A Shade of Gray

for Lissie

A Shade of Gray (2006)

Eric Guinivan (b. 1984)

Duration: 9 Minutes

Instrumentation Solo Flute 4 Horns in F Percussion 1: Chimes (Tubular Bells) Bass Drum (shared with Percussion 2) Large Tam-Tam (shared with Percussion 2)

Mallets and Beaters: Chime mallets, soft yarn mallets, hard yarn (or cord) mallets, Bass drum beaters, Tam-Tam beaters *Bass Drum beaters should be used to play all Bass Drum notes, and Tam-Tam beaters should be used to play all Tam-Tam notes.

Percussion 2: Vibraphone Bass Drum (shared with Percussion 1) Large Tam-Tam (shared with Percussion 1) Mallets and Beaters: Medium-hard yarn mallets, hard yarn (or cord) mallets, Bass drum beaters, Tam-Tam beaters *Bass Drum beaters should be used to play all Bass Drum notes, and Tam-Tam beaters should be used to play all Tam-Tam notes.

Piano Celesta Violin I Violin II Viola Cello Double Bass (with extension)

for Lissie

A Shade of Gray

Score in C

for Flute and Chamber Orchestra Adagio q = 60

Solo Flute

Horn in F 1.3

Horn in F 2.4

 













ppp



















  

























 

 

 

p

  



 









  



  

  

 

 

Vibraphone - Slow Motor Medium Yarn Mallets

















          p























 mf

 













 























 





























without mute







 

with mute

p

  

with mute

   

 

 



 Double Bass  



Violoncello





  Violin I  

Viola

p

 



Adagio q = 60

Violin II





pp

Celesta

 



Eric Guinivan

  

Chimes - soft yarn mallets

Piano

 

flutter

ppp

   Percussion 1     Percussion 2



ord.

1

  



  

 



 





   

p









 

 





 

(without mute)



 

(without mute)









2

3

4

5

 

© 2005 Eric Guinivan





p

 

p (without mute)

  p

6

ppp

pp

 ppp

pp

div. without mute

      

 

  

 

   

 

 

p



 

pp

    mp

 

 

div.

7

    

    

div.

8

mp

9

2

10 2 + 2 + 3

Solo Fl.

Hn. 1.3

 





  





Perc. 1

  



  



 

flutter





ppp

  

 



  

 



p

Hn. 2.4



ord.

mp

   

pp

   

p

 

 

pp





             





































(Chimes - soft yarn)

              

Tam-Tam







p





 

Bass Drum

p

(Vibraphone - medium yarn always)

Perc. 2



mf



 

Pno.

 



   

Cel.

Vln. I

 





mf



10

           mf

Vla.

Vc.

  

    

 

 

   

        mf

Db.

 

p

Vln. II



    

 

 

  

               

10



f



   

   

  



div.

 

  



f



   

 

p

unis.

    f

               f

   





p

 



 

p

f

 

 



p

 

unis.



f

11





p

12

13

 

Solo Fl.

Hn. 1.3

Hn. 2.4







pp

  



   

  mp

(Bass Drum)

Perc. 1



ppp

1.   



3

3+2





 





pp





  



 

                         

 

  

ppp

(Vibraphone) Perc. 2

 

pp



5                   5

pp





  Cel.

Vln. I

      

Db.





   ppp



3





   

 



  





  



pp

pp

   



 

  

Vc.

   5    

3 3 3       3 3                          ppp pp    3

3

pp Vla.





pp

Vln. II

              

  

ppp

5

Pno.

rit.

pp

14





        

rit.



ppp





ppp

n







ppp



ppp



15





ppp

n

16

4

17

Slow and Free q = 48

3 5 3                          p

calm and mysterious

Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

Perc. 2

Pno.

Vln. I

p

  

p

pp

3

pp





  





  



 



 





p

























Tam-Tam



p

mf

    



  



  

mf

  

ppp

 

Vla.

 

sul pont.

div. a 2



ppp

   

 

ppp

  

ppp

Db.

