IIT 2012 FALL PARIS STUDIO by Euijun Jeong

S l o w Society Time and Space Euijun Jeong

Architecture Atelier

Culture Center for Helsinki 017 : Euijun Jeong

Due to growing accessibility of art in digital media, museums must adjust their identity to more than only being dedicated to exhibiting arts. My project is about redefining the museums as a huge civic space where various activities happen and provide unique experiences rather than present one directinoal information. A museum for slow society will meet what people have missed until today.

018 : Euijun Jeong

Conceptual Rendering#1:Plaza

Helsinki Cultural Center

019 : Euijun Jeong

The neat polarities of tradition and modernity, colonial and poostcolonial, no longer suffice for interpreting the globalized present. The Helsinki Cultural Center is concerned with the potential for aestherics to stimulate people across all ages, and stages in life - to open possibilities for them to participate in the making of their own culture through various modes:reflection, disccusion, and production. Therefore, it will support complementary and interdependent activities:education, production, exhibition, and the exchange of ideas and materials.

020 : Euijun Jeong

021 : Euijun Jeong

Helsinki

Learning from Guggenheim Helsinki Project In Brief, a Guggenheim Helsinki would be a premier destination:a central gathering place or “town green”for the city and a must-see destination for locals and foreigners alike. This Museum would present an opportunity to successfully marry profound social engagement with an outstanding program at precisely the right moment and within an optimal geopolitical context.

The Museum and its visitors will have the chance to help define the new model of museums going forward by combining elements of a traditional exhibitions hall with a strong emphasis on creative process and acting as a catalyst for social change, drawing an important and sizable audience from all over the world. The solomon R.Guggenheim Foundation,New York, Helsinki Guggenheim

022 : Euijun Jeong

Building a museum of this caliber, with the Guggenheim’s world-class imprimatur, is the next logical step for Helsinki’s strategic long-term vision to ba a cultural capital and center of innovation.

023 : Euijun Jeong

024 : Euijun Jeong The solomon R.Guggenheim Foundation,New York, Helsinki Guggenheim

025 : Euijun Jeong

The solomon R.Guggenheim Foundation,New York, Helsinki Guggenheim

026 : Euijun Jeong

shoreline area

027 : Euijun Jeong

028 : Euijun Jeong

site picture form eastside

Plan for Helsinki

029 : Euijun Jeong

Although the shoreline of Helsinki is very important, it is occupied by parking lot and docking. My plan is making open space by minimizing parking lot. Parking garage will make more accesable space along the shoreline that can activate the city.

Plaza

030 : Euijun Jeong

Pompidouâ&#x20AC;&#x2122;s sloped plaza has emotional etmosphere that attract people. New sloped shoreline and plaza will be landscape that make new atmosphere for Helsinki

Develop

031 : Euijun Jeong

from BaM, UEx, Des

Conceptual Rendering#2:Gallery Space

032 : Euijun Jeong

This chpater shows how I develop architectural ideas from three classes(BaM, UEx, DeS).

BaM

Cedric Price and Center Pompidou

033 : Euijun Jeong

Cedric Priceâ&#x20AC;&#x2122;s fun palace is a museum for accelerated society. We can find the relationship between society, environment and architecture through fun palace.

Archigram

034 : Euijun Jeong

Archigramâ&#x20AC;&#x2122;s clear ideas(walking city, capsule, living city, mega structure) show how architectural systems response to accelerated society.

UEx

Walking and Slowness

035 : Euijun Jeong

Memory map and personal project from UEx were exceptional slowness from my routine. It gave me time for thinking and reflection. Making a slow society in the Cultural Center gives apportunity for people to have time for contemplation.

036 : Euijun Jeong

Japanese Garden

System for Slowness

037 : Euijun Jeong

Theaters are place where people stay and watch. Also, it can be a powerful medium for spreading cultural indentiry. I used components(proscenium,apron,thrust, wings,vomitorium,stage)of theater to make slowness in the Cultural Center.

Section of Opera in Paris

038 : Euijun Jeong

DeS

Envelop from Retails

039 : Euijun Jeong

Building facade can be a huge screen that can hold peopleâ&#x20AC;&#x2122;s body and eye. The way of display in retails are manipulation of view. Positive and Negative lenses will attract people by making far view and near view.

