ERIC NATHAN how small a part of time For Sixteen Voices (SSSSAAAATTTTBBBB)
Copyright 2016 – Eric Nathan. All rights reserved.
P U B L I S H E D B Y N A T H A N A R T S (ASCAP) WWW.ERICNATHANMUSIC.COM | Providence, RI USA | (914) 391-8394 *PLEASE NOTIFY NATHAN ARTS OF ALL PERFORMANCES*
Commissioned by The New York Virtuoso Singers World Premiere by The New York Virtuoso Singers, Harold Rosenbaum, Conductor
*** Total Duration: c. 6 minutes
PERFORMANCE NOTE: The ensemble of sixteen performers should be arranged in the following spatial setup to achieve the proper antiphonal effects:
T II
B II
B IIII
A II
T III A III
S II
S III
BI
B IV
TI
T IV
AI
A IV
SI
S IV
Cond.
TEXT This poem is comprised of selected titles of books found in the Providence Athenaeum’s card catalogue. This text does not preserve the capitalization from the original titles. “how small a part of time” by Eric Nathan (2016) How a baby grows How a bride was won How a merchande dyd hys wife betray How a people die How about Europe? How America lives How buildings work How can Africa survive? How children fail How children learn How cities are saved How dear to my heart How can you defend those people? How computers work How did I get to be 40 and other atrocities How does your garden grow How England saved Europe How fascism ruled women How far she went How far the promised land? How firm a foundation How France built her cathedrals How great generals win How he lied to her husband How he saved her How I became a writer How I came to know fish How I crossed Africa How I came west How I found America How I grew How I killed a bear How I made a hundred movies in Hollywood and never lost a dime How I saved the world How I wrote the story
How it is How it is done How it was How life begins How late it was, how late How many years How much is left of the old doctrines? How much is that in dollars? How nature cures How odd of God How old is this house? How our laws are made How plants get their names How Shakespeare spent the day How she died How she loves him How small a part of time
Commissioned by The New York Virtuoso Singers World Premiere by The New York Virtuoso Singers, Harold Rosenbaum, Conductor
how small a part of time for sixteen voices (SSSSAAAATTTTBBBB)
Text by Eric Nathan
Startling, floating q = 60
wafting, π pearly, with a pure, "early-music" sound, sempre 3 ˙. 4 w &4 4
p œ ‰ J
Solo
Soprano I
3 #˙. 4
Ah
Alto I
Tenor I
∑
ƒ 3 V 4 œj > ƒ
How
Bass I
? 43
˙
Ah
3 &4
‰
Œ
p
œ œ ‰ Œ > 3
Œ Œ
4 4
∑
44
∑
44
∑
How
Music by Eric Nathan (b. 1983)
π #˙.
2 ˙ 4
3 4
Ah
3 4
∑
ƒ 34 j ‰ Œ œ > How ƒ p 3 43 œ œ ‰ Œ >
∑ Œ
∑
∑ ƒ
∑
How
∑
3 4
Œ
Œ
42
∑
43
œ œ ‰ Œ >
Œ
42
∑
43
j œ >
ƒ
How
Œ
2 4
‰ p
3
How
Soprano II
3 &4
∑
4 4
∑
3 4
∑
∑
∑
2 4
∑
3 4
Alto II
& 43
∑
44
∑
43
∑
∑
∑
42
∑
43
Tenor II
V 43
43
Bass II
ƒ p
‰
#œ œ > How ƒ ? 43 j ‰ >œ
Œ
Œ
44
∑
Œ
Œ
44
∑
How
ƒ p
‰
œ #œ >How ƒ 34 j ‰ >œ
Œ
Œ
∑
Œ
Œ
∑
How
ƒ p
‰ #œ œ > How ƒ j ‰ >œ
Œ
Œ
42
∑
43
Œ
Œ
42
∑
43
How
Soprano III
3 &4
∑
4 4
∑
3 4
∑
∑
∑
2 4
∑
3 4
Alto III
3 &4
∑
4 4
∑
3 4
∑
∑
∑
2 4
∑
3 4
Tenor III
3 V4
Œ
Œ
4 4
∑
Œ
Œ
∑
Œ
Œ
44
ƒ p 3 ‰ 4 #œ œ >How
∑
‰
Œ
Œ
∑
Bass III
ƒ p
‰ œ #œ > How ƒ ? 43 j ‰ œ > How
Soprano IV
3 &4
ƒ 34 j œ >
How Solo pearly, wafting, with a pure, "early-music" sound, sempre
π 4 w 4
∑
& 43
p œ J
3 ˙ 4
Tenor IV
V 43
Bass IV
ƒ
j ‰ #œ > How ƒ p
Œ
3 ?3 4 œ œ ‰ Œ >
How
Œ
Œ
2 4
∑
3 4
Œ
Œ
42
∑
43
‰
π #˙.