  

 



  p

ord.



ppp

  p

 



div. a 2

 

  p

sul pont.

div. a 2

Vc.

 



sul pont.



ord.





17

18

pp



 



  

ppp

 

mf

 

  

 



mf

sul pont.

pp

pp

   

sul pont.

  p

pp

 

 



    

 

  

    

 





mf div. a 2

mf div. a 2

mf

19

pp

  

pp



pp

sul pont.

pp

pp

20

p

ord.

 

mf

 

sul pont.

    



ppp





p

pp

   

ord.



 

ord.

 

  

    

sul pont.

     mf

div. a 2



  

ppp

Vln. II









p

pp



17 Slow and Free q = 48   unis.     

p

a2







  



3

5

mp

p



  

3                   

 

p

21

pitch bend 3

3       3                             

Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

Perc. 2

  



a2



  

p

  









     3

p

f

mp



  

3

p

5

27     













   

(Tam-tam)































p

  



     



pp

    





 

    

p

  

sul pont.

pp

   

 

p





 

p





   

 

p

23

ord.

  pp

p

  

pp

  

f p sub.

 

ord.



p

pp





ord.



pp

p



   

pp

      27  sul pont.        

ord.

sul pont.





22

  

ord.

 



pp

mf



sul pont.

sul pont.

pp

  

pp

     sul pont.

ord.

sul pont.

ord.



ord.

      

p

 sul pont.



   

p

 

sul pont.

   

Vc.

pp



ord.

p





ord.

sul pont.

ord.





 

sul pont.

   

Vla.

pp

p



Vln. II

Db.



pp

p

mp

f

   

 



Pno.

Vln. I

mf

3

3

echo

   

p









pp

24







ord.

 pp

  

sul pont.

ord.







    



p

25

pp



26



mp

  

f p sub.



  

f p sub.



  

f p sub.

    

f p sub.



 

sul pont.

  

f p sub. ord.

   p sub.

     p sub.

27

6    

Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

Perc. 2

Pno.

Vln. I



      

5

3

  

p









p

mf

     3

pp

poco

 

 

 

mp

f

p (a 2)















































   

pp

 

  

 

  Vc.





 

sul pont.

sul pont.

Vla.

 

sul pont.

ord.





mp

mp



 

pp

 

sul pont.

 

 

pp

mp



  



pp

 

 

sul pont.



mp



 

 

 

mp



 

 

pp

 

mp

mp

 

 

p

mp

ord.



pp



pp

 

sul pont.



 

ord.

 

mp

ord.



pp

 



pp

 

mp

 



29

 

sul pont.

sul pont.

ord.



28





 sul pont.

ord.

 

 

sul pont.

ord.





ord.

sul pont.

 

sul pont.



ord.



pp

mp

  

 

 

ord.

mp



   





Vln. II

Db.

3   

30

ord.



pp



Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

Perc. 2

Pno.

Vln. I



      3



   

3

   

   

 











ord.

p

f

mf



  

 

poco rit.

flutter



p

mf



































































  

 

  Vc.

pp

sul pont.

sul pont.

Vla.



  



mp

 

mp



pp

ord.



pp



 



pp

 

sul pont.



31

 

mp

mp





   

sul pont.



 

mp

  



 

 

ord.



pp

ord.



pp

mp

 

sul pont.







32





  



poco rit.

 

mp



mp



ord.



pp





pp

  



 





ord.

  



sul pont.



 

pp



sul pont.

  

mp





 

ord.

mp





pp



sul pont.   



 

sul pont.

pp



ord.

 

ord.

ord.

  



  

 

 

ord.

mp



 



 sul pont.

ord.

 







   

Vln. II

Db.



p

 

7

3+2

3

 



mp

 

 

ord.



pp

 



33

8 Solo Fl.

Hn. 1.3

Perc. 1

34 Moving Forward q = 66       

       

f (a 2)



p

ord.

 ppp

p

  

        Chimes - chime mallets



Pno.

  





pp

              

  

Vln. II

Vla.

