Mie: Caprice for Eight Musicians by Eric Guinivan

– Mie – 見得 Caprice for Eight Musicians (2008)

Eric Guinivan (b. 1984)

Duration: 10 Minutes

- Mie 見得 Instrumentation Two Piccolo Clarinets in Eb Two Tenor Trombones Two Percussion Percussion 1 Drums: Bongos 4 Tom-toms Bass Drum “Logtone:”* 6 Log Drums* 5 Brake Drums* Xylophone* Chimes* Wood Block

Percussion 2 Chimes* Tam-tam “Logtone:”* 6 Log Drums* 5 Brake Drums*+ Xylophone*

*Starred instruments are used by both players the special note on player 2 break drum notation

+See

Viola Cello

Program Note “Mie” is a highly intense and

emotional pose struck in traditional Japanese Kabuki theatre that signifies the height of tension and drama. A mie pose typically involves swinging the head, taking a large step forward, spreading the arms, and often, crossing the eyes. The actor strikes the pose and then freezes briefly, at which point all other actors on the stage also stop their movements; the full attention of the audience and actors alike is focused on the mie pose.

- Mie 見得 Percussion Notes Unpitched Percussion Notation

Mallets and Beaters Needed Percussion 1 - Hard yarn mallets - Drum sticks - Chime mallet* - Soft bass drum beaters - Wood xylophone mallets*

Percussion 2 - Soft yarn mallets - Chime mallets* - Tam-tam beater - Hard yarn mallets - Wood xylophone mallets* - Bow

Notes on the Logtone The “logtone” is a composite instrument made by placing five graduated brake drums in-between six individual graduated log drums pitches. From player one’s perspective, the instrument should look vaguely like this:

Six individual log drum pitches are ideal, but three two-note log drums may be substituted if individual single-pitch log drums are unavailable. The logtone is played both by both players individually but is also played simultaneously from both sides by both players. When played individually by either player, the notation for the instrument is as indicated above. At measure 69, player 1 plays only the log drums while player 2 plays only the brake drums while standing on the opposite side of the instrument. For this section, the notation of the brake drums in the part only is reversed so that the ascent of written pitches will follow a left-to-right motion. It should be noted that for the performer, the sounding pitches will be contrary to the notation for only this section. At measure 120, player 2 is instructed to “move to Logtone position,” at which point he or she moves to the other side of the instrument while rolling on the highest brake drum. When the indication “Logtone” is given the following measure, the notation now conforms with the above notation diagram.

Further Percussion Notes Both players are instructed to strike log drums in their “dead zone.” The dead zone is the area of the drum opposite the slit where a thin, woodblock-like “thwack” sound is produced when struck, lacking the fundamental and overtones of the log drum pitch. This is indicated with a + symbol over the notes intended to be played in the dead zone. At measure 204, player 1 is instructed to insert a damper release into the chimes. The player should depress the pedal and insert a small object, such as a drum tuning key, against the sustaining bar so that from that point on, the bars ring freely without the need to depress the pedal. Player 2 is often required to play the Tam-tam with little preparation time following passages on different instruments. To facilitate the difficulty of mallet changes, the player may hang the tam-tam beater on the frame of the stand. When a quick note is called for, the player can lift and drop the suspended beater without having to put down his or her other mallets. The symbol is used to indicate dampening of both the chimes and the tam-tam. The sound of each instrument should be stopped precisely on the rest over which the symbol is written.

Note on Natural String Harmonics The natural harmonic passages in the string parts beginning at measure 17 should produce the following sounding pitches:

- Mie Score in C

見得 Caprice for Eight Musicians (2008) Freely q = 60

Clarinet 1

       n

Clarinet 2

Trombone 1

Trombone 2

    

3 3                      

  

Eric Guinivan

  



  



  



mfp

 



 



 



 



 

 with hands    

Bongos

  Percussion 1  



Percussion 2

  



 



Viola

  



 



 



 



 

   3                

      

Violoncello

  





ppp









 

 



  Cl. 1   Cl. 2

Tbn. 1

Tbn. 2

  

   p

 

   

 



      p mfp

  

mfp

  

  

      3

 



    

3  3         

mfp

   

 



 



 

     

  

Log Drums (dead zone) with hard yarn mallets



  Perc. 1   Perc. 2

  

  Vla.   Vc.

  

Chimes with soft yarn mallet

  pp

 







ppp

 

ppp











 



  

 



 

ppp

       8                         Cl. 1      5 p

Cl. 2

Tbn. 1

Tbn. 2

     

           

  

Perc. 2

  

Vc.

