. Shut-off valve and pressure controller 5. Inspection hatch 6. Drainage grid 7. Stone base thk. 60 mm 8. Sewer and instal­­la­tion concrete box 9. Water inlet tube 10. Concrete foundation 11. Stainless steel base 12. Water outlet tube

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Competition Korean Expo Pavillion Honorable mention Team: Superspatial ( A. Govi, M. Gullo, A. La Marca), G. Harutyunyan, A. Janakievski, J. Krupa, J. Ma Programme: South Korea Expo Pavillion Site: Expo 2020, Dubai

Preliminary model

8 | Korean Expo Pavillion

The proposal is a physical manifestation of the digi­ tal and the mechanical­ infrastructures that enable our Noosphere, the sphere­ of human conscious­ness and­ mental activity, to connect and to communicate. How do we spatialize the invisible infrastructure that allows us to be connected more than we ever could have imagined? South Korea has embraced the possibility of the digital infra­ structure and has now become the forefront of the new 5g technology. The constant upgrade and update of the di­ gital technology comes with incre­ di­ ble amount of mechanical, physical and

digital engineering to make it into a reality. The expo is an opportunity to display the intercon­ nectivity between both the digital and the physical engineering The ground of the expo is made from e-waste materials that is physically manifested in the form of a topography. Obsolete hardware forms a platform of display for the much anticipated digital technologies to come in the full volume resting on the amphitheater. Within the pavilion, visitors can meander around and create their own paths as the pavilion is strategically designed to be used as a tool to connect people.



View of the entrance plaza

Ground floor plan|Infopoint, Shops, Restaurant,

First floor plan|Restaurant, Offices


View of the exposition area

Second floor plan

Third floor plan|Exposition area


Contact Erica Boncaldo Via Averardo Buschi, 21, 20131, Milano (MI), Italy +39 3400831926 erica.boncaldo@gmail.com


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