Undergraduate Portfolio'2020 I Evrim Ecem Saçmalı

architectural portfolio ‘20 e v r i m

e c e m

s a ç m a l ı

Evrim Ecem Saçmalı

sacmalievrim@gmail.com +90 539 477 63 28 +39 339 593 23 08

Education Politecnico di Milano Milano / Italy

Master of Architecture Built Environment & Interiors 2020 - ongoing

Middle East Technical University Ankara / Turkey Bachelor of Architecture 2014 - 2020

ÇEAS Anatolian High School Adana / Turkey

High School Education 2010 - 2014

Languages Turkish English German Italian

(Mother-tounge) (Advanced) (Beginner) (Beginner)

Skills

resume

Experiences Frea Architects, Ankara / Turkey

Junior Architect- Golden Horn Shore Competition March 2020 - September 2020

Faculty as Archive-Getty Foundation Keeping It Modern Middle East Technical University, Ankara / Turkey Documentation of METU -Permanent archive September 2019 - January 2020

Erginoglu & Çalıslar Architects, Istanbul / Turkey

Office Internship-Worked in design stages,representation,digital and physical modelling, 3D print, July 2019 - September 2019

Eray & Carbajo, Istanbul / Turkey

Office Internship-Worked in design stages,representation,digital and physical modelling,fabrication in wood atelier June 2018 - August 2018

UMOB 17.5 , Adana / Turkey

National Architecture Students Meeting- Atelier TablaDocumentation of food peddler vehicles February 2018

Esas Properties, Adana / Turkey

Adobe Photoshop Adobe Illustrator Adobe Indesign Adobe Premier Autodesk Autocad Autodesk Recap Autodesk Maya Autodesk Revit ArchiCad

(Advanced) (Advanced) (Intermediate) (Intermediate) (Intermediate) (Intermediate) (Beginner) (Intermediate) (Beginner)

Construction Site Internship-01 Burda AVMDocumentation+Observation of Work Items June 2017 - August 2017

Rhinoceros Grasshopper Houdini Ms Office Unity 3D Sketch Up Python Processing

(Advanced) (Intermediate) (Beginner) (Advanced) (Advanced) (Intermediate) (Beginner) (Beginner)

June 2020

METU Summer Practice, Ankara / Turkey Summer Intern-Practice in Building Construction and SurveyingDocumentation of a Historic Building June 2016 - July 2016

Honors & Awards Golden Horn Shore Competition 1st Prize - Der-Zemin Archiprix Turkey 3rd Prize - M.E.M.O.R.Y. G.R.O.U.N.D. December 2019

Middle East Technical University High Honor Student spring 2018, fall 2018, spring 2019, fall 2019

Türk Serbest Mimarlar Dernegi Selected Student Project ‘‘Steps’’ Exhibition spring 2018

2

Content Academic experiences M.E.M.O.R.Y. G.R.O.U.N.D. Regeneration of Skopje

I

4-10

II

11-16

Sinop Line From Decumanus to Pontus Euxinus, Sinopale along the wall

III

17-22

Stiching the Fabric AOÇ II along the Banks of Bentderesi, Forest Farm and Housing

IV

23-28

DeepLoria Underwater experience pavilion

V

29-31

Doors of Perception Compose your universe

VI

32-35

Bog Cabin Bee-Breeders Competition

Work experiences

VII

37-42

SMG Erginoğlu&Çalışlar Architects

VIII

37-42

Der-Zemin Frea Architects

3

academic experiences

4

I

M.E.M.O.R.Y. G.R.O.U.N.D. Regeneration of Skopje architectural design studio V oct 2018-june 2019 indvidual project location: Skopje type: urban supervisiors: Prof.Dr.Ayşen Savaş Sargın Prof.Dr.Arzu Gönenç Sorguç Inst.Onat Öktem Emre Erkal Kerem Yazgan Res.Assist.Sezin Sarıca

