20th Century Art & Design Auction: 26th February by Andrew Ewbank

20th Century Art and Design Auction 26th February 2014

20th Century Art and Design Auction Wednesday 26th February 2014 ÂŁ5

Ewbank’s Auction Sale Dates 2014 VIEWING TIMES Monday before sale: 10am - 5pm Tuesday before sale: 10am - 8pm Saturday before sale (Silver, Jewellery and Quarterly Fine Auctions only): 10am - 2pm Mornings of sale: limited viewing before sales start at 10.30am

Chris Ewbank, FRICS ASFAV Senior partner chris@ewbankauctions.co.uk

January 15th/16th Antique and Collector’s Auction February 12th/13th Antique and Collector’s Auction 26th 20th Century Design and Contemporary Art Auction (entries close 31st January)

John Snape, BA ASFAV Partner john@ewbankauctions.co.uk

Andrew Delve, MA ASFAV Partner andy@ewbankauctions.co.uk

Andrew Ewbank, BA Partner andrewe@ewbankauctions.co.uk

Alastair McCrea, MA Partner alastair@ewbankauctions.co.uk

August 13th/14th Antique and Collector’s Auction

March 12th/13th Antique and Collector’s Auction 26th Specialist Fine Jewellery and Silver 27th Quarterly Fine Auction, to include Textiles, Garden & Architectural (entries close 28th February)

September 10th/11th Antique and Collector’s Auction 24th Specialist Fine Jewellery and Silver 25th Quarterly Fine Auction, to include 18th/19th Century Pictures (entries close 5th September)

April 9th/10th Antique and Collector’s Auction 24th Asian and Eastern Art Auction (entries close 4th April)

October 8th/9th 22nd 29th

May 14th/15th Antique and Collector’s Auction 29th Entertainment and Sporting Memorabilia Auction (entries close 2nd May) June 11th/12th Antique and Collector’s Auction 25th Specialist Fine Jewellery and Silver 26th Quarterly Fine Auction, to include Clocks, Watches and Instruments (entries close 6th June)

Tim Duggan, ASFAV Partner tim@ewbankauctions.co.uk

July 16th/17th Antique and Collector’s Auction 30th Militaria Auction, to commemorate the 100th Anniversary of the First World War (entries close 11th July)

Antique and Collector’s Auction 20th Century Design and Contemporary Art Auction (entries close 26th September) Entertainment and Sporting Memorabilia Auction (entries close 3rd October)

November 5th/6th Antique and Collector’s Auction 19th Asian and Eastern Art Auction (entries close 31st October) 26th Specialist Fine Jewellery and Silver 27th Quarterly Fine Auction, to include Fine Wine, Clocks and Watches (entries close 7th November) December 10th / 11th Antique and Collector’s Auction

Andrea Machen Decorative Arts Specialist andrea@ewbankauctions.co.uk Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale. For Monthly sales they go online approximately one week before the sale. Inside Front Cover Lot 108

Back Cover Lot 286

Dates are published on our website and are subject to change without notice.

E N T E RTA I N M E N T A N D M E M O R A B I L I A AU C T I O N

Surrey’s premier international antique and specialist auctioneers

20TH CENTURY ART AND DESIGN AUCTION Arts and Crafts, Art Nouveau, Art Deco, Modern Design, Contemporary Art.

SALE: Wednesday 26th February 2014 at 10.30 am VIEWING: Monday 10th February 10.00 am–5.00 pm Tuesday 11th February 10.00 am–8.00 pm And Morning of Sale 9.30-10.30 am For the fully illustrated catalogue and Registration for Live internet bidding go to www.ewbankauctions.co.uk The Burnt Common Auction Rooms London Road, Send, Surrey GU23 7LN

Tel +44 (0)1483 223101

E-mail: antiques@ewbankauctions.co.uk Buyers Premium 25.2% inclusive of VAT MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS

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INFORMATION FOR BUYERS 1

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

Buyers Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium at 25.2% inclusive of VAT on the hammer price of each lot purchased.

VAT. (†) indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

Conditions of lots. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Intending buyers have ample opportunity form inspection of goods and neither the seller nor we as the auctioneers accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Condition reports. We may be able to assist buyers unable to view by providing a condition report, but these reports are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. (Please see our Conditions of Sale). All sizes are approximate.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10 Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or Email. 11 Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). We accept card payments provided that your registered address is the same as the card address. There is a surcharge of 2.5% plus VAT on credit cards but no charge on debit cards. 12 Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges which are currently set at £5 plus VAT per lot per day. 13 Shipping: We cannot ship items from this saleroom, for a shipping quote please contact delivery@atgmedia.com, or Mailboxes Guildford who can be contacted 01483 453131 or via email info@mbeguildford.co.uk.

There will be an addendum for late entries which will be available on the viewing days; all lots are posted with images on our web-site www.ewbankauctions.co.uk This sale is on Wednesday 26th February commencing at 10.30 am 20TH CENTURY ART AND DESIGN

ARTS AND CRAFTS † where this symbol appears VAT is payable on the hammer price for that lot in addition to buyers premimum plus VAT This section of the sale will not commence before 10.30 am 1

Mintons encaustic bread plate, mid 19th century. Designed by Augustus Welby Northmore Pugin, stamped 430 on base 13in. (33cm) £1,000-1,500 See Illustration.

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Early 20th century Sucessionist bowl rim decorated with with winged masks and inset with Chalcedony ovals Probably German stamped 930M Import marks London 1902 gross weight 30ozs diameter 9” £400-600 See Illustration. 4

Mappin & Webb silver plate spirit kettle on stand in the manner of Christopher Dresser ebony handle and finial W 8596 £40-60

1 2

Aesthetic movement ebonised mantel clock with enamelled painted floral dial, twin train movement striking on a chime 18 x 8 x 5in. (46 x 20 x 13cm) £100-200 See Illustration. 3

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Oak Gothic Revival centre table on twin end supports with splayed legs 29 x 52 x 28in. (74 x 132 x 71cm) £300-500 See Illustration. 6

Aesthetic ebonised wall shelf in the manner of E. W . Godwin gilt decorated and painted panels decoration of birds amongst flowers 41 x 15in. (104 x 38cm) £200-300 See Illustration.

Ambrose Heal (1872-1959) for Heals Furnitures, dressing table, bedside cabinet and chair exhibited at the Paris Exhibition 1900. Fumed oak inlaid with pewter and ebony with three drawers and secret jewellery drawer all with pewter drop handles, hexagonal mirror. Provenance: Designed by Ambrose Heal for the Paris exhibition of 1900 the suite was presented on a stand with chequerboard border designed by Ambrose Heal’s cousin the architect Cecil Brewer it was to become a hallmark of Heals advertising. It was awarded a silver medal. 56½ x 44½ x 21in. (142 x 112 x 53cm) £700-1,000

Heals of London limed oak sidebaord in the Cotswold School manner three drawers and three cupboard doors on square legs 31in. (79cm) £100-200 See Illustration. 9

Heals of London limed oak extending dining table in the Cotswold School manner 30 x 38 x 51in. (76 x 97 x 130cm) £150-250 See Illustration.

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Aesthetic style jardiniere and stand, green ground, various cartouches and decoration of blue flowers 36in. (91cm) £200-300 See Illustration. 12

Pair of Rush seat ebonised chapel chairs £50-80

Arts and crafts oak framed bevelled mirror with copper mounts 20 x 14½in. (51 x 36cm) £40-60 14

Liberty Tudric pewter three handled jardiniere with hammered finish stamped marks and numbered 0337 6 x 9½in. (15 x 23cm) £70-100 See Illustration. 10 10

Charles Horner silver pendant mother-of-pearl and enamel painted with roses £80-120 See Illustration. 10A Early Art Pottery three handled vase by Horace Elliot, probably for Ewenny Pottery incised decoration of water lillies and birds amongst flowers, stamped Elliot and fleur-de-Lys mark. Horace Elliot designed wares for Ewenny pottery visiting them annually, a member of the Arts & Crafts movement , he owned a London gallery . Also associated with C.H. Brannam and Denby. 22in. (56cm) £200-300

Arts & Crafts Light oak dressing chest mirrored top with two drawers with pierced heart shaped motif attributed to Liberty & Co base with two short and three long drawers 68 x 43 x 20in. (173 x 109 x 51cm) £250-350 See Illustration.

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An Arts and Carts cheval mirror in Cotswold School manner peg and tenon construction, with low shelf on shaped supports 172 x 81 x 22in. (437 x 206 x 56cm) £200-400 See Illustration. 17

An Arts & Crafts oak wardrobe, single mirrored door flanked by panels with styalised plant form inlay, over single drawer 81 x 42 x 18in. (206 x 107 x 46cm) £300-500 See Illustration.

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An Arts & Crafts light oak wardrobe retail attributed to Liberty & Co Cornice with bracket supports mirrored door flanked by panel door inlaid with flower above single long drawer 85 x 49 x 20in. (216 x 124 x 51cm) £500-800 See Illustration. 16

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An early 20th Century oak dressing chest pierced frame mirror over two drawers 62 x 39 x 20in. (157 x 99 x 51cm) £150-250 See Illustration. 20

Octagonal shaped two tier Arts & Crafts oak side table with pierced supports 27 x 17 x 17in. (69 x 43 x 43cm) £60-100 See Illustration. 21

Pair of early 20th century mahogany framed arm chairs on X shaped supports with tapestry back and seats £80-120

Pair of early 20th century Louis Wain cat prints Cats having a party and bath time 12½ x 16in. (30 x 41cm) £50-80

22A Louis Wain pen and ink, cat holding cards, signed. Letter from Douglas Stuart dated February 2002, confirms that the sketch was done in the early thirties following a lunch of the Guildford and District Club, in Guildford. The sketch was given to the vendor by Walter Read's daughter, Miss Joan Read, in 1999, when she was some 87 years old. £400-£600 See illustration

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A Doulton stoneware twin handled vase with floral decoration, stamped Art Union London incised monograms. 10in. (25cm) £70-100 See Illustration.

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Royal Doulton Dickens Ware, large earthenware bowl “Watchman What of the Night” underglaze decoration of Tudor houses, Registered Design No 383666 14½in. (36cm) £100-150 See Illustration. 29 25 24

Doulton stoneware tyg with tube lined decoration stamped and incised marks 6.20 x 8in. (16 x 20cm) £40-60

William Moorcroft twin handled baluster vase in Claremont design tubelined and painted decoration of toadstools, in in bordeaux red and purple on a green ground, green painted signature 5½in. (13cm) £250-350 See Illustration.

