Eve Rios Selected Works

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W hen I was young , I s p ent a l ot of t i m e by my s el f. I g rew up i n a ho u s e wi t h onl y ad ul t s , i n a fam i l y wi t h onl y m al e cous i ns , on a s t reet wi t h no ot her k i d s . My p arent s kep t m e occup i ed wi t h Bar b i e s , D i s ney VH S t ap e s , and d ozens of col or i ng b ooks . I b ecam e ob s e s s ed wi t h t he charact ers — l os t t hei r fant as t i cal s t or i e s , t hei r ae s t het i c p er fect i o n — I want ed t o b e l i ke t hem . I n m i d d l e s chool , my i s ol at i on s p i ral ed . I wa s unab l e t o connect wi t h p eop l e my own ag e. I fel t f l awed .

I t t ook ye ars for m e t o l e ar n t o b e com for t ab l e wi t h who I am . I ’ve g rown t o ap p reci at e my own i m p er fect s t or y. My i s ol at i on can b e b e aut i ful . My f l aws are g i f t s .

A s d e s i g ners , we can g et s t uck chas i ng t he f l eet i ng i d e al of p er fec t i o n . I of t en rem i nd my s el f of what I ’ve l e ar ned . T he m os t aut hent i c b ra n d s are hum an— t oo m uch p ol i s h s t r i p s t hat hum ani t y away. D e s i g n m e d i a t e s our rel at i ons hi p wi t h t he b rand ed wor l d . T he p rod uct s we choos e, t h e p l ace s we g o, are al l b as ed on s t or i e s . T hos e s t or i e s s houl d b e re a l . T h e t hi ng s we d e s i g n s houl d b e j us t as re al .


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COURSE___LOGO & PACKAGING

CAT EGORY

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DELIVERABLES C us t om l og o, p rod uct p ackag i ng , ad ver t i s i ng , b ra n d as s et s , web s i t e, & m ob i l e s i t e

OVERVIEW Yours i s a new onl i ne s ub s cr i p t i on s er vi ce t hat p rov i d e s cont racep t i ve s and m ens t r ual ai d e s . T he b rand a i ms t o em p ower i t s t arg et aud i ence s of s exual l y act i ve yo u n g wom en, ag e s 14 – 20, by chal l eng i ng t he s t i g m a a n d i ns ecur i t i e s as s oci at ed wi t h fem al e s exual i t y. Yo u rs s t r i ve s t o p rovi d e uni vers al acce s s t o i t s p rod uct s , f i g h t i n g t h e p ai n p oi nt s of young wom en wi t h p ers onal anx i e t y o r i nt ol erant fam i l i e s

APPROACH T he Yours b rand em b od i e s a p rog re s s i ve s p i r i t , w i t h v i b ra n t col ors and a p ers onal , unab as hed voi ce. Me s s a g i n g i s raw and conf i d ent , s p e ak i ng ab out b od i e s and s ex u n re s e r ve d l y. T he G as cog ne t y p e fam i l y was chos en for i t s hi g h c o n t ra s t s t roke s , com b i ned wi t h we at hered s er i fs , g i vi n g i t a n a f fa b l e p ers onal i t y wi t h q ui r k y i m p er fect i ons . S i m p l e tex t u re d i c o n s are us ed b ot h as p at t er ni ng and as a funct i ona l i n d i c a t i o n o f t he p ackag ed cont ent s . A cl e an whi t e l ab el ad d s a p u n c h o f cont ras t t o t he b oxe s and accep t s var i ab l e p r i n t i n g d a t a t o cus t om i ze e ach p ackag e t o t he cus t om er.

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PE RSONAL NOTES _ As a female, your period is something you learn to hide and your sexuality is something to be ashamed of. I remember growing up feeling embarrassed to buy pads from stores—I couldn’t even look at the cashier when they scanned them. Buying condoms was an even higher level of anxiety. Not only purchasing them, but making sure my parents didn’t find out. Why must we pretend that something so natural doesn’t happen? I created this brand to help younger females feel comfortable getting the necessities they needed to be safe and to normalize the conversation and perception around periods.

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A LIBATION FOR THE STRANGE, WICKED & UT–

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Ordinaire

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CAT EGORY

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DELIVERABLES C us t om l og o & p rod uct p ackag i ng .