   





  fp





 

  fp



 







 



 





   

 Toms       

  

Bongos with hands

with drum sticks



  

 



  



    

ff p



 

   



 



 

 



  Vla.    







           

  



 

 

Perc. 1





 

        ff p

      ff

 

  

 



11   Cl. 1  





 





ppp





 Cl. 2       

ffp







       ffp

   

 

      3

ffp

extremely brassy

Tbn. 2



      Perc. 1   

ffp

       ffp

with chime mallets



  Vla.  



 







ffp

 Perc. 2    



 



ppp



 



 





fff

 

fff

 

fff

 

fff





  



  



molto



 p

molto

6 (dampen)

  

 



 

fff

  

  

 

        

 



 

ppp

 Vc.   

molto

      





  3    

molto



ppp extremely brassy

Tbn. 1

 



 



fff



Cl. 1



  

Tbn. 2





    

ffp

Perc. 1

      

 

ffp



ffp

     

 

        

ppp





 Cl. 2    Tbn. 1





 



ppp

ffp

  Vla.  



Cl. 1

   



  

Tbn. 1

   



             7



 





   Perc. 1   

Vla.

   

     

ffp



ff 3  







  

fff



  

 



 

   

   

ppp

  p



      

  

 



 

fff

 18          ff            ff pp        pp







 



with bass drum beaters







   

ffp







ppp

 Vc.    



  Perc. 2     



            

 

 

ppp



     

    

 



ffp

Tbn. 2

ppp







 

fff

ppp 3

Cl. 2





ffp

     

   

 

 

ppp







 





  

 

fff

     



 

 

fff

ffp

Vc.





fff





 Perc. 2    

 





      f





Tam-Tam

     



    



    

scrape with triangle beater



 

ppp



 



 

         Cl. 1            Cl. 2         19

Tbn. 1

  3 with mute     

  

   3    

 

 

 

 

 

 

 

with mute

Tbn. 2

with trombones    3 blend    Perc. 1      

 Perc. 2   



  



  Vla.  



     

  



 



  



    





 

 

   pp







 

ppp

       



      





with tam-tam beater



ppp

 



ppp

 Vc.   

ppp

  







      5



 

 Cl. 1  

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1

Perc. 2



  

ppp

 





  

 

  



ppp





 





 

ppp

  



   ppp





 





 



 











with bow





ppp

  





 

                                     Vla.      5

dim. poco a poco

5 ppp

                                                      Vc.   5

dim. poco a poco

ppp

5 24

  Cl. 1  



 



  



 



  



 



  



 



  Perc. 1  



 

Cl. 2

Tbn. 1

Tbn. 2

Logtone with hard yarn mallets



  





  Vla.  



     

Perc. 2



 

    

ppp 5

 Vc.   



 

ppp

 

   

 



          



5 ppp



ppp

                             p

soloistically    

                              

Perc. 1



           pp

f sub. p

              

(Brake drums)

mf fp

   Cl. 1  



32  

  



     

Cl. 2

Tbn. 1

Tbn. 2

Moving Forward q = 120



 



 



 



        Perc. 1            15



    



  



Vla.

  



Vc.

  



Perc. 2



Chimes with soft yarn mallets



   mf

 

f sub. p





                 p mf                             mf

  

 

 

6 3



 Cl. 1 

  

Tbn. 1



 

  

 



Tbn. 2

Perc. 1



Vla.

Vc.

ffp

























with soft yarn mallets



  

    p mf



                     p     p mf mf                p mf



  3





   

      



with chime mallets

(poco)

fff (dead zone)

                          p







     

     

14:12

Perc. 2







fff

ffp

without mute brassy!



    

             6

 







fff





fff



ppp without mute brassy!



    



ppp

Cl. 2



      



ppp

fff

 37

 Cl. 1 







Cl. 2

    

 

 3   

 

Tbn. 1

Tbn. 2

Perc. 1

 











  











 Vla.  

                     sim. sempre           

Vc.



 

sim. sempre



      



Perc. 2



   

    mf Drums

      p

  

                                        

  Cl. 1  39

Cl. 2

  p

Tbn. 2

Perc. 1

Perc. 2

Vla.

Vc.



 

 













   

with drum sticks

       p mf

  

   



 

   

 



 

   



  p

Tbn. 1



 

  p

















 

    



   

               

   

         p p



  

                              



  3 





   

    



     

  



 Cl. 1   Cl. 2

Tbn. 1



  

 





  



 

    





  







  





 

 



      

            











 Vla.   Vc.

