Established & sons catalogue no 7 by Roxanne Goosen

T: 021 438 9066 / F: 088 021 438 9066 W: www.establishment.co.za / E: products@establishment.co.za PO Box 50930, V&A Waterfront, Cape Town, 8002, South Africa

No.7

Established & Sons Principal & Est d Collection

Waterloo

Bloomsbury

CoNteNts 5

Foreword . . . . . . 9 Accessories . . . 61 Tables . . . . . . 135 Lighting . . . . . . 15 Audrey Vase . . . . . . . . . . . . . 62 Aqua Table . . . . . . . . . . . . . 136 Audrey Light . . . . . . . . . . . . . 16 Beam Lights . . . . . . . . . . . . . 17 Buggs Light . . . . . . . . . . . . . 18 Column . . . . . . . . . . . . . . . . . 19 Corner Light . . . . . . . . . . . . . 20 Corona . . . . . . . . . . . . . . . . . 22 Dame . . . . . . . . . . . . . . . . . . . 24 Edge . . . . . . . . . . . . . . . . . . . 26 Flatliner . . . . . . . . . . . . . . . . . 27 Fold Corten . . . . . . . . . . . . . . 29 Fold . . . . . . . . . . . . . . . . . . . . 30 Globe . . . . . . . . . . . . . . . . . . . 32 Landmarks . . . . . . . . . . . . . . . 33 LightHouse . . . . . . . . . . . . . . 34 Louvre Light . . . . . . . . . . . . . 36 Pipe . . . . . . . . . . . . . . . . . . . . 38 Pole Light . . . . . . . . . . . . . . . 39 Print . . . . . . . . . . . . . . . . . . . . 40 Super Conic . . . . . . . . . . . . . 42 Tank . . . . . . . . . . . . . . . . . . . . 44 Topp . . . . . . . . . . . . . . . . . . . . 47 Torch Light . . . . . . . . . . . . . . 48 Yellow, Pink, White Light . . . 53

Holborn Viaduct

Blob . . . . . . . . . . . . . . . . . . . . 63 Butte . . . . . . . . . . . . . . . . . . . .64 Convex Mirror . . . . . . . . . . . . 65 Cuboid . . . . . . . . . . . . . . . . . . 66 Font Clock . . . . . . . . . . . . . . 67 Hang . . . . . . . . . . . . . . . . . . . 68 Hold . . . . . . . . . . . . . . . . . . . . 69 Potto . . . . . . . . . . . . . . . . . . . 71 Pour . . . . . . . . . . . . . . . . . . . . 72 Shade Mirror . . . . . . . . . . . . . 73 Soft Grid . . . . . . . . . . . . . . . . 74 Store . . . . . . . . . . . . . . . . . . 76 Two Timer . . . . . . . . . . . . . . . 77

Bend . . . . . . . . . . . . . . . . . . .138 Blow . . . . . . . . . . . . . . . . . . .139 Delta . . . . . . . . . . . . . . . . . . .140 M5 . . . . . . . . . . . . . . . . . . . . .141 Open Room No.1 . . . . . . . . .144 Spin Table . . . . . . . . . . . . . . 145 Surface Table . . . . . . . . . . . 146 Surface Table Ă&#x2DC;1480 . . . . . . 149 Table . . . . . . . . . . . . . . . . . . .150 Zero-In . . . . . . . . . . . . . . . . . 152 Zipzi . . . . . . . . . . . . . . . . . . . 155

Seating . . . . . . . 85

Amsterdam Armoire . . . . . . 164 The Crate . . . . . . . . . . . . . . . 166 Crate Series . . . . . . . . . . . . .167 Folio . . . . . . . . . . . . . . . . . . .168 Perspective . . . . . . . . . . . . .170 Punch . . . . . . . . . . . . . . . . . 171 Stack . . . . . . . . . . . . . . . . . . 172 Standard Issue . . . . . . . . . . 177 Tudor Cabinet . . . . . . . . . . . 178 Wrongwoods . . . . . . . . . . . 180

A-Bench . . . . . . . . . . . . . . . . 86 Alto . . . . . . . . . . . . . . . . . . . . 87 Bricks & Mortar . . . . . . . . . . . 88 Butt . . . . . . . . . . . . . . . . . . . . 90 Cape . . . . . . . . . . . . . . . . . . . . 92 Crash . . . . . . . . . . . . . . . . . . . 96 Crate Series No.8 . . . . . . . . . . 97 De La Warr Pavilion Chair . . . 98 Drift . . . . . . . . . . . . . . . . . . . .100 Drift Concrete . . . . . . . . . . . 102 Drift-In, Drift-Out . . . . . . . . .103 Easy . . . . . . . . . . . . . . . . . . . 104 Frame Chair . . . . . . . . . . . . 106 Hay Bale . . . . . . . . . . . . . . . 108 Heidi . . . . . . . . . . . . . . . . . . 110 Jumper . . . . . . . . . . . . . . . . .112 Nekton . . . . . . . . . . . . . . . . . 114 Panoramic . . . . . . . . . . . . . . 115 Quilt . . . . . . . . . . . . . . . . . . . 116 Quilt The Thing . . . . . . . . . . 119 Revolver . . . . . . . . . . . . . . . .120 Sessel . . . . . . . . . . . . . . . . . .121 Standard Unique . . . . . . . . .122 Table, Bench, Chair . . . . . . .123 Tudor Chair . . . . . . . . . . . . . 124

Storage . . . . . 163

Flooring . . . . . 191

Wall to Wall . . . . . . . . . . . . . 193 Wood Rug . . . . . . . . . . . . . . 194

Designers. . . . 200 Awards . . . . . . 207 Specifications 210 Overview . . . . 248 Notes . . . . . . . 256

Southbank

Foreword 9

Established & Sons is a uniquely positioned British design company focused on producing and representing all that is innovative in contemporary design. Since its inception in 2005, Established & Sons has become internationally respected for groundbreaking projects with leading designers, architects, artists and artisan studios, and for introducing up-and-coming creative talent from around the world. Established & Sons employs skilled craftsmen and uses high quality manufacturing techniques in the realisation of its designs, delivering original collections that are both significant and pioneering.

City

It is not by chance that the Established & Sons HQ is in London. This is a city with an outstanding and particular design culture, where ideas are nurtured in its excellent art schools, refined in its multiple design studios and discussed in its plentiful mix of bars, clubs and restaurants. The company’s own agenda – of contemporary quality and vibrant imagination – is the agenda of creative London at its best, where art, design and technology meet and ideas multiply. For 2011, Established & Sons has launched an elite and enterprising new collection by designers from several continents, who have created remarkable new pieces, including furniture, storage, lighting and accessories. Some designs are the result of unexpected ways of working with technology, some contain subtle elements of surprise, others are pure aesthetic triumphs, or the culmination of a cherished craft process. All are linked by Established & Sons’ enduring commitment to excellence; to make design that is delightful and liveable and yet beyond the ordinary.

New accessories have also been added to the successful Estd range, a group of useful objects, which was introduced in April 2010. From the outset, the defining objectives of Estd were integrity, economy, character and materiality, and the new pieces are no exception, each intended to enhance everyday life with an extra design twist. Newer still is My London – a fresh Established & Sons initiative that looks to the heart of its home city and the creative minds who live and work there. A roster of Londonbased talents – from the worlds of design, art and architecture – have been invited on board to work on collaborations, installations and objects that crystallize their idea of the city. But with its outward-looking attitude, the company has also asked exciting international names from a range of artistic disciplines to sum up what London means to them. The results will be on show globally throughout 2012. There should be a fair few surprises in store.

St. Paul’s

Holborn Viaduct

LightiNg 15

Hampstead Heath

audrey Light Michael Eden 16

Michael Edenâ&#x20AC;&#x2122;s interpretation of Continuous Profile - Head of Mussolini, 1933 using the profile of classic beauty, Audrey Hepburn is again used for the Audrey Light, creating the illusion of an infinite profile.

All components of the light are hand-blown and together with a historical source of inspiration, enable the designer to portray age-old ideas and methods in a modern and exquisite form.

Beam Light Industrial Facility â &#x201E; Sam Hecht 17

Suspension & matching floor light with two height options using a contrasting palette of spun metal and blown glass, Beam provides a combination

of ambient and directional light, seamlessly combined. Beam is presented as pendant and floor lights with various colour options.

Buggs Light Sebastian Wrong 18

Sebastian Wrong has subverted a traditional lighting type and infected it with his own dark humour. Buggs Light is a beautifully crafted hand-blown glass sphere, with the opal glass form baring the addition of a familiar face. With a soft matt surface, the characterised

figure produces a warm but functional light. ‘My play on the classic Bauhaus design of an opal glass, spherical lamp is mutated by a pop culture reference. I wanted to twist the simple sphere and inflate it with a cheeky grin. Hand-blown glass perfection

and purity is challenged. The controlled and conditioned process is infected,’ says Sebastian Wrong. Available as a suspension and floor light, and a table light with a concrete base, Buggs is a modern take on a classic design.

CoLumN Sebastian Wrong 19

Sebastian Wrong’s Column Light captures the spirit of Venini through a use of colour and playfulness. A concrete base supports a neck of handblown, multi-coloured glass. A cone shade, made from fabric rests on top of the neck.

CorNer Light Peter Bristol 20

Placed where the wall and ceiling meet, the Corner Light creates an equilateral triangle of light nestled in the corner of a room. The integrated form implies the lamp is part of the architecture of the room,

but the purposefully exposed cable reveals that the lightâ&#x20AC;&#x2122;s placement is temporary. The light is held up with a simple steel bracket that mounts to the wall and steel frame; a fabric diffuser magnetically attaches

to the frame to complete the lamp. Available in two sizes, the novel idea and clever execution of Corner Light makes a contradictory statement that is both inherently iconic and minimalist at the same time.

CoroNa Frank 22

Corona was conceived as homage to the soon to be lost Crown Silvered light bulb. Designed to echo the lamp bulbâ&#x20AC;&#x2122;s brilliant function and by increasing the scale also to amplify the ability to create

playful spin offs from the mirroring, Corona is made from a glazed slip cast earthenware ceramic with blown glass and a silver diffuser. Corona is not only a very functional light source but also something

that one can admire when not performing its primary function of giving light whether in the home or in a commercial environment.

dame Luca Nichetto 24

The traditional glass lanterns made on the island of Murano are the inspiration for Dame, a collection of lamps designed to illuminate large environments or far more intimate spaces depending on the manner in which the various component parts are assembled. Dameâ&#x20AC;&#x2122;s

aesthetic recalls both Tiffany lampshades and the stainedglass rose windows found in churches. Dameâ&#x20AC;&#x2122;s unique appearance is the result of the effect caused when its illumination is diffused through the lampâ&#x20AC;&#x2122;s decorated inner thermoformed shade.

The innovative layering of materials is borrowed from automotive manufacturing and has never been used in the production of light fixtures before. Dame is available in a variety of selected configurations to suit any space.

edge

AL_A ⁄ Amanda Levete 26

In collaboration with Philips Edge is driven by a desire to exploit a technology that is in its infancy but is destined to change the way we see light. Dubbed the “new lighting technology of the 21st century”, an OLED is essentially an extremely flat, lightweight panel. When switched off, the panel resembles a mirror, but

as soon as a current is applied, the whole panel lights up, casting out a gentle, evenly dispersed glow of light. Philips has named this technology Lumiblade. Unlike traditional light bulbs, Lumiblade gives no flickering of light, no glare and no excessive heat emission. Instead, there is simply a subtle sheen of light. Levete wanted to

reveal the wafer thin essence of OLEDs and create a light that is completely reductive in its simplicity. A flat ribbon of steel is twisted into a self-supporting form. A groove is then cut into the steel, off centre, to allow the cable to be expressed and to exaggerate the movement of the piece.

FLatLiNer Jason Bruges 27

Jason Bruges has interpreted a classic lamp, rethinking its form and experiments with intelligent surfaces, creating an element of the unexpected. The seemingly impossibly thin

black acrylic disc embedded with 240 LEDs is both refined and durable whilst providing a warm functional light. The energy efficient Flatliner is interactive and dimmable by

the touch of your hand to the surface. Flatliner is available in a floor and table light as well as the particularly impressive suspension light.

FoLd CorteN Alexander Taylor 29

This version of the Fold light is produced in Corten steel, a material more commonly applied to architecture than design. The properties of Corten steel; an unusual textured patina caused by

weathering, are employed here as a decorative feature. The process of folding sheet steel to achieve three-dimensional structure is the key feature of the Fold lamps. The resulting silhouetted form of the Fold

is representative of the basic outline of a traditional light. The Fold light is available as a table light in two sizes and matching floor light.

FoLd

Alexander Taylor 30

This design derives its name from the production process where a metal sheet is subjected to multiple folding. This forms the basis of the design of the small Fold lamp. The Fold family of products incorporates a small table lamp,

medium table lamp and floor lamp. The silhouetted form of the Fold is representative of a traditional, basic light â&#x20AC;&#x201C; it even incorporates a classic braided fabric cable. This nostalgic reference to traditional lighting is made all the more potent

by the modern materials and construction techniques applied in the manufacture of the lamps. Elle Decoration International Design Award 2005

gLoBe Sebastian Wrong 32

Wrong’s Globe light uses the same techniques as the Column Light, where coloured canes of drawn glass are employed to decorative effect. Pieces of these are put into a mould and blown, meaning

that the resulting products are uniform in shape but the colour and pattern vary. The shade consists of a handblown, perfect sphere. The components of the Globe rest on a marble base.

LaNdmarks Sylvain Willenz 33

“The inspiration for this family of desk and floor lights comes from signage found alongside the roads and motor-ways. The idea was to bring rough and functional typologies into the domestic environment, for indoor use,” explains

Sylvain Willenz. Willenz’s usual starting point for a design will begin with a material, but with LandMarks, he began with an idea, a sketch and a reference. He has developed the initial concept into a functional domestic product that reflects

perfect proportions, colours and lines, presenting a strong form. These engaging, graphic forms have been reworked in powder-coated sheet steel and an opal, acrylic diffuser added. The lights are available in table and floor versions.

Lighthouse Ronan & Erwan Bouroullec 34

When designing for Established & Sons and Venini, Ronan and Erwan Bouroullecâ&#x20AC;&#x2122;s idea was to light up a voluminous round glass structure that would be balanced on a delicate aluminium support. Drawing

attention to the precariousness of the equilibrium Ronan and Erwan wanted to present the vulnerability of the object. What was also interesting to them was the mix of techniques to make the three elements that

craft this lamp: the base and the support are industrially made in opposition to the hand-blown glass which uses traditional artisan skills.

Louvre Light Klauser & Carpenter 36

References to window blinds, Scandinavian lighting and the rear windows of 1980s ‘muscle’ cars are all apparent in this family of suspension lights designed by Andre Klauser and Ed Carpenter. Seamless pressed aluminium louvres with compound-curved corners are repeated layer upon layer. This creates a multifaceted

shade that provides glare-free, directional and ambient light. It’s both a practical light source and a fascinating and formally enticing object in its own right. The long proportions and scale of Louvre make it ideal for hanging over a dining table. It is available in two sizes and offered in a variety of metal finishes which include

powder-coated and coloured anodised aluminium or patinated brass.“Our aim was to illuminate the space as well as the light itself. Above that we think Louvre is like a canvas that can change character depending on the colour and finish.” Klauser & Carpenter.

