NZ Photographer Issue 25

Issue 25

January 2012

Gear to get you started Rugby World Cup at f/2.8 Powerful Images of 2011 Meet Patrick Shepherd

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CONTENTS 14

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20

32

itions

Compet

Cool Stuff

22 ofPo20we11rful Images

Editorial

ABOUT

Whether you’re an enthusiastic weekend snapper or a beginner who wants to learn more, NZ Photographer is the fun e-magazine for all Kiwi camera owners – and it’s free!

I

know it gets said more and more, but how quick did last year go? And what

EDITOR

a year it was! We saw the devastation

Brady Dyer, editor@nzphotographer.co.nz

from the Christchurch & Japanese earthquakes as well as an election, and all

GROUP EDITOR Trudi Caffell

the drama that goes with that (Cup of tea anyone?). Then there’s the Rugby World Cup, how good was that?

ART DIRECTOR Jodi Olsson

The thing I love about photography is that no matter what is going on around

ADVERTISING ENQUIRIES Phone Lisa Clark on 09 576 1121 or email lisa@espiremedia.com

you, both in the wider sense of the world, or the bubble around you, there is always a plethora of opportunities to capture that world. Whether it’s capturing devastation, or freezing time during triumph, it’s your job as a photographer to have that extension

we wish you all the best for leaving 2011

of your limb at the ready for whatever life

in the memory bank, and moving on with

throws your way.

a successful 2012.

As Summer falls upon us, I urge our readers to get out there and capture the outdoor season and what makes it

ADDRESS NZ Photographer, C/- Espire Media, PO Box 99758, Newmarket WEBSITE www.nzphotographer.co.nz

important to you. Check out page 20 for more details on our Summer competition.

From the whole NZ Photographer team

NZ Photographer is an Espire Media publication

Cover Image: Competition Winner Francis Vallance

go extreme. there’s no turning back.

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INSTRUCTIONS

Gear to get you started Producing professional looking photographs requires a foundation of three things: creativity, technical skill of the photographer, and highquality camera equipment - no compromises, enough said

By Amanda Jasmine

4 | www.nzphotographer.co.nz

I

got into photography when I was a kid and full of awe of the beauty around me, learnt the basics, experimented and

dreamed of owning a high quality camera, one day, when I was old and rich.

With that behind us, I’m going to fill you in on how I managed to produce professional looking images well before I was old and rich, on the cheap.

Camera When I finally purchased my first good DSLR camera I was still a student on a very strict budget. A budget = trade-offs. You’ll have to

think about what you want to shoot for, and

Lens

figure out what’s important to you.

I think that this is the secret weapon

For me, I wanted to photograph people

of photography. I know so many

and hopefully in a studio setting. I didn’t

photographers, and the difference

care about speed, I didn’t care about

between the photos of those who have

video. I wanted great skin tones and high

okay images and those with stunning

quality images. I read 100s of reviews

sharp perfect images is often as simple

and I chose the Fujifilm FinePix S5 Pro.

as the lenses they use.

At the time, this was arguably the best

Don’t buy cheap lens, period. You’re

camera for my goals. A great resource

wasting your money! Cheap lenses look

when choosing any camera gear is

cheap, cloudy, dull. If you don’t have

Dpreview.com which has thousands of

much money available then just save and

pages of reviews on everything from

buy one really good lens with the lowest

memory cards, to camera bodies. There

f.stop possible.

are some great tools for comparing

The bonus of a low f-stop include

certain makes and models so it is well

being able to make your subject sharp,

worth checking out.

but everything around it blurry and out of focus (a technique called bokeh), as

Where to buy

well as shoot clean photos in low light

I used a site called www.PriceSpy.co.nz

conditions.

and purchased my camera at a lowest

One way to do this on a budget is by

cost in the New Zealand from an Asian

buying a prime lens. This is the type of

import business. I purchased new. Simply

lens that doesn’t zoom, you literally have

put, I just wouldn’t want to invest any

to walk forward if you want a closer

money into a camera that someone

look at your image. Although this is a

might not have cared for properly, not to

cheaper way to have a great quality lens

mention that the camera price second-

for cheaper it can be pretty frustrating not

hand wasn’t much better than the Asian

being able to zoom in however, so note,

Import price I found.

it’s a trade-off alright.

