THESIS STUDIO I Progress Presentation DANCE AND ARCHITECTURE Spatial Qualities: From (Dance) Movement to Architectural Form An Interdisciplinary Dance Studio & Performance Theater
ERIC HARRIS PROF. SUSAN KLIMAN ARCP 502-01 SPRING 2018
PROGRESS PRESENTATION
5-4-18
SOURCE: STUDIOLECARRE
PRESETATION CONTENTS 1. INTRODUCTION 2. BACKGROUND 3. METHODOLOGY
4. DESIGN PROCESS 5. SCHEMATIC DESIGN
2 SOURCE:FINEARTAMERICA.COM
INTRODUCTION
3 SOURCE: CUDED.COM
Context WHAT IS A SPACE? •
• •
Can the expression of movement (dance) influence architectural design?
SPACE DEFINED •
Dance is the movement through space.
•
Architecture is what we produce when we move through buildings.
How do we move our body through space? How does an architect create flow and circulation?
•
The word choreography literally means spacewriting.
•
Our movement gives things (buildings) their meaning.
LANGUAGE OF SPACE •
Architecture and dance share the same language of shape and form or movement.
•
Synergy between dance and architecture.
•
“Both architecture and dance share a passion for space and light in time...” (Steven Holl)
4 SOURCE: GOOLEIMAGES
INVESTIGATION 1
Dance Facilities
1
SOURCE: GOOGLE IMAGE/DIW
The Dance Institute of Washington: Columbia Heights, NW DC
KEYWORD: OUTREACH
2
SOURCE: GOOGLE IMAGE/CITY DANCE
City Dance DREAM: U Street, NW DC
KEYWORD: CAREER
3
SOURCE: KENNEDY CENTER
The Kennedy Center For Performing Arts: Foggy Bottom, NW DC
KEYWORD: PERFORMANCE
5
INVESTIGATION
DISTANCE BETWEEN DANCE INSTITUTIONS
2
1
COLUMBIA HEIGHTS NW
1.3 MILES
2 Interdisciplinary Dance Studio & Performance Theater
4
U STREET NW
1.7 MILES DUPONT CIRCLE NW
1.1 MILES
3
FOGGY BOTTOM NW 6 SOURCE: GOOLE IMAGES/MAPS
PROBLEM •
•
Deficiency to integrate dance studio into performance and facilitate spaces for events. Inefficient resources, space and outreach initiatives.
1.
The Dance Institute of Washington is a very small building which requires utilizing other facilities for performance and events. It also lacks an inclusive or diverse program due to lack of resources and funding (i.e. programs for seniors, veterans, people with disabilities).
2.
DanceCity provides many classes and programs, however lacks the space to produce large productions in-house. It also under
•
•
Design not conducive for the type of program required to foster dance opportunities and environment. Inability to cultivate local dance community.
represents performances for veterans, seniors, and people with disabilities. Their outreach seems displaced and can be centralized for maximum effect. 3.
The Kennedy Center is inaccessible at times due to heavy traffic which makes it a challenge to navigate the site. This location is also
not in close walking range to metro which requires additional traveling time. And parking is a challenge regardless of time or day. Nor does the place cultivate local dancers.
7 SOURCE: GOOLEIMAGES
OBJECTIVE •
Design a dance performance and theater that informs the users of dance and allows dance to inform the definition of the architectural space.
•
Appropriate a dance facility in the heart of downtown DC
•
Analyze how dance (movement) creates form that inspires design and architecture.
8 SOURCE: GOOLEIMAGES
EXPLORATION 4
Interdisciplinary Dance Studio & Performance Theater: DuPont Circle, NW DC •
This institution will show the spatial relationships between movement and architecture.
•
Center will be a catalyst for dance education, performance, and outreach.
•
This facility will increase the presence of performing arts and add to the value of the DuPont neighborhood and to the field of dance. DANCE
KEYWORD: LEARN – PERFORM- CONNECT
PERFORMANCE
THEATER
ART
9 SOURCE: ALBERTONRECORDS
BACKGROUND
10 SOURCE: CUDED.COM
SITE 1
Background DuPont Circle SOURCE: TRVL.COM
1 • Historically a brickyard 2 and
• Spans a distance of 170 Acres.
3
4
5
6
7
slaughterhouse.
• Architectural Style: Late 19th And 20th Century Revivals, Queen Anne, Romanesque. • Pierre Charles L’Enfant – 1791 “Federal City” Plan Designer (Washington, DC) • The central fountain designed by Daniel Chester French provides seating, and long, curved benches around the central area were installed in 1964. • Overall neighborhood designed by architects McKim, Mead & White; Carrere & Hastings.
11
Demographics Profile
SOURCE: AREAVIBES.COM/DUPONTCIRCLE
SITE 2 1
Neighborhood DuPont Circle
Population Breakdown
2
DUPONT CIRCLE District of Columbia
USA
3
4
5
6
7
Dupont Circle
LIVABILITY SCORE COMPARISON
54 % 71%
71
Age Breakdown
66 %
VERY LIVEABLE 12
DUPONT CIRCLE
SITE •
This section of the submarket largely defines its identity. It is DuPont Circle’s key retail corridor and its small, creative shops (such as Kramer books) have become local institutions.