PiPe

PoLe Light

Luca Nichetto 38

Pipe is a multifunctional lamp with a clean, linear form capable of producing different kinds of illumination. The lamp’s light source is situated inside a cylindrical glass shade and its intensity can be regulated

using a dimmer. Pipe’s tubular shape can generate either direct or diffused lighting with varying degrees of intensity. This lamp is the beginning of a line designed to work equally well in the office and at home,

Paul Cocksedge 39

and its first incarnations take the form of a table lamp and a sconce, both of which can be rotated, an aspect of their design that further underscores their versatility.

This elegant table and floor light challenges the common perception that light travels in a straight line. It provides ambient light as well as a dimmable, focussed, directional beam. Using a minimum of materials and components, it is surprisingly simple but provides

a spectacle rarely found in such an everyday domestic lighting product. Light travels from a light source embedded deep within a grey concrete or black base and up through an optical grade, precisely curved, transparent acrylic rod and eventually culminates in

a bright beam appearing at more than a metre from its source. “I wanted to create the illusion of bending light on an everyday scale. In order to achieve this I needed to send rays of light on a journey of internal reflection.” Paul Cocksedge.

PriNt Sylvain Willenz 40

Willenzâ&#x20AC;&#x2122;s Print Lamp gathers within a single bubble of blown glass components usually found as separate items in pendant lighting. In effect, the

shade, the colour, the reflector and the diffuser have all been produced within one gesture. Only the light fitting is added in a second phase of production.

This logic and attention to process, applied to a carefully and well proportioned flat globe, offers a bright reinterpretation of a classic piece.

suPer CoNiC Matali Crasset 42

â&#x20AC;&#x2DC;Light is a medium on which I particularly like to reflect as it conspires to reveal the intimate dimensions of the area,â&#x20AC;&#x2122; says designer Matali Crasset. The Super Conic pendant light

not only reveals details of the area it illuminates, it also adds its own delicate beauty to its surroundings. Made from a bouquet of white glass cones arranged around a light-

diffusing cone in the centre, the light shining through reveals the luminous contours of the glass and creates a beautiful focal point of interplaying light and layers.

taNk

Alexander Taylor 44

The Tank suspension light boasts a simple archetypal design. Repetitious and rhythmic folds made in a sheet of metal produce a dramatic effect. The pendant lamp is available in various colours and is finished with a frosted glass diffuser. The Tank light

evokes the familiar form of a pleated fabric shade but it is an industrial, graphic and highly contemporary product. The Tank light is available in two sizes and is suited to both domestic and contract environments. The Tank range was expanded in 2007 following

on from the success of the pendant version of this folded, aluminium light. The Tall Tank, which stands at 1.8m, has a cast aluminium base with a tubular steel stem and is offered in various powder-coated colours.

toPP

Hallgeir Homstvedt Design 47

The Topp Lamp draws its inspiration from two distinctive silhouettes: the classic ‘Atollo’ lamp by Viso Magistretti and a graphic arrow. The foot is of strong resin available in white and yellow. Each colour

contrasts strikingly with the aluminium shade. The beautiful spun top allows the geometric simplicity of the shapes that make up the lamp to be appreciated fully – the triangular and rectangular shapes are

distinct but compliment each other to create a pleasing, arresting whole. Topp’s presence will add contemporary sophistication to domestic or contract interiors.

torCh Light Sylvain Willenz 48

A variety of non-domestic, but yet familiar and functional forms of lighting inspired Sylvain Willenzâ&#x20AC;&#x2122;s design. Torch Light, owes elements of its form to the typical torch and the car headlight. PVC dipped polymer gives a tactile finish,

referencing the handheld nature of a torch, whilst light shines through a clear, diamond textured polycarbonate diffuser (akin to the textured glass of a car headlight) creating an ambient light. The Torch Light is available as a table light in two

sizes, suspension light in three sizes and as a grouped bunch of suspension lights of 10 or 20. Elle Decoration International Design Award 2009 Grand Design Awards 2009

yeLLow Light, PiNk Light white Light Scholten & Baijings 53

Scholten & Baijingsâ&#x20AC;&#x2122; starting point for the light design was the use of colour in combination with a natural working or reading light. The elegant glass bulb is hand-blown whilst the

different colours are applied with a spray-paint technique. The gradient gives the light the special effect that appears as if the light is on when it is in fact off.

Barbican

Farringdon

Bloomsbury

aCCessories 61

Mayfair

audrey vase Michael Eden 62

Michael Eden found inspiration for his Audrey light and vase in Renato Giuseppe Bertelli’s interpretation of portraiture with the sculpture Continuous Profile – Head of Mussolini, 1933. Eden has reworked the concept by replacing the powerful profile of Mussolini

with one that represents infinite classic beauty, Audrey Hepburn. The idea of mirror imaging silhouettes resonates in Eden’s design. All the pieces of his vase are individually handblown, either free-blown where the form is controlled by the skill of the blower or blown into

moulds where more complex shapes are required. The vase uses the contrast between the inside and outside components to juxtapose strong and subtle colours. The heads appear to the viewer inside the outer boundary of the vase.

BLoB Est d 63

The Blob desk organiser and paperweight is a celebration of the many qualities of glass. Inspired by the bulbous globules of waste material that are a by-product of the glass blowing process, the Blob is a heavy, organic, seemingly

molten mass of glossy material. Into its surface are pressed indentation that give the desk organiser its function as a holder of pens, pencils and ruler, whilst the mass of the piece makes it a natural paperweight.

Butte

CoNvex mirror

Scholten & Baijings 64

Butte is a Dutch age-old wooden travel case. Scholten & Baijings have developed new production techniques to translate the handcraftsmanship to storage boxes. The wooden travel case is made of wood

and veneered the inside of the case and the inside of the lid is painted with fluorescent orange, blue or pink. Available in three different sizes, each telling their own story through hand drawn printed illustrations.

Sebastian Wrong 65

The drawings visualise ‘the life of a tuna fish’, ‘the life of a turtle’ and ‘the life of a tree’, raising the environmental implications of over farming and deforestation.

Sebastian Wrong took direct inspiration from an everyday automotive piece of equipment, the rear-view mirror, and created a humorous design. He enlarged this well-known form and placed

it in an unfamiliar interior environment, to great effect. Sebastian Wrong has chosen to make iconic a most noniconic object. The wall-mounted mirror can be rotated and

moved on any axis and the convex curve of the mirror surface is manufactured using the instrument quality mirror technology normally reserved for use in aircraft simulators.

CuBoid Est d 66

Made from coir, natural coconut fibre, this abstract design is far more intriguing than a mere â&#x20AC;&#x2DC;Welcomeâ&#x20AC;&#x2122; doormat. The illusion of three dimensions created by the shape and shading invites interaction with an object that is

usually overlooked. Although its function of being a practical entrance mat remains unchanged, Cuboid also takes time to remind us to pay attention to the little things.

FoNt CLoCk Sebastian Wrong 67

Sebastian Wrong has transformed a timeless masterpiece into a contemporary classic. The Font Clock is based on a simple idea, to take the iconic calendar clock with its distinctive form and flip mechanism and introduces a variety of contemporary

prefaces in an ever-changing display. The Font Clock employs twelve different typefaces. These range from modern renditions of classic type families like Bodoni to 20th century classics like Franklin Gothic and Helvetica. True to its philosophy of working with and

promoting the very best of British design, Established & Sons has chosen to work with Grayson Time Management system. Grayson is responsible for providing the timekeeping for institutions such as the London Stock Exchange. The Font Clock comes in three sizes.

haNg Est d 68

Constructed in a concertina pattern, a gentle pull unfolds the Hang coat stand to its full width. When closed, the coat stand is compact and neat, easy to store or transport. When expanded it is a most purposeful piece of

furniture; its design allows for plenty of garments to be stored upon it and a series of hooks at a lower level mean children can use it too. Hang is made using Ash wood with metallic finished hooks.

hoLd Est d 69

The gentle overspill of material created by the ninety degree fold of these ceramic hooks is a pleasing and wholly unusual feature. In direct comparison to a more industrial, and expected

aesthetic, the kinked hooks inspire comparisons to flesh and are curvaceous in form. The choice of glazed ceramic accentuates the tactility of these objects.

Potto Est d 71

These Japanese Tokoname pots show the unique and beautiful material qualities of this world famous black ceramic. They are appealing and sensible storage solutions for cooking ingredients such as sugar, garlic and shallots. The sugar bowl is complete

with a beautifully handcrafted Japanese wooden sugar spoon that makes the act of spooning sugar more satisfying and contemplative. The ingredients pots have equally thoughtful details: holes in the lid for ventilation and easy opening. Cleverly designed to fi t one

atop the other; the foot ring of each pot sits securely on the thick rubber lid of the next size up so they will not slip. As a tower they take up little workspace and make a unique display in the home. Potto is meant to be touched, used and enjoyed.

Pour

shade mirror

Est d 72

The two intersecting cones that make up the body of these handsome pewter jugs drew inspiration from old-style oil cans on which the funnel was connected to the main body.

Each jug is beautifully hand crafted â&#x20AC;&#x201C; cut, rolled, soldered and polished â&#x20AC;&#x201C; from solid pewter sheets. Available in 1/2 pint, l pint and 750 milliliters, theyâ&#x20AC;&#x2122;re perfect for water, milk

Front 73

or decanting a bottle of wine. The funnel spout is designed to pour a precise and controllable flow of liquid.

Shade is an oval shaped wallhung mirror with a materialised hand drawn graphic illustration by Front Design, bonding a 2D sketch with a 3D product. Front Design are investigating the

transition of a drawing to a final product, and question when the former actually becomes an object. By fusing the two forms together the Swedish designers have made the illustration

appear as tangible as the oval mirror itself. The illusion of the hand-drawn sketch marks on the surface of the mirror is achieved through a unique etching technique.

soFt grid Est d 74

These luxurious doublesided Merino wool blankets are a pure celebration of pattern and colour. The grid that forms part of the textural pattern is stitched on top of the woven blankets creating

a decidedly striking graphic and a fascinating finish. Pastel and fluorescent colours combine with luxurious textures and unique design in these extra-ordinary pieces of textile design.

store Est d 76

The gently obtuse angles to be found on this collection of storage jars are inspired by the forms of space capsules. The unlikely homage to all things space age is continued in a palette of subtle metallic glazes.

Additional detail is given by the application of a matt glaze on the base of the jars: allowing a convenient grip to the work surface. The jars are available in four sizes.

two timer Industrial Facility ⁄ Sam Hecht 77

Many cities, with London as no exception, continue to experience the mass movement of people. It’s as if everyone these days has come from somewhere else. The Two Timer clock acknowledges this modern condition with two clocks sharing the same dial. How curious an idea - it’s as if a finger has stretched a round

clock to form a little corner – an offspring, if you like. Two quartz movements, with a carefully devised dial, are housed in a steel frame. Designed in two sizes, it will sit happily in the home, the office, the hospital, the hotel, the airline lounge, or the foyer of a financial building. It illustrates that even with different time

zones we are of one-world. “It’s as if everyone these days has come from or is going to, somewhere else...Two-Timer is a useful expression to this modern condition, merging two different time zones into one clock.” Sam Hecht. Creative Review Award; Graphic Design 2009

Bank

Shoreditch

Barbican

seatiNg 85

Bank

a-BeNCh Felix de Pass 86

A-Bench is a versatile indoor or outdoor, domestic or contract bench. Made from mirroring and repeating two different components, A-Bench has a symmetry that allows it to be

approached and used from any angle. The benchâ&#x20AC;&#x2122;s uplifting, striking angles and carefully balanced proportions are a result of how the materials are formed and the functions

they must serve. Great comfort is revealed upon use, and is achieved by the angled solid larch wood sections.

aLto

Michael Marriott 87

Alto is a family of elegant stools created to fulfill a number of seating applications. The curved leather and ply seat of each stool sits, cantilevered, on top of a fluid frame. The stools are available in three sizes, the

largest being intended for use as a high bar stool. â&#x20AC;&#x153;I designed Alto as a cantilever stool that uses flat oval section steel tube to structural advantage, offering a visual and literal lightness.â&#x20AC;? Michael Marriot.

BriCks & mortar Richard Woods & Sebastian Wrong 88

British artist Richard Woods and designer Sebastian Wrong have collaborated on the design of this series of sofas and chairs. The upholstery bares a classic Woods’ screen print that turns recycled, domestic motif into applied ‘icons’. The irony of the ‘Bricks & Mortar’ design

lies in the extreme comfort of the chair in comparison to the perceived ‘hardness’ of the print. The elegant, fundamental shape of the single seat chair, two-seater sofa and footstool provide the ideal vehicle for Woods’ bold design. “The inspiration behind the

Bricks & Mortar collaboration was a natural progression into upholstered surfaces using Woods’ brick print. The scale and layout of the bricks dictated the scale of the seat and sofa so the mortar lines correspond with the geometry of the object,” says Sebastian Wrong.

Butt Est d 90

Versatile, comfortable and economical, this stackable plastic stool is a hard-working piece of furniture. The Butt stoolâ&#x20AC;&#x2122;s ergonomic top borrows its form from a generic tractor

seat. Within this are drilled three holes (reminiscent of those found in bowling balls) with which to lift the piece. A more lateral piece of design is hard to find.

CaPe

Konstantin Grcic 92

Cape is an upholstered sofa with an overlay cover. Cape grew organically from the initial design challenge to create covered seating with a casual yet luxurious feel to it. The inspiration came from the

informal way in which loose fabric is draped over a piece of furniture for its preservation as done in hotels or country estates off season. Multiple fabric and colour options are available making it more

usable all year round: heavier fabric for warmth in the winter, lighter fabric for comfort in the summer. It also allows for an instant update as an interior changes. Cape is available in one and two seat options.

CaPe

Konstantin Grcic 94

Crate series No.8

Crash Konstantin Grcic 96

Crash is an upholstered armchair. It consists of a tubular chair frame and a loose foam cover. The project reinterprets the construction of an upholstered armchair by separating the supportive

frame from the soft upholstered upper. Splitting the chair into its two constructive elements rationalises production and simplifies transportation and storage. A two-inch thick layer of foam, which is molded to fit

Jasper Morrison 97

the metal frame, determines the formal language of the chair. Characteristics for Crash are its soft and voluminous curves. Crash is available in various cover materials.

The elementary properties of a found wine crate continue to inspire Jasper Morrison and they are apparent again in these latest additions to his Crate Series. The multifunctional characteristics of series 1-4 are now complemented by the more defined typology of Crate Series

No. 8 in the form of a Low Chair. The chair is constructed from the same solid pine whilst the familiar fabric hinge is also used linking multiple wooden slats to form a seat and back which then rests on a generous tubular steel frame. The emphasis on honest materials,

proportion and usability is the thread that links this whole series and its evolution is a fascinating insight into how the most basic of found, functional objects can inspire a focused and cohesive collection of furniture.

de La warr PaviLioN Chair BarberOsgerby 98

This chair was intended for use in the renovated De La Warr Pavilion at Bexhill-OnSea, so it was only fitting that its design reflected the stunning modernist structure in which it was to be housed.

