erica schneider portfolio
linear gateway bottle cap alley house boutique hotel + art gallery
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advertising agency 24 center for product design and research 32 serenbe study center 38 “encapsulate�
auxiliary design work - master planning
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photography & artwork 50 resume
contents
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linear gateway college station, tx design fundamentals vi. arch 606. professor marcel erminy and miguel roldan. spring 2013.
By 2020 Texas A&M will experience an influx of 10,000 additional students, boosting enrollment to a total of 60,000. The design challenge is to plan support spaces for this large volume of students within three existing nodes on campus (Northgate, Southgate, and Westgate). Intended to be an exercise in creating high-density urban environments, this project within the Southgate district will be a flexible space that serves the future needs of campus. This “linear gateway� will welcome passersby to the south side of campus and act as a flagship research facility that fosters interdisciplinary and collaborative academic efforts.
SOUTHGATE
NORTHGATE
WESTGATE
EXISTING RESEARCH FACILITIES WITH POTENTIAL FOR INTEGRATION INTO A NEW COLLABORATIVE SCIENCE CENTER
Concept Process PLACE PATHS TO ENCOURAGE LINEAR AND TRANSVERSE TRAFFIC ACROSS SITE
INTERSTITIAL SPACE BETWEEN PATHS LEAVES “PODS” OF DEVELOPABLE SPACE
ALTER CENTRAL PATH TO CREATE LARGER PODS FOR DEVELOPMENT
Texas A&M Campus Pedestrain traffic across site: Over Under Through
PLACE LIGHT WELLS WITHIN PODS TO ILLUMINATE INTERIOR SPACES
465’
6 8
375’
30’
Void below ground
1
THREE COMPONENTS
Lightwells perforate shell
1
Protective shell over void
RETENTION TEE GROWING MEDIUM
2X4 WOOD SLAT VERTICAL STEEL TUBE
RESERVOIR LAYER MOISTURE RETENTION LAYER AERATION LAYER
CONCRETE PARAPET CAP
STEEL PLATE ATTACHED WITH SHEAR STUDS
24” CONCRETE PAVER GRAVEL FILL FILTER FABRIC MEMBRANE FLASHING BITUMEN WATERPROOFING MEMBRANE Black Eye Susan
PROTECTION COURSE
THERMAL INSULATION 4” STYROFOAM INSULATION
STEEL SUPPORT TRUSS SPACED 30’ O.C.
GLASS CURTAIN WALL
Above: Section perspective and plan detail of laboratory and work “pod” Middle: Section detail of green roof and louver shading device Right: Perspective view from mezzanine level and native planting/solar access diagram
8” STEEL TUBE CONTINUOUS
Mexican Blue Sage
Katie Ruella
Mexican Feathergrass
Wooden Louver Shade
bottle cap alley house college station, tx design fundamentals v. arch 605. professor mark odom. fall 2012
This project is an exploration of how organic design may be developed through pure geometries and orthogonal projections. Similar to the way that Frank Lloyd Wright integrated organcism into his plans, the approach to this project focused on mutually interdependent spaces rather than freeflowing forms that are typically understood as “organic design.�
P R O C E S S
Composite
Horizontal Volumes
Vertical Volumes
Research revealed that Frank Lloyd Wright applied a unique approach to his organic designs, utilizing tartan (irregular) grids from Japanese design. These grids were based on underlying patterns of interlocking rectangles and displayed a pleasing balance of differentiated and interdependent parts to characterize a cohesive whole. The design process re-interpreted these tartan grids and created stylized section drawings inspired by these irregular patterns. Several schemes were developed, and the final selection was based on the sketch that seemed to best reflect the proportions of the site (long and linear).
Tartan grids and interlocking patterns were used as inspiration for plan and section drawings.
Precedent studies of Frank Lloyd Wright’s Charles Ross House reveal how tartan grids and interlocking volumes are utilized to achieve an “organic� space.
Preliminary design process used stylized tartan grids to inform section drawing sketches.
Intersections of vertical and horizontal volumes reveal a tartan grid in section view.