2. P Street
2
• •
This section is comprised of Residential and Commercial/Retail space Adding a dance facility will increase the exposure of N street and revitalize the area that is consumed with commercial and retail businesses. The performing arts would foster
3
LOWER CONNECTICUT M Street Northwest
4
19TH Street Northwest
4. Business District/Residential
B
M Street Northwest
This section is circulating with local-serving, offbeat shops and restaurants.
This area is essentially a separate submarket (part of the business district)
N Street Northwest P Street Northwest
DUPONT CIRCLE
3. Lower Connecticut Ave •
17th Street Northwest
P STREET CORRIDOR
20TH Street Northwest
•
UPPER CONNECTICUT
B
19th Street Northwest
Commercial, Retail, Residential DuPont Circle 1. Upper Connecticut Ave
A1
20th Street Northwest
3
P Street Northwest
DUPONT CIRCLE
N Street Northwest
A = Major Intersection
= Minor Intersection = Neighborhood Intersection = Sub- Section A
= Section 1 = Section 2 = Section 3 = Section 4
= Sub- Section B
= Public space
13 SOURCE: GOOGLEMAPS
1 CITY MAP (DC)
SITE Site Location 1900 N Street NW, Washington DC 20036 Between 19th & 20th Street NW
N ST. NW
19TH ST. NW
SUNDERLAND PL NW
20TH ST. NW
4
JEFFERSON PLACE NW
2 3
SITE MAP (LOCATION)
SOURCE: GOOGLE MAPS/ARCGIS
VICINITY MAP 14CIRCLE) (DUPONT
SITE Ward 2
19TH ST. NW
N ST. NW
20TH ST. NW
5
DISCTRICT OF COLUMBIA WARDS
15 SOURCE: GOOGLE IMAGES/MAPS/ARCGIS
South Side
2
SITE 6
M STREET NW
Aerial/Street View 1920 N Street NW
LOCATION OF SITE BEFORE DEMOLITION OF BUILDING
North Side
1 East Side N STREET NW
West Side
3
4 20TH STREET NW 20TH STREET NW
16 SOURCE: GOOGLE MAPS
SITE 7
Boundaries & Zoning DuPont Circle Types of Zoning
1
•
MU – 16- 22: Mixed-use; Commercial, institutional, and multiple dwelling unit residential development
•
RA – 5-10: Urban residential development (all types)
•
D-5: High-density development N STREET NW (commercial and mixed-use)
SITE 17
SITE 8
Building Code Analysis DuPont Circle D-5 Zoning
1
I § 540.1 - Maximum Height: ~100/110’ (Right-of-Way + 20’) I § 539.1 - FAR: Residential: Unrestricted Non-Residential: 6.5 (without credits) ~174,290 GSF I § 202 - Lot Occupancy: 100% N STREET NW I § 205.2 - Rear Yard: None Required for Through Lot, including a lot fronting on three (3) streets I § 206 - Side Yard: None Required I § 543.1 - Off-Street Parking: None Required I § 212.5 – Bicycle Parking: required per Subtitle C, Chapter 8
I § 208 – Green Area Ratio: 0.2
SITE 18
SITE 9
DuPont Circle – Zoning Requirements Historic District
Buildings/Lots
Site
Building Code Analysis DuPont Circle This project is proposed to be in a D-5 zone and is not listed in any Historic Zone: U § 700.6 (g) – Matter-of-Right Use: D-Zone (3) Art or performing arts school, including but not limited to schools of dance, photography, filmmaking, music, writing, painting, sculpting, or printmaking; U § 512.1 (f) – Matter-of-Right Use: MU-Use Group E Entertainment, assembly, and performing arts uses, except that a bowling alley shall be subject to the following conditions: 1.
2.