040 : Euijun Jeong

041 : Euijun Jeong

Lens makes mnipulation of view that holds peopleâ&#x20AC;&#x2122;s eye

Drawing for Facade System

042 : Euijun Jeong

East facade is a huge screen that displays activities for city

Dialogue btween Plaza and Envelop

043 : Euijun Jeong

Develop

from study models

044 : Euijun Jeong

Picture:Study Model

Space Study#1 Roman

045 : Euijun Jeong

The triple group of the Poekile entrance, square aula, and circle natatorium, can be taken as an example of a sequence of volumes whose vividness and solemnity are exclusicely based on differences of geometrical form between the elements of the group. These three volumes follow one another in the natural order of traversing them; a rectangular prism with a dominant longitudinal axis cube and cylinder. (from Lugi Moretti, Structure and Sequence of Spaces)

Space Study#2 Scenographic

046 : Euijun Jeong

Perspective Space achieves unity through proportional relationships. It has tangible quality; it is bounded and understood through the continuous, its unity is perceptual rather than physical. It relies on ground plane, rather than the wall, as datum (from Lugi Moretti, Structure and Sequence of Spaces)

Space Study#3 Baroque

047 : Euijun Jeong

The internal spaces of St.Peterâ&#x20AC;&#x2122;s remain a composition of elementary volumes, individually seperable and accorded with one another by elements of passage or by other spaces. One has to come down to... the interior of San Carlino[Borromini], to encounter the uttermost point in this whole process of modulating internal volumes and their sequences achieved in attempting to surmont the juxtaposition of spatial singularities in all but countinuous body. (from Lugi Moretti, Structure and Sequence of Spaces)

Space Study#4 Modernist

048 : Euijun Jeong

The experience of...The disassociation of a unitary space by means of screens and diaphrams. ...by starting... from a constructive volume of irregular geometric profile, disassociating space from it, preventing the integral and direct reading of it... by inserting in it free walls and diaphrams which thus come to support unforseeable and uncertain boundry, spatial sectors. It works, that is, in such a way that the space not directly visible remains elusive in intuition. ...Every volume... has [both] an area well centered in focus, and an unfocused field; a species of fogged spatiality...(from Lugi Moretti, Structure and Sequence of Spaces)

049 : Euijun Jeong

Develop from Outside; Building shape study

050 : Euijun Jeong

Study of two diffrent space. one is Tube that is for assigned program(gallery). Another is plain for unassigned program(workshops)

Concept Model#1

051 : Euijun Jeong

052 : Euijun Jeong

Plains are space for workshops thatcan be an exhibition from inside and outside.

Galleries placed in Tubes that provide Scenographic spatial sequence for visitors

053 : Euijun Jeong

Library and Workshop

054 : Euijun Jeong

Civic Space

Civic space makes natural connection between Tubes and Plains

055 : Euijun Jeong

Try to find relationship between Tubes and Plains

Develop Model#1

056 : Euijun Jeong

057 : Euijun Jeong

Making visual connection between spaces to hold peopleâ&#x20AC;&#x2122;s eye and body.Applied componets of theater

Develop Model#2

058 : Euijun Jeong

Windows as fly system

Openings as proscenium

Stairs as auditorium

059 : Euijun Jeong

Cultural Center as theater to make slow Society where gives opportunity for contemplation and reflecting

Develop Model#3

060 : Euijun Jeong

Spatial flexibility from fly system:main lobby can be library and auditorium.

061 : Euijun Jeong

Results

Plan Section Elevation Renderings

Conceptual Rendering#3:Activities

062 : Euijun Jeong

Pictures

ODU

SK DE

CE BY

D CE

ODU

063 : Euijun Jeong

SITE PLAN

PR L

ODU

ED SK

AN PR

PR ODU D CE

ODU

AU DE ED

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

064 : Euijun Jeong

SECTON A

SOUTH ELEVATION

SECTION B

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

D CE

ODU

ODU CT

FIRST FLOOR PLAN

PR L

ED SK

065 : Euijun Jeong

ODU

SK DE

ODU

AN ODU

D CE

BY PR

DU CE D

066 : Euijun Jeong

ODU PR

IO AT UC

L NA

CT ODU PR

ODU

SK DE

D CE

ODU AT

PR L

CT ODU

SECOND FLOOR PLAN

ODU

AN PR

PR ODU D CE

Proscenium

Fly system divides or changes space according to events. For instance, library space can be auditorium by fly system.

Openings are proscenium that hold peopleâ&#x20AC;&#x2122;s eye. It is beginning of slowness.

067 : Euijun Jeong

Fly System

Backstage

Unassigned programs (workshop) on the plain to show activities for people.

Assigned program( exhibition ) in tubes to provide more stable envorionement.

Section Perspective

068 : Euijun Jeong

Stage

069 : Euijun Jeong

Veiw from Gallery

070 : Euijun Jeong

Contemplation from diffrent rhythm of activities.