Note however, I had to wait a very long time for my camera to arrive and

Suggested lens

had to deal with terrible, seriously, terrible

Try to find a lens with a f/stop

customer support. When it comes to

around 2.8 with a range between

photography equipment, customer support

24-70mm. Both Canon, Nikon, and

is extremely valuable. Often the people

Sigma have a lens of this spec, and

behind the counter in specialist stores live

it’s great when travelling, or any

and breathe photography and will be able

situation where you don’t want to

to aid you with your purchase.

have to constantly swap lenses.

www.nzphotographer.co.nz | 5

6 | www.nzphotographer.co.nz

Therefore…

to use the flash on the camera’s

All you really need to get started making

hot shoe (but have the flash off

Adobe Photoshop Lightroom 3.2 and

high-quality images is one good DSLR

camera instead), this makes

Adobe Photoshop CS5)

camera and even more importantly a

all the difference to good flash

great lens with a small f-stop (plus memory

photography.

Examples of pro photos done

Tripod – useful for such things as

on the cheap

adding on equipment as you go, which

slow shutter speed photos and HDR

I shot these photos at my apartment in May

will make things more interesting and give

images

using an available white wall – luckily

Remote shutter trigger – so you

my male flatmate didn’t mind us taking up

can do slow shutter speed photos,

the lounge to do this shoot, how nice ;). I

cards of course). From here you can start

greater variety.

•

•

Good photo editing software (I use

or even be in a photo yourself –

used the first camera and lens I purchased

•

More lenses (high quality of course).

obviously you can use the camera’s

(FinePix S5 Pro, Sigma 24-70mm, 2.8

•

Try a Tilt shift lens and a fish-eye/

built in timer as a way around this.

f.stop), one $12 shoot through umbrella

Here are my suggestions:

mounted onto a tripod, and a cheap radio

wide angle lens •

•

Flash (I use Nikon SB-900) – the

Reflector

transmitter flash trigger I purchased online

built-in flash on top of the camera

Shoot through umbrella and stand – I

for less than $50.

isn’t going to take you very far.

suggest an umbrella as opposed to a soft

Flash trigger – so you don’t have

box because it is a fraction of the price.

Model: Anna Hildred

www.amandajasmine.co.nz

www.nzphotographer.co.nz | 7

RWC

Rugby World Cup at f/2.8 The Opportunity of a Lifetime

By Ollie Dale

8 | www.nzphotographer.co.nz

I

t’s not every day you get the chance

used to edit NZ Photographer, nor because

to shoot the All Blacks, and even

I’ve been a freelance photographer

rarer the opportunity to photograph

since 2003. It wasn’t because I’ve

them in a Rugby World Cup on home

photographed the All Blacks before (the

soil, so when happenstance brought me

previous time was vs. Australia at Eden

an accreditation to the RWC 2011 I

Park in 2003), nor was it because I’m an

grabbed it with both hands.

NZIPP Master of Photography.

Interestingly enough it was more about who I knew than any level of photographic

It was because I knew my Dad. Geoff Dale, renowned press

skill, previous experience or quality of

photographer (NZ Herald 1970-1998)

equipment, which proves the most valuable

and mad keen rugby player, photographed

asset you have is your network.

the first RWC in 1987, and went on to

I didn’t get the accreditation because I

photograph two more World Cups; 1995

It’s not every day you get a chance to shoot the All Blacks www.nzphotographer.co.nz | 9

in South Africa and 2003 in Australia.

surely his accreditation would be available

unless they can convince someone at the

When he applied for this World Cup he

if he was unable to take it himself, now that

other end to swap with them at half time.

was immediately granted accreditation

he was employed by the IRB?

to 5 pool games, while I received the

Surprisingly, and thankfully, they

Secondly, we watch the game through the lens, usually attached to 300, 400 or

standard “We’re sorry, but, who are you?”