The use shall not be within twenty-five feet (25 ft.) of a residentially zoned property unless separated by a street or ally; and Soundproofing to the extend deemed necessary for the protection of adjoining and nearby property shall be required
19 SOURCE: PROPERTYQUEST.DC.GOV/DCMR 11
METHODOLOGY
20 SOURCE: CUDED.COM
PRECEDENTS 1
1 STEVIE ELLER DANCE THEATER
Stevie Eller Dance Theater Tucson, Arizona
ZAGREB DANCE CENTER
Zagreb Dance Center Zagreb, Croatia
5 MONT-LAURIER MULTIFUNCTIONAL THEATER
Mont-Laurier Multifunctional Theater Mont-Laurier, QC, Canada
3
2 WRITERS THEATRE
TELUS Center for Performance & Learning Toronto, Canada
8
7
6
Wagner Noel Performing Arts Center Midland, Texas
TEULUS CENTER
Writers Theatre Glencoe, IL
WAGNER NOEL PERFORMANCE CENTER
4
HOUSTON BALLET CENTER FOR DANCE
Houston Ballet Center for Dance Houston, Texas
DANCE PLACE
Dance Place Washington, District of Columbia
21 SOURCE: ARCHITECTUREWEEK.COM
PRECEDENTS 2
1 Stevie Eller • Extend to Public Space • Views of from Building to engage Public • Connect with the Community
ANALYSIS/APPLICATION
2 Writers Theatre • Rooftop Terrace • Box –Style Theater
• Flexibility of Spaces • Multi-function of Spaces
4
3
5
Mont-Laurier Houston Ballet
Dance Place
• Telescopic Seating
• Outreach
• Community Based
• Create Spaces
• Metro Accessible
• Inclusive Programs Offered
• Dance Classes
• Box – Style Theater • Use of space for other activities and programs
• Cultivate local artists
• Work/Study/Internship Programs
22 SOURCE: ARCHITECTUREWEEK.COM
PRECEDENTS
APPLICATION
3
• Extend to Public Space • Views of from Building to engage Public • Connect with the Community
SOUTH FACING MALL
NORTH FACING STADIUM
STEVIE ELLER 23 SOURCE: ARCHITECTUREWEEK.COM
PRECEDENTS 4
APPLICATION • Rooftop Terrace • Box –Style Theater • Flexibility of Spaces
• Multi-function of Spaces
250 SEAT MAIN THEATER AND 99-SET FLEXIBLE BLACK BOX ROOM
WRITER’S THEATRE 24 SOURCE: ARCHITECTUREWEEK.COM
PRECEDENTS
APPLICATION • Telescopic Seating
5
• Box – Style Theater • Use of space for other activities and programs
MONT-LAURIER 25 SOURCE: ARCHITECTUREWEEK.COM
PRECEDENTS 6
APPLICATION • Outreach • Create Spaces
• Inclusive Programs Offered • Cultivate local artists
HOUSTON BALLET 26 SOURCE: ARCHITECTUREWEEK.COM
PRECEDENTS
APPLICATION • Community Based
7
• Metro Accessible • Dance Classes • Work/Study/Internship Programs
DANCE PLACE 27 SOURCE: HICKOK COLE ARCHITECTS/DANCE PLACE
MOVEMENT 1
LABAN EFFORT GRAPH
Movement Scale LMA is a method and language for describing, visualizing, interpreting and documenting human movement
LABAN MOVEMENT ANALYSIS
Dance and Video Mapping Performance
by: SILA SVETA
28
SOURCE: ASCTHEATRECAMP.WORDPRESS.COM
MOVEMENT 2
Movement Scale
Rudolf Von Laban’s Choreutics, an “analysis of forms in movement”. The three plans From: Danse et architecture. Nouvelle de danse 42/43. Editions Contredanse
Laban Movement Analysis is separated into three categories: time, weight of the movement, and the way you move through space. Time pertains to how quickly the movement occurs, The weight refers to the strength behind the action, and;
FIRST SIX INCLINATIONS
Space, the manner in which energy is focused in a movement. SECOND SIX INCLINATIONS
Laban defines manner in eight effort actions: press, punch, dab, flick, slash, wring, float, and glide.
TWELVE INCLINATIONS
Dance and Video Mapping Performance
Rudolf Von Laban’s Choreutics, an “analysis of forms in movement”. The three plans From: Danse et architecture. Nouvelle de danse 42/43. Editions Contredanse
by: SILA SVETA
29 SOURCE: MICROCITIES.NET
MOVEMENT 3
Movement (Scale) Levels:
Space:
Timing:
Dynamics:
1. High-middle-low
1. Geometric Forms
1. Tempo
1. Weight (Strong-Light)
2. Vertical-horizontaloblique
2. Symmetry vs. Asymmetry
2. Metre (time signature)
2. Time (Sustained- Sudden)
3. Scale
3. Rhythm
3. Space (Direct-Indirect) 4. Flow (Bound-Free)
by: SILA SVETA
30 SOURCE: MICROCITIES.NET
MOVEMENT 4
Movement Diagramming (Scale)
Dance and Video Mapping Performance
by: SILA SVETA
31
SOURCE: ZAIDEEWALKER.WEEBLY.COM
MOVEMENT 5
Movement (Scale) 1. Kinesphere – Space and Relationship
2. Choreutics – Forms in Movement 3. Proxemics – Public, Social, Personal, Intimate, 4. Harmony – Flow of Movement
by: SILA SVETA
32
SOURCE: CREATORS.VICE.COM
SPACE ANALYSIS Psychological Analysis •
Spatial experience is an inseparable part of everyday life.
•
The everyday life is not separate from the spatial experience.
•
No experience will be perceived without understanding the meaning of space.
•
Architecture is responsible for making environments that include the need of all types of people.
•
The building should maintain its unity with the environment.
Physical Space Analysis
Fields of Impact: psychological, architectural, restoration 1. Psychological aspect – The feeling of a person related to his/her place and role in space. 2. Architectural aspect – Architectural aspect in the development of space that determines the boundaries of urban planning. 3. Restoration aspect – Interface between the new and old character of town (city).