071 : Euijun Jeong

Activated Shoreline

072 : Euijun Jeong

Cultural Center is starting point for new shoreline

073 : Euijun Jeong

East Perspective View

074 : Euijun Jeong

West Birds eye View

075 : Euijun Jeong

East Facade View

076 : Euijun Jeong

Interior Space View

077 : Euijun Jeong

East Street View

078 : Euijun Jeong

South Elevation

079 : Euijun Jeong

West Street View

080 : Euijun Jeong

Interior View

BaM

Building as Model

083 : Euijun Jeong

084 : Euijun Jeong

Archigram and Cedric Priceâ&#x20AC;&#x2122;s Language in Center Pompidou

085 : Euijun Jeong

Won in competition and designed in partnership with Renzo Piano, the Centre Pompidou brought together the themes - skin and structure, technology and flexibility, movement and anti-monumentalism 1 Center Pompidou, designed by Richard Rogers and Renzo Piano, is one of the most visited cultural center in the world. In 1971 the building built in collaboration with Ove Arup & Partners for an â&#x20AC;&#x2DC;information, entertainment and cultural centre. The building was designed and built in six years, the main steel structure being erected in six months. In terms of architectural idea, it was hugely affected by the group Archigram and Cedric Price who placed architecture in an entirely new perspective within larger unban contexts. They tried to propose architectural scheme not only responsive to changing society but also creating new conditions in the human living environment. From ideas of Archigram and Cedric Price, Center Pompidou did not built as a utopian or monumental construct, but light-weight recombination of disposable components. It is a strongly articulated building that has come to be seen as a Parisian landmark. Also, it was successful that Pompidou role as a catalyst for urban regeneration. 1

Rogersâ&#x20AC;&#x2122; architecture from the mid 1960s.

[1]Pompidou Diagram

[3]Instant City in a field, Peter Cook

086 : Euijun Jeong

[2]Walking City, Ron Herron

Archigram and Cedric Price The title Archigram came from the notion of a more simple and urgent item than a journal, like a telegram or aerogramme-hence, “archi(tecture)-gram.” It was important to the group to break down real and imagined barriers of form and statement on the page as in built form on the ground. 2

087 : Euijun Jeong

Archigram was an architectural group composed of six main members Peter Cook, Warren Chalk, Ron Herron, Dennis Crompton, Michael Webb and David Greene. The group was formed in 1960’s based at the AA(Architectural Association, London). Their ideas were shown through the magazine Archigram. They focused toward survival technology by committing to a high tech, light weight infra-structural approach. Through the environment, space capsules and massconsumer imagery, the group experimented modular technology and mobility. Although their works show clear vision of architectural theory about future machine age, social and environmental issues were left unaddressed. A twenty-first century museum will utilize calculated uncertainty and conscious incompleteness to produce a catalyst for invigorating change whilst always producing the harvest of the quiet eye. 3 Cedric Price was born in 1934 2 Peter Cook, 1972, ARCHIGRAM,page1 3 Hans Ulrich Obrist, 2009, Cedric Price

and he studied at the AA, in the same period as the members of Archigram. After graduating AA, he began teaching there. As an architect, he tends to propose schemes for creating new conditions in response to the human environment. His systemized ideas provoked new notions from existed things. To do that he suggested lightweight recombination of disposable components rather than utopian or monumental constructs. Although Cedric Priceâ&#x20AC;&#x2122;s ideas is not as clear as Archigramâ&#x20AC;&#x2122;s, it has meaningful from it refers social and environmental issues.

Pompidou and Monumentalism

One of the most critical factors in Center Pompidou is Plaza that is most intensively used public space in Paris. Although the plaza was almost half of the Beaubourg site, it created a center for the specialists as well as for tourist and the local resident. By having a space where reflecting the constantly changing needs of users, the plaza becomes a dynamic meeting place where different kind of activities could be overlap in flexible. Also, the plaza reflects an idea of Cedric Price. â&#x20AC;&#x2DC;What then replaced the Harvest Festival and 4 http://www.richardrogers.co.uk/render.aspx?s iteID=1&navIDs=1,4,25,819&showImages=detail& imageID=1653

088 : Euijun Jeong

At the time of the competition, there were no sizeable open spaces in this central area of the city, so the importance of creating public space was the key to this project 4 [4]

089 : Euijun Jeong

090 : Euijun Jeong

[4]Before and after Pompidou

the priest’s Easter sermon? The public execution and the broadsheet. They were in turn replaced by the pleasure gardens and the public library’ (Cedric Price). For Cedric Price, public space is something that has emotional atmosphere. It is the large, paved sloping plaza which holds street theater and music, games, meetings, parades and temporary exhibitions. Public space makes greater public involvement and it could be more successful cultural center.