p
˙.
2 4 #˙
3 4
Ah
44
∑
43
Œ
44
∑
43
Œ
4 4
∑
∑
‰ œ #œ >How ƒ j ‰ œ >
How
Ah
Alto IV
ƒ p
∑ ƒ
j ‰ #œ > How ƒ p
Œ
3 3 4 œ œ ‰ Œ >
∑ Œ
∑
Œ
∑
How
Copyright 2016 – Eric Nathan. All rights reserved.
∑ ƒ
42
∑
43
Œ
Œ
42
∑
43
œ œ ‰ Œ >
Œ
2 4
∑
3 4
j ‰ #œ > How ƒ p 3
How
how small a part of time
2
p 3 ˙. &4
π ˙
7
SI
œ J
‰
π ˙.
4 Π4
3 4
Ah with a pure, "early-music" sound, sempre
AI
p
π
3 & 4 # œ- œ œ œ ˙ f
p
j œ-
‰
How a ba - by grows
TI
3 V 4 œj ‰ > f
How
BI
? 43
œ œ > 3
How
Œ p ‰
π 4 j ‰ 4 œ
œœ œ œ œ
f
a bride was won
Œ
4 j ‰ 4 œ >
∑
Œ
Œ
a pure, p with "early-music" sound, sempre
∑
p
T II
B II
3 V4
∑ f
p ‰
#œ œ > How f ?3 j ‰ 4 œ >
with a pure, "early-music" sound, sempre
How a bride was won
Œ
Œ
∑
Œ
Œ
∑
3 &4
p
∑
A III
T III
B III
3 V4
f
p # œ- œ œ œ # ˙ How a ba - by
Œ
Œ
∑
Œ
Œ
∑
A IV
T IV
& 43 ˙ 3 &4 Œ 3 V4
f
j ‰ # >œ f
p 3 ?3 4 œ œ ‰ >
Œ
Œ
with a pure, "early-music" sound, sempre
p
# œ- œ œ œ œ œ 5
How a ba - by grows
Œ
Œ
How
‰
How a
f
p ‰
‰
œ
5
How a bride was won
4 4
5
mer - chande dyd hys wife
œ
œ
3 4
be - tray
Œ
Ó
3 4 P j œ
œ œ wife
be
œ
3
-
3 4
‰ π
œ
43
tray
Œ
Ó
3 4
Œ
Ó
3 4
π
4 4 ˙ f
œ œ œ
3 4
p œ J
44 ˙ .
œ- œ œ œ œ
∑
How
Ó
How a mer - cande - dyd hys
#œ œ > How f 4 j ‰ 4 œ >
43
Œ
p 44 œ œ3 œ œ œ3 œ 4 4
p
How
B IV
p ‰
p œ- œ œ
How
Ah
œ.
‰
π #˙ π
f
π
p œ
P Œ
4 4 ˙. π j œ
grows
How
S IV
43
How
˙.