Archiprix 2019 3rd Prize The city of Skopje has a distinct character of chaos and destruction resulting from natural and manmade disasters through its history which in turn results in losing the physical environment and city memory. The reconstruction of this ravaged city is always an inevitable world problem. Although, the people of Skopje struggle with political disputes about their cultural identity even today, is it possible to reconstruct the resilient city that bear informal and formal history and unofficial memories as a remembrance of cultural identity to blend in with the new life order and new construction technologies? Can architecture reclaim its social and political role as a discipline in the past catastrophic condition since architecture is an anchor and physical reminder of collective memory?

After the catastrophe of the 1963 earthquake, the scale of the international solidarity towards Skopje has been described as ‘‘unrivalled in UN history.’’ hence an international competition was initiated, charity organizations including dozens of countries donated materials for aid and reconstruction, but instability between funds allocation and realization for reconstruction of Skopje shows the lack of technique and procedure. In that sense, the proposal envisions how it could unveil the multi-layered structure of the city by managing the debris fro m the disasters.

What if all the city could be made by sustained ruin until now, how could it have looked and what kind of tamed structures would been erected? Coexisting of architectural history of Skopje was a first step to understanding dialectic relation of debris and earth because overlapping city damage pattern maps gives a new landform to the city in urban scale. In architectural scale, intersection and accumulation of the vast collection of architecture in Skopje is catalyzed by different kinds of speculative spatial organization and memories of their exact locality.

memory ground

5

memory ground

analysis

6

3D scanned mesh models

memory ground

scale: 1/10.000

lead

destruction

wax

ground

conceptual physical model of city

7

mineral

Macedonia 1990

brick steel concrete brick glass

20 m 48 m

metal

concrete stone

reinforced concrete

alkemi composite foamed metals

wapan tiling

carbon-fiber reinforced concrete honeycomb steel plate

EARTHQUAKE 1963 Federal People’s Republic of Yugoslavia 1946

marble

steel stone brick glass

15 m

20 m

recycled glass concrete

periodic cellular materials

concrete video screen Kingdom of Yugoslavia 1867 stone 10 m

15 m

shape memory alloys (SMA)

steel concrete brick glass precast concrete

EARTHQUAKE 1555 Ottoman Era 1352 travertine

photo-engraved aluminium panels 20 m

15 m

steel stone brick glass wood

EARTHQUAKE 518

Byzantine Era 395 AD

additive polymers

wood medium density fiberboard (MDF)

12 m 9m

glass timber stacking

steel stone brick glass

glass fin connection

plastic acryclic panel-rod

translucent floor

Roman Era (Scupi) 148 BC filigree wood

15 m

12 m

wheat straw tile

masonry stone glass

plastic pavement-wall bubble glass

glass-fiber reinforced polyster (molded plasctic) insulated structural chanel glass

Ancient Macedonia 850 BC masonry stone brick wood

6m 8m

acrylic-resin infused wood

black stained plywood

kinetic glass shape memory bioplymer glass tube

Pre-historic (Neolithic settlement) 5000 BC 3m

2m

stone wood PMMA-PC sheet (plastic inserts)

memory ground

architecture

material&strucutre

architecture & material of Skopje

8

amphitheatre

helicopter-runway spaces

foyer- entrance

exhibition space

precast highway entrance

vardar river

01

17

09

03

11

00

+12.00m

+12.00m

+9.00m +7.00m +4.00m +3.00m -0.00m

-0.50m

-2.50m

-4.00m

-8.00m

Structure consists of taming spaces such as processing labs, catastrophe offices, ateliers, public spaces, data library etc.