Early 20th century Pre Raphaelite style portrait of a red haired lady, water colour monogrammed HH £300-500 See Illustration.

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Three Marquetry pictures of riverside scenes attributed to the Rowley gallery, 1920’s to 1930’s £80-120 See Illustration. 27

Four Minton hand painted tiles, one depicting a sea horse and three with fishes moulded marks, largest 15 x 15 cm £40-60 See Illustration. 8

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Pair of Hannah Barlow Doulton vases, incised decoration of long horn cattle twin handles with palm leaf incision , stamped Doulton Lambeth Hannah Barlow monogram and other marks 9¾in. (23cm) £1,000-1,500 See Illustration.

Three marquetry Scottish landscape scenes attributed to the Rowley Gallery each with title on reverse No 121 Cairngorms 46 X 94 cm , No 190 Five Sisters Kintail 57 x 77 cm and No 115 Loch Glencoul 53 x 70 cm £150-250 See Illustration. 32

Early 20th Century jardiniere with design of scallop shells, probably Bretby turquoise majolica type glaze, unmarked 8½ x 11in. (20 x 28cm) £40-60

Early 20th Century carved walnut spinning stool carved with flowers carved monogrammed and inscription, made by Alice Barnaby 1906 34in. (86cm) £50-80

Oval Copper Arts & Crafts tray with seeding fruit, diameter 10” and another circular. Oval tray 13” wide marked patent applied for, circular tray stamped Beldray . £40-60

Zsolnay Pecs Hungary a pair of Persian pattern vases painted and with gilt highlights, blue underglaze marks and numbered 813 13½in. (33cm) £80-120 See Illustration. 36

Duchess of Sutherlands Cripples Guild Arts and Crafts Twin Handled Copper Bowl stamped on bottom, Mark 1902-1922 6½in. (15cm) £50-80 See Illustration.

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Arts & Crafts copper framed mirror with Glasgow school style decoration of styalised plants and green Ruskin style roundels probably retailed by Liberty & Co , Mirror aperture 14”x26” 25 x 34in. (64 x 86cm) £400-600 See Illustration.

Arts and Crafts walnut three fold screen carved with emblematic symbols of Ireland, England and Scotland Each panel 28 x 13in. (71 x 33cm) £100-200 See Illustration. 39

Aesthetic glazed triple fire screen inset with three glazed panels decorated with with storks and flowers 39 x 19in. (99 x 48cm) £50-100 See Illustration. 40

Pair of Arts & Crafts elbow chairs with pierced back splats 46½ x 23 x 20½in. (117 x 58 x 51cm) £100-150

Doulton series ware two golfing plates by Charles Crombie, two Isaac Walton fishing plates and two with maiden procession Walton plate with Noke signature ‘ Where in a brook with a hook or a lake fish we take’ 10.40in. (26cm) £100-150 See Illustration. 10

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Arts and crafts oak dresser in the manner of George Walton mirrored back with spade pierced supports cast metal work 66 x 48 x 21in. (168 x 122 x 53cm) £400-600 See Illustration. 43

William De Morgan ‘ Islamic’ tile decoration of flower heads and leaves, impressed DM mark 6 x 6in. (15 x 15cm) £50-100 See Illustration. 46

A large Bretby style floor vase with conical form base , decorated in blue and red high fired glaze in brass tri-form vase 31½in. (79cm) £80-120 See Illustration.

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Archibald Knox for Liberty & Co., covered jug stamped Tudric and a pair of pewter twin handled vases with oval cabouchons jug stamped 0278 , 14 cm, vases 17 cm £70-100 See Illustration. 46

Varnier a large French bronze crucifix central relief cast face of Christ , signed 25½in. (64cm) £200-300 See Illustration. 47

An Art Nouveau inlaid tray with foliate marquetry decoration 22in. (56cm) £40-60

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Macintyre pottery vase with panels of decoration and stylized scrolling flowers and foliage, mark to base 5½in. (13cm) £60-100 See Illustration. 11

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After W. S. Coleman, print on silk ‘Moonlight Melody’, “Issued in Christmas number of the Gentlewoman magazine 1889” 8 x 13½in. (20 x 33cm) £80-120 53 51

Ewenny Pottery , a large twin handled vase by Edwin Jenkins green to blue speckled glaze, incised signature and dated 1902 15in. (38cm) £150-250 See Illustration. 52

Pair of Doulton Lambeth pierced baluster vases hand painted with dahlia’s by Elizabeth Fisher 10in. (25cm) £100-150 See Illustration. 53 51 50

Compton pottery plaque Jack and Jill, design by Mary Watts unmarked other than incised W 8.80 x 7in. (22 x 18cm) £100-150 See Illustration.

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Arts and crafts oak bookcase top shelf with single cupboard door inset with lead glass panel 61 x 28 x 10in. (155 x 71 x 25cm) £200-300 See Illustration.

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Maple & Co Arts and Crafts oak sideboard with drawers cupboard doors on a plinth base, label inside cupboard door 36 x 47 x 19in. (91 x 119 x 48cm) £250-350 See Illustration.

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Liberty &Co plant stand pierced freeze with under tier label verso 34” high and an Arts and Crafts copper and oak chess top table on square legs united by undertier 28” high £150-250 See Illustration.

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Liberty &Co Tudric pewter mantel clock with copper and blue green enamelled dial stamped verso 01319 7 x 14in. (18 x 36cm) £500-800 See Illustration. 60

Arts and Crafts copper & wrought iron firescreen the panel inset with styalised mushrooms 23in. (58cm) £200-300 See Illustration. 56

Arts and Crafts copper coal box embossed with flowers and spades 14 x 12 x 12in. (36 x 30 x 30cm) £50-80

Brannan stoneware vase decorated with birds, incised mark to vase 11in. (28cm) £40-60

Arts and Crafts brass card tray embossed with stylized forms and an Art Nouveau wooden painted picture frame decorated with flowers 12” by 10” aperture 5.5 by 3 £30-50

Arts Crafts silver three piece tea service by Jones and Compton Birmingham 1905 , 36ozs £1,000-1,500 See Illustration. 62

Pair of Cetem Ware early Maling vases painted with flowers on a black ground 9in. (23cm) £40-60

Heals of London pair of limed oak lattice back arm chairs in the Cotswold School manner rush seats on square legs united by stretchers £150-250 See Illustration.

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Early 20th C walnut framed mirror carved with female figures fruit and flowers 24 x 15in. (61 x 38cm) £80-120

Early 20th C mahogany triple wardrobe the cornice inlaid with Aesthetic style roundels £400-600 66

Gordon Russell set of six oak chairs in the Cotswold school manner, two carvers and four chairs the backs with vertical rails terminating in arch tops, tan leather seats each with copper Broadway workshop label £800-1,200 See Illustration. 67

Gordon Russell English oak dining table in the Cotswolds School manor, on four octagonal section legs united by stretcher with chamfered edge and triangular pegged joint handwritten Broadway workshop label, cabinet maker C Beadle, dated May 29th 1929 model x133 36 x 60in. (91 x 152cm) £2,000-3,000 See Illustration. 68

1930’s Gordon Russell oak bench, impressed mark verso stencilled date June 01 35 29 x 72in. (74 x 183cm) £500-800 See Illustration.

Gordon Russell oak sideboard in Cotswold School manner Two cupboards and three drawers with bog oak handles, on eight octagonal section legs united by chamfered edge stretchers £700-1,000 See Illustration.

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Quarterly Fine Auction 26th / 27th March Fine Jewellery, Silver, Watches, Coins, Clocks, Fine Art, Books, Maps, Prints, Ceramics, Toys, Works of Art, Wine, Persian Rugs, Antique Furniture, Garden, Textiles and Fashion Accepting consignments antiques@ewbankauctions.co.uk 15

ART NOUVEAU This section of the sale will not commence before 11.10 am 70

Daum Nancy cameo glass bowl with enamelled decoration of aquilegia mottled yellow interior signed in cameo Daum Nancy with Cross of Lorraine. 3½ x 7¾in. (8 x 18cm) £800-1,200 See Illustration.

72 Louis Marjorelle Art Nouveau walnut two tier table, inlaid decoration in the from of flowering wisteria on curved supports united by stretcher to bronze mounts cast in floral form, signed on second tier 36in. (91cm) £3,000-5,000 See Illustration. 73

Doulton Lambeth stoneware jardiniere with impressed leaf design, green yellow colour Impressed marks 7.40 x 8.80in. (19 x 22cm) £50-80 75

Art Nouveau silver plated stand, by WMF, relief decoration of a maiden amongst bullrushes and water lillies 7 x 17½in. (18 x 43cm) £50-80

Galle vase with hand painted decoration in relief, depicting flowering branches with dragonfly 5in. (13cm) £50-100

Art Nouveau stand with tiled fall front, 49 x 18 x 11in. (124 x 46 x 28cm) £50-80

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Art Nouveau blonde terracotta figure of a maiden by a pool with mirror back and water lily light fitting impressed mark JM 4097 26 x 18¾in. (66 x 46cm) £200-300 See Illustration. 72

An Art Nouveau four fold screen, walnut with pierced top, inset with embroidered floral panels c 1910 72 x 93in. (183 x 236cm) £100-200 See Illustration.

Emile Galle, Art Nouveau, two from a nest of tables with marquetry tops one of coastal cottages the smaller of fishing boats at sea. Beechwood shaped supports, signed in the marquetry. 27 x 18½ x 15in. (69 x 46 x 38cm) £300-500 See Illustration. 79

Goldscheider large terracotta figure of a boy impressed marks to reverse Goldscheider Wien 53 and other impressed marks 29in. (74cm) £250-350 See Illustration.