 

  

Perc. 2





 

      Perc. 1    Tbn. 2

      

  

    



  

   

 

3          p p

 





  

 





  





   



    

      

     

    3

                      3

43   Cl. 1 

  

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1





 





 





  



  

  

   







      

  p p mf



    5

       p p 3



      





 Vla.  



 







  

Perc. 2



 









3

                  Vc. 

  

    

  



  3                                         

   

     



     Cl. 1    3

    

  

    



   



      3 Perc. 1      



Tbn. 2

Perc. 2



Cl. 2   

Tbn. 1

 



   

    

   







  3      





   

   







   

     3



3 3    3                       Vla.                      3                                                   Vc.  3 3 3





       5     p p

3 



   

 3



 

  

 3



   

   



  Cl. 1  47

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1









 

  







 

 

 

 



3

 f



   



      p p







   



      3

  

  

Perc. 2



 



 



  

     





   

   

3      p 3



3 3 3 3 3 3                        Vla.                                                                                             Vc.  3 3 3 3 3 3 3

 49

 Cl. 1 

Cl. 2

  

Tbn. 2

Perc. 1

Perc. 2

  

  









         3



 





 

  



   

            

 3







      

 



 

sub. p



 

 





 



  

 





 

        p

 

sub. p





  Vla.     Vc.

 

 

 

 

  

 



 

 

   



 f

  mf

Tbn. 1



       

  p



 

    

                   3          3 3    6 3                 3                    3 3

   

   

51 3           Cl. 1  

 

ppp

3          Cl. 2   

Tbn. 1

  

 

ppp

 

 



ffp

      Perc. 1   



  

Tbn. 2

  



  

        3   Vla.   

  

Chimes with chime mallets

Perc. 2





3    Vc.        

 54

Cl. 1

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1

   







ppp

 

fff



        7





 

fff



   

 

fff



  ppp

   







   

ppp

fff



 ppp





l.v. sempre

fff





 

ppp

  

    

         

ffp

 

ffp

       

        







 

 

  



  ppp

fff

   



   



                



ffp

   

Perc. 2       Vla. 





    

          



 



fff



 

 

Vc.



ffp

             

   



ffp

ppp

 

fff





           

   



fff

ffp





 



ppp

fff

        



   



ffp



fff

     

   







3  

ppp

 

11 57

Cl. 1

Cl. 2

Tbn. 1

  

  



  



fff

              ffp

Tbn. 2













  



ppp

         

       5







ppp

fff







ffp

      



ffp

       

fff

ffp

                

Perc. 1



 



     Vla. 

  

Vc.



 60

Cl. 1

Cl. 2

Tbn. 1

  

  



Perc. 1





fff

    



         ppp









ffp

fff

ppp

     fff

    

fff



 



 

        



fff

        fff



       

 

     

 

          p



 

 molto

  

ppp



  molto

(follow trombones)

 









 





 

fff

 3         ppp

fff

 

molto

ppp

 

 



ppp

      p

   

p subito

 

fff

   

           5



fff

        

      p



           6

 

 

fff

         



    

    Vla.  Vc.





 



ppp

ff Perc. 2



 

ppp

 







ffp



fff

   





fff

Tbn. 2





Perc. 2





fff

63 Freely h = q = 60           Cl. 1   pp

Cl. 2

   





p Tbn. 1

 

       

 p

  pp



   

 p

    



 p

 



fff



   Perc. 1       



   

 l.v.

   Vla.       

ppp

 

Perc. 1

Perc. 2

Vla.

 

  

 





 

 



                       blend with cello



p mf blend with viola









                 









ppp

  







    Vc.  





 pp



 

ppp



ppp

  

     





 

ppp





 

 







 

pppp







balance with trombones

              

ppp



ppp

  

 



 

                        



l.v.

  

  





   



 

      Vc.  

Tbn. 2

  

    

Tbn. 1

Tam-Tam with tam-tam beater

ppp

Cl. 2





with bass drum beaters

ppp

   Perc. 2    



ppp

fff with soft yarn mallets (barely audible)

67   Cl. 1 

 p

  

fff





ppp

       

Tbn. 2

 











 





  3    

Slower q = 52

 



blend with strings 70

 Cl. 1 



  





blend with strings         

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1

Perc. 2

 











      



 

 

 

 

  pp



 



 



 



 



 

  

 



 



 



 



 



 

       ppp pp

(soft yarn)

  

    

Log Drums with hard yarn mallets 3



 

Chimes



ppp

   

     

    

  

 

blend with clarinets

 

  



6       p ppp

Brake Drums with hard yarn mallets 5

  

ppp



  p

 

ppp

  

  pp

        

 

blend with clarinets

  

        

   

3   p ppp

ppp

 



 

   

 

     

 

3       Vla.   Vc.

ppp

 

 

ppp



 





  

 



  Cl. 1   Cl. 2

Tbn. 1

Tbn. 2

  

 

 

  Perc. 2              p

Vc.



       p



 









 



 

 

 



 

  

 mf



 



 



 



 



 



 



 



 

    

 

5     Perc. 1        p ppp

Vla.