Program of that locality acts as a prototype of taming process to merge new and old socially and spatially. Moreover, it creates an environment in which the global capital can invest in sustainable construction in Skopje.

memory ground

section

9

3

1_medival wall 2_I beam 3_tempered glass 4_steel buttresses 5_steel deck

1

1

2

4

4 3

BUTTRESS-FLOOR DETAÄ°L

2

3

2

5

1

MEDIVAL WALL CONNECTION DETAIL

memory ground

WALL-FLOOR CONNECTION DETAIL

details

10

memory ground

axonometric plan views

11

memory ground

life

12

II

SİNOP LINE From Decumanus to Pontus Euxinus, Sinopale along the wall

architectural design studio IV feb-june 2018 group member: Fulya Yener location: Sinop, Turkey supervisiors: Prof.Dr. Aydan Balamir Instr. Kadri Atabaş Instr. Marco Bruno Res.Asst. Saliha Aslan

Produced by me *

What is the resumption of a ruin? What is the rehabilitation? The city of ‘’Sinop’’ has developed with its own dynamics throughout the history related to ‘publicness’ and ‘historical’ background of the city are. In our project,rather than boundaries, tangible and intangible connections are constructed through the organization of ‘Sinopale’ which leads to collect memory and gathers people around the city walls that is the core of our design. The abandoned wall is gained a new identity by a ‘path’ on it ,leads people to experience multi-layered historical background of the city by walking on the path,offers several vistas towards the sea. Three main components, ‘city walls, people,sea’ are well connected in the architectural program contains some public spaces such as bridge, study units, workshops, cafe,multi-purpose hall for public usage and Non-Governmental organizations activities. The existing gap on the wall and a gap in between two masses provides a connection between the main square of the city and the backside of the wall. an inner street parallel to the path on the wall also forms an inner garden in the core of the building becomes a focal point in order to experience a space in between old and new architecture.

sinop line

13

layers of the wall

view toward sea

stairs in front of cafe and clock tower

sinop line

connection of layers

clock tower

axises

gaps of the wall

parallel streets to the wall

longitudinal section of building

latitudinal section of building

pedestrian paths

upper connection between building and the wall

accessibility

underground part of the wall

existing connection to the wall and clock tower

continuity of the wall

underground part of the building

view from the wall

* concept sketches

14

Black Sea

proposed stairs proposed stairs

corpurpsus

existing square existing square

co

existingexisting stairs stairs

clock tower clock tower

bridgebridge

upper pedestrian way

us man

decu

decumanus

castle

castle

Black Sea

sinop line sinop line

master plan * master plan

38 15

* basement

sinop line

ground floor

* roof

plans

16

X

sinop line

stairs

clock tower

cafe

co-working spaces

bridge

elevator

bastion

semi-open spaces

toilets

exhibition spaces

stairs

01 02 03 04 05 06 07 08 09 10 11

X’

* section&details

17

wood top rail silicone heat-soaked glass metal clamping M12 bolts wood parquet steel deck I beam

sinop line

anchor concrete wall tempered glass step steel

concrete wall wood cladding

* details

18

III

STICHING THE FABRIC AOÇ II Along the banks of Bentderesi, Forest farm and housing

architectural design studio III oct 2017-jan 2018 group member: Fulya Yener Gökberk Koçak Zoha Zaka location: Ankara, Turkey supervisiors: Prof.Dr. Aydan Balamir Instr. Kadri Atabaş Instr. Marco Bruno Res.Asst. Saliha Aslan

Produced by me *

In an old fabric of Ankara, a new urban complex is proposed. It consists of housing, forest farm, agriculture, recreation and husbandry spaces. Main idea for this project is creating connections between different parts of the site, relationships between different patterns of fabric and urban tissue. By starting from the idea that turns urban fabric into human fabric, and turns microeconomy to macroeconomy; a new system is provided.

This new complex provides common spaces for public in terms of both physical and social manner.