091 : Euijun Jeong

The plaza has had a significant to regenerate the Marais, neighbored district. To the east, the Centre abuts the street, reinforcing the existing urban pattern. It proved how historic cities enhanced though interacting between modernity and tradition. ‘Cities of the future will no longer be zoned as today in isolated one-activity ghettos, but will resemble the more richly layered cities of the past. Living, work, shopping, learning and leisure will overlap and be housed in continuous, varied and changing structures’ (Richard Rogers). The building was envisaged as a cross between ‘an informationoriented computerised Times Square and the British Museum’, a democratic place for all people, all ages and all creeds, simultaneously instant and solemn, and the centerpiece of a regenerated quarter of the city. It was to be ‘a giant climbing frame’, the antithesis of existing cultural monument 5

5 http://www.richardrogers.co.uk/work/all_projects/centre_pompidou/completed

[5]The ‘Jellymould’ scheme

092 : Euijun Jeong

[6]Sketch for Lincoln Museum, Cedric Price

093 : Euijun Jeong

The site of Center Pompidou located in the center of Paris, near Notre Dame Cathedral and Louvre Museum. As a cultural center, it designed not as a monument but a key connection that in the renewal of the historic heart of the capital. The transparency of the faรงade acts as a communicator which reveals building circulation and mechanical systems. The west faรงade, faced the square, is given over to vertical and horizontal movement (escalator, lifts, escape stairs, galleries and corridors). The glazed escalators which snake up the full height of the building not only celebrate the drama of movement but provide panoramic views of the piazza, its environs and all of Paris. The east faรงade contains all of the mechanical services, goods lifts and fire stairs, with continuous steel galleries for ease of maintenance and access. In competition for a new museum in Lincoln, Cedric Price proposed an idea that juxtaposed the cathedral and the multi-storey car park. The cathedral was a focal point and the car park is a stopping point. He seemed it as the perfect metaphor for a museum.[7] This idea has the relation with the meaning of Pompidou, in terms of monumentality. He wanted to develop dismantling architecture and making it disappears into unconventional systems rather than developing permanent buildings. That was because architecture was too slow to in solving immediate problems. Instead, he stressed that buildings needed to be constructed for adaptability because of the unpredictability of the future use of these spaces.

Flexibility and Unpredictability Carriages or boats mobile structure are related to hardware. Is the structure perhaps the software? Could the structure be an algorithm or a computer program 6 Instant City[7], one of project worked by Archigram, involves the idea about ‘hardware’ (or the design of buildings and places) and ‘software’ (or the effect of information and programmation of the environment). Instant City is programmed city package, like a machine, can self constructed and destructed. The package is always complementary rather than alien because of the program which gathering information from itinerary communities and available utilities. That is a significant architectural idea responsive for ever uncertain circumstance to sustain.

Both Archigram and Cedric Price have the similar idea about flexible space that contained in mega structure. Cedric Price explains the concept of 6 Hans Ulrich Obrist, 2009, Cedric Price

[7]Instant City airships, Peter Cook

094 : Euijun Jeong

Monte Carlo, most developed project by Archigram, was awarded 1st prize in competition 1970. It is a facility for shows, circuses and public events. The interior space is buried underground so that it does not have envelope. There are six entrances to allow each show makes their own environment. Entire space is totally flexible: Each show was able to make its own organization and circulation pattern. No dividing line between performance and transmitted event.

flexible space through the Inter-Action Building. For a long time there was just the concrete plinth and a space frame structure in which prefabricated units would be placed. In that way people could have performances or a circus on the site, even before the building was fully constructed. But in fact it was always unfinished-it could always change: adding other structures and reducing some, throughout its life.

095 : Euijun Jeong

The building is able to be altered in plan, section and elevation to suit changing requirements over the buildingâ&#x20AC;&#x2122;s life. The notion of flexibility is extended to every component of the building, form large clip-on elements that attach to the main faĂ§ade, to interior partitions and services.Piano + Rogers proposed a truly flexible container, in which all interior spaces could be rearranged at will and exterior elements could be clipped on and off over the life span of the building 7 The spatial concept of Pompidou expresses the belief that the buildings should be able to change to allow people the freedom to adjust their environment as they need. Also, individual element is expressed within the whole by deriving the order, grain and scale from the process of making the building. As a result, each element in the building becomes an expression of its purpose. Externally free-standing structural frame supports a series of uniform spaces that is able to change 7 http://www.richardrogers.co.uk/work/all_projects/centre_pompidou/conception

096 : Euijun Jeong

[8]Pompidou Floor Plan

097 : Euijun Jeong

098 : Euijun Jeong

in plan, section and elevation to absorb the unforeseen requirements of the future. The huge, open spaces are serviced both from above and from the raised floor for maximum flexibility in layout. Flexible space in Pompidou makes expectation of unpredictable events in the future. Price described that unpredictability is happiness about a future that is still to evolve and that is what most countries missing from urban development.