The cast aluminium used in the construction of the chair was inspired by the balustrade and detailing of the original building. The distinctive skid leg of this chair was created in response to the observation

that many chairs, particularly dining chairs, are first viewed from the rear. The chair is available in a powder-coated finish with the addition of a wool or leather upholstered seat.

driFt Amanda Levete 100

A piece of found driftwood initiated the design for the Drift bench. The naturally formed fluid lines of that found object provided inspiration for Amanda Leveteâ&#x20AC;&#x2122;s exercises in complex curves, angles and subtracted

spaces. The Drift bench is an extremely sculptural design whose function, as a seating object, is clear although the primary concern for Levete has been translating her organic, highly sensual architectural

language into a condensed form. Drift bench is constructed from glass reinforced polyester and is available in either satin-matt or high-gloss paint finishes.

driFt CoNCrete Amanda Levete 102

A piece of found driftwood initiated the design for the Drift bench. The naturally formed fluid lines of that found object provided inspiration for Amanda Levete’s exercises in complex

curves, angles and subtracted spaces. The Drift bench is an extremely sculptural design whose function, as a seating object, is clear although the primary concern for Levete has

been translating her organic, highly sensual architectural language into a condensed form. This cast concrete version of the bench is suitable for permanent outdoor use.

driFt-iN, driFt-out Amanda Levete 103

Drift-In and Drift-Out are evolutions of the original Drift bench designed in 2006. These are smaller, curved Fordacal two-seater benches that can be used singularly or positioned

together to create multiple seating in many configurations. “Drift-In, Drift-Out is a natural evolution of the Drift bench. I wanted to use the same conceptual language of a line

drifting backwards on these much smaller scale, versatile, modular pieces.” Amanda Levete, AL_A.

easy

Klauser & Carpenter 104

This compact one and twoseater upholstered seating system is available with or without arms and is positioned on a contrasting metal frame.

Easy has soft but defined forms that fit snugly into the Established & Sons collection, and it is equally at home in domestic and contract markets.

Frame Wouter Scheublin 106

Wouter Scheublin liaises functionality with the beauty of construction and shows a refined eye for detail in his design of the Frame Chair. Blessed with good proportions and seating comfort, the chair is full of cleverly engineered,

reasoned character and achieves a unique formality that is rare within the competitive, overcrowded realms of chair design. Beech laths are covered with a seat and backrest of ply with oak veneer thus providing a subtle texture that shows

through a lacquer finish. Frame chair is offered in painted or shown wood finishes. â&#x20AC;&#x153;I like the way a construction of simple laths, when assembled, suddenly transforms into a form with character.â&#x20AC;? Wouter Scheublin

hay BaLe

Richard Woods & Sebastian Wrong 108

Hay Bale continues the collaborative design relationship between Sebastian Wrong and Richard Woods. Hay Bale is intended to create flexible seating landscapes suitable for contract and domestic use. The piece has both the fun and functionality

one expects from a Wrong Woods collaboration. All four sides are upholstered for comfortable seating, which makes for maximum versatility. Thoughtful details like the cottonweb handles and removable covers make Hay Bale easy to move and

maintain. The characteristic all-over Woods print and the string-like stitching give Hay Bale a casual, relaxed attitude that suits the multipurpose goals behind the design, but belies the attention and careful planning that has been applied to the piece.

heidi

Sebastian Wrong 110

This stool design is about basic simplicity of form and function; combining a classic tractor seat, for its shape and comfort, with a nostalgic, rustic, three leg, timber milking stool. Made from pigmented polyurethane

resin and oiled European Oak the stool cleverly combines the clunky mass of a solid coloured seat with an elegant tapered, geometric timber leg construction. Heidi stool is available in three heights with

the option of a red, ivory or black seat and now in a solid wood style. â&#x20AC;&#x153;The experience of sitting on these stools should be reassuring, tactile and aestheticâ&#x20AC;? says Sebastian Wrong.

JumPer Bertjan Pot 112

Jumper consists of one continuous oversized woolen knitted cover, with qualities very much like that of a jumper, including buttons that fix the cover together on the underside of the chair, once the knitted cover is wrapped over the solid

wooden structure and bent steel legs. The cover is knitted on a â&#x20AC;&#x2DC;Knit and Wearâ&#x20AC;&#x2122; machine that is skilled for clothing garments, but this is where the fashion and design production processes divide. Once the garment is completed it is

then run through a high degree wash to attain a seamless and upholstered effect eradicating most of the stretch from the wool but presenting a high quality fabric that layers the structure with precision and rigor.

NektoN Zaha Hadid 114

This set of four sculptural low stools is the latest manifestation of the nowfamous Zaha Hadid aesthetic. The Nekton stools are curvaceous and tactile.

They can be scattered and used individually or combined in clusters as a whole seating system that can be customised to suit any space. â&#x20AC;&#x153;The Nekton stools can constantly

be adapted and changed to accommodate any seating need by expanding both the interlocked and individual pieces.â&#x20AC;? Zaha Hadid.

PaNoramiC BarberOsgerby 115

This comfortable sofa system is designed to fit any domestic, hotel or reception environment. It is composed of sculptural side and back panels in moulded polyurethane foam,

with seat and back cushions made from a combination of foam and goose down. Elle Decoration International Design Award 2007

QuiLt

Ronan & Erwan Bouroullec 116

The Bouroullecâ&#x20AC;&#x2122;s iconic Quilt series of feature seating is now available in a vibrant new colourway, taking inspiration from iconic comic book superheroes. The Quilt chair and sofa consist of an

upholstered, honeycomblike skin of hi-tech stretch fabric with individual foam inserts, which is fitted over a fibreglass shell. The patchwork components are mathematical in design, as well as decorative,

and give a comforting and reassuring feel to this functional chair. Quilt is an antithesis to the formal, structured sofa and seating designs we have become familiar with.

QuiLt, the thiNg Ronan & Erwan Bouroullec 119

revoLver

sesseL

Leon Ransmeier 120

Revolver is a well-known object with an element of surprise. It is a four-legged rotating barstool that integrates a ball bearing into the lower ring. This enables it to take on another level of

functionality: the foot rest turns with the seat so the user can turn 360 degrees. By allowing one’s entire body to turn at once, Revolver ensures that the barstool is put to its best

use: socializing with friends. In addition, Revolver would be equally at home in a domestic kitchen as it would in a contract interior.

Martino Gamper 121

With his exhibition “100 chairs in 100 days” Gamper celebrated the fact that there is no perfect chair by studying and reassembling every archetype in a somewhat impulsive fashion. His creation of the Sessel chair was driven by a fascination of the traditional bentwood archetype and the way in which its industrialised

production has been mastered throughout its 150 year long history. Aspiring to create his fi rst production chair, Gamper dissembled the bentwood archetype to then rejoin the components and let the assembly of the pieces create the Sessel’s shape. Rather than aiming to revolutionise the bentwood chair, Gamper

decided to tweak the iconic original. He intelligently added strength to the joins through square bentwood panels eliminating the need for a supportive ring and creating a more angular aesthetic. Gamper further injected his own spirit by utilizing different woods and colours.

staNdard uNiQue Maarten Baas 122

Standard Unique derives from the concept of creating variations within a mass produced context. Using an archetypal Dutch kitchen chair, Bass has created 5 patterns for the hand-sculpted chairs, with

each chair being made up of 16 components. All the patterns share common joining points so these component parts replicating CNC technology, can be interchangeable. Therefore, from the original

patterns you can make hundreds of thousands of variations. The result is a hand-produced design using mass production.

taBLe, BeNCh, Chair Industrial Facility â &#x201E; Sam Hecht 123

The inspiration for Table, Bench, Chair derives from the interior communication of the Yamonote line on Tokyoâ&#x20AC;&#x2122;s Metro. Japanese trains generally have benches with armrests dividing the spaces, however the Yamonote line has a green bench with a single gold seat in the middle, subconsciously passengers are

drawn to the isolated space in a mathematical manner creating spatial awareness. Hecht has investigated this concept with the versatile series of Table, Bench Chair, with reference to traditional Bentwood furniture. The design is extremely simple, whilst cleverly it has no physical connections between the different components or

joints, further merging the worlds of a table and chair, allowing the seating to cross over into both. Three versions of Table, Bench, Chair are available; a chair, bench and love seat. Designated seating space is profiled into the solid oak base.

tudor Chair Jaime Hayon 124

This series of six dining chairs was inspired by the six wives of Henry VIII. They are all formally linked but each with its own individual upholstery, finishing and personality. The designs are a clever reference

to a rich part of British history, but are particularly fascinating and relevant as they emanate from the arrival and objective perception of Spanish designer Jaime Hayon.

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Hoxton

aQua taBLe Zaha Hadid 136

This acclaimed table is a tour de force of contemporary furniture design, and fluidity is the key characteristic. It consists of three fin-like legs that appear to be in motion and register

as gradients on the gently undulating tabletop. The Aqua Table is an uninterrupted whole, a curious and curvaceous form that invites viewers to engage with it. The Aqua Table

is available in both satin matt and high gloss hand finishes. This design is challenging, daring and the work of one of the greatest talents in contemporary design.

BeNd

BLow

Sebastian Wrong 138

Wrong’s Bend side table is focused on material and detail. The slip cast production of the ceramic table has a semitranslucent glaze, which in

turn resonates inconsistencies within the surface finish. Wrong experimented with the aesthetic of folds in tube structures using kinked balloons, and has subse-

Konstantin Grcic 139

quently emulated the detail and its tangibility with the Bend side table. The minimalist design of the table gives way to the authenticity of its detailed kink.

Konstantin Grcic’s Blow uses Venini’s artisan hand-blown glass to create a voluptuous organic form. Blow explores the physical boundaries

of hand-blown glass. The fascination of the piece lies in the large scale of blown glass as well as in the combination of translucent Venini colours.

deLta

BarberOsgerby 140

The design of this versatile side table derives from the observation that a triangular shape fits effectively in many arrangements within an interior: free-standing, against

a wall, between or next to other pieces of furniture. The tables are cast from a single material: a resin that has a hollow core and provides a high-gloss finish with an unusual depth.

Frank 141

Offered in two sizes, the low height table functions as a coffee table or bedside table, whilst the higher version can be used as an occasional table or plinth.

The M5 is a functional piece of furniture. It is strong, elegant and simple to assemble. M5 is made from three individual sections that slot together easily, making the table

instantly usable. Inspiration came from a motorway bridge and the association between engineered form and the M5 is easy to note. The smaller M5 table uses only a single piece

of ply in its construction, which makes it economical too. The functions of the table know no bounds and it can be employed for any use; dining, canteen, meeting, office or studio.

oPeN room No.1 Matali Crasset 144

Open Room No.1 is intended to act as a room within a room. It is an architecturally minded product design with a clear function. Although it is without walls, Crasset explains that this workstation has implied boundaries formed by the angles of a white steel structure linking a brightly

coloured red table, orange cupboard, glowing yellow acrylic lamp, black rug and small yellow metal container. “The iconic blocks of colour each define the different functions within the whole unit. Open Room No.1 is a platform for living.” says Crasset.

sPiN taBLe Front 145

Spin is far from a static piece of furniture. Thanks to a profusion of mismatched castor wheels this table is able to follow you wherever you wish. Spin’s oddly contrary feet are the source of its unique character.

Each of its versions; dining table, coffee table and side table, boast a different array of wheels (with lockable castors). Spin is a flat pack piece of furniture, thereby furthering its functional nature.

surFaCe taBLe Terence Woodgate & John Barnard 146

In 2008, international attention was caught when two Royal Designers for Industry, one from the world of furniture design and one from the world of Formula One racing car design, collaborated to create the Surface Table, a super slim composite table. Using

state-of-the-art autosport ⁄ aerospace technology to exploit the inherent rigidity of carbon fibre made creating the original Surface Table possible. Building on the success of the Surface collection, 2011 sees a new addition – a circular Surface Table. Woodgate explains,

‘With the new Surface Table the emphasis is on the reflective quality that the ultra thin black surface creates.’ Woodgate was inspired to consider this aesthetic when he saw the original table compared to Richard Wilson’s extraordinary work 20:50 in Plain Space, the

retrospective of architect’s John Pawson’s work by Alison Morris. 20:50 plays with viewer’s perceptions of space by perfectly reflecting an entire room in a smooth black mirror of sump oil. ‘The table being compared to a work of that importance made me realise

that the reflection in the finish is extraordinary in its own right.’ says Woodgate. It seems that by expanding the Surface Table collection, the original search for perfection that sparked the design is continuing.

Wallpaper* Design Award 2008 Design Week Award 2009 Homes & Gardens Magazine in association with the V&A Museum Award 2009

surFaCe taBLe Ă&#x2DC;1480 Terence Woodgate & John Barnard 149

taBLe Caruso StJohn 150

This table, like much of Caruso St John’s work, refers to a familiar type. It looks like a table, it is rectilinear, it has a top, four legs, and it’s made of wood. By making it out of lumber board, an engineered timber product used for construction site hoardings,

the duo presents an everyday material resembling giant plywood that is strong, stable, referential yet unfamiliar within the context of furniture design. Table is available in white Corian and black linoleum table surface options. “I like the idea of wood for a table. I also

like the similarity between the legs and the top, and how the muteness of the joints make the table look abstract. It is not builderly. It looks like a picture of a table, a bit like a sculpture by Richard Artschwager.” Adam Caruso.

Zero-iN Barber Osgerby 152

Constructed from an apparently seamless ribbon of moulded polyester and a glass top, the Zero-In table utilises a dual wall construction to create the visual illusion that the sides of the table converge at a greater pitch than expected. The design was developed

using sophisticated production techniques usually reserved for automotive manufacturing. The Zero-In is available in five colourways, including black with black-tinted glass top and a dual colourway, of white outer base with an orange interior.

The FX Design Award 2005 Red Dot Award 2006 Homes & Gardens Magazine in association with the V&A Museum Award 2006

ZiPZi

Michael Young 155

These remarkable glasstopped tables utilise a unique and ancient oriental process of interlocking folded paper. Individual paper components knitted together form the table base and create engaging visual patterns and textures

whilst also providing incredible structural support for the glass tabletop. “Walking through the streets of Shueng Wan in Hong Kong I was charmed to see a tiny little folded paper ball. My head was full of cold factories and machines which gave me

a determination to work on what I thought to be this most regressive progressive project – an old Chinese technique of creating intricate objects by assembling folded paper – and thus the idea was born.” Michael Young

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storage 163

Islington

amsterdam armoire Scholten & Baijings 164

Amsterdam Armoire is a typically Dutch design, a traditional piece of furniture taking on a contemporary form. With two upper doors, a drawer over the full weight and two under doors, the front colour pattern is made from a â&#x20AC;&#x2DC;High

Pressure Laminateâ&#x20AC;&#x2122; (HPL) sheet. The two round feet are made of light pink hand-blown glass. The inside of every door has details of still life photography. These images are made in collaboration with the Dutch photographers Maurice

Scheltens & Liesbeth Abbenes, depicting the work method of Scholten & Baijings and made with paper and cardboard models of the design duo. The shelves and the drawer are covered with a printed grid.

the Crate Jasper Morrison 166

The Crate Series consists of five units of varying sizes and scales that share the same elementary properties and multi-functional characteristics as the original Crate design. An emphasis on honest materials

(solid pine), proportion and usability reveal the utilitarian nature of this important series. The five units can be used as tables and cabinets. â&#x20AC;&#x153;I wanted the Crate Series to give the impression they were

home made, as if someone had the idea and then made it for themselves. So although itâ&#x20AC;&#x2122;s very well made it has an exaggeratedly visible construction.â&#x20AC;? Jasper Morrison.

Crate series Jasper Morrison 167

FoLio

Ronan & Erwan Bouroullec 168

The question of finding inventive, simple ways to tidy up a room has always been a recurrent topic for Ronan and Erwan Bouroullec. Folio offers a new typology of furniture as it occupies a space between the functionality of basic

shelves and the more elaborate option provided by a chest with mechanical doors, while also retaining an unexpected sculptural quality. It provides the possibility to hide some, or the totality, of the objects that stand on Folioâ&#x20AC;&#x2122;s oak

shelves just by moving a fabric adornment that runs delicately along a discreet aluminium track. Folio is a simple, light and easy-to-use system.