accepted my request to take his pass on his

600mm of glass, and we watch it end-on,

response from the IRB.

behalf, and that, folks, is how I got behind-

so as the back line passes the ball your

the-scenes of the best World Cup ever.

lens swings back and forth across the park

But Dad had been talking of trying something different this time, and applied

Shooting from the side line is a different

- if you had no idea about how the game

for the role of Photographic Manager for

world to watching the game on the TV

works it’d be nigh on impossible to follow,

Eden Park, the person in charge of looking

at home. For starters, each photographer

especially when Sonny Bill Williams has

after all the photographers at each Eden

chooses a number from 1-168, the

the ball - you don’t know which way it’ll

Park match of RWC 2011.

numbers correlating to a 75cm space on

go, or when.

When he was successful in his application, I jumped at the opportunity -

10 | www.nzphotographer.co.nz

a wooden bench seat behind the dead ball line. That space is theirs for the game,

For a measly $100 I purchased a radio that let me listen to the TV commentary

and the referees; an incredibly useful

I was consistently outshot by the talented

Jones), an image that went on to inspire

tool! While I’m concentrating on which

photographers from around the world who

the bronze statue now outside Eden

way the play is going, how close the

were all around me, but I loved every

Park, sculpted by my sister Natalie. I

play is to me (and therefore should I get

minute of my 8 games on the side line. I

photographed the first try of this World

ready to swap cameras?), and how much

wasn’t at the final, though if I had been in

Cup, but I doubt it’ll ever do anything

room I have left on my memory cards, the

the country I was pretty much guaranteed

more than sit in my portfolio.

commentary was vital for informing me

a place there. A wedding in the Lake

about everything else that was going on,

District in northern England that I’d agreed

awesome photos and even better

such as injuries in back play, who was

to shoot over a year before meant I had

memories of the World Cup that

being subbed on and off, etc.

to watch the game at 9am on a Sunday

united Kiwis like never before, and it’s

Because I was shooting without a client

What I do have though, are some

morning in an almost empty pub on the

all because I was in the right place

I was able to enjoy the games almost

other side of the planet, listening to some

at the right time. Thanks Dad, for

stress-free, but most other photographers

pretty poor commentary, care of ITV.

an awesome opportunity to follow

were either uploading from the side line

The year my Dad shot the first world

in your footsteps. Maybe one day

or rushing back in to the cramped photo

cup at Eden Park he turned 35. This

I’ll be standing in the players’ tunnel

rooms under the stadium at half time to file

year I turn 35. Geoff photographed the

watching the All Blacks captain walk

their pictures.

first try scored by an individual (Michael

past me with the Webb Ellis Cup?

Ollie Dale is a professional commercial and lifestyle photographer based out of Parnell, Auckland. He has worked all around the world, but still thinks Aotearoa is the most beautiful place on Earth. To view more (or to enquire about purchasing) images from the RWC 2011 visit his blog at www.olliedale.com

www.nzphotographer.co.nz | 11

TUTORIAL

Tips for better summer photographs

Warm sunny days already provide enough encouragement to get out more with your camera.

How can you take full advantage of the season to create stunning images?

Tell the story of summer

a time to spend at the cottage with your

Use Colour Effectively

Photography is a form of communication.

family, fishing, swimming in the lake, and

With sunny days, come lovely colours.

You want your images to tell the story

roasting marshmallows on the camp fire?

Summer brings out rich and saturated

of summer, and how it makes you feel.

Does it mean eating ice cream, soaking

colours, so use these colours to your

Think about what summer means to you,

up the air-conditioning at the mall, and

advantage. Including strong & bright

and strive to capture that in your images.

wearing jandals?

colours in your pictures already gives

Does summer mean picnics, building

What ever summer means to you, these

sand castles at the beach, car rides with

can all be turned into iconic images that

the top down, or playing Frisbee with the

capture the true essence of summer in

dog? Do you think of blue skies, blazing

New Zealand.

heat, and rows of grapevines? Is summer

12 | www.nzphotographer.co.nz

an indication to your viewers that it’s summertime.

