how small a part of time

ERIC NATHAN how small a part of time For Sixteen Voices (SSSSAAAATTTTBBBB)

Copyright 2016 – Eric Nathan. All rights reserved.

P U B L I S H E D B Y N A T H A N A R T S (ASCAP) WWW.ERICNATHANMUSIC.COM | Providence, RI USA | (914) 391-8394 *PLEASE NOTIFY NATHAN ARTS OF ALL PERFORMANCES*

Commissioned by The New York Virtuoso Singers World Premiere by The New York Virtuoso Singers, Harold Rosenbaum, Conductor

*** Total Duration: c. 6 minutes

PERFORMANCE NOTE: The ensemble of sixteen performers should be arranged in the following spatial setup to achieve the proper antiphonal effects:

T II

B II

B IIII

A II

T III A III

S II

S III

BI

B IV

TI

T IV

AI

A IV

SI

S IV

Cond.

TEXT This poem is comprised of selected titles of books found in the Providence Athenaeum’s card catalogue. This text does not preserve the capitalization from the original titles. “how small a part of time” by Eric Nathan (2016) How a baby grows How a bride was won How a merchande dyd hys wife betray How a people die How about Europe?

How America lives How buildings work How can Africa survive?

How children fail How children learn How cities are saved How dear to my heart How can you defend those people?

How computers work How did I get to be 40 and other atrocities How does your garden grow How England saved Europe How fascism ruled women How far she went How far the promised land?

How firm a foundation How France built her cathedrals How great generals win How he lied to her husband How he saved her How I became a writer How I came to know fish How I crossed Africa How I came west How I found America How I grew How I killed a bear How I made a hundred movies in Hollywood and never lost a dime How I saved the world How I wrote the story

How it is How it is done How it was How life begins How late it was, how late How many years How much is left of the old doctrines?

How much is that in dollars?

How nature cures How odd of God How old is this house?

How our laws are made How plants get their names How Shakespeare spent the day How she died How she loves him How small a part of time

Commissioned by The New York Virtuoso Singers World Premiere by The New York Virtuoso Singers, Harold Rosenbaum, Conductor

how small a part of time for sixteen voices (SSSSAAAATTTTBBBB)

Text by Eric Nathan

Startling, floating q = 60

wafting, π pearly, with a pure, "early-music" sound, sempre 3 ˙.

4 w &4 4

p œ ‰ J

Solo

Soprano I

3 #˙.

4

Ah

Alto I

Tenor I

∑

ƒ 3 V 4 œj > ƒ

How

Bass I

? 43

˙

Ah

3 &4

‰

Œ

p

œ œ ‰ Œ > 3

Œ Œ

4 4

∑

44

∑

44

∑

How

Music by Eric Nathan (b. 1983)

π #˙.

2 ˙ 4

3 4

Ah

3 4

∑

ƒ 34 j ‰ Œ œ > How ƒ p 3 43 œ œ ‰ Œ >

∑ Œ

∑

∑ ƒ

∑

How

∑

3 4

Œ

Œ

42

∑

43

œ œ ‰ Œ >

Œ

42

∑

43

j œ >

ƒ

How

Œ

2 4

‰ p

3

How

Soprano II

3 &4

∑

4 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

Alto II

& 43

∑

44

∑

43

∑

∑

∑

42

∑

43

Tenor II

V 43

43

Bass II

ƒ p

‰

#œ œ > How ƒ ? 43 j ‰ >œ

Œ

Œ

44

∑

Œ

Œ

44

∑

How

ƒ p

‰

œ #œ >How ƒ 34 j ‰ >œ

Œ

Œ

∑

Œ

Œ

∑

How

ƒ p

‰ #œ œ > How ƒ j ‰ >œ

Œ

Œ

42

∑

43

Œ

Œ

42

∑

43

How

Soprano III

3 &4

∑

4 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

Alto III

3 &4

∑

4 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

Tenor III

3 V4

Œ

Œ

4 4

∑

Œ

Œ

∑

Œ

Œ

44

ƒ p 3 ‰ 4 #œ œ >How

∑

‰

Œ

Œ

∑

Bass III

ƒ p

‰ œ #œ > How ƒ ? 43 j ‰ œ > How

Soprano IV

3 &4

ƒ 34 j œ >

How Solo pearly, wafting, with a pure, "early-music" sound, sempre

π 4 w 4

∑

& 43

p œ J

3 ˙ 4

Tenor IV

V 43

Bass IV

ƒ

j ‰ #œ > How ƒ p

Œ

3 ?3 4 œ œ ‰ Œ >

How

Œ

Œ

2 4

∑

3 4

Œ

Œ

42

∑

43

‰

π #˙.

p

˙.