PersPeCtive

PuNCh

Sebastian Wrong 170

This simple plywood with larch veneer construction functions as a wall mounted shelf that plays on perspective form. Wrong cites the aesthetic of Modern Architecture pioneer Le Corbusier, particularly the oak cabin Le Corbusier built as a study in minimalism,

as his stimulus. Perspective questions normality and challenges our interaction with the object and our own space. ‘I wanted the piece to refer to this era and beyond to the present day where art and design have become less defined’ says Wrong.

Alexander Taylor 171

The Punch collection is the second family of products designed by Alexander Taylor for Established & Sons. Once again Taylor has drawn inspiration from a domestic environment looking into the language of audio speakers; the repetitive pattern of

spots and indentations and the strong frame that often encapsulates them. The minimalist family of 4 units is also a continuation of Taylor’s development of mild steel. An understated modernist quality is evident in the Punch collection with the use of

bevel edges on the individual holes that are repeated in the frame. The punch holes have a structural purpose and have been made in order to add maximum strength to the thin gauge metal aluminum used.

staCk

Raw Edges ⁄ Shay Alkalay 172

Usually a chest of drawers consists of an exterior frame, back panel and runners on each drawer. The height is limited to the size of the frame and the drawer can only be opened in one direction. With ‘Stack’ Shay Alkalay has

questioned these elements and challenged our perception of what a drawer unit can be. These individual, multicoloured, ‘floating’ drawer units are built up to different heights, creating a tower of drawers that can be pushed and pulled

in both directions. This will often result in a random and irregular formality that is both fascinating and unusual to the eye. Positioned against a wall or in the centre of a room Stack creates a rich and wonderful spectacle of colour and form.

It can be appreciated from all angles as a sculptural object as well as an entirely functional, practical item of furniture. Stack is offered in two standard sizes (8 drawer unit and 13 drawer unit) together with two multi-colour variants and a

wood veneer variant. “I think chests of drawers look more intriguing when the drawers are left partly open.”Shay Alkalay

Homes & Gardens Magazine in association with the V&A Museum Award 2009 Elle Decoration International Design Award 2009

staNdard issue Frank 177

The ambition of this industrial design was to elevate the archetype of a fabricated metal shelf by exposing the beauty and integrity of its structure. A passion for engineering

and structural solutions characterises all of Frankâ&#x20AC;&#x2122;s work and so it is little surprise that Standard Issue shelving is born out of a fascination with a simple manufacturing idea.

tudor CaBiNet Jaime Hayon 178

Tudor is a continuation of the gothic and historically inspired Tudor Chairs. The family of storage systems uses simple symbolic forms to emulate the theatrical architecture, opulence and culture of the

16th Century. Iconic forms loyal to the Tudor period are evident throughout the design of the cabinetâ&#x20AC;&#x2122;s subtle referencing to the inspiration of the designs particularly in the tinted panels. The cabinets are formed from

glass, lacquered MDF and plastic. They are available in 2 and 3 door variations and white, red and black colourings.

wroNgwoods Richard Woods & Sebastian Wrong 180

Relaunch 2009 in black & white and 2010 in pink & blue British artist Richard Woods is renowned for his work with garish and repetitious motifs. He has applied these to facades, floors and walls across the world in commissioned work and gallery installations. These

‘logos’ are often abstractions and interpretations of domestic pattern – the woodblock print being a particularly recognisable signature print. Designer Sebastian Wrong teamed up with Woods in the first design for Established & Sons’ programme of ‘Collaborations’ where

individuals from two creative fields work together. Woods’ block printed motifs were applied to Wrong’s utilitarian cabinets. These are reminiscent of 1950s furniture – a fitting vehicle because much of Woods’ work is based on a nostalgia for mid-century domestic interiors.

The result is a family of storage cabinets: a small night table with a spring-touch drawer, a chest of drawers, a long low credenza and a wall unit. The WrongWoods series is currently available in four of Woods’ signature colourways. “This aesthetic, combined with Richard Woods vibrant, graphic

wood block print, puts the idea of ‘DIY’ back into design and adds decoration with a twist.” Sebastian Wrong. “The utilitarian feel of the furniture that we have made is somewhat at odds with the cartoon graphic surface that covers it, and I feel this marriage illustrates perfectly

the success of the collaborative process. This is a new body of work that is both playful as well as being respectful to its aesthetic origins.” Richard Woods.

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FLooriNg 191

St. James’s Park

waLL to waLL Raw Edges 193

Shay Alkalay and Yael Mer presented Wall to Wall, an innovative new flooring design during Frieze Art Fair 2009. Wall to Wall uses waxed oak bricks which create a beautiful

herringbone parquet flooring. Taking a time-honoured floor type, Alkalay & Mer have developed the traditional finish by staining the individual bricks from a pallet of 15

different colours. By taking an everyday product and twisting the core element of it they have developed a very characteristic mosaic design.

wood rug Richard Woods 194

Richard Woods uses traditional wood block printmaking techniques to ‘print’ graphic realisations of building materials and styles, piecing them together to block out sections of existing architectural coverings. Woods cuts in close to normality

and re-presents it to us in a stylised and hyperreal visual formulation of itself. As panels of wooden flooring, wallpapers or brick walls, his pieces are functional and capable of standing in place for their actual counterparts. As works of art they are designed to be

lived with and to act as the subjects they imitate. Wood Rug does just this, a ‘soft’ imitation sitting atop the real thing. Elle Decoration International Design Award 2010

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desigNers 200

Maarten Baas

Occupation: Designer Nationality: Dutch Born: 1978 Product: Standard Unique Maarten Baas graduated from the Design Academy Eindhoven in 2002 and has since gone from strength to strength with exhibitions at the Victoria & Albert Museum in London, Moss and ICFF in New York, Salone del Mobile in Milan and Art Basel in Miami, amongst others.

BarberOsgerby

Edward Barber & Jay Osgerby Occupation: Designers Nationality: British Born: 1969 ⁄ 1969 Product: Zero-In, De La Warr Pavilion Chair, Panoramic, Delta Edward Barber and Jay Osgerby met whilst studying at London’s Royal College of Art. They formed their design studio ‘BarberOsgerby’ in 1996. Edward and Jay have developed collections for leading international manufacturers and clients such as Cappellini, Magis, Authentics, Venini and Isokon. The partnership has exhibited widely and won many accolades, amongst them ⁄ Best New Designer ICFF 1998, Best Furniture Design from Design Week magazine 2003 and 2004 and the prestigious Jerwood Prize for the Applied Arts in September 2004, Elle Decoration Award for Designer of the Year in 2007. In 2007 they were made Royal Designers for Industry.

Terence Woodgate & John Barnard Terence Woodgate Occupation: Industrial Designer Nationality: British Born: 1953 Product: Surface Table Terence Woodgate is a designer of lighting and furniture. A modernist at heart, he is known for his simple, thoughtful and understated designs. Woodgate works from his studio in East Sussex where he continues to quietly seek new expressions in design. In 2003 he was elected a Royal Designer for Industry (RDI). He has received several international design industry awards including the German Red Dot ‘Best of the best’ award and the IF ecology award. In the UK he has won the Observer⁄Elle Decoration design award for furniture and recently a Wallpaper* magazine 2008 design award. Examples of his work are held in the permanent collections of the Museu d’Arts Decoratives, Barcelona and the Victoria & Albert Museum, London. John Barnard Occupation: Design Engineer Nationality: British Born: 1946 Product: Surface Table John Barnard is one of the most innovative racing car design engineers of his generation. He was first thrown in the limelight after he won the USAC series and Indianapolis 500. He pioneered and built the world’s first carbon fibre monocoque, winning three consecutive Formula One world championships for McLaren. Uniquely he has been technical director⁄chief designer at both Ferrari and McLaren. Headhunted by Ferrari he pioneered for them the first hydro electronic gearbox, a system that is now used by all F1 teams. His system of using paddles on the steering wheel and an automatic clutch has

now migrated to road cars. Asked to rejoin Ferrari in 1992 he designed and built Ferraris in Guildford from 1993-1997. His Ferrari 641, one of the most beautiful Ferrari racing cars, is in the New York Museum of Modern Art permanent collection. His influence can be seen in every single car on the grid today.

Ronan & Erwan Bouroullec Occupation: Designers Nationality: French Born: 1971 ⁄ 1976 Product: Quilt, Quilt The Thing, LightHouse, Folio Ronan & Erwan Bouroullec have been working together for over ten years, bonded by diligence and challenged by their distinct personalities. In 2007, they were spotted by Cappellini, giving them their first industrial design projects. They have gone on to work with Vitra, Magis, Ligne Roset, Kvadrat, Issey Miyake and more recently Axor and Alessi. From designing spaces to furniture, taking on architectural projects to designing textile wall systems or comprehensive collections, the designer brothers maintain experimental activity, which is essential to the development of their work. Several exhibitions have been devoted to Ronan & Erwan Bouroullec including the Design Museum, London and the Museum of Contemporary Art, Los Angeles. In late 2011, the Centre Pompidou Metz will invite them to do a major monographic exhibition.

Peter Bristol Studio

Caruso St John Architects

Occupation: Designer Nationality: USA Born: 1980 Product: Corner Light A thoughtful and prolific designer with an impressive client list, multiple design award winner Peter Bristol works to develop, evolve and refine ideas and bring them to life in the right way. As a lead designer at Seattle, USA based Carbon Design Group, he is a key contributor to many challenging projects. Critical thinking, high expectations and a collaborative approach are what Peter uses to continually help people, companies and himself make the right decisions as they work to develop new products and new directions.

Adam Caruso & Peter St John Occupation: Architects Nationality: Adam Caruso ⁄ Canadian: British Peter St John ⁄ British Born: 1962 ⁄ 1959 Product: Table Caruso St John was established by Adam Caruso and Peter St John in 1990. The practice gained an international reputation for the New Art Gallery in Walsall which opened to wide public acclaim in 2000. Since the completion of the New Art Gallery, the practice has worked for many institutional and private clients in the field of museums and galleries. They have worked for the Victoria & Albert Museum on the restructuring and extension of the Museum of Childhood in London. In 2004 they completed the Gagosian Gallery in Britannia Street, London, and have subsequently designed the gallery’s spaces in Davies Street, London, and Via Crispi, Rome. The practice is recently designed the new Centre for Contemporary Art in Nottingham that opened at the beginning of 2009. At the beginning of 2007, Caruso St John was appointed architects for Tate Britain. They were also the architects for Frieze Art Fair 2009, in London.

Jason Bruges Studio Occupation: Designer Nationality: British Born: 1972 Product: Flatliner London based Jason Bruges Studio produces innovative installations, interventions and products for clients across the globe. They have become known for interactive spaces and surfaces that sit between the worlds of architecture, interactive design and site-specific installation art. Projects range from large scale building facades and public art to interactive interior environments and products. The team strives to push the boundaries of technology and materials to achieve unique results.

Paul Cocksedge

Occupation: Designer Nationality: British Born: 1978 Product: Pole Light Paul Cocksedge is one of the UK’s most inventive young designers. Driven by an ambition to redefine the aesthetics of contemporary design, he creates visually spectacular and technically ingenious lights that celebrate the magical and transformative qualities of illumination. Cocksedge studied industrial design at Sheffield Hallam University and product design under Ron Arad at the Royal College of Art in London. Since graduating in 2002, Cocksedge has exhibited at the Design Museum and Powerhouse Museum and his work is part of the Victoria & Albert Museum, Pinakothek der Moderne Die Neue Sammlung and Museum of Modern Art permanent collections.

Matali Crasset

Occupation: Designer Nationality: French Born: 1965 Product: Open Room No. 1, Super Conic Graduating from Les Ateliers E.N.S.C.I. in 1991, Matali Crasset went on to work with Denis Sanatachiara in Milan, Philippe Stark and Thompson Media in Paris before leaving to start up her own studio in 1998. Crasset has developed the notion of domestic rituals when designing furniture, enhancing urban furniture with new technologies. She was awarded the Grand Prix du Design of the City of Paris in 1996. Crasset regularly lectures in Paris, Copenhagen, Milan and Amsterdam.

Felix de Pass

Occupation: Designer Nationality: British Born: 1984 Product: A-Bench After graduating in 2006 from Manchester Metropolitan University with a first class BA Honours degree in Three Dimensional Design, Felix de Pass went to work for UK based design duo, Klauser & Carpenter. He then continued his studies at the Royal College of Art. He graduated from the MA Design Products course in 2009. After time spent working for a design studio in Japan he came back to London and founded his own design studio. He has since worked on product, furniture and office interior design projects. He has a determination to design finely considered, highly functional, timeless pieces and believes that aesthetics should derive from material construction, rational thinking and necessity.

Stefan Diez

Occupation: Designer Nationality: German Born: 1971 Product: New Order Stefan Diez’s introduction to furniture design started in 1991 when he worked as a cabinetmaker for three years. Diez went on to study at Staatliche Akademie der Bildenden Kunste in Stuttgart in 1996 where he attained a Diploma in Industrial Design. Diez founded his studio in 2003 and since has worked in various fields of design ranging from furniture and tableware to industrial design, fashion as well as exhibition design. Diez works intensively with materials, technology and is passionate in his quest to fathom out their limitations. Together with his office he develops products that are precise, yet simple and above all are meant to meet human needs.

Frank

Occupation: Designers Nationality: British Born: 1974 Product: M5, Standard Issue, Corona Frank is the creative partnership of Pam West and Matt Edmonds. They established their London based design studio in 2001 having worked together informally for some time after studying furniture design at Buckinghamshire College. Frank’s approach can be defined as a way of thinking, allowing them the flexibility to work within various fields of design ranging from furniture and projects to exhibition design and interior projects. While their designs often express a complex simplicity and share both a respect for industrial elegance and the desire to design for industrial production, their practice is detached from design pre-occupied with style. Rather they believe that each project defines its own method creating its own unique outcomes to which they employ a rigorous pragmatism combined with imagination. The importance of ideas is crucial to Frank and remains at the core of every project.

Front Design

Occupation: Designers Nationality: Swedish Product: Shade Mirror Swedish design group Front consists of Sofia Lagerkvist, Charlotte von der Lancken and Anna Lindgren, they work as a team with all members being integral in the eclectic design process. Exploration is key to their design process, re-thinking conventions and expectations of the materials they work with. Drawing inspiration from everyday objects and developing their tangibility Front bring an element of the surreal to their designs. Previous exhibitions have included The Museum of Modern Art, New York, Pompidou Centre, Paris, and The Design Museum, London.

Martino Gamper

Occupation: Designer Nationality: Italian Born: 1972 Product: Sessel After an apprenticeship in cabinet making, Martino Gamper studied sculpture and product design at the Fine Arts Academy in Vienna. After a few months Gamper soon transferred to product design under the leadership of architect and designer Matheo Thun. In 1994 before his degree was complete he was employed by Thun’s studio in Milan where he went on to design products and furniture. By 1997 Gamper moved to London to study at the Royal College of Art and has made the UK his home. The exhibition “100 Chairs in 100 Days” in 2007, saw Gamper make 100 chairs in as many days allowing his deep rooted curiosity, knowledge and respect of design history to emanate through his designs.

