Frame nº 80 Cantina da cidade da cultura de Galicia

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THE GREAT INDOORS : ISSUE 80 : MAY/JUN 2011

€19.95 EU – CHF 30 SWITZERLAND – $19.95 USA – $29.50 CANADA £14 UK – $28.99 AUSTRALIA – ¥3,570 JAPAN – WON 40,000 KOREA

DÉJÀ TIME TRAVELS IN DESIGN

VIEW



028 : CONTENTS

036

VISIONS

PHOTO LOUIS BAQUIAST

Polyhedral residences, interactive interiors, sustainable spaces and other ideas from Diller Scofidio + Renfro, UNStudio, Frank Agterberg and co

067

056

PHOTO HÉCTOR SANTOS-DÍEZ

REPORTS

194

Ecophon and the science of sound

200

Smart urban stage predicts the future of the city

204

Visual Merchandising: amazing mannequins, superior shelving and other presentable essentials

CATALOGUE

078 CHANGING ROOMS

218

Soweto sign writers go to town in RUF Project’s refurbished Football Training Centre

081 ICE-CREAM PARLOUR

Antonio Gardoni’s Possi is a confection of candy colours and maritime motifs

082 SCHOOL

White, light and bright: Palatre & Leclere’s L’École de la Deuxième Chance is suitably optimistic

085 ATELIERS

Studio spaces by Jun Igarashi and Kensaku Tohmoto prove that small is beautiful

STILLS

048

SHOPS

New Aēsop stores from March Studio and Jo Nagasaka, a tangle of tripods from Sinato, and other must-see retail spaces

088 LAUNDRY

Washing in style, with Suds by Plus Architecture

091 CINEMA

Matali Crasset’s Nouvel Odéon is contemporary, convivial and compact

Benjamin Hubert on materials, multitasking – and why he’s big in Milan this year

218 INTRODUCING

059 SHOP/RESIDENCE

Cyril Duval’s store-in-a-home, the Bless Shop Berlin

GOODS

210 PORTRAIT

The process-driven playfulness of Mischer’Traxler

PHOTO ANDREW MEREDITH

061 RESIDENCE

222 TALK

Franco Clivio and the wisdom of the dilettante

The Gururie house: Point and Ouvi’s rooms with views

228 OVERVIEW

063 INDOOR MINI GOLF

Knitting as subversion? The unlikely rebirth of handicrafts

Sinneswandeln’s Schwarzlicht Minigolf is sensationally psychedelic

232 PROCESS

064 CAFÉS

A daring example of digital craft: Atmos’ stunning staircase

Tobias Rehberger angles for Artek, Alfons Tost frames fast food in a fresh light, and Estudio Nômada does tables under trees

236 DESIGN ART

Hyperreal: Reinier Bosch does cardboard copper

070 EXHIBITIONS

Kinkorn excavates the Archaeology of the Netherlands, while Form Us With Love dissects the dandy

237 ONE ARTIST, ONE MATERIAL

Jorge Otero-Pailos brings new meaning to the phrase ‘peeling walls’

075 STANDS

239 BOOKS

Tulp takes steps for Desso, and HfG Offenbach is highly strung

What next for materials? We consult three new publications

210

240 NEXT

A sneak preview of Frame 81


046 : STILLS

STILLS

PORTFOLIO OF PLACES

067 ESTUDIO NÔMADA PICK UP STICKS


STILLS : 047 PHOTO LOUIS BAQUIAST

PHOTO HÉCTOR SANTOS-DÍEZ

056 JO NAGASAKA, MARCH STUDIO FABLED AËSOPS

PHOTO JÉRÔME SPRIET

091 MATALI CRASSET MOVIE MAGIC



SANTIAGO DE COMPOSTELA : CAFÉ : 067 THE CANTINA AT THE CITY OF CULTURE OF GALICIA IS A REFLECTION OF SPANISH CULTURAL TRADITION AND MODERN POLITICAL DISCOURSE, SAYS DESIGNER ENRIQUE DE SANTIAGO.

CITY OF CULTURE OF GALICIA BY ESTUDIO NÔMADA

In planning the café for Galicia’s City of Culture building, Enrique de Santiago of Estudio Nômada says he first researched traditional cantinas in rural Spanish villages. His resulting design is a lively lunch spot, where neutral oak contrasts with bursts of colour on wall tiles, and guests dine at communal tables with treelike branches rising above their heads. ‘In Spain, during holidays we put long tables under trees for gatherings,’ De Santiago explains. ‘We want people in the cantina to feel like they are protected by the trees and are part of a community. That’s why we have two long tables, so they can share a meal and an experience. Instead of individuals, they are part of a celebration.’ Meanwhile, the colourful tiles effectively protest a municipal ban on the use of tiles on private façades: the attempt of authorities to keep cityscapes aesthetically

neutral. ‘We used tiles to prove you can find beauty in interpretation and create something pretty out of ugliness,’ concludes the designer. estudionomada.es WORDS LYDIA PARAFIANOWICZ PHOTO HÉCTOR SANTOS-DÍEZ


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