          



   

ppp

    

   p

ppp 3

  3     p ppp

      

  

  

  

ppp

  

 

ppp

5        

ppp

   

 

       6

ppp



 



 

 



80   Cl. 1  

Cl. 2

Tbn. 1

Tbn. 2





   

 



  



 



 

 



 



 



 



 



 



 

      

      Perc. 1        p

            5

  



   Vla.   

 

  

  Vc.  

 

 

 



ppp

 

  

 Perc. 2   

 

  



          

         



ppp

           



ppp

3   

  

 

 

  



 

 3   

 



83   Cl. 1  

Cl. 2

Tbn. 1

Tbn. 2



 

  

 

  



 



 



        



ppp

       Perc. 2   

Vc.

     





 



  

     



   Perc. 1   

Vla.





ppp

    mf

   mf



  

ppp 7

6    

ppp





 



 

      5

  3



  





 

ppp

 



 6



   p

 



 

ppp

  

 

87   Cl. 1  



Cl. 2

3         

         





  



poco

sim.

    pp

  



Tbn. 2

  



Perc. 1

  



Tbn. 1

Xylophone

Perc. 2

  

with wood xylophone mallets

     pp mp 3

   Vla.    Vc.

poco

sim.

   

     3

     p pp

   

poco

     

7    



exaggerate swells

     p pp

       5

poco

      pp

     

sim.



91             Cl. 1 

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1

 

  Perc. 2      5

Vc.

       pp



7                         5

pp 3

      





           pp

           p pp

sim.

 Vla.    p

pp 6 5

           p pp 

         





pp 5

     p



          

          pp

        7

      7

        3

       

16 94              Cl. 1  5

     Cl. 2   

Tbn. 2

Perc. 1





 

Vc.

         3







 



 

      p

    

           5

       

       5

       

       pp



  

        pp

 

   



  Vla. 

 

    

  3              Perc. 2  6

          

         



Tbn. 1

          

 



  



 



Tbn. 2

  



 



Perc. 1

  



 



Tbn. 1

                         Perc. 2    6

   Vla.  

           p

                     3

        p

Vc.

 

           

             6

                    

         

     Cl. 2   

    

                    

97             Cl. 1  







Broad and Expansive

    

 

blend with log drums



 Cl. 1 

pp sempre

 

  



    

blend with brake drums Cl. 2









 

  

Tbn. 1

Tbn. 2







pp sempre



 





Perc. 1









(Log drums with hard yarn mallets) blend with clarinet 1

      











         

pp sempre

Perc. 2







 

   

Brake Drums

    

blend with clarinet 2 (hard yarn mallets)

      



pp sempre sul pont.

 Vla. 





  

    

 ppp arco sul pont.

p pizz.

    Vc.    ff

l.v.

arco molto sul pont.

 

 

 

pizz.

  





sim.

 



p subito

 104

 Cl. 1   Cl. 2

Tbn. 1

Tbn. 2

Perc. 1

Perc. 2

 







     





 

        6



 

107  















 

 Vla.  

 

 Vc.    



ppp

  6

ord. gliss sul D

 

6           



 

    3

  



 

    

   

sul pont.

 

ppp

 

ppp

 

  

 3

ppp

 

pizz.



    

  

 



         



ppp



   

          





18 108

 Cl. 1 





       

            Cl. 2      



Tbn. 1

Tbn. 2

 



          

 









Perc. 1



  

 

 





    

 

              Perc. 2       9

 Vla. 

 

ppp arco sul pont.

Perc. 1

     









  ord.

   

113        















 

    

 Perc. 2      

   



pp 9

 

 

    

 

 

       

 

 

    

 

 

 

     





ppp

 Vc.    

      

 Vla. 

       



111

Tbn. 2





Tbn. 1

    



 



 

 Vc.  

Cl. 2

       

balance with clarinets sul pont.

ord.

ppp

Cl. 1

 

    

ppp

pizz.

  

           

balance with clarinets sul tasto

 



      

balance with clarinets arco sul tasto



     p

19 115

Cl. 1

Cl. 2

Tbn. 1

 

   





5          

          

   



Perc. 1











      

 

 

        

Perc. 2

              

    9

 Vla. 