Physiological Analysis
1. Thermal Comfort – Physiology (parameters) 2. Thermal Adaptation – Psychology (experiences) 3. Thermal Sensation – Behavior (relationships) Dance and Video Mapping Performance
by: SILA SVETA
33 SOURCE: MICROCITIES.NET
DESIGN PROCESS
34 SOURCE: CUDED.COM
PROCESS 1
Adjacencies
MATRIX
THEATER 1 LOBBY/ENTRANCE THEATER 2 THEATER 3 GALLERY DISPLAY BOOKSTORE CAFÉ GIFTSHOP RESTROOMS ELEVATORS
PRIMARY SECONDARY
STAIRS
by: SILA SVETA
35
PROCESS 2
3RD FLOOR SMALL STORAGE
Bubble Diagrams
THEATER 3
SHOP LARGE STORAGE
1ST FLOOR
4TH FLOOR THEATER 2
CAFE DISPLAY OUTDOOR AREA
BOOKSTORE
LOBBY ENTRY
GALLERY
THEATER 1
REHEARSAL 2 GREEN ROOM
REHEARSAL 1
LOCKER ROOM
THEATER 3
BOX OFFICE
5TH FLOOR 2ND FLOOR
THEATER 2
TECH BOOTH
DANCE LAB 2 STORAGE THEATER 3
MULTIFUNCTIONAL
DANCE LAB 1
36
PROCESS 3
8TH FLOOR
Bubble Diagrams OFFICES GREEN ROOM
6TH FLOOR
CONFERENCE ROOM
VIP LOUNGE
BOARD ROOM CONFERENCE ROOM
9TH FLOOR
CAFÉ
RESTAURANT 4
STUDIO STUDIO
RESTAURANT 2
RESTAURANT 1
RESTAURANT 3
STUDIO STUDIO
ROOF
7TH FLOOR BAR LOUNGE TERRACE STUDIO STUDIO STUDIO STUDIO
37
PROCESS 4
Building Program
BUILDING PROGRAM LOCATION
QTY CAPACITY
SIZE
TOTAL
NOTES
1ST FLOOR/2ND FLOOR THEATER 1 LOBBY/ENTRANCE THEATER 2 THEATER 3 GALLERY DISPLAY BOOKSTORE/ CAFÉ GIFTSHOP RESTROOMS 10% CORE FACTOR + UTILITIES
1 1 1 1 1 1 1 1 2
50 100 125 250 60 50 215 50 TBD
1000 1650 2250 3553.5 1750 1500 3000 1500 300 10% CFU
1000 OUTDOOR PERFORMANCE SPACE 11650 ENTRACE/ EXIT TO BUILDING 2250 BLACK BOX SEATING 3553.5 LARGER THEATER 1750 FLEX SPACE TO SHOW MIXED MEDIA 1500 TIMELINE OF DANCE 3000 RETAIL COMPONENT/ SERVICES 1500 RETAIL COMPONENT/ SUPPLIES 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.
3RD FLOOR THEATER PRODUCTION STORAGE SHOP RESTROOMS 10% CORE FACTOR + UTILITIES
1 1 1 2
30 40 32 TBD
5803.5 6025 4700 300 10% CFU
5803.5 PRODUCTION AND LIGHTING 6025 STORAGE FOR PRODUCTION/ LIGHTS 4700 BUILDING SETS AND PROPS 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.
4TH FLOOR REHEARSAL LOCKER ROOM/DRESSING GREEN ROOM STORAGE RESTROOMS 10% CORE FACTOR + UTILITIES
3 3 3 1 2
30 10 30 30 TBD
Dance and Video Mapping Performance
1000 560 5345 300 10% CFU
6803.5 REHEARSAL SPACE FOR DANCERS 3000 CHANGING SPACE 1680 FOR PATRONS 5345 STORAGE FOR EQUIPMENT 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.
by: SILA SVETA
38
PROCESS 5
Building Program
BUILDING PROGRAM LOCATION
QTY CAPACITY
SIZE
TOTAL
NOTES
5TH FLOOR DANCE LAB MULTI-FUNCTIONAL STORAGE RESTROOMS 10% CORE FACTOR + UTILITIES
2 1 1 2
30 300 5 TBD
6TH FLOOR STUDIO/CLASSROOM CAFÉ RESTROOMS 10% CORE FACTOR + UTILITIES
6 1 2
20 TBD
300 10% CFU
7TH FLOOR STUDIO/CLASSROOM RESTROOMS 10% CORE FACTOR + UTILITIES
6 2
20 TBD
2500 300 10% CFU
15000 DANCE STUDIOS/PRACTICE SPACE 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.
8TH FLOOR BOARD ROOM CONFERENCE ROOM GREEN ROOM VIP LOUNGE OFFICE SUITE RESTROOMS 10% CORE FACTOR + UTILITIES
3 6 2 1 1 2
20 10 20 300 15 TBD
800 530 560 6828.5 3000 300 10% CFU
2400 LARGE BOARD ROOM FOR MEETINGS 3180 SMALLER CONF ROOM FOR MEETINGS 1120 FOR PATRONS 6828.5 FOR DONORS 3000 ADMINISTRATIVE STAFF 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.
