UPE URBAN PERCEPTION’S EXPERIENCE
The methods of presenting the actions that are observed as an observer or in person cause us to look from the point of view of the artists.
The experience experienced as a result of the narrative of the artists is valuable in terms of the filters it passes through. Filtered content may also be missing. On the other hand, although being involved in the actions to be experienced seems to increase the experience, what makes the experience intense is not that it appeals to our more sense organs, but that it appeals to our necessary sense organs.
Experience is in uenced by its context in every sense, both in terms of spatial placement and mobility.
Activism can be defined as the deliberate action to bring about social or political change. Could witnessing or giving testimony be a form of activism? What is the place of activism in the experience? But what if architecture could become the original creator of experience activism?
These questions are discussed through some of the places that are included in the scope of the 2023/Biennale and the structures based on experience around the world. With these studies, we state that the focus is on observing and being observed, and we believe that we have witnessed both ends of the experience. We see that the artists of the works aimed to convey similar messages with an activist aspect in their previous works.
Getting Closer to the Future. Different view of the current situation. Exploring life. Active Participation, Inclusion. Workers Students Getting Closer to the Future. Different view of the current situation. Exploring life. Active Participation, Inclusion. situation. Exploring life. Active Participation, Inclusion. to the Future. Different view of the current situation. Exploring life. Active Participation, Inclusion. Transportation Deformation Traces of the Changing Past of the Place Past Trauma, (earthquake, flood, fire) Metaverse Empathy, (Woman, Animal) Differentiation in the senses (blindness, deafness) Transportation Deformation Traces of the Changing Past the Place Past Trauma, (earthquake, flood, fire) Metaverse Empathy, (Woman, Animal) Differentiation in the senses (blindness, deafness) Transportation Deformation Traces of the Changing Past of the Place Past Trauma, (earthquake, flood, fire) Metaverse Empathy, (Woman, Animal) Differentiation in the senses (blindness, deafness) Transportation Deformation Traces of the Changing Past of the Place Past Trauma, (earthquake, flood, fire) Metaverse Empathy, (Woman, Animal) Differentiation in the senses (blindness, deafness) Transportation Deformation Metaverse deafness) digital physical digital physical digital physical digital physical Storey car park/Karakoy/Istanbul Textures Near Streets Project Area Historic Passenger Hall Historic Antrepo Historic Antrepo Historic Post O ice Center of Karaköy Main Road Rotation Site Plan & Texture of Karakoy Worker’s Movement 1960 Tophane-iAmireII.MehmetFiruzAğaFire 1823OldIndustryArea 1460 6-7 September Events Greeks Armenians Arabs RomanPopulation The current area used to be rural area Tophane people Special Buildings & Community who live in Karakoy Karakoy visitors & Their expectations ARC 401 / GÜLAN EŞSİZ & BURCU ALBAYRAK I s t h e b e s t w a y t o u n d e r s t a n d a c t i o n s , t o e x p e r i e n c e t h e m ? O r . .
Experience
Process Diagram
Art is seen as the ultimate way to express an emotion and often appears as a carrier of meaning in Biannels and exhibitions. These experience rooms, which belong to the plans written in the drawing, contain some experiences and have evolved to show the atmosphere and the organs of experience, to make it feel and to create the connection of the opposite in the mind.
UPE
was designed to protect the fair share of his word:
‘’It is said that only art carries meaning, but, surprisingly, architecture may be the best answer to carry meaning.’’