Œ
œ #œ >How f ?3 j ‰ 4 œ >
Ó
œ #œ >How f 4 j ‰ 4 œ >
with a pure, "early-music" sound, sempre
with a pure, "early-music" sound, sempre
p ‰
f p 3 44 ‰ Œ œ œ >
3 4
4 4
How
& 43 Œ
3 4
Ó
4 4 œ.
œ- œ œ œ ˙
How
S III
œ œ œ œ œ œ
Œ
44 ˙
˙.
How
A II
œ
How a mer - chande dyd hys wife be - tray
How
& 43 # ˙ . 3 &4
œ- œ œ
π
5
How
How
S II
p
Œ
p
œ- œ œ
43
‰ 5
œ
œ
3 4
How a mer - chande dyd
Œ
Ó
f p 3 4 4 œ œ ‰ Œ >
3 4
Ó
3 4
j ‰ # >œ How
Œ
Œ
∑
How
how small a part of time
P 3 œ &4 J
10 SI
AI
P
3 &4 œ -
F 3 j V4 œ > How
TI
‰
S II
A II
œ
peo - ple
‰ p
T II
B II
?3 4 œ >How
p
œ œ ˙
a
F
die
Œ ‰
œ 3
F
œ #œ >How F ?3 j 4 œ >
p
P 4 œ- œ œ 4 3
4 ‰ 4
Œ
j œ-
How
‰
Œ
‰
Œ
p 3 & 4 ˙.
4 . 4 ˙ œ œ œ œ
4 4 w -
Œ
4 ‰ 4
a
Œ
peo - ple
die
A III
T III
B III
V 43
F
p
4 ‰ 4
B IV
‰ ‰
P
Œ
‰ œ- œ
Œ
#œ œ >How F j Œ œ >
How
‰ p
3
œ
Œ Œ
4 ‰ 4
P 4 œ 4 J 4 4 ˙ Œ
4 ‰ 4
Œ œ #œ >How F j Œ œ > How
‰
P
Œ
œ- œ
p ‰
F j #œ >
‰
Œ
Œ
P
2 4 Œ
# œ- œ
‰
‰
‰
F j œ F j œ
P
42 Œ
3
2 4
A - me
p
-
bœ ri
How A - me - ri - ca lives
Œ
‰ œ- œ How
P j œ-
2 4 Œ
a pure, P with "early-music" sound, sempre 2 b œ- œ œ œ œ œ . 4 œ
P
p
œ- # œ
P 2 œ 4 J
b œ- œ œ
How
‰
4 4
‰
4 4
‰
4 4
‰
44
‰
4 4
‰
44
‰
4 4
How
How
P
p
P j œ
2 4 Œ
How
j œ
p 3 r≈ ‰ œ œ œ >How
F
p
P j œ-
Œ
4 4
How
œ- œ
p ˙.
Œ
F j œ
2 4 œ
How
Œ
‰
How
P j œ
P
œ
p
4 4
How
Œ
3
How
How
Ah
How
44 ‰
p
œ-
p 2 4 ˙
Œ
F
work
2 4 Œ
44 ‰
Œ ‰
‰
P
How buil - dings
œ- œ œ œ œ œ
π ˙
3 3 & 4 œ- œ œ œ
3
P j œ
p p
p
2 4 œ
Œ
π 3 #˙. &4
How
p 3 r œ œ œ ≈ ‰ >
Eu - rope?
p
hys wife be - tray
T IV
4 4
4 4 w
5
How a peo - ple die
#œ œ >How F ?3 j 4 œ >
F 3 j V 4 #œ > How F ? 43 œ >
2 4 œ- œ œ œ œ
˙
42 œ
P
Ah
A IV
œ œ J
44 w
How
S IV
4 4
3
F
4 4
2 4 ˙
How a - bout Eu - rope?
a - bout
F
Œ
Ah
How
How
3 &4 œ
‰
p 2 N˙ 4
œ- œ œ œ ˙
P
How
S III
P
How
p
π 3 . &4 œ
4 Π4
with a pure, "early-music" sound, sempre
Œ
Œ
œ J
P
How
3 & 4 ˙.