Dance and Video Mapping Performance
4000 8000 528.5 300 10% CFU
2500
8000 FOR PEOPLE W/ DISABILITIES + VETERANS 8000 PERFORMANCE SPACE FOR LABS 528.5 STORAGE FOR MULTI-FUNCT SPACE 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT. 15000 DANCE STUDIOS/PRACTICE SPACE EATING AREA FOR DANCERS 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.
by: SILA SVETA
39
PROCESS 6
Building Program
BUILDING PROGRAM LOCATION
QTY CAPACITY
SIZE
TOTAL
NOTES
9TH FLOOR RESTAURANT 1 RESTAURANT 2 RESTAURANT 3 RESTAURANT 4 STORAGE RESTROOMS 10% CORE FACTOR + UTILITIES
1 1 1 1 4 6
200 112 140 132 3 TO 5 TBD
5000 2800 3500 3228.5 200 300 10% CFU
ROOF TERRACE BAR/LOUNGE MECHANICAL 10% ROOF CIRCULATION
1 1 1
200 125 10
3500 2500 3000 10% CFU
3500 WALKABLE AREA/SEE THE VIEWS 2500 COVERSATION AREA/ SEE THE VIEWS 3000 UTILITIES/ MECHANICAL 2236.5 BUILDING CIRCULATION / EGRESS 11236.5 SQ. FT.
TOTAL
174,285 SQ. FT. PLUS ROOF/ PENTHOUSE
Dance and Video Mapping Performance
5000 DINING SPACE 2800 DINING SPACE 3500 DINING SPACE 3228.5 DINING SPACE 800 ADDT'L KITCHEN STORAGE 1800 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.
by: SILA SVETA
40
PROCESS 7
Building Design Concepts 1. Gameboard Configuration 2. Laban Movement
Concept 1
Concept 2 41
PROCESS 8
Building Design – Concept 1 GAMEBOARD
Dance and Video Mapping Performance 42
PROCESS 9
Building Design – Concept 2 LABAN TIME
Dance and Video Mapping Performance
WEIGHT
SPACE
by: SILA SVETA
43
PROCESS 10
Building Design – Concept 2 LABAN
1
3
TIME
WEIGHT
SPACE
2
Dance and Video Mapping Performance
4 44
PROCESS 11
Building Design – Preliminary Design
45
PROCESS 1
SUN STUDY – Summer Solstice: June 21
1900 N ST NW SITE LOCATION
00:00 – 03:45 – night 03:45 – 04:31 – astronomical twilight 04:31 – 05:12 – nautical twilight 05:12 – 05:44 – civil twilight 05:44 – 05:47 – sunrise 05:47 - 20:35 – daylight 20:35 – 20:38 – sunset 20:38 – 21:10 – civil twilight 21:10 – 21:50 – nautical twilight 21:50 – 22:37 – astronomical twilight 22:37 – 00:00 – night
46 SOURCE: SUNCAL.NET
PROCESS 2
SUN STUDY – Winter Solstice: December 21
1900 N ST NW SITE LOCATION
00:00 – 05:48 – night 05:48 – 06:21 – astronomical twilight 06:21 – 06:54 – nautical twilight 06:54 – 07:24 – civil twilight 07:24 – 07:27 – sunrise 07:27 – 16:47 – daylight 16:47 – 16:50 – sunset 16:50 – 17:20 – civil twilight 17:20 – 17:54 – nautical twilight 17:54 – 18:26 – astronomical twilight 18:26 – 00:00 – night
47 SOURCE: SUNCAL.NET
PROCESS 3
2 Top View
Wind Study – 1900 N St. NW Building Mass
1 East Facing Side
3 West Facing Side
48
PROCESS 1
Kinetic Architecture Kinetic architecture is a concept through which buildings are designed to allow parts of the structure to move, without reducing overall structural integrity.
•
Kinetic architecture can bring practical and aesthetic value to an already ambitious project.
•
The concept is as ancient as drawbridges in the Middle Ages, and as timely as building exterior schemes that adjust to natural elements.
•
The rationale for kinetic design in the U.S. is as much experiential as performative.
•
Practical, even economical, application of kinetics to enhance a building’s utility and performance has become at least a more viable alternative to be considered.
•
Kinetic system helps lower the building’s heating and cooling expenses by taking advantage of passive and active strategies.
1
ONE OCEAN PAVILION by Soma
2
PENUMBRA SHADING SYSTEM
3
FOSUN FOUNDATION 49 SOURCE: AASARCHITECTURE.COM
PROCESS 2
Kinetic Architecture ONE OCEAN PAVILION by Soma Located in Yeosu, South Korea, the aim of the design is to create an iconic landmark that is integrated into its urban context and the surrounding nature. We experience the Ocean mainly in two ways, as an endless surface in an immersed perspective – as depth. This plain/ profound duality of the Ocean motivates the building’s spatial and organizational concept.
Continuous surfaces twist from vertical to horizontal orientation and define the significant interior spaces. Form, material, movement and light are seamlessly interrelated. As a moving, emotional experience, the kinetic façade combines the sensation with the sensational while communicating the Expo’s theme in a innovative and investigative way. 50 SOURCE: SOMA-ARCHITECTURE.COM
PROCESS 3
Kinetic Architecture PENUMBRA SHADING SYSTEM by Tyler Short "This project was designed to offer a kinetic and mechanical solution to a problem that would otherwise be nearly impossible to solve with static architectural components: providing shading across a building facade for both low evening sun and high afternoon sun conditions," explained Tyler Short, who created the design for his architecture degree at the University of Oregon. This video produced by architecture student Tyler Short shows an alternative to the traditional window shade – mechanical louvres that move in three dimensions to adapt to sunlight at different times of the day. Put into motion, the shades create an undulating ripple across the facade.
