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6 SAN ANTONIO LOCATIONS | CDEXCHANGE-SA.COM 4 CURRENT | November 20–December 3, 2019 | sacurrent.com

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in this issue San Antonio Current Publisher: Michael Wagner Editor-in-Chief: Sanford Nowlin

Editorial

Food & Nightlife Editor: Lea Thompson Calendar Editor: Kelly Merka Nelson Contributing Arts Editor: Bryan Rindfuss Staff Writer: Chris Conde Digital Content Editor: Sarah Martinez Contributors: Ron Bechtol, Daniel Conrad, James Courtney, Jade Esteban Estrada, Dan R. Goddard, Lance Higdon, Steven G. Kellman, Hannah Lorence, Kiko Martinez, M. Solis, Gary Sweeney Editorial Interns: Diana Amaya, Brianna Espinoza, Georgie Riggs

09 News

Homegrown

Think you know all the benefits of buying local? Here are a few you may have missed

Shown the Door

Advertising

Alazan-Apache Courts residents facing eviction say they’re being targeted

Marketing and Events

Report Highlights San Antonio’s Failings on Reproductive Health Access

Sales Manager: Joseph Allen Account Manager: Mallory Jochen, Cristal Colleli Account Executives: April Miller, Mike Valdelamar Digital Sales Specialist: Mike Valdelamar Marketing and Events Director: Cassandra Yardeni Events Manager: Chelsea Bourque Marketing & Events Interns: Marlene Mejia and Caitlin Muñoz

Creative Services

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Circulation

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Business

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Chief Executive Officer: Andrew Zelman Chief Operating Officers: Chris Keating, Michael Wagner VP of Digital Services: Stacy Volhein Creative Director: Tom Carlson Digital Operations Coordinator: Jaime Monzon Senior Marketing and Events Director: Cassandra Yardeni Director of Digital Sales: Fran DiCarlo www.euclidmediagroup.com National Advertising: Voice Media Group (888) 278-9866, vmgadvertising.com San Antonio Current 915 Dallas San Antonio, Texas 78215 sacurrent.com Editorial: (210) 227-0044 / Fax - (210) 227-7755 Display Advertising: (210) 227-0044 Fax: (210) 227-7733 Classified: (210) 227-CLAS / Fax - (210) 227-7733 The San Antonio Current is published by Euclid Media Group Verified Audit Member San Antonio Distribution – The Current is available free of charge, limited to one copy per reader. Get listed 1. Visit sacurrent.com 2. Click “Calendar” and then “Submit an Event” 3. Follow the steps to submit your event details Please allow 48 hours for review and approval. Event submissions are not accepted by phone. Copyright: The entire contents of the San Antonio Current are copyright 2019 by Euclid Media Group LLC. Reproduction in whole or in part without written permission of the publisher is prohibited. Publisher does not assume any liability for unsolicited manuscripts, materials, or other content. Any submission must include a stamped, self-addressed envelope. All editorial, advertising, and business correspondence should be mailed to the address listed above. Subscriptions: Additional copies or back issues may be purchased at the Current offices for $1. Six-month domestic subscriptions may be purchased for $75; one-year subscriptions for $125.

Issue 19_24 /// November 20–December 3, 2019

San Antonio Ranks in Top Five Cities Where Rent Is Becoming Less Affordable

16 Calendar Calendar Picks Art Pick

25 Arts

‘Always Home for Me’

San Antonio still loves Tony Parker, and the Spurs point guard is loving it right back

Master Craftsman

Getting to know Victor Salas, the San Antonio artisan behind Forged Oaks

Reality Bites

Comedian Lewis Black’s had enough of selfish, immature politicians running the country

Good Gifting

Reduce corporate consumption and support local artists by shopping San Antonio’s holiday markets

35 Screens Safe Space

A Beautiful Day in the Neighborhood delivers an affable look at Mr. Rogers’ impact

Courtesy of the Esperanza Peace and Justice Center

Gold Standard

Negamidas pins its hopes on customers connecting to classic and obscure movie references

41 Food

Five Gift Ideas for Music Lovers on Your List Music Listings

61 Etc

Easy Sipping

Seersucker Gin aims to broaden the appeal of the botanical-infused spirit

Crossword Puzzle

10 Locally Produced Gifts for San Antonio Foodies Inner City Greens

Interstellar Farm’s organic microgreens are finding their way onto San Antonio tables

Needs a Little Aging

Maverick Distilling and Brewing is blazing new trails, and the kitchen sometimes keeps up

51 Music

Painting with Sound

Art Hernandez’s Ruckus Audio Pedals builds effects prized by local guitar gurus

Mob Mentality

‘If You’ve Got the Eggnog…’

Film legend Martin Scorsese adds The Irishman to his catalog of celebrated crime dramas

Pep up your holiday playlist with 8 South Texas Christmas songs that don’t suck

On the Cover: This edition of the Current marks the first featuring two separate covers. The first features a deslgn by Melissa McHenry for our annual Shop Local guide. A second features local artist Ray Tattooed Boy’s portrait of beloved SA Spur Tony Parker. Keep your eye open for both.

sacurrent.com | November 20–December 3, 2019 | CURRENT 5

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6 CURRENT | November 20–December 3, 2019 | sacurrent.com

IS YOUR BUSINESS LOCATED DOWNTOWN? LIGHT UP DOWNTOWN HOLIDAY CONTEST 2019 REGISTRATION BEGINS NOW!

OFFICAL CONTEST RULES

• Contest is open to all downtown businesses. • Participants showcase the exteriors of their buildings with creative holiday lighting displays and compete to win honors and recognition at the New Year’s Eve event. • Participants compete in a variety of categories including: Best Use of Space, Best Storefront, Best Building, Shops, Hotel and Greenest Lighting Display. • The use of LED lights is encouraged, but not required for participation. Extra points are given for “green” energy-conscious displays. • Registration is open until November 29, 2019. • Last day to Vote is December 19, 2019. • Displays should be turned on daily no earlier than 5:30pm and turned off not later than 12:30am. • We encourage displays to be lit through early January • The general public can vote for their favorite lighting displays online at www.lightupdowntownsa.com

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For questions regarding registration, contact Debbie Rios-Vanskike at 210.207.6004 or debbie.rios-vanskike@sanantonio.gov sacurrent.com | November 20–December 3, 2019 | CURRENT 7

8 CURRENT | November 20–December 3, 2019 | sacurrent.com

Think you know all the benefits of buying local? Here are a few you may have missed BY SANFORD NOWLIN

s we head into the holiday season, the Current’s annual Buy Local issue aims to highlight local makers and artisans and provide gift ideas that can keep your hard-earned dollars in the Alamo City. The familiar refrain from shop-local advocates is that there’s a civic benefit to helping out local entrepreneurs — namely that the dollars we spend translate into jobs, wages and benefits for people in our community. To be sure, there’s economic research to back up that argument, but there’s also a wealth of data that shows shopping local has benefits beyond providing paychecks to folks in our hometown. “When you support local businesses, you’re not just supporting jobs, you’re investing in your economy,” said Janie Barrera, CEO of San Antonio-based LiftFund, a nonprofit that provides loans for small businesses unable to borrow from traditional lenders such as banks. Barrera’s organization estimates that every $1 it loans yields a $14 return on investment for the San Antonio community, not just in jobs but also income for families and new tax revenue. Indeed, recent economic studies suggest that retail conglomerates are more likely to skirt their tax obligations than small, locally owned businesses. That’s means more money is likely to flow to municipal coffers when shoppers spend with local makers and retailers. Another advantage of buying locally is the

Five Ways to Give Back to the San Antonio Community By Sanford Nowlin

f you want to keep your holiday spending as local as possible, why stop at buying gifts for family and friends? Consider these SA-based nonprofits as you set aside cash for charitable giving.

Interfaith Welcome Coalition The Trump administration’s hardline immigration policies

news

Homegrown

Courtesy of the Esperanza Peace and Justice Center

ability to make informed choices, experts point out. As more consumers worry about the quality safety of food they put into their bodies and the ethical sourcing of materials, doing business locally allows them to more easily ask questions before they spend. Need more convincing about the benefits of buying local? Economic research suggest shopping with homegrown businesses offers benefits from reducing pay disparity to improving community health. Here’s a sampling of studies compiled by the Institute for Local Self-Reliance, a 45-year-old group dedicated to pushing back at corporate consolidation: A 2012 examination of Salt Lake City-area businesses found that independently owned retailers returned more than half of their revenue to the local economy, compared to just 14 percent for national chains. Why was that? The indies spent more on local labor,

have made life difficult for those fleeing dangerous conditions in their countries of origin. The Interfaith Welcome Coalition counters those disturbing efforts by providing a helping hand to refugees, asylum seekers and at-risk immigrants. interfaith-welcomecoalition.org. San Antonio Food Bank The SA Food Bank serves nearly 60,000 people weekly, providing not just short-term sustenance but resources, including nutritional education, that help people become self-sufficient in the future. This year, the group announced a $24 million plan to help combat local poverty. safoodbank.org. Healthy Futures of Texas Healthy Futures works to reduce teen pregnancies through science-based approaches that help young people make

locally sourced goods and services from other local businesses. The consolidation of large corporations at the expense of smaller ones in the U.S. and U.K. contributed to the growing income inequality in both countries, according to a 2015 academic study. While big corporations tend to pay highly skilled workers better than small businesses do, low- and middle-skill workers are often paid less at big businesses than at small ones, potentially fueling wage disparity. A community’s overall wellbeing is tied to its number of locally created businesses, according to several studies, including a 2011 analysis from the Cambridge Journal of Regions, Economy, and Society. That particular study showed U.S. counties boasting vibrant small-business sectors faced lower rates of mortality and a lower prevalence of obesity and diabetes, which it chalked up to “collective eﬃcacy” — the idea that residents act together for mutual gain.

good family planning decisions. Its educational programs have also helped reduce unwanted pregnancies in our community. hf-tx.org. San Antonio AIDS Foundation South Texas’ oldest and largest HIV/AIDS service organization provides free testing to 6,000 people annually. Its 818 Grayson St. site also helps those with HIV or AIDS obtain prescriptions, make it to doctor’s appointments and seek financial assistance. sanantonioaids.org. P.E.A.C.E. Initiative As San Antonio struggles with a domestic abuse epidemic, this coalition of grassroots organizations, public and private institutions and individuals works together to eradicate family violence through education and mobilization. thepeaceinitiative.net.

Find more newsmore coverage Find news every day at sacurrent.com

Proceeds benefit REAP utility assistance

10 CURRENT | November 20–December 3, 2019 | sacurrent.com

news

Among them were fees for basic maintenance repairs she says SAHA should handle and pay for as landlord. As Miranda pays her monthly rent, it’s applied toward the fees, meaning she can’t keep up. Bernal, who last year organized the donation and installation of 2,200 air conditioning units at public housing properties in San Antonio, said he’s looking into the issue. In particular, he’s exploring debt structures other housing authorities use, such as in Austin and Fort Worth, where payment of rent and fees are kept separate. “One makes sense to me,” Bernal said of that structure. “The other — I’m not saying it’s done this way on purpose — but it feels more like a payday loan structure, where if you accumulate fees and fines, and also owe rent, that money goes to the fees and fines first before it goes to the rent.”

The Numbers

Shown the Door

Alazan-Apache Courts residents facing eviction say they’re being targeted BY BEN OLIVO

ighting an eviction, Kayla Miranda has learned, takes commitment. The single mother of four is challenging an attempt by the San Antonio Housing Authority, or SAHA, to remove her from her Alazan-Apache Courts apartment, a “three-bedroom” the size of studios in some of the newer, city-subsidized downtown developments. Her life is stressful enough as she shuttles her kids to and from school every day, while, in between, running her own errands and raising two-year-old nephew De’Andre, whose parents are in prison. Lately, with the threat of eviction looming over her household, Miranda squeezes in meetings with the neighborhood association that’s helping her and other Alazan-Apache residents organize against SAHA. Then there are the trips to eviction court far out on Bandera Road, and meetings with her pro bono lawyer and at state Rep. Diego Bernal’s oﬃce, which is looking into the matter. “And nobody’s paying my gas, nobody’s helping me watch the kids, nobody’s putting in for all this extra expense,” said Miranda, 36, who’s lived at the courts for more than two years. “My kids see me down every day — tired, exhausted, frustrated. And I’m worried. If we don’t live here, where are we going to live? I can’t aﬀord anything else.” Miranda’s is one of several households at Alazan-Apache who accuse SAHA of harassment in the form of bogus lease violations. The infractions then snowball into what’s called a notice to vacate, the

Ben Olivo

landlord’s first attempt to take back possession of the property. Last month, Miranda lost her case at eviction court and is now appealing. David Nisivoccia, SAHA’s CEO and president, declined to address any specific case. Instead, he outlined an appeal process available to public housing residents who disagree with a lease violation or eviction. The housing authority, he said, also points residents in the direction of services to help with the cost of paying their utilities or rent. For folks who fall behind on rent or fees they owe, repayment agreements are sometimes available too, he said. “The housing authority is in the business of housing people,” Nisivoccia said. “We don’t want to evict people. And we have certain mitigation initiatives in place to help people navigate through that system,” if tenants find themselves with mounting fees or the prospect of being evicted. Residents agree the appeal system is a good one, but they say it’s not being followed by Alazan-Apache management or the case workers who interact with tenants. They say Nisivoccia is painting a quixotic picture of how these situations should be handled, not how they actually are.