3 V4
4 ˙ 4
Ah
How
BI
π ˙
3
3
How
‰ 3
-
œ
ca
œ
lives
4 4
œ œ-
P
How
42 Œ
4 4
Œ
œ-
How
œ
œ
3
p
4 4
buil - dings
œ 3
‰
44
how small a part of time
4
SI
AI
4 ˙ &4
F
w
Ah
F 5 4 & 4 bœ œ œ œ œ œ œ. F 4 V 4 ˙.
How can A - fri - ca sur - vive?
TI
P Nœ
F Œ
13
˙
f œ
w j œ
‰
Œ
F œ- œ œ œ ˙ .
BI
? 44 Œ
œ-
How
S II
A II
& 44 w 4 &4 Œ
F œ-
π
œ ‰ Ó
3
How,
F w
F
# œ- œ œ œ œ œ œ
How can A - fri - ca sur - vive?
T II
4 V4 Œ
p
# œ- œ
π ‰
œ
Ó
œ-
How
B II
?4 Π4
p
j œ-
How,
‰
# œ-
# œ- œ œ œ œ
& 44 # w
How,
B III
S IV
A IV
T IV
p 4 #w &4 4 &4
3
# œ- œ œ œ
p π ‰ œ #œ
B IV
p j œ-
‰
j3 # œ- œ œ œ œ How ci - ties are
œ
Ó
œ
F œ-
j3 # œ- œ œ œ œ 3
How ci - ties are
Ó
j œ
p
œ-
How
œ
de - fend How
œ
3
œ
π ‰ Ó
F
∑ F
‰
F
# œ- œ œ œ
How chil - dren fail
you
œ
œ
f œ œ œ œ
can
you
de - fend How can
How
can
de - fend How can
f
œ
3
œ
3
œ
œ
f œ œ œ œ œ
How
can
you
de - fend those peo-ple?
#œ
œ
œ
How
can
you
œ œ
œ
#œ
5
œ
How can
œ
œ
you
œ
de - fend How
f
œ œ œ œ
you
de - fend those
f
œ œ œ œ can you
de - fend
f
˙
How can you de - fend How can
œ
œ
you
œ
f
5
œ œ œ œ œ f
de - fend How can you de-fend
3
œ
6
5
#œ œ œ œ œ œ œ œ œ œ œ œ œ
≈
How can you de - fend How can you de - fend How can you
‰
#œ
œ
œ
How
can
you
œ
œ
œ
de - fend How
f œ œ œ œ
can you
de - fend
f
with a pure, "early-music" sound, sempre
# œ- œ œ œ œ
œ œ
œ
˙
f F œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
How can you de-fend those peo - ple?
Œ
œ œ œ œ
can
œ
#œ œ œ œ œ œ œ
œ
saved
œ
#œ
6
œ with a pure, "early-music" sound, sempre
f
with a pure, "early-music" sound, sempre
# œ- œ œ œ œ
w
How,
F
p
‰
œ F
w
F 4 V4 w ? 44 Œ
œ
œ
œ
saved
How
˙
work
œ
‰
with a pure, "early-music" sound, sempre
w
How
?4 Π4
œ
˙ 3
5
de - fend How
œ œ
œ.
∑
How chil - dren fail
T III
œ
œ
How dear to my heart
Ó
F
4 &4 Ó V 44 Œ
How can you
œ
How can you de-fend those peo - ple?
How
A III
F bœ œ œ
sub.
˙
How
S III
5
How can you
with a pure, "early-music" sound, sempre
w F
5
How can you de - fend How can you de - fend How can you de-fend
œ
How chil - dren learn
p
F f œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
5
5
5
How can you de - fend How can you de - fend How can you de-fend
w
˙
F œ- œ œ œ ˙ .
f œ
How chil - dren learn
F œ-
How,
How,
sub.