The solution was a series of vertical shading louvres, that can independently pivot to maximize solar protection, and when the sun reaches an altitude in which vertical louvres would be ineffective, completely rotate upwards to act as a horizontal shading element and light shelf. 51 SOURCE: DEZEEN.COM
PROCESS 4
Kinetic Architecture FOSUN FOUNDATION CULTURAL & ARTS CENTER by Heatherwick Studio and Foster + Partners Located in the Bund Finance Center of Shanghai, The front of Fosun Foundation cultural and arts center consists of three layers of bronze tubes, visually similar to bamboo, moving vertically around the structure, altering the shape of the building.
With an area of approximately 4,000 square meters, Fosun Foundation, was designed by Foster + Partners and Heatherwick Studio. Inspired by the open stages of traditional Chinese theatre, the architecture is a multilevel venue encircled by a three layers moving veil. Fosun Foundation's aim is to promote and provide various art exhibitions, fashion shows, culture performance, forums and summits. 52 SOURCE: TECHINSIDER.COM
PROCESS 1
Kinetic Energy • • •
•
Renewable Energy Low Cost Multifunctional custom flooring system • Each tile is equipped with a wireless API that transmits real-time movement data analytics about pedestrians’ movements Lights powered by clean & free energy • One footstep can generate about 20 seconds of power for an LED Light • Footsteps transformed into off-grid electricity • Flooring has been installed in streets, train stations, malls, offices, airports, and public spaces • Tiles are also able to connect to a range of mobile devices and building management systems.
by: SILA SVETA
53 SOURCE: PAVEGEN.COM
PROCESS 2
Kinetic Energy APPLICATIONS
54 SOURCE: PAVEGEN.COM
PROCESS 3
Kinetic Energy APPLICATIONS
55 SOURCE: PAVEGEN.COM
PROCESS 4
Kinetic Energy APPLICATIONS DuPont Circle, Washington DC The 18th of November 2016 marked a huge step in Pavegen’s development. We have our first large scale outdoor installation in the heart of one of the US’s busiest cities, Washington D.C. Pavegen has provided a seamless way for pedestrians to contribute renewable power to the local grid, by simply walking down the road. Every day 10,000 people will be passing over 240 sq. feet of Pavegen tiles on Connecticut Avenue, meters away from the White House. The Pavegen team worked in conjunction with the District Department of Transportation, ZGF and Golden Triangle BID to deliver the installation. This project has initiated Pavegen’s further expansion into the US market, and has received tremendous press and support from both US and UK governments.
56 SOURCE: PAVEGEN.COM
PROCESS 5
Kinetic Energy APPLICATIONS Bird Street, London On June 29 Pavegen launched its latest installation at Bird Street, which runs off Oxford Street, the busiest shopping site in Europe. Commissioned by the New West End Company and Transport for London, a 20 square meter array of our award-winning V3 technology is the center piece of what has been billed the ‘world’s first smart street’. The kinetic energy of visitors’ footsteps is being converted into electricity to power bird sounds during the day and a lighting display at night. The launch also coincides with release of our app, which rewards people for their footsteps via the Tribal Planet Citizen Earth platform. Pavegen is accompanying Airlabs, an air cleaning bench and Airlite whose paint removes VOCs and NOx emissions from the air, which has been applied to pop-up shopping pods. The street, which has been transformed from a forgotten side road into an attractive and healthier oasis, has really caught the imagination of local communities.
57 SOURCE: PAVEGEN.COM
PROCESS 6
Kinetic Energy APPLICATIONS Green Quarter - Astana, Kazakhstan On June 29 Pavegen launched its latest installation at Bird Street, which runs off Oxford Street, the busiest shopping site in Europe. Commissioned by the New West End Company and Transport for London, a 20 square meter array of our award-winning V3 technology is the center piece of what has been billed the ‘world’s first smart street’. The kinetic energy of visitors’ footsteps is being converted into electricity to power bird sounds during the day and a lighting display at night. The launch also coincides with release of our app, which rewards people for their footsteps via the Tribal Planet Citizen Earth platform. Pavegen is accompanying Airlabs, an air cleaning bench and Airlite whose paint removes VOCs and NOx emissions from the air, which has been applied to pop-up shopping pods. The street, which has been transformed from a forgotten side road into an attractive and healthier oasis, has really caught the imagination of local communities.