Michael Eden

Occupation: Designer Nationality: English Born: 1955 Product: Audrey Vase & Light Michael Eden’s work explores the relationship between hand and digital tools, investigating experimental manufacturing technology and materials. For twenty years he successfully ran a ceramics business with Vicky Eden, supplying to stores and galleries internationally. It was during 2006 and 2008 after deciding to undertake an MPhil research project at RCA that his interest into digital design and manufacturing could be combined with his previous ceramic experience, and could really begin to evolve. One of the outcomes of this was winning an RSA Design Directions competition. Since then he’s continued to design a series of pieces which are inspired by historical objects and contemporary themes.They’ve attracted wide media and public attention, having been exhibited internationally and Apollo magazine listed the piece acquired by The Crafts Council for their collection as one of the 24 most important worldwide museum acquisitions of 2010. He is also a Lecturer at Manchester College of Art and RCA, London.

Konstantin Grcic

Occupation: Designer Nationality: German Born: 1965 Product: Blow, Crash, Cape Konstantin Grcic completed his MA in Industrial Design at the Royal College of Art, London in 1990 and went on to work for Jasper Morrison, where he honed his approach to design. Grcic’s designs remain true to form and are characterised by careful research and a passion for technology and materials. In 1991, Konstantin Grcic Industrial Design (KGID) was founded. Many KGID designs have received international design awards and are also a part of the permanent collections at MoMA, New York, Centre Goerges Pompiodou, Paris and Die Neue Sammlung, Munich. In 2010, Konstantin Grcic was awarded ‘Designer of the Year’ by Design Miami.

Zaha Hadid

Occupation: Designer Nationality: Iraqi born British citizen Born: 1950 Product: Aqua Table, Nekton Zaha Hadid was the first woman to be awarded the distinguished Pritzker Architecture Prize in 2004, and is internationally known for both her theoretical and academic work. Hadid’s remarkable style is characterised by fragmented geometry and bold fluid forms. Hadid is currently working on high-speed train stations in Naples and Durago, opera houses in Dubai and China, the Museum of Contemporary Arts in Sardinia, as well as major masterplanning projects in Bilbao, Istanbul and the Middle East.

Hallgeir Homstvedt Design

Occupation: Designer Nationality: Norwegian Born: 1977 Product: Topp Hallgeir Homstvedt is a product and furniture designer based in Oslo. Since he opened his own design studio in 2009 he has been exhibiting in London, Tokyo, Oslo and Milan to establish himself as an independent designer. Previously he worked at the design studio of Norway Says and specialized in concept development and 3D modeling. He is currently working with both Norwegian and international furniture manufactures.

Jaime Hayon

Occupation: Designer Nationality: Spanish Born: 1974 Product: Tudor Chairs, Tudor Cabinet Jaime Hayon has had a long and illustrious career for somebody so young. He trained as an industrial designer in Madrid and Paris and went on, in 1997, to work as a researcher in Fabrica, Benetton Group’s communication research centre in Treviso, Italy. In 2004, he set out on his own and has kept his hands full with eclectic projects: from toys, to furniture and interior design as well as artistic installations. His boldness has been transcending the borders of the often separated worlds of art and design. Hayon’s work has developed in diverse areas: from curatorial roles, to those of an artist, to that of a designer. He has developed numerous collections in the furniture, lighting, bathroom, ceramics and interiors fields and his art installations have been a constant throughout his independent career. Hayon has received awards from Elle Decoration, Wallpaper*, the London Design Festival as well as many others.

Industrial Facility⁄ Sam Hecht Occupation: Designer Nationality: British Born: 1969 Product: Beam Light, Two-Timer Clock & Table, Bench, Chair Industrial Facility is a design office formed by designer Sam Hecht and architect Kim Colin in 2002. The studio follows a rigorous path of investigation and analysis in its work. Its belief is in the importance of design as a means of simplifying our lives in an inspirational way. Sam Hecht is probably best known for his contribution to the development of technically demanding projects for Muji, for which he has produced over 50 products and where he is currently Design Advisor for Europe. Other recent collaborations include the ‘Twice’ clock and ‘Once’ watch for Lexon France, the FlexLamp for Droog and the ‘Equipment’ project for Whirlpool (2004). For Epson Japan he has produced a DVD⁄LCD projector (2004) and the third generation Picturemate printer (2006), both of which have been awarded a G-mark from Japan, and an IF Gold Award from Germany. In total, Hecht and Industrial Facility have earned themselves over 30 design awards in the past few years. Hecht has been honoured with a Royal Designer for Industry (RDI) award.

Klauser&Carpenter Amanda Levete

Occupation: Designers Nationality: German ⁄ British Born: 1972 ⁄ 1975 Product: Easy, Louvre Light Andre and Ed first met whilst studying on the Design Products course at the Royal College of Art in 2000. Each of them set up their individual practice immediately after leaving and built an exceptional portfolio of work. It was mainly through their shared client Thorsten van Elten that Ed and AndreÅL kept in contact in the following years. They formed Klauser & Carpenter on the back of some successful collaborations. They have since built an impressive list of clients, in the UK and internationally, working on a wide range of design projects. They are also partners in the design and production company Very Good & Proper. Andre Klauser was born in Hanover, Germany. He graduated in Design at the Fachhochschule Munster in 2000. From 1999 he worked for Jasper Morrison at Office for Design in London, then graduated from the RCA Design Products course in 2002. Klauser lives and works in London. In addition to his design work, he is a Tutor on the Design Products course at the Royal College of Art. Carpenter originally trained as a sculptor at Kingston University before completing an MA in Design Products at the Royal College of Art. Perhaps Carpenter’s most prolific work to date has been the ‘Pigeon Light’ produced for Thorsten Van Elten.

Occupation: Designer Nationality: British Born: 1955 Product: Drift, Drift-In Drift-Out, Edge Celebrated for her creation of innovative structures and unique application of construction materials and courageous architectural schemes, Amanda Levete, as a founding partner of much renowned architectural practice Future Systems, has established a particularly impressive reputation as one of Britain’s leading creatives. Having left the practice in 2009 and set up Amanda Levete Architects, Levete’s ability to challenge traditional preconceptions of space continue to characterise her work.

Michael Marriott

Occupation: Designer Nationality: British Born: 1963 Product: Alto Michael Marriott is often cited as one of Britain’s most highly regarded designers. Since graduating from the Royal College of Art in 1993, Michael has produced a wealth of covetable, functional designs that have proven pivotal in the renaissance of contemporary British design. Marriott has a well-earned reputation for producing engaging, intelligent and problem solving products; he has designed for both SCP and Inflate in recent years as well as producing his own designs. His innovative use of the everyday materials and his ability to source the most appropriate manufacturing techniques sets Marriott apart. Marriott was the winner of the Jerwood prize in 1999 and has curated several design installations and exhibitions.

Jasper Morrison

Occupation: Designer Nationality: British Born: 1959 Product: The Crate, The Crate Series No. 1-8 Jasper Morrison set up his London-based Office for Design in 1986 after an education in furniture design at Kingston Polytechnic and the Royal College of Art. Morrison now divides his time between studios in Paris and London. Since the late 1980s Morrison has produced refined objects for everyday life and his original, intellectual approach to design has earned him many accolades. Industrial production applied to archetypal objects and a preoccupation with rational design define Morrison’s oeuvre and this has won him commissions for trams, tableware, electrical goods, furniture and crockery. Morrison has always been interested in the influence objects have on everyday atmosphere and cites the early Modernists as what first inspired him to design.

Luca Nichetto

Occupation: Designer Nationality: Italian Born: 1976 Product: Pipe, Dame Luca Nichetto was born in Venice, where he studied at the Art Institute. Afterwards he attended the IUAV, the University Institute of Architecture of Venice, where he graduated in Industrial Design. He began his business career in 1999 by designing his first products made of Murano glass for Salviati. In the same year he began his cooperation with Foscarini: besides designing products, he also worked for them as a consultant for new material research and product development. In 2006, he founded his own agency, Nichetto&Partners, which deals both with Industrial Design and Design Consultation. He has received many international prizes, among them the Grand Design Award 2008, the Chicago Atheneum Museum of Architecture Good Design Award 2008, the IF Product Design Award 2008 and the Elle Decoration International Design Awards 2009 (EDIDA) as Designer of the Year in the Young Designer Talent section. He has held workshops in various Italian and international universities and he has taken part in exhibitions in Europe, in the United States and Japan.

Bertjan Pot

Occupation: Designer Nationality: Dutch Born: 1975 Product: Jumper Born in Nieuwleusen, Holland Bertjan Pot went on to study at the Design Academy Eindhoven. After graduating in 1998 Pot founded his own design studio enabling him to experiment with materials, out of which came some of his most recognisable designs for clients such as Moooi and Acro. Pot focuses on the material and technique and then the most beneficial way to implement it into design of interiors.

Raw Edges ⁄ Shay Alkalay Occupation: Designer Nationality: Israeli born, London based Born: 1976 Product: Stack, Wall To Wall Shay Alkalay is one of the UK’s most exciting new design imports. After graduating with an MA in Product Design from the Royal College of Art, he set up Raw Edges, a Londonbased design studio with fellow graduate, Yael Mer. Alkalay’s designs take inspiration from products in animation to create pieces that are highly functional and desirable. Alkalay’s Stack was included in the Museum of Modern Art, USA permanent collection in 2008 and in 2009 was awarded Designers of the Future Award 2009 at Design Miami.

Leon Ransmeier

Occupation: Designer Nationality: USA Born: 1979 Product: Revolver Leon Ransmeier graduated in 2001 from the Rhode Island School of Design. Several of his products were recently exhibited in the 2010 Design Triennial, ‘Why Design Now?’ at the Cooper-Hewitt National Design Museum where his work is also included in the permanent collection. Ransmeier believes that reductionism can be more than just styling, and strives to utilise the absence of formal distractions to focus on clear, informed interactions. His work explores intuition and object behaviour.

Wouter Scheublin

Occupation: International Designer Nationality: Dutch Born: 1979 Product: Frame Chair Wouter Scheublin is a young designer from the Netherlands. After studying Industrial Design at both the Technical University of Delft and the Design Academy Eindhoven, he established his own design studio in 2005. Scheublin’s work varies from autonomous to highly functional design. This diversity comes together in a fascination for construction and mechanics, resulting, for instance, in a ‘walking furniture’ series that addresses our relation and affection with the language of mechanics. Since the launch of his design studio, Wouter Scheublin has been working on self-initiated projects as well as the development of independent, prestigious projects with various collaborating designers.

Scholten & Baijings Occupation: Designers Nationality: Dutch Born: 1972 ⁄ 1973 Product: Amsterdam Armoire, Butte Tuna, Butte Tree, Butte Turtle, Yellow Light, Pink Light, White Light Stefan Scholten and Carole Baijings established Scholten & Baijings, Studio for Design, in 2000.Scholten & Baijings produce both independent and commissioned work, which is presented in galleries and museums and sold worldwide. In their designs they make use of grids, light effects, colour, transparency, layered patterns and above all master craftsmanship. In addition, minimal design and a keen eye for detail characterise their work.

Alexander Taylor

Occupation: Designer NationalityBritish Born: 1975 Product: Fold, Tank, Punch Table, Wall Tank Alexander Taylor is one of the UK’s leading young designers and was launched onto an international platform in 2004 with the award-winning ‘Antlers’ coat hook designed for London manufacturer, Thorsten Van Elten. He studied Furniture and Product Design at Nottingham Trent University then started his career working with Procter:Rihl before establishing his own design studio in 2002. Taylor continues to earn the praise of the design industry and in 2006 his Fold light was acquired for the permanent collections by the Museum of Modern Art in New York and the Art Institute of Chicago.

Sylvain Willenz

Occupation: Designer Nationality: Belgian Born: 1978 Product: Torch Light, LandMarks, Print Sylvain Willenz is one of Belgium’s leading young designers. After graduating from the Royal College of Art in 2003 and having lived in the UK for seven years, Willenz established his own studio in Brussels in 2004. Willenz’s first collections of work saw him experimenting with natural rubber, since that time he has explored the qualities of many new materials and new techniques. Similarly, Willenz’s work is often inspired by archetypal objects and the simplicity and familiarity with which they are associated. Willenz will seek to interpret these forms and qualities in new designs. Winner of Interieur Kortrijk awards in 2002 and nominated Brussels’ Most Promising Designer in 2005.

Richard Woods

Occupation: Artist Nationality: British Born: 1966 Product: Bricks & Mortar, Hay Bale, WrongWoods, Wood Rug Artist Richard Woods is a graduate of The Slade School of Fine Art. His welldocumented work crosses boundaries between art, architecture and design and is most often made up of exaggerated, garish representations of traditional British architectural and interior motifs, such as wooden flooring, chintz wallpapers, crazy paving or red bricks. These ‘logos of reality’ are created using traditional woodblock techniques and then applied to walls as a second skin covering interior floors and walls. It was applied to a courtyard in the Henry Moore Project at the Venice Biennale 2004, to a residential building in upstate New York 2006, and a store interior for Comme des Garcons in Osaka in 2003. In these instances, Woods’ art expresses an extreme version of Englishness by taking over a space and saturating it with iconography.

Woods has also recently produced work for the London Underground, Paul Smith, collaborated on architectural projects in Sicily and Tokyo and is currently working on a host of projects including a solo show in Athens, plus further architectural commissions in New York and London.

Sebastian Wrong

Occupation: Designer Nationality: British Born: 1971 Product: Convex Mirror, Font Clock, WrongWoods, Heidi Stool, Buggs Light, Bend, Column, Globe, Perspective, Hay Bale, Zig Zag Sebastian Wrong’s ten year career in the manufacturing sector has accumulated in an impressive array of technical skills. Wrong first studied sculpture before going on to establish his own successful manufacturing company. The Spun lamp, designed by Wrong in 2002 and produced by Flos, won the prestigious Red Dot Design Award. Wrong is also a founding member and currently the Design Director of Established & Sons. His manufacturing prowess has lent substantial credibility to the organisation. Wrong continues to exercise his abilities in the field of manufacturing at Established & Sons as well as flex his considerable creative skills as a product designer.