F 3 œ œ
How
with a pure, "early-music" sound, sempre
# œ-
6
# œ- œ œ œ œ
How dear to my heart
œ
œ
can
3
#œ œ œ œ œ œ œ œ œ œ f
f
≈
How can you de-fend How can you de - fend
œ
œ
you
#œ
3
How
œ 3
de - fend
œ can
œ those
œ
œ
3
peo - ple?
f
œ
you
‰
how small a part of time
16 SI
Í & w
π w
œ
Í & w
oo
π
π
Í V w
oo
π w
π w
Í ? Nw
π ˙. oo
Í & w
π
Í
π
Í V Nw
π
How
AI
How
TI
How
BI
How
S II
How
A II
& #w
How
T II
S III
p
œ ‰ J
oo
w
oo
∑
Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
π 3 j #œ œ
œ
(m)
∏ Œ
oo
Ó
#w
w
∏ Œ
œ π
Í
π
π
Í ? #w
π ˙.
p
w
oo
oo
Ó
3
3 4
Ó
3 4
~~~~~~~~~~~ ~~ ∑
π
œ
43 3 4 43
(m)
œ #œ ‰ Œ
Ó
3
w Ó
~~~~~~~~~~
Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
#w
How
œ
(m)
π j j3 œ œ #œ
∑
œ.
3
π3 j œ œ
Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
∑
w
œ œ ‰ Œ
3 4
3 4
How
(m)
œ ‰ J
œ
Ó
(m)
w
~~~~~~~~~~ ~ #œ œ ‰ Œ
Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
(m)
3
3 4 3 4
∑
π
∑
#w
How
oo
3 4
How
(m)
oo
3 4
Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
∑
π3 j j œ #œ œ
œ #œ ‰ Œ
Ó
3
œ
Ó
(m)
w
oo
3
œ
oo
œ
‰ Œ œ œ
w
How
π
How
π
∑
œ
#œ œ ‰ Œ
Í
V #w
π j3 œ œ
(m)
π w
How
B IV
oo
Í & w
How
T IV
w
p
Nw
Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
3 4
How
π w
π w
&
∏ Œ
(m)
Í ? #w
V #w
3
#w
oo
π
How
A IV
π
π
How
S IV
oo
Í
How
B III
Ó
w
~~~~~~~~~~~~~ ~~ ∑
(m)
œ
π
#w
œ
w
How
π
How
T III
œ ‰ J
Í
&
Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
(m)
w
π w
∑
(m)
oo
Í & #w
How
A III
w
(m)
p
19 Mysteriously
π 3 j #œ œ
Ó
π ˙.
How
Ó
‰ Œ œ œ
Í N ? w
How
B II
w
∏ Œ
5
π3 j œ #œ (m)
œ
3 4 3 4
Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
œ.
∑
∑
π 3 œ œ ‰ Œ How
π j3 œ #œ œ
3 4
(m)
Ó
43
6
21 SI
3 &4
22 p 4 4 œ- œ œ œ œ .
how small a part of time
π
P j œ ‰ Œ
~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑
˙
7
w
˙
How com - pu - ters work
AI
3 &4
TI
3 V4
BI
4 4 4 4
p P 3 ?3 Œ Œ ‰ 44 4 œ œ How
S II
3 &4
∑
∑
π
j œ
3 &4
T II
3 V4
B II
3 &4
T III
V 43
B III
∑
œ.
3 &4
T IV
3 V4
B IV
work
p
Ó
P
P
p
#œ œ ‰ Œ 3
p j ‰ Œ œ How
‰
6
6
n œ- œ œ œ œ œ œ- œ œ œ œ œ œ- œ œ œ
How did I get to be for - ty and o - ther a - tro - ci - ties?