58 SOURCE: PAVEGEN.COM
PROCESS 7
Kinetic Energy APPLICATIONS
Favela Football Pitch (Shell) - Rio de Janeiro, Brazil Challenge Aligning with the Shell #makethefuture campaign, to create a world's first viral project that inspires an entire community through sport, by supporting bright energy ideas. Solution A 200-tile people-powered football pitch situated in the Morro de Mineira favela, a deprived area in Brazil. As the children run, their energy is stored in batteries to power the pitch floodlights after sunset. Impact The project received media coverage in over 20 countries and was supported by Brazilian football legend, PelĂŠ. The story has received over 100 million impressions and an increase of 500% positive content engagement for Shell. 59 SOURCE: PAVEGEN.COM
PROCESS 8
Kinetic Energy APPLICATIONS The Crystal Building - London, UK Challenge To introduce 'People Power' to the UK's most sustainable building, The Crystal in London, through an informative and fun installation.
Solution 9 tiles were installed to power lighting inside the exhibition and track real-time footfall data. Two tiles power an interactive totem that visually displays the energy generated and the applications it can power. Impact Situated in the 'Kinetic Energy Zone,' The Crystal is home to the world's largest technology exhibition on the future of smart cities. The Pavegen install proves to be a popular stop along the guided tours with students and guests interacting with the technology. 60 SOURCE: PAVEGEN.COM
PROCESS 9
Kinetic Energy APPLICATIONS Sandton City Mall - Johannesburg, South Africa
Challenge To unite wider communities through renewable energy generation by creating a proactive and optimistic way to make a change, as part of the Samsung Electronics Africa #WhatIfICan movement. Solution A 68-tile walkway in Sandton City Mall, South Africa. The energy harvested was stored and donated to power a technology classroom in Sunrise Secondary School in the local rural village of Diepsloot. Impact Over 402 million footsteps were collected and users could also donate their footsteps digitally via an Android app. The campaign received 14 million online impressions, ÂŁ470,000 in earned media and was shortlisted for a Cannes Lions Award. 61 SOURCE: PAVEGEN.COM
PROCESS 10
Kinetic Architecture & Energy APPLICATION TO PROJECT 1900 N St. NW DuPont Circle, Washington DC Challenge To introduce to the project site renewable energy generation by creating a proactive and optimistic way to make a change, as part of the my design solution for an interdisciplinary dance studio and performance theater. Proposed Solution Kinetic sidewalks (pavers) and kinetic faรงade (responsive shading system) that will generate electricity for the building and surrounding site. Site Impact To convert the external and internal spaces of the site into energy that will be used to power the building and therefore reduce heating and energy costs. 62 SOURCE: PAVEGEN.COM
SCHEMATIC DESIGN
63 SOURCE: CUDED.COM
BUILDING FUNCTION DIAGRAM
PROGRAMMING 1
13.5’
Schematic Design: Spatial Relationships A.
B.
C.
D.
E.
Entrance/Street View • Theater 2 • Theater 3 • Gallery/Display • Bookstore • Cafe • Outdoor Landscaping/Seating Theater Production/Rehearsal Hall • Dressings Rooms • Locker Rooms • Backstage Dance Studios/Dance Labs • Classrooms • Multi-functional Board Room/Restaurant • Board Room • Conference Room • VIP Lounge • Restaurant
Bar/Lounge
Rooftop Terrace
Restaurants Brd Rm
Offices
Conf Rm VIP Lounge Classroom/Studios
15’
Classroom/Studios Dance Labs
14.5’
15’
Multi-functional
14.5’
Green Rm
Rehearsal
Shop
Theater Production
Theater 1
11.5’
Theater 2
Theater 3
Theater 2
Theater 3
14’ 30’
Gallery/Display Bookstore
Cafe
PARKING
Rooftop Terrace • Bar Lounge
64
SPACE PLAN 1
Space Planning & Spatial Relationships
N STREET NW 19TH STREET NW
20TH STREET NW SITE PLAN SCALE: 1/32” = 1’0”
OUTDOOR PUBLIC SPACE
KINETIC PAVERS
CORE BUILDING OUTDOOR SEMI-PUBLIC
65
SPACE PLAN 1
Space Planning & Spatial Relationships
FIRST FL SPACE PLAN SCALE: 1/32” = 1’0”
ENTRY/LOBBY
BOOKSTORE/ CAFE
OUTDOOR PUBLIC SPACE
RECEPTION
GIFTSHOP
DISPLAY
OUTDOOR SEMI-PUBLIC
GALLERY
INDOOR-OUTDOOR SPACE / SPACE FOR THEATER 2 & 3
66
Perspective 1
Space Planning & Spatial Relationships
67
Perspective 1
Space Planning & Spatial Relationships
68
SPECIFICATIONS 1
Building Specifications Project Design
Location: Central Business District Number of Floors: 9 + Penthouse
Building Hours: Mon-Fri: 7am – 10pm; Sat: 9am – 11pm
Building Size: 174, 290
Nearest Metro: DuPont Circle (Red line); 1 Block
Typical Floor: 19,365 (Max)
Floor To Ceiling Height: 14’-0” (varies)
Building Amenities: Private rooftop space totaling 9,000 SF of indoor and outdoor amenity space with bar and lounge, bicycle parking, outdoor café seating area, and outdoor performance space
Loading Dock: Yes
Building Occupancy:
Passenger Elevators: 5
Building Type: Mix- Use
Beam Spacing: 40’x 30’/TBD
Freight Elevators: 1 Dance and Video Mapping Performance
by: SILA SVETA
69 SOURCE: MICROCITIES.NET
NEXT STEPS 1
Schematic Design & Design Development •
Floor plans
•
Sections; Elevations
•
Exterior Renderings
•
3 Model(s) of Building
•
Site Model
70 SOURCE: PINTEREST.COM
REFERENCES 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41.