OVERVIEW O rd i nai re i s an A b s i nt he b rand t hat vi s ual l y emb o d i e s i t s hal l uci nog eni c p rop er t i e s . N am ed af t er t he cre a t o r o f A b s i nt he, P i er re O rd i nai re, t he b rand t ake s g re a t c a re t o b e t r ue t o t he or i g i nal d i s t i l l at i on p roce s s . H and cra f t e d i n s ma l l b at che s , O rd i nai re t arg et s m i d -hi g h i ncom e co n n o i s s e u rs , ag e s 34 – 4 9. T he b rand need ed a b ol d and d i s t i n c t b o t t l e d e s i g n t o al i g n wi t h i t s vi s ual concep t and r i ch b a c k s t o r y.

APPROACH T he O rd i nai re b ot t l e convey s t he m i nd -al t er i ng e f fe c t s o f ab s i nt he t hroug h a s ur re al i s t , d econs t r uct ed s ty l e. T h e g l a s s i s et ched wi t h a hy p not i c p at t er n t hat com m an d s a t t e n t i o n o n t he s hel ve s . A g l i t chy war p effect i s us ed on i m a g e r y a n d t ex t t hroug hout t he b rand for an unhi ng ed l ook . L ab e l s a re c l e a n wi t h a g r i d d ed l ayout t o b r i ng b al anced s op hi s t i c a t i o n t o t he b ot t l e. A b ook l et hang t ag , b ui l t wi t h neon g re e n a c r y l i c covers , cont ai ns s t or y t el l i ng ab out t he O rd i nai re p ro c e s s a n d t he or i g i ns of ab s i nt he.

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A DINING EXPERIENCE FOR THOSE WITH

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Piquin INSTRUCTOR___ SEAN BACON

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* ____ Mul t i cul t ural * ____ * Ty p og rap hy ____ I l l us t rat i on

* ____ B ra n d i n g * ____ P r i n t

____ Di g i t a l

DELIVERABLES C us t om Log o, m enus , m at chb ooks , t o-g o p acka g i n g , coas t ers , cup s , recei p t l ayout .

OVERVIEW P i q ui n i s a Mexi can re s t aurant wi t h a vi vi d p erso n a l i t y, i ns p i red by fol k l ore. T he new re s t aurant need e d a n e n g a g i n g b rand t hat d i fferent i at e s i t s el f i n a s at urat ed ma r ke t f i l l e d wi t h i naut hent i c exp er i ence s and t i red t rop e s . P i q u i n’s p r i m ar y t arg et aud i ence i s s t y l i s h ad ul t s , ag e s 2 1 –3 2, w i t h a s t rong focus on cock t ai l s and el evat ed food p a i r i n g s . T h e re s t aurant al s o t arg et s fam i l i e s wi t h p l ay ful b ra n d i n g a n d chi l d ren m enu op t i ons .

APPROACH S t ray i ng away from over us ed cal averas and l uch a d o re s , I d ove d eep er i nt o Mexi can my t hol og y. P l ay ful i l l u s t ra t i o n s of chup acab ra, d rawn wi t h i nf l uence s from woo d c a r v i n g s , are cent ral t o t he b rand s t or y. T he vi vi d col or p a l e t t e i s ap p l i ed wi t h r i s og rap h p r i nt i ng for a f l uore s cen t e f fe c t w i t h i m p er fect d et ai l s . A m i x of d i s p l ay t y p og rap hy, i l l u s t ra t i o n s , and or nam ent s g i ve t he m enu l ayout s a l oud , b o i s t e ro u s ap p e arance t hat i s d el i b erat el y exce s s i ve.

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PE RSONAL NOTES _ Growing up, my love and obsession for the paranormal, cryptids, and the unknown flourished. Coming from a Hispanic background, the presence and stories terrified me and fueled my imagination. The legend of the chupacabra has always been one of my favorites because of the interpretation of it being dog-like. The design of this Piquin is a perfect reflection of me as a designer— merging the dark with the colorful, both in a visual and conceptual sense.

LO GO _

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CAT EGORY ____ Packag i ng

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DELIVERABLES C us t om l og o, s t at i oner y, p rod uct p ackag i ng , ad ver t i s i ng , b rand as s et s , web s i t e.