2 4 #˙

3 4

Ah

44

∑

43

Œ

44

∑

43

Œ

4 4

∑

∑

‰ œ #œ >How ƒ j ‰ œ >

How

Ah

Alto IV

ƒ p

∑ ƒ

j ‰ #œ > How ƒ p

Œ

3 3 4 œ œ ‰ Œ >

∑ Œ

∑

Œ

∑

How

Copyright 2016 – Eric Nathan. All rights reserved.

∑ ƒ

42

∑

43

Œ

Œ

42

∑

43

œ œ ‰ Œ >

Œ

2 4

∑

3 4

j ‰ #œ > How ƒ p 3

How

how small a part of time

2

p 3 ˙. &4

π ˙

7

SI

œ J

‰

π ˙.

4 Π4

3 4

Ah with a pure, "early-music" sound, sempre

AI

p

π

3 & 4 # œ- œ œ œ ˙ f

p

j œ-

‰

How a ba - by grows

TI

3 V 4 œj ‰ > f

How

BI

? 43

œ œ > 3

How

Œ p ‰

π 4 j ‰ 4 œ

œœ œ œ œ

f

a bride was won

Œ

4 j ‰ 4 œ >

∑

Œ

Œ

a pure, p with "early-music" sound, sempre

∑

p

T II

B II

3 V4

∑ f

p ‰

#œ œ > How f ?3 j ‰ 4 œ >

with a pure, "early-music" sound, sempre

How a bride was won

Œ

Œ

∑

Œ

Œ

∑

3 &4

p

∑

A III

T III

B III

3 V4

f

p # œ- œ œ œ # ˙ How a ba - by

Œ

Œ

∑

Œ

Œ

∑

A IV

T IV

& 43 ˙ 3 &4 Œ 3 V4

f

j ‰ # >œ f

p 3 ?3 4 œ œ ‰ >

Œ

Œ

with a pure, "early-music" sound, sempre

p

# œ- œ œ œ œ œ 5

How a ba - by grows

Œ

Œ

How

‰

How a

f

p ‰

‰

œ

5

How a bride was won

4 4

5

mer - chande dyd hys wife

œ

œ

3 4

be - tray

Œ

Ó

3 4 P j œ

œ œ wife

be

œ

3

-

3 4

‰ π

œ

43

tray

Œ

Ó

3 4

Œ

Ó

3 4

π

4 4 ˙ f

œ œ œ

3 4

p œ J

44 ˙ .

œ- œ œ œ œ

∑

How

Ó

How a mer - cande - dyd hys

#œ œ > How f 4 j ‰ 4 œ >

43

Œ

p 44 œ œ3 œ œ œ3 œ 4 4

p

How

B IV

p ‰

p œ- œ œ

How

Ah

œ.

‰

π #˙ π

f

π

p œ

P Œ

4 4 ˙. π j œ

grows

How

S IV

43

How

˙.

Œ

œ #œ >How f ?3 j ‰ 4 œ >

Ó

œ #œ >How f 4 j ‰ 4 œ >

with a pure, "early-music" sound, sempre

with a pure, "early-music" sound, sempre

p ‰

f p 3 44 ‰ Œ œ œ >

3 4

4 4

How

& 43 Œ

3 4

Ó

4 4 œ.

œ- œ œ œ ˙

How

S III

œ œ œ œ œ œ

Œ

44 ˙

˙.

How

A II

œ

How a mer - chande dyd hys wife be - tray

How

& 43 # ˙ .