Predatory Fees? The amount SAHA said Miranda owed — and the amount that landed her in eviction court — was $891. She says she’s been paying her rent, but this spring, SAHA began applying her payments toward a balance of fees she said she was surprised to discover she owed. The bulk of that was for Joy, a terrier mix belonging to her ex-husband, who watches the kids sometimes. Miranda insists Joy doesn’t live there, but says she was hit with a pet fee anyway. Dating back to this time last year, Miranda says she’s been given dozens of lease violations by SAHA for things she says she not guilty of. After appealing, some of the violations were dismissed within SAHA’s appeal system, but others stuck.

There have been roughly 16,000 eviction cases filed in Bexar County each of the past four years, according to research conducted by Amelia Adams, an analyst with Texas Housers, an Austin-based advocacy group. Not all of those cases, which are dispersed to the county’s four Justice of the Peace courts, resulted in an eviction. In 2018, of the 15,925 cases filed locally, 19 percent were dismissed for one reason or another. That same year, 79 percent of the cases were won by the landlords. In 57 percent of those cases, the tenant didn’t show up to court, according to Texas Housers’ research. According to state property code, if a tenant owes back rent, no matter what the specifics of the issue are, they’re nearly guaranteed to lose the case and be slapped with an eviction on their record. While evictions do happen, Nisivoccia said they’re low compared to the for-profit market. Last year, SAHA evicted 247 households, most of which — 177 — were for nonpayment of rent. In San Antonio, defense options for tenants facing eviction are scarce, however. One of those is the Texas RioGrande Legal Aid (TRGLA), an organization offering free eviction defense to tenants. Miranda was lucky enough get help from the group, and says they’re close to settling her debt with SAHA. A TRGLA spokeswoman declined comment, including to say whether it’s helping other public housing tenants. The city of San Antonio’s anti-displacement fund has also kicked in in at least one case, 13-year resident Francisco “Pancho” Perez who lived there with his wife and three kids. The fund covered his balance of roughly $3,000. It was Perez’s case that got the Historic Westside Resident Association involved in the first place. After getting the word out, the association, which has ties to the Esperanza Peace & Justice Center, is now helping 20 residents across eight households. Recently, Nisivoccia reached out to the group, and the two sides could meet next week. Ben Olivo is editor of the San Antonio Heron, a nonprofit news organization dedicated to informing its readers about the changes to downtown and the surrounding communities. sacurrent.com | November 20–December 3, 2019 | CURRENT 11

Thanksgiving morning Shotgun Start 8:30am @ Commander’s house Race Route Through Historic King William and Downtown

12 CURRENT | November 20–December 3, 2019 | sacurrent.com

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Michael Barajas

Report Highlights San Antonio’s Failings on Reproductive Health Access BY SANFORD NOWLIN

an Antonio may not be the worst city in the U.S. when it comes to defending reproductive health, but it’s far from a shining example, according to a report from the National Institute of Reproductive Health. The city earned a mediocre two-star ranking in NIRH’s 2019 report, which rates 50 cities on a ﬁve-star scale on how well they protect residents’ reproductive freedom. Among the policies weighed in the report are paid family leave, comprehensive sex ed programs, availability of contraception and abortion access. With four and a half stars, San Francisco ranked the highest, followed by New York and Chicago, which both had four. Not surprisingly, Texas cities — which have endured years of attacks on reproductive health from the Republican-led legislature — skewed low. Highest-ranked Austin won two and a half stars, while El Paso only rated one. San Antonio earned positive marks in the report for funding STD/STI testing and prevention, providing support for pregnant and parenting youth and for its anti-discrimination ordinance. However, the city does little to protect abortion access, according to NIRH. It doesn’t have a clinic-safety ordinance, for example. Nor does it regulate deceptive practices by anti-abortion pregnancy centers or codify local protections for abortion clinics and providers. Indeed, the Alamo City has just two abor-

tion clinics, compared to its 19 pregnancy centers that push clients toward anti-abortion options, according to the report. And even though teen pregnancy rates are 49% higher than the national average in some San Antonio zip codes, the city doesn›t provide a comprehensive sex ed policy, nor does it ensure reproductive health care is available in school-based health centers, according to the data. “There is a clear urgency for cities to address these challenges and to forge ahead by creating environments where all people truly have the right and ability to choose whether or not to become parents, safeguard their health and well-being, raise their children in safety and security, and fully achieve their own potential,” NIHR states in its report. As the federal government, conservative-dominated U.S. Supreme Court and states such as Texas direct hostility toward reproductive health choice, cities make up the front line in its defense, the group also points out. “Mitigating these harms and improving the lives of people in our communities rests on cities’ shoulders,” the report says. “There is a clear urgency for cities to address these challenges and to forge ahead by creating environments where all people truly have the right and ability to choose whether or not to become parents, safeguard their health and well-being, raise their children in safety and security, and fully achieve their own potential.”

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San Antonio Ranks in Top Five Cities Where Rent Is Becoming Less Affordable BY SANFORD NOWLIN

f it seems like rents in San Antonio are outpacing your boss’ willingness to give you a raise, well, that’s because it’s true. Statistically, anyway. A new study by financial site SmartAsset ranked San Antonio 5th on the list of U.S. cities where rent is becoming less affordable relative to income. The report is the latest in a growing pile of evidence that our city has a housing-affordability problem. From 2015 to 2018, the average fair market rental unit cost in the Alamo City increased by 8.89%, according to the data. With median household incomes increasing just 0.32% over the same time period, rent as a percent of income grew by 2.16%, hitting 27.43% last year. That last number is important because financial experts recommend households not spend more than 30% of their monthly gross income on housing expenses, including rent and utilities. Crossing that line can force folks to cut back on necessities such as food and healthcare. If there’s any silver lining here, it’s that despite rising rents, San Antonio still ranked toward the middle of all cities when it came to 2018 rents as a percentage of income. In case you wondered who has it worse than us, here’s the rundown, in order: Detroit; New Orleans; Long Beach, California; and Memphis, Tennessee. sacurrent.com | November 20–December 3, 2019 | CURRENT 13

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WED | 11/20

Courtesy of the Tobin Center for the Performing Arts

TH EATER

ONCE

When it comes to Broadway musicals, Once is more subdued love story than neon-bedecked spectacle. Adapted from the 2007 film of the same name, it weaves a simple tale about two people who come together by chance and discover their identities through music. Characterized by heartfelt songs and strong performances, Once may be the perfect musical for aspiring singer-songwriters who enjoy penning haunting love ballads in their spare time. Oh, and did we mention there’s an onstage bar where audience members can sing along with cast members? It’s a charming detail that can help viewers feel that much closer to the production. $35.60-$96.50, 7:30 p.m., H-E-B Performance Hall, Tobin Center, 100 Auditorium Circle, (210) 223-8624, tobincenter.org. — Rhyma Castillo

ters obstacles including corporate New York City, an angry father and his faltering belief in the magic of Santa Claus. Paired with festive songs, Buddy’s antics bring an engaging sense of holly-jolliness and a welcome change from the usual holiday stage fare. $10-$45, check website for Thursday showtimes, 7:30 p.m. Fridays and Saturdays, 2 p.m. Sundays through December 22, Public Theater of San Antonio, 800 W. Ashby Pl., (210) 733-7258, thepublicsa.org. — Brianna Espinoza

FRI | 11/22 – SUN | 12/1 THEATER

MISS BENNET: CHRISTMAS AT PEMBERLEY L

It is a universally acknowledged truth that a holiday season without Jane Austen is barely a holiday season at all. But who would have thought that a satisfying

FRI | 11/22 – SUN | 11/24 PERFORMANCE

BLUE MAN GROUP: SPEECHLESS 5

Siggi Ragnar

THU | 11/21 – SUN | 12/1 THEATER

ELF THE MUSICAL L

Get ready to scream — or in this case sing — “Santa’s coming? I know him! I know him!” as The Public Theater hosts a month-long run of Elf The Musical. Based on the 2003 Will Ferrell film, the musical follows Buddy the Elf, played by James Welch, who goes on a quest into the world of humans to figure out his true identity and lineage. Along the way, he encoun16 CURRENT | November 20–December 3, 2019 | sacurrent.com

Think Blue Man Group went the way of its ’90s percussive theater counterpart Stomp? Then think again. Not content to remain a punchline from season two of Arrested Development, the mute, cobalt-hued percussionists have created a whole new show to wow fans of their trademark paint-splattering, fourth wall-breaking theatrical performances. The show features all new — and often electronic — instruments, but it doesn’t abandon Blue Man trademarks like the PVC pipes that first made them famous. The Blue Men’s latest single “Data Collection” shows they’re up on current events, although we wonder whether the antics in its music video make data mining and the burgeoning surveillance state seem a bit too endearing. $40-$199, 8 p.m. Friday and Saturday, 2 p.m. Saturday and Sunday, 7:30 p.m. Sunday, Majestic Theatre, 224 E. Houston St., (210) 226-3333, majesticempire.com. — Kelly Merka Nelson

Joan Marcus

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Saturdays, 3 p.m. Sundays through December 22, Classic Theatre, 1925 Fredericksburg Road, (210) 589-8450, classictheatre.org. — Georgie Riggs

SAT | 11/23 WORDS

‘BEYOND SERVICE:’ POETRY & PROSE READING 5

Earlier this month, Bihl Haus Arts opened the exhibition “Beyond Service,” a collection of new work created by veterans, many of whom took part in its “Forward, Arts!” program, which provides an outlet for vets suﬀering from depression and PTSD. Participating artist Mario Lopez organized “Beyond Service” with help from the Wounded Warrior Project, showcasing artists including Gerardo “Ghost” Casares, Katherine Hopkins, Natalie Lopez and Lionel Sosa. Continuing to honor the artists’ service, Bihl Haus will host a reading organized by poet Edward Guadalupe Acuña Lucio Cody Jr. with readings from writers Eduardo Cavazos Garza, Molly Huggins, Herb Nordmeyer and others. Free, 2 p.m., Bihl Haus Arts, 2803 Fredericksburg Road, (210) 383-9723, bihlhausarts.org. — GR

Courtesy of Bihl Haus Arts

Siggi Ragnar

yarn could be spun about Mary, the most boring of the Bennet sisters from Austen’s Pride & Prejudice? Set two years after the events of the novel, the action in Miss Bennet centers on bookish and prudish Mary as she finds love with Mr. Darcy’s shy cousin, Arthur de Bourgh. Granted, it doesn’t sound as enticing — or as likely to include any men emerging from lakes — as the original love story. But in the hands of acclaimed playwright Lauren Gunderson and Margot Melcon, Miss Bennet keeps the playful energy of its precursor alive, oﬀering both something new for the Austen-addict and something festive for the newcomer. Kelly Roush will be returning to direct the play in its second annual run at The Classic Theatre. $19-$34, 8 p.m. Fridays and

MON | 11/25 SPORTS

SPURS VS. LAKERS 5

Earlier this month, the Los Angeles Lakers overcame a late-game surge from point guard Dejounte Murray to hand the Spurs their first loss at the AT&T Center this season. LeBron James and Anthony Davis combined for 46 points, 22 rebounds and 15 assists to lead the Lakers against a Spurs squad that stumbled in the second quarter of that matchup. A subpar game from LaMarcus Aldridge proved too steep a climb for San Antonio, which is 0-for-2 against Los Angeles teams to start the season. Although a small

Spurs Sports and Entertainment

sample size, Murray seems to find an extra gear when going up against his mentor, King James. Murray’s quicksilver transition game has sparked San Antonio’s fast-break attack, and he continues to put up quality numbers despite restrictions on his playing time. Expect more late game heroics from Murray if he’s on the court in crunch time. $49-$1,802, 7:30 p.m., AT&T Center, One AT&T Center, (210) 444-5140, attcenter.com. — Manuel Solis