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Art Nouveau bronze tazza with relief decoration of flowers and birds 7.40 x 6¼in. (19 x 15cm) £70-100 See Illustration. 85

Pair of iridescent glass lamp shades painted with landscapes 6½in. (15cm) £40-60

Pair of Kayserzinn Art Nouveau pewter candlesticks converted to lamps 15in. (38cm) £200-300 See Illustration. 87

Early 20th century oak dresser carved with Art Noveau styalized flowers, mirrored back above base with to drawers and two cupaboard doors with copper mounts 82 x 60 x 23in. (208 x 152 x 58cm) £200-300 See Illustration. 80

83 Art Nouveau pewter dish decorated with young woman seated on a balcony, 12in. (30cm) £100-120 See Illustration. 80

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Two prints after Alphonse Mucha female portraits with Art Nouveau decoration printed 1970’s in light wood frames 24½ x 21in. (61 x 53cm) £50-80 Art Nouveau copper tray stamped J S & S 25in. (64cm) £30-50

WMF Secessionist style claret jug 11½in. (28cm) £70-100 See Illustration. 18

WMF silver plate posy vase in Sucessionist style with cut glass liner , a bon bon dish and fruit decorated bowl with servers £100-150 See Illustration. 93

English School early 20th C profile portrait of a young lady charcoal and coloured chalk, signature indistinct 18 x 13½in. (46 x 33cm) £100-150

A framed print by Aubrey Beardsley and another Art Nouveau print 17 x 10in. (43 x 25cm) £50-80

After Jules Cheret an Art Nouveau print and another depicting a lady both re-framed £50-80

WMF Art Nouveau desk stand with integral glass ink wells 17in. (43cm) £50-80

Art Nouveau French white metal and silk parasol 32in. (81cm) £80-120

98 WMF ashtray and Art Noveau desk stand £30-50

88 88

Pair of Royal Doulton Art Nouveau style vases decorated with stylised blue flowers 9in. (23cm) £100-200 See Illustration.

89 Pair of WMF Art Nouveau pewter candlesticks £80-120 90

Ernst Wahliss an Austrian Art Nouveau figural platter depicting a maiden amongst lily pads factory marks to base 13 13in. (33cm) £120-150 See Illustration. 91

French Art Nouveau lustre group of two doves by Alphonse Cytere Rambervilliers possibly designed by Charles Virion , stamped marks to base 7in. (18cm) £70-100

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ART DECO This section of the sale will not commence before 11.30 am 99

Frank Brangwyn Art Deco charger painted by Clarice Cliff The Brangwyn panels were designed for the Royal Gallery of The House Of Lords 1925 first exhibited at Olympia in 1933, a limited edition was hand painted painted by Clarice Cliff for Wilkinson Royal Staffordshire pottery, inscription to reverse and signed by Frank Brangwyn. 17½in. (43cm) £1,000-1,500 See Illustration. 100 Lalique Naiades clock, relief decoration of sirens with free flowing hair. depicted in swathes of waves and bubbles, etched signature R Lalique France. Doxa eight day movement PROVENANCE: Presented to 14 year old Alice Farr as first prize in a 100 metre breast stroke swimming competition in 1927 4½ x 4½in. (10 x 10cm) £1,500-2,500 See Illustration. 101 Lalique opalescent ‘Volublis’ bowl raised on three feet etched Mark R Lalique France and numbered 383 2.40 x 8½in. (6 x 20cm) £200-300 See Illustration.

100 102 Lalique Primeveres bowl and cover relief decoration of flower heads, R Lalique impressed moulded mark , 5 x 6½in. (13 x 15cm) £400-600 See Illustration. 103 R.Lalique yellow tinted Volubilis Pattern glass bowl raised on three feet pattern no 383 , moulded signature 2¼ x 8½in. (5 x 20cm) £250-350 See Illustration. 104 Lalique D’Orsay Trois Figurines frosted glass powder box with peach stain 1½ x 3¾in. (3 x 8cm) £300-500 See Illustration.

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106 Lalique car mascot ‘Tete d’ Epervier’ opalescent model of a sparrow hawk head, model 1139 introduced 1928 moulded Lalique France, in metal stand and later turned base, glass 60mm to base £1,500-2,500 See Illustration. 107 Art Deco Amber glass vase, with geometric moulded decoration moulded mark Scailmont and with HH monogram, made in Belgium 11in. (28cm) £50-80

104 105 Lalique atomizer scent bottle “Figurines et Garlandes” figures of female nudes with floral garlands, floral decorated gilt metal mount marked Le Parisien, made for Molinard c 1930, moulded R Lalique mark 5in. (13cm) £150-250 See Illustration. 106 22

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108 Ferdinand Preiss, pair of carved ivory figures. One modelled as small boy holding a bow, another a young girl feeding a dove, on oval hardstone bases. Both signed F.Preiss. 8in. (20cm) £2,500-3,500 See Illustration. 109 Three Poole pottery vases late 1920’s-1930s impressed marks 8in. (20cm) £70-100 See Illustration. 110 Late 1920s Poole Stable Adams pottery vase, impressed marks to base, floral decorated 9in. (23cm) £70-100 See Illustration. 111 Louis Wain, ceramic lucky futuristic cat signed painted in enamel registered design no 637134 . 1914, marks for retailer Max Emanuel, was sold with the slogan ‘Bring your smile with you for good luck awaits when you see me’ 5in. (13cm) £800-1,200 See Illustration. 111 112 W.H. Goss Art Deco porcelain clock marked for Weston- Super-Mare painted pink and green in enamels 5 x 9.20in. (13 x 23cm) £30-50

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113 113 Set of four Art Deco style tub chairs upholstered in claret red leather studded and with lacquered show wood 31½in. (79cm) £700-1,000 See Illustration. 114 Moorcroft Walter flambe vase decorated in Autumn Leaf and Berry pattern, impressed mark, Potter to the Queen and blue painted signature 9.20in. (23cm) £400-600 See Illustration.

117 115 A Wilton ware lustre vase with oriental style decoration and four harlequin figures £50-80 116 Art Deco silver and mother of pearl dressing table set comprising candlesticks, bottles, mirror and brushes (9) £150-250 See Illustration. 117 Chromium plated figure of a golfer on onyx base, 1930’s 7¼in. (18cm) £70-100 See Illustration.

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121 118 Keith Murray vase in matt cream glaze 7in. (18cm) £70-100 119 Large French Art Deco figure of an antelope in the manner of Lemanceau and a green glazed cat green glaze, unmarked 12 x 20in. (30 x 51cm) £40-60 120 Art Deco bronzed spelter figure of a ballet dancer on circular alabaster base 13in. (33cm) £100-150 See Illustration. 121 Early Ashstead Pottery figure ‘ The Corn Girl ‘ designed by Allan Wyon, produced 1923/1924 8in. (20cm) £300-500 See Illustration. 122 Art Deco silver plated table barometer and a 20th Century cream alarm clock by Westclox barometer 20 cm, clock 9 cm £60-80

124 Collection of Carter Stabler Adams & Poole including an early candlestick , part breakfast set, dredger, 18 items £100-150 See Illustration. 125 Art Deco rosewood cased triple train mantel clock, by Elliott, retailed by Garrard & Co. Ltd. 9in. (23cm) £100-150 See Illustration. 126 Michael Andersen Denmark pottery figural lamp base Figure of a girl in winter clothes, relief, stamped marks and paper label 14in. (36cm) £50-80 127 Art Deco oak and rosewood inlaid gentleman’s dresser, 42” x 27” and a matching dressing table 62” high £100-200 See Illustration. 128 D.Isoppi Art Deco terracotta figure of a nude decorated with green glaze 19in. (48cm) £150-250

123 Poole pottery vase early 1930,s painted with styalized branches and flower heads , pink slip base impressed Poole England, painted monogram AP 7.20in. (18cm) £50-80

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129 129 Art Deco Crown Devon Rural lusterine vases , decoration of wooded landscape and butterflies baluster form with gilt leaf highlights 9in. (23cm) £100-200 See Illustration. 130 Pair of Clarice Cliff Bizarre squat candlesticks with painted geometric decoration 2.20 x 4in. (6 x 10cm) £100-150 See Illustration.

130 131 Cold painted bronze model of a fox on oval onyx base C 1920 3½in. (8cm) £50-80 See Illustration. 132 Gouda Holland Regina pattern bowl and rose bowl 1930’s £50-80 133 Art deco glass vase mounted as a lamp 19in. (48cm) £80-120 134 Poole Pottery bowl with painted decoration of flowers in unusual green colourway 3.20 x 8in. (8 x 20cm) £40-60

135 Art deco white and brown marble clock garniture spelter finial in the from of a deer by R Lefebvre 12in. (30cm) £100-200 See Illustration. 136 Art Deco walnut, rosewood and satinwood inlaid partners desk, the top with Odeon moulding, pedestal with drawers, the reverse with cupboard doors 31 x 64 x 39in. (79 x 163 x 99cm) £400-600

138 137 Art deco walnut rosewood and satinwood inlaid Library table the top with Odeon mouldings, on six legs 30 x 65 x 27in. (76 x 165 x 69cm) £150-250 138 Art Deco walnut serpentine coffee table with open shelves and two cupboard doors and slides 22 x 40 x 22in. (56 x 102 x 56cm) £80-120 See Illustration. 139 Art Deco wall masks , one pair of a lady and a man and the other with ladies wearing hats largest 28 cm £80-120 See Illustration. 140 Austrian terracotta model of a boy in the manner of Goldscheider modelled seated and clasping a bunch of flowers, stamped Made in Austria 8.60in. (22cm) £70-100

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147 Moorcroft Spring flowers pattern baluster vase 1930’s on shaded green to blue ground , blue signature and “ Potter to the Queen” impressed mark 6in. (15cm) £150-250 See Illustration. 148 Moorcroft vase with bearded Iris on a blue ground impressed and painted signature and “Potter to the Queen” 7in. (18cm) £180-220

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143 141 141 Claire Weiss for Rosenthal an Art Deco figure of a Spanish woman with fan printed and impressed marks 9.30in. (24cm) £150-250 See Illustration. 142 A Moorecroft anemone pattern vase, John Peel musical jug by Crown Devon and a Mintons preserve pot £70-100 143 Max Brunning, German 1887-1968 Reclining Nude in an interior etching with drypoint After Jean Baptiste Arnaut, published Paris, signed in pencil 13¼ x 8.70in. (33 x 22cm) £150-250 See Illustration.

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144 Two 1920’s pen and ink fashion drawings Ladies day outfits initialled EMJ 18 x 13½in. (46 x 33cm) £80-120 145 Nest of three Art Deco burr walnut tables £50-80 146 Moorcroft match holder of spherical form with concentric striker on base, leaf and berry pattern impressed Made in England and Moorcroft 3 x 3.60in. (8 x 9cm) £150-250 See Illustration.

