the space of a door - Excerpt

Page 1

the space of a door

202 Fragile,

with a sense of magic

Fl. 1,2 Ob. 1,2 Cl. 1,2

6 &4

& 46

& 46

41

203 Senza misura

204 ca. 8-10"

ca. 6-8"

Bn. 1,2

?6 4

1,2

& 46

6 &4

Horns 3,4

Tpt. 1-3 Tbn. 1,2

6 &4

? 46

Tba.

?6 4

Timp.

?6 4

& 46

∑ ∑

1 Perc. 2 3

Hp.

6 ã 4 6 ã 4 6 &4

? 46

203

w.

& 46 Œ

unis.

ca. 6-8"

(2-4)

& 46 Œ

unis.

Vn. I (5-8)

(9-12)

(13-16)

(1-4)

(5-8)

& 46 Œ & 46 Œ

& 46 Œ

& 46 Œ

(12-14)

(1-4)

Va.(5-8)

(9-12)

& 46 Œ & 46 Œ B 46 Œ B 46 Œ B 46 Œ

(sustain pitch ca. 4")

Repeat material in box, ad lib., q = c 56-66 begin material in box between 0-1" after the downbeat

#œ.

con sord.

π

π

#w

œ

con sord.

π

π

œ ˙. J

œ

Œ

Œ

unis.

Œ

Œ

π

3

w

Œ

π

Œ

Œ

œ œ œ œ J œ

3

Œ

Œ

#œ œ œ. œ J J

œ

#œ ˙ œ J

œ

con sord. unis.

π

Œ

Œ

œ

Œ

Œ

œ

œ œ œ #œ œ œ

œ

˙

œ

π ˙

œ

con sord.

π

œ #œ œ œ œ œ

#œ π

con sord.

(1-3)

? 46

Vc. (4-6)

? 46

con sord.

?6 4

con sord.

(7-10)

(1-4)

? 46

3

œ œ J

3

œ

˙

œ

œ

œ

œ 3

gently, delicately, sorrowfully

œ

3

œ

œ

3

3

Repeat material in box, ad lib., q = c 56-66

˙

œ J

œ œ J

œ

œ

œ œ

œ œ œ œ œ œ œ 3

3

œ

˙

3

3

3

œ œ J

œ

œ

œ.

3

Repeat material in box, ad lib., q = c 56-66

#œ.

ca. 4"

œ œ J

œ.

œ J

Repeat material in box, ad lib., q = c 56-66

ca. 2"

#œ #œ œ

3

œ œ J

œ

œ

œ

π

œ

œ

3

œ

œ

œ

œ

œ œ œ œ

3

3

gently, delicately, sorrowfully

Repeat material in box, ad lib., q = c 56-66

œ

œ

œ

œ.

œ

œ œ J

3

œ

œ

3

gently, delicately, sorrowfully Repeat material in box, ad lib., q = c 56-66

ca. 3"

œ

ca. 4"

π

œ œ œ #œ

ca. 5"

(sustain note until directed) free bowing

œ p

œ

œ

3

œ

œ

œ œ œ

œ

3

3

gently, delicately, sorrowfully Repeat material in box, ad lib., q = c 56-66

œ #œ

œ

œ.

œ œ œ œ œJ œ J

3

œ.

œ J œ œ J

3

3

gently, delicately, sorrowfully Repeat material in box, ad lib., q = c 56-66

π

œ œ

œ J

œ.

œ

œ

œ

œ

œ

3

gently, delicately, sorrowfully

(sustain note until directed) free bowing

## œœ p

(sustain note until directed) free bowing

#œ p

> #œ P

(senza sord.)

forcefully

D.B.

?6 4

π

œ #œ. J

gently, delicately, sorrowfully

π

con sord.

(5-8)

œ

œ

3

3

Repeat material in box, ad lib., q = c 56-66

ca. 2"

ca. 1-2"

Œ

3

œ

œ

ca. 8-10"

gently, delicately, sorrowfully

ca. 3"

π

#˙. π

Œ

œ

3

π gently, delicately, sorrowfully

con sord. unis.

Œ

3

œ œ œ J

œ

3

œ œ J

œ.

3

π

Œ

œ

On cue: 1. Solo (blend into section) Repeat material in box, ad lib., q = c 56-66

π gently, delicately, sorrowfully

#˙.

Œ

jœ œ œ œ œ

3

Repeat material in box, ad lib., q = c 56-66

ca. 2"

3

con sord. unis.