 



Tbn. 2

 

            

 

 

  

   

 

     5

             

Vc.    

 118   Cl. 1 

 5

 Cl. 2           5

 

Tbn. 1

Tbn. 2

Perc. 1









       5

 pp



  

  5

 Vla.  

  

 5  

  5

  

           5

        Perc. 2     

Vc.

     

 

 



 

 

          

 



   

     

    

20 120

Cl. 1

 





 

Tbn. 1



molto     

         



  

 

 

   

molto

    5

Perc. 2

 

molto

Perc. 1

 





molto

p Tbn. 2



Cl. 2

   

 

Short



 



  

Move to Logtone position

           5

   

molto

         

122 Suddenly Fast q = 144         ff

    

          ff

molto

 

      f

 Cl. 2   



  



      f

      f

    Tbn. 2   f        Perc. 1      Perc. 2   

 

Drums

       Logtone*

ff mf

pizz.

     

   Vc.       

  



with drum sticks           

 molto   pizz. 5                    

Tbn. 1

 







 

123



  

  Cl. 1  

 

  Vla.   





       

   



 Vc.  



     



     

 

    

   



   

    



        

                                 f

  Vla.  

     

f mf





    

 



*Brake drum notation now reversed for Percussion 2: see explanatory note.

          Cl. 1   126

3  

   

3              

   

    

3                                     

   

   3   Cl. 2               Tbn. 1

Tbn. 2

Perc. 1

    



       



      Perc. 2  





 

 Vla.  

    







3  

 

   

mf 3



   



                         mf

Vc.

   







    3





   





  





Tbn. 2

Perc. 1

   

 

        



  

 

             

   

   

   

       

 Cl. 2       



    

      Cl. 1  129

Tbn. 1

        

       

   

 



 



                    sfz

sfz

           Perc. 2    

sfz

  

 Vla.  



 Vc.  

   

  



132                           



   



 



       

           

              

sfz



sfz

 

  



 



 

  mf

 

   

  

133

Cl. 1

Cl. 2

Tbn. 1

Tbn. 2

  

  

 

     

  

 





 







   



  



  

       

   

  

         

   

   

      Perc. 1     mf f mf                       Perc. 2    



 

 Vla.   Vc.



 



     



   



   

           

 

     



 



 

     

   



               f



     



 



   

 

    





  



 

      Cl. 1   136



   Cl. 2    



  



  

Tbn. 1

      ff



ff p

 Perc. 2   

   

  Vla.   

   



 3        

    





  

3              



     

           



    

  



  

     

 3      

     

   

  



sffz



 

sffz

  

 

sffz

     sffz ff                     Perc. 1         6 Tbn. 2

      

  

    



ff p



       

 

 Vc.   

    ff





   

    

f sffz

  



sffz

      

     



    

    

 

 



sffz

 



 

139   Cl. 1   

  

fp Cl. 2

   



  

fp   

  

  

 

 

fp Tbn. 1



  

fp   





  

  

fp         fp fp       fp

    

  



Perc. 1

  



Perc. 2

                                                      

Tbn. 2

p subito

Vla.

    arco sul pont.

Vc.



arco sul pont.

 

  

 

    



 

  

 

  

  

 

 

  





  

 

 142

Cl. 1

  

  

fp Cl. 2

Tbn. 1

     fp  



    

fp   

 

  fp 

Tbn. 2

Perc. 1

Perc. 2

Vla.

Vc.





  

 



 

    



 

 

 



  

 fp   



 



 



cresc. poco a poco

 



     

146  

      

 

                 

                   mf                                    



 



cresc. poco a poco





 

    fp

 

 

  

  



mf subito

  

 



p subito



 

   

 

  

 



    fp

  

24 147

 Cl. 1  



           fp fp fp    Cl. 2             fp fp fp          Tbn. 1  f Tbn. 2

Perc. 1



  

  





 

 



 

  











 



 





     mf

   

 

cresc. poco a poco





 

fp     

cresc. poco a poco

    

 





            





mf subito

                                 Perc. 2                   mf subito  Vla. 

arco ord.

 

f ord.

  Vc.  

        

 

  

 

  

 152      Cl. 1  

f subito

  Cl. 2      

f subito

Tbn. 1

       f subito

     Tbn. 2   f subito      Perc. 1   

 

       f

 

 

                       

   

155

  



3                             

               



           3            3

 

      

              



   

  

 

 3                             



                                            Perc. 2                  f subito

f subito

   Vla.     

6 3

pizz.



        



           

f subito

     Vc.    f subito

pizz.