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152 A metal sculpture, study of Diana the huntress with hound, in the manner of Hagenauer, c1930 -1950 11in. (28cm) £50-80 See Illustration. 153 Art Deco modernist ceiling clear light clear and acid etched glass 11 x 16in. (28 x 41cm) £80-120 149

154 Art Deco pottery vase painted in bright colours with abstract forms, marked Canford 9½in. (23cm) £50-80 155 Art Deco ceramics including a Doulton flambe vase, Clarice Cliff jug , Crown Devon musical tankard and a Wedgwood lustre vase £100-150 156 Hagenauer Austria a solid silver styalised horse ashtray for Dunhill Paris Hagenauer stamps, small French import marks and Dunhill Paris Sterling, 1930’s 5¾ x 6¼in. (13 x 15cm) £400-600 See Illustration. 157 Art Deco spelter figure of an archer on plinth base 17in. (43cm) £50-80

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158 A chair designed in the form of the utility CC logo for the Ideal home exhibition 1947 Crafted in the Arts & Crafts tradition from various woods with boxwood inlay. Gordon Russell was head of the Utility Furniture Design Panel, which promoted good design from limited resources, this piece was built for the display and being too decorative would not have passed the panels guide lines for production 47 x 26½ x 55in. (119 x 66 x 140cm) £400-600 159 Doulton Lambeth stoneware vase with inverted hearts and a French Art Deco bookend signed E Hadji £40-60

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160 Carter Stabler Adams Poole pottery jug other items of Poole and a Honiton jug £80-120

149 Wedgwood dragon lustre bowl designed by Daisy Makeing Jones of octagonal form with gilt dragon on streaked blue ground, the green interior decorated with camels and cranes 5¼ x 10½in. (13 x 25cm) £200-300 See Illustration. 150 Keith Murray for Wedgwood , a large matt glaze bowl with sunken centre signed 2 x 14in. (5 x 36cm) £50-80 151 Carlton ware an unusual vase decorated with fish moulded relief decoration of sea plants with gilt and enamel painted fish 5.20in. (13cm) £50-80 See Illustration. 28

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MODERN DESIGN This section of the sale will not commence before 12.10 pm 161 Michael Cardew bowl dark slip decoration over an ash glaze, the exterior with textured border impressed personal seal and Winchcombe Pottery seal 1926-1944 3½ x 9¼in. (8 x 23cm) £300-500 See Illustration.

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161 162 Charles Vyse large stoneware vase painted leaf form sections in aventurine copper over tenmoko glaze, incised mark and dated 1935 12.70in. (32cm) £500-800 See Illustration.

163 Charles Vyse stoneware vase with foliate decoration baluster form with wax resist decoration in shades of green brown and ochre with black, incised mark and dated 1939 10.80in. (27cm) £300-500 See Illustration. 164 Warwick Parker, with David Leach at Lowerdown pottery 1960-64 Comprehensive stoneware dinner set £50-80 165 Lowerdown Pottery , soup set, a tureen and cover and six bowls impressed marks £80-120 166 Large St Ives Pottery vase of tapering cylindrical form the upper half impressed with four leaf florets , pale grey glaze, impressed St Ives mark and potters seal 14.70in. (37cm) £70-100 See Illustration.

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168 167 Tomas Anagrius b 1939 Sweden studio pottery stoneware vase baluster form with mauve glaze over celadon . incised signature to base 9in. (23cm) £50-80 168 Tomas Anagrius b 1939, Sweden, a large studio pottery ‘kettle’ with bird finial slab built stoneware with light mauve glaze, incised signature on base and inside lid Anagrius worked for Gustavsberg and Rorstrand before setting up his own pottery , his work is featured in the Stockholm Museum collection 12 x 11in. (30 x 28cm) £100-150 See Illustration.

Arne Bang 1901-1983

Born in Demark he trained as a sculptor at the Academy of Arts. After graduating he worked for Holmegaard producing distinctive stoneware. In his own studio he worked with Karl Halier, items created often had organic forms and typical colours of blue green and grey, understated works with crystalline glazes, his wish was to produce pottery that was beautiful but affordable and during the 1930’s thousands of hand crafted items were produced. Today Arne Bang ceramics are collected not only in his native Denmark but throughout mainland Europe, America and parts of Asia, his work appears in a number of museum collections.

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169 Arne Bang a studio pottery preserve pot with silver plated lid the lid of stepped concentric design, deep blue grey and green mottled glaze, incised monogram. 5.10in. (13cm) £300-500 See Illustration. 170 Arne Bang studio pottery vase of organic form with raised sections and blue green glaze, signed. 6.10in. (15cm) £300-500 See Illustration. 171 Arne Bang studio pottery, an early Mermaid bowl and cover green and pewter glaze with mermaid figure surmount signed and dated 1927. 7 x 5.80in. (18 x 15cm) £300-500 See Illustration. 172 Arne Bang studio pottery, two ribbed design pots one with horizontal ribbing grey green mottled glaze and another with vertical ribbing. 3¼ x 200in. (8 x 508cm) £200-300 See Illustration. 173 Arne Bang studio pottery two organic form vases white or grey glazed of organic form with relief decoration of branch and leaf. signed & numbered 152. 4in. (10cm) £300-500 See Illustration.

From a collection of Arne Bang ceramics that was assembled by the vendor over a period of more than ten years while researching a book on the work of Denmark’s most famous potter.

Lots 169–208

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174 Arne Bang Studio Pottery, a spherical stoneware vase with raised rib and button decoration and green mottled glaze, 1930’s, painted monogram and numbered 158, 14.5 cm £200-300 See Illustration.

177 Arne Bang studio pottery organic form jug with applied decoration and cane handle, 1930’s painted monogram and numbered 151. 6½in. (15cm) £100-150 See Illustration.

175 1930’s Arne Bang studio pottery, two spherical vases with raised flower heads blue drip glaze over green, incised monogram and 2/2 and cream with painted monogram. 10½in. (25cm) £300-500 See Illustration.

178 Arne Bang studio pottery. Two ribbed vessels Cylindrical form with pale blue over green glaze and another of flared form in biscuit glaze. £150-250 See Illustration.

176 Arne Bang studio pottery, stoneware creamer in the form of a cow, and figure of an otter cow brown drip glaze, incised mark, otter dated 1946. 3½ x 6.40in. (8 x 16cm) £150-250 See Illustration.

179 Arne Bang studio pottery, a series of three bud vases in shades of green and brown with applied branch and leaf decoration. 4in. (10cm) £200-400 See Illustration.

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185 Arne Bang a pair of blue salts with incised circle decoration and a flared blue glaze vase 3” high all with incised marks, vase numbered 415. £150-250 See Illustration. 186 Arne Bang studio pottery, three bud vases of varying forms, each with applied branch and leaf decoration. £150-250 See Illustration.

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187 Arne Bang studio pottery, two vertical rib pots green on grey and green on brown glaze, incised marks. 2.30in. (6cm) £150-250 See Illustration. 188 Arne Bang studio pottery two vertical rib pots oatmeal glaze with painted mark numbered 128 and brown with incised mark both. 2½in. (5cm) £150-250 See Illustration.

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189 Arne Bang studio pottery, preserve pot with silver plated top relief decoration of fish and shells, signed. 6½in. (15cm) £80-120 See Illustration. 190 Arne Bang studio pottery, ovoid form vase relief decoration, marks for Carl Hallier, dated 1930. 4½in. (10cm) £150-250 See Illustration.

184 180 Arne Bang two studio pottery stoneware vases in blue/green glaze signed. 3 x 3¼in. (8 x 8cm) £100-150 181 Arne Bang studio pottery, sculptural vase in oatmeal glaze with inverted and ribbed rim, 1930’s. 4.80in. (12cm) £150-250 See Illustration. 182 Arne Bang studio pottery mottled green glaze vase oval flared form, incised marks and monogram numbered 14. 6in. (15cm) £200-300 See Illustration.

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183 Arne Bang studio pottery, three circular leaf form salts each with a different glaze blue/ green/brown. 2.60in. (7cm) £80-120 See Illustration. 184 Arne Bang studio pottery, a green glazed bottle 6”high and vase 6” high both with incised marks, vase numbered 76. £100-150 See Illustration.

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191 Arne Bang studio pottery, plant form vase oatmeal glaze and dipped handles. 5.40in. (14cm) £100-150 See Illustration. 192 Arne Bang studio pottery two jugs green on brown glaze and another blue green and grey, unmarked. 2.80in. (7cm) £100-150 See Illustration. 193 Arne Bang studio pottery a candle holder with green brown glaze a large shallow bowl and a another of flared form. £150-250

198 194 Arne Bang, three studio pottery vases ovoid form vase incised AB mark and Jacob 40, two others with painted marks. £250-350 195 Arne Bang, a flared form bowl the first studio design produced 1932 mottled grey and black glaze on green, ribbed rim, incised mark and a green glazed fish vessel. 2¼ x 4.80in. (5 x 12cm) £400-600 See Illustration.

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196 Arne Bang a pair of studio pottery flower head for candle holders green glaze, incised AB marks and Jacob. 3½in. (8cm) £100-150 See Illustration. 197 Arne Bang studio pottery, a stoneware figure of a young deer green glaze, painted monogram 6.8. 6.80in. (17cm) £100-150 See Illustration.

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198 Arne Bang a fluted stoneware vase and candleholder green glaze both monogrammed and numbered. 4.80in. (12cm) £150-250 See Illustration.

204 Arne Bang, a fluted form bowl with pale green blue mottled glaze painted monogram and numbered 109. 2 x 4.70in. (5 x 12cm) £250-350 See Illustration.

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205 Arne Bang two large studio pottery jugs green and pewter glaze with strap handle and another in mottled yellow glaze. £150-250 See Illustration. 206 Arne Bang two studio pottery bud vases with green blue or green brown glaze, both incised monogram and numbered 27. 2¾in. (5cm) £150-250 See Illustration.

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207 Arne Bang studio pottery, a deep bowl with inverted rim green pewter glaze incised monogram and numbered 29. 3½ x 5½in. (8 x 13cm) £200-300 See Illustration.

204 199 Arne Bang three studio pottery bud vases All of spherical form with green and brown glazes. £200-300 See Illustration.

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200 Arne Bang studio pottery, an olive and brown ribbed bowl with blue centre signed and numbered 120. 2 x 5in. (5 x 13cm) £180-220 See Illustration. 201 Arne Bang studio pottery, a ribbed vase and bowl with blue speckled glaze both with incised marks. £250-350 See Illustration.