FRI | 11/29 FILM

HOME ALONE \

20th Century Fox Home Entertainment

The holidays are just around the corner, which means it’s time to revisit that cherished Christmas classic Home Alone. If you’re willing to bundle up the kids for an outdoor ﬂick downtown, you can catch the ’90s hit in Travis Park right after H-E-B’s oﬃcial Christmas tree lighting ceremony. Sounds like an unforgettable family night, right? After all, who could forget angel-faced Kevin McCallister unleashing holiday hell on ill-intentioned bandits? Oh, that’s right — his family. His own family forgot about him. Poor Kevin. Free, 6 p.m., 301 E. Travis St., (210) 207-3677, travisparksa.com. — RC

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18 CURRENT | November 20–December 3, 2019 | sacurrent.com

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widely regarded as the best basketball player on the planet. Although high-profile Spurs fans like Shea Serrano and Skip Bayless have moved on and “forgiven” him, he’ll likely face a contentious crowd, at least through the first quarter. As anyone who was in the stands for Leonard’s raucous return last season can attest, there will be boos. $50-$1,816, 7:30 p.m., AT&T Center, One AT&T Center, (210) 4445140, attcenter.com. — MS

MON | 12/2 COMEDY

Courtesy of the Aztec Theatre

FRI | 11/29 COMEDY

JOHN CLEESE IS AT IT AGAIN… L

You’re not likely to find much crossover between fans of British comedian and actor John Cleese and supporters of President Donald Trump. Best known as a member of the Monty Python comedy troupe, Cleese made his thoughts on the current political climate in America clear during an interview with the Daily Beast two weeks ago, when he described the commander-in-chief as “not mentally balanced” and “an extraordinary caricature of an asshole; a person who has no interest in anyone else except himself.” He also called Trump’s supporters “ignorant because they only ever get news from Fox News.” Fun fact: Cleese played a billionaire hotel owner named Donald in the 2001 comedy Rat Race. We’re not sure whether Cleese found time to watch any of the impeachment hearings this month, but chances are the 80-year-old thespian has been too busy celebrating the 50th anniversary of Monty Python’s Flying Circus this fall. He’s also working on a stage adaptation of the 1979 cinematic satire The Life of Brian and is writing a second volume of his

memoir So, Anyway…. Then, of course, there’s Brexit, which he calls a “shitshow.” $55-$250, 8 p.m., Aztec Theatre, 104 N. St. Mary’s St., (210) 812-4355, aztectheatre.com. — Kiko Martinez

FRI | 11/29

JOHN LEGUIZAMO’S LATIN HISTORY FOR MORONS p

Not counting his role as a lispy megalonyx in the animated Ice Age franchise, actor and comedian John Leguizamo has reprised only one movie character in a sequel during his 35-year career — Aurelio from the 2017 action ﬂick John Wick: Chapter 2. That’s surprising, since

a common reaction to seeing John Leguizamo in a film is to want more John Leguizamo. OK, so maybe we really don’t want a Super Mario Bros. 2, but we’re all in for a second helping of ChiChi from To Wong Foo. Leguizamo gets a chance to jump back into a familiar non-screen role when he gives San Antonio fans an encore performance of his Tony-nominated, one-man Broadway show Latin History for Morons. Admittedly, he’s playing himself, albeit a much more bookish version. Latin History for Morons, which sold-out its first show at the Majestic this past summer, features Leguizamo as a professor with a mission: to squeeze 3,000 years of Latin history into a single, 90-minute lesson — “from conquistadores to cumbia” and “Montezuma to menudo.” Make sure you’re paying attention, or he just might send you to detención. $39.50-$110.50, 7:30 p.m., Majestic Theatre, 224 E. Houston St., (210) 226-3333, majesticempire.com. — KM

SPORTS

SPURS VS. CLIPPERS

After being traded from the Spurs and leading the Raptors to their first title in Toronto, Kawhi Leonard’s health continues to be a topic of discussion in the NBA. The league recently fined Leonard’s latest team, the Los Angeles Clippers, $50,000 for statements “that were inconsistent with Leonard’s health.” The two-time Finals MVP and Defensive Player of the Year looked pretty healthy on Halloween, dropping 38 points on his former team in a contested win against the Spurs. Leonard returns to San Antonio for the first time since his triumph in the Finals,

Courtesy of the Majestic Theatre

DANCE

THE NUTCRACKER

Ballet San Antonio’s back with a beloved Christmas favorite, Pyotr Ilyich Tchaikovsky’s The Nutcracker. Even the least-cultured among us will recognize the ballet’s musical selections about sugar plums, snowﬂakes and princes, which will be played live by the San Antonio Symphony. Joining forces with Ballet SA’s professional corps of dancers is a cast of San Antonio area children, who will showcase our city’s emerging local talent. Plus, on December 4th you can take part in a special tea party performance while surrounded by the famous winter wonderland — a perfect way to kindle Christmas cheer. $24.50-$129, 7:30 p.m. Fridays, 2 p.m. and 7:30 p.m. Saturdays, 2 p.m. Sundays through December 8, H-E-B Performance Hall, Tobin Center for the Performing Arts, 100 Auditorium Circle, (210) 223-8624, tobincenter.org. — BE

FRI | 11/29 – SUN | 12/1 Amitava Sarkar

sacurrent.com | November 20–December 3, 2019 | CURRENT 19

AT&T CENTER • DEC 23RDAT 3:30 PM & 8:00 PM

20 CURRENT | November 20–December 3, 2019 | sacurrent.com

calendar TUE | 12/3 FILM

THE THIN MAN

There may be no film more festive than The Thin Man. Sure, there are more touching tales of the values of yuletide season, but how many of them feature William Powell shooting the ornaments oﬀ his Christmas tree while Myrna Loy looks on unimpressed in a fur coat? Chronicling a retired Warner Bros. Home Entertainment private detective and his wife as they get pulled back in to solve a mysterious disappearance, The Thin Man is a boozy, witty romp from start to finish. The 1934 classic movie is set to hit the big screen again at the Bijou theater this holiday season, 85 years after its first premiere, thanks to TPR Cinema Tuesdays’ annual event Joyce’s Choice, which features a hand-picked holiday ﬂick from Texas Public Radio’s CEO. Don’t let the age of the film (or the theater) fool you, though — The Thin Man still feels as fresh as the Bijou’s new leather seats. $10-$15, 7:30 p.m., Santikos Bijou, 4522 Fredericksburg Road, (210) 614-8977, tpr.org/topic/tpr-cinema-tuesdays. — GR

THIS MODERN WORLD BY TOM TOMORROW

sacurrent.com | November 20–December 3, 2019 | CURRENT 21

calendar | art pick THU | 11/21 - TUE | 12/3

Courtesy of Amada Miller ART PICK

‘MAKING SCENTS OF OUTER SPACE’ & ‘BIRDING THE DOSEUM’

naugurated in 2017 with Richard Armendariz’s tent-like, wildlife-filled multimedia installation “The Dream Keeper,” the DoSeum’s Artist-in-Residence program is designed to “challenge the young curious minds of San Antonio” while infusing contemporary art into the museum’s interactive, STEM-based platform. Selected from an open call conducted in the spring, prolific San Antonio artists Amada Miller and Mark Menjivar promise to bring the program to new heights with site-specific exhibitions that — in very diﬀerent ways — bring the outdoors inside to shift the focus

22 CURRENT | November 20–December 3, 2019 | sacurrent.com

away from simply seeing art to experiencing it through sound and smell. An alum of Blue Star Contemporary’s Berlin Residency who’s exhibited across Texas and beyond, Miller consistently defies expectations with thoughtful, research-based endeavors that have involved everything from natural pigments and the ancient Egyptian perfumes to Bauhaus-era color theory and meteorites dangling from clear glass bells. During her Berlin residency, Miller visited the Vienna Natural History Museum and found creative inspiration in an exhibition exploring the European Space Agency’s Rosetta mission and the discovery of molecular data that gave scientists an idea of what it might smell like on the surface of Comet 67P/Churyumov–Gerasimenko. “From that experience,” Miller said, “I started diving deeper into other stellar spectrum-based research that hypothesized the scent of other atmospheres, gas clouds and stars.” Informed by this line of inquiry, her DoSeum exhibition “Making Scents of Outer Space” is billed as “a multi-sensory experience that includes taking off from Earth and ending in a visit to a black hole.” Furthering Miller’s fascination with olfactory sensations and the memories they can spark, the project comprises “scent stations,” “sensory pods” and even scratch-and-sniff sculptures based on the smells one might encounter while navigating the cosmos. A socially engaged San Antonio artist who’s garnered attention from NPR, Artforum and the New York Times, Menjivar works with photography, archives, sculpture and other mediums to address topics both timely and universal — including border issues and the role luck plays in our lives. Eight years ago, Menjivar discovered the joys of birdwatching when a Belted Kingfisher landed in his backyard. “From there I was hooked,” he told us. “And I fell in love with not just the birds, but with looking and listening as I navigated the world around me every day. I began to see a lot of overlaps with contemporary art — color, texture, context, movement, — and wanted to share that with others.” Said overlaps promise to emerge from “Birding the DoSeum,” a series of 12 life-size bird photographs printed on aluminum boxes equipped with corresponding chirps. In addition to pairing the sights and sounds of birds commonly found in South Texas, Menjivar’s project seeks to offer viewers a newfound appreciation for the natural beauty that surrounds them. In conjunction with their well-deserved gigs, both artists-in-residence will host intriguing, hands-on workshops, with Menjivar tackling “Seed Bombs” with the Audubon Society on November 23 and “Nest Making” with artist Marta Solis on November 30 and Miller leading participants in the creation of smelly planets with “Scented Playdough” on November 23 (advance registration required at thedoseum.org/artist-in-residence). $14, 10 a.m.-5 p.m. Mondays-Fridays, 9 a.m.-5 p.m. Saturdays, noon-5 p.m. Sundays through Jan. 12, 2020, the DoSeum, 2800 Broadway, (210) 212-4453, thedoseum.org. — Bryan Rindfuss

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arts

‘Always Home for Me’

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San Antonio still loves Tony Parker, and the Spurs point guard is loving it right back BY M. SOLIS

an Antonio couldn’t have been any more all-in about celebrating Tony Parker Day. Inside Dillard’s North Star Mall store, a group of Spurs loyalists gathered on November 9 and listened intently as Parker recounted his unlikely journey from France to the NBA. The event was part of Parker’s duties as a brand ambassador for watch maker Tissot, and eager fans plunked down $350-plus for new timepieces and guaranteed access to the greatest point guard in Spurs history. “You have to put it in perspective,” Parker told them. “Back then, there were no European point guards. There was only, I think, two or three international players. I was just telling myself like, ‘If I can just play, maybe a good backup, play 10 minutes. It’d be great.’

And then after four games, Pop calls me on the plane, and he says, ‘You’re going to start.’ And I was like ‘Oh my God.’ It was super fast. That’s why I say, even in my wildest dreams, I never dreamed about a career like that.” Watching the NBA from afar in France, Parker idolized legendary point guards Magic Johnson, Gary Payton and Isiah Thomas. He arrived in San Antonio in 2001, and like Tim Duncan before him, Parker won his first NBA championship with the Spurs in just his second season. His youthful confidence and mental toughness in the face of often intense coaching quickly endeared him to San Antonio’s hoops-crazed community. According to Parker the feeling was mutual. “It’s home,” Parker told the Current. “I arrived when I was 19 years old and they adopted me, and that’s where I grew up. I love the

city. I love the fans. The love that they have for the players, for the Spurs organization is just unbelievable. San Antonio will always be home for me.” Blessed with unparalleled speed, a dynamic spin move and his patented teardrop, Parker quarterbacked the Spurs to three additional titles, displaying the type of swagger usually associated with the league’s glamor franchises. Of course, there were a few minor missteps. A fledgling rap career that coincided with his third championship raised eyebrows off the court, and Parker was notably injured in 2012 during a New York City nightclub brawl involving Chris Brown and Drake. Paired with Duncan and running mate Manu Ginobili, Parker paced the winningest trio in NBA history to 575 regular season wins and 126 postseason victories. He finished his career with the Spurs as the franchise leader in assists, with 6,829 total dimes, despite never really being regarded as a distributor. On the day celebrating his personal legacy, Parker publicly lauded the chemistry between San Antonio’s Big Three, noting its impact on their collective journey. Coach Gregg Popovich echoed the sentiment prior to Parker’s jersey retirement ceremony. “Let’s just imagine that they had egos so that they couldn’t deal with each other,” Popovich told assembled media. “You don’t have championships. You have pretty good seasons probably. Less fun. That wasn’t the case. We were unbelievably fortunate. It was like serendipity to have three guys that you could coach and hold them accountable just like you would anybody else on the team. No special treatment or anything like that.” R.C. Buford, CEO of Spurs Sports & Entertainment, was visibly moved when praising Parker’s and Ginobili’s resilience and physicality in “perilous circumstances.” “One of the toughest days of my career was when Tony got hurt in the playoff series in the first round,” Buford told reporters. “To know how injury-resilient he’s been and then to see just in one play, him go down, I know that was hard for all of us. But then the determination that we saw in his return from a significant injury that had not had great results from within the NBA return-to-play community, I think was again a sign of the toughness that Tony brought to the game.” After a listless 109-113 loss to the Memphis Grizzlies, Parker’s signature number 9 became the 10th jersey retired by the San Antonio Spurs. By joining his fellow Big Three in the AT&T Center rafters, Parker fittingly closed the curtain on a quiet dynasty that transfixed generations of Spurs faithful. When asked on Tony Parker Day how fans and pundits should remember him, Parker was succinct. “Whatever they want,” Parker told the Current. “That’s people’s choice. For me the way I look at it is we had an unbelievable journey and I feel very blessed that I was part of it.”