     

arco poco sul pont.

    

p subito arco poco sul pont.

               3



p subito



   

 

25 156



 Cl. 1 



 

  

     f

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1







 

  

      fp f





 



 





























                            Perc. 2                  in the background

Vla.

Vc.

 





    

    



      

    

   

 



    

     

in the background

      

 

    

in the background

      

   



159

 Cl. 1  

  

   

 

 

 

  

    

 

 

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1

 







 



 

        



 



 

    



with mute secco









 

 

                                    Perc. 2            (p) Vla.

Vc.





    

 



    

 

      

      

     

 



       

      



 

      

164      3   Cl. 1      f

Cl. 2

  

3             fp

  

            pp

Tbn. 2

Perc. 1



with mute secco



 

   

 



 

            



       





  



sim.         

  

    

Tbn. 1

    fp





Vla.

Vc.

 

Xylophone with wooden xylophone mallets blend with trombones



      pp

 



         pp

Perc. 2



 

                                                              

    

    





 

   

                   

 



 

               

 168

  Cl. 1    



   f 3

Cl. 2

Tbn. 1

Tbn. 2

   



   



          pp



       pp







     





 

  







 

 



      



Vla.

Vc.

  

   

   



    







 





 

                    mf pp mf pp mf                        Perc. 2                   Perc. 1

      

   fp 3

  



                                      

 

    

27 172       Cl. 1  

Cl. 2

 

   

Tbn. 1

     



Tbn. 2

          p

Perc. 1

   

      



     ff

        

       p



Perc. 2

                      mf

  Vla.   



         

Vc.

                

                     mf

   

   



 



 

 





 



 



   

 





   



                       ff





  

   

       pp

174 Aggressively Driving      

           ff           ff          





 



176

Cl. 1

Cl. 2

Tbn. 1

Tbn. 2

  

      



          



      

 



      

 



 

Drums with drum sticks 3

  



Vc.

       

        

 

       

     3     Perc. 1        ff 3 3      3      3       Perc. 2          ff            Vla.    3

 

   

 

 

 

      

 3      3  3                   3

   



aggressively

 



               



aggressively 



            aggressively

            



aggressively

              

aggressively 



                  

                    



aggressively 



aggressively 



                                   aggressively

            



28 180           Cl. 1  

         

           

    

Cl. 2



           



           

Tbn. 1

Tbn. 2

      

   Perc. 1      

   

bring out accents

 

                   f                   f                      

     



   



                                   mf

                                     Perc. 2            bring out accents

Vla.

   

 Vc.    

        

  

  



  



           



     



   

   

     f

 184           Cl. 1                                

 

Cl. 2

Tbn. 1

                                         ff 3   3     3   3        3          3 cresc. poco a poco

                 3

 

       3

     

     3    cresc. poco a poco 3                            Perc. 1    Tbn. 2

 



 

 

 

 

                  Perc. 2        f

 Vla.   Vc.

 

 

                                        ff



 



 

fff

                                    ff    fff

187

  Cl. 1   

h. = q q = 54 ca.





 



   

p sempre Cl. 2

Tbn. 1

  



p sempre

  

  3                  3





 



        pp

Tbn. 2



 



 



Perc. 2



  



  

       



  Vla.   

 







p sempre

 Vc.  









    pizz.



 

Xylophone 3

   





    



ppp





pizz.

  

(with mute)

 



ppp

Perc. 1

  

(with mute)

 



 



 



 



p sempre

  3       

 

 



                 Cl. 2    191

 Cl. 1  

Tbn. 1

Tbn. 2









  

 

Perc. 2

   

 



 



  

 



 



 



 



 



 







without mute

  

  

pp Perc. 1



  

  

without mute

 



 3       3











                



 Vla.    Vc.  

 



 3

  

   

p sempre



      

         

 3

 

   

      



 

3    

 



 

 



 

30 3  3  3 3 3 3                       3           Cl. 1                                  Cl. 2        3                Tbn. 1 

accel.

194

ppp Tbn. 2

  





ppp

Perc. 1



Bass Drum 3

  

  

ppp

 





 Cl. 1   Cl. 2

Tbn. 1

Tbn. 2

    



 

 

  p

        3

    

 







 

 



   mf

 

 

ppp

 

ppp



 3  3                                 

 





 







 

 

3  3    3          Perc. 2               Vla.                  Vc.   