When we look at Ankara,perceiving old settlements is so easy. It is starting from castle era and city spreading like a oil stain. While the city is growing, density of urban pattern decrasing step by step. In that respect, surronding of castle area has many layer of urban tissue.It has an organic layout between patterns.The history of that area date back 2 B.C. But if we want to visit this rich historical place in terms of urban tissue, there is not almost nothing that protected properly. Apart from this, you cannot walk in there safely because of the social pressure even women live in there under danger at any moment. So citizens of Ankara,out of tourists do not go to that area. These situation create some problems in terms of social economic,social life and human zooning. There is a very bad wound at the middle of the Ankara. Not just successfull example as a capital city in showing social life. The city life mean should not be like that. Our intention is that dwellers should be fit into society especially in that area. Without any destruction on the urban tissue and also not throwing people to the somewhere, we should solve that problem at the exact venue.

stiching the fabric

*

19

TOKI BLOCKS individual high- rise housing blo cks detached from the ground.very less relationship with the surronding. they can abstacted as points as an urban pattern ground level is mostly reserved for parking.la ck of the daily life like as it is on the street.

ROW HOUSES

*

*

5-6 storey housing units,located in their individual parcels . units are very close to ea ch other. they can be abstacted as lines as an urban pattern. on the ground level,there are commercial zones that creates a daily life on street level.

toki housing a fabric that needs connection tall buildings that are scrat ched from the ground squatter area a fabric that needs healing squatters are one by one fading away a fabric that is broken into pieces castle and ulus a fabric that needs protection historical buildings,existing mutually with squatters ankara s historical hearth beats in this region

*

building patterns which shows the different types of relations between the streets and building

BUILDINGS ON BENTDERESI 6-7 storey mixed used buildings. located on the former bent deresi. units are close to ea ch other but not adjacent. they can be abstacted as lines as an urban pattern. on the street level,commercial zones exist at the base .

a closer look to the remaining squatter blo cks most of them are demolished, there came out empty open areas, not functioning for any building or being used for now the intersitial spaces between those blo cks can be functioned with urban farms,where inhabitants can work and collaborate

natural zooning a typical arrangement of a squatter blo ck,with their open spaces and greenery

DEMOLISHED SQUATTER AREAS

social zooning stiching the fabric

vacant lands at between remaining squatters. few houses remained,most of the empty areas between remained ones does not have any function. dramatic empty topography can be observed clearly.

tokis abstracted as dots having weak relation with the land,ea ch other and surrondings arteries grow into those dots pedestrian bridges,paths,walkways connection through the farming area,both sociolly,physically

analysis

20

existing squatter blocks on the site toki blocks proposed housing area small scale urban farming big scale-mass production farming recreational area husbandry small scale industry foresting pedestrian paths

stiching the fabric

* master plan life

21

90

10

second floor

10

ground floor

10

ground floor

+0.00

entrance

kitchenette

500

100

kitchenette

bedroom

living space

200

10

390

1000

400

1000

10

240

bathroom

490

dinning space bedroom

490

For one person.........................50 m2 For two person..........................80 m2 For a family; three person.....85 m2 with a 25 m2 terrace 80 m2 For a family; four person......150 m2 For two or three person........125 m2 with a 25 m2 terrace

