BY
AN
SELECTED WORK AU T
DESIGN PORTFOLIO
L
NA
IO
AT
UC
T
UC
OD
PR
EUZHAN HORSHAM ED
UC
OD
PR
BY
AN
SK
DE
TO
AU
ED
O
DE
SK
ED
U
CA T
IO
NA
L
PR
O
DU C
T
N AL P R O D U C T
Intent B o r n a n d r a i s e d i n T r i n i d a d a n d To b a g o , e a r l y aquainting myself with the local island design and having lived and studied in both Canada and the United Kingdom, I have interwoven the three cultures together in not only my design p h i l o s o p h y, b u t a l s o m y l i f e a t t i t u d e . I b e l i e v e that structures within a designed space not only manipulate emotion but each form relates to a dedicated function. As Alina Wheeler famously said, “design is intellienge made visible�. I believe that good design is a result of experimental trial and error with observational human research.Sharing a strong interest in design solutions and creating spaces that bring out human emotions and behaviours.
T C U
EH D
O
L A N
C
I T A
D
K S E
BY
AN
A
O T U
U D E
O PR
Design Directory P R O J E C T S 3 - 8
THE CINEMACADEMY Restoring a British 18th Century cloth hall market
9 - 1 4
THE COLLECTORS DEN R e s t o r i n g a n o l d To t e b u i l d i n g a t t h e r a c e s
R E P O R T
W R I T I N G
1 7 - 2 0
THE CINEMACADEMY - feasibility Report A building conservation proposal
E X T R A S 2 3 - 2 4
PAINTINGS
P R O J E C T S
1
DU C A T IO NA L PR O D U CT
ED
UC
OD
PR
BY
2
AN
A
T H E
C I N E M A C A D E M Y
Restoring a British 18th century
cloth hall market
Th e C h a l l e n g e To d e s i g n a n d r e p u r p o s e a g r a d e I I l i s t e d B r i t i s h b u i l d i n g ( a building which serves or once served as an important structure to the nations heritage) specifically choosing the White cloth hall located in urban Leeds. Where constructed in 1777, the building was once used as a market hall for the trade of undyed cloth and currently 80% unused.
Th e S o l u t i o n To p r o p o s e t h e r e - d e v e l o p m e n t o f t h e b u i l d i n g f r o m i t s under utilized state, drawing from surrounding site research to convert the structure into a venue dedicated to the production of stop motion animation and a film festival venue.
Th e C o n c e p t The venue becomes a creativity and entertainment hub h o n o u r i n g a n d c o n t i n u i n g t h e r i c h f i l m h i s t o r y o f t h e c i t y. Drawing from the principles of animation, this is used to form the environment and navigate the journey through spaces. Using the main elements such as suspension, fluidity and captured motion.
3
4
CONCEPT DEVELOPMENT
5
BREAKTHROUGH of confines to create mechanical MOTION
6
1:50
7
H A N D B U I LT
MODEL
DETAILS
IN
CONSTRUTION
PIVOT
DOOR
DETAILS
IMPLEMENT
CONCEPT
OF
MOTION
FOLLOW THROUGH WALLS I M P LY C O N T I N U I T Y O F MOTION THROUGH OUT BUILDING
8
The
ollectors den
R e s t o r i n g a n o l d To t e b u i l d i n g a t t h e r a c e s
Th e C h a l l e n g e
-Auctioneers Residence -3rd floor
To r e d e s i g n a n d r e s t o r e a n e g l e c t e d b u i l d i n g l o c a t e d a t t h e c e n t r e o f t h e C a t t e r i c k r a c e c o u r s e i n N o r t h Yo r k s h i r e , U n i t e d K i n g dom. Where the building was once used for the display of race timings and data.
Th e S o l u t i o n
-Auctioneers Deck/race view deck, 2nd floor mezzanine
To r e p u r p o s e t h e s t r u c t u r e s u i t a b l e f o r u s e i n 2 1 s t c e n t u r y t o b e utilized as an attraction, to be part of “a day at the races�.
-Memorabilia display -1st floor mezzanine
Th e C o n c e p t
-Entrance, registration, valuation -Ground floor
The building becomes re-developed into a Horse racing memorabilia, live Auction house, where the proposed new use keeps the betting nature and excitement of the races. Drawing on the idea of horse power through captured speed of light, shadows are manipulated to form spaces, where the interior mimics shadow patterns, allowing this to sculpt spaces.