Find more artsmore coverage Find news every day at sacurrent.com

arts Master Craftsman

Getting to know Victor Salas, the San Antonio artisan behind Forged Oaks BY BRYAN RINDFUSS

n 1987, Victor Salas’ father’s business, ARTchitectural Interiors, was tapped to build hand-carved chairs, a table and throne for the record-setting mass Pope John Paul II delivered to a crowd of 350,000 in San Antonio. When it came time to deliver the custom-crafted throne, the Salas family opted for a slightly eccentric, labor-intensive option. After building a custom trailer outfitted with ropes, they secured the elaborate chair on top and pulled it roughly 16 miles to Westover Hills by hand. “We pulled it all the way up Culebra, all the way to the site,” recalls Salas, who was 10 at the time. “It was a wholeday event. It was crazy.” As for the reasoning behind this unusual delivery method, Salas explained that it was the most authentic, “oldworld” strategy the family could devise for the task at hand. Even today, authenticity and old-world sensibility are hallmarks of the work Salas designs and builds at his own business, Forged Oaks. With a name that marries his two main materials of choice — iron and wood — the company is a go-to for interior designers, builders and homeowners looking for one-of-a-kind furnishings, from hand-carved

26 CURRENT | November 20–December 3, 2019 | sacurrent.com

This custom bar built from reclaimed wormy chestnut is among the many furnishings Forged Oaks created for a multimillion-dollar Boerne home modeled after an Italian villa.

doors and fireplace mantles to wrought-iron gates and staircase railings. The statement-making pieces are built to last — traits that distinguish them from off-the-shelf items and hold a status Salas likens to an heirloom. After graduating Central Catholic High School in 1995, Salas relocated to Austin to study design, photography and drawing at the University of Texas. While pursuing his BFA in art history, he kept a hand in the family business, often spending weekends at job sites, spreading the word about ARTchitectural Interiors and making sales. Later, after landing an architecture degree, he interned for a firm in St. Louis but found his duties — chiefly generating AutoCAD drawings from a desk — unfulfilling compared to the family business’ hands-on work. So, he returned to San Antonio in 2003 and started full-time with his father. Salas rose to a senior-level position at ARTchitectural Interiors but ultimately found himself at a crossroads. While his father pursued commercial work, Salas was more interested in the high-end residential market. These divergent paths led to a falling out, and Salas struck out on his own in 2014. Hurdles marked his first year on his own. Not only was he suddenly Courtesy of Victor Salas without tools and equipment, he was without a workspace. “I was literally working out of people’s garages,” Salas said. “I had a lot of work that first year. I had so many different shops set up at different locations. My metal shop was set up on one part of town, my woodworking shop was set up in a couple of different locations, my finishers were in a different location. … And I was in my car the whole time, almost like running from job site to job site.” The following year, Salas secured his own shop and upgraded to the 12,000-square-foot space he now occupies in North Shearer Hills. During a tour, Salas explained his creative process, which typically begins with a conversation or sketch that informs an AutoCAD drawing, then a to-scale mockup. Such mockups abound in his shop — slices of elaborate banisters, decorative window casings and wooden railings expertly finished to mimic marble. When asked what sets his shop apart, Salas explained that he’s driven by both design and detail. As an example of this attention to the latter, he showed off a forged iron banister. Appearing deceptively light with its swirly, filigree

pattern, the piece looked surprisingly seamless and organic — every intersection had been smoothed over with a coat of Bondo then painted with costly automotive paint to weather the elements. “We use all solid wood,” Salas added. “We’re not using particle board or MDF. So, the way we construct things is more 0ld-world.” Thanks to his team — which comprises iron workers, woodworkers and finishers — Forged Oaks is also a onestop shop. “We’re able to work with the client, work with the designer, work with the architect,” Salas said. “We do drawings, make the samples, build it, do the finish and do the installation — all in-house.” Although 90% of what Salas builds isn’t in the public eye, his work is showcased in some prominent locations. He restored the furniture inside the church at Mission San Juan Capistrano, for example, and refurbished quatrefoil windows, duplicated period moldings and forged a new flagpole for the Bexar County Courthouse. He also made the stately double doors that distinguish the Lucchese Boot Company in the Quarry. Arguably his most visible project, a sculptural iron tower rendered in a ribbon-like design, is installed in Woodlawn Lake Park. Two of Salas’ most recent projects involved solid wooden doors created in the signature style of architect O’Neil Ford’s brother Lynn Ford, the craftsman behind the woodwork at Trinity University. While one job involved the restoration of an original door burned in a fire, the other entailed a new build created in collaboration with local designer Hillary Walker Conrey. “Victor is a true joy to work with,” Conrey said. “Not only is he a gifted artist in multiple mediums, but he’s professional and collaborative as well. He’s got a can-do spirit and is able to make my most outlandish decorator ideas a reality.” “Victor inherently understands the nuances of a beautifully designed object,” added Clare Watters, lead project manager for the specialty hardware company Alexander Marchant. “Everything he builds reflects this sensibility.” For more about Victor Salas and Forged Oaks, visit forgedoaks.com.

Bryan Rindfuss

Salas shows a portion of an unfinished forged iron banister in the Forged Oaks warehouse.

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arts Reality Bites

Comedian Lewis Black’s had enough of selfish, immature politicians running the country BY KIKO MARTINEZ

omedian, actor and author Lewis Black finds it remarkable how the United States has ended up in a place where people are “living in two different realities.” He is, of course, alluding to the impeachment inquiry faced by President Donald Trump and how the average American — depending on their political affiliation — regards it. With that in mind, Black has a solution for the bitterness felt between both parties — a solution that sounds more like an idea for an apocalyptic reality show rather than a serious plan to restore civil discourse. “I say we put [ranking member of the House Intelligence Committee] Devin Nunes and [chair of the House Intelligence Committee] Adam Schiff in a boat and tie them together,” Black, 71, told the Current. “Then, we should push them away from the shore and tell them, ‘When you’re both ready to speak to each other and find out the facts, then you can come back. If one of you dies in this process, the other one is allowed to eat you.’” Although Black’s The Joke’s On Us Tour, which comes to the Majestic Theatre on Thursday, November 21, has little to do with politics, he was revved up during a recent phone interview to rant about today’s partisan climate. Most Donald Trump detractors would say his presidency has been a continuation of what he did on his reality show prior to occupying the Oval Office. Would you agree? Well, none of these people [in Congress] are very entertaining. They’re awful at what they do. They’re all bad actors, including the one everyone thinks is a reality star. This is like traffic-accident entertainment, and everyone is rubbernecking. You’re a self-described socialist. Have you put your support behind Elizabeth Warren or Bernie Sanders for 2020? No. My support is worthless. It’s like putting a rubber band under a brick. I

was certainly for Bernie [in 2016]. I never had a candidate, so it was exciting. But it is ridiculous when [conservatives] paint the entire [Democratic] Party as socialists. Democrats do the same thing. They all need to just stop it! You don’t get to do this anymore! We’re adults. We know you’re full of shit. Is there a common issue that everyone can rally around during the next year, or is it too late for Congress to try to get anything done? What Americans really want — and it shouldn’t be difficult — is infrastructure. Just do that. Do something that shows that you actually have concern for what’s occurring in the rest of the country as opposed to the goddamn votes you think you’re going to get. No country has had more and been able to do less! They do more in Portugal with less! Come on! Grow the fuck up! How do you fix it? First of all, you bring back civics class, so when people go into a voting booth, they know what they’re voting for. Maybe when someone becomes president, they’ll have a concept of certain things they can’t do. Maybe some of the people who are in Congress — both sides — would know what they can do or at least know where to look — like the Constitution. Why do you consider yourself a ‘pissed-off optimist?’ Because I know we can do better than this. That’s the only reason I’m angry. I’m angry because none of this is difficult. The men [in Congress] literally spend their day wondering, “Gee, how do I tie my dick in a knot?” What’s your take on the “cancel culture” these days and how celebrities can be blacklisted on social media for doing or saying something that’s deemed offensive by a particular group? I think it’s a case-by-case basis. You look at what happened to [former Sen.] Al Franken. He got caught in a tsunami. With [Supreme Court Justice] Brett Kavanaugh, it would’ve been better if he

Courtesy of Lewis Black

said that he did this stuff when he was a kid and that he’s grown up. But it’s judgement by social media, which is lunacy. It’s helped in some ways and been destructive in others.

Lewis Black: The Joke’s on Us Tour $39.50-$75

media, it’s like being back in high school. It’s like this big hallway where people point fingers.

8 p.m. Thursday, November 21

I’m talking to you about a month 224 E. Houston St. before your show in San Antonio. Do you (210) 226-3333 have any predictions majesticempire.com about the impeachment saga over the next few weeks? As a comedian, It all depends on whether any of these are you worried you’re going to say people want to come out and say somesomething that will ruin your career thing. The Republicans can squawk one day? all they want, but what they can’t do is At times, I’m shocked that people make things up. You can’t just create a don’t respond to things I’ve already different reality. We need to allow this said. Every time I finish an interview, I think, “Did I say something I shouldn’t process to go on without both sides needing rabies shots. have said?” When it comes to social Majestic Theatre

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Courtesy of the Esperanza Peace and Justice Center

Courtesy of the Briscoe Western Art Museum

Good Gifting

Reduce corporate consumption and support local artists by shopping San Antonio’s holiday markets BY KELLY MERKA NELSON

ig corporations are already desperately vying for consumers’ holiday dollars, but each year it’s less and less appealing to keep lining billionaires’ pockets. Fortunately, it’s not difficult to find meaningful, locally and ethically produced gifts, so you can feel good while you spend your hard-earned holiday cash. A bevy of local markets highlight the Alamo City’s unique cultural offerings, giving locals and tourists alike the chance to support independent artisans and makers. To that end, we’ve rounded up six ways to shop that are certain to yield one-of-a-kind and guilt-free gifts.

ZONARTE HOLIDAY MERCADO DE AZTLAN

Centro Cultural Aztlan’s Zonarte Market draws together artisans from San Antonio, Texas and Mexico for its annual holiday mercado. Offerings include folk art, sculptures, paintings, jewelry and even furniture, so you may need to bring a vehicle big enough to haul home a gigantic purchase. This year’s artists and vendors include Gricelda Nill, Martin Emmanuel Rangel, Lupe “Spike” Muñoz, Pam Pons, Rogelio Vega and many more. Friday’s opening day

will be accompanied by “Música y Sangría,” and on Sunday shoppers can sip authentic Noche Buena as they browse. Free, 6-9 p.m. Friday, November 22, 10 a.m.-6 p.m. Saturday, November 23 and Sunday, November 24, Centro Cultural Aztlan, 1800 Fredericksburg Road #103, (210) 432-1896, centroaztlan.org.

YANAGUANA INDIAN ARTS MARKET AND COMMUNITY DAYS

ming, United San Antonio Pow Wow Inc., Grammy-winning performance artist Ty Defoe’s Hoop of Life, native flutist Ryan Little Eagle and more. Free, 10 a.m.-5 p.m. Saturday, November 23, 10 a.m.-3 p.m. Sunday, November 24, Briscoe Western Art Museum, 210 W. Market St., (210) 299-4499, briscoemuseum.org.