3 &4

œ- œ œ

π

5

How

How

S II

p

Œ

p

œ- œ œ

43

‰ 5

œ

œ

3 4

How a mer - chande dyd

Œ

Ó

f p 3 4 4 œ œ ‰ Œ >

3 4

Ó

3 4

j ‰ # >œ How

Œ

Œ

∑

How

how small a part of time

P 3 œ &4 J

10 SI

AI

P

3 &4 œ -

F 3 j V4 œ > How

TI

‰

S II

A II

œ

peo - ple

‰ p

T II

B II

?3 4 œ >How

p

œ œ ˙

a

F

die

Œ ‰

œ 3

F

œ #œ >How F ?3 j 4 œ >

p

P 4 œ- œ œ 4 3

4 ‰ 4

Œ

j œ-

How

‰

Œ

‰

Œ

p 3 & 4 ˙.

4 .

4 ˙ œ œ œ œ

4 4 w -

Œ

4 ‰ 4

a

Œ

peo - ple

die

A III

T III

B III

V 43

F

p

4 ‰ 4

B IV

‰ ‰

P

Œ

‰ œ- œ

Œ

#œ œ >How F j Œ œ >

How

‰ p

3

œ

Œ Œ

4 ‰ 4

P 4 œ 4 J 4 4 ˙ Œ

4 ‰ 4

Œ œ #œ >How F j Œ œ > How

‰

P

Œ

œ- œ

p ‰

F j #œ >

‰

Œ

Œ

P

2 4 Œ

# œ- œ

‰

‰

‰

F j œ F j œ

P

42 Œ

3

2 4

A - me

p

-

bœ ri

How A - me - ri - ca lives

Œ

‰ œ- œ How

P j œ-

2 4 Œ

a pure, P with "early-music" sound, sempre 2 b œ- œ œ œ œ œ .

4 œ

P

p

œ- # œ

P 2 œ 4 J

b œ- œ œ

How

‰

4 4

‰

4 4

‰

4 4

‰

44

‰

4 4

‰

44

‰

4 4

How

How

P

p

P j œ

2 4 Œ

How

j œ

p 3 r≈ ‰ œ œ œ >How

F

p

P j œ-

Œ

4 4

How

œ- œ

p ˙.

Œ

F j œ

2 4 œ

How

Œ

‰

How

P j œ

P

œ

p

4 4

How

Œ

3

How

How

Ah

How

44 ‰

p

œ-

p 2 4 ˙

Œ

F

work

2 4 Œ

44 ‰

Œ ‰

‰

P

How buil - dings

œ- œ œ œ œ œ

π ˙

3 3 & 4 œ- œ œ œ

3

P j œ

p p

p

2 4 œ

Œ

π 3 #˙. &4

How

p 3 r œ œ œ ≈ ‰ >

Eu - rope?

p

hys wife be - tray

T IV

4 4

4 4 w

5

How a peo - ple die

#œ œ >How F ?3 j 4 œ >

F 3 j V 4 #œ > How F ? 43 œ >

2 4 œ- œ œ œ œ

˙

42 œ

P

Ah

A IV

œ œ J

44 w

How

S IV

4 4

3

F

4 4

2 4 ˙

How a - bout Eu - rope?

a - bout

F

Œ

Ah

How

How

3 &4 œ

‰

p 2 N˙ 4

œ- œ œ œ ˙

P

How

S III

P

How

p

π 3 . &4 œ

4 Π4

with a pure, "early-music" sound, sempre

Œ

Œ

œ J

P

How

3 & 4 ˙.

3 V4

4 ˙ 4

Ah

How

BI

π ˙

3

3

How

‰ 3

-

œ

ca

œ

lives

4 4

œ œ-

P

How

42 Œ

4 4

Œ

œ-

How

œ

œ

3

p

4 4

buil - dings

œ 3

‰

44

how small a part of time

4

SI

AI

4 ˙ &4

F

w

Ah

F 5 4 & 4 bœ œ œ œ œ œ œ.

F 4 V 4 ˙.

How can A - fri - ca sur - vive?

TI

P Nœ

F Œ

13

˙

f œ

w j œ

‰

Œ

F œ- œ œ œ ˙ .