OFFICE ROOFTOP PATIO
LIVING
DINING
ATRIUM BRIDGE
MASTER SUITE
KITCHEN
GARAGE
FOYER/ATRIUM
BASEMENT
DUDLEY’S DRAW
PORCH DIXIE CHICKEN
UNIVERSITY DRIVE (F.M. 60)
PORCH DRY BEAN
FITZWILLY’S
The site is located in the Northgate bar district of College Station, TX. Found adjacent to the city’s most famous bar, the Dixie Chicken, bottle cap alley is a nostalgic thoroughfare for many current and former students of Texas A&M. Bottle caps from the surrounding bar district are discarded here and create an eclectic pavement for patrons to pass upon. Left: Section diagram detailing program layout Below left: Site plan with neighboring buildings and major streets. Below: View of site from University Drive and current view of bottle cap alley, looking west.
Second Level: Kitchen & Dining
Ground Level: Garage & Atrium
Dixie Chicken
Dry Bean
2’ 4’ 6’ 14’
Section A B
A A
B
B
A A
B
B
14’ 6’ 4’ 2’
Section B
Fourth Level: Office & Rooftop Terrace
A A
Third Level: Living & Master Suite
A A
B
B
ESTCODE
B
Left: View from University Drive Top: Kitchen/dining perspective Middle: Living room/atrium perspective Bottom: Stairwell perspective
boutique hotel and gallery austin, tx design fundamentals v. arch 605. professor mark odom. fall 2012
This project will use folds as a method to unite different functional areas into a unified, “organic” whole. The concept was inspired by a quote from Greg Lynn, which states that folding in architecture has the unrivaled ability to integrate unrelated elements into a “new continuous mixture.” Much like the limestone rock formations of the Austin hill country, the structure will have a tectonic appearance, as if it was extruded out of the folded landscape it sits upon. Ultimately, the variety of folded planes will visually “bridge the gap” between contrasting programmatic areas and synthesize contradictions into an inclusive whole.
Bar
ton
Spr
ing
“IF THERE IS A SINGLE EFFECT PRODUCED IN ARCHITECTURE BY FOLDING, IT WILL BE THE ABILITY TO INTEGRATE UNRELATED ELEMENTS WITHIN A NEW CONTINUOUS MIXTURE.” - Greg Lynn
sR
oad
Hotel Gallery Art Storage
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PROCESS: 1. Establish general site plan 2. Place “nodes” at important intersections and fold site according to Kawasaki’s theorem (mathematical paper folding technique) 3. Push/pull topography to emphasize folds 4. Building footprint extruded from ground plane to become roof plane
OPPOSITE PAGE: Above left: Site plan and ground level floor plan Above right: Second level floor plan Bottom: Section drawing through site
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Cafe
Opposite page left: View of courtyard facing back entrance to gallery and cafe Opposite page right: View of courtyard facing entry to hotel lobby Above: Interior view of gallery Top middle: Bird’s eye view of site model from north side of site, looking south Top right: View from corner of site, looking down Barton Springs Road. Right: Front elevation of art gallery and cafe
advertising agency seattle, washington design fundamentals iii. arch 603. professor marcel erminy. summer ii 2012
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The design for the advertising agency building in Seattle, Washington began as an autonomous geometric sculpture without a set program or location. For phase one, a physical model and analysis drawings were completed as a study in geometry and proportion. I
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LED screen 1. Geometric Sculpture
2. Rotate
3. Scale and “Architecturize” Sculpture
P R O C E S S
4. Structure
5. Program
Concrete shear walls
Atrium
Concrete columns
Open office space
Steel super truss
Multipurpose room
6. Building Skin Perforated metal screen
Executive office suites
Phase two of the project began to “architecturize” the sculpure. Once a program and purpose was determined, the 3-dimensional composition was rotated to an upright position, scaled, and “sliced” into nine floors. Designing within section view, these floor slabs were then cut away to create atriums, mezzanines, and double height conference rooms to add spatial interest to the interior of the building. Two concrete cores and a steel “super truss” were implemented to make this building structurally feasible. Finally, the building was clad with a perforated metal screen to act as a sleek, monolithic backdrop for the wraparound LED screen suspended from the tower.