In addition, the choice of which specific colours you include can help you tell your summer stories more effectively; colour

choice can determine the mood of the

is simply a piece of translucent material

image. Warm colours bring to mind the

which scatters light rays. Diffusers reduce

warm temperatures we enjoy in summer.

glare and harsh shadows. They eliminate

Using warm tones in your images, or a

unattractive contrast, and even out the

splash of vibrant red, orange or yellow,

tonality in an image.

lends an impression of heat to your

Rather than buying a diffuser, you can

photograph. In contrast, you can also

have a friend assist you by holding up

make use of cool colours to create a

a bed-sheet or frosted white shower

feeling of refreshment. For instance, the

curtain. Remember to place the sheet or

blue of a swimming pool can help your

diffuser between the sun and your subject.

viewer imagine the restorative power of a

Another way to avoid the harsh light of

dip in chilly water.

the summer is to shoot during “golden hour.” Golden hour is the half hour before,

Avoid harsh light

and half hour after, sunrise or sunset. At

The bright and sunny days of summer are

this time of day, the sun’s rays fall at more

often the worst time to take pictures. If you

of an angle, creating longer and softer

are photographing people in the middle

shadows, and warmer, more gentle light.

of the day, the bright light can create dark

Sometimes it’s best to spend the afternoon

shadows on their faces, or cause them

in the pool, and then pull out your camera

to squint if they are looking into the sun.

in the evening!

To avoid this, try to move people into the

With these tips in hand, get out there

shade to photograph them. Alternatively,

and start photographing! Capture warm

if the shot is being posed, you can use

and colourful images of the subjects that

a diffuser to soften the light. A diffuser

say “summer” to you.

www.nzphotographer.co.nz | 13

WINNING IMAGES

WINNING IMAGES Francis Vallance

AlexandreClaudel 14 | www.nzphotographer.co.nz

GaelRoebuck JervinGallares EmeliaLukins

F

rancis Vallance was the winner of this issue’s cover and a $100 voucher from the fabulous team at

GiclĂŠe Print. For all YOUR fine art and canvas printing needs, visit www.gicleeprint.co.nz

www.nzphotographer.co.nz | 15

LucyBrophy MelanieBeres

NikkiThompson 16 | www.nzphotographer.co.nz

JohnLamb KateTayler

www.nzphotographer.co.nz | 17

Matthew Joseph RogerGriffiths

18 | www.nzphotographer.co.nz

Sarah Holwell

Steve Taylor

EricPollack www.nzphotographer.co.nz | 19

COMPETITIONS

W

ith summer here it’s unlikely you need any encouragement to get the

camera out. But, if you do, then here it is!

To win the cover of Issue 27 you need to submit a photo that captures Christmas!

You must submit your photo before the 25th February so that we have time to get it on the cover of the next issue. Not only will your photo be displayed proudly on the cover of Issue 27, but thanks to our sponsors of our competitons, GiclĂŠe Print, you will pick up a $100 voucher.

One entry per person, and you must be in New Zealand or hold a NZ Passport at the time of entry to qualify to win.

Images must be 100dpi, 1600 pixels wide, and sent to competitions@ nzphotographer.co.nz by 5pm on 25th February, 2012. The winner will be published in Issue 27.

20 | www.nzphotographer.co.nz

Capturing Summer

MINI PLANET Competition Want your photo on the cover of Issue 26?

W

ant your photo on the cover of our next issue? Easy! Flick back to Issue 24, read our

tutorial on how to easily create your own mini planet, and submit it by 27th January.

If we choose your mini planet, not only will it grace the front cover of Issue 26, but our friends at Giclee Print will also give you a $100 gift voucher to get some of your photos hung on your wall! We haven’t had too many entrants, so we urge you to get out their with your camera, take a bit of time to think about what planet you are trying to capture and make a stunning miniearth planet. This technique is brilliantly easy to pull off!

Thanks again to our sponsors of our competitions - for all YOUR fine art and canvas printing needs, visit www.gicleeprint.co.nz One entry per person, and you must be in New Zealand or hold a NZ Passport at the time of entry to qualify to win.