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202 Arne Bang studio pottery, two vases and a triangular pot. Vases applied decoration, mottled blue grey or green glaze, painted or incised marks. £150-250 See Illustration. 203 Arne Bang, a large cream glazed organic form vase spherical with raised sections and applied decoration of branch and maple leaf, signed and numbered 74. 5½ x 6½in. (13 x 15cm) £250-350 See Illustration.

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213 Nils Thorsson for Royal Copenhagen five vases square section with blue cream design, matt glaze, tallest 7.5 in 19 cm. £100-150 See Illustration. 214 Kai Lindborg for Hummelbaek keramik, torso celadon glaze 10in. (25cm) £80-120 See Illustration. 208

215 Royal Copenhagen bird decorated vase and pot shoulder vase by Nils Thorsson and a small pot with hieroglyphic style decoration £40-60 216 Gunnar Nyland for Rorstrand Sweden vase pale grey blue glass with wave design and two Danish pots by Herman Kahler £50-80

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213 212 208 Arne Bang vase with rib and button decoration, a candleholder, and a cylindrical vase £200-300 See Illustration. 209 WMF Ikora, modernist bracelet, a silver and amber necklace and beads £50-80 See Illustration. 210 Copenhagen, Denmark, vase with briar rose decoration 8½in. (20cm) £40-60 211 1960’s Coral globe clock, blue and red face, and a red metal desk lamp £30-50 212 Nils Thorsson for Royal Copenhagen, a shouldered vase blue and mauve design. 7.80in. (20cm) £50-80 See Illustration. 214 36

217 Royal Copenhagen a Sang-de-boeuf glaze vase and another with green glaze and design of birds £50-80 218 Herman Miller black swivel office chair £150-250 See Illustration. 219 Group of 1960’s - 1970’s jewellery including a silver and hardstone bangle maker A.P, and an amethyst pendant (11) £150-250 See Illustration. 220 Large quantity of 1960’s Oriental natural grasses wall paper £40-60 221 Moorcroft passion flower baluster form lamp base 15in. (38cm) £100-150 See Illustration. 221

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223 222 Moorcroft Torridon pattern vase designed by Philip Gibson, tube lined decoration of ducks amongst reeds, boxed 8½in. (20cm) £180-220 See Illustration.

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223 Moorcroft squat baluster form vase decorated in the Trout pattern, boxed 7 x 7½in. (18 x 18cm) £180-220 See Illustration. 37

224 J M Belsa Limited edition bronze resin sculpture 39 / 2500 12in. (30cm) £50-80 See Illustration. 225 Herman Miller chrome and mesh office chair £200-300 See Illustration. 226 Troika scent bottle with blue splash design 2.70in. (7cm) £80-120 See Illustration. 229

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230 227 Caithness glass millefiori paperweight and dish both 1979 and a Strathern bowl £50-80 228 Poole Studio pottery bowl 1950’s stamped on base 11in. (28cm) £50-80 229 Troika scent bottle with painted flower 2.70in. (7cm) £80-120 See Illustration. 225

230 Charles Eames Aluminium group chair EA105 Black ribbed seat and special option black enamel arms £150-250 See Illustration. 231 1960’s tile top table, design of styalized leaves on a chrome base 16 x 48 x 18in. (41 x 122 x 46cm) £80-120 See Illustration. 232 1970’s perspex and glass coffee and side tables coffee table 101 x 50 cm side table 50 x 50 cm £100-150 See Illustration.

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235 Hubert de Colombe bronze and glass sculptural screen decorated with the figure of a young lady Bought by the vendor direct from the artist in St. Martial, France 24½ x 19in. (61 x 48cm) £300-500 See Illustration. 236 After Rene Fumeron, a large French wool tapestry, harvest and cockerel c1950 32 x 48in. (81 x 122cm) £30-50

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237 Contemporary Moorcroft vase decorated with water lilies 8½in. (20cm) £100-150 See Illustration.

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233 233 Set of six mid 20th Century chairs in the manner of Gio Ponti black with three bar back and rush seats £100-150 See Illustration. 234 Two Eero Saarinen design Tulip tables Powder coated aluminium with marble tops, made under license 1970’s (52) 20½ x 20in. (51 x 51cm) £200-300 237 39

238 10 roles of Mayflowers Oriental Textures straw wall paper £100-200 See Illustration. 239 Clarice Cliff Newport pottery floral decorated jug 8in. (20cm) £40-60 240 Poole Pottery an incised cylindrical vase by Angela Wyburgh 1968, a black matt glaze vase and a red Agean vase incised JH £80-120 241 Poole Pottery , a Freeform lamp base with leaf decoration and a ribbed vase £80-120 242 Poole Pottery two eliptical form bowls and a similar vase 1950’s £50-80 243 1980’s blue ground rug decorated in abstract Nautical forms 97 x 74in. (246 x 188cm) £100-200

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244 Moorcroft squat vase ‘Finches designed monogramed WM inscribed on base With Thanks Hugh + Maureen Edwards August 1989 8in. (20cm) £200-300 See Illustration.

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245 Moorcroft squat vase Tulip designed by Sally Tuffin 1989 inscribed on base With Thanks Hugh + Maureen Edwards August 1989 8in. (20cm) £200-300 See Illustration. 246 Rosina Wachtmeister, for Goebel , cat vase printed with gilt highlights , stamped marks 10in. (25cm) £40-60 247 Scandanavian glass vase, ovoid form with blue to pink ribbon, signed 11in. (28cm) £50-80 248 Venini Italy handkerchief vase With blue muslin and white lattacino, acid etched mark to base 1950’s 7¼in. (18cm) £150-250 See Illustration. 249 Orrefors Sweden heavy clear glass bowl with lobed edge, etched mark and numbered 4.80 x 9.20in. (12 x 23cm) £50-80 See Illustration.

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256 A late 20th C ‘Pipistrello’ table lamp originally designed by Gae Aulenti for Martinelli Luce 35in. (89cm) £120-150 See Illustration. 257 Moorcroft Collectors Club magazines and catalogues bound copies from No 7 -65, and 25 catalogues £50-80 258 Poole Delphis spear form dish with abstract fir tree decoration in black green and orange on a yellow ground and an Aegean ashtray 17 x 7in. (43 x 18cm) £50-80 249

259 Leerdam Unica, large clear glass bowl with irregular bubble inclusions sgd Leerdam Unica MK 306 and signature of Floris Meydam, 1964 5.20 x 9in. (13 x 23cm) £50-100 260 Anna Ferrieri Castelli two Polo chairs for Kartell 1979 29 x 72in. (74 x 183cm) £150-250

252 250 Five glass vases, 1960’s and later. Large turquoise baluster form, and four others. Various sizes. £40-60

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251 Susie Cooper Tea Service, Fragrance pattern stamped Bone china no c485 £40-60 252 Cassina black leather CAB chair 32½ x 19 x 17½in. (81 x 48 x 43cm) £150-250 See Illustration. 253 Anemone design Moorcroft lamp, marks to base 16in. (41cm) £50-80 254 A blue Moorcroft vase decorated with flowers 3½in. (8cm) £50-80 See Illustration. 255 European School mid 20th C. The Bull Fight panel polychrome painted plaster 21 x 21in. (53 x 53cm) £50-80 256 41

267 Rodney Kinsman design red lacquer and aluminium table 29 x 72in. (74 x 183cm) £100-150 See Illustration. 268 1960’s Blondwood sideboard with three cabinet doors and dark wood panel 29 x 66 x 42in. (74 x 168 x 107cm) £150-250 See Illustration.

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269 Poul Hundevad Danish extending table and chairs leather and teak mid 20th C 12 x 11in. (30 x 28cm) £400-600 See Illustration. 270 Poul Hundevad, Danish, teak and leather sideboard mid 20th C £400-600 See Illustration. 271 De Styl, Dutch modernist poster produced for the magazine synonymous with the early 20th C Design movement , framed 27½ x 20in. (69 x 51cm) £40-60

265 261 Govinder Nazran Worcester vase 7” high and two Sargadellos figures £50-80 262 John Ditchfield Glassform paperweight iridescent glass with dragonfly , etched glassform 3¾in. (8cm) £60-80 263 Table lamp in the form of a hand and palm tree 1970’s painted polystyrene 28½in. (71cm) £60-80

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264 Gerald Benney studio canteen of silver plated cutlery for Viners six place settings and a coffee pot £150-250 See Illustration. 265 Jo Colombo green Universale chair designed 1965, 1970’s model Early model of the chair produced for Kartell Italy numbered 4867 28½in. (71cm) £150-250 See Illustration. 266 Giovanni Pelis for Stile Italy, black ‘Architects Trolley’ £100-150 See Illustration. 42

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270 276 Novelty chrome presentation lighter in the form of a rocket on octagonal base £70-100 277 Mid 20th C glass ceiling light with blue glass drops 24in. (61cm) £100-200 See Illustration.

269 272 Susie Cooper “ Venetia” c 2039 floral decorated coffee service £50-80

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273 Raymond Loewy design “ Jet Rose” pattern dinner and tea service £50-80 See Illustration. 274 George Jensen pair of Danish silver cufflinks and a pair of French gold and mother of pearl cufflinks £80-120 275 Concorde model by Westway Models, Wembley, with original BOAC insignia, with chrome stand 30in. (76cm) £80-120

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CONTEMPORARY ART This section of the sale will not commence before 13.30 pm Artists’ resale rights. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser’s invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be at a maximum of 4% for full details see www.dacs.org.uk or telephone +44 (0)845 410 3410

Hambling, well known for her sculpture of a scallop on Aldeburgh beach, said she had enjoyed the drawings but thought “perhaps someone else would like them”. They have not been on display and “not very many people have seen them”. She also said: “I do believe in art going about, it’s terrible when Van Goghs are locked up in banks. Art is for looking at.” Freud was born in Berlin in 1922 and fled to Britain with his Jewish family in 1933, when he was 10. He died in 2011 at the age of 88, having become one of Britain’s most distinguished and highly regarded artists. 18 x 15in. (46 x 38cm) £20,000-30,000 See Illustration.

278 § Lucian Freud (1922 - 2011), ink on paper sketch of two female nudes and feet studies, 18.5” x 15.5” PROVENANCE: This ink sketch by Lucian Freud was gifted by the artist to Cedric Morris and later given by him to the artist Maggi Hambling (Sir Cedric Morris, had taught her and Freud at different times as part of the East Anglian School of Painting and Drawing). It was sold by Hambling in 2013 at her local auction room and is now offered for sale here by the purchaser. The gift which was made circa 1980 - was made with the words “I think you should have these, it’s good for artists to have other artists work ....”. This sketch is believed to have been drawn either in the last months in Dedham or at Benton End in Hadleigh in the 1940’s.