Fun Palace

099 : Euijun Jeong

The activities designed for the site should be experimental, the place itself expendable and changeable. The organization of space and the objects occupying it should, on the one hand, challenge the participantsâ&#x20AC;&#x2122; mental and physical dexterity and, on the other, allow for a flow of space and time, in which passive and active pleasure is provoked. 8 The Fun Palace is a complex comprised of various moveable entertainment facilities. The original idea came from theater producer Joan Little Wood. Her idea was dismantling the bored formalism of theater and amusement facilities and tried to find way incorporating them into the everyday life of regional society. It should be non-permanent not only to accommodate indefinite changes, but also expanding 8

Cedric Price,â&#x20AC;&#x2122;A Laboratory of Fun, New Scientist, 14May1964

or contracting to meet local conditions. Price translated this into architectural idea. He separated all component elements based on estimated production conditions, formative environmental factors and years of use for each unit. As a result, the building was to be non-formalistic, porous, unclosed and non permanent. According to his explaination, ‘This complex, which enables self-participatory education and entertainment, can only work – and then only for a finite time – if it is not only access to those living and working in the immediate neighborhood but also, though its varied communication links, accessible as a regional and national amenity. Architecture is a medium of communication (Archigram) 9

The ideas of Archigram and Cedric Price have given inspirations to many architects. Their way of interpreting society into systemized architecture was not only made new language but also a medium for communication. As a medium, Center Pompidou is a successful architecture which has provoked a lot of discussion between people. Through the concept of flexibility and unpredictability it becomes an architecture composed of fragmented elements that interact and correspond with accelerated society. 9 Peter Cook, 1972, ARCHIGRAM 10 Hans Ulrich Obrist, 2009, Cedric Price,68

100 : Euijun Jeong

Creating a continuous dialogue with each other is very interesting; it might be the reason for architecture, that’s the point (Cedric Price) 10

References Peter Cook, 1972, ARCHIGRAM, supported by Warren Chalk, Dennis Crompton, David Green, Ron Herron, and Mike Webb Hans Ulrich Obrist, 2009, Cedric Price The Conversation Series21 Cedric Price, 2003, Re:CP, edited by Hans Ulrich Obrist El Croquis, 1998, Renzo Piano

101 : Euijun Jeong

http://www.richardrogers.co.uk

102 : Euijun Jeong

DeS

Developed Surface

105 : Euijun Jeong

106 : Euijun Jeong

Urban Code Paris

1. Sun is navigation during the daytime Street, alley, passages are one of the most important factors that compose Paris. Thus, walking around the city is good way to see Paris. However, since Paris is not a rectangular grid city, even I have a map, I get lost very often. Furthermore, if I stand on a narrow passage, it is hard to notice out north direction. In that situation, sun is the best navigation for me. It always tells me which direction is the west. 2. Eiffel Tower is navigation during the nighttime Paris is the city that has several faces. According to the season and time, the city shows different atmosphere. Especially, the atmosphere of street between day and night is totally different. Even though I go to the street at night that I already went to before, I can get lost. In that case, the Eiffel Tower is a good reference point. Eiffel Tower is not only the place people see night view, but also an indicator lamp at night. That is the reason why Eiffel Tower is the most famous landmark in Paris.

107 : Euijun Jeong

3. Type of market shows neighborhood density In Paris, we can discriminate three different kinds of markets. Carrefour is the biggest kind of market in Paris. It is usually located on high density population areas. Also, we can find it kind of places where have many floating

population like near boulevards. Franprix is second large market. We can easily find it near residence area or landmark architectures. Finally, small markets are placed in small size villages that are a little bit far from main streets. Some of them open until midnight. According to kind of market, we can read a little information about the neighborhood. 4. Empty space I (Atrium) Atriums in apartments are the smallest elements that compose Paris. Most apartments have their own atrium in Paris. Sometimes, I can see atriums that have different atmosphere, through opened entrance door from the street. Some of it looks like a secret garden. Sometimes, it looks like a luxury park. That little space is essential for apartments. Firstly, it is the resting space just for residents. Secondly, it lets sunlight and ventilation into every unit. Lastly, it removes noise from the street. That is important because most apartments face street directly.

If we say that atriums are small empty space for apartments, parks are large empty space for the city. Similar to atriums have their own atmosphere, each parks has different images. For instance, a huge park in front of the Eiffel Tower is the largest exterior bar in Europe. It is always filled with a lot of tourists. On the other hand, small parks near residence area is meeting point for seniors, parents

108 : Euijun Jeong

5. Empty Space II (Park)

and children. Several different kinds of activities happen in there such as reading, dining, drinking and napping. 6. Empty Space III (Square) The other empty space we can find in Paris is square and plaza. Most of it were important historical places in the past. However, now, it is space for locals and tourists. Those spaces make city lively because many performances happen in there. For example, empty space in front of the Notre Dame is representative. During the daytime, it is resting and photo zone for tourists. At night, we can see people like guitarists, painters, fireworks and dancers.