 

  

 



   

3                3

 

  

  mf

 

 3           





ppp

 

 3               3        

p Perc. 1







with bass drum beaters blend with trombones; don't overbalance

 196



  3   3          Perc. 2        p sempre            Vla.                 Vc.     3

ppp



 



 

         

 



 

  p



  

 





          

199 q = 88 ca. accel. 3 198 3                                             Cl. 1  3

Cl. 2

Tbn. 1





   

 

Tbn. 2

Perc. 1





p sempre

 



 

  



  



 





 p



 p

 

                          

  

   

p sempre

      

  

   3     3        Perc. 2                      Vla. 

 

 

       Vc.  

                               

p sempre





       

p sempre balance with clarinets arco

          





                                  

p sempre



 201                                           Cl. 1  3

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1



   

                                                

        



     





 fp

    mf

Perc. 2

     

 

       



    



 

  

        

 

                     

            

balance with clarinets arco

                                      Vla.      3 3 3 3 3 3

                                              Vc.          

204

Moving Forward q = 144

                Cl. 1  p sempre

                 Cl. 2  

   

                                      

                             

p sempre

Tbn. 1

 







Tbn. 2





espress.







mf Perc. 1

Perc. 2



 

 

 

insert damper release into chimes

 

                                p sempre

Vla.



                                                      

                    

p sempre Vc.

                 p sempre

                           



                                     Cl. 1  207

                                     Cl. 2   Tbn. 1

  mf

Tbn. 2

espress.



   





cresc. poco a poco

  





                  

   

 

           



cresc. poco a poco

Perc. 1







                       Perc. 2                    

Vla.

                      

                                      

                 Vc.                                       

33 210

Cl. 1

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1

Perc. 2

  

   



    

 

dim. poco a poco

 

 



 

 

dim. poco a poco

 

  

  

 

    

 

  



             





 



 

 



3 



                     





with growing intensity





 

   

     



                                      cresc. poco a poco

              Vla.                        

                   

cresc. poco a poco

Vc.

                                                                cresc. poco a poco

     Cl. 1  213

Cl. 2



  

Tbn. 1

 

Tbn. 2

  

Perc. 1

Perc. 2

Vla.







 











    

 

    







   ppp

  





  



                  

          

  

      

    

   

 

ppp





 



 

 



        

     Vc.   

  





        

   

      



 



  

      

        

 

 

   



ffp brassy

ffp

fff

ffp

fff

 Cl. 2        

brassy

Tbn. 1

Tbn. 2

    

    

    

fff

   

          

      

   

Chimes





Perc. 2

   



         





fff

with drum sticks

Perc. 1

   

              6 fp f     6           

215   Cl. 1   

             

           Drums

with chime mallet



l.v. sempre

                

Vla.

         

                                        

       Vc.     

                                    

 217

 Cl. 1   Cl. 2

Tbn. 1

Tbn. 2

Perc. 1

 

               6



               fp 6







ffp

    3

fff

          

ffp

fff

ffp

fff

       



     Drums

 

Chimes



   



                               

                       Vc.           

Vla.

   



     

  

Perc. 2

fff

ffp

    



   



 

          





   

 

                                                               

35 219

      3            6     fp 6 f    6             

 Cl. 1  



 



 

        

Cl. 2

Tbn. 1

Tbn. 2

Perc. 1



ffp

   





 

  

Chimes



Perc. 2

    

ffp



      

 

  

     



         

        



      3



  

  

          

                 Vla.              

                                                            Vc.                            

 221

Cl. 1

Cl. 2

Tbn. 1

  

  



  







 



           

fff

            ffp



 



fff

Tbn. 2



fff

  

  ff

fff

         3 ffp

        

               

 

  



ffp



 

Drums

 Perc. 1   Perc. 2



 



        

  Vla.           

    3



ffp





Chimes



            Vc.      

 

          

           

 

                                                           

           Cl. 1      6



223

 6        Cl. 2          6 fp f

Tbn. 1

             ffp

Perc. 1

Perc. 2

  

      

  fff

ffp



 

3



ffp

  fff



   



 f

      

   

fff



         5

    ff

Tbn. 2

 

 



  fff

 



 

                     

     Vla.  

                                          Vc.               

     

   

 

        

                  



225   Cl. 1  



 Cl. 2   





           ppp sempre



          

 

ppp sempre

  



Tbn. 2

  



Perc. 1

  



Tbn. 1

               Perc. 2          

   



ppp subito

         

                    Vla.             

             

                    Vc.                  

              

p subito

37 228

 Cl. 1  Cl. 2

Tbn. 1

Tbn. 2

Perc. 1





             



          

230  









 





                                       Perc. 2  

Vla.

  

Vc.   