OVERVIEW Fl ui d i s a new m ag azi ne t hat cel eb rat e s non-b i n a r y a n d ot her non-t rad i t i onal g end er i d ent i t i e s . Targ et e d t owa rd young ad ul t s , ag e s 1 8–32, whos e i d ent i t y fal l s u n d e r t h e g end erq ueer um b rel l a, t he m ag azi ne focus e s o n c r i t i q u e s of m ai ns t re am g end er rol e s and b ehavi ors . T hro u g h i n d ep t h i nt er vi ews , j our nal i s t i c e s s ay s , and q ui c k re a d s , t h e p ub l i cat i on connect s and i ns p i re s t he com m un i t y t h ro u g h unhi nd ered convers at i on ab out chal l eng i ng t op i c s .

APPROACH A i m ed at a rad i cal aud i ence, t he Fl ui d b rand i s b o l d a n d e d g y, b ut wi t h a conf i d ent s op hi s t i cat i on. Pol ar i zi ng p h o t o g ra p hy, p unchy col ors , and evocat i ve t y p og rap hy are l aye re d t o eng ag e and chal l eng e re ad ers . T he m as t he ad t a ke s i n s p i ra t i o n from 70’s t y p og rap hy, a t rans for m at i ve era for q u e e r c u l t u re. C overs us e b ol d p or t rai t s wi t h t he m as t he ad ap p l i e d i n p u r p l e, b l ack , yel l ow and whi t e, t he col ors from t he no n - b i n a r y f l ag . I nt er i or l ayout s us e an ecl ect i c m i x of t y p o g ra p hy w i t h d y nam i c and concep t ual m od i f i cat i ons t o he ad l i n e s .

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Occultier PROJECT__005

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COURSE___PORTFOLIO B

CATEG ORY

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DELIVERABLES C us t om l og o, p rod uct p ackag i ng , car r y out b ag , envi ronm ent al g rap hi cs .

OVERVIEW O ccul t i er i s a s p eci al t y chocol at i er k nown for f u s i n g i t s p rod uct s wi t h a d ar k , occul t ae s t het i c. I ns p i red by t a ro t a n d ot her e s ot er i c b el i efs , t he b rand d i fferent i at e s i t s p ro d u c t s t hroug h s ed uct i ve b rand i ng and s t or y t el l i ng . O c c u l t i e r t a rg e t s an i d e al i s t i c aud i ence, ag e s 23–35, who crave c u r i o s i t i e s , eni g m at i c exp er i ence s , and d et ai l ed g i f t s .

APPROACH T he O ccul t i er word m ar k i s m od i f i ed from C had d l e rs h i re, an or nat e Vi ct or i an i ns p i red by O ui j a b oard s . T h i s i s accom p ani ed by D e ar S i r/Mad am , chos en for i t s s h a r p ang ul ar i t y and ab nor m al p rop or t i ons . T he m oo d y c o l o r p a l e t t e of b l ack , whi t e, and aub erg i ne i s cont ras t ed by d e t a i l e d i l l us t rat i ons and el ab orat e l i newor k . Each choc o l a t e b a r var i et y cor re s p ond s t o a t arot card , cre at i ng a c o l l e c t i b l e s e t .

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Eve Rios

S EL ECT ED WO R KS

V

63


P ROJ ECT _ O CC ULTIER

64

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I NST RUCTOR_ S EA N BAC O N & BR A D FO R D P R A IR IE


P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

V

65


P ROJ ECT _ O CC ULTIER

66

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P ROJ ECT _ FE M M E

67

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I NST RUCTOR_ MI N C H O I

P ROJECT NU M B E R

Eve Rios S EL ECT ED _ WO R KS

67


P ROJ ECT _ O CC ULTIER

68

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P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

V

69


P ROJ ECT _ FE M M E

70

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SKINCARE FOR THE ENVIRON– MENTALLY CON–