109 : Euijun Jeong

7. Sounds of the Paris make the city slower One of sound I can listen in Paris is music from performers. On the street, parks, squares and plazas, we can easily listen or see someoneâ&#x20AC;&#x2122;s playing. Sometimes, even we can see concert in a church. That is the most common sound I can listen on the street. Another sound we can listen in Paris is sound of a bell from churches. On the street or in the park, when I listen to the sound, it makes me peaceful. One characteristic I felt in Paris is that it is hard to listen to siren from police cars or fire trucks, except for siren from ambulances. That is one reason why the atmosphere of old streets in Paris looking more romantic, peaceful.

8. Churches made old grid of Paris Now, the city grid of Paris is formed by metro stations. Especially, transfer stations are central points of grids. However in the past, the central gravity of grid was churches. In Paris, we can find many huge and old churches in each district. And I can see that huge clocks on the faĂ§ade. It tells me the role of church in the past. Paris has been a Christian country for a long time. And I can imagine that churches were the central plaza for each village. On weekend, a lot of people would get together at the church. 9. Street is a gallery

110 : Euijun Jeong

There are hundreds number of restaurants in Paris. What is interesting for me is that people sitting in cafĂŠ face to street not each other, even they talk to each other. That is because street is one of gallery or museum. Watching the street from a cafĂŠ is one way that I can study the city. I can see a lot of locals, tourists and cars. From that I can figure it out characteristic of Paris. For example, it is hard to find streetlights on the street because it is hang on the wall of buildings. It is not only making people comfortable walking narrow streets, but also easy watching the street.

10. Miserable environment for disabled people leads to more interaction in the city Most of buildings in Paris do not have proper environment for disabled people. Even, finding elevators in the subway stations is very difficult. One reason for this problem is that since most buildings are quite old, it is hard to renovate it for disabled people. However, it can be a motive that activates mutual assistance between people. For example, we can easily find people who help mothers carrying stroller because they understand the situation. It is one unique characteristic of Paris that is made by the city. 11. Panorama of street makes people keep walking

111 : Euijun Jeong

Paris is the city that has panorama of streets. When I walk around the streets it is hard to notice out big change of the atmosphere. That is because street is continuous. One factor that makes street continuous is no disturbance, like a gas station (it will cause disconnection of faรงade). Slight change of faรงade and street light is another factor that makes walking enjoyable.

112 : Euijun Jeong

113 : Euijun Jeong

PERSONAL PROJECT

Horizontal Surface Research

114 : Euijun Jeong

Waterfront

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Research#2:Street to water

Research#1:Beach

115 : Euijun Jeong

PRODUCED BY AN AUTODESK EDUCATIONAL P

116 : Euijun Jeong

Research#4:Cafe to water

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Research#3:Park to water

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Research#6:Port to water

Research#5:Sidewalk to water

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

117 : Euijun Jeong

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

118 : Euijun Jeong

Research#8:Dock to water

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Research#7:Road to water

PRODUCED BY AN AUTODESK EDUCATION

Research#10:Square to water2

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Research#9:Square to water

119 : Euijun Jeong

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

120 : Euijun Jeong

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Research#11-2:Market plaza to water

Research#11-1:Market plaza to water

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

121 : Euijun Jeong

Vertical Surface Research

122 : Euijun Jeong

Retail Display

123 : Euijun Jeong

Research#1 - Retail

124 : Euijun Jeong

Research#2 - Glass shop

Research#3 - Marimekko

125 : Euijun Jeong

126 : Euijun Jeong

Research#4 - SROCKMAN

127 : Euijun Jeong

Research#5 - Book Store

128 : Euijun Jeong

Research#6 - G-STAR RAW

129 : Euijun Jeong

Research#7 - iittala

130 : Euijun Jeong

Research#8 - RIVERA MAISON

Research#9 - Fred Ferry

131 : Euijun Jeong

132 : Euijun Jeong

Research#10 - artek

Research#11 - LOUIS VUITTON

133 : Euijun Jeong

134 : Euijun Jeong

Uex

Urban Exploration

MEMORY MAP

137 : Euijun Jeong

MEMORY MAP

Index 0.Image of Paris 1.Les Passages;Walking in the Glazed Cave 2.A String of Pearls;Voids in the City 3.Belleville;Rhyhtm and Walking 4.ZigZag;Following the Light 5.Canal de Iâ&#x20AC;&#x2122;Ourcq;My Utopia 6.Collage City;Jungle in the City 7.The 16th;Scenographic Memories 8.Emotion and Space 9.LectureI 10.LectureII 11.Post Card from Helsinki