One entry per person, and you must be in New Zealand or hold a NZ Passport at the time of entry to qualify to win.

Images must be 100dpi, 1600 pixels wide, and sent to competitions@ nzphotographer.co.nz by 5pm on 27th January, 2012. The winner will be published in Issue 26.

www.nzphotographer.co.nz | 21

2011 IMAGES

Robert Peraza, who lost his son Robert David Peraza in 9/11, pauses at his son’s name at the North Pool of the 9/11 Memorial. Source: Getty Images / Justin Lane

Powerful Images of 2011

2011 has been and gone, so we’ve pulled together this handful of images from the past 12 months which arewhich are very powerful, both in the photography AND the event they were from

22 | www.nzphotographer.co.nz

This sightseeing boat, Hama Yuri, was pulled 1300 feet from the coast and somehow balanced itself on a two story house during the tsunami in Japan

A protester gets sprayed in the face with pepper spray at an Occupy Portland protest. Source: Randy L. Rasmussen/The Oregonian

www.nzphotographer.co.nz | 23

A before and after shot of Joplin, Missouri after a massive tornado on May 22 Source: zeitlosimagery

A monstrous dust storm (Haboob) roared through Phoenix, Arizona in July.

Source:Â dbryant

24 | www.nzphotographer.co.nz

Chile’s Puyehue volcano erupts, causing air traffic cancellations across South America, New Zealand, Australia and forcing over 3,000 people to evacuate. Source: Reuters

www.nzphotographer.co.nz | 25

Firefighters of Ladder Company 4 — which lost seven men on 9/11 — perched together on their aerial ladder, watching a news bulletin in Times Square declaring that Osama bin Laden was dead on May 2. Source: lens.blogs.nytimes.com-

Mihag Gedi Farah, a seven-monthold child, is held by his mother in a field hospital of the International Rescue Committee in the town of Dadaab, Kenya. The baby has since made a full recovery.

Source: AP / Schalk Van Zuydam

26 | www.nzphotographer.co.nz

Office workers look for a way out of a high rise building in central Christchurch, New Zealand on February 22. A strong earthquake killed at least 180 people.

Source: Reuters / Simon Baker

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2011 IMAGES

Meet Patrick Shepherd Barnaby Weir at Fly My Pretties

P

at Shepherd is a Wellington based

two years, Pat started his travels down to

photographer who grew up on the

the Southern Hemisphere, spending a year

“With music photography, it’s not just

bonnie shores of Scotland. Receiving

backpacking around Australia. It was here

the fact you get to attend incredible gigs,

his first Fisher Price camera at the age of

that he fell in love with capturing the world

it’s that you get to meet such inspiring

8, he later ventured into the adult world of

on film. He briefly returned to Scotland,

individuals and get to learn and document

photography at 16, when he got his first

upgraded his camera gear and got on the

their stories.”

Canon SLR.

plane to New Zealand.

Pushing for photography classes to start

The Black Seeds and many more.

Pat turned this love of documenting

It’s been 10 years since Pat arrived

artist’s stories into his own free street press

at school, he soon realised this wasn’t

and he is so amazed at the opportunities

publication called Exposure Lifestyles. The

going to happen, so he signed up for

New Zealand has presented him with.

publication features images and interviews

night classes at Aberdeen College. It was

Music photography has been his main

with the cream of Aotearoa’s creative crop.

these night classes he says, “really got

focus for the past eight years. He has

Released whenever he has spare time to

him excited about the possibilities and

worked with and photographed a huge

put it together, the publication has many

opportunities photography holds”.

variety of musicians including Tiki Taane,

followers who keep asking when the next

Shapeshifter, Little Bushman, Trinity Roots,

one is on its way. Pat was happy to tell us

After studying photography full-time for

28 | www.nzphotographer.co.nz

Over the past few years, Pat has been busy using his photography to help create positive change in the lives of refugee children on the Thai/ Burma border.