100

dinning space

type I_ type II_ type III_ type IV_ type V_

living space

1000

150

200

type I

bathroom

bathroom bedroom

bedroom 100

100

entrance 100

+3.20

50

+0.00

140

140

10

10

10

second floor

290

300

200

10

10

ground floor

10

190

10

290

200

200

1000

10

190

100

1000

type IV bathroom

living space

dinning space

+3.20

500

500

330

290

kitchenette

+0.00

bedroom

living space

190

+0.00

entrance

10

10

150

entrance

10

390

200

10

390

10

190

10

390

400 1000

second floor

10

ground floor

type II

10

1000

290

300

10

living space

bedroom 100

190

190

bedroom

100

10

1000

1000

second floor

ground floor

+0.00

200

100

100

bedroom

bathroom

dinning space

90

100

750

entrance

200

+0.00

500

+3.20 kitchenette

bathroom

+3.20

terrace 190

kitchenette

90

150

200

+3.20

terrace

entrance

100

10 10

40

150

240

200 1000

350

10

10

40

150

240

100

10

440

10

250

490 1000

1000

type III

stiching the fabric

10

10

10

140

140

bathroom

100

100

dinning space living space

100

140

10

10

250

490

100

140

10

1000

type V * plans

22

type I

type II

type III

type IV

type V stiching the fabric

*

axonometric views&detail

23

stiching the fabric

life

24

IV

DeepLORIA Underwater pavilion digital design studio II feb-june 2018 group member: Merve Özkul Simge Gider location: anywhere supervisiors: Prof.Dr. Arzu Gönenç Sorguç Instr.Fırat Özgenel Res.Assist.Müge Kruşa Yemişcioğlu Produced by me *

The challenge was designing an underwater pavilion for one person who examines and experience underwater life. The design concept is based on the study of the coral reef family. The pavilion demonstrates how combining morphology and formations of the brain coral reef found in nature and its behavioral and adaptable features with composite fabrication methods.

In the first step, with the idea of the underwater pavilion, an air bubble was created within 1.5 m radius. To maintain a relation between inside and outside of the bubble, the pavilion had should be deployable. Regarding it, as a biological role model, we focused on brain coral which is formed by colonies of small organisms called polyps, which create hard exoskeletons of calcium carbonate that, over time, develop into the distinctive patterns on the surface. Each polyp can build onto the colony structure over the skeletal remains of old polyps. In that sense, the surface of the brain coral creates an uninterrupted pattern with polyps that independently exist but coherently work.

deeploria

*

*

25

Coral polyps live on the calcium carbonate exoskeletons of their ancestors, adding their own exoskeleton to the existing coral structure.

CORALS as colony of polyps

The strategy for the biomimetic investigation was that surface division of pavilion respect to the curvilinear system instead of the cartesian coordinate system enables that creating holes on the surface of the pavilion for the examiners to observe underwater life and animals. The advantage of using a curvilinear reference system instead of the cartesian system was that preventing polarization of the sphere, so we could procure a natural and adaptable structure that consists of stable carcase, modules, and mechanism.

The mechanism is including six different pieces. For a successful deployment, each branch of the umbrella structure should move in a different curvilinear path, so that each branch has a unique mechanism.

Three different simulations of fabrication methods were built with different materials and processes. The performance of these lightweight structures relies on layered systems or carving methods. In the first scenario was for producing 1/5 scale working model, XPS layers were came top of each other, and reinforced with gypsum mortar and gauze.

Second and third scenarios are for 1/1 scale, 3D printing produces modules, the skeleton of the pavilion in a continuous way. The mechanism does not need to assemble in that case. Robotic CNC arm method has two phases. In phase I, arm carves monolithic material to obtain a carcase system and modules after that mechanism is added into it.

polyp

POLYP as each individual coral

extension

thickening

old skeleton

step I_ vertical extension

step II_ lateral thickening

biological role model

2 mm

diploria

skeleton

pattern of corralite walls reproduction&colony formation

polyph structure of corralite

mechanism

Integration of multiple process parameters into a component based constrcution systems

deeploria

* analysis

26

deeploria * axonometric views&detail

27

thickness

skeleton

emptiness

ridge

distance

extension/ invagination

deeploria * axonometric views&detail

28

length

mechanism

length

mechanism

surface area

modul

layers system brings layers top of each other from bottom to top with fiber renforcement

carving system reveals modules and skeleton of pavilion

3D print reveals modules and skeleton of pavilion deeploria

Integration of multiple process parameters into a component based constrcution systems fabrication processes

29

deeploria

* life

30

V

Doors of perception Compose your universe digital design studio I sept 2017-feb 2018 group member: Ala Haj Taleb Ezgi Geyik location: The Milky Way supervisiors: Prof.Dr. Arzu Gönenç Sorguç Instr.Fırat Özgenel Res.Assist.Müge Kruşa Yemişcioğlu Produced by me *