138 : Euijun Jeong

12.Post Card from Rome

139 : Euijun Jeong

Image of Paris

140 : Euijun Jeong

141 : Euijun Jeong

1.Les Passages;Walking in the Glazed Cave

142 : Euijun Jeong

143 : Euijun Jeong

2.A String of Pearls;Voids in the City

144 : Euijun Jeong

145 : Euijun Jeong

3.Belleville;Rhyhtm and Walking

146 : Euijun Jeong

147 : Euijun Jeong

4.ZigZag;Following the Light

148 : Euijun Jeong

149 : Euijun Jeong

5.Canal de Iâ&#x20AC;&#x2122;Ourcq;My Utopia

150 : Euijun Jeong

151 : Euijun Jeong

6.Collage City;Jungle in the City

152 : Euijun Jeong

153 : Euijun Jeong

7.The 16th;Scenographic Memories

154 : Euijun Jeong

8.Emotion and Space

155 : Euijun Jeong

9.Lecture I

156 : Euijun Jeong

10.Lecture II

157 : Euijun Jeong

11.Post card from Helsinki

158 : Euijun Jeong

12.Post card From Rome

What is your memory map??

PERSONAL PROJECT

PERSONAL PROJECT SLOW WALKING IN PARIS

Picture:Palais de Tokyo This Family recommeded me a good restaurant in Paris. That was the beginning of my project.

Index - Preface 1. Oriental Cafe 2. Chartier Restaurant 3. montmarte 4. luxembourg 5. la villette 6. Canal st Martin 7. Marais 8. Bois de Vincennes 9. Rounge Cafe 10. Musee Gustave 11. Pompidou

163 : Euijun Jeong

Preface My idea for this project started from this paper. I got this paper form a man who I met in Palais de Tokyo. He recommended me a good restaurant in Paris. After I got this, I thought that if I ask people about their favorite place and I go there, I can have a lot of good memories in Paris. I made the title of this book as a slow walking. That was because this walking can be done not by myself but for others. This project allows me know other people better. This book will be my diary about my memories in Paris.

164 : Euijun Jeong

Oriental Cafe

165 : Euijun Jeong

I met Anne in August, because she is my professor for UeX class. The class is walking around Paris every thursday. The reason why I like this class is that I can go many places hard to know by myself. Since she knows a lot of good places in Paris, she recommended me one of them. That is Oriental Cafe in Mosque.

166 : Euijun Jeong

10.30.2012 pm2:02

167 : Euijun Jeong

The atmosphere of this cafe is really uniaue. It is like another world in Paris. As soon as I entered the cafe, a staff gave me a cup of tea. I gave him 2euros. I sit down and taste the tea. I can feel mint. I look around the cafe. There are a lot of beautiful textures. Also, sparrows are sit next to people. Twitter make the space more peaceful. I want to come whenever I want to have my own time and read a book.

168 : Euijun Jeong

Chartier Restaurant

169 : Euijun Jeong

She is bobaeâ&#x20AC;&#x2122;s roommate. I met her when I went to bobaeâ&#x20AC;&#x2122;s house for dinner party. She is good at cooking, so she wrote three recipe books. Also, I can guess her personality by interior furniture. Especially, the texture of curtain is so beautiful.

170 : Euijun Jeong

12.13.2012 pm05:30

171 : Euijun Jeong

To enter the restaurant I have to go through calm courtyard. Since it is earlier than dinner time, there are a few people in the restaurant. High ceiling and wide space remind me of train station. The menu written in French, a waitress recommended me some plates. I order a soup and steak. It is cheap and good.

172 : Euijun Jeong

Montmarte

173 : Euijun Jeong

I met her in chartier restaurant. She was reading a book next to my table. While I ate steak she spilled water on my wallet. It was good opportunity for me to ask about favorite place and she told me very kindly.

174 : Euijun Jeong

175 : Euijun Jeong

12.13.2012 pm05:30 To enter the restaurant I have to go through calm courtyard. Since it is earlier than dinner time, there are a few people in the restaurant. High ceiling and wide space remind me of train station. The menu written in French, a waitress recommended me some plates. I order a soup and steak. It is cheap and good.

176 : Euijun Jeong

Jardin Luxembourg

177 : Euijun Jeong

Yurie is a Japanese girl who I met at the party. When I talk to her, I was very surprised because her English was very good. She is studying English literature. Sometimes, she works as a model. I can see some of her pictures on facebook. Her pictures look quite different from her. As she was on a journey I asked her online and she sent me a message.