Duncan, Isadora. “The Dance of the Future.” Dance as a Theater Art: Source Readings in Dance History from 1581 to the Present. Ed. Selma Jeanne Cohen. Princeton, NJ: Princeton Book Company, Publishers, 1992. Onians, John. “Greek Temple and Greek Brain.” Body and Building: Essays on the Changing Relation of Body and Architecture. Ed. George Dodds and Robert Tavernor. Cambridge, MA: The MIT Press, 2002. Squillante, Sarah. “What do street dance and ballet have in common? Blog. https://ums.org/2014/01/23/what-do-street-dance-and-ballet-have-in-common/. Published Jan 23, 2014. Tzonis, Alexander. Santiago Calatrava: The Poetics of Movement. New York: Universe Publishing, 1999. Yudell, Robert J. “Body Movement.” Body, Memory, and Architecture. By Kent C.Bloomer, Charles W. Moore and Robert J. Yudell. New Haven: Yale University Press, 1977. Blog. https://erenyazicioglu.wordpress.com/2016/11/14/dance-and-architecture/ Web. https://www.pinterest.com/pin/41447259044172963/?lp=true Web. http://robohub.org/the-relationship-between-dance-and-robotic-fabrication-with-video/ Web. http://www.kennedy-center.org/ Web. http://www.dancingstrong.com/architecture.html City Dance. Web. https://www.citydance.net/ The Dance Institute of Washington. Web. http://www.danceinstituteofwashington.org/ Voorthius, Jacob. http://www.voorthuis.net/. 1994 – 2014. Web. http://www.areavibes.com/washington-dc/dupont+circle/livability/?ll=38.91165+-77.04346 Web. http://www.derivative.ca/events/2012/SilaSveta/ Web. https://www.archdaily.com/797079/steven-holl-and-jessica-langs-tesseracts-of-time-explores-the-relationship-between-architecture-and-dance Web. https://planning.dc.gov/publication/dupont-circle-retail-action-strategy Web. http://dance.arizona.edu/about_us/facilities/stevie_eller_theatre/ Web. http://www.etsy.com http://dance-in-architecture.blogspot.com/2011/08/visualizing-movement-of-dance.html http://www.dsgnr.cl/2017/10/camaras-bailarines-nexo-danza-fotografia-arquitectura-jacob-jonas/ https://www.yatzer.com/jacob-jonas-company-camerasanddancers http://microcities.net/portfolio/measuring-space/ Newlove, Jean, 1993, Laban for Actors and Dancers, Putting Laban’s Movement Theory into Practice, A Step-by-Step Guide, Nick Hern Books, United Kingdom https://www.theatrefolk.com/blog/the-eight-efforts-laban-movement/ http://www.movementhasmeaning.com/wp-content/uploads/2010/09/LMA-Workshop-Sheet.pdf Web. https://www.google.com/search? q=architecture+and+dance&safe= active&source=lnms&tbm=isch& sa=X&ved= 0ahUKEwjorrihhu3YAhVJ3FMKHaWaB g4Q_AUICigB&biw=1371&bih=673# imgdii=PfEGZUKKPmdGeM:&imgrc= CDqm-u9PkC_QoM Web. https://ar.pinterest.com/pin/ 666321707337780985 Web. http://www.academia.edu/6253327/The_architectural_spaces_and_Their_psychological_impacts Web. https://www.wired.com/2011/04/the-psychology-of-architecture/ Web. https://sydney.edu.au/architecture/documents/staff/garymoore/28.pdf Web. http://www.bbc.com/future/story/20170605-the-psychology-behind-your-citys-design Web. http://www.kopvol.com/downloads/2009_Vollmer%20Koppen_The%20Psychological%20Quantum%20of%20Architecture.pdf Web. https://issuu.com/madhurjain22/docs/human_psychology_in_rehabilitative_ Web. http://portico.space/journal//architectural-concepts-circulation Web. https://www.aaai.org/Papers/Symposia/Spring/2005/SS-05-06/SS05-06-025.pdf Web. https://www.researchgate.net/publication/228646158_Space_Syntax_in_Architectural_Design https://creators.vice.com/en_uk/article/jpvekb/how-motion-can-bring-us-together-through-architecture http://www.soma-architecture.com/index.php?page=theme_pavilion&parent=2# https://www.bdcnetwork.com/shape-shifters-kinetic-architecture-allows-buildings-perform-beyond-their-intended-purpose http://www.pavegen.com/permanent
71
THESIS STUDIO I Progress Presentation DANCE AND ARCHITECTURE Spatial Qualities: From (Dance) Movement to Architectural Form An Interdisciplinary Dance Studio & Performance Theater
ERIC HARRIS PROF. SUSAN KLIMAN ARCP 502-01 SPRING 2018
THANK YOU!
PROGRESS PRESENTATION
5-4-18
SOURCE: STUDIOLECARRE