Daniel Libeskind
Existing Building Remove solids to create inner garden Remove the solids to create blanks Make it shortcut to two street New Building
frame hardship Categorization of Urban Memory of Karakoy Firuz Ağa Fire 1823 Worker’s Movement Tarihi Voyvoda Transitions 6-7 September Events Crimean War 1854 The October Revolution II.Galata Bridge Opening 1845 Big Beyoğlu Fire 1870 Karaköy-Beyoğlu Tunnel 1875 Destruction of Tophane Buildings İmalat-ı Harbiye Usta Mektebi Hacı Piri Mosque Fire UK & France Foreign Trade Agreement 1838 Demolition of the Karaköy Gate 1857 Karaköy Han Opening 1861 Decision of Expropriation of the Municipality 1858 First Modern Municipality 1857 The Opening of the largest Greek Orthodox Church 1880 The First Orient Express Expedition 1883 Pera Palace Opening Opening of Majik Cinema Demolition of Artillery Barracks Istanbul Reconstruction Movement Tarlabaşı Bulvarı opened Istiklal Street was closed to tra c Taksim Levent metro opened Tarlabaşı has been declared a Renovation Area Ford Motor Company Saint Benoit High School Opening 1880 Bahçeşehir University Opening Karaköy Multi-Storey Car Park Postane Construction İstanbul Waterfront Kolera Pandemic 1824 Karaköy Earthquake 1/200 BB’ SECTION 4.00 8.00 1 2 BB CC AA Section Perspective Physical Archive Inner Garden Cholostrophobic Passage Shortcut Digital Archive Outside Garden Study Place & Digital Archive
of Light Can you hear the light? 11 11 5 5 5 11
of Smell Can smell be painful?
of Seeing Can seeing make you deaf?
of Taste Can taste make you hear well?
of Touch Can touching make you blind?
Experience
Experience
Experience
Experience
+6.00 Plan/Room 11 +6.00 Plan/Room 5 +6.00 Plan/Room 11 +6.00 Plan/Room 5 Ground Floor Plan/Room 11 Project Border Open Street Line Ground Border Green Area Street Line Green Area OLD NEW Upper Border Sillhoute
Sokak Dem�rc�ler G a l a t a | a r a p s k e l e s � S o k a k CADDES MUMHANE Dem�rc er Sokak M an g[ r Sokak C A D D E S CADDES Kemankeş Street Mumhane Street 1 2 3 4 5 6 7 8 910 11 121314 1516 A B C D E F G H I J Entrance 1 Foyer 2 Karakoy Exhibiton 3 O ice + Inner Garden 4 Digital Archive 5 Physical Archive 6 Study Area 7 Cafe & Sitting Area 8 Fire Tower 9 Core 10 Historic Door Exhibiton 11 Foyer 12 Entrance 13 1 2 4 8 3 12 11 10 9 6 13 10 Sokak Dem�rc�ler M an g[ r Sokak Kemankeş Street Mumhane Street +6.00 1 2 3 4 5 6 7 8 910 11 121314 1516 A B C D E F G H I J 2 7 6 1 3 10 9 8 11 10 CADDES Kemankeş Street Mumhane Street 1 2 3 4 5 6 A B C D E F G H I J Garden 1 Fire Tower 2 1 21 Sokak Dem�rc�ler Dem�rc�ler So M an g[ r Sokak C A D D E S CADDES Kemankeş Street Mumhane Street +21.00 1 2 3 4 5 6 7 8 910 11 121314 1516 A B C D E F G H I J +15 Plan +21 Plan Pier Direction Entrance Galataport Direction Entrance Galata Tower Direction Entrance Tram Direction Entrance
N N N N Level Circulation Circulation Level Circulation Level Circulation Exploded Diagram Foyer I Sirkeci Exhibition 1/100 AA’ SECTION 4.00 BB CC AA G a l a t a | a r a p s k e l e s � S o k a k CADDES MUMHANE Shortcut & Outside Garden Passage Outside Garden & Blocks Shortcut & Info Screens Fired Area View Point Fire Tower Fire Tower Circulation Diagram Storyboard South Elevation North Elevation
steel column
+18.00 +9.00 v
+ 3.00 - 3.00
+ 13 00
4 8 4 1 k 4 1 4 8 k k
E
O R TOTAL POPULATION 5.872 %17 ELDER/YOUNG RATIO Young Elder %28 USERS ANALYSIS USERS AC TIVITIES Theater Food Par ty 21 70 90 5 0 21 31 0 3 8 5 1 1 11 East West P estan Chu ch A e er Est Ma ket Ho el Pr vate - Commercial Places, A Private - Commercial Places, B Commercial Private
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T R I C H
Concrete Cer tain Wall Beams umns Co Core Steel T with IS a g e
Slab Floor Up Transpor tation Route Cross Ventilation System Sunlight Protection De t ail Section
Concrete
Cour tyard
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