P ROJ ECT _ FE M M E

71

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I NST RUCTOR_ MI N C H O I


III P ROJ ECT _ FE M M E

T ERM_SP RING 2018

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I NST RUCTOR_ MI N C H O I

IV V

VI BE

R •

VII VII IX

Ethos PROJECT__006

INSTRUCTOR___ BRADFORD PRAIRIE

TERM__SPRING 2019

COURSE___PORTFOLIO B

CAT EGORY ____ Packag i ng

*

____ I l l us t rat i on

____ P r i n t

____ Ed i t or i al

____ Mul t i cul t ural

____ B ra n d i n g

____ Envi ronm ent al

____ Ty p og rap hy

*

*

____ Di g i t a l

DELIVERABLES P rod uct p ackag i ng

OVERVIEW Et hos i s an al l nat ural b od y care b rand d r i ven by s us t ai nab i l i t y. T he b rand p r i d e s i t s el f on i t s b i o d e g ra d a b l e p ackag i ng m ad e from veg et ab l e-b as ed p l as t i cs . T h e p ro d u c t s are s i m p l e and nat ural , wi t h s cent s from p l ant a n d f r u i t ext ract s , no ar t i f i ci al d ye s , and a g oal t o m i ni m i ze t h e n u mb e r of i ng red i ent s . Et hos t arg et s an envi ronm ent al l y c o n s c i o u s aud i ence, ag e s 28–4 3, who t ake g re at care i n re s e a rc h i n g a n d s el ect i ng t he p rod uct s t hey al l ow i n t hei r hom e s .

APPROACH T he Et hos b rand i s d e s i g ned t o ref l ect i t s d ed i c a t i o n t o s i m p l i ci t y and t rans p arency. T he m i ni m al i s t t y p o g ra p h i c l ab el s p roud l y d i s p l ay t he l i s t of i ng red i ent s on t h e f ro n t i n l arg e t y p e, d i fferent i at i ng from m os t b rand s t h a t a t t e mp t t o hi d e t hem i n t he f i ne p r i nt . T he e ar t hy, p as t el c o l o r p a l e t t e g i ve s a s of t and wel com i ng p ers onal i t y t o t he c l e a r b o t t l e s and und yed p rod uct s . T he col ors al s o cor re s p o n d t o t h e i ng red i ent s , connect i ng s cent l i ne s acros s p rod u c t c a t e g o r i e s .

72

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75

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P ROJ ECT _ FE M M E

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PE RSONAL NOTES _ As both a consumer and package designer, I am driven to make decisions that can help the planet. So many products we purchase use an unnecessary amount of materials and resources in their packaging. I wanted to create a product line that was not only minimal in the way it looked, but in the amount of waste it generated. More importantly, a brand that not only looked the part, but truly embodied the philosophy of sustainability.

LO GO _

BRAND P O SITIONING _

76


P ROJ ECT _ FE M M E

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GRAPHIC L ANGUAGE

T Y PE FAC E S US E D _ CI RCUL A R

AaBbCc I VAR TEXT

AaBbCc

COLOR PA LE T T E _

L A B E L ST RUCT U R E _

77

I NST RUCTOR_ MI N C H O I


P ROJ ECT _ E T H OS

78

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P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

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79


P ROJ ECT _ E T H OS

80

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P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

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81


P ROJ ECT _ E T H OS

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PROJ ECTNU N UMMBBEERR P ROJECT

Eve Rios S EL ECT ED _ WO R KS

83


P ROJ ECT _ E T H OS

84

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P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

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85


P ROJ ECT _ FE M M E

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THE BLENDING OF CULTURE & LUXURY THR–

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IV P ROJ ECT _ FE M M E

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I NST RUCTOR_ MI N C H O I

V VI

VII BE

R •

VIII IX

Zataari & Reed PROJECT__007

INSTRUCTOR___ SEAN BACON

TERM__SPRING 2019

COURSE___PORTFOLIO B

CAT EGORY

*

____ Packag i ng

____ I l l us t rat i on

____ Ed i t or i al

____ Mul t i cul t ural

____ Envi ronm ent al

* ____ * Ty p og rap hy

____ P r i n t

* ____ * Di g i t a l

____ B ra n d i n g

DELIVERABLES C us t om l og o, envel op e s , web s i t e, t i s s ue, d el i ve r y b ox

OVERVIEW Z at aar i & Reed i s a l uxur y m en’s acce s s or y b ran d b a s e d i n Lond on. T he b rand i s k nown for f i nel y-craf t ed n e c k t i e s a n d p ocket s q uare s wi t h A rab i c i nf l uence s . T he b ra n d n e e d e d an i d ent i t y, p ackag i ng sy s t em , and ecom m erce we b s i t e t hat woul d convey i t s val ue p rop os i t i ons of refi n e d t a s t e and i m p eccab l e q ual i t y acros s t ouchp oi nt s . Z a t a a r i & Re e d t arg et s hi g h-i ncom e m en, ag e s 39– 55, who m a i n t a i n a ward rob e wi t h f i ne d et ai l s and p ers onal f l ai r.