This VR project is based on the marvelous Milky Way, our home. The research phase began with understanding our galaxy and creating our own. For our story, we chose an avarage (wo)man and questioned what would happen if they were to widen their doors of perception. How they would perceive what is around them and to what extend they could effect their enviroment. This led us to an interactive universe building with player creating their own universe at the start by placing red or black little squares into a two by two bigger square. Black ones being the black holes or density and red ones being the worm holes or relations. Their choice effect the density, relation, sound, textures and movement within their universe. The result is 256 different experiences.

5 different universes were created with specified readings of black holes and worm holes beforehand. Each group member was responsible for their structure, its textures and sounds.

doors of perception

31

universe exists

how would we

widen our doors of perception...

perceive the universe then?

-what if we had the power to create?

-to what extend can we understand the universe?

-does perception demand individual universes?

- to what extend can we interact with the universe?

-how would we perceive the creation of our universe?

- to what extend can we create our the universe?

raw data of the universe

contextualized data

information

blackhole | wormhole | interstellar medium | halo | galaxy | energy |matter | cloud | singlepoint | bulge |spiral | gravity | nuclear force | electro magnetic | force | flat | ring | dark matter

black hole | worm hole density | relation

/

our senses

dimensions of perception

interface

sight | taste | hearing | smell | touch | balance | proprioception | temperature | colour | texture shade | shadow | rhythm | movement | heat | form | speed | hot | heavy | opaque | dark | milky

speed | scale | texture | music | colour

perceive it,

doors of perception

what if we were to

a much as one can

story

32

t0

t1

t2

universe

Layer 2

dimensions of perception

Individual

t2 information experience as experienced

Unique Universes

Layer 1

t1 context user preferences as designed

User

Selection

Simplified Selection

User Selects

Their Universe

eerie sound

t0

t1

t2

universe

Layer 0

t0 data birth as they are

User Creates

Construction of the Universe

highestperception density lowest relation

high density perception low relation

* Layers of the Universe

echo

eerie sound

t0

eerie sound

heart beat

t1

t2

universe

Individual readings give us the structure of the universe Black Hole Density

User Affect

Structure of the Universe r/

Te xt

ure

}

{

}

e

}

}

Lateral readings give us perceptional features

colour / texture 2 x 2 possibilites 4x4x4x4 possibilities

eerie sound

radio static

heart beat

heart beat

echo

t1

t2

Vertical readings give us movement features

2 x 2 possibilites 2 x 2 possibilites

radio static

radio static

echo

low density perception high relation

t0

t1

t2

universe

Perceptional Features lowest perception density highest relation

doors of perception

echo

universe

Colour / Texture {

Echo Tune

oT un

Mutation Matrix

t0

heart beat

Affect Style

lou

Universe Speed

Co

Ec h La Pe yers rce of pti on

5 different structures with individual laws Worm Hole Relation

{

rse ive e Un uctur r St

Speed

{

User Preferences

4B 0 W lack orm Hol 3B e Ho s / 1 W lack l 2B H o rm oles es lac 2 1B H / Wo k H rm oles oles 3 W lack Ho / 0B orm Hol l e e s 4 W lack Ho s / les orm Hol e Ho s / les

equal perception density equal relation

radio static

* mutation matrix

33

VI

BOG CABIN Bee-Breeders Competition participant june-nov 2018 location: Riga, Latvia group member: Arda Ertan Yıldız

‘‘ Make an island of yourself, make yourself you refuge; there is no other refuge. Make truth your island, make truth your refuge; there is no refuge. Peace of nibbana (freedom from all suffering) within.’’ ‘‘ Attadiipaa Sutta: An Island to Oneself’’ (SN 22.43), translated from the Poli by Maurice O’Connell Walshe.Access to Insight (BCBS Edition) Around the world, people are living in condition of great mental and emotional stress and they are eager to find methods to create an environment of peace. We can say that one of them is meditation which is a method of consciously exploring the body and mind. It comes from meanings of grow or become and derived from two roots; seeing or perceiving with the basic meaning of ‘‘ cultivation’’.