279 279 § Barbara Hepworth, limited edition lithograph - “Sun and Water” (from the Aegean Suite), number 34 of 60 NOTE: VAT PAYABLE ON THE HAMMER PRICE FOR THIS LOT IN ADDITION TO BUYERS PREMIUM 31 x 22in. (79 x 56cm) £400-600 See Illustration. 278

282 Roger Quintaine (1921 - 2005) “Sur la dique Camaque” oil on canvas, signed, label verso 24 x 32in. (61 x 81cm) £200-400 See Illustration. 283 § Sir Terry Frost (1915-2003) ‘Long Red Yellow Black’ (2002), screenprint, signed in pencil, numbered 33/150, unframed 19 x 36in. (48 x 91cm) £500-800 See Illustration. 284 § Sir Terry Frost (1915-2003) ‘Development of a Square within a Square - Red’ (1999), screenprint, signed in pencil, numbered 12/150, unframed 23 x 23in. (58 x 58cm) £300-500 See Illustration.

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280 § Barbara Hepworth, limited edition lithograph - “Desert Forms” (from the Aegean Suite), number 34 of 60. Signed in pencil. NOTE: VAT PAYABLE ON THE HAMMER PRICE FOR THIS LOT IN ADDITION TO BUYERS PREMIUM 30 x 20in. (76 x 51cm) £400-600 See Illustration. 281 § Barbara Hepworth, limited edition lithograph, “Fragment” (in the Aegean Suite), 34 of 60. NOTE: VAT PAYABLE ON THE HAMMER PRICE FOR THIS LOT IN ADDITION TO BUYERS PREMIUM £400-600 See Illustration. 46

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285 § Sir Terry Frost (1915-2003) ‘Life is just a bowl of Cherries’ (2003), screenprint, signed in pencil, numbered 66/70, unframed 32 x 24in. (81 x 61cm) £1,000-1,200 See Illustration. 286 Artist easel from the studio of Francis Bacon PROVENANCE: Gifted by Valerie Beston to the Vendor while he was working for T.Rogers and Company Limited, a fine art packing and storage company, who worked for for the Marlborough Gallery. Similar items including Francis Bacon’s paint brushes have been auctioned at a prominent London auction house in September 2013. Sold with a catalogue for an auction of the Collection Of The Late Miss Valerie Beston in February 2006. Quote from the vendor; "Miss Valerie Beston used to store her personal collection of art, [which was sold at Christies in 2006] and various other personal things, paper work and related items. She would pop into Rogers to either drop off or collect certain items on numerous occasions and very often I would assist her with what ever help , wrap up items for storage or wrap items up for her to take away. On one occasion she arrived in a taxi laden with boxes of paper work and such items, amongst these items was a paint spattered easel which I was asked to dispose of, I asked to whom it belonged and she replied that it belonged to Francis Bacon, with that I immediately asked if I could have it and she replied of course, she was a lovely lady and very generous to me". £3,000-5,000 See Illustration.

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287 John B Webster (CANADIAN, 1947) seascape of Nova Scotia, Canada. Titled ‘Sunglare’, signed oil on board 12 x 16in. (30 x 41cm) £400-600 See Illustration. 47

288 288 Stanic Milovan, Dubrovnik city scene, oil on canvas, signed 26 x 69in. (66 x 175cm) £150-250 See Illustration. 289 Robert Tavener, Kentish Villages with Oast Houses lino cut print signed, 180/200 17½ x 23in. (43 x 58cm) £50-80 290 Charlotte Cornish (b.1967) ‘Then and Now I’, screenprint, signed in pencil, numbered 5/95, unframed 27½ x 47½in. (69 x 119cm) £250-400 291 Charlotte Cornish (b.1967) ‘Then and Now II’ screenprint, signed in pencil, numbered 4/95, unframed 27½ x 47in. (69 x 119cm) £250-400 292 Charlotte Cornish (b.1967) ‘Striking a Balance I’, screenprint, signed in pencil, numbered 89/175, unframed 27½ x 40in. (69 x 102cm) £250-400

296 294 John Brunsdon (b.1933) ‘The Roman Baths, Bath’, screenprint, signed in pencil, numbered 4/150, unframed 24 x 18in. (61 x 46cm) £60-100 See Illustration. 295 John Brunsdon (b.1933) ‘Greenwich’, screenprint, signed in pencil, numbered 4/150, unframed 18 x 24in. (46 x 61cm) £60-100 296 Donald Hamilton Fraser RA (1929-2009) Toy Hussar, screenprint, signed in pencil, numbered 190/200, unframed 17 x 22in. (43 x 56cm) £80-120 See Illustration.

293 Charlotte Cornish (b.1967) ‘Striking a Balance II’ screenprint, signed in pencil, numbered 90/175, unframed 27½ x 40in. (69 x 102cm) £250-400

297 Donald Hamilton Fraser RA (1929-2009) Shoreline - Skerray, artist proof, screenprint, signed in pencil, unframed 15½ x 20½in. (38 x 51cm) £150-250 See Illustration.

294

297

305

298 298 Simon Palmer (b. 1956) ‘Drawing across the Ochre’, screenprint, signed in pencil, numbered 57/150, unframed 25 x 19½in. (64 x 48cm) £80-120 See Illustration. 299 Simon Palmer (b. 1956) ‘The Signalman and the Guard’, screenprint, signed in pencil, numbered 91/150, unframed 18½ x 21in. (46 x 53cm) £80-120 See Illustration. 300 Ilana Richardson (Israel) Two screenprints ‘Cafe’ artist proof and ‘Skyros Yard’ limited edition 159/200, signed in pencil, unframed (2), each 10” x 13.5” £40-60

301 Richard Tuff (b.1965) Three limited edition screenprints, ‘Blue Harbour, Coverack’ 194/250, 20” x 20” ‘Harbour Boats’ 183/250 12” x 15” ‘Mending Boats’ 62/250 12” x 15” signed in pencil, unframed £60-100 302 Richard Tuff (b.1965) Three limited edition screenprints, ‘Cool light over Mousehole’ 12/175 17.5” x 23” ‘Harbour Boats’ 184/250 12” x 15” ‘Mending Boats’ 62/250 12” x 15” signed in pencil, unframed £60-100 303 Richard Tuff (b.1965) Two artist proof screenprints, ‘Harbour Steps’ AP - IV / XXV ‘Pea Green Boat’ AP - II / XXV signed in pencil, unframed, each 12.5” x 15.5”` £60-100 304 Annora Spence (b.1963) Two trial proof screenprints ‘Circus I’ and ‘Circus II’, signed in pencil, unframed, each 23” x 10.5” £50-80 305 Annora Spence (b.1963) Three artist proof screenprints, ‘Walking the Goat’ 18” x 16.5” ‘Walking the Pig’ 18” x 16.5” ‘Bird on a Tree’ 12” x 10” signed in pencil, unframed £80-120 See Illustration.

299

306 Annora Spence (b.1963) Three limited edition screenprints, ‘Lady on a Unicycle’ 158/175 17” x 17” ‘Walking the Horse’ 267/295 23” x 12.5” and one other untitled limited edition print, 94/225, 15.5” x 35” signed in pencil, unframed £50-80

313 Sylvia Edwards (b.1937) Five abstract screenprints, ‘Tribal Wanderings’ AP, 23” x 17” 2 x ‘Moonbeam’ AP, 22.5” x 17” ‘Pastoral Friends’ 15/250, 19” x 19” ‘There Trees’ unsigned, 24” x 34” signed in pencil, unframed £50-80 314 Emma Davis (b.1975) Five coloured limited edition screenprints and a Final Proof, ‘Fruit Bowl with 3 Bottles’ 36/250, 21.5” x 34” ‘Daisies and Oranges’ 152/250, 21” x 23” ‘Mint Green Poppies’ 218/250, 27.5” x 22.5” ‘Two Urns’ 106/150, 21” x 16” ‘3 Bottles one Urn’ 140/250, 27.5” x 22.5” ‘3 Bottles one Urn’ Final Proof 27.5” x 22.5” signed in pencil, unframed £60-100

319 307 Annora Spence (b.1963) Two artist proof and a printers proof screenprints, ‘Dog in a Wheelbarrow’ I / V P/P 13.5” x 21” untitled - ‘The Racing Car’ AP 11” x 20” untitled - ‘Leap Frog’ AP 14” x 28” signed in pencil, unframed £60-100 308 Heidi Konig (b.1964) Six large abstract screenprints, signed in pencil, untitled, unframed, largest 30” x 44” £60-100 309 Heidi Konig (b.1964) Four titled and Five untitled abstract screenprints, ‘Tarot Trail’ 80/175 19.5” x 19.5” ‘Temptation’ 14” x 14” ‘Dream’ 14” x 15” ‘Light’ 10” x 10” a mounted abstract 14” x 15” and four others, each 14” x 15” (9) signed in pencil, unframed £80-120 310 Heidi Konig (b.1964) Two limited edition screenprints, ‘Cukurbag’ 133/150, 13.5” x 16” ‘Train to Konya’ 132/150, 13.5 x 16” signed in pencil, unframed £50-80 311 Heidi Konig (b.1964) Two limited edition screenprints, ‘Emli Valley’ XI / XV, 13.5” x 16” ‘Bab Bou Jeloud’ 170/175, 19.5” x 19.5” signed in pencil, unframed £50-80 312 Richard Spare (b.1951) Two screenprints of flowers, ‘Tulips’ AP, 22” x 16” ‘Hollyhocks’ H de C, 14” x 14” signed in pencil, unframed £40-60

315 Five coloured limited edition screenprints by Sonia Rollo, M.J.Epps and Mark Millmore, Sonia Rollo, ‘Well, someones got the hump 79/150’ M.J.Epps, ‘The River I - 16/50’ and ‘The River II - 16/50’ Mark Millmore, ‘Crucian Carp - 78/100’ and ‘Waters Edge - 30/250’ signed in pencil, unframed, largest 11” x 20” £60-100 316 Stavros Kotsireas (b.1960) three coloured screenprints, ‘Kingdom of Spring’ AP, 18.5” x 18.5” ‘Kingdom of Spring’ 108/195, 18.5” x 18.5” ‘Window to Summer’ 104/195, 18.5” x 18.5” signed in pencil, unframed £50-80 317 Six screenprints by various artists to include Alison Goodwin, Jane Poulton, Jenny Devereux and Gilbert Browne, Alison Goodwin ‘Fish Beach II’ 83/100, 25.5” x 15.5” Indistinctly signed ‘Kelim’ 123/150, 22” x 16” Jane Poulton, ‘The Night Watch’ AP IX / XXV, 12” x 17” Jenny Devereux, ‘Pansies’ 21/100, 8” x 6” Gilbert Browne, ‘Betws-y-Coed I’ and ‘Betws-y-Coed II’ 62/100, dated ‘87 signed in pencil, unframed £50-80 318 Katty McMurray, ‘In the Medina’ 13/150 and ‘Three Pots’ 121/150 signed in pencil, unframed, each 20” x 20” £50-80 319 Kirsten Berg (Danish) Study of two girls Oil on canvas, signed ‘K.Berg title verso ‘Ventende Born’ dated ‘76 24 x 18in. (61 x 46cm) £150-250 See Illustration.