BRICKADELIC HOLIDAY SWAP ‘N SHOP

Craving some end-of-year shopping but running short on cash? Brickadelic has got you, fam. The vintage market is hosting a holiday version of its Swap ’n Shop, an earth-friendly and money-saving alternative to hitting the mall. Bring along a pile of junk you need to get rid of — providing it’s junk someone else might want — and swap amongst the other participants to your heart’s content without paying a dime. RSVP brickadelic.market@gmail.com to reserve a spot and participate. Free, noon-5 p.m. Sunday, November 24, Brick at Blue Star, 108 Blue Star, facebook.com/ brickadelic.

The Briscoe Western Art Museum 30TH ANNUAL MERCADO DE PAZ celebrates San Antonio’s indigenous The Esperanza Peace and Justice artists with its Center’s Mercado sixth annual de Paz is the gold Yanaguana Indian standard for local Arts Market, a markets and a two-day festival welcome alternafeaturing more tive to Black Friday than 40 Native madness. Each American artists year, the two-story and performers. Esperanza Center This market isn’t overflows with just for browsing artists from San — both days are Antonio and filled to the brim beyond, selling a with programvariety of artesaming, including nia that includes museum tours, hand-woven rugs, art workshops, pottery, vintage Courtesy of the San Antonio Museum of Art storytelling and goods, soaps and performances by Eagle Point Drummuch more. The three-day market is

Courtesy of the San Antonio Museum of Art

accompanied by live music, and hypoglycemic shoppers can refuel with tasty snacks such as chicken mole and vegan menudo. Free, 10 a.m.-6 p.m. Friday, November 29 and Saturday, November 30, noon-6 p.m. Sunday, December 1, Esperanza Peace and Justice Center, 922 San Pedro Ave., (210) 228-0201, esperanzacenter.org.

SAN ANTONIO MUSEUM OF ART HOLIDAY FAIR

While the San Antonio Museum of Art’s regular gift shop wares are nothing to shake a stick at, art-loving shoppers will certainly relish the chance to check out the expansion of offerings highlighted in the museum’s sixth annual Holiday Fair. A smorgasbord of vendors will showcase their products on SAMA’s West Courtyard, including clothing label Nomzee Designs, feminist art collective The Wednesdays, the Weavers of Southwest School of Art and folk artist Michele Parlee. Free, 10 a.m.-5 p.m. Saturday, November 30, San Antonio Museum of Art, 200 W. Jones Ave., (210) 978-8100, samuseum.org.

HECHO A MANO OUTDOOR MARKET

Calling all last-minute shoppers — you don’t have to settle for poorly thoughtout gifts purchased at the last minute on Amazon Prime. Four days before Christmas, the Guadalupe Cultural Arts Center will present its annual Hecho a Mano festival as a savior to holiday procrastinators. This year inaugurates a new partnership with the Avenida Guadalupe Association to host the fest at the historic Plaza Guadalupe, expanding the footprint of the market, which was held at the Galería Guadalupe in past years. In addition to providing an avenue for local makers and artisans to reach shoppers, Hecho a Mano features a canned food drive that benefits Inner City Development. Free, noon-6 p.m. Saturday, December 21, Plaza Guadalupe, 1327 Guadalupe St., (210) 271-3151, guadalupeculturalarts.org.

sacurrent.com | November 20–December 3, 2019 | CURRENT 31

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A Beautiful Day in the Neighborhood delivers an affable look at Mr. Rogers’ impact BY KIKO MARTINEZ

n his 1998 profile of beloved children’s TV personality Fred Rogers, journalist Tom Junod wrote that “there was an energy to him … a fearlessness, an unashamed insistence on intimacy.” In A Beautiful Day in the Neighborhood, which is based on Junod’s article, director Marielle Heller (Can You Ever Forgive Me?) and co-writers Micah Fitzerman-Blue and Noah Harpster (both of TV’s Transparent), put their faith in the idea that moviegoers will be just as enamored as Junod was by the idyllic spirit of Mr. Rogers — and the legacy he left behind. Heller isn’t concerned with the nostalgia brimming from the 31 years Rogers hosted PBS’s Mr. Rogers’ Neighborhood, although there are a handful of trips to the Neighborhood of Make-Believe to satisfy the biggest fans of puppet characters like King Friday XIII, Daniel Striped Tiger and Henrietta Pussycat. Instead, Heller wants audiences to feel an affinity for Rogers himself. With two-time Oscar winner and “America’s dad” Tom Hanks (Forrest Gump) portraying the soft-spoken Rogers, that’s not a difficult request. What is harder to accept, however, is the narrative decision by Fitzerman-Blue and Harpster to tell Rogers’ story through an intermediary. A Beautiful Day in the Neighborhood is not a film about Rogers as much as it is a project centered on how

TriStar Pictures

Rogers affects the life of a newfound friend. That friend is Junod — whose name is changed in the film to Lloyd Vogel (Matthew Rhys) — a journalist assigned to interview Rogers for a series on American heroes for Esquire magazine. Lloyd is a broken man with deep anger stemming from his relationship with his estranged father (Chris Cooper), who comes back into his life to try to make amends for inflicting years of emotional pain on his son. Through Lloyd’s animosity toward his father, Heller and her team try to show the goodness and purity Rogers exudes with everyone he meets. It’s a bold move to produce a Mr. Rogers movie and not actually place Mr. Rogers center stage, but the choice to funnel the script through Lloyd’s suffering is a bit underwhelming. Maybe it’s because Fitzerman-Blue and Harpster

Mob Mentality Film legend Martin Scorsese adds The Irishman to his catalog of celebrated crime dramas

hroughout Oscar-winning filmmaker Martin Scorsese’s (The Departed) mobster epic The Irishman, many of the film’s shady, real-life characters are introduced to audiences by two facts appearing on screen in text form: their name and cause of death. No surprise, many of them meet their demise from a bullet to the back of their head. These grim citations are a stark reminder of the criminal underworld on which Scorsese has built his reputation as a director over the past half century. But they also serve as a bit of irony, since one of the main subjects in The Irishman, teamster leader and mob associate Jimmy Hoffa, is legendary — partly because his whereabouts remain a mystery after he vanished in 1975. In The Irishman, Scorsese and Oscar-winning screenwriter Steven Zaillian (Schindler’s List) run

screens

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with a theory based on the 2004 book I Heard You Paint Houses by homicide prosecutor and investigator Charles Brandt. In the book, Brandt chronicles the life of labor union official and mafia hitman Frank “The Irishman” Sheeran, who confessed on his deathbed that he assassinated Hoffa — an admission of guilt rejected by many historians. However, that event is only a small portion of the sprawling, 209-minute Scorsese saga following Sheeran (Robert De Niro) as he rises in rank, from a small-time crook stealing meat from delivery trucks to a trusted assassin working for crime boss Russell Bufalino (Joe Pesci). Later, Sheeran becomes acquainted with Hoffa (Al Pacino) and is drawn deeper into the syndicate.

decided there just wasn’t enough conflict inside Rogers’ own storyline to shape it into something compelling enough for the big screen. Viewers, however, were given a glimpse of what a feature narrative film could have been during last year’s critically acclaimed Won’t You Be My Neighbor. That documentary examined Rogers’ career and how he used his TV show to tackle weighty issues such as divorce, racial tensions and war. Still, as safe and insulated as A Beautiful Day in the Neighborhood is, it’s almost impossible not to be entranced by its charms. It’s innocuous, yes, but it’s also as comforting as a warm cardigan sweater. A Beautiful Day in the Neighborhood hits San Antonio theaters November 22.

Spanning 60 years, The Irishman must first be commended for its technical achievements. The special effects used to de-age De Niro, Pesci and Pacino into younger men are incredible. Although similar processes were used in past films — last month in Ang Lee’s Gemini Man, for example — the degree to which Scorsese’s drama executes these feats of visual precision are more breathtaking, groundbreaking and surreal than anything that’s come before. Beyond that, De Niro, Pesci and Pacino lead some of the best ensemble acting of the year. Pacino’s supporting role as Hoffa is a master class in conveying the perfect balance of attitude, restraint and humor and is his finest work in decades. It should easily earn him a ninth career Oscar nomination and his first since winning the award in 1993 for Scent of a Woman. Although it might feel familiar, The Irishman is unlike any of Scorsese’s other high-profile mobster pictures. It benefits from a deliberate pacing and less-violent approach in comparison to films like Goodfellas and Casino. The Irishman is currently playing at San Antonio theaters. It debuts on Netflix November 27. — Kiko Martinez

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More Movie Merch Makers

Negamidas pins its hopes on customers connecting to classic and obscure movie references

ot a movie lover in your life that deserves more than a sexy leg lamp for Christmas? These local makers specialize in cinematic gifts.

BY KIKO MARTINEZ

Bad Pins 5 Lapel pin designer Ben Martin is “just a dude from Texas who enjoys turning what makes us laugh into wearable art.” Movie-themed pins available for purchase include Bill Murray’s character from the 1980 comedy Caddyshack and a penis in a tub of movie popcorn. badpins.bigcartel.com

ilm has always been a big part of life for San Antonio native and business owner Gilly Mullenfeld. “I grew up with a mom who was really into movies,” she said. “I would stay up late with her watching classic monster movies and The Twilight Zone.” When Gilly met her future husband John on MySpace during high school and found out they both shared a deep love for cinema, there was no turning back. They even named their first-born son Quentin after Pulp Fiction director Quentin Tarantino. Gilly and John turned their fondness for film into a business. After living together in Southern California for a few years, they had become avid pin collectors and spent time trading them with others at Disneyland. When they saw people designing their own movie-themed pins, they decided to start their own company. “[John] is an artist, so we thought, ‘We can probably do that too,’” Gilly said. In 2015, the two created Negamidas, cult classic and pop culture retailer selling custom, high-quality enamel pins. Its moniker is a nickname John uses for Gilly. Because she’s clumsy, John refers to her as the antithesis of King Midas, the king in Greek mythology who turned things into gold with a single touch. The first pin the couple created was the main character from the 1985 comedy Teen Wolf wearing a pair of 3D glasses. In the four years since then, their catalog has expanded to approximately 50 designs. Those include Bill Murray’s character Peter Venkman from the original

Courtesy of Negamidas

Ghostbusters, Leatherface from the 1974 horror movie The Texas Chainsaw Massacre and the DeLorean from sci-fi franchise Back to the Future. Along with film references most people know, Gilly and John also like to create pins that are a bit more obscure. For example, they designed a pin of the character Walter Seznick and his poodle Queenie from the 1989 Tom Hanks comedy-thriller The Burbs. Then, there’s the one of actress Thora Birch’s character Enid from the 2001 comedy Ghost World. “We make stuff that we like,” Gilly said. “When Stranger Things came out, everyone was making Stranger Things stuff. It was a good way to make a quick buck, but we never make something just because we know it’ll sell.” Sporting an obscure pin in public, Gilly said, is an easy way to tell who “your people” are. “If I’m out and I’m wearing an Enid pin, someone might go, ‘Oh, I know that!’” Gilly said. “I’m like, ‘Cool! They know the niche thing that I’m into!’” Plus, pins just make people happy. “There’s so much negativity in the world right now,” Gilly said. “So, it’s been great to find this nice, encouraging pocket of people. It’s like, ‘Wow, this E.T. pin I made five years ago got me a really cool friend.’” The couple’s merchandise is available at negamidas.com.