9
1 0
S p b p b
HADOW lan and y hiligh ortions uilding
at
can define structure ting different of the interior
different
Ground
depths.
floor
EXPLORATION OF PLACE AND SPACE where casted light and shadows construct the concept of the interior
1 1
Light from the North-East Window-Morning Sun -Long Strokes
Light from the South-West Window-Afternoon Sun-Long Strokes
Shado w patt ers sc
ape in terior w
Patterns formed from shadow maps...
Speed of natural light captured with shadow maps...
O EXPL
hadow map evolving and manipulated into spatial expression...
OF PLACE AND SPCAE THROUGH LIGHT AND SHADOW N O RAI
Shadow can define plan/ structure by hilighting differnt portions of the building interior at different depths.
dark in tanga
ble ele
floor
-
Mezzanine
level
rs
s ter en ht g i L ith lig ht and
1st
n sa ow nd i W via
d
o do
ment
rior hin inte
ed wit ers cast w patt Shado
2nd
floor
-Exterior
Deck
3rd
Floor
Auctioneers
CONCEPT DEVELOPMENT Gradients-shadow fades with depth-progression in size with depth
Dirent patterns bend into angles
Offsetted pattern images
Loft
The
ollectors
den
by: Euzhan Horsham
1 2
FULL HEIGHT MEMORABILIA STORAGE UNIT FORMED BY WINDOW SHADOW CAST
GROUND FLOOR FEATURE STAIRCASE
DETAILS
IN
CONSTRUTION
Open tread steel staircase
1 3
1:20
Hand
built
model
1 4
R E P O R T
1 5
W R I T I N G
L
NA
AT IO
O DU CT
PR
1 6
CT
DU
O
L
AN
AU
ED
NA
PR
IO
AT
UC
BY
SK
DE
TO
D
CE
DU
O
OD R P
PR
U
T H E C I N E M A C A D E M Y f e a s i b i l i t y R e p o r t A feasibility report written for the design proposal of a historic building site.
1 7
1 8
R E P O R T
1 9
S P R E A D
E X C E R P T
INTRODUCTION Embedded in the heart of Leeds city centre, is the Waterloo House which runs along Assembly street, just off of the main roads, of Call lane and New Market Street. Sitting in an urban context, this grade II building is set behind the widely recognized Corn Exchange. The lengthy structure carries with it a significant site history dating back to its initial construction in 1777, when it was then referred to as the Third White Cloth Hall. Once being a major centre for the trade of undyed cloth. However, development of the north-east viaduct in 1865 projected directly in line, through the site of the cloth hall. The structure as it sits today is the surviving north east wing, now known as the Waterloo House. Proposing the re-use and re-development of the building from its under utilized state, the design aims to convert the Waterloo House into a venue centred around Stop Motion animation and a film festival. Introducing the Leeds Animation Film Festival venue and headquarters, and pre and post stop motion production facilities. Dedicated to every stage in the stop motion animation film process, it will also include housed permanent and temporary exhibitions celebrating the evolution of stop motion animation films. The design proposes to provide a venue which becomes a network for community collaboration and celebration of the craftsmanship that is stop motion animated film. A site which becomes a cultural staple in the city which can be an inspirational and enjoyable outlet. The urban setting allows it to not only accommodate this new purpose but strive off of it. Near by transit links propose easy access, while being in the heart of the shopping and entertainment district, and walking distance from a once historically momentous film location, being the Leeds bridge. In October 1888, the Leeds Bridge, set the scene for the first ever motion picture to be filmed. Louis le Prince, a Frenchman working in Leeds, captured an astonishing fifteen seconds of footage, followed with horses, people, trams and traffic on the bridge. This would then go on to be known as the first motion picture, claiming Leeds as the birth place of motion pictures. Having this rich history in film, the LIFFLeeds International Film Festival has recognized the celebration of both local and international talent and is the front runner for film festivals outside of London. However, it is noted that animation, is the film type lease showcased at the LIFF. Yet, the basis of all motion pictures started from the simple concept of frame by frame shots, also known as stop motion animation. Giving more recognition to this film genre of stop frame animation would create a more dynamic and meaningful connection to the cities historical film roots. Creating this newly proposed use, aims at the reinvigoration and expansion of the stop motion animation film industry in the city. This expansion would go on to benefit the film community of producers, editors, and stop motion film personnel, as well as near by education institutions. The venue would go onto spread the celebration of film in Leeds, with a dedication to stop motion, hence introducing a new dynamic operation within the Waterloo House.
2 0
E X T R A S
2 1
DU C A TI O NA L PR O D U CT
ED
UC
OD
PR
BY
AN
2 2
S E L E C T E D Mixed Medium
2 3
A R T
W O R K
2 4
T H A N K Y O U
EUZHAN HORSHAM