APPROACH T he Z at aar i & Reed b rand com b i ne s i nf l uence s f ro m l av i s h A rab i c s t y l e and und ers t at ed Lond on s op hi s t i c a t i o n . T he m onog ram l og o, d rawn i n a hi g h-cont ras t s t y l e w i t h Moor i s h cur ve s , i s em b os s ed ont o p ackag i ng fo r ms a n d us ed l arg e as a g rap hi c p at t er n. A n el eg ant wo rd ma r k , m od i f i ed from D om ai ne S ans , i s us ed when t he f u l l b ra n d nam e i s need ed . T he ecom m erce web s i t e us e s f i n e l i n ewo r k and d et ai l ed t y p e s et t i ng for a s op hi s t i cat ed p re s e n c e acros s d evi ce b re ak p oi nt s .

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P ROJ ECT _ FE M M E

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PE RSONAL NOTES _ I find it fascinating that the tiniest of adjustments change the entire feel and personality of a letterform. Sanskrit has been a recent obsession of mine—from the way it’s read to the way it’s written out. I knew that I wanted to create a project that incorporated and showcased the beauty I saw in it. A pocket square brand, with its various square folds, was the perfect opportunity. The way that the fabric curves over and folds reminded me of the flourishes and edge often seen in that type of script. The Zataari & Reed monogram represents the merging of two letterforms, two languages, and two cultures.

LO GO _

DIELINE _

0 20 90


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GRAPHIC L ANGUAGE

T Y PE FAC E S US E D _

AaBbCc

I OWA N OL D ST Y L E ITA LIC

I VA R TEXT

AaBbCc COLOR PA LE T T E _

PAT T E R NS _

NA M I NG _

91

p oss i b l e na mes

ke y wo rds

l o r d & saud m al ik shah quasim hut ton n asir far abi a ayan kadi m assar i & r eed z ar aar i At t wood

luxu rious s i lk de sert soph i sti cation clas s s tyle u rb a n

i n tri cate da pper zelli ge a rab i c ca lli gra ph i c ta i lored m asculi n e

EV E R IO S


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P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

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93


P ROJ ECT _ Z ATA A RI & REED

94

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P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

V II

95


P ROJ ECT _ Z ATA A RI & REED

96

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I NST RUCTOR_ S EA N BAC O N & BR A D FO R D P R A IR IE


P ROJECT NU M B E R

Eve Rios S EL ECT ED _ WO R KS

V II

97


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A CONFERENCE FOR THE MAGICALLY IN–

P ROJ ECT _ FE M M E

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V P ROJ ECT _ FE M M E

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I NST RUCTOR_ MI N C H O I

VI VII

VIII BE

R •

IX

Illusion PROJECT__008

INSTRUCTOR___ SEAN BACON

TERM__SPRING 2018

COURSE___ADVANCED TYPE

CAT EGORY ____ Packag i ng

* ____ * Envi ronm ent al ____ Ed i t or i al

____ I l l us t rat i on ____ Mul t i cul t ural

*

____ Ty p og rap hy

* ____ B ra n d i n g * ____ * Di g i t a l ____ P r i n t

DELIVERABLES C us t om Log o, p l ay i ng card s , p os t ers , web s i t e, mo b i l e s i t e, t i cket s , b ad g e s , b ook l et , way f i nd i ng , b ann e r

OVERVIEW I l l us i on i s t he vi s ual t hem e and i d ent i t y for G en i i C o n 20 1 8, a convent i on for m ag i ci ans . T he convent i on t h e me n e e d e d a cohe s i ve sy s t em t hat s p oke aut hent i cal l y t o th e t a rg e t aud i ence of p rofe s s i onal s and ent hus i as t s , ag e s 20 -34. I n a s p ace f i l l ed wi t h over us ed t rop e s and cl i ch é s , i t wa s i m p or t ant t o cre at e a d i s t i nct i ve, t i m el e s s d e s i g n , t h a t wo u l d p us h t he m ag i c i nd us t r y for ward rat her t han l i n g e r i n t h e p a s t .