π

œ œ

œ

œ

3

π

con sord.

Œ

#œ #œ œ œ

œ

con sord. unis.

Œ

Repeat material in box, ad lib., q = c 56-66

π

con sord.

œ

3

π gently, delicately, sorrowfully œ

œ

3

3

con sord. unis.

œ

œ

ca. 1"

Violins, Violas tutti crescendo

gently, delicately, sorrowfully

ca. 1"

œ

œ

#œ œ J

Œ

(put on mute)

(stop)

p

Vn. II

(9-11)

con sord.

œ

#œ #œ w

204

Senza misura

with a sense of magic

(senza sord.)

*FOR VIOLINS, VIOLAS: Sustain note on downbeat, then gradually begin material in boxes on your own; Do not follow conductor's tempo, avoid synchronized entry; Asynchronous playing: do not coordinate with other players; Please note that m. 204 may arrive before you have finished playing through the material in the box once – keep repeating at your own rate regardless of where the cues fall. However, change your dynamics as indicated by the conductor

(Solo)

& 46

202 Fragile,

(1)

202

203

> #œ P

(senza sord.)

forcefully

œ p

(sustain note until directed)

œ p

(sustain note until directed)

204

œ

œ

œ

3

œ œ 3

j œ


the space of a door

42

206 In tempo, appassionato q = 60

205 1 Fl. 2

1 Ob.

ca. 6-10" ∑

&

& &

1

&

2

1 Bn. Cbn.

1,2 Horns

&

?

?

&

&

1

&

Tpt. 2

&

3

&

?

3,4

Tbn. 1,2

Tba.

Timp.

1

Perc. 2

3

Hp.

?

?

ã

∑ ∑

& ã

&

?

205

44

44

4 4

Contrabassoon

44

3 4

#w p

43

#w p

4 4 44

44

44

(2-4)

&

Vn. I (5-8)

&

(9-12)

&

(13-16)

&

(1-4)

(5-8) Vn. II (9-11)

(12-14)

(1-4)

Va.(5-8)

(9-12)

(1-3)

Vc. (4-6)

(7-10)

(1-4) D.B. (5-8)

& & & & B B B ? ? ? ? ?

p

44

44

4 4 44 4 4

f

œ

F ∑

˙.

F

# >œ

œ

œ

œ

f

œ

F

œ

˙.

œ

∑ ∑

p

Solo

# >œ f

œ

œ

43

43

43

∑ ∑

43

F

˙. f

œ>

œ

˙.

˙. f

3 ˙ 4 F 3 4

Vibraphone

f

œ

43

4 4

4 4

44

p

4 4

p

44

p

44

p

4 4

p

44

p

44

p

44

p

44

p

ƒ ƒ ƒ

ff

.

3 4

#˙.

– Still do not follow conductor’s tempo

3 4

molto appassionato, crying out

molto appassionato, crying out

molto appassionato, crying out

P

molto appassionato, crying out

3 4

ƒ

molto appassionato, crying out

43

ƒ

molto appassionato, crying out

ƒ

molto appassionato, crying out

ƒ

molto appassionato, crying out

43

ƒ

molto appassionato, crying out

43

ƒ

molto appassionato, crying out

ƒ

molto appassionato, crying out

43 3 4

43 43

44 w ƒ

˙. 43

˙.

˙. 3 ˙. 4

˙˙ . .

44 # w ƒ 4 #w 4 f 44 #w f

. 43 ˙

˙.

3 4 ˙.

˙.

˙.

˙.

(free bowing)

205

43

ƒ

(free bowing)

P

3 4

molto appassionato, crying out

#w 4# w 4 ƒ

P

43

ƒ

(free bowing)

œ p

œ

43

44

4 4

p

#œ > F

43

44

44

p

p

43

# >œ

œ

Solo

Violins, Violas

&

3 4

F

206 In tempo, appassionato q = 60

p

Violins, Violas crescendo

ca. 6-10" (1)

œ

3 4

˙.

œ

œ> 43 f 3 4

4 4

œ

œ> 43 f 3 4

4 4 4 4

> 3 œ 4 f 43

44

&

2

Cl.

4 4

43

206

207

208

p


the space of a door

213 1 Fl.

209œ &

2

&

1

&

Ob. 2

&

1

&

Cl. 2

1 Bn. Cbn.

˙.

p

œ

f

˙.

&

? ?