   

Vc.

 

  





mp

  

pp div. a 2

(ped. until m. 59)





 







 

p

        

with vibrato

p

 

   

 

 

ppp

ppp

 

p

         p























 



 

ppp

 



ppp

 















34

     

 

  

        







  

 

ppp

pp

p









 

  

 

ppp



 

p starry

p



  

 

 

ppp



ppp



ppp

36



ppp

ppp



 



ppp



starry     

   

     



 

















37

38

39

ppp

35

p



   



  



   







 

 

starry

pp

p

   

with vibrato

   



(ped. until m. 63)

mp

p



   Db.

 

flutter

           

              

div. a 2   

 

mp

(ped. until m. 58)

34 Moving Forward q = 66 div. a 2         pp div. a 2        



  

mp

 Cel.    

Vln. I

p

 

pp



(Vibraphone)

Perc. 2



40 blend with piano and vibraphone           

Solo Fl.

pp

Hn. 1.3

   

p

mf

Perc. 1



  

Tam-Tam

 

p

mf

mp

 

Bass Drum



pp l.v. sempre

pp

 

 

p



( )

40   

  



  

mfpp

 



  

 

  

         

sim.

sim.



ppp

  

   

mp

pp

 

 

 

 

l.v. sempre



pp

p



  

 

  

 

  

 

 

div.   

 

 

 

 

div.

ppp

40

     

 

mp

ppp

mp

ppp

mp

ppp

 

41

  



 

  Db.  

 

      

 

 

42

poco

   

     

       





   

  

ppp



ppp

mp

ppp

 

pp



ppp

div.

Vc.

  

mfpp mfpp

unis.

Vla.

   

mf

Vln. I

Vln. II

     





 

( )

Cel.

 

mp

blend with flute and piano                         Perc. 2     ( ) (Vibraphone) blend with flute and vibraphone                     Pno.    poco

9

  5  



ppp

 

     

mf

 

mp

ppp



pp

 

ppp

Hn. 2.4

               

43



   

10

44 

Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

 

p

mf



  

mp

pp

mp

  

 

pp

Vln. II

Vla.

Vc.

Db.

  

          3

    

  

 

   

   

    



 

 

 

mp

 

 

       



pp

p

 

 

 



  



  

  

  

  

 

 

 

 





  

 

       

 

 

pp

mf

pp

 

mf

 

pp

mf

pp

mf

pp

 

 

 

 

pp

mf

44

 

   

pp

mf

45

 



mf

     

  



pp

  

    

      

mf

  

 

         

   

3



    

 

pp

      

mp

 

poco

p

 

pp

 

         

mf

 

 



 (Vibraphone)     ( ) mf

  

p

 

(Bass Drum/Tam-Tam)

        

mf

 

  Pno.    ( ) mf     Cel.   ( ) 44        

Vln. I

f

pp



  

      

mf

    

p

Perc. 2

     

46

47

     

                     

48 

Solo Fl.

Hn. 1.3

  

f

p

Hn. 2.4

Perc. 1



  



3

3

  

f sub.

                  

   

mp



    

Vln. I

 

 p

pp

     

 

  

  

 

Vln. II

Vc.



p

3

 

 

  

 

   

        

    

 

  

 

  

   

pp

  

mf

mf

pp

mf

 

p

 

  

       

     

 

  

 

 

    

 

  

  

pp

 

pp

50

 

       

 

mf

     

     3

pp

 

49

       

 

  

pp

mf

pp

 

 

                

div.



mf

48

   

        

mf

mf

pp

3

pp

  

3

3



       

mf

 

 

mf

    

 

   

3

   3            

 

      



 

mf

 

 

p

f

3

p

   

    



3



  

Vla.

  



                    3

 (Vibraphone)              ( )

Cel.    ( ) 48    

 

        

p

mf

mp

(Bass Drum/Tam-tam)

 Pno.    ( )

Db.

p

p

mp

Perc. 2

mf

      

11

51

12 

Solo Fl.