Cha Cha Covers Designer Ana Guajardo creates nail decals related to “her heritage … as well as the pop culture icons that she grew up loving.” Her claw covers include scenes from movies such as Elf, A Nightmare Before Christmas, Beetlejuice, Edward Scissorhands and The Addam’s Family. chachacovers.com Hello Reg If you want to purchase a t-shirt with an image of Jeff Goldblum’s character Seth Brundle from the 1986 horror film The Fly vomiting on his hands, look no further than local artist Regina Morales’ wearable designs. helloreg.threadless.com Jess Adorables With a fine arts degree from the University of the Incarnate Word, artist Jess Guerra has combined creepy and cute into a business model. One of her custom keychains features precious cartoon versions of horror movie villains Pennywise, Freddy Krueger and Jason Voorhees. jess-adorables.myshopify.com Stinkin’ Patches Co. E Handcrafted patches embroidered by designer Michelle Griego give new life to your boring blue jeans and beanies. Try ironing on one of Griego’s Groot patches from Guardians of the Galaxy or a patch that pays homage to the 1935 horror classic Bride of Frankenstein. etsy.com/shop/ stinkinpatchesco The Wednesday’s Art a Sisters Rebecca and Jackie Gonzales make a lot of vagina-themed artwork, but they also create stickers and prints for fans of Tim Burton movies, The Craft, the Harry Potter franchise and Moonrise Kingdom. etsy.com/shop/thewednesdaysart — Kiko Martinez sacurrent.com | November 20–December 3, 2019 | CURRENT

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40 CURRENT | November 20–December 3, 2019 | sacurrent.com

food Noah Acevedo

Easy Sipping

the South. The distillery produced 180,000 bottles for 13 states across the country this year and plans to expand its reach to 26 states by this time next year. As part of its growth, the company expanded beyond its original product to offer limeade-, grapefruit -and lemonade-style gins infused with real juice. The new flavors allow cocktail enthusiasts to easily create easy-toimbibe drinks at home. “One of the other goals we wanted to Courtesy of Seersucker accomplish with the gin was to make it more approachable and accessible,” Trey Azar added. “This is a shortcut to a cocktail, and much more accommodating to the American palate. People freak out about how easy they are to use — you literally just need to add club soda.” Seersucker’s Seersucker Bee’s Knees production facili2 oz. Seersucker Southern Style Lemonade Gin ty, located at 8501 Cover Road, has of honey and mint. 1 oz. honey also evolved into The result is a spir2 oz. sparkling water a local drinking it that is as easy to Pour gin into a glass. Mix honey and water in a destination. The drink alone as it is shaker and stir until honey is dissolved. Pour shak5,000 square-foot to add to patrons’ er contents into glass, top with ice and a lemon distilling and botfavorite cocktails. garnish. tling site includes “Our goal all an indoor bar, exalong was to develpansive lawn area op a gin that was with games and a domestic leader space to host cocktail classes and give guests for both those who don’t usually drink gin a 360-degree look at the distilling process. and the existing gin drinkers,” Trey Azar said. Seersucker’s products start at $29.99 online Seersucker distills its products in small and are available at local liquor stores or batches via a hand-hammered copper pot, using botanicals found throughout Texas and online at seersuckergin.com.

Seersucker Gin aims to broaden the appeal of the botanical-infused spirit BY LEA THOMPSON

fter successfully launching Cinco Vodka distillery in 2010, Sam Antonio couple Trey and Kim Azar recognized need for a locally produced gin that would appeal to both bartenders and drinkers who enjoyed the spirit’s more complex taste profile. Using their vodka as a base, the pair launched Seersucker Gin in 2017, bringing a gin to market with a crisp and refreshing taste profile designed for broad appeal. Where London dry gin usually depends on juniper for its flavor profile, Seersucker takes a citrus-forward approach, including juniper in the flavor structure but ending with notes

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food 10 Locally Produced Gifts for San Antonio Foodies BY LEA THOMPSON

he holidays are all about indulgence, which makes them the perfect time for food gifts, or gifts inspired by food. Here’s a sampling of locally sourced items — many great for stocking stuffers — that will delight the foodie on your list.

TEANESS SINGLE ORIGIN-MATCHA 5

Chemicals don’t belong in your teacup. San Antonio-based Teaness specializes in single-origin matcha, an antioxidant-rich green tea from Japan, that’s as beautiful as it is good for you. A stocking stuffer-sized 30-gram order will set you back $14. teanesstea.com.

ORGANICALLY BATH & BEAUTY DIRTY CHAI LATTE SOAP BAR

Organically Bath & Beauty has captured the sweet creaminess of the favorite drink in a soap bar — and it’s peak fall, y’all. The homegrown business uses only organic ingredients to create soaps that will leave that special someone clean and smelling delicious. The soap runs $8 per bar. organicallynathbeauty.com.

BARBACOA APPAREL FIDEO TOTE 5

This beloved San Antonio dish is often overlooked, but Barbacoa Apparel recognizes fideo as the star it truly is. The local clothing maker has put it front and center on a new $10 tote that anyone could find handy on their next H-E-B trip. barbacoaapparel.com.

SA FLAVOR “DON’T BE SELF CONCHAS” PIN \

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This small-yet-sweet enamel pin from Fiesta medal maker SA Flavor is a great reminder to any gift recipient to come as they are. The pins sell for $8. store.saflavor.com.

LATIN TWIST: TRADITIONAL AND MODERN COCKTAILS

Food bloggers Yvette Marquez-Sharpnack and Vianney Rodriguez of Muy Bueno and Sweet Life teamed up launch this incredible book cataloging best Latin-inspired cocktails around. Why not support a local retailer by picking it up at Feliz Modern for $22.50? felizmodern.com. SA

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Who knew a Southside coffeeshop offered such exquisite single-origin Columbian coffee? Coffeecionando shines with options including its Castillo Supremo, a nutty, earthy coffee with a hint of brown sugar. What’s more, each bag includes info on the farmer your purchase supports. Castillo Supremo sells for $16.50 per 12-oz. bag. coffeecionado.coffee.

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BrushFire Farms has developed a line of award-winning spicy-sweet jams that make the perfect topping for cheese spread or a glaze for chicken, pork or beef. The jams, available at Central Market, run $7.99 per jar. facebook.com/Brushfire-Farms-2028104987437322. A sampler of Tio Pelon’s three original salsitas — Salsita Emma, Salsita Verde: Cremosa and Salsita de Tomatillo — makes a perfect gift for anyone who likes things just a little spicier. The three-pack sells for $19.99. tiopelonsalsita.com.

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Whether you’re buying for someone looking to keep cold weather at bay or trying to boost their inner and outward beauty, this chicken-bone broth infused with shiitake, shallot and sage is sure to hit the spot. Six 15-oz. jars will set you back $72. fondbonebroth.com.

Help someone on your holiday list represent la Cultura while cooking, baking or barbecuing. The aprons are available for $10. karolinasantiques.com.

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sacurrent.com | November 20–December 3, 2019 | CURRENT 43

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Inner City Greens

Courtesy Interstellar Farm

Interstellar Farm’s organic microgreens are finding their way onto San Antonio tables BY LEA THOMPSON

ith 12 years of organic farming under his belt, Chris Babis launched Interstellar Farm in January, growing a small-but-mighty product inside a near-downtown warehouse. Using high-efficiency LED grow lights inside urban food hub Local Sprout, Babis raises nutrient-dense, non-GMO microgreens that are fast developing a local following. Since he started the business, they’ve become a plate staple for restaurants including The Hoppy Monk, Restaurant Gwendolyn, Bakery Lorraine and The Good Kind. “I think there’s a huge demand for healthy, locally grown foods, especially things that are plant-based and good sources of protein,” Babis said. “The food that most people are used to getting at the grocery store just really doesn’t have a lot of flavor. I think the that’s why the microgreens stand out to people.” Interstellar Farm has since launched pickup and select delivery services for

San Antonio customers, and recently teamed up with fellow Local Sprout business PickledSA to create special microgreen and pickled veggie salads for catering functions. While restaurant accounts currently make up a large share of the business, Babis is also targeting home cooks. For those customers interested in adding more flavor, nutrition and style to everyday dishes, the farm offers home delivery for microgreen mixes (8 oz. for $10) and sunflower shoots (8 oz. for $10; 16 oz. for $18). Babis also offers tours to those curious to see his urban cultivation project up close. “That’s one of the great things about growing things locally,” he said. “Not only are we part of the community, but we’re also restoring some of civics back into agriculture, where people feel connected to the place where the food is grown, but and the people who grow it.” Interstellar accepts online orders at interstellarfarm.com.

SOUTH TEXAS SPICE CO. Retail - Institutional - Specialty Blends 8oz. - 300lbs. or more 210.436.2280 • 2106 Castroville Rd • 78237 sacurrent.com | November 20–December 3, 2019 | CURRENT 45

Holiday Menu Appetizers

Mains

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Dean & Peeler Bone-in $24/lb Dean & Peeler Boneless $27/lb Wagyu boneless $47/lb Choice Boneless $19/lb Dean & Peeler $39/Lb Choice $30/lb

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Charcuterie Boards

Jalapeño Pecan Cornbread Stuffing

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Extras Tamales • Brisket or Pork • $18/dozen Bris k et C hili $8 pint Country Break fast Sau sage $8/lb Apple Cranberry Pecan Breakfast Links $8/lb

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Chorizo Cornbread Stuffing Jalapeño Pecan Cornbread Stuffing Chorizo Cornbread Stuffing

Sides Brisket Mac & Cheese • $5 pt • $10 qt Mexican Street Corn • $6.50 pt • $13 qt Twic e Baked Po tatoe s 2 / $ 6 4 / $ 1 2 Jalapeño Pecan Cornbread Stuffing $15 1.5 qt

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46 CURRENT | November 20–December 3, 2019 | sacurrent.com

food

Ron Bechtol

Needs a Little Aging

Maverick Distilling and Brewing is blazing new trails, and the kitchen sometimes keeps up BY RON BECHTOL

he Lockwood National Bank building languished unappreciated for much of the 21st century until the arrival of its saviors, Drs. Ken and Amy Maverick. Ken Maverick is a direct descendant of Samuel Augustus Maverick, a signer of the Texas Declaration of Independence and owner of the land used to later build the bank. Since their takeover, the building’s former cash deposits have been replaced with gleaming distilling and brewing equipment that turns out other liquid assets: freshly minted whiskey and gin, along with an ambitious roster of beers — and even a restaurant. There’s much more literature on the history and distilling at Maverick, but there’s nothing like first-hand experience. I walked in one day hoping to score a slot in Friday’s noontime

Distiller’s Tour ($12). Turns out it was just me and head distiller Rikk Munroe. Monroe may look young and inexperienced, but he already has a double gold from the San Francisco World Spirits Competition under his belt — admittedly for a bourbon that began life in Tennessee and Kentucky then came to Blanco to be aged at Ben Milam distillery under his tenure as head distiller. These days, however, Munroe is all about “grain to glass,” and at the end of your tour you’ll have the opportunity to evaluate his success so far with spirits that are admittedly young and inexperienced. Maverick calls its unaged, Texas wheat-based Light Whiskey a “vodka drinker’s whiskey.” Not true. Like it or not, this spirit already has far more character. Still a foundling, Alamo Whiskey,

a four-grain blend featuring a fair amount of corn, is aged for precisely one day in new American oak barrels that populate the former basement vault, and it’s amazing how much difference that makes. Gin needs no aging, and a sample of Maverick’s take on this classic, softer and lighter on juniper than a traditional London dry, but proved to be a worthy variation. It was fragrant with mint marigold, coriander and pecan. Maybe a little too soft to stand out was a spirit Munroe makes from agave nectar imported from Mexico. Tour complete, lunch was then just an elevator ride away. A small bowl of street corn chowder started things off with a bang. Enhanced by queso fresco, the soup was beautifully creamy and boasted almost enough fried tortilla strips. With a little more chili lime spice, I’d gladly order the bigger bowl. I probably wouldn’t repeat the Cubano sandwich, however. Not exactly a counterfeit Cubano, it was diminished in my estimation by trying too hard. The house-cured ham — boiled ham is usually sliced, deli-style — was present only in wisps. What’s more, the braised pork belly — traditionally, sliced pork shoulder — was too loose and fatty for my personal taste, and the whole thing didn’t seem to have been pressed enough to bring the house-made mustard and sliced Swiss fully into the party. Sam Maverick lent his name to the term “maverick” that today stands for someone rebellious. Back in the day, it came about because of his refusal to brand his calves. That the current generation has no such branding qualms, you need look no further than the impressive dinner plates: “Maverick Whiskey San Antonio, Texas” is emblazoned

there for all to see. This sets up certain expectations of proudly sized servings, and those expectations are met in appetizers such as the smoked Gulf redfish canapes. Lofted by a mound of baby greens and encircled by a syrupy balsamic drizzle, the crostini were more dry than buttery and toasty, but they were nevertheless a reasonable platform for the delicate, shredded fish and its accents of pico de gallo. My entrée arrived looking even loftier. Billed as a Whiskey Citrus Brined Double Cut Pork Chop, the plate unfortunately misfired from the get-go. I suspect most of us agree that two fives stacked atop one another have the same purchasing power as a single ten. The same does not pertain to pork chops. Yes, with two thin ones I got had twice as many grill marks, but the expected juiciness and tenderness had been replaced by something dryer and less appealing. Even so, some good flavors from marinating did emerge. Served a little less soupy, the chops’ bed of braised bacon, spinach and kale with roasted sweet potato would have been a perfect companion. Pumpkin Beeramisu won cleverness points on the dessert menu, but since I’d done a flight of the four available beers on tap — Mission City Blonde Ale, Lockwood English Porter, Sam Maverick Rye Pale Ale and Sam Maverick Nashville Hot Chicken — and hadn’t found one that thrilled, it fell to the Whiskey Desperation Pie to usher out the evening. The flavors here, enhanced by a salted caramel drizzle, candied pepitas and bacon shards, were all terrific, but the sturdy, cookie-like crust was too thick to allow for much of the old-fashioned filling — an easy issue to fix. Like the spirits, the kitchen just needs a little maturation time.