Michael Young

Occupation: Designer Nationality: British Born: 1966 Product: Zipzi Considered one of the most successful and exciting designers of his generation, Michael Young is widely applauded for his innovative design solutions and individual creative style. After graduating in 1992 from the industrial design course at Kingston University, Young has worked with many key clients such as Magis and Cappellini. Young’s studio is now based in Hong Kong and he continues to work on a diverse array of commissions.

awards 207

Company Awards

Product Awards

‘Most Inspiring British Company’ Hidden Art Award

Zero-In ⁄ BarberOsgerby The FX Design Award 2005 Red Dot Award 2006 Homes & Gardens Magazine in association with the V&A Museum Award 2006

2006 ‘Designer Of The Future’ Award Design Miami/ Basel

2007 ‘Best British Design Brand’ Elle Decoration International Design Awards 2008 ‘Best British Established Design Brand’ Elle Decoration International Design Award 2009 ‘Hall of Fame for Outstanding Contribution to the Design Industry’ Design Week Award ‘British Luxury Design Talent’ Walpole Awards for Excellence 2010 Wallpaper* Wallpaper* Domestic Design Awards Elle Decoration Elle Decoration International Design Award

Fold ⁄ Alexander Taylor Elle Decoration International Design Award 2005

Drift ⁄ Amanda Levete Design Week Award 2007 Panoramic ⁄ BarberOsgerby Elle Decoration International Design Award 2007 Beam Light ⁄ Industrial Facility Sam Hecht Grand Designs Award 2008 Surface Table ⁄ Terence Woodgate & John Barnard Wallpaper* Design Award 2008 Design Week Award 2009 Homes & Gardens Magazine in association with the V&A Museum Award 2009 Two-Timer ⁄ Industrial Facility Sam Hecht Creative Review Award, Graphic Design 2009 Stack ⁄ Raw Edges Shay Alkalay Homes & Gardens Magazine in association with the V&A Museum Award 2009 Elle Decoration International Design Award 2009 Torch Light ⁄ Sylvain Willenz Elle Decoration International Design Award 2009 Grand Design Awards 2009 Join ⁄ Bcxy Wallpaper* Domestic Design Awards 2010 Wood Rug ⁄ Richard Woods Elle Decoration International Design Award 2010

sPeCiFiCatioNs Principal Collection 00

Bermondsey

Buggs Light

LightiNg

Ø300

305

Michael Eden Collaboration with Venini Design: 2010 Description: Suspension light Light Emission: Direct, in-direct and diffused Light Fitting: S1: E27, 1x 20W CFL, 220 ⁄ 240V, clear PVC cable Dimensions: S1: Ø525mm x H265mm, cable L3000mm, 6.2kg Notes: Artisan material and process, variations occur Materials: Hand blown Venini glass, powder-coated steel fixings, steel suspension cable Compliant: CE marking Colours: Venini opaline red, Venini opaline sapphire

Ø300

audrey Light

Sebastian Wrong Design: 2009 Description: Suspension light in two sizes with matching basic light Light Emission: Diffused Light Fitting: S1: E27, 1x max 75W, 220 ⁄ 240V, clear PVC cable S2: E27, 1x max 100W, 220 ⁄ 240V, clear PVC cable B1: E27, 1x max 75W, 220 ⁄ 240V, clear PVC cable, inline continous touch dimmable switch Dimensions: S1: shade Ø300mm x H300mm, cable L3500mm, 3.6kg S2: shade Ø420mm x H420mm, cable L3500mm, 6.2kg B1: shade Ø300mm x H305mm, base Ø100mm, cable L1500mm, 3.2kg Materials: Hand blown glass, ceramic ceiling fixing (S1, S2), transparent polycarbonate fixings Compliant: CE marking Colour: Satin-opaque opal

Ø420

210

CoLumN Beam Lights

Industrial Facility ⁄ Sam Hecht Design: 2007 Description: Suspension and matching floor light with two height options Light Emission: Direct and diffused Light Fitting: S1: E27, 1x 11W CFL, 220 ⁄ 240V, clear PVC cable F1: E27, 2x 11W CFL, 220 ⁄ 240V, clear PVC cable, inline on ⁄off switch F2: E27, 2x 11W CFL, 220 ⁄ 240V, clear PVC cable, inline on ⁄off switch Dimensions: S1: shade Ø400mm x H300mm, cable L4000mm, 4.8kg F1: H1200mm, shade Ø360mm x H300mm, base Ø300mm, cable L2000mm, 14.5kg F2: H1500mm, shade Ø360mm x H300mm, base Ø300mm, cable L2000mm, 19.3kg Materials: Powder-coated spun aluminium shade with frosted blown glass, powder-coated steel Compliant: CE marking Colours: Papyrus white RAL 9018, signal red RAL 3001, umbra grey RAL 7022

Ø360

300

Ø300

Ø400

1500

Ø300

1200

Ø360

Sebastian Wrong Collaboration with Venini Design: 2010 Description: Table light Light Emission: In-direct and diffused Light Fitting: T1: E27, 1x max 60W, 220 ⁄ 240V, clear PVC cable, inline dimmable on ⁄off switch Dimensions: T1: H710mm, shade Ø365mm x H270mm, base L160mm x D160mm, cable L1500mm, 7kg Notes: Artisan material and process, variations occur Materials: Hand blown Venini glass, natural concrete, off-white fabric shade Compliant: CE marking Colour: Venini signature multicolour

Ø365 160

710

265

Ø525

CorNer Light Peter Bristol Design: 2011 Description: Wall light in two sizes Light Emission: Diffused Light Fitting: W1: E27, 1x max 60W mirrored GLS, 220 ⁄ 240V, red PVC cable, inline continuous touch dimmable foot switch W2: E27, 1x max 60W mirrored GLS, 220 ⁄ 240V, red PVC cable, inline continuous touch dimmable foot switch Dimensions: W1: 60° Triangle: L700mm x L700mm x D250mm, cable L1500mm, 2.5kg W2: 60° Triangle: L1200mm x L1200mm x D350mm, cable L1500mm, 3.0kg Materials: Steel, stretch fabric diffuser, steel cable weight Compliant: CE marking Colour: Off-white

350

Luca Nichetto Design: 2011 Description: Suspension light in three sizes Light Emission: Direct and diffused Light Fitting: S1: E27, 1x max 60W, 220 ⁄ 240V, clear PVC cable S2: E27, 1x max 60W, 220 ⁄ 240V, clear PVC cable S3: E27, 1x max 60W, 220 ⁄ 240V, clear PVC cable Dimensions: S1: H500mm, shade Ø470mm, cable L2000mm, 1.0kg S2: H630mm, shade Ø480mm, cable L2000mm, 2.1kg S3: H7400mm, shade Ø750mm, cable L2000mm, 3.6kg Materials: Lycra and polystyrene foam composite, nickel plated steel fixings, steel suspension cable Compliant: CE marking Colour: Off-white

1200

Ø470

170

125 Ø490

Ø750

edge AL_A ⁄ Amanda Levete in collaboration with Philips Design: 2010 Description: Table light Light Emission: Direct Light Fitting: T1: 2x OLED light panels, 220 ⁄ 240V, colour PVC cable, in-line on ⁄off switch Dimensions: T1: H285mm x L500mm x D370mm, cable L2000mm, 2.8kg Materials: Matt powder-coated or polished stainless steel, electrical components Compliant: CE marking Colours: Black RAL 9055 with red cable, black RAL 9055 with yellow cable, polished steel with blue cable

500

Ø380

Ø480

370

285

Frank Design: 2010 Description: Suspension light in two sizes Light Emission: Direct Light Fitting: S1: G9, 1x max 60W, 220 ⁄ 240V, clear PVC cable S2: G9, 1x max 75W, 220 ⁄ 240V, clear PVC cable Dimensions: S1: Ø380mm x H125mm, cable L4000mm, 2.8kg S2: Ø490mm x H170mm, cable L4000mm, 6.2kg Notes: Artisan material and process, variations occur (ceramic glazes) Materials: Ceramic or aluminium spun shade, opal hand blown glass with polished stainless steel reflector, powder-coated steel fixings, steel suspension cable Compliant: CE marking Colours: White gloss interior with white matt exterior Yellow gloss interior with black gloss exterior White gloss interior with metalic copper exterior

630

CoroNa

740

500

1040

700

605

250

dame

FLatLiNer Jason Bruges Studio Design: 2009 Description: Suspension light with matching table and floor light (shade rotation 180º) Light Emission: Direct and in-direct Light Fitting: S1: 240x warm white LED, 220 ⁄ 240V, suspension rod, integrated continuous touch dimmable switch T1: 240x warm white LED, 220 ⁄ 240V, black PVC cable, integrated continuous touch dimmable switch F1: 240x warm white LED, 220 ⁄ 240V, black PVC cable, integrated continuous touch dimmable switch Dimensions: S1: shade Ø305mm x D10mm,1.6kg T1: H310mm, shade Ø305mm x D10mm, base Ø250mm, cable L1500 mm, 5.0kg F1: H1650mm, shade Ø305mm x D10mm, base Ø305mm, cable L2000 mm, 7.5kg Materials: Polished acrylic disk, black electro-plated aluminium fixings, black steel band Compliant: CE marking Colour: Black RAL 9005

gLoBe Sebastian Wrong Collaboration with Venini Design: 2010 Description: Table light Light Emission: Diffused Light Fitting: T1: E27, 1x max 60W, 220 ⁄ 240V, clear PVC cable, inline dimmable on ⁄off switch Dimensions: T1: H575mm, shade Ø300mm, base Ø160mm, cable L1500mm, 8kg Notes: Artisan material and process, variations occur Materials: Hand blown Venini glass, gloss Belgian black marble Compliant: CE marking Colour: Venini medusa with Venini red-white-black multicolour

Ø300 160

575

Ø305

LaNdmarks

310

1650

Ø305

FoLd Alexander Taylor Design: 2005 Limited Production Run Corten: T1: 500, T2: 300, F1: 200 Description: Table light in two sizes with matching floor light Light Emission: Direct and in-direct Light Fitting: T1: E14, 1x max 60W, 220 ⁄ 240V, braided fabric twisted cable, inline on ⁄off switch T2: E27, 1x max 100W, 220 ⁄ 240V, braided fabric twisted cable, inline on ⁄off switch F1: E27, 1x max 150W, 220 ⁄ 240V, braided fabric twisted cable, inline on ⁄off switch Dimensions: T1: H230mm, shade L120mm x D120mm, base Ø120mm, cable L750mm, 0.8kg T2: H450mm, shade L260mm x D260mm, base Ø260mm, cable L1500mm, 2.7kg F1: H1550mm, shade L450mm x D450mm, base Ø460mm, cable L2000mm, 11.3kg Notes: Artisan material and process, variations occur (Corten) Materials: Powder-coated steel, corten steel with clear laquer Compliant: CE marking Colours: Signal white RAL 9003 with red cable, sulphur yellow RAL 1016 with black cable, textured black RAL 9017 with red cable, corten steel with black cable

Sylvain Willenz Design: 2009 Description: Table light (cone, roof) with matching floor light (cone in two height options, roof) Light Emission: Direct Light Fitting: T1 (cone): E27, 1x 20W CFL, 220 ⁄ 240V, PVC cable, inline on ⁄off switch T1 (roof): E27, 2x 20W CFL, 220 ⁄ 240V, PVC cable, inline on ⁄off switch F1 (cone): E27, 1x 20W CFL, 220 ⁄ 240V, PVC cable, inline on ⁄off switch F2 (cone): E27, 1x 20W CFL, 220 ⁄ 240V, PVC cable, inline on ⁄off switch F2 (roof): E27, 2x 25W CFL, 220 ⁄ 240V, PVC cable, inline on ⁄off switch Dimensions: T1 (cone): H380mm, shade L250mm x D120mm, base Ø200mm, cable L1500mm, 3.7kg T1 (roof): H380mm, shade L320mm x D210mm, base Ø200mm, cable L1500mm, 5.2kg F1 (cone): H1250mm, shade L250mm xD120mm, base Ø260mm, cable L2000mm, 6.4kg F2 (cone): H1750mm, shade L370mm x D150mm, base Ø300mm, cable L2000mm, 8.5kg F2 (roof): H1750mm, shade L370mm x D300mm, base Ø300mm, cable L2000mm, 11kg Materials: Powder-coated steel, acrylic diffuser, silicon rubber Compliant: CE marking Colours: Cone: Black RAL 9005 with black cable, Cone, roof: Grey RAL 7038 and orange RAL 2008 with orange cable

120

250 Ø200

460

120

250 Ø260

150

370 Ø300

210

320 Ø200

300

370 Ø300

260

1750

380

1250

1550

450

230

120

Lighthouse Ronan & Erwan Bouroullec Collaboration with Venini Design: 2010 Description: Table light Light Emission: Diffused Light Fitting: T1: G9, 1x max 75W, 220 ⁄ 240V, braided fabric cable, integrated dimmable on ⁄off switch Dimensions: T1: H695mm, shade Ø370mm x H465mm, base Ø100mm, cable L1500mm, 13kg Notes: Artisan material and process, variations occur Materials: Hand blown Venini glass, anodised aluminium, marble Compliant: CE marking Colours: Venini talpa grey, matt Carrara white marble with light grey cable Venini talpa grey, matt Belgian black marble with black cable Venini te amber, matt Belgian black marble with black cable

PiPe Luca Nichetto Design: 2010 Description: Table light in two sizes with matching wall light in two sizes Light Emission: Diffused Light Fitting: W1: G9, 1x max 75W, 220 ⁄ 240V W2: G9, 1x max 75W, 220 ⁄ 240V T1: E27, 1x max 100W, 220 ⁄ 240V, black braided fabric cable, inline dimmable on ⁄off switch T2: E27, 1x max 100W, 220 ⁄ 240V, black braided fabric cable, inline dimmable on ⁄off switch Dimensions: W1: Ø90mm x H200mm, 1.2kg W2: Ø110mm x H255mm, 2.4kg T1: Ø115mm x H375mm, cable L1500mm, 2.8kg T2: Ø170mm x H435mm, cable L1500mm, 6.2kg Materials: Interior etched pyrex® glass, powder-coated aluminium Compliant: CE marking Colours: Matt black RAL 9017, matt cool grey RAL 7035, gloss red RAL 3020

Ø370 100

255

Ø110

200

Ø90

Ø170

375

435

695

Ø115

Louvre Light

PoLe Light Paul Cocksedge Design: 2008 Description: Table light with matching floor light Light Emission: Direct and diffused Light Fitting: T1: 3x white LED, 220 ⁄ 240V, clear PVC cable, inline on ⁄off switch F1: 6x white LED, 220 ⁄ 240V, clear PVC cable, inline on ⁄off switch Dimensions: T1: H750mm, base Ø140mm x H160mm, cable L1500mm, 2.2kg F1: H1770mm, base Ø250mm x H260mm, cable L2000mm, 7.8kg Materials: Clear acrylic rod, concrete base, paint (optional) Compliant: CE marking Colours: Natural, black RAL 9017

215

Klauser & Carpenter Design: 2008 Description: Suspension light Light Emission: Direct and in-direct Light Fitting: S1: 2x T5 linear fluorescent 39W (electronic ballast), 220 ⁄ 240V, PVC clear cable, dimmable ballast on request Dimensions: S1: Shade L950mm x D210mm x H215mm, cable L2000mm, 6.8kg Materials: Anodised aluminium, polycarbonate diffuser, powder-coated aluminium and steel fixings, steel suspension cable Compliant: CE marking Colours: Anodised black, anodised natural, anodised bronze

Ø140

Ø250

260

1770

160

210

750

950

taNk

300

Sylvain Willenz Design: 2010 Description: Suspension light Light Emission: Diffused Light Fitting: S1: E27, 1x max 75W, 220 ⁄ 240V, clear PVC cable Dimensions: S1: Ø400mm x H300mm, cable L4000mm, 2.8kg Notes: Artisan material and process, variations occur Materials: Hand blown glass with diffuser relief, powder-coated steel fi xings, steel suspension cable Compliant: CE marking Colours: Interior etched grey, interior etched white, gradated grey, gradated white