178 : Euijun Jeong

179 : Euijun Jeong

11.03.2012 pm02:00 Luxembourg is a huge park in Paris. Whenever I come here I can see a lot of people. The first time when I came here, there were lots of people sitting on the grass. Luxembourgâ&#x20AC;&#x2122;s autumn is different from summer. The color of park changed from green to yellow. It looks more beautiful for me. Watching people in here is very interesting. Some people running, some people reading a book, some people taking a nap.

180 : Euijun Jeong

Parc de la Villette

181 : Euijun Jeong

He is a friend of Bobaeâ&#x20AC;&#x2122;s roommate. I met him in Bobaeâ&#x20AC;&#x2122;s apartment. Since he cannot speak English I did not talk to him a lot. However, I think he is a good man. He brought two bottles of sake for us.His favorite place is La Villette. He told that it is like a beach for him. In summer, there are a lot of concerts and events at night.

182 : Euijun Jeong

11.09.2012 pm08:20

183 : Euijun Jeong

I knew La Villette before coming to PAris. That was because it is famous, of course. Also, I studied about this park when I was fresfhman. Thus, I though that I already knew almost everything about this park. However it is absolutely untrue. Although this park is huge I am not bored at all while I walk around. Red follies and water activate entire park.

184 : Euijun Jeong

Canal Saint Martin Jeremy is the first friend who I made in Paris. I met him in front of Eiffel Tower. When I was drinking wine with my friend he came and talked to me. That was because he was studying Korean. He is from Nice and he is a really kind.

185 : Euijun Jeong

Alexander is a bobaeâ&#x20AC;&#x2122;s boyfriend. He is tall and hansome french guy. He said that the canal is a good place to hang out in summer. I can guess that he is good and friendly person by his reason.

186 : Euijun Jeong

187 : Euijun Jeong

11.28.2012 pm06:12 Since two people recommended me canal saint martin as thier favorite place I want to spend more time here. As soon as I arrive at the canal I can see beautiful subway platform. I walk along the sidewalk. At some point I can see several layers. I can see the canal, walking people, trees, bench, cars and building. Each layers shows different activities. I think this is one of the reason why people like this place.

188 : Euijun Jeong

Marais

189 : Euijun Jeong

She is JJâ&#x20AC;&#x2122;s Korean roommate. Her favorite place is Marais. She told me three reasons. Firstly, it is good place for taking a walk. Secondly, there are many nice museums. Lastly, there are lots of modern retails.

190 : Euijun Jeong

191 : Euijun Jeong

11.28.2012 pm07:50 The Marais is quiet and shiny place. Here are a lot of different retail shops. Since I researched retail display in Helsinki it is more interesting for me. I cannot see retails that has the same dispaly.

192 : Euijun Jeong

Bois de Vincennes

193 : Euijun Jeong

Noggie is a very nice Japanese guy. I met him in August at the party. Although he cannot speak English and I cannot speak Japanese we are very good friends. He always looks happy and it makes me happy too.

194 : Euijun Jeong

11.29.2012 am10:45

195 : Euijun Jeong

This park is located outside of Paris. The beginning of this long journey started from a huge white castle. It is beautiful but looks lonely for me. After going out from the castle I face a huge forest. I donâ&#x20AC;&#x2122;t know where should I go. I just walk following the road. In the park, I can see different kinds of birds. Although this park is really nice I am very nervous because tommorow is my final review. I think going out from this park is not easy.

196 : Euijun Jeong

Rouge Cafe and Musee Gustave Moreau

197 : Euijun Jeong

Schachman is my professor for Paris program. We call him 상어남 that means sharkman in Korean. He recommended me three places. However I went to two of them because I don’t have time. I should go to Deyrolle after final review.

198 : Euijun Jeong

199 : Euijun Jeong

11.28.2012 pm08:40 From the entrance to counter I cannot feel anything special. However, there is a amazing space inside of the cafe. I have never seen this kind of cafe. Eventually I can understand why Schachman likes this cafe. I order a small beer and go second floor. Red light and red steel frame make nice atmosphere.

200 : Euijun Jeong

201 : Euijun Jeong

11.28.2012 pm04:50 This Museum is not far from my studio. I can get here in 15 minuts by walking. Although I knew that this museum close at 5:10, I was not able to come ealier because I have final review tomorrow. Now I have just 20minuts. Fortunately, this museum is not big so taht I haave enough time to look around here. This space feels like a classic music which has rhythm and sequence. Third floor of this museum is the climax of the sequence.

202 : Euijun Jeong

PARIS PROGRAM

2012/Fall

Euijun Jeong