Hn. 1.3

  

  

mp

Hn. 2.4

Perc. 1



  

C#   

 

 

 



p

 



pp

        ( )

      Pno.   ( )

Vln. I

Vln. II

  ( )         

3



 

 

 

   

     

    

  





a2



G§           6



p

a2

 p

mf





 

 



 mf





p

Chimes - Hard Yarn Mallets



mf

blend with piano and celesta

   

  

      

mp

    

blend with vibraphone and celesta

                       

  

 



53

 



                   

blend with vibraphone and piano

mp











 



 



mp

mp

mp



 

    mf

mp



mf

Db.



3

mp

mf

Vc.



    

mf

Vla.



(Bass Drum/Tam-Tam)

(Vibraphone)

Cel.



p

  

  

3

f

mp

mf

Perc. 2

 

mp

3 3                



53

mp unis.

mp

 

 mf

 

 

mp unis.





mp

52

53

54

  

  

 





p

mf



Solo Fl.

Hn. 1.3

Hn. 2.4







 



p

mf

   

 

(Chimes - hard yarn)

Perc. 1

Perc. 2

(Vibraphone)         

3       Cb                





p

    

 

 





f

p





p

mf

mf

     



 f





p

  

f

     

13

G§       5

     

  

      

 



mf

( )

                  Pno.  

                    

mf

Cel.

  

Vln. I

( )

                              

mf

( )





mf

f

 



mf









f div.

Vln. II

Vla.

 





 



 



f

 

Db.







mf



55

 

 

  

 

 

 





f

56

57



 

 

f









f Vc.



       

58

 

14



Solo Fl.

Hn. 1.3

 

  



 

 p

Hn. 2.4







   



f

Perc. 2

(Vibraphone)     



( )

    

Pno.

Cel.



 





 



  

Vln. I



Vla.

Vc.



  

   f

 



 

  



59



     fp

fp



p

  

with chime mallets

 

  

   

pp

 









        







p

    

    mf   

p

p

 p



p

 p

 



p

f

       ff

       

unis.

 

unis.     f   

60



f unis.





     

61    f     



  

  

 

f

p







f

Tam-Tam

           

      



   



  

ff

 f   

 



 



 

f

   



  



    

   f



p

f

( )

 

Vln. II

Db.

  

  





61    

flutter

mp

 

  

( )

 

 

(Chimes - hard yarn)

Perc. 1

 

ord.

f

f

61





Solo Fl.

Hn. 1.3

Hn. 2.4

 

pp

   



               





 









 











 

poco rit.

f

  

f

f

    

 

(Chimes - chime mallets)

Perc. 1

15

gently - like a sigh

 





Bass Drum

pp

    

 

Vibraphone

  

(Tam-tam)

Perc. 2



 

    

  



Vln. I



  

Vln. II



Vla.



Vc.

Db.







           

p



   



  



 





Cel.



l.v.

   



Pno.

p







 



  p

     

p

                         



unis.

poco rit.

p

 













p

p





 

mp

 

p

 



mp

62

p

63

64

ppp

16

65 Slightly slower q = 56 70                       

Solo Fl.

pp

Hn. 1.3

Hn. 2.4

Perc. 1

mp

mf

f

p

   

ff

mf

f

ord.

 























































  

(Bass Drum)

   

(Vibraphone)

Perc. 2

p

  

 

 

ppp

 

















 

















ppp



   

ppp

Pno.

Cel.

Vln. I































































65

70

Slightly slower q = 56

 Solo (1 player)    pp

                   p

mp

f

mf

  p

    

  

mf

ff

f

Vln. II





















Vla.



































Vc.

Db.

















dim. poco a poco

dim. poco a poco

65

66

ppp





ppp

67

68



69



70

71





72

 n

73

 

flt.



Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

Perc. 2

Pno.

Cel.

  











75 

pp

mfpp mfpp

mfpp



















   



 









75  

p

Vln. I





       

 





  



p







     

p div. a 2

p

Vla.

Db.