Œ

Œ p œ

# œ> œ

Œ

p

Œ œ

F

Œ

Œ

>œ f œ

œ

p

f œ

F

Œ

Œ

˙. œ>

œ

œ p

# œ> f œ

œ

F

Œ

˙.

Œ

˙. # œ> f

˙.

˙.

˙.

˙.

˙.

˙.

4 4

œ

p

Œ p œ

œ

p p

3,4

&

1

&

Tpt. 2

&

œ ˙.

# œ>

Solo

3

Tbn. 1,2

Tba.

Timp.

1

&

?

f

Œ

Œ

œ

œ

3

Hp.

˙.

œ

p

Œ

Œ

# œ> f œ

œ Œ

?

ã

&

#˙.

˙.

˙.

ã

&

?

œ

˙

œ

p

Œ

F ˙

F Ó

5 w> 4 f œ 45 w 45 œ 45

&

(2-4)

&

Vn. I (5-8)

&

(9-12)

&

(13-16)

(1-4)

(5-8) Vn. II (9-11)

p

5 w> 4 f 54 w

Œ

Œ

Ó

Ó

3 ˙. 4

Œ

43

œ

˙. 43

Œ

43

œ

3 ˙. 4

F œ

˙. 43 3 4

4 4

5 4

3 4 œ > f 43

45

∑ œ

4 4

4 w 4

Œ œ

Ó ˙

p

∑ ∑ ∑ ∑

44

4 4

4 4

5 œ> 4 f 5 w 4

œ

5 œ 4

Œ

45

˙. p

œ

Ó

Œ ∑

5 4 Ó

Œ

5 4

5 w 4

œ

45

5 4

5 4 Ó

Œ

p # # # œœœ

Œ

3 œ 4 π 3 4

3 4

3 4

3 4

4 4

5 4

3 4

5 4

3 4

5 4

3 4

&

4 4

&

44

45

43

4 4

5 4

3 4

5 4

3 4

5 4

3 4

(1-4)

B

5 4

3 4

Va.(5-8)

B

4 4

(9-12)

B

4 4

5 4

3 4

Vc. (4-6)

(7-10)

(1-4) D.B. (5-8)

? ˙.

˙.

˙.

˙. ? ˙.

˙. ˙.

˙. ˙.

? ˙.

˙.

˙.

? ˙.

˙.

˙.

?

˙.

˙.

209

4 w 4 F w 4 w 4 F 44 w F p

˙.

210

p

211

4 4

45

44

43

45

43

5 ˙. 4

# ˙f # ˙# ˙

. 45 ˙

# ˙f # ˙-

˙. 5 ˙. 4

∑ ∑

212

f

5 4 Ó. 45 Ó

3 4 œ f 3 4

&

(1-3)

∑ ∑

3 4

44

Œ

43

5 4

4 4

Œ

Œ

Œ ∑

Cue 2

Cue 1

Œ

213

f # ˙f

œ p

3 ˙. 4

4 4

4 4

43

Violins, Violas dim.

4 4

œ

3 4 ˙.

# ˙p ∑

5 4

∑ a2

44

(12-14)

43

4 4

&

4 4

&

45

213

(1)

p

œ F

44

209

Cue 2

5 4

4 w 4 > 4 œ 4 f

p Œ

Ó

Cue 1

44

4 4

œ

p

Œ

4 4

44

˙.

Vibraphone

Perc. 2

f œ

œ

?

p

œ>

44 w

F

Horns

> 44 œ f œ 4 4

Œ

&

1,2

> 44 œ f 44 w

∑ œ

œ

43

F

Violins, Violas dim.

F

F F F F F F F F F F F

3 4 ˙. ˙. 3 ˙. 4 43 ˙ . 3 4 43

˙. ˙.

214


the space of a door

44

1 Fl.

215 ˙ &

1

&

2

&

1

&

Cl. 2

1 Bn. Cbn.

1 2 Horns 3

4

&

4 w 4

.

&

2

Ob.

218 Cue 3 4 4

˙.

4 œ 4 p 44

∑ ˙.

44 w 44 œ p

˙.

?

Œ

Œ

& ˙.

œ

œ p

œ

˙.

4 4 w

w

w

w

œ π

œ

Perc.

2

3

Hp.

Bass Drum

&

Snare Drum (snares on)

ã

& #œ f ?