  

           

    

       



  

  



  

  

         

harmonic gliss sul C

  pp

gliss.

            dim. poco a poco

      

  

 231

 Cl. 1  Cl. 2

Tbn. 1

Tbn. 2

Perc. 1





        





   



      





   









 





     Perc. 2    

   

gliss.

Vla.

Vc.

      

 

  



    

  

             

 sul G

 

            

 

sul D

gliss.                           harmonic gliss sul C  sul G liss. g      gliss.                      dim. poco a poco    

gliss.

38 234   Cl. 1 



Cl. 2

Tbn. 1

Tbn. 2

Perc. 1









 







 

 





    



sul D

 

gliss.

    

  

237 Stately h = 60          Cl. 1    f

   

extremely brassy

ffp

           

ppp

          

          

 

  3          



 

          

ffp

        

 



 

 

 

 



 

ffp

 



 

 ff

  Vc.   



 

 

Tam-Tam strong, but don't overpower

  Vla.   



    



ffp

 

 gliss.               n     ppp

     

 



sul A



Drums with drum sticks

  Perc. 1    

          gliss.

ffp

 

sul A

extremely brassy                  ff

         

 





 

 Cl. 2   

Perc. 2

 





Tbn. 2

 n

gliss.

Tbn. 1

 



        Perc. 2              gliss.  Vla.                

Vc.



sul pont.

ord.

 

 

 



Xylophone 7

 

       

ffp sul pont.

    

ord.

sul pont.

 

 

39 239       Cl. 1  



  Cl. 2      



Tbn. 1

        



 



             Perc. 1         Tam-tam    Perc. 2     



     Vc.   





3 5      









  



sul pont.



 

 

 



 

         fp



 



 

ffp sul pont.

ord.

 

ord.

  

 

ffp

Xylophone 7



ff ord.

ffp

 

Tam-Tam

    Vla.     

ffp

 

       

 5      



     

 



ffp

      

  f

Tbn. 2



       

       

      

  

 



 242     Cl. 1  





   Cl. 2    



      



     



 



             ffp



 

Tbn. 2

 



Tbn. 1

          



 

3                             Perc. 1       3



   

  

      

ffp

     



     Vla.   



Perc. 2



Tam-Tam





 f



 

 Vc.  

   





 

with exagerated intensity

 (sim.)



sul pont.

    ff



Xylophone 7

        f         

ff ord.

  



ffp

 

Tbn. 1

     

 5

 

       

ffp







   

ffp

Perc. 2

    







 

   

sul pont.

  















ff ord.

ffp

7 ff ord.

 3     

5 sim.

   Vc.   



   3               

 

          ff fp  f       

     

sul pont.



   Vla.  



     

  Perc. 1   



 7                  



ffp

Tbn. 2

       Cl. 2     f

     

       

244    Cl. 1  

  

 

    

 247        Cl. 1   

Cl. 2

Tbn. 1



        

Perc. 1





 

  

ffp

  

ffp

 

  

   



       

 

ffp

Tbn. 2



 





ffp





ff Tam-Tam

Perc. 2

  





 Vla.     Vc.  

sul pont.

  ff ord.

 



Xylophone 7



       



ffp sul pont.

  

ord.

  



    

  



41 249

Cl. 1

Cl. 2

Tbn. 1

  

      







      

 

ffp

Tbn. 2

 

Perc. 1



 

 

     fp

     

  Vla.  sul pont.

   



 











 





 

 

  

    





    

ffp

 Perc. 2   

Vc.

 



    

  

  6              6 f       





   

 

    

 





 





 



251 Slightly Slower h = 52          Cl. 1    f

heavy and forceful

Tbn. 1

ffp

3 

 

   

heavy and forceful

Tbn. 2

 



 Cl. 2       

  Perc. 1   

 

 

ffp

 

5 

 

Tam-Tam

     f

  Vla.         

molto sul pont.

Vc.

ffp

 

 



 



 with soft beaters

  p





Xylophone 7

      

       f

ffp

   

Perc. 2

        



     





ffp









42 253

Cl. 1

Cl. 2

Tbn. 1

  

        



Perc. 1

  









   







  p

          fp

       Vla.   

   

Tbn. 1

Tbn. 2

Perc. 1



 

 

  

Long



 

   f

  

 



 

fff



 

 

ffp

       



 

Wood Block with hard yarn mallet





 

 





 

 

   



 

 

fff



 

 

 Perc. 2      Vla.       p

 

 



 



fff

Vc.

   

    

ffp

Cl. 2

 

         

ffp

 

 

 Cl. 1 

ffp

 Perc. 2   



 

255

   



ffp





Vc.





 





ffp

Tbn. 2



fff

         ff

   ff