                                                  mfpp mfpp mfpp

 

    

























 

p

 

p

  

  

 

 

  

 

  















 

   

 

div. a 2

p

div. a 2



     

p



  div. a 2       







  









74

75

76

div. a 2



p



77

   p



   



 



  p

  











78







 







 







   

         





  

 





 

div. a 2    





   

p

17



   



20

mp

    





freely



tutti; div. a 2





Vc.

mfpp

   

div. a 2

Vln. II

  



(Vibraphone)



        like a bell



18

79

In Steady Tempo e = 152

Solo Fl.

         p

Hn. 1.3

     

Hn. 2.4



  

pp

pp

Perc. 1

pp

Perc. 2

  



 

Pno.

Cel.

Vln. I

Vln. II

Vla.

Vc.

Db.



  

 





 



  



p

pp unis.



   f

  

 

pp subito



 

pp









       







        





pp unis.

pp

   

pp

   

            

f

f

div.

f

        f 79





80

 

  



pp

mp

        

a2 pp

 

a2



pp





 



 

 

                  

 

pp



 

          





pp subito

        

 

f







unis.





 

In Steady Tempo e = 152

pp

 





         p                          



79



 like a music box    



 

 dampen   

p



 



 



 





mf









mp





f

(Vibraphone)

pp



   

Bass Drum



gently flowing

                            



f

 

    





    

 

   



4 + 3 + 4 + 3 (  X 2) (through m. 106)

2+2+3



 



 

 







 









































81

82

19                                                             

Solo Fl.

mf

Hn. 1.3

Hn. 2.4

Perc. 1



Vln. II

Vla.

Vc.

Db.

p

mf

mf

     



( )



   

  

       

    

 

( )     

 





 



 





 

pp





   





  

 

   

  

   





                               

 



pp





mf

     

 

pp



       ( )           

 

 

mp



p

pp

   

  

Pno.

Vln. I

p

mp

   

 

Cel.

mf

                             

(Vibes)

Perc. 2

p



 





 







    

  

  





  





 













 













  













83

84

85

20

88                                

Solo Fl.

p

Hn. 1.3

Hn. 2.4

Perc. 1

pp mf

                             



( )

( )

Vla.

Vc.

Db.



 



f

p













 









   



 

   

        mp      





 

 



 

                                           

  Cel.    

Vln. II

pp

mf

 

( )

Vln. I

  



    

  Pno.

 

  

f

pp

mf

    

(Vibraphone)

Perc. 2

pp

pp mf

 





    







 

      

 





mp

       mp



 



  88

 

  



  









mp



  



mp

 







unis.   

 













  













86

87



mp

88



21

Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

                                                

p

p

f











  













  















  

 

( )

   

Pno.

 



( )

Cel.

Vln. I

Vln. II

Vla.

Vc.

Db.

f

p

f



(Vibraphone)

Perc. 2

p

f



   



   

 



   

            



  

 



 





 

             

       ( )

 



 

 

   

 



 

    



                            











 

 

         





 



mf









mf

 



 













  













89

90

91

22

                                                  

Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

p

  









  









  









     ( )     

(Vibraphone)

Perc. 2

Pno.

Cel.

Vln. I

Vln. II

Vla.

Vc.

Db.

f mf



    ( )     ( )

 







  



  



 

 



    



 







 











  







   

    

 



   







 









   



   



 





   



 





 









  









92

93

Solo Fl.

94 singing and expressive (cantabile)        f

Hn. 1.3

   



      

pp

 





 

 94     

 



 

  



div.    

 

mf

mf

Vc.

Db.





23 

f

 

   

 

 

 



f



 



 

mp

     

  



    

pp

 



 

   



 





      





                                                   

mf

Vla.

   



mf

mf

Vln. II



   

dampen slightly with hand - allow both articulation and resonance of each note

    

    Cel.    

Vln. I

  



           

mf

 

  

pp

mf

(Vibraphone)

Pno.