BI

? 44 Œ

œ-

How

S II

A II

& 44 w 4 &4 Œ

F œ-

π

œ ‰ Ó

3

How,

F w

F

# œ- œ œ œ œ œ œ

How can A - fri - ca sur - vive?

T II

4 V4 Œ

p

# œ- œ

π ‰

œ

Ó

œ-

How

B II

?4 Π4

p

j œ-

How,

‰

# œ-

# œ- œ œ œ œ

& 44 # w

How,

B III

S IV

A IV

T IV

p 4 #w &4 4 &4

3

# œ- œ œ œ

p π ‰ œ #œ

B IV

p j œ-

‰

j3 # œ- œ œ œ œ How ci - ties are

œ

Ó

œ

F œ-

j3 # œ- œ œ œ œ 3

How ci - ties are

Ó

j œ

p

œ-

How

œ

de - fend How

œ

3

œ

π ‰ Ó

F

∑ F

‰

F

# œ- œ œ œ

How chil - dren fail

you

œ

œ

f œ œ œ œ

can

you

de - fend How can

How

can

de - fend How can

f

œ

3

œ

3

œ

œ

f œ œ œ œ œ

How

can

you

de - fend those peo-ple?

#œ

œ

œ

How

can

you

œ œ

œ

#œ

5

œ

How can

œ

œ

you

œ

de - fend How

f

œ œ œ œ

you

de - fend those

f

œ œ œ œ can you

de - fend

f

˙

How can you de - fend How can

œ

œ

you

œ

f

5

œ œ œ œ œ f

de - fend How can you de-fend

3

œ

6

5

#œ œ œ œ œ œ œ œ œ œ œ œ œ

≈

How can you de - fend How can you de - fend How can you

‰

#œ

œ

œ

How

can

you

œ

œ

œ

de - fend How

f œ œ œ œ

can you

de - fend

f

with a pure, "early-music" sound, sempre

# œ- œ œ œ œ

œ œ

œ

˙

f F œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

How can you de-fend those peo - ple?

Œ

œ œ œ œ

can

œ

#œ œ œ œ œ œ œ

œ

saved

œ

#œ

6

œ with a pure, "early-music" sound, sempre

f

with a pure, "early-music" sound, sempre

# œ- œ œ œ œ

w

How,

F

p

‰

œ F

w

F 4 V4 w ? 44 Œ

œ

œ

œ

saved

How

˙

work

œ

‰

with a pure, "early-music" sound, sempre

w

How

?4 Π4

œ

˙ 3

5

de - fend How

œ œ

œ.

∑

How chil - dren fail

T III

œ

œ

How dear to my heart

Ó

F

4 &4 Ó V 44 Œ

How can you

œ

How can you de-fend those peo - ple?

How

A III

F bœ œ œ

sub.

˙

How

S III

5

How can you

with a pure, "early-music" sound, sempre

w F

5

How can you de - fend How can you de - fend How can you de-fend

œ

How chil - dren learn

p

F f œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

5

5

5

How can you de - fend How can you de - fend How can you de-fend

w

˙

F œ- œ œ œ ˙ .

f œ

How chil - dren learn

F œ-

How,

How,

sub.

F 3 œ œ

How

with a pure, "early-music" sound, sempre

# œ-

6

# œ- œ œ œ œ

How dear to my heart

œ

œ

can

3

#œ œ œ œ œ œ œ œ œ œ f

f

≈

How can you de-fend How can you de - fend

œ

œ

you

#œ

3

How

œ 3

de - fend

œ can

œ those

œ

œ

3

peo - ple?

f

œ

you

‰

how small a part of time

16 SI

Í & w

π w

œ

Í & w

oo

π

π

Í V w

oo

π w

π w

Í ? Nw

π ˙. oo

Í & w

π

Í

π

Í V Nw

π

How

AI

How

TI

How

BI

How

S II

How

A II

& #w

How

T II

S III

p

œ ‰ J

oo

w

oo

∑

Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths

π 3 j #œ œ

œ

(m)

∏ Œ

oo

Ó

#w

w

∏ Œ

œ π

Í

π

π

Í ? #w

π ˙.

p

w

oo

oo

Ó

3

3 4

Ó

3 4

~~~~~~~~~~~ ~~ ∑

π

œ

43 3 4 43

(m)

œ #œ ‰ Œ

Ó

3

w Ó

~~~~~~~~~~

Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths

#w

How

œ

(m)

π j j3 œ œ #œ

∑

œ.