4 4 44
∑
p
∑
π
Ó
P 3p œ #œ ‰ Œ P j ‰ Œ œ How
~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 Π4
∑
b œ- œ œ œ œ . 7
How com - pu - ters work
A IV
How
~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 bw
∑
p 3P ? 3 Œ Œ #œ ‰ 4 4 œ 4 3 &4
˙
∑
π
How
S IV
# œ- œ œ œ ˙ How com - pu - ters
How
A III
‰
4 4
p P 3 ? 3 Œ Œ #œ ‰ 4 4 œ 4 & 43
P j œ ‰ Œ
4 4
How
S III
π
p
œ
p œ ‰Œ 3
~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 4 w
∑
How
A II
Ó
P
œ
w
˙
4 4 4 4
p P 3 ? 43 Œ Œ 4 œ œ‰ 4 How
∑
∑
Ó
P
œ œ How
3
p ‰Œ
how small a part of time
25 SI
&
27 p
TI
BI
& V ?
∑
# œ- œ œ œ
œ 3
∑
π
œ ˙ grow?
"
at given dynamic; P " (perform sounding dynamic will be less)
"
P"
A II
T II
B II
& & V ?
œ œ‰Œ Ó
&
T III
B III
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how small a part of time
54 SI
4 &4
p
#œ. p
How
AI
TI
How
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p ? 4 œ. 4 4 &4
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a pure, π with "early-music" sound 3 Œ #˙ 4
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14
3 œ &4 J
60 SI
p
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61 4 w 4 π
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ma
How
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how small a part of time
65 SI
&
w
3
p
&œ œ œ œ œ œ œ œ 3
How much is
TI
œ
π
left of the old doc - trines?
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with a pure, "early-music" sound, sempre
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3
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p
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? with a pure, "early-music" sound, sempre
p
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∑
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p
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∑
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how small a part of time
16
69 SI
&
p œ J
œ
π ‰ #˙
w
∏ ‰ Œ
3 4 œ.
w
4 4
Ah
AI
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∑ π
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TI
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is
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How
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with a pure, "early-music" sound
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p
V Ó
‰ #œ œ œ #œ 3
How our laws
B II
?
π
with a pure, "early-music" sound
are
#w
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p
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a pure, p with "early-music" sound 3 4 #œ #œ œ
How
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3 4 #œ
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speare
4 4
spent the 3
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spent the
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&
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44
A III
&
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V
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with a pure, "early-music" sound
Œ
p œ
How
B III
S IV
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∑ œ
p π œ ‰ #˙ J
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3
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3
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B IV
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speare
speare
3
œ œ œ
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spent the 3
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spent the
44
how small a part of time
73 SI
AI
TI
4 &4 4 &4
∑ ∑ π
4 V4 w
A II
T II
4 &4
∑ π
A III
T III
?4 4 #w
A IV
T IV
∑ ∑ π
w
∑
4 &4
∑
4 V4 w π
?4 4 #w
day
w
w
w
w
P #œ
died
π œ ‰ J
Ah
stagger breaths
w
stagger breaths
w
∑ w
w
w
w
w ∑
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w
w
w
w
w
∑ π w
Ó
w
stagger breaths
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& 44
π
π #w w
?4 4 #w
she
w
∑
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π
œ
w
stagger breaths
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V 44 # w
day
B IV
π #w
w
day
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How
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day
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day
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p
Ah
4 V 4 #w
& 44
stagger breaths
w
day
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stagger breaths
∑
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died
w
day
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π ?4 4 #w 4 &4
π #w
Ah
day
BI
74
17
∑
Ó
p #œ
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How
she
P œ. loves
π ˙ loves
stagger breaths
w
w
w
w
w
w
#œ J
him
how small a part of time
18
77 SI
&
p w
π ˙
w
wafting, dolce, p pearly, like birds soaring in the distance # ˙- . Solo
Ó
80 Floating 3 ∑ 4
Ah
AI
TI
BI
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w
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˙
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w ∑
A II
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w
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w
π œ ‰ J
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w
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w
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w
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3 4
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43 ˙ .