  

  

      (Bass Drum)

Perc. 2

 

pp

mf

pp

Perc. 1

   



                                                         pp

Hn. 2.4

 

     

 

unis.



mf



94

        

   

  

 

 

  

 

 

 

 

 

 





95





 

     



96

         

 

f



 

f





 

 



 







97



24

98   

Solo Fl.

     

ff

Hn. 1.3

Hn. 2.4

  





 











ord.



                                                          p

     

  



f

   

p

  





f

                                 (Bass Drum)

Perc. 1

Perc. 2

Pno.

Cel.

Vln. I

Vln. II

Vla.

                                                                    



f

                                                                       

 



f

     f

     98     

 

 



 unis.   





    f

 

f

Db.





  

 





f

Vc.

p

mf

(Vibraphone)



   

      



   

  



  

 

 

 



  

   

       

  

 

 

 

 

 

 





  

 







  

 





 98

  



 

99

 

100

 



 



 



101

    

flt.

Solo Fl.

Hn. 1.3

Hn. 2.4

   

  

 

p

104    f

                               p

     

  





 

p

                              (Bass Drum)

Perc. 1

f

 ff

 







 



 

f

  

25



 

p





f

  



                                                                  (Vibraphone)

Perc. 2

mp

 

                                                                   

Pno.

 



    

Cel.

Vln. I

Vln. II

Vla.

    



  

   

 

 

Db.

  



   

      

 



                      



                        104          f



 





 

 















     





 

Vc.



  



f                       

102







103

 



 

 

 

 













104











105

26 Solo Fl.

Hn. 1.3

Hn. 2.4

 





       



 p





 f

f

p





 



















 









  



  

( )

p

f

p

f

                   (Vibraphone)

Perc. 2







p

     







(Bass Drum)

Perc. 1



 

f

   

 



ff



f





p

f

  

                                    

 



                                                       

Pno.

                                                  





                                                       Cel.

Vln. I

Vln. II

Vla.

Vc.

Db.

 

 

    



 

            

   

 









        

 

106

  









   





 

 

 

 





   



 



 

 

 

f

 



f

107

  

 



            

108

   





 









 



 

 109

110 

 

ord.

Solo Fl.

Hn. 1.3

 

flt.

      

    



        f

  



   

   ff

ff

ff

ff

ff

Vln. I

Vla.

 



mf

mf

pp

     

   



 

 

        

 



ff

   



 



 

     ff

   

    3 3 3    3          mf     



   

mf

        





 

ppp

mf



dim. a niente poco a poco

mf









111

p



ppp

mf

p



ppp

mf

dim. a niente poco a poco

110





110      

ff

Db.



 

with soft yarn mallets



mf



ff

Vc.

pp

mf

 

ff

Vln. II



3

ff

 

pp

mf

Chimes - chime mallets l.v.

          

Cel.

 



f (Vibraphone)

Pno.



  

(Bass Drum)

Perc. 2

 

         f

Perc. 1



        f

Hn. 2.4



fff

  

27

     7  5         7                        

p

p

mf

112

113

28

Hn. 1.3

Hn. 2.4

Perc. 1





Solo Fl.

  

116 Adagio q = 60   







































 (Chimes - soft yarn)    (Vibraphone)

  



  

 



 





  

 

 



 

ord.



p

Perc. 2



 

flutter



ppp

p













  





p



















































































Vln. I

 







Adagio q = 60



 

with mute





p

 

with mute

Vln. II

Vla.

Db.







  





   



























 















 















 



116

117

118

119

120







ppp





ppp

114

n





p

























pp

  p

 p

n

115

 

 















Vc.





        



116

ppp





Cel.





p

Pno.

 



  





121

 p

ppp

 pp

ppp

 

 



 



 





122

29 Solo Fl.

Hn. 1.3

 







  







2+2+3

molto rit.







  

 

   

 



p

Hn. 2.4

  





     

 

(Vibraphone)

Perc. 2

Pno.

Cel.

Vln. I

    





 



 





 

  





 

 

Vln. II

Vla.