3

π3 j œ œ

Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths

∑

w

œ œ ‰ Œ

3 4

3 4

How

(m)

œ ‰ J

œ

Ó

(m)

w

~~~~~~~~~~ ~ #œ œ ‰ Œ

Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths

(m)

3

3 4 3 4

∑

π

∑

#w

How

oo

3 4

How

(m)

oo

3 4

Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths

∑

π3 j j œ #œ œ

œ #œ ‰ Œ

Ó

3

œ

Ó

(m)

w

oo

3

œ

oo

œ

‰ Œ œ œ

w

How

π

How

π

∑

œ

#œ œ ‰ Œ

Í

V #w

π j3 œ œ

(m)

π w

How

B IV

oo

Í & w

How

T IV

w

p

Nw

Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths

3 4

How

π w

π w

&

∏ Œ

(m)

Í ? #w

V #w

3

#w

oo

π

How

A IV

π

π

How

S IV

oo

Í

How

B III

Ó

w

~~~~~~~~~~~~~ ~~ ∑

(m)

œ

π

#w

œ

w

How

π

How

T III

œ ‰ J

Í

&

Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths

(m)

w

π w

∑

(m)

oo

Í & #w

How

A III

w

(m)

p

19 Mysteriously

π 3 j #œ œ

Ó

π ˙.

How

Ó

‰ Œ œ œ

Í N ? w

How

B II

w

∏ Œ

5

π3 j œ #œ (m)

œ

3 4 3 4

Repeat ad lib., asynchronously, not in time, vary length of held note, stagger breaths

œ.

∑

∑

π 3 œ œ ‰ Œ How

π j3 œ #œ œ

3 4

(m)

Ó

43

6

21 SI

3 &4

22 p 4 4 œ- œ œ œ œ .

how small a part of time

π

P j œ ‰ Œ

~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑

˙

7

w

˙

How com - pu - ters work

AI

3 &4

TI

3 V4

BI

4 4 4 4

p P 3 ?3 Œ Œ ‰ 44 4 œ œ How

S II

3 &4

∑

∑

π

j œ

3 &4

T II

3 V4

B II

3 &4

T III

V 43

B III

∑

œ.

3 &4

T IV

3 V4

B IV

work

p

Ó

P

P

p

#œ œ ‰ Œ 3

p j ‰ Œ œ How

‰

6

6

n œ- œ œ œ œ œ œ- œ œ œ œ œ œ- œ œ œ

How did I get to be for - ty and o - ther a - tro - ci - ties?

4 4 44

∑

p

∑

π

Ó

P 3p œ #œ ‰ Œ P j ‰ Œ œ How

~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 Π4

∑

b œ- œ œ œ œ .

7

How com - pu - ters work

A IV

How

~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 bw

∑

p 3P ? 3 Œ Œ #œ ‰ 4 4 œ 4 3 &4

˙

∑

π

How

S IV

# œ- œ œ œ ˙ How com - pu - ters

How

A III

‰

4 4

p P 3 ? 3 Œ Œ #œ ‰ 4 4 œ 4 & 43

P j œ ‰ Œ

4 4

How

S III

π

p

œ

p œ ‰Œ 3

~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 4 w

∑

How

A II

Ó

P

œ

w

˙

4 4 4 4

p P 3 ? 43 Œ Œ 4 œ œ‰ 4 How

∑

∑

Ó

P

œ œ How

3

p ‰Œ

how small a part of time

25 SI

&

27 p

TI

BI

& V ?

∑

# œ- œ œ œ

œ 3

∑

π

œ ˙ grow?

"

at given dynamic; P " (perform sounding dynamic will be less)

"

P"

A II

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