Children of Sky Blue School

Children from TMK School

Electric Wire Hustle

Bret McKenzie in Wellington

Tears of joy in Thailand

www.nzphotographer.co.nz | 29

Fat Freddys Drop halloween gig Jon Toogood at Rippon 2006 there will be another one coming out close to the middle of 2012, so keep your eyes peeled on the streets, as we hear they get snapped up pretty quickly.

Over the past few years, Pat has been busy using his photography to help create positive change in the lives of refugee children on the Thai/ Burma border. It first started when he came up with the idea of The Good Karma Project. For 6 weeks, Pat and his friend taught photography and art to children from Burma, who had fled the government regime to the relative safety of Thailand. The photography and art was exhibited at Toi Poneke Gallery in Wellington. It was then auctioned

30 | www.nzphotographer.co.nz

off, raising $10,000 for the children’s charity SpinningTop. Now co-managing the charity SpinningTop, Pat continues to visit the border to document the work they do and to help raise awareness about the children’s situation. His most recent project is the Little Lotus Project, where artists fundraise their own way to the border to hold art and creativity workshops with the children. Last year, 4 of them spent 3 weeks on the border and this year they have 12 artists volunteering their time. Pat says, “It’s so incredible that these artists are willing to volunteer their time to help improve the Little Bushman

lives of these children. If everyone was only willing to use their skills in any small way, to help others who need it more

Shapeshifter at Rippon

than we do.”

If you are interested in finding out more about Pat’s project or donating towards the Little Lotus Project, just head to www.littlelotusproject.org Mara TK in Wellington

Tigalau Ness at One Love

Sky Blue school mural

www.nzphotographer.co.nz | 31

COOL STUFF

cool stuff

Throwable Panoramic Ball Camera If you find yourself struggling to take great photos like the ones you see in magazines, and often find yourself wanting to throw your camera, then this is the camera for you. What started as

During our length Yproject to view every page on the internet, we have stumbled upon some great little products, videos and websites that we think you ought to know about 32 | www.nzphotographer.co.nz

a thesis project by Jonas Pfeil, the Ball Camera comes with 36 two megapixel cameras and an accelerometer which helps the camera to trigger when it is suspended in the air momentarily. When the photographer tosses the prototype into the air, naturally it will hang there for a moment before falling down to ground, in that instant the camera would take the 360 degree panoramic image.

Source: www.youtube.com/ watch?v=Th5zlUe6gOE

Lytro Camera You may have already seen this marvellous camera which can only be described as magic. This camera uses light field photography, which captures all the available light in a scene going in every direction and allows a user to adjust the focus of a photograph on a computer after the picture has been taken. Unlike a conventional camera that captures a single plane of light, the Lytro camera captures the entire light field.

Source: http://photojojo.com/store/

Address is Approximate

awesomeness/f-stop-watch/

While we don’t often discuss film making, this video is particularly interesting because it uses a technique called stop-motion.

That is taking a photo of each and every individual frame. When done properly the technique looks amazing, the problem is when you have 24 frames in a second, you will realise quickly how many photos are taken to make up several minutes of footage.

This 3 minute video is a beautiful and creative stop-motion video by Tom Jenkins of Theory Films. A lonely desk toy longs for escape from the dark confines of the office, so he takes a cross country road trip to the Pacific Coast in the only way he can – using a toy car and Google Maps Street View.

No CGI was used — all the animation you see in the video was done by hand and captured on a still photograph using a Canon 5D Mark II! Video link: http://vimeo.com/32397612

CAMERA SIZE

different makes and models and compares

One characteristic important when

their size relative to an AA battery.

purchasing a new camera is the physical size it will take up on your person. This nifty

Source: http://photojojo.com/store/

website camerasize.com lets you choose

awesomeness/usb-film-roll/

www.nzphotographer.co.nz | 33

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next issue of NZ Photographer…

Coming up in Issue 26: • Getting down with Simon Woolf • Winner of our mini-planet competition • Tips for shooting you first wedding

Have you subscribed to NZ Photographer? It’s free!

Simply visit www.nzphotographer.co.nz to get a copy of NZ Photographer delivered straight to your inbox every third Wednesday!

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