Ø400

Alexander Taylor Design: 2006 Description: Suspension light in two sizes, table light in two sizes with matching fl oor light and wall light (shade pivot 120°) Light Emission: Direct and in-direct Light Fitting: S1: E27, 1x max 100W, 220 ⁄ 240V, clear PVC cable S2: E27, 1x max 150W, 220 ⁄ 240V, clear PVC cable T1: E14, 1x max 60W, 220 ⁄ 240V, clear PVC cable, inline continuous touch dimmable switch T2: E27, 1x max 60W, 220 ⁄ 240V, clear PVC cable, inline continuous touch dimmable switch F1: E27, 1x max 100W, 220 ⁄ 240V, clear PVC cable, inline continuous touch dimmable foot switch W1: E14, 1x max 60W, 220 ⁄ 240V, clear PVC cable Dimensions: S1: Ø500mm x H350mm, cable L4000mm, 3.9kg S2: Ø720mm x H5000mm, cable L4000mm, 7.2kg T1: H475mm, shade Ø230mm x H170mm, base Ø215mm, cable L1500mm, 0.7kg T2: H665mm, shade Ø350mm x H260mm, base Ø330mm, cable L1500mm, 3.2kg F1: H1800mm, shade Ø500mm x H370mm, base Ø500mm, cable L2000mm, 23kg W1: H165mm, shade Ø170mm x D260mm, wall fi xing Ø90mm, 0.5kg Materials: Powder-coated aluminium (shade), powder coated steel, frosted glass diffuser (S1, S2) Compliant: CE marking Colours: Black RAL 9005, cocoa grey RAL 8019, pea green RAL 6018, signal white RAL 9003 W1: Cocoa grey RAL 8019, signal white RAL 9003

suPer CoNiC

Ø500 Ø500

260

Ø330

350 500

Ø230 Ø215

475

Ø500

Ø720 1800

Ø350

165

Ø90

Ø170

665

Matali Crasset Design: 2011 Description: Suspension light Light Emission: Direct and diffused Light Fitting: S1: E27, 1x max 100W, 220 ⁄ 240V, clear PVC cable Dimensions: S1: Ø460mm x H400mm, cable L1500mm, 16kg Notes: Artisan material and process, variations occur Materials: Hand blown glass, powder-coated steel ceiling fi xing, steel suspension cable Compliant: CE marking Colour: White

Ø460

Hallgeir Homstvedt Design: 2011 Description: Table light Light Emission: Direct Light Fitting: T1: E27, 3x max 11W CFL, 220 ⁄ 240V, black PVC cable, inline on/off switch Dimensions: T1: H500mm, shade Ø480mm x H200mm, base Ø130mm, cable L1500mm, 7.5kg Materials: Powder-coated spun aluminium (shade), frosted glass diffuser, resin (base) Compliant: CE marking Colours: White with yellow base

Ø480 Ø130

500

400

toPP

torCh Light

Ø285

Ø150

Ø300 Ø500

210

Ø400

Ø600

210 150

Ø150

Ø370

450

Scholten & Bajings Design: 2010 Description: Suspension light in two sizes Light Emission: Diffused Light Fitting: S1: E27, 1x max 60W, 220 ⁄ 240V, clear PVC cable S2: E27, 1x max 75W, 220 ⁄ 240V, clear PVC cable Dimensions: S1: Ø285mm x H345mm, cable L4000mm, 2.8kg S2: Ø370mm x H450mm, cable L4000mm, 6.2kg Notes: Artisan material and process, variations occur Materials: Acid etched hand blown glass, airbrushed paint (yellow, pink), powder-coated steel fixings, steel suspension cable Compliant: CE marking Colours: Yellow, pink, white

345

Sylvain Willenz Design: 2008 Description: Table light (cone, round), suspension light (cone in three sizes, round), group suspension light in two sizes Light Emission: Direct Light Fitting: T1, T2: E27, 1x 9W CFL, 220 ⁄ 240V PVC cable, inline on⁄off switch S1, S2, S3: E27, 1x 9W CFL, 220 ⁄ 240V PVC cable S4, S5: E27, 10x 9W CFL, 220 ⁄ 240V PVC cable S6, S7: E27, 20x 9W CFL, 220 ⁄ 240V PVC cable S8 cone Ø500: E27, 1x max 20W CFL, 220 ⁄ 240V, PVC cable Dimensions: T1 (cone small): Ø150mm x H210mm, cable L2000mm, 0.6kg T2 (round small): Ø150mm x H210mm, cable L2000mm, 0.6kg S1 (cone small): Ø150mm x H210mm, cable L2000mm, 0.6kg S2 (round small): Ø150mm x H210mm, cable L2000mm, 0.6kg S3 (cone large): Ø300mm x H205mm, cable L2000mm, 0.8kg S4, S5 (torch bunch 10): 6x S1, 3x S2, 1x S3, approx Ø400mm, cable L1800mm⁄ L3000mm, 6.0kg S6, S7 (torch bunch 20): 12x S1, 7x S2, 1x S3, approx Ø600mm, cable L1800mm⁄ L3000mm, 12.0kg S8 cone Ø500: Ø500mm x H320mm, cable L2000mm, 3.5kg Notes: Client specified cable length or mixed colour options in Torch bunch quoted on request Materials: PVC dipped polymer shade and ceiling fixing, clear diamond textured polycarbonate diffuser, aluminium (S8 cone Ø500 only) Compliant: CE marking Colours: Black with black cable, black with red cable, signal grey with red cable, signal grey with yellow cable, cocoa grey with red cable, red with red cable, yellow with yellow cable S8 cone Ø500: Black with black cable

yeLLow Light, PiNk Light, white Light

aCCessories audrey vase Michael Eden Collaboration with Venini Design: 2010 Description: Vase Dimensions: Glass Ø335mm x H365mm, base Ø370mm x H15mm, 9kg Notes: Artisan material and process, variations occur Materials: Hand blown Venini glass, matt Carrara white marble Colour: Venini amethyst outer glass with Venini opaline red inner glass

Scholten & Baijings Design: 2010 Description: Storage boxes Dimensions: Butte Tuna: Ø220mm x H160mm Butte Tree: Ø165mm x H210mm Butte Turtle: Ø250mm x H130mm Materials: Oak veneer, black printed illustration, paint, UV protective clear matt lacquer Colours: Butte Tuna: Orange PANTONE 805M interior Butte Tree: Blue PANTONE 801M interior Butte Turtle: Pink PANTONE 806M interior

Ø220

Ø250

210

160

Ø165

130

222

Butte

Ø370

365

CoNvex mirror BLoB

300

250

900

Estd Collection Design: 2010 Description: Desk organiser and paperweight Dimensions: Asymmetric oval approx. L180mm x D150mm xH80mm Notes: Artisan material and process, variations occur Materials: Hand blown glass Colours: Yellow, black, grey, transparent

Sebastian Wrong Design: 2005 Description: Adjustable wall-mounted mirror Dimensions: L300mm x D250mm x H900mm, 4.8kg Materials: Injection-moulded polymer frame, mirrored glass, black powder-coated steel wall fixing, ball joint (brass, aluminium, steel) Colours: White, black, red

180

CuBoid Estd Collection Design: 2011 Description: Entrance Mat Dimensions: L710mm x D520mm X H15mm Materials: Coir, PVC backing Colour: 3 colour motif, (black, dark grey, light grey)

520

710

FoNt CLoCk Sebastian Wrong Design: 2007 Description: Wall-mounted clock Dimensions: G100: L290mm x D110mm x H140mm, 1.2kg G225: L420mm x D120mm x H320mm, 2.4kg G270: L475mm x D160mm x H565mm, 5.0kg Notes: G100 free-standing base (option), please follow start up instructions Materials: White ABS plastic, clearview perspex, battery powered 475 Ø125

Ø145

565

320

140

Ø105

100

420

Estd Collection Design: 2011 Description: Storage containers Dimensions: Ø105mm x H85mm, Ø125mm x H100mm, Ø145mm x H120mm Notes: Artisan material and process, variations occur, Ø105mm supplied with wooden sugar spoon Materials: Japanese Tokoname ceramic, rubber, wood Colour: As shown

120

290

Potto

haNg Estd Collection Design: 2010 Description: Coat stand Dimensions: H1600mm x Ø300mm (adjustable) Materials: Natural waxed ash, nylon hooks Hook colours: Black, blue, red

Pour Estd Collection Design: 2011 Description: Serving jugs Dimensions: 300ml half pint: Ø75mm x H125mm 580ml pint: Ø95mm x H155mm 750ml wine bottle: Ø100mm x H170mm Materials: Hand-crafted polished pewter

Ø300

Ø95

Ø100

170

shade mirror

hoLd Estd Collection Design: 2010 Description: Wall-mounted hooks Dimensions: H80mm x Ø30mm Notes: Artisan material and process, variations occur Materials: Gloss glazed ceramic, steel fixing Colours: White, black, navy blue, pink, orange, grey, yellow, metalic gold, metalic platinum

155

125

1600

Ø75

Front Design: 2009 Description: Wall-mounted mirror with shade detail Dimensions: Oval: H750mm x L450mm x D30mm, 4.2kg Oval: H1350mm x L650mm x D30, 12.5kg Oval: H1750mm x L760mm x D30, 18kg Materials: Mirror glass with bevelled edge, wood conglomerate, aluminium key hole fixing Colour: Black etched detail 450

650

760

1350

1750

750

seatiNg

soFt grid

227

Estd Collection Design: 2010 Description: Blanket Dimensions: L1800mm x D1400mm Notes: Dry clean only Materials: 100% Merino wool Colours: Fluorescent pink grid pattern, fluorescent yellow grid pattern, purple grid pattern

1400

Felix De Pass Design: 2011 Description: Bench Dimensions: L1800mm x D425mm x H455mm Notes: Suitable for outdoor use (ground anchor plate supplied) Materials: Solid larch wood, oil, powder-coated steel Colour: Natural larch with anthracite grey RAL 7016

1400

1800

1400

a-BeNCh

425

535

805

395

480

875

370

640

Industrial Facility ⁄ Sam Hecht Design: 2008 Description: Wall-mounted clock Dimensions: Ø300mm x D40mm, 1.5kg, Ø600mm x D65mm, 4.5kg Materials: Glass, aluminium, ABS plastic, quartz movement, battery powered Colours: White, black, red

Ø600

Michael Marriott Design: 2007 Description: Stool Dimensions: H710mm x L480mm x D370mm, seat height 640mm H875mm x L535mm x D395mm, seat height 805mm Materials: Powder-coated steel, black nickel plated steel, nylon anti-tilt feet, birch plywood, fixed non-removable leather upholstery (optional) Frame Colour: Black RAL 9005 with black nickel plated footrest Seat Options: Black stained birch plywood, black leather upholstery

710

two timer

Ø300

aLto

160

Ø215

190

Ø140

155

Ø140

120

Ø140

455

Estd Collection Design: 2010 Description: Storage containers Dimensions: Ø140mm x H140mm, Ø140mm x H175mm, Ø140mm x H210mm, Ø215mm x H180mm Notes: Artisan material and process, variations occur Materials: Matt and gloss glazed ceramic, cork lid, silicon seal Colours: Gloss yellow with matt white base, gloss natural white with matt white base, gloss grey with matt black base, matt black with gloss black base, metalic platinum, metalic copper

455

store

1800

Crash

BriCks & mortar Richard Woods & Sebastian Wrong Design: 2009 Description: Seating Dimensions: Ottoman: L680mm x D680mm x H370mm Chair: L680mm x D840mm x H680mm, seat height 370mm Sofa: L2015mm x D840mm x H680mm, seat height 370mm Materials: Timber frame, foam core, foam cushions, feather cushions (sofa), screen printed removable upholstery Upholstery: Light grey with black, dark grey with black, red with white

Konstantin Grcic Design: 2010 Description: Seating Dimensions: L1000mm x D720mm x H800mm, seat height 430mm Notes: Bespoke finishes quoted for orders over qty 6 Materials: Powder-coated tubular steel, foam, removable upholstery cover Upholstery: Black technical fabric with black leather, red technical fabric with red new wool

1000

680

840

2015

720

840

680

370

800

680

Butt

Crate series No.8

Estd Collection Design: 2010 Description: Stool Dimensions: H490mm x L410mm x D380mm Notes: Suitable for outdoor use, polypropylene includes UV stabilisers for minimal fading Materials: Polypropylene Colours: Black, white, bright blue, navy blue, green, red, orange

Jasper Morrison Design: 2008 Description: Chair with arms Dimensions: L690mm x D660mm x H650mm, seat height 360mm, arm height 570mm Notes: Treated for occasional light outdoor use Materials: Powder-coated steel, ash wood, wax, synthetic webbing Colours: Brown RAL 8016, red RAL 3020

410

690

490

650

660

360

380

de La warr PaviLioN Chair

CaPe Konstantin Grcic Design: 2011 Description: Seating Dimensions: Armchair: L930mm x D810mm x H680mm, seat height 400mm Two seater: L2000mm x D900 x H680mm, seat height 400mm Notes: Removable over-covers sold separately to provide interchangeable options Materials: Timber frame, foam core, non-removable upholstery base cover, removable upholstery over-cover Upholstery: For fabric options please contact Established & Sons 2000

400

450

565

570

585

780

930

BarberOsgerby Design: 2006 Description: Chair with arms Dimensions: L585mm x D565mm x H780mm, seat height 450mm, arm height 665mm Notes: Non-upholstered suitable for occasional light outdoor use, this design is non stackable Materials: Cast and pressed aluminium, steel, nylon Frame Colours: White RAL 9003, red RAL 3001, black RAL 9005, may green RAL 6017 Upholstery (optional, seat only): For fabric and leather options please contact Established & Sons

easy

driFt

Klauser & Carpenter Design: 2007 Description: Seating Dimensions: Single (with or without arms): L790 â &#x201E; 700mm x D765mm x H715mm, seat height 410mm Two seater (with or without arms): L1440 â &#x201E; 1350mm x D765mm x H715mm, seat height 410mm Notes: Bespoke RAL powder-coated frame colours and COM, COL quoted on request Materials: Nickel plated steel, moulded foam, fixed non-removable upholstery cover Upholstery: For fabric and leather options please contact Established & Sons

2880

700

765

410

420

1440

715

790

715

765

410

1350

420

870

Amanda Levete Design: 2006 Description: Bench Dimensions: L2880mm x D870mm x H420mm, seat depth 420mm Notes: This design should not be exposed to direct sunlight or extreme temperatures, bespoke colour finishes quoted on request Materials: Glass reinforced polyester Colours: Satin-matt: Black RAL 9005, orange RAL 2009, white RAL 9003, High-gloss: Black RAL 9005, orange RAL 2009, white RAL 9003, luminous orange (UV sensitive)

driFt CoNCrete Amanda Levete Design: 2006 Description: Bench Dimensions: L2880mm x D870mm x H420mm, seat depth 420mm Notes: Suitable for permanent outdoor use Materials: Cement and crushed white limestone with sealer Colour: Natural

Frame Chair Wouter Scheublin Design: 2008 Description: Chair Dimensions: L400mm x D610mm x H785mm, seat height 440mm Notes: Bespoke finishes available for project orders over qty 12, set of two Materials: European oak, oil, steel fixings, satin-matt painted oak veneer birch plywood (option) Colours: Natural oak, painted grey RAL 7010

400

610

785 420

hay BaLe

420

870

440

2880

driFt-iN, driFt-out Amanda Levete Design: 2007 Description: Flexible seating segments Dimensions: L1390mm x D590mm x H400mm, seat depth 400mm Notes: Not recommended for use within high traffic areas Materials: Fordacal Colour: Natural (off-white)

Richard Woods & Sebastian Wrong Design: 2011 Description: Flexible seating landscape Dimensions: L450 x D900 x H350, seat height 450mm or 350mm Notes: Not suitable for permanent outdoor use Materials: Foam, polystyrene, hand printed removable fabric cover, nylon Colour: 3 coloured fabric (black, white, yellow) with black strap and handle

350

450

900

1390

400

590 400

400

590

400

1390

NektoN

heidi Sebastian Wrong Design: 2008 Description: Stool Dimensions: H500mm x L450mm x D425mm H650mm x L450mm x D425mm H800mm x L450mm x D425mm Materials: Heat-formed acrylic, polyurethene, european oak, oil Colours: White, black, red, natural oak