The other common method is eagerness to interact with the nature. Despite modern people get distant from the nature in time, it is clear that eliminating the differantiation between being in/ with the nature is a crucial issue to sustain Latvia’s vast collection of fauna and flora without negative impact on the local environment.

With ‘‘The Bog Cabin’’ concept both methods can took place and dwelling issue on the nature turns into a productive process by using the nutrient-rich soil of underneath pit of cabins. Bog cabin proposal considers treating feces as a resource rather than a waste of product to cultivate both people’s mind and the nature itself.

Possible locations of cabins are where trees were gone to cultivate new trees. Cabins are paced near the lake to interact with water and nature which is a tradition of Latvian culture. While meditation process, guest can sit on hammock in bog cabin by feeling the tranquility or watching the lake, listening the nature and being in a peaceful state liberating his/her mind.

Ground level can be used as a servant space for public activities for instance semi-open gathering space by visitors. Elevated floor offers service facilities contains temporary freeplace, toilet, bed, small food storage, shelfs for one guest. Meditation space is secluded from other ones not to interrupt meditation by any distractor factor. Just sit down, relax and watch the lake between interfenestrations.

bog cabin

34

bog cabin

structure diagram

35

bog cabin

plans

36

bog cabin

life&section

37

work experiences

38

VII

SMQ Sumqayıt Shopping Mall/Facade Work july-sept 2019 location: Sumqayıt, Azerbaijan group members: Hasan Çalışlar Kerem Erginoğlu Barış Yüksel Hilal Kurt Elif Özüçağlıyan Batu Berk Bahçeci Samed Kaya

Produced by me *

Sumqayit s the third largest city in Azerbaijan. It’s located near the Caspian Sea and about 31km away from Baku, the capital.

SMQ’s location is enchanced accessibility by Baku Road where passes in front of it and the central bus station.

Formation of mass creates slits inside and outside of the volume, so the concept was developed around creating a bow tie effect on facade.

Dimensions and angles of panels differentiate depends on direction and function of facade.

In commercial entrances, big gestures occured and create semi-open spaces at turning points which are parallel with the slits. For advertising sign board, panels are getting flat.

SMQ

*

39

1

4

3

5 2

1

5

SMQ

2

4

3

* physical model of site

40

D

east facade

C

Residential Blocks

Grill

B

C

semi commercial

service

D

Plaster + paint

B

A

B A

B

south facade

Carpark Entrance

north facade

Park Entrance

A

B

A

B

west facade

Main Entrance

commercial

commercial

3D FACADE

Aluminum Composite Panel

A

B

2D FACADE

Aluminum Composi~0,5 m ~3 m

~0,42 m

SMQ

~2,9 m

*

facade pattern study and alternatÄąve II

41

bow tie effect The linear facade panels are tilted at most on the breaking point of the backface.

Gold background

Corten textured panels

SMQ

*

facade pattern study and alternatÄąve II

42

SMQ

life

43

SMQ

life

44

VIII

DER - ZEMİN Means “door’’ in Persian march 2020-june 2020 competition project location: İstanbul type: urban group members: Fatih Yavuz, Emre Şavural, Pelin Yoncacı, Murat Memlük, Ebru Dehmen Memioğlu, Sevgi Çalı, Kıvanç Tunçkale, Faruk Sarıhan, İsa Eren Akbıyık, Mehmet Nazım Özer, Hasan Hüseyin Özdurmuş, Sema Çağlayan, Çiçek Su Yavuz, Alperen Pehlivan, Gaye Gültekin, Okan Mutlu Akpınar, Hüseyin Kezer

Golden Horn Shore Competition 1st Prize

“The ruins of those Byzantine Walls, the ruins of the walls built to protect the city five or six centuries ago, did not cut the city-sea relation at all ... Those walls with their doors, holes, ruins, suddenly plunging into the sea turned into works of art. ! “

Aydın Boysan, “Nereye Gitti İstanbul?, YKY, İstanbul, 2004, 45.