APPROACH T he i l l us i on t hem e, chos en for i t s rel at i ons hi p t o ma g i c and p er for m ance, i s exem p l i f i ed by t he l og o t h a t c o n t a i n s i m p os s i b l e g eom et r y. Rob ot o Mono was chos en fo r i t s t echni cal l ook and ang ul ar i t y t hat com p l em ents t h e b ra n d i d ent i t y. Rect ang l e s are us ed t hroug hout t he b ra n d t o i l l us t rat e a cont ai ned p l ane t hat i s ei t her s hi f t e d o r a l t e re d , referenci ng m i s d i rect i on and s l ei g ht of hand . Th e s t a r k b l a c k and whi t e p al et t e i s accent ed wi t h a b r i g ht yel l ow fo r d y n a mi c cont ras t . T he m ood y, g ray s cal e i m ag er y i s t re a t e d w i t h g r i t t y hal f t one t ext ure s t hat al l ow m ag i ci an p or t rai t s t o fe e l u n i f i e d .

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102

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P ROJ ECT _ FE M M E

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PERSONAL NOTE S _ As a child, I was obsessed with optical illusions. While designing the brand identity for Illusion, I realized there were strong similarities in the structures of the letterforms “ILL” and the “devil’s fork” illusion. The smooth transition of this classic illusion into the word itself hides this integration in plain sight, just as a magician does with their sleight of hand. The finished logo creates a visual tension and confusion that I felt perfectly mimicked the reaction I always feel when witnessing magic.

LO GO _

NAME TREATME NT S _

104


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GRAPHIC L ANGUAGE

T Y PE FAC E S US E D _ RO BOTO M ON O

AaBbCc S PACE M ON O

AaBbCc COLOR PA LE T T E _

PHOTO T R E AT M E NT S _

GRA PHIC E LE M E N T S _

105

I NST RUCTOR_ MI N C H O I


P ROJ ECT _ I L LU SION

106

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I NST RUCTOR_ S EA N BAC O N


P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

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107


P ROJ ECT _ I L LU SION

108

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S EL ECT ED WO R KS

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109


P ROJ ECT _ I L LU SION

110

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S EL ECT ED WO R KS

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P ROJ ECT _ I L LU SION

114

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P ROJ ECT _ I L LU SION

116

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TRADITIONAL SLAVIC CUISINE REIMAGINED

P ROJ ECT _ FE M M E

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I NST RUCTOR_ MI N C H O I


VI P ROJ ECT _ FE M M E

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VII VIII

BE

PR OJ

R • INSTRUCTOR___ SEAN BACON

TERM__SPRING 2018

COURSE___ADVANCED TYPE

CAT EGORY

*

____ Packag i ng ____ Ed i t or i al ____ Envi ronm ent al

* ____ Mul t i cul t ural * ____ Ty p og rap hy * ____ I l l us t rat i on

____ P r i n t

*

____ B ra n d i n g ____ Di g i t a l

DELIVERABLES C us t om Log o, p i ck l e s , s oup, s ard i ne s , p i erog i , b l i ni p owd er m i x, cus t om i l l us t rat i ons

OVERVIEW Pechka i s a Euro S l avi c s p eci al t y food b rand t h a t i s i mp o r t e d from Eas t er n Europ e and s ol d i n A m er i ca. T he b ra n d p u s h e s p as t t he com m on car i cat ure of Eas t er n Europ e a n c u l t u re, by convey i ng t he t r ue war m and affab l e s p i r i t o f t h e re g i o n . T he b rand need ed a b r i g ht and eng ag i ng p acka g i n g sy s t e ms t hat woul d s t and out on t he s hel ve s of s p eci al t y g ro c e rs a n d et hni c m ar ket s .

APPROACH Pechka, nam ed af t er t he l arg e b r i ck oven found i n t ra d i t i o n a l Rus s i an hom e s , i s com m i t t ed t o p rovi d i ng aut h e n t i c fo o d w i t h a wel com i ng , l i g ht -he ar t ed feel . L ab el s are ad o r n e d w i t h a l i vel y, b r i g ht col or p al et t e i ns p i red by Eas t er n E u ro p e a n fo l k ar t . I l l us t rat i ons of i ng red i ent s are l ayered t o c re a t e s p i r i t e d p at t er ns for p rod uct l ab el s . Trans p arent p ackag i n g i s u s e d t hroug hout t he b rand t o s howcas e t he col or ful d i s h e s a n d rem ove b ar r i ers for new cons um ers who m ay b e i n t i mi d a t e d by Eas t er n Europ e an cui s i ne.