Maverick Whiskey 115 Broadway (210) 447-7011 maverickwhiskey.com

Restaurant hours: 11a.m.-10 p.m. Tuesday-Thursday; 11 a.m.-11 p.m. Friday-Saturday Accessible

Best bets: Street corn chowder, smoked redfish canapes, Whiskey Desperation Pie. Bottom line: Maverick Distilling is a potential double — make that triple — threat experience. It turns out spirits such as whiskeys, a gin, an agave liquor and soon a rum; it sports a micro-brewery; and it boasts a polished-looking dining room backed by a substantial menu including such items as cast iron goat cheese and chicken fried quail. Offered whiskey tours are well worthwhile. Service is already accommodating in the upstairs restaurant. The kitchen just needs to catch up. sacurrent.com | November 20–December 3, 2019 | CURRENT 47

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Art Hernandez’s Ruckus Audio Pedals builds effects prized by local guitar gurus BY CHRIS CONDE “My pedalboard is my paint pallet — my color pallet,” explained Two Tons of Steel guitarist Will Owen Gage. “This is what I’m using to paint my pictures.” Gage and blues guitar hotshot Ruben V are among the local musicians who have enlisted local electronics whiz Artorius “Art” Hernandez to help color their sounds. Both use Hernandez’s custom-built pedals to help embellish the tones they wring from their electric guitars. San Antonio born and raised Hernandez, 34, owns Ruckus Audio Pedals, a boutique producer of guitar effects. He started making the boxes six years ago while working as a technician at now-defunct retailer Redbone Guitars. After learning how to modify and fix effects pedals, he figured out how to create his own, eventually sourcing parts, soldering circuit boards, drilling holes in the boxes and mounting the boards inside. After comparing

his work against brandname pedals, he realized that he had a knack for creating the gear. “I noticed a lot of people in town weren’t building pedals,” said Hernandez, a welder by trade. “So that’s why I started concentrating on building them a little bit more and not just building one at a time, but 10 [at once] and making them all look uniform.” Gage started using Hernandez to fix and upgrade his gear in 2011. After they both ended up on the staff at Redbone a few years later, Hernandez began building custom effects pedals for the guitarist. “When there weren’t any customers, we’d be just talking about gear and discuss the sci-

music

Painting with Sound

Chris Conde

ence behind guitar tone and nerd out,” Gage said. “[Hernadez] told me that he could basically make any pedal but could make them with higher quality components and could customize the circuit to your taste, which was really cool, especially to have someone in San Antonio. Because before I met Art, I never thought that there was anyone in town that can do that kind of stuff.” Ruben V shared Gage’s sentiments about Hernandez. “He built me a double overdrive pedal and a looper,” said the musician. “I had put something on Facebook looking for a particular pedal and [Hernandez] said, ‘Dude, I can build you one.’ So, he built me a double overdrive.” Besides being able to deal with a local source for his gear, V appreciates Hernandez’ ability to understand his concept for a particular pedal and execute it. “What I like about Art, as opposed to [pedal manufacturer] Boss, and [other brands] is that with them, you’ve got to buy whatever’s out,” V said. “With Art, you can tell him what you kind of have in mind, and he’ll build it for you. He’s great at pulling the vision out of your head.” Besides building custom pedals for musicians, Hernandez also sells a variety of stock pedals that create common effects like delays, overdrives and distortion. His standard pedals sell for $80 to $120, depending on what they do, and his custom ones start at $120. Although Ruckus pedals aren’t available in retail shops, Hernandez Chris Conde sells online at facebook. com/ruckusaudiopedals and through face-toface contact with local musicians. He admits he’s been too busy tinkering to focus on marketing. “I haven’t been able to do the proper advertising, but one day I would like to just build pedals entirely for custom orders and stock them in a store front,” Hernandez said.

Find more music coverage every day at sacurrent.com

800.982.2787

sacurrent.com | November 20–December 3, 2019 | CURRENT 51

music ‘If You’ve Got the Eggnog…’ Pep up your holiday playlist with 8 South Texas Christmas songs that don’t suck BY SANFORD NOWLIN

t sure drains the life out of any holiday get together when the soundtrack is populated by the same old well-tread Christmas classics. With that in mind, here’s a double handful of yuletide tunes from South Texas artists to liven up your playlist. Of course, technology makes it possible to load any and all of these onto a digital playlist, but why not support the musicians by shelling out for some vinyl? You’ll have fun playing DJ for family and friends, and you’ll rest easy knowing you compensated someone for their art.

THE KRAYOLAS “CHRISTMAS WITH MY DAD”

Nostalgic without being sappy, San Antonio’s Saldaña brothers’ recently released single celebrates family with British Invasion-style hooks and harmonies plus a little Tex-Mex stirred in for good measure. Anyone who’s missing a relative around the holidays an relate to this one.

GIRL IN A COMA “BLUE CHRISTMAS” E

This track by the defunct SA punk band led off the 2009 Christmas comp by Joan Jett’s Blackheart records — and with good reason. After starting out with a melancholy country

feel, it builds into a fun rocker propelled by a snappy rhythm section and Nina Diaz’s distinctive vocals.

SUNNY AND THE SUNLINERS “I WANT TO COME HOME FOR CHRISTMAS”

Even though this classic side by one of the deans of San Antonio’s Westside Sound clocks in at under two minutes, Sunny Ozuna’s sweet voice drips soul for every second. A great one to savor with your second Christmas-morning bloody Mary in hand.

STEVE EARLE “CHRISTMAS IN WASHINGTON” San Antonio-raised Steve Earle no longer calls Texas home, but his “Christmas in Washington” deserves a place on this list for the power of its message — a timely lament about the sad and soulless state of our democracy. Plus, how can you not love a song with a refrain of “Come back, Woody Guthrie.”

PATSY TORRES “SAN ANTONIO CHRISTMAS”

Sure, the repeated callouts to San Antonio landmarks make this one a little chamber-of-commerce-y, but Tejano giant Torres’ jazzy remake of “Home for the Holidays” is a perfect showcase for the versatility of her voice.

TEXAS TORNADOS “RUDOLPH THE REDNOSED REINDEER”

Once you hear the opening line “You know Dasher and Dancer and Prancer and Vixen, and Panchito and Juanito and Lupito and Flaquito,” you know your stocking is about to overflow with puro party. The combination of Augie’s box organ and Flaco’s accordion will have anyone dancing around the Christmas tree.

JIM CULLUM JAZZ BAND “WE THREE KINGS” This classic carol adapts well to a swinging arrangement, and it’s seldom possessed more authentic swing than it

Courtesy of Girl in a Coma

does on the late jazz purist’s Hot Jazz for a Cool Yule collection. By the time the whole band kicks in on the “star of wonder” part, you’ve got a Dixieland hop spinning on the turntable, daddy-o.

HICKOIDS “WE’VE GOT THE EGGNOG IF YOU’VE GOT THE WHISKEY”

If the above selections just don’t bring enough weird to the party, this low-fi nugget should do the trick. The venerable San Antonio-Austin cowpunk ensemble recalls the time Ol’ Pappy pulled off his peg leg and decorated it like a Christmas tree to teach the young ’uns a lesson about the season. Yee-haw!

Five Gift Ideas for Music Lovers on Your List

the website, locate an upcoming show and spring for tickets. 2410 N. St. Mary’s St., papertigersatx.com.

ROBOT MONSTER GUITARS

BY CHRIS CONDE

t can be daunting to shop for anyone, but music lovers can be especially tough. After all, how are you going to know what new releases they already have in their collection or what up-andcoming bands they’re already soured on. Here are five can’t-miss ideas that avoid both of those traps. And, best of all, they keep it local.

HOGWILD RECORDS New turntable

Vinyl is just back, and the length of its resurgence suggests it’s not going away. Musical artists from local favorites to big names such as Beyoncé and Metallica have committed to the format, not just with new releases but reissues. If you’ve got a special music fan who hasn’t yet

Used instrument or weird collectible

Has your musical friend got eyes on a vintage guitar or maybe a warm-sounding tube amp? Robot Monster’s got you covered. Or maybe they’re the type who collects odd items like horror movie action figures. Again, Robot Monster’s got you covered. 517 E. Woodlawn Ave., (210) 320-1710.

made the leap, this may just what they need. 1824 N Main Ave, (210) 733-5354.

ELEMENT TATTOO Gift card

Whether they’re in a band or just look like they might be in one, chances are your music-loving friend either wants a tattoo or is itching to add to their collection. Why not buy them another or at least pay for a portion of their body project with a gift card? After all, this is one gift that says “forever.” 4741 Fredericksburg Road, (210) 979-9877, elementtattoo.com.

SAN ANTONIO MUSIC ACADEMY Musical instrument lessons Shutterstock

PAPER TIGER

Ticket to a touring show

By hosting an eclectic range of genres from Mexican folk and hip-hop to indie and post-rock, San Antonio’s Paper Tiger has proven itself to be one of the most exciting venues for hosting national and international acts. Browse

Are you sick of seeing your music-loving friend play air guitar? Maybe it’s time for them to learn the real deal. Or maybe you know that they put their instrument down years ago and you want to give them a refresher course. Either way, treat your friend to some lessons. 9910 W. Loop 1604 N. Suite 103, (210) 681-7262, samusicacademy.com.

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sacurrent.com | November 20–December 3, 2019 | CURRENT 53

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samsburgerjoint. com 54 CURRENT | November 20–December 3, 2019 | sacurrent.com

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music | music Picks TODRICK HALL

top pick

Wednesday, November 20 Actor, dancer, director, drag queen, choreographer, songwriter and YouTuber, Todrick Hall’s entire career so far has been a tour de force. Jumping into the public eye when making it onto the ninth season of American Idol, Hall propelled his fame further with his active YouTube presence and ultimately became a mainstay in the homes of America with his recurring role as a judge and choreographer on the Emmy-Award winning show RuPaul’s Drag Race. From releasing his own albums to staring as Lola in Kinky Boots on Broadway, Hall is an omnipresent force in the entertainment industry who continues to stand up and represent the LGBTQ community. $25-$79, 6:30 p.m., Aztec Theatre, 104 N. St. Mary’s St., (210) 812-4355, theaztectheatre.com. — Chris Conde

HOMEWERK SATX WITH JOHNNY FIASCO AND JT DONALDSON In case you need to vibe out to some house music this weekend, Homework SATX will feature beat-heavy sounds from Johnny Fiasco, JT Donaldson and Colorblog. Visuals by JDS lasers will have you dancing the night away in a bid to keep warm. Free, 8:30 p.m., Southtown 101, 101 Pereida St., (210) 263-3753, southtown101.net. — BE

MANIFEST ’19

Friday, November 22

LOS WALTERS, LZRCAT

Q: THE MUSIC OF QUEEN

BESTIAL MOUTHS

With its club-ready beats with goth rock aesthetics, Bestial Mouths makes music perfect for a dance party in a cemetery. You could even say they put the rave in graveyard. $8-$13, 9 p.m., Amp Room, 2407 N. St Mary’s St., (210) 320-2122, theamproom.com. — CC

OTTMAR LIEBERT

Five-time Grammy nominee Ottmar Liebert is bringing his soothing Spanish-influenced music to San Antonio. Liebert was born in Germany, where he studied both classical and flamenco guitar as a child. Since then, he’s gone on to receive more than 38 gold and platinum album certifications around the world. Latest long-player Fete will be the first for his new label, HuHeartDrive. $20-$45, 7 p.m., Aztec Theatre, 104 N. St. Mary’s St., (210) 812-4355, theaztectheatre.com. — Rhyma Castillo

ELEVADÓRES

It may sound a little presumptuous for The Pearl’s jazz club to call itself Jazz, TX. We all know it’s in the heart of downtown San Antonio, but its lineups are certainly worthy of statewide attention. Take this free happy-hour performance by a local trio featuring Damian Rodriguez on bass, Ricky Hernandez on keys and Michael K. Gomez on drums. The group will perform songs from debut album Going Up. Sounds like a good way to get drinks flowing and the taste of work out of your mouth. Free, 5:30 p.m., 312 Pearl Pkwy, Bldg. 6, (210) 332-9386. — JN

PIÑATA PROTEST

San Antonio’s Piñata Protest has been carving out its name on a national level via a unique amalgam that matches punk with conjunto and Tejano. Touring with huge acts like Sepultura and Brujeria hasn’t exactly hurt either. Psychobilly act Phantom Rockers round out the bill. $10, 9 p.m., Amp Room, 2407 N. St. Mary’s St., (210) 320-2122, theamproom. com. — CC