450

Bertjan Pot Design: 2010 Description: Chair with arms Dimensions: L735mm x D700mm x H745mm, seat height 410mm, arm height 620mm Notes: Artisan material and process, variations occur, upholstery cover knitted as one piece Materials: Powder-coated steel, beech ply seat and back, foam, fixed non removable felted wool cover Upholstery: Dark grey with light grey stripes, Dark grey with red stripes

700

1120

900

PaNoramiC BarberOsgerby Design: 2007 Description: Sofa with matching ottoman Dimensions: Sofa with arms: L1900mm x D800mm x H820mm, seat height 440mm Ottoman: L770mm x D770mm x H440mm Notes: Modular system, COM quoted on request Materials: Wooden frame, nylon glide, moulded foam with fixed non-removable upholstery cover, feather and foam cushions with removable upholstery covers Upholstery: For fabric and leather options please contact Established & Sons 3100

745

800

440

820

440

3100

770

440

1900

820

735

500

JumPer

520

800

450

500

450

650

425

Zaha Hadid Design: 2007 Description: Seating Dimensions: L870mm x D500mm x H510mm L1020mm x D720mm x H520mm L1030mm x D630mm x H500mm L1120mm x D900mm x H500mm Notes: Sold singly or as a set of four, not recommended for use within high traffic areas Materials: Fordacal Colour: Natural (off-white)

staNdard uNiQue

QuiLt

1400

430

taBLe, BeNCh, Chair

750

revoLver Leon Ransmeier Design: 2011 Description: Stool, 360° seat rotation Dimensions: H650mm x Ø400mm, H760 x Ø400mm Materials: Powder-coated steel, steel bearing Colours: Textured black RAL 9005

465

430

2100

350

600

Maarten Baas Design: 2009 Description: Chair Dimensions: L430mm x D430mm x H900-1000mm, seat height 465mm Materials: Matt painted beech Colours: Black grey RAL 7021, off-white RAL 1013

900 - 1000

Ronan & Erwan Bouroullec Design: 2009 Description: Seating Dimensions: Chair: L1400mm x D1200mm x H750mm, seat height 350mm Sofa: L2100mm x D1200mm x H750mm, seat height 350mm Ottoman: L600mm x D800mm x H300mm Materials: Powder-coated steel frame, fibreglass core, foam inserts, fixed non-removable upholstery cover, rubber feet Frame: Black RAL 9011 Upholstery: Black, navy blue, red The Thing: Red motif digitally printed onto grey

Industrial Facility ⁄ Sam Hecht Design: 2009 Description: Seating Dimensions: Chair: L880mm x D540mm x H820mm, seat height 460mm Bench: L1760mm x D540mm x H820mm, seat height 460mm Loveseat: L1760mm x D540mm x H820mm, seat height 460mm Materials: Beech, natural waxed oak Colours: Natural waxed oak seat with black stained beech frame, natural waxed oak seat with natural beech frame

Ø 400 1760

540

tudor Chair

sesseL Martino Gamper Design: 2010 Description: Chair Dimensions: L470mm x D505mm x H770mm, seat height 440mm Notes: Artisan material and process, variations occur (wood stain) Materials: Natural waxed beech, wood stain (optional) Colours: Natural, yellow stained frame with grey stained backrest

Jaime Hayon Design: 2008 Description: Chair, chair with arms Dimensions: L460mm x D560mm x H920mm, seat height 440mm Notes: Bespoke upholstery, COM, COL quoted for orders over qty 8 Materials: Metal plated steel, composite, foam, non-removable upholstery, powder-coated steel (optional, arms) Colours (legs): Chrome finish, gold finish Upholstery (leather): Black or white, leaf or diamond stitched pattern

505

460

560

460

560

440

920

770

470

540

460

1760

820

540

760

650

880

taBLes

Zaha Hadid Design: 2005 Description: Table Dimensions: L3050mm x D1350mm x H760mm Notes: This design should not be exposed to direct sunlight or extreme temperatures, bespoke colour finishes quoted on request Materials: Glass reinforced polyester Colours: Satin-matt: White RAL 9003, black RAL 9005 High-gloss: White RAL 9003, black RAL 9005

500

450

500

450

Ø410

Ø405

515

aQua taBLe

Konstantin Grcic Collaboration with Venini Design: 2010 Description: Side table Dimensions: H415: Base Ø405mm, asymmetric oval top approx. L500mm x D450mm, 16kg H515: Base Ø410mm, asymmetric oval top approx. L500mm x D450mm, 17kg Notes: Artisan material and process, variations occur Materials: Hand blown Venini glass Colours: Venini sapphire, Venini red

415

236

BLow

deLta

700

410

m5 Frank Design: 2006 Description: Table Dimensions: L1700mm x D800mm x H745mm, L2200mm x D900mm x H745mm Notes: Bespoke cable management quoted for orders over qty 5 Materials: Birch plywood, clear lacquer, high-pressure laminate Veneer: Natural birch Laminates: Black, white, green, yellow

2200

800

900 745

1700

745

550

Ø 450

410

450

Sebastian Wrong Design: 2010 Description: Side table Dimensions: Ø450mm x H550mm Notes: Artisan material and process, variations occur Materials: Glazed ceramic, powder-coated steel fixings,internal lead weight Colours: Grey top with grey base, black top with orange base, navy blue top with yellow base, turquoise blue top with pink base

410

1220

BeNd

BarberOsgerby Design: 2008 Description: Side table Dimensions: H450mm x L410mm x D410mm, H700mm x L410mm x D410mm Notes: Bespoke colours finishes quoted for orders over qty 6 Materials: High-gloss painted glass reinforced polyester Colours: Blue PANTONE 640M, grey RAL 7026, white RAL 9010

410

760

720

1350

3050

surFaCe taBLe

oPeN room No.1 Matali Crasset Design: 2009 Description: Office solution Dimensions: L2000mm x D1300mm x H2080mm, table height 750mm Materials: Powder-coated aluminium extrusion, powder-coated steel, matt laminate table surface, painted wood conglomerate, acrylic, wool rug Colours: As shown

1300

2400

3000

750

Front Design: 2010 Description: Side and low table Dimensions: L500mm x D500mm x H500mm L900mm x D600mm x H400mm Materials: Wood conglomerate, high-pressure laminate, powder-coated steel fixings, castors (mixed) Colour: Black

Ø1480 750

750

Caruso St John Design: 2008 Description: Table Dimensions: L2400mm x D900mm x H750mm L1800mm x D1800mm x H750mm Notes: Bespoke sizes quoted on request Materials: Spruce lumber triboard, linoleum, Corian® Colours: Black linoleum, glacier white Corian®

400

1800

900

2400

1800

500 500

taBLe

600

900

500

1000

sPiN

750

2080

2000

Terence Woodgate & John Barnard Design: 2008 Limited Production Run L3000mm: 99 Description: Table Dimensions: L2400mm x D1000mm x H750mm L3000mm x D1000mm x H750mm Ø1480mm x H750mm Notes: Artisan material and process, variations occur, bespoke sizes quoted on request Materials: Unidirectional carbon fibre (L2400, L3000), woven carbon fibre (Ø1480), lacquer, steel (legs) Colours: L2400, L3000: Natural carbon fibre, high gloss lacquer with black lacquer legs L2400, L3000: Natural carbon fibre, satin matt lacquer with black lacquer legs Ø1480: Woven carbon fibre, high gloss lacquer with black lacquer legs

storage

Zero-iN

241

BarberOsgerby Design: 2008 Description: Low table Dimensions: L900mm x W900mm x H350mm Materials: Satin-finish polyester moulded compound, 4mm toughened glass Colours: White RAL 9003, umbra grey RAL 7022 Special Finishes: White RAL 9003 exterior with Nissan orange interior (approx. PANTONE 165C), Black RAL 9005 with black tinted glass

Jasper Morrison Design: 2006 Description: Storage units Dimensions: The Crate: L375mm x D175mm x H500mm Crate Series No.1: L700mm x D700mm x H420mm Crate Series No.2: L1200mm x D360mm x H515mm Crate Series No.3: L1180mm x D800mm x H295mm Crate Series No.4: L1000mm x D1000mm x H295mm Materials: Yellow pine, wax, synthetic webbing No.1-4 hinge colour: red

No.1

No.2

No.3

No.4

700

1200

1180

1000

800

1000

295

360 515

700

375

420

350

600

the Crate, Crate series No.1-4

Ø900

500

Ø500

1215

1725

Michael Young Design: 2007 Description: Side table Dimensions: Ø500mm x H500mm Ø900mm x H350mm Materials: FR resin coated paper, steel, toughened 8mm glass Colours: Ø500: Pattern 1 (fresh hues): White, lime green, green, umbra grey Ø900: Pattern 2 (cool hues): White, pale green, pale blue, umbra grey Ø500, Ø900: Pattern 3 (warm hues): White, pink, red, umbra grey

175

ZiPZi

Scholten & Baijings Design: 2010 Description: Cabinet Dimensions: L1215mm x D600mm x H1725mm Materials: Fibre board, printed laminate, steel, hand blown glass Colours: As shown Printed laminate: grey, grey grid pattern, multicolour grid pattern, black and white still life photography

500

350

900

amsterdam armoire

staCk

FoLio Erwan & Ronan Bouroullec Design: 2011 Description: Wall-mounted shelving with double sliding screens Dimensions: Two shelf: L2500mm x D360mm x H690mm Four shelf: L2000mm x D350mm x H1350mm Materials: Oak veneer, wood conglomerate, steel runners, concealed steel wall fi xing, 4mm felt Screen colours: Navy, burgundy

360

2500

360

Raw Edges: Shay Alkalay Design: 2008 Description: Tower of drawers Dimensions: 8 drawers: H1080mm x L565mm x D615mm 13 drawers: H1780mm x L565mm x D615mm Notes: Please refer to installation instructions before unpacking Materials: Birch plywood, fi bre board, steel, clear lacquer Colour Palettes: Green, red, neutral, wood veneer

2000 615

565

615

PersPeCtive

Alexander Taylor Design: 2009 Description: Storage Dimensions: L1800mm x D450mm x H650mm Materials: Wood conglomerate, satin-fi nish paint Colours: White RAL 9016, graphite black RAL 9017

450

650

1800

1200

335

1200

PuNCh

Frank Design: 2007 Description: Wall-mounted shelving Dimensions: Single shelf: L1200mm x D300mm x H100mm, concealed wall fi xing Wall-mounted (4 shelves): L1200mm x D335mm x H1200mm, upright wall fi xing, adjustable shelf positions Bookends: L100mm x D220mm x H240mm Materials: Powder-coated steel Shelving colours: Papyrus white RAL 9018, umbra grey RAL 7022 Bookend colours: Sulphur yellow RAL 1016, azure blue RAL 5009

300

950

1430

340

staNdard issue

100

Sebastian Wrong Design: 2011 Description: Wall-mounted shelving unit Dimensions: L1430mm x D340mm x H950mm Materials: Larch veneer, birch plywood, natural wax, aluminium key hole fi xings Colour: Natural

1780

1080

1350

690

565

tudor CaBiNet Jaime Hayon Design: 2009 Description: Cabinet Dimensions: 2 doors closed: open: L950mm x D400mm x H1800mm 3 doors closed: open: L1450mm x D400mm x H1800mm Materials: Satin-matt painted wood conglomerate, 6mm low iron toughened glass Colours: White RAL 9010 with transparent glass, red RAL 3003 with transparent glass, black RAL 9005 with smoke grey tinted glass

400

1450

400

245

waLL to waLL Shay Alkalay & Yael Mer Design: 2009 Description: Flooring installation Dimensions: Variable by bespoke quotation Notes: Design service, material cost by m2 and installation quoted seperately Materials: Colour stained oak parquet brick flooring, lacquer Colour: Bespoke selection

1800

950

FLooriNg

wroNgwoods Richard Woods & Sebastian Wrong Design: 2007 Description: Storage units Dimensions: Night table: L585mm x D355mm x H595mm Chest of drawers: L1090mm x D510mm x H735mm Low cabinet: L1500mm x D405mm x H645mm Long low cabinet: L2600mm x D405mm x H645mm Notes: Artisan material and process, variations occur Materials: Plywood, timber, paint, clear lacquer Colours: White with green, yellow with red, pink with blue, white with black

wood rug Richard Woods Design: 2010 Description: Rug Dimensions: L3200mm x D2400mm Materials: Hand knotted 100% Pure New Zealand wool Colour: 8 colour pattern with black motif, white with black motif

3200 1090

405

645

510 735

355 595

2400

2600

1500

585

Shoreditch

LightiNg

aCCessories

248

Audrey Light: 16

Beam Lights: 17

Dame: 24

249

Cuboid: 66

Print: 40 Landmarks: 33

Hold: 69

Audrey Vase: 62

Soft Grid: 74

Font Clock: 67

Edge: 26

Super Conic: 42

Potto: 71 Store: 76

Blob: 63

LightHouse: 34

Buggs Light: 18 Pour: 72

Tank: 44 Flatliner: 27

Butte: 64

Hang: 68

Two Timer: 77

Louvre Light: 36 Column: 19 Topp: 47 Pipe: 38

Corner Light: 20

Convex Mirror: 65

Fold: 29 Torch Light: 48

Globe: 32 Corona: 22

Pole Light: 39 Yellow, Pink, White Light: 53

Shade Mirror: 73

seatiNg 250

Drift: 100 A-Bench: 86

Nekton: 114

Cape: 92

Quilt The Thing: 119

Frame Chair: 106

Tudor Chair: 124 Standard Unique: 122

Drift Concrete: 102 Panoramic: 115

Revolver: 120

Alto: 87 Crash: 96 Drift-In, Drift-Out: 103

Table, Bench, Chair: 123

Hay Bale: 108 Quilt: 116

Sessel: 121 Bricks and Mortar: 88

Crate Series No. 8: 97

Easy: 104

Heidi: 110

Butt: 90

De La Warr Pavilion Chair: 98

Jumper: 112

taBLes

storage

252

253

Surface Table Ă&#x2DC;1480: 149

Crate Series: 167

Aqua Table: 136 Blow: 139

Open Room No.1: 144

Punch: 171

Tudor Cabinet: 178

Spin Table: 145 Delta: 140

Folio: 168 Zero-In: 152

The Crate: 166

Surface Table: 146

M5: 141

Standard Issue: 177

Amsterdam Armoire: 164

Table: 150

Bend: 138

Perspective: 170

Stack: 172

Zipzi: 155

FLooriNg

Wall to Wall: 193

Wood Rug: 194

Wrongwoods: 180

Rotherhithe

Notes 256

Whilst every effort is made to ensure accurate representation of product colours, finishes, dimensions, Established & Sons reserve the right to alter these details without notice in compliance with its own production needs, technological changes or in response to the current market need. Fabric and colour swatches are for reference only, Established & Sons cannot guarantee exact colour match for product finishes, wood or fabric variances. All the designs shown here are protected under copyright law. Established & Sons has the property rights to manufacture and sell these products and holds the exclusive manufacturing and distribution rights worldwide. Copying will be prosecuted.

Creative Partners: Micha Weidmann Studio Editorial Photography: Peer Lindgreen Product Photography: Peter Guenzel (with the exceptions of page 193 by Ed Reeve and page 169 by Nick Ballon) Established & Sons 5â&#x20AC;&#x201C;7 Wenlock Road, London, N1 7SL, United Kingdom Phone: +44 (0)20 7608 0990 Fax: +44 (0)20 7608 0110 info@establishedandsons.com www.establishedandsons.com

T: 021 438 9066 / F: 088 021 438 9066 W: www.establishment.co.za / E: products@establishment.co.za PO Box 50930, V&A Waterfront, Cape Town, 8002, South Africa