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NUM

IX

Pechka PROJECT__009

ECT


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PERSONAL NOT ES _ You can t el l s o m uch ab out a cul t ure t hroug h i t s foo d . Fro m t h e i ng red i ent s us ed t o t he way i t ’s p rep ared , i t al l t el l s a s t o r y. C om i ng from a m ul t i cul t ural b ackg round , food has a l way s p l ayed an i m p or t ant rol e i n my l i fe. I t was t he onl y way I eve r fel t connect ed t o e ach one of my her i t ag e s . W hen I re c e n t l y t r i ed Rus s i an food for t he f i rs t t i m e, I i m m ed i at el y fe l l i n l ove. D e s p i t e S an D i eg o’s wi d e cul t ural b re ad t h, Eas t er n E u ro p e a n food i s uncom m on. I cre at ed t hi s p roj ect t o not onl y s h a re my fond ne s s for t he food , b ut t o al s o s p ar k t he cur i os i t y i n o t h e rs t o t r y new t hi ng s .

LO GO _

DIELINE S _

124


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T Y PE FAC E S US E D _ E XC E N TRA PRO

AaBbCc GE R BERA

AaBbCc COLOR PA LE T T E _

GRA PH IC E LE M E NT S _

125

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P ROJ ECT _ P ECH K A

126

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I NST RUCTOR_ S EA N BAC O N


P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

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127


P ROJ ECT _ P ECH K A

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P ROJECT NU M B E R

Eve Rios S EL ECT ED _ WO R KS

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P ROJ ECT _ P ECH K A

130

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P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

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131


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132

T ERM_SP RING 2018

COURS E_ A DVA N C ED T YP O G R A P H Y

I NST RUCTOR_ S EA N BAC O N


P ROJECT NU M B E R

Eve Rios

S EL ECT ED WO R KS

IX

133


Thank you I don’t know how to show my g rat i t ud e p rop e rly t o t h e p e op le wh o h ave h e lp e d me though this proc e ss, but I hon e s t ly can’t t h an k you all e n oug h .

My f irst thank you is to Se an. I have never had s om eone b el i eve or g enui nel y care for me in the way that you have. T here i s no way I coul d have ever d one t hi s wi t hout you. I also know that I would not b e t he d e s i g ner I am t od ay wi t hout you. You have not onl y be e n my me ntor in this, but you have al s o b ecom e my cl os e s t fr i end . I d on’t t hi nk I c an eve r re pay you for how you’ve i m p act ed my l i fe. I owe you t he wor l d .

Se c ondly, I have to thank you Brad ford . You’ve al way s b een t here wai t i ng and wi l l i ng to he lp me the se c ond I ne e de d i t or when I d i d n’t as k for i t . T hank you for al l your he lp with c opy. I would have s p i ral ed and d i ed wi t hout you. Word s can not d e s cr i b e how wonde r ful of a human bei ng you are. You’re a l i t eral ray of s uns hi ne, a P hot os hop wiz ard, and a man among me n l ol . A l s o t hank you for t he s i ck s nacks and l a croi x.

Thank you to Cynthia and Forre s t for b ei ng my em ot i onal s up p or t i n t hi s and he lping me out whe n I ne e de d i t t he m os t . For p rod uct i on I woul d l i ke t o t hank you Chloe, Taylor, and Ashley. Thank you C hl oe for al l t he cut t i ng , fol d i ng , l as er i ng , and c onstruc tion for my project s at a m om ent s not i ce. T hank you Tay l or for b ei ng a photoshop wiz ard and making s om e of my favor i t e s hot s i n here com e t r ue. T hank you Ashley for t aking time out of your b usy l i fe t o j us t com e and b ui l d my cover. I ’m sorr y I didn’t ge t to pe rsonally t hank you for t hat . T hank you N or m an for al s o cut t i ng out, de - gluing, and f illing up my wei rd p ackag i ng . T hank you J ake for b ei ng s uch a swe e tie and he lping me out wi t h my et hos l og o. Fi nal l y t hank you Mom for j us t b ei ng suppor tive, patie nt and most i m p or t anl y f i l l i ng t hat l ub e b ot t l e for m e aha.


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C O PYR I G H T © 201 8 EV E R IOS A L L R I G H TS R ES ERV E D. NO P O RT I O N O F T H I S BO OK M AY BE U S ED O R R EP RO D UC E D W I T H O U T W R I T T EN P ER MISS IO N FRO M T H E AUT H O R.

FOR M ORE I NFORM AT I ON CO N TACT H EL LO @EV ER I OS.DE S IG N

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