Lobby at street level
d 2n ue
en Av
Green space
S. Washington Street
New plaza acts as a continuation of Occidental Park Ad agency building Occidental Park
Sunken courtyard Underground parking entrance 2nd Avenue South
Reflection pool
Project location: Arts district of Seattle, Washington The selected site is located in Seattle, adjacent to Occidental Park. This is one of the city’s largest art gallery districts and is a destination for commerce and tourism. Feeding off of the energetic and eclectic nature of this neighborhood, the advertising agency will become a bright landmark, characterized by a large wraparound LED screen that displays digital artwork and ad campaigns. The public is encouraged to enjoy the outdoor plaza and host concerts or art shows.
PARKING GARAGE ENTRANCE
C
Basement level
MECHANICAL ROOM
B
B
SUNKEN COURTYARD ENTRANCE
UPPER COURTYARD ENTRANCE
C
C
Ground level
MECHANICAL ROOM
LOBBY
B
B
C C
Executive suite (typical)
MECHANICAL ROOM
LOBBY
B
B
C
C C
MECHANICAL ROOM
Executive suite mezzanine
MECHANICAL ROOM
Section C B
B
B
C C
C
A
Level Six
A
MULTIPURPOSE ROOM
COPY/BREAK
FILE
LOBBY
B
B
C C
OPEN TO BELOW A
Level Seven
A
OPEN TO BELOW
COPY/BREAK
FILE
LOBBY
B
B
C
Right: Conceptual drawing of interior atrium. The stairwell openings are staggered as the atrium progresses vertically, eventually opening up to the rooftop terrace. This allows sunlight to spill down into the interior of the building and gives every workspace access to natural light.
C
OPEN TO BELOW A
Level Eight
A
COPY/BREAK
FILE
LOBBY
B
B
C C
OPEN TO BELOW
OPEN TO BELOW
A
A
Level Nine
OPEN TO BELOW
COPY/BREAK
FILE
LOBBY
B
B
C
C
C
OPEN TO BELOW A
A
Rooftop Terrace
OPEN TO BELOW
PREP KITCHEN
A
A PREP KITCHEN MULTIPURPOSE SPACE
MULTIPURPOSE SPACE
B
OPEN TO BELOW
B
OPEN TO BELOW
B
B
C
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Section A
Section B
tamu center for interdisciplinary product design and research design fundamentals iii. arch 603. professor michael o’brien. summer i 2012
The center for product design and research will be located on Texas A&M’s campus. Inspired by the dynamic environment of interdisciplinary design firms such as Urban-Think Tank, this office will seek to foster creativity by enabling collaboration between visiting venture capitalists, design professionals, engineers, and students.
KITCHEN STORAGE/ LOADING
STEAM CONVERTER/MECH AREA
FAB SHOP LOADING
DUMPSTER
LOADING DOCK
SLOPED DRIVE
Project Location: Corner of University Drive and Bizzell Street, TAMU Campus College Station, TX
BASEMENT PLAN 0
20’ 10’
80’ 40’
DW
DW
DW
106,198 Square Feet
Objectives: • Emphasize curved site geometry • Maximize view to north • Provide an aesthetic view from Zachry Building (at back side of site) • Block southern and western sun exposure • Shield view of loading dock
DW
CORE FUNCTIONS TEAM SPACES ROOFTOP TERRACE VC SUITES AND CONFERENCE CLASSROOMS INDOOR ATRIUM EXERCISE AREA AUDITORIUM & PREFUCTION LOBBY, CAFE, & COMMONS DIGITAL FABRICATION SHOP
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LOADING DOCK AND BASEMENT
Above: Basement floor plan detailing loading dock and fabrication shop and upper level floor plan, exhibiting collaborative design work pods. Opposite page: Site plan and ground level floor plan.