Thursday, November 21 Comprised of Angel Figueroa and Luis Lopez, this electronic pop pair from Puerto Rico — say that cinco veces mas rapido — has thrived on living and creating their art all over the globe since 2011. Their Spanish-language songs sometimes morph into live-band shows in the studio that result in full-scale productions. See which version shows up on the St. Mary’s Strip in support of new EP Caramelo. $12-$15, 8 p.m., Paper Tiger, 2410 N. St. Mary’s St., papertigersatx.com. — Jay Nanda

Old Bandera Road, (210) 695-8827, liveatfloores.com. — RC

Courtesy of Todrick Hall

Comprised of members from the band Mothership plus other crack musicians, Q: The Music of Queen is all about capturing that stadium rock band’s iconic shows from the ’70s and ’80s. $20-$120, 8 p.m., Sam’s Burger Joint, 330 E. Grayson St., (210) 223-2830, samsburgerjoint.com. — CC

Hosted by 98.5 The Beat and held in a warehouse gallery, Manifest ’19 aims to showcase rising, local indie-urban artists via a one-day Southtown festival. The event also promises DJ sets, art and food trucks to keep music explorers occupied between sets. It never hurts to support hometown music creators. $15, 3 p.m., AV Expression, 125 Guadalupe St., (210) 748-6810, avexpression.com. — BE

top pick

TWIN TRIBES, VIVA NON, CARTILAGE CASANOVA

Want to cry, feel seduction and worship Robert Smith? Look no further than Texas natives Twin Tribes, who bring back ’80s gothic nostalgia through synth-skimmed songs about the undead, black lipstick and single dangling earrings. Support comes from other electronics-heavy acts Viva Non and Cartilage Casanova — who’s replacing Nite on the bill — plus DJ Ely Bat. Free, 8 p.m., Amp Room, 2407 N St. Mary’s St., (210) 320-2122, theamproom.com. — Brianna Espinoza

Saturday, November 23

MATADOR RECORDING STUDIO 4 YEAR ANNIVERSARY

Celebrating four years in business, small but mighty Matador Recording Studio has assembled a lineup worth checking out including Chicano Soul act Los Nahuatlatos, poppy alt-rockers The Lost Projects and more. Free, 7 p.m., Burleson Beer Garden, 430 Austin St., (210) 354-3001. — CC

GARY P. NUNN

As a father of Austin’s early ’70s progressive country scene, Gary P. Nunn is a Texas institution. Perhaps his most wellknown song is “London Homesick Blues,” which served as the theme song for the Austin City Limits TV show for two decades, Nunn continues to release heartfelt music that reflects the state’s musical diversity. His 2012 album One Way or Another is the perfect soundtrack for swigging a couple beers and building up the courage to talk to that girl or guy you like. $20-$50, 7:30 p.m., John T. Floore Country Store, 14492

Megan Elyse

THIS WILL DESTROY YOU

Sunday, November 24 Pushing the genre of post-rock into progressively stranger territories, This Will Destroy You formed in 2005 in San Marcos of all places. At first listen, fans of ethereal instrumental music might be inclined to write off TWDY as a clone of Explosions in the Sky — a fellow Texan post-rock outfit that got its start in El Paso during the late ’90s. However, a deeper listen reveals the more ominously named San Marcos band is more than holding its own, caroming through darker, dronier corridors as part of its ongoing sonic experimentation. $16-$18, 7 p.m., Paper Tiger, 2410 N. St. Mary’s St., papertigersatx.com. — CC

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music | music Picks Saturday, November 23

top pick

SONAR DNB

Austin crew Sonar DnB, head to Web House to perform original tracks featuring heavy bass and beats that seem to defy the ranges of human hearing. But wait, there’s more: the event organizers will be beefing up the venue’s rumbling, ear-tickling bass frequencies. Free, 9 p.m., Web House, 320 Blanco Road, (210) 531-0100, webhousecafe.com. — BE

Monday, November 25

WILLIE NELSON + FAMILY

Willie Nelson really doesn’t need much of an introduction. As a pioneer of outlaw country, 86-year-old Nelson is a living legend and one of the Lone Star State’s most revered singer-songwriters. His stand at the historic Majestic also includes a Tuesday, November 26, performance. $49.50 - $99.50, 7:30 p.m., Majestic Theatre, 224 E. Houston St., (210) 226-5700, majesticempire. com. — CC

Tuesday, November 26

DALE WATSON

If you’re adhering to No Shave November, you might have the facial hair to truly feel a part of this gig, billed as Watson’s “Outlaw Thanksgiving.” Seems appropriate, since the Austin-bred country singer invokes the black-hat vibe of the ’70s classics. However, much of his music is more rooted in classic Americana. His unwillingness to cave to Nashville commerciality is certainly something to be thankful for. $10, 8 p.m., High Horse Lounge, 456 Milam St., (210) 600-4440, highhorselounge.com. — MM

HED P.E.

Wednesday, November 27 Back when nu-metal was still a new thing, entire movie soundtracks were filled out with bands executing their version of the genre’s blend of chunky metal and hip-hopinformed grooves. While Huntington Beach’s Hed P.E. never got as big as Korn or Limp Bizkit, its song “Swan Dive” placed it on the Dracula 2000 soundtrack alongside heavyweights such as Linkin Park, Powerman 5000 and Disturbed. Although the Hed P.E.’s shifted its sound over the years, at times taking a stab at something a little

Friday, November 29

PARKER MCCOLLUM

Parker McCollum is a country-pop songwriter based in the “Live Music Capital of the World” just up Interstate 35. His music can be characterized in two words: country radio. In other words, he’s twangy but not too tangy for mainstream palates. For those enjoy such things, his appearance on this

Saturday, November 30

PAT GREEN

Courtesy of Hed P.E.

heavier, the band still retains the alluring grooves that brought it attention in the first place. $14, 7 p.m., Rock Box, 1223 E. Houston St., (210) 677-9453, therockboxsa.com. — CC

post-Thanksgiving bill might be a good excuse to get off the couch and shake some tailfeathers. $20-$40, 7 p.m., Cowboys Dance Hall, 3030 NE Loop 410, (210) 646-9378, cowboysdancehall.com. — RC

JUST CAN’T GET ENOUGH — DJ TRIBUTE TO DEPECHE MODE VS. THE CURE Sure, it’s on Black Friday. But if you wear

top pick

THE REED BROTHERS, K. PHILLIPS, NATE RODRIGUEZ

This Lone Star trifecta of artists features SA natives Keegan and Kyle Reed playing a hometown show of rock and soothing Southern blues. K. Phillips, meanwhile, hails from West Texas and was named after his mom’s favorite Texan, Kris Kristofferson. Writing songs since the age of 6, Phillips’ cathartic career took flight via the tragic circumstances of losing his best friend and girlfriend in separate drowning incidents when he was 18. Rodriguez, a San Marcos resident, opens the night with an eclectic array of styles forged by his ability to sing, play guitar and drums. 7 p.m., $12-$50, Sam’s Burger Joint, 330 E. Grayson St., (210) 2232830, samsburgerjoint.com. — JN

This evening of house and techno features Toronto native Ticky Ty venturing to the Alamo City for the first time. After honing her craft in Japan, she’s developed a performance approach that sounds suited to get the party pumping. “There’s no reason why you can’t feel and express the music just as much, if not more than, everybody on the dance floor,” Ty says. “That’s why when I spin, I’ll also dance, get on the mic, and act out the lyrics … whatever the mood calls for. I’ll answer with everything I am.” $5, 8 p.m., Limelight, 2718 N. St. Mary’s St., thelimelightsa.com. — JN

ALEX PAUL SCHEEL

Scheel, formerly of local indie-rockers Pop Pistol, brings an intimate performance to Havana Hotel’s Ocho bar as part of a monthly live series with a rotating roster. Expect to hear tunes from his old band plus covers including PJ Harvey’s “Shame Shame.” Free, 8 p.m., Ocho, 1015 Navarro St., (210) 222-2008, havanasanantonio.com. — JN

The popular Tejano/Norteño band is bringing its show to the Majestic for a pre-Thanksgiving bash. Among Intocable’s notable successes was playing at halftime for a 2011 Cowboys-Redskins game. You can use your imagination about today’s NFL to consider whether the band would be offered that gig now. $39.50-$149.50, 8:30 p.m., Majestic Theatre, 224 E. Houston St., (210) 226-5700, majesticempire.com. — MM

The beloved country singer-songwriter will swing through for a Friendsgiving evening. In addition to releasing both Call Me Lucky and Live Deluxe… Plus this year, he continues putting in the road work to remain a popular live act. 7 p.m., The Rustic, 17619 La Cantera Pkwy, Ste. 204, (210) 245-7500, therustic.com. — MM

TICKY TY, SUMMER ALEXIS, DLO, FLEX, JSTJOY

Wednesday, November 27

INTOCABLE

black because it matches the color of your feels, this DJ-driven evening dedicated to two ’80s mall-goth mainstays may be an antidote for consumer zombie madness. Wax Club Lounge, 221 San Pedro, (210) 379-4788, facebook.com/waxclublounge. — MM

Lyza Renee

BLACK PUMAS

Saturday, November 30 Austin’s bluesy, soul-rocking Black Pumas having been blowing the fuck up as of late. Composed of multi-instrumentalist and producer Adrian Quesada and singer-songwriter Eric Burton, the group only formed last year and has already landed a guest spot on Jimmy Kimmel Live. But there’s more reason to see them live than just being able to say you caught the next big thing. By mixing up vintage soul textures with bluesy rock, the duo is quickly carving out a unique musical that gives a backward-looking sound some contemporary urban grit. $20-$22, 8 p.m., Paper Tiger, 2410 N. St. Mary’s St., papertigersatx.com. — CC

GARY CAIN BAND

The Gary Cain Band delivers a bluesy, dirty twang that seems like it’s got deep appeal for country fans. But its appeal is actually wider than that. Critics have hailed the trio’s genre-bending tendencies, and it was a semifinalist in The Blues Foundation’s International Blues Challenge. Call for price, 6:30 p.m., Specht’s Store, 112 W. Specht Rd., (830) 438-1888, barandgrillsanantonio.com. — RC

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music | music Picks top pick

WORLD

ED MAVERICK

AIDS

Sunday, December 1 Mexican folk singer-songwriter Ed Maverick writes perfectly minimal songs that have helped him blow up on Spotify. Backed only by his own guitar, Maverick creates raw music that exudes an infectious charm. You can tell he’s not worried about singing or playing his songs perfectly or hitting every note correctly — it seems he’s more concerned with communicating with sincere emotion. Think a baritone, southof-the-border Elliott Smith and you’re in approximately the right territory. $15, 8 p.m., Paper Tiger, 2410 N. St. Mary’s St., papertigersatx.com. — CC

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THE DOO WOP PROJECT

Let’s throw it back — waaay back to the ’50s, when slow-dancing with your date to “Earth Angel” was the perfect way to spend a Saturday night. The five-member Doo Wop Project takes audiences back to that simple time via delicious vocal harmonies. Expect them to take modern pop hits from the likes of Michael Jackson and Maroon 5 and turn them around with a doo-wop twist. $29.50-$39.50, 7 p.m., Charline McCombs Empire Theatre, 226 N. St. Mary’s St., (210) 226-2333, majesticempire.com. — RC

MARTINA MCBRIDE: THE JOY OF CHRISTMAS 2019

Known for a sterling soprano voice and a crossover approach similar to Shania Twain and Faith Hill, McBride will pop into town in support of last year’s Christmas effort It’s the Holiday Season. Looks like the country-pop star is trading in her cowboy hat for a winter coat this season. $49.75-$89.75, 7 p.m., Majestic Theatre, 224 E. Houston St., (210) 226-5700, majesticempire.com. — BE

CHEVELLE

top pick Courtesy of Chevelle

Tuesday, December 3 Chevelle has forged had a lasting career via a sound that combines nu-metal, prog and active rock. Formed in Illinois in 1995, the band has amassed a loyal fanbase over the course of eight albums. While the band has strived to create its own sonic identity, it hasn’t been able to escape comparisons to Tool — especially its similar riffing approach and singer Peter Loeffler vocal timbre, which bears a hint of Tool vocalist Maynard James Keenan. Considering Chevelle’s continuing popularity, it doesn’t seem like the band’s fans are too upset by the similarities. San Antonio certainly doesn’t, considering that Chevelle’s played Oyster Bake something like 10 times now. $32-$65, 6:30 p.m., Aztec Theatre, 104 N. St. Mary’s St., theaztectheatre.com — CC

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