Œ

w

Œ

w/brushes scrape in semi-circular motion

Œ

w/paper slide on skin of drum in a straight motion

4 Œ 4 œ p like an audible whisper

4 4

Ó

Œ

Ó

œ f

Œ

Ó

œ F

Œ

Ó

œ F

Œ

Ó

œ p

Œ

Ó

œ p

Œ

Ó

œ p

Œ

Ó

œ

Œ

Ó

œ

Œ

Ó

œ

Œ

Ó

" "

f

F

" "

4 4

π

Ó

w/brushes scrape in semi-circular motion

4 œ 4 " f"

4 4

44 œ " f"

Ó

w

Bass Drum

Œ

?

Ó

w

44

π

Ó

Œ

ã

&

4 4

3

?

4 4

4 w 4

w

Œ

œ π

1

4 w 4

w

&

Timp.

Ó

w

Tpt. 2

? ˙.

4 w 4

&

Tba.

Œ

1

Tbn. 1,2

∑ œ p

∑ ∑

44 w

œ p

Ó

4 w 4

& ˙.

Œ

Ó

Ó

4 4

& #œ f> & #œ f>

44

?

œ

p

F

218 Cue 3

(1)

(2-4)

Vn. I (5-8)

&

Vn. II (9-11)

(12-14)

(1-4)

D.B. (5-8)

4 4 4 4

&

4 4

B

4 4

(9-12)

(1-4)

4 4

&

B

(7-10)

4 4

&

B

Vc. (4-6)

4 4

&

Va.(5-8)

(1-3)

44

&

(13-16)

(5-8)

4 4

&

&

(1-4)

4 4

&

(9-12)

p dim. poco a poco al fine Violins, Violas

215

4 4 4 4

? ˙.

4 w 4

w

˙. ? ˙.

w 4 w 4

w w

? ˙.

4 w 4

w

?

4 4

?

˙. ˙.

4 4

215

w

p

gently, delicately

p

gently, delicately

p

gently, delicately

p

gently, delicately

p

gently, delicately

p

gently, delicately

p

gently, delicately

p

gently, delicately

p

gently, delicately

p

gently, delicately

dim. poco a poco al fine

dim. poco a poco al fine

dim. poco a poco al fine

dim. poco a poco al fine

dim. poco a poco al fine

dim. poco a poco al fine

dim. poco a poco al fine

dim. poco a poco al fine

dim. poco a poco al fine gently, delicately

w w w

gently, delicately

p

gently, delicately

w p

gently, delicately

p

217

dim. poco a poco al fine

w w

p

dim. poco a poco al fine

dim. poco a poco al fine

w p

w

216

gently, delicately

p

w

w

p

w ∑

218

219


the space of a door

45

rit. al fine

220 Fl. 1,2

&

U ∑

Ob. 1,2

&

U ∑

1 Cl. 2

1 Bn. Cbn.

& w p

w

w

w

& #w p

w

w

w

U ∑

U ∑

?

U ∑

?

U ∑

U ∑

U ∑

U ∑

U ∑

œ π

Œ

Ó

1

& w

2

&

3

& w

4

&

Tpt. 1-3

&

U ∑

Tbn. 1,2

?

U ∑

Tba.

?

U ∑

Timp.

?

U ∑

Horns

1

Perc. 2

3

Hp.

ã

œ F

& œ p ã

œ

F

œ π

Œ

Ó

Œ

Ó

Œ

Ó

œ P

œ p œ

P

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

œ p

œ p œ

p

Œ

Ó

œ π œ

π

Ó

Œ

Ó

œ π œ

π

∏ ∏

Œ

U Ó

Œ

U Ó U Ó

Œ ∏ U ∑

?

U ∑

Vn. I (5-8)

&

(9-12)

&

(13-16)

&

(1-4)

&

(5-8)

&

(9-11)

&

(12-14)

&

(1-4)

B

rit. al fine Ø ∑

Ø Ø Ø Ø Ø Ø Ø Ø Ø

B

Ø

B

Ø

(1-3)

? w

w

w

w

Vc. (4-6)

w ? w

w w

w w

w w

? w

w

w

w

D.B.

Œ

œ π

&

(7-10)

Ó

(2-4)

(9-12)

Ó

Œ

&

(5-8)

Œ

œ π

(1)

Va.

Ó

&

220

Vn. II

Œ

Ø Ø Ø

U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑

?

?

U ∑

220

221

222

223

224 Providence, Berlin, Huangshan, Aspen January–August, 2016


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