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STRUCTURAL GRID KEY
MECHANICAL CHART KEY
A
FAN ROOM
18” CIP BEAM
31” x 124” DUCT
SUPPLY
29”” x 116” DUCT
RETURN
33” x 131” DUCT
B
25” CIP BEAM
C
10” CIP BEAM
D
32” CIP GIRDER
E
42” CIP SPANDREL BM
36” x 145” DUCT
F
23” CIP BEAM
25”” x 98” DUCT
A
A
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35” x 139” DUCT 27”” x 107” DUCT
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TWO WAY SLAB
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H AN C ” BR 11
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8”x30” BRANCH DUCT
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”x 44
8”x32” BRANCH DUCT 22”” x 87” DUCT
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25” CIP G 2 50-TON AHU’S AND 2500 SQ. FT. FAN ROOM ON ROOF
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17” CIP G
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15” CIP G
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25” CIP G F 17” CIP G
EXTERIOR SUPPLY VENT (90 SQ. FT.)
25” CIP G
E
15” CIP G F
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EXTERIOR RETURN VENT (90 SQ. FT.)
Above left: Layout of mechanical system. Above right: Structural layout with member sizes noted.
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Above left: Conceptual rendering of interior atrium with cascading stairwell Above right: Conceptual rendering of the building front, facing University Drive.
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serenbe study center chattahoochee hills, georgia design fundamentals ii. arch 602. professor phillip tabb. spring 2012 group project
The study center is a sustainable learning community located within the Grange hamlet of Serenbe Community in Chattahoochie Hills, Georgia. In the same way that Serenbe references classic village planning styles, the design team looked towards an older style of building as the driving force behind their concept. By analyzing architectural precedents within the hamlet, we felt that expanding upon the surrounding pastoral lifestyle would best continue the goals of this neighborhood. Much inspiration was found from the vernacular gabled style of building, and the design team sought to modernize this profile by morphing it into an eclectic, store-front student study center. Just as the Serenbe community poses an inherent contradiction between old village forms and contemporary sustainable urban practices, this study center will also seek to create an interesting interplay of “old versus new.� Above: The Serenbe equestrian center served as a primary source of inspiration for the design team.
The study center is a mixed use development geared towards sustainable technology and green design education. The program requirements include classrooms and studio space for design students, housing for visiting students and faculty, a small hotel and conference center for executives studying sustainable business practices, and a cafe. A bookstore and general store were also included to cater to the needs of students participating in semester-abroad programs at the study center. The central courtyard acts as a “melting pot� that fosters interaction between program particpants, the community, and tourists.
First floor plan
Second floor plan
Third floor plan
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5 SERENBE STUDY CENTER FIRST FLOOR PLANS
Sustainable strategies: 1. Hydrogen fuel cells will generate electricity from organic material waste collected from local farms and restaurants. 2. Terraced courtyard mimics the pre-existing topography of the site and minimizes the amount of destructive soil excavation necessary for construction. 3. Wind turbine will generate electricity from prevailing winds. 4. Water retention pond will collect rainwater runoff from the courtyard and will be used for landscape irrigation and toilets. 5. Solar panels located on the south-facing roof facade of the academic building will generate renewable energy.
SERENBE STUDY CENTER THIRD FLOOR PLANS
Opposite page: Southwest view of study center, detailing the street-front facades of the academic building, cafe, and student townhouses. Above left: View from north tip of the site, looking south. Above right: Detailed view of the faculty living building and rooftop garden. Left: Detailed view of the executive retreat building.
“encapsulate� art installation visual communications. arch 610. professor weiling he. fall 2011
e n c a p s u l a t e
[
[en-kap-suh-leyt] -lated, -lating 1. to surround, encase, or protect in or as if in a capsule
]
This art installation will be located within the central atrium of of Texas A&M’s Langford Building A. The site extends from the first floor all the way up to the ceiling of the fourth floor, creating a large vertical volume of space. The outer boundaries of this volume are defined by concrete railings on each floor, which “encapsulate” the negative space that exists within the atrium. Similar to the way the railings function with the site, the goal of this architectural installation was to further encase the negative space and define a new volume within the atrium.