322

320 320 John Heseltine (1923- )1960s magazine illustration of a young woman with a camera with a couple in the background, acrylic, signed John Heseltine has enjoyed a long professional career. He was a noted name in British magazine illustration during the 1950s, 60s and 70s. His work appeared regularly in national British magazines such as John Bull, Woman and Woman’s Own. He has been a painter and portrait painter who has depicted many people including HM Queen Elizabeth II and HRH the Duke of York. 17 x 17in. (43 x 43cm) £150-250 See Illustration. 321 John Heseltine (1923- ) original illustration for a short story ‘Many Unhappy returns’ acrylic, signed and dated March 1962 verso John Heseltine has enjoyed a long professional career. He was a noted name in British magazine illustration during the 1950s, 60s and 70s. His work appeared regularly in national British magazines such as John Bull, Woman and Woman’s Own. He has been a painter and portrait painter who has depicted many people including HM Queen Elizabeth II and HRH the Duke of York. 18 x 24in. (46 x 61cm) £150-250 See Illustration.

321

322 John Heseltine (1923- ) original magazine illustration ‘But Not for Me’ acrylic signed in pencil John Heseltine has enjoyed a long professional career. He was a noted name in British magazine illustration during the 1950s, 60s and 70s. His work appeared regularly in national British magazines such as John Bull, Woman and Woman’s Own. He has been a painter and portrait painter who has depicted many people including HM Queen Elizabeth II and HRH the Duke of York. 17 x 26in. (43 x 66cm) £100-200 See Illustration. 323 John Heseltine (1923- ) ‘The Stone Bull’ acrylic, signed John Heseltine has enjoyed a long professional career. He was a noted name in British magazine illustration during the 1950s, 60s and 70s. His work appeared regularly in national British magazines such as John Bull, Woman and Woman’s Own. He has been a painter and portrait painter who has depicted many people including HM Queen Elizabeth II and HRH the Duke of York. 16 x 25in. (41 x 64cm) £150-250 See Illustration.

323 51

324 324 John Heseltine (1923 -) Two young girls and a boy playing in water, acrylic, signed in pencil John Heseltine has enjoyed a long professional career. He was a noted name in British magazine illustration during the 1950s, 60s and 70s. His work appeared regularly in national British magazines such as John Bull, Woman and Woman’s Own. He has been a painter and portrait painter who has depicted many people including HM Queen Elizabeth II and HRH the Duke of York. 17 x 27in. (43 x 69cm) £150-250 See Illustration.

325

325 § John Bratby RA (1928-1992) Drawing II-Patti in a red coat, pencil, charcoal and crayon on paper, annotated and signed in pencil Annotation reads : John Bratby RA 6B pencil and charcoal, crayon Drawn with one eye Christmas Day.Xmas Eve ‘89 Title Drawing II 22 x 16in. (56 x 41cm) £400-600 See Illustration. 326 § John Bratby RA (1928-1992) ‘New Years Party Lady’ pencil, charcoal and crayon on paper, annotated and signed in pencil Annotation reads: John Bratby RA New Years Party Lady Jan 1 1990 Jan 2 1990 23 x 16½in. (58 x 41cm) £400-600 See Illustration. 327 Clifford Webb (1895-1972) Limited edition woodblock print ‘Hill Farm’ signed and titled in pencil1/20 31 x 14in. (79 x 36cm) £80-120 See Illustration. 328 Clifford Webb (1895-1972) Limited edition woodblock print ‘ The ring tailed limas’ signed and titled in pencil 5/20 16 x 24in. (41 x 61cm) £60-80 52

326

330

327 329 Clifford Webb (1895-1972) Limited edition woodblock print ‘Brecon Beacon’ signed and titled in pencil 2/20 18 x 30in. (46 x 76cm) £50-80

333

330 John Hutton 1940s print of a factory workshop, signed in pencil 20 x 28in. (51 x 71cm) £50-80 See Illustration. 331 Harold Hope Read (1881-1959) ‘Gods in Heaven, alls right with the World’ ink, pen and wash on paper, framed, unsigned 9¾ x 11in. (23 x 28cm) £100-200 332 Harold Hope Read (1881-1951) ‘Ennui’ pen, ink and wash on paper, initialled 12 x 11in. (30 x 28cm) £100-200 333 William Henderson(1903-1993) ‘Still life with cheese’ oil on canvas, signed Redfern Gallery label verso 17 x 21in. (43 x 53cm) £100-200 See Illustration. 334 British Surrealist School, sculpture mid 20th Century Torso with glass eyes 29in. (74cm) £100-150 See Illustration.

334 53

335 Pasternak Maurice, ‘ Horizontal ‘ mezzotint C A D, Edition of 80 , signed and dated 1991 Royal Academy Summer Exhibition labels 28 x 21in. (71 x 53cm) £200-400 See Illustration. 336 Michael Fairclough, born 1940 Big field 1 and 2 Aquatints 56½ x 44½ x 21in. (142 x 112 x 53cm) £50-80 337 Cecil Bacon 1905-92 illustrator, two monochrome acrylics Rucksack with letters and a scene of a couple in a garden, both signed, framed £50-100 338 Peter Freeth RA born 1938, ‘All Summer Day Long’ aquatint £80-120 339 Christopher Robinson ‘ Dame Catherine Cookson’s Hands’ drypoint etching 11 x 12in. (28 x 30cm) £40-60

344

340 Mark Clark born 1959, ‘ Larger Nude’ etching signed tilted in pencil ‘Larger Nude’III’ 40/50 20 x 15in. (51 x 38cm) £70-100 See Illustration.

345 341 Kristine Walker , ‘The Scales’, watercolour, signed in pencil, framed 14½ x 11in. (36 x 28cm) £40-60

335

342 Norman Akroyd , limited edition print signed and titled in pencil ‘Shrops Mist’ 22/60 25 x 36in. (64 x 91cm) £100-200 343 Pasternak Maurice ‘Lumiere’ mezzotint signed and tiled in pencil ‘Lumiere’ 25/100 8 x 5in. (20 x 13cm) £50-100 344 § Pamela Cornell ‘Haymaking’ signed oil on canvas titled verso, 27 x 36in. (69 x 91cm) £200-300 See Illustration.

340

348 British Contemporary School , study of a female nude £50-80 349 Evelyn Smith , two pen and ink illustrations 1930’s one signed and dated 17½ x 13½in. (43 x 33cm) £200-300 See Illustration. 350 § Rodrigo Moynihan RA 1910-1990 Woman in St Marks Crescent, Primrose Hill London 8.70 x 6.70in. (22 x 17cm) £200-300 See Illustration. 349 345 § Pamela Cornell ‘Grandma’s Birthday ‘ signed oil on canvas titled verso £200-300 See Illustration.

351 “The Rift”, bronze resin sculpture by Eric Duggan, limited edition 2/35, £200-300 See Illustration.

346 Janet Harley-Peters born 1943 ‘Indra’s Blue x Two’ pigment and paint on 3D constructed paper inscribed and dated 2000 28 x 47in. (71 x 119cm) £120-160 347 British School ‘ Rebecca’ , female nude, crayon titled and signature indistinct , studio stamp bottom right 27 x 19½in. (69 x 48cm) £70-100

350

351

355 355 “Late Winter Sun Refracted” by Kevin Turton, 2005, acrylic/resin Purchased from Apple Gallery, Godalming in May 2005 24 x 35in. (61 x 89cm) £100-150 See Illustration. 356 “Cutting Slate” by Kevin Turton, 2004, acrylic/resin Purchased from Apple Gallery, Godalming in November 2004 23 x 23in. (58 x 58cm) £100-150 See Illustration. 357 “Opal Pastel” by Siobhan Jones, glass wall panel Purchased from Apple Gallery, Godalming in November 2005 19½ x 19½in. (48 x 48cm) £50-100 358 Pastel painting of a town scene, signed O’neil 40 x 26in. (102 x 66cm) £60-100 359 Frank Stella Lincoln Center Festival 1967 Poster 29 x 45in. (74 x 114cm) £100-150 See Illustration. 352 352 “The Dance” by Joe Perry, steel figure sculpture on wooden plinth Purchased from the Apple Gallery in March 2005 77in. (196cm) £150-250 See Illustration. 353 “Harlequin II by Siobhan Jones, Glass wall panel Purchased from Apple Gallery, Godalming in October 2005 8 x 20in. (20 x 51cm) £50-100 354 “Harlequin I “ by Siobhan Jones, Glass wall panel Purchased from Apple Gallery, Godalming in October 2005 12 x 12in. (30 x 30cm) £50-100

356 56

362 359 360 1970 Pittsburg International advertising poster, Facsimily signed Vasarley 33 x 24in. (84 x 61cm) £50-80 361 Dharbinder Singh Bamrah, British 1965-2007, African landscape with elephants and a zebra, signed, oil on canvas, PROVENANCE: Given by the artist to Onan Kurt, the father of the vendor, when he lived next door to them in Hillingdon, Middlesex. 80 x 39in. (203 x 99cm) £6,000-8,000 See Illustration.

362 Dharbinder Singh Bamrah, British 1965-2007, eagle perched on a branch devouring it’s prey, signed, oil on canvas, PROVENANCE: Given by the artist to Onan Kurt, the father of the vendor, when he lived next door to them in Hillingdon, Middlesex. 45 x 37½in. (114 x 94cm) £3,000-5,000 See Illustration.