The zoning activities that started in the 1950s initiate the destruction and reconstruction process that causes irreversible effects on the historical texture of the Golden Horn. After the demolitions carried out in order to create a modern road system in the historical peninsula, the expansion of Atatürk Street connecting the Unkapanı-Aksaray-Yenikapı axis and the establishment of the connections it established with the coast, the opening of the Ragıp Gümüşpala Boulevard from Unkapanı to Eminönü, the sea walls and gates. and the pier remains disappear almost completely over time (Semiz, 2014, p. 415).

Pedestrian and vehicle systems are separated from each other, especially due to the speed brought by the coastal road and the coastal texture that it destroys. Pedestrian track and speed become obscure on the Golden Horn fill ground, and the pedestrian scale becomes invalid. The road becomes an impenetrable new ‘border’, severing the relationship between the coast and the city.

The project proposal, which set out to re-establish this relationship, produces the presentday equivalent of the door-pier couple that will reintegrate the Golden Horn into the historical city behind the city wall, whose existence is still felt despite its disappearance: Der-Zemin. This new surface, which emerged by tracing the traces of their coexistence and the plurality they presented at certain times in the Golden Horn in the historical process, are the activity foci that turn the function of “being a door” lost both in memory and in physical structure to the present day. The proposed Haliç der-grounds are multifaced scenes in the daily play where the city touches people, the city is the city, the production is the main, and the place itself is an actor. He is a productive force in timespace that confuses and brings together those who go everywhere and those who come to everywhere, who sell the field above all, those who approach from all directions, people of all ages, and speakers of all languages.

der-zemin

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1.Period 2. Period 3.Period der-zemin

historical coastal use analysis and suggestion

46

der-zemin timeline

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3.Period

2.Period

1.Period

der-zemin

analysis

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5th century - Byzantine Period

Byzantine Period - 15th century

15th century - 16th century

16th century - 18th century

the coastline of the next period

the coastline of the next period

the coastline of the next period

the coastline of the next period

Byzantine Walls

Byzantine Walls

Byzantine Walls

Byzantine Walls

Çemberlitaş

Çemberlitaş

Çemberlitaş

Çemberlitaş

18th century - 19th century

19th century - 20th century

20th century - 21th century

20th century - 21th century

the coastline of the next period

the coastline of the next period

the coastline of the next period

the coastline of the next period

Byzantine Walls

Byzantine Walls

Byzantine Walls

Byzantine Walls

Çemberlitaş

Çemberlitaş

Çemberlitaş

Çemberlitaş

Eminönü

proposal coast line filled area

der-zemin

coastline history of historical peninsula

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scale: 1/2000

der-zemin

masterplan

50

der-zemin

EminĂśnĂź focus 1-urban design and landscape project

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der-zemin

Metro Bridge Focus 2-Urban Design and Landscape Project

Kadir Has Odak 3-Urban Design and Landscape Project

Haliรง Social Facility Focus 4-Urban Design and Landscape Project

Fener Pier Focus 5-Urban Design and Landscape Project focal points

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der-zemin

architectural elements

53

der-zemin

architectural elements

54

der-zemin

architectural elements

55

der-zemin

architectural elements

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der-zemin

focal points

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der-zemin

eminĂśnĂź sqaure

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der-zemin

eminĂśnĂź sqaure

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Eminönü Tram Station Entrance - Canopy

der-zemin

Eminönü Square

focal points

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Eminönü Square

der-zemin

Public Steps

focal points

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