Site Geometry Analysis
Primary Views
Secondary Views
Tertiary Views
Composite View Analysis
MODULE ASSEMBLY PROCESS: The art installation was required to be constructed of easily obtainable and affordable household materials. A prototype model was constructed from wooden skewers and twine, with the process outlined above.
Langford Atrium, Elevation C
STEP THREE: SHAPE UNITS
STEP TWO: CONNECT UNITS
Ball of twine
STEP ONE: WEAVE TOGETHER SKEWERS
REQUIRED SUPPLIES
Wooden skewers
CURVE
RIPPLE
DOUBLE HELIX
auxiliary design work MASTER PLANNING: The featured work is a schematic master plan of a new sustainable commercial center and residential development for the Howell Mountain Conservation Community in Angwin, California. In partnership with Pacific Union College, the goal of the development was to create a new city center to serve student needs as well as entice new residents to boost the local economy. The design was to remain sensitive to the college’s Seventh Day Adventist principles and uphold their holistic and peaceful lifestyle. Other project features include a small hotel, public plaza, and surrounding organic gardens. Dr. Phill Tabb served as lead designer with two graduate student assistants. The work was completed in conjunction with Sustainable Community Partnership, a development firm specializing in sustainable community planning. Above left: Preliminary schematic design Above right: Process photograph of linework for final presentation drawing Right: Completed master plan
PHOTOGRAPHY AND ARTWORK
e rica s chne ide r contact
6243 Briar Rose Drive Houston, TX 77057 Telephone 979.733.3496 e_schneider@tamu.edu
education Master of Architecture Texas A+M University, College Station, TX 8.2011 - present Certificate in Sustainable Urbanism / 4.0 GPA Bachelor of Science in Interior Design Baylor University, Waco, TX 8.2007 - 5.2011 Graduated Summa Cum Laude
experience Texas A+M University, College Station, TX Graduate Teaching Assistant, 8.2013 - 5.2014 Teaching assistant for CARC 301 Design Studio in Castiglion Fiorentino, Italy (fall 2013) and ARCH 213 Sustainable Architecture (spring 2014). Kirksey Architecture, Houston, TX Architecture Intern, 5.2013 - 8.2013 Worked as a junior designer on the civic and education design team. Assisted with construction documents, presentation graphics, material selection and client relations. Stan Love, AIA, Waco, TX Interior Designer, 12.2010 - 8.2013 Provided design services for a vacation home in Lake Whitney, TX and a residence in Waco, TX. Responsible for material, finish and fixture selections, client relations, presentations and construction drawings. RBDR Architects, Waco, TX Architecture Intern, 9.2010 - 12.2010 Worked as junior designer on commercial projects, focusing on educational facilities. Assisted with presentation graphics, detail drawings, and resource library management. Rottet Studio, Houston, TX Interior Design Intern, 6.2010 - 7.2010 Worked as a design intern on commercial projects, focusing on corporate and hospitality design. Assisted with presentation graphics, finish and furniture selections, schematic design and detail drawings.
design qualities Architectural design, interior design, construction documentation, material selection, sustainable strategies, LEED documentation, sketching, digital and physical modeling, photography, graphic communication and presentations.
software skills Artlantis, Adobe Illustrator, InDesign and Photoshop, Archicad, Autocad, Google Sketchup, Maya, Microsoft Office, Revit Architecture, Rhino
activities Emerging Green Builders, promoting sustainability in design Graduate student advisor, 08.2011 - present Tau Sigma Delta, honor society in architecture and allied arts Member, 02.2012 - present Design Charette, master plan for a sustainable development in Angwin, CA Assistant to Dr. Phill Tabb, 11.2012 Design Charette, Wilkerson Mill expansion for Serenbe Community Assistant to Dr. Phill Tabb, 05.2012
achievements LEED Green Associate Finalist, Castiglion Fiorentino del Futuro Design Competition, Italy James E. Deininger Traveling Fellowship, Texas A+M Catherine L. Gauldin Endowed Scholarship, Texas A+M TSA Scholarship, Texas A+M National Qualifier, 2011 IDEC Student Design Competition, Baylor University Baylor University Academic Dean’s List, 8 semesters