 

           

 

            

















   



    

 

 

        mf

    

div.

mp

124

  



  

  

           

125

      

f





 







    

  

 

p

mf

 

123

mf

      

mp

   Db.  



without mute

 

   



  





    

  



mf



p

 

         

     

div.

Vc.

mf



div. without mute



 

(Chimes - soft yarn)

Perc. 1





    

    

molto rit.

div.

f

p

   unis.

f

   

              f

f



p

   

unis.

126

mf

  

mf

p

mf

 

p

f

   

p



 

mf

      

mf

127

30

128

Solo Fl.

 

Hn. 1.3

Hn. 2.4

Slow and Free q = 48 calm



Perc. 2



p



     

 

 

mp

p



    p





















  





















































128   

Vln. II

with chime mallets







 ppp



 





  pp

p





pp





pp

 unis.  





unis.

 

Vc.



Slow and Free q = 48

pp

Vla.



pp

Cel.

Db.

 



Pno.

Vln. I



 

(Chimes)

Perc. 1







 pp

p









ppp

 

 ppp

unis.





pp

128



129



130



ppp

131

 

Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

Perc. 2

 

mp

f

pp freely

 p

ppp

mp

   p















 



































































Cel.

 

Vln. II



Vla.





  





133

n



Quasi-cadenza

 

 

Vc.

Db.



D§   



Pno.

Vln. I

 

133 Quasi-cadenza  6 6 F§                











  







  







133

134

135

n



132

n



31

32 

Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

Perc. 2

       p

mf

 



          

pp

f

fade away delicately  

   



 

mf

mp

     



p





























 



































































































 

























Pno.

Cel.

Vln. I



Vln. II

Vla.

Vc.

Db.





















136









n





























137



138

139

3+3

        

A tempo (q = 48)

Solo Fl.

Hn. 1.3

 

 



     



  

Hn. 2.4

    



 



pp non cresc.

Perc. 1

    

Tam-Tam



pp

      

 

Bass Drum

Perc. 2



ppp non cresc.

 

Pno.



pp

 

 

Cel.

Vln. I

 

    

 



 sim.   

 

  

 

ppp

 

 

pppp sim.



  



 







mp

  

pp

  



div.



pp

mp

  

pp

 



pp

 

mp

  

pp

 

    



  

        

pp

mp

140

pp



 

 

pp

    

 

molto rit.

ppp div.

ppp

ppp

ppp

  ppp

 p

p

p

  p

  p

141

 

    

 

    

 

   

 

     

 

   

 

ppp

ppp

ppp

ppp



3+2





1.   











mp

  

 

mp



33





 

pp

    2.

pp

   

ppp

In Steady Tempo q = 60

pp

 sim.    



mp



div.

Db.

 

    

 

pp

Vc.

 

  

div.

Vla.

dampen on rest

 A tempo (q = 48)



    

dampen



pp

Vln. II

ppp sim.

 on rest   



   

ppp sim.

 



pp

mp

  

pp non cresc.

         

molto rit.



p

mf

143

ppp

 



  

   

Chimes - soft yarn mallets

 

p

               

Vibraphone

p







 p







 

             



p

 



      



143 In Steady Tempo q = 60     



 

pp

mp

 

 

 



  

 

  



  

  

 







unis.

pp

mp

pp

mp

pp



pp

142

  

143

mp



mp



144



34 Solo Fl.

Hn. 1.3

Hn. 2.4

Perc. 1

Perc. 2

Pno.

Cel.

Vln. I

Vln. II

    

 p



Db.

 

 



 

 

 

 

 ppp

  (Chimes)   

  





   

 

 

pp



 





 

 





 

 

  



p



   

 

p



 



  

 

pp

pp

 

 

 





pp



pp

145

146

 

  ppp

pp

  



 



 

  

 

 



p

release with strings but allow to ring

 

 

  

 

ppp



  

pp

(Vibraphone)





  

                   

 

p

Vc.

n



p

Vla.



n

 

   

ppp

n

 

  

ppp

n

ppp

n

    

   

n duration: 9 minutes

ppp

147

148