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3 4
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wafting, dolce, p pearly, like birds soaring in the distance œ 3 ˙. 4 Solo
∑ œ J
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how small a part of time
82 SI
&
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‰
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19
4 w 4
Ah
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w
BI
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44 w
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how small a part of time
20
87 SI
AI
&
π & # œj V ˙. p
(m)
BI
?
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How
S II
A II
3
œ
Œ
π 3 j œ #œ
A III
Ó
#˙
p ? #œ
œ
(m)
p π 3
∑
π
œ 3
‰
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Ó ∑
&
p sorrowfully Nw
& #œ
(m)
(m)
Ó
a
π 3
#œ œ
‰ Œ
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part
w
w
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ How
π 3 j œ #œ
œ
(m)
p sorrowfully Nœ œ
Ó
œ
π œ #œ ‰ Œ
p
∑
3
Ó
a
π #œ œ ‰ Œ p
3
Ó
part
w
w
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
playfully, buoyant, bird-like, in dialogue with others Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
π 3 j œ #œ
œ #œ
‰ Œ
p
playfully, buoyant, bird-like, in dialogue with others Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
j œ
How
S III
œ
playfully, buoyant, bird-like, in dialogue with others Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
(m)
B II
playfully, buoyant, bird-like, in dialogue with others Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
∑
& # œj V
‰
w
small
(m)
œ
&
How
π j3 #œ œ
3
(m)
T II
œ
π
w
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~
playfully, buoyant, bird-like, in dialogue with others Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
(m)
TI
p sorrowfully Nœ ˙.
∑
How
small
~~~~~~~~~~~~~~~~~~~~~~~~~~
playfully, buoyant, bird-like, in dialogue with others Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
T III
V
˙
p
(m)
B III
?
œ
π
#œ 3
π 3 j #œ œ (m)
‰
Œ
œ
Ó
∑
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S IV
A IV
&
˙
Ó
& ˙
(m)
π j 3 V œ #œ (m)
B IV
?
p
œ
How
π
3
#œ
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Œ
œ
p sorrowfully Nœ ˙
π #œ œ ‰ Œ 3
Ó
π œ #œ ‰ Œ
p
a
part
w
w
3
Ó
~~~~~~~~~~~~~~~~~~~~~~~~~ How
small
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
(m)
playfully, buoyant, bird-like, in dialogue with others Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
T IV
Œ
playfully, buoyant, bird-like, in dialogue with others Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths
π 3 j #œ œ
p
Ó
∑
p
3
#œ œ a
π ‰ Œ
Ó
p
3
œ #œ part
π ‰ Œ
Ó
how small a part of time
91 SI
AI
TI
BI
V ?
A II
T II
B II
& & V
w
A III
T III
∑
p
#œ
π 3
œ
‰
Œ
Ó
B III
?
A IV
T IV
B IV
V ?
œ
π
‰
Œ
Ó
w
Ø
U
∑
∑
π
w
U
∑
U
∑
U
∑
p
π
œ
3
‰
Œ
Ó
p
#œ
π
œ
3
‰
Œ
Ó
Ø
Ø
U
∑
time
∑
π
U
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w
w
∑
U
∑
U
p
π
œ #œ
3
‰
Œ
Ó
p
œ #œ
3
π
∑
‰
Œ
Ó
Ø
Ø
U
∑
time
∑
π
U
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
& w &
#œ
3
Ø
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w
of
S IV
p
time
& w
V
∑
U
? #œ
&
U
∑
of
S III
w
U
of
S II
π
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
& w &
21 Length of fade out, ad lib. (10"-15")
w
w
∑
U
∑
U
∑
p
π 3
œ #œ of
‰
Œ
Ó
p
3
œ #œ time
π
‰
Œ
Ó
∑
U
∑
Ø Ø