361

365 366 Dharbinder Singh Bamrah, British 1965-2007, bear by a pool, signed and dated 1985, oil on canvas, PROVENANCE: Given by the artist to Onan Kurt, the father of the vendor, when he lived next door to them in Hillingdon, Middlesex. 14 x 23in. (36 x 58cm) £1,000-1,500 See Illustration. 367 Eric Drummond limited edition print titled ‘Lighthouse Bay I’ 39/200 signed in pencil £50-80 363 363 Dharbinder Singh Bamrah, British 19652007, ‘Rhino’ signed and dated 1981, oil on canvas, PROVENANCE: Given by the artist to Onan Kurt, the father of the vendor, when he lived next door to them in Hillingdon, Middlesex. 24 x 15in. (61 x 38cm) £4,000-6,000 See Illustration. 364 Dharbinder Singh Bamrah, British 1965-2007, African landscape with elephants and birds at a watering hole, signed and dated ‘89, oil on canvas, PROVENANCE: Given by the artist to Onan Kurt, the father of the vendor, when he lived next door to them in Hillingdon, Middlesex. 36 x 60in. (91 x 152cm) £4,000-6,000 See Illustration. 365 Dharbinder Singh Bamrah, British 1965-2007, tiger lying by a pool, signed and dated ‘89, oil on canvas, PROVENANCE: Given by the artist to Onan Kurt, the father of the vendor, when he lived next door to them in Hillingdon, Middlesex. 21½ x 36in. (53 x 91cm) £3,000-5,000 See Illustration.

368 Donald Hamilton Fraser, Spinnaker losing breeze, screenprint, signed and numbered 77/250 17 x 21½in. (43 x 53cm) £100-150 369 Padraig Macmiadhachain, Irish born 1929, Abstract, inscribed “Studio seven Swanage” mixed media, signed, label on reverse purchased from the artist, 12” x 10” £150-250 See Illustration. 370 Contemporary oil on canvas, prunus blossom, signed and dated, ER05 , 26”x29” £40-60

364

366 371 § Sir Sidney Nolan (Australian, 1917-1992), ‘Antartica’, PROVENANCE Given directly from the artist to the current vendor (Mr. B Bennett) around the late 1980s/early 1990s when they exchanged artwork with each other. 19 x 23in. (48 x 58cm) £15,000-25,000 See Illustration. 369

371

375 Sydney Nolan limited edition print ‘Carcase’ signed in pencil 31/60 £100-200 376 Sydney Nolan limited edition print ‘Carcase’ signed in pencil 33/60 25 x 19in. (64 x 48cm) £100-200 See Illustration. 377 Terence Donovan oil on stiff paper abstract signed, studio label verso 42 x 29in. (107 x 74cm) £200-400

372

378 Terence Donovan oil on stiff paper abstract signed, studio label verso, 42 x 29in. (107 x 74cm) £200-400 See Illustration. 379 Arthur H Taylor, “Sheffield” oil on canvas, signed, exhibited at Royal Academy Summer Exhibition 1962, No 407 50 x 30in. (127 x 76cm) £200-300 See Illustration. 380 § Patrick Heron (1920-1999), three reds in magenta, silk screen print, Limited Edition No. 73/100, signed in pencil, dated 1970 25 x 32in. (64 x 81cm) £1,000-1,500 See Illustration.

374

376 372 Sydney Nolan limited edition print ‘Carcase’ signed in pencil 35/60 24½ x 19in. (61 x 48cm) £100-200 See Illustration. 373 Sydney Nolan limited edition print ‘Carcase’ signed in pencil 33/60 25 x 19in. (64 x 48cm) £100-200 374 Sydney Nolan limited edition print ‘Carcase’ signed in pencil 33/60 29 x 72in. (74 x 183cm) £100-200 See Illustration. 378 60

382 381 After Roy Lichenstein 1923-1997 , As I opened fire tryptich three offset lithographs printed in colours, stamp for Stedelijk Museum Amsterdam , framed, labels for Academy framing 24½ x 21½in. (61 x 53cm) £150-250 See Illustration. 382 § Harry Epworth Allen R.B.A., P.S. (1894 1958) ‘A Lane Nr Clifden’ signed watercolour A W John Simmons Fine Art label to verso 8 x 12in. (20 x 30cm) £1,500-2,500 See Illustration.

379

END OF SALE

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381 61

TERMS OF CONSIGNMENT FOR SELLERS 1.

2. 3.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

Loss and damage warranty (a) All goods on our premises are warranted against fire, theft or accidental damage while on our premises and sellers are charged at the rate of 1.5% of the hammer price plus VAT or our best estimate of what the hammer price would have been had the goods sold. Illustrations. The cost of any illustrations is borne by you. If we consider that the Lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

(b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

Commission is charged to sellers calculated per lot, as follows: 15% up to £1,000 – 10% thereafter £10+VAT Marketing and Internet Listing fee (sold or unsold), applies to all sales. £10+VAT Catalogue Illustration / late entry fee (sold or unsold), quarerly Fine and Specialist sales only. Loss and damage warranty 1.5% All the above are subject to VAT at current rates

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and Loss and Damage Warranty charges stipulated in these Terms of Consignment).

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of 10 % plus VAT on being bought in or withdrawn after being catalogued. Minimum charge £10.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 17. Settlement. After sale settlement of the net sum due to you normally takes place 21 days after the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 21 days from the date of sale.

16. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of ÂŁ5 per lot per day. Unsold lots

CONDITIONS OF SALE Ewbank’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions:

(a) "auctioneer” means the firm of Ewbank’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Ewbank’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2 (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The

auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 25.2% inclusive of VAT [or incremental] at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a ‘†’ or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (c) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and Loss and Damage Warranty

CONDITIONS OF SALE continued charges. (3) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (i) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

CONDITIONS OF SALE continued

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that:-

(1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale

- or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

OUR WEBSITE: www.ewbankauctions.co.uk We have just updated our web-site. Those who know us will already know that they can find current and archive catalogues on line and that all sale catalogues, auction dates, sale results and terms of business together with useful information on buying and selling can be found there. Multiple images and condition reports are also posted on line for our quarterly antique and fine art auctions, all lots in these sales being illustrated. This information is freely available to anyone logging in but there are additional benefits of registering with us on line.

WHY NOT REGISTER ON LINE TO MAKE THE BEST USE OF OUR SERVICES If you have not already registered on our site you can do so now by completing the on line registration form. Registration is simple and gives you the opportunity to take advantage of a number of features of this site which is only open to those with a valid log-in; NEWSLETTERS: If you register on line you can opt to receive periodic newsletters from us (about 12 per year) FORTHCOMING SALE NOTIFICATIONS; If you want to receive automatic advance notification of all catalogues when they are posted on line select the box 'Please sign me up for forthcoming sale email alerts' when registering. LEAVE COMMISSION BIDS ON LINE; You can leave commission bids for us to execute on your behalf, which are automatically registered on the auctioneers book. This means that you will not need to communicate them by phone fax or email and gives an efficient straightforward access direct to the auctioneers book. Service open for all sales on line up to half an hour before the auction begins. REQUEST CONDITION REPORTS REGISTER YOUR PARTICULAR INTERESTS RECEIVE LOT ALERTS FOR FORTHCOMING SALES; Based on a word search you can request alerts on lots matching your words in forthcoming sales as they are published on the internet. PARTICIPATE IN LIVE AUCTIONS VIA THE WEBSITE (ANTIQUE AND FINE ART SALES ONLY); (Note there will be an additional buyers premium charge of 3% plus VAT on the hammer price of purchases for this service). TRACK LOTS IN WHICH YOU ARE INTERESTED AS A BUYER OR SELLER

Heading North on the A3 take the Ripley turning to the Burnt Common roundabout and follow the Woodhill signs.

Ewbank Auctioneers is situated between the A3 and B2215 South of Burnt Common Roundabout. Please note: if using Sat Nav to navigate to us then to do not use our postcode as this will direct you to the A3. Please use postcode GU23 7JY, this will take you to the burnt common roundabout then follow directions as above.

A257

One Way

Heading South turn off the A3 11/2 miles after the M25 junction and proceed through Ripley to the Burnt Common roundabout as above. If you miss the Ripley turning go South, proceed to the Merrow & Burpham slip road and join the A3 Northbound.

Burnt Common Roundabout

HOW TO FIND US

EWBANK AUCTIONEERS In 1994 we acquired the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking main line station is 4 miles with trains to Waterloo (25 minutes). Throughout our time in Guildford, we have had the privilege of advising thousands clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of a hundred Antiques and Fine Arts auctions and over three hundred General Sales. When we started in 1990 we held six auctions a year and we are now expecting to hold up to 24 in the next twelve months If they are to succeed, businesses like ours must give clients and buyers an efficient and friendly service and, over the years, we have always tried to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of Chartered Surveyors and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients come to us on recommendation, from professional advisers or existing clients. As the costs of selling by Auction in Central London have rocketed we have benefited from the general trend in recent years for more important items to be sold outside the capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital illustrations of almost all lots in our quarterly Antique and Fine Art auctions, are included on the internet. Buyers are attracted from all over the world. We have an agreement with artfact.com, who list our antique sales on Ebay, take commission bids from prospective buyers and facilitate active participation in the auction from a PC anywhere in the world at the time that the sale is actually in progress. This gives a far greater global marketing ability. We are trail-blazing in this field as there are only a handful of other Antique and Fine Art salerooms in the UK who also list on eBay. We see this as being the way forward for the future and it will maximise our ability to achieve the best possible prices for our clients. In our first internet linked auction in 2005 there were nearly 20000 visits to our online catalogue generating over 500 specific enquiries and the figures have risen markedly since then. Ewbank Auctioneers has grown from humble beginnings holding six sales a year, to the position that we hold today, with our own salerooms and some twenty sales a year. Turnover since 1990 has increased by over 800%. Building refurbishment works have just been completed, which include, a new mezzanine floor doubling our existing floor space, a new entrance, offices, a new heating system and external face-lift. Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group. He is also an elected Member of its International Governing Council ( the highest decision making body in the Institution). He joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994, (he first became a member in 1982), and was Chairman from 2000 - 2007. He has also in recent years been on the Executive Committee of the British Art Market Federation and was one of the first to join the new City of London Guild of Arts Scholars, Dealers and Collectors. Chris Ewbank FRICS ASFAV