Propmasters: 30th Anniversary Auction by Andrew Ewbank

Propmasters: The 30th Anniversary Auction Thursday 15th November 2018

www.ewbankauctions.co.uk

Propmasters: The 30th Anniversary Auction

Thursday 15th November 2018

Â£10

ewbank’s auction sale dates 2018 Viewing days/times vary, please contact the auctioneer for details November Wednesday 28th Jewellery, Watches & Coins Thursday 29th Silver, Antiques & Fine Art Friday 30th Antique Furniture & Clocks Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA, ASFAV Partner

John Snape, BA, ASFAV Partner

chris@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

john@ewbankauctions.co.uk

December Thursday 13th Thursday 13th Friday 14th Wednesday 19th Wednesday 19th

Toys & Models Entertainment & Memorabilia Vintage Posters Antique & Collectors’ Fine Wines & Spirits

Viewing times vary but are always at least on the day before the sale, contact the auctioneer for details 01483 223 101. All viewing days / times are published online at ewbankauctions.co.uk All sales are fully illustrated online whenever possible. Catalogues with illustrations are published on our website approximately two weeks before sales. Images for Antique & Collectors’ sales are uploaded onto our site the Friday before the auction. Sales are on Wednesdays, Thursdays and Fridays, usual start times are 10am however this can vary so please check before the auction. Dates are published on our website and are subject to change or additions without notice Alastair McCrea, MA Partner

Andrew Delve, MA, ASFAV Partner

Tim Duggan, ASFAV Partner

alastair@ewbankauctions.co.uk

andy@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

Front Cover: Lot 82 Inside Front Cover: Lot 245 Back Cover: Lot 254 Inside Back Cover: Lot 214

Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale. For Monthly sales they go online approximately one week before the sale. Dates are published on our website and are subject to change without notice.

Propmasters: The 30th Anniversary Auction

Specialist Entertainment & Memorabilia Auctioneers

Propmasters: The 30th Anniversary Auction SALE: Thursday 15th November at 12 noon VIEWING: Monday 12th November: 9am - 5pm Tuesday 13th November: 9am - 7pm Wednesday 14th November: 9am - 5pm Morning of sale For the fully illustrated catalogue, to leave commission bids, and to register for Ewbank’s Live Internet Bidding please visit our website www.ewbankauctions.co.uk The Burnt Common Auction Rooms London Road, Send, Surrey GU23 7LN

Tel +44 (0)1483 223101 E-mail: antiques@ewbankauctions.co.uk Buyers premium, at 27% inclusive of VAT, is payable on every lot in this sale. There is no additional online buyers premium payable on our website (www.ewbankauctions.co.uk) or at www.theauctionroom.com. If bidding online via another third party commercial bidding platform additional charges will apply, see the terms and conditions on the specific website for details. Artist Resale Right is payable on selected lots where marked in the catalogue. Ewbank’s are no longer able to accept cheques as payment for items purchased at auction. Please note that VAT is payable on top of the hammer price at 20% in addition to standard buyer’s premium inc. VAT for this auction (except for Lots 82 and 84). For example If the hammer Price is £1,000, you will pay £270 (Buyer’s Premium inc VAT at 27%) and £200 (VAT at the current standard rate 20%) leaving a total of £1,470. MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS

http://twitter.com/EwbankAuctions

www.facebook.com/Ewbanks1

INFORMATION FOR BUYERS AT AUCTIONS All lots sold with Propmasters Certificate of Authenticity

EWBANKS LLP 2

1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues and on our web-site. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. 2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. 3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. 4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 27% inclusive of VAT on the hammer price of each lot purchased. If buying online there maybe an additional online live bidding fee payable as a percentage of the hammer price, see the terms and conditions you sign up to when bidding on the third party commercial bidding platform. 5. VAT. Items in our catalogue may be marked in the following ways: a. (†) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax. 6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4. 7. Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. 8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory. 9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Phone bidders must be prepared to guarantee a starting bid of at least £500 if they wish to bid by telephone. REMEMBER THAT YOU CAN BID LIVE ON EWBANKS LIVE ON THE SAME BASIS AS IF YOU ARE IN THE ROOM AND SAVE UP TO 6% OVER ANY OTHER BIDDING PLATFORM FOR THIS SALE 10. Commission bidding. You may leave commission bids (absentee bids) with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or via our website or online bidding platform. 11. Methods of Payment. Ewbank’s accept secure online payments for all items by credit or debit card. Payment in person can be made by card with chip and pin, or by cash (with a limit of £5,000), bank transfers are also accepted (buyer is responsible for any international bank transfer fees). Ewbank’s are no longer able to accept cheques as payment for items purchased at auction. Please discuss with our office in advance of the sale if you plan to use other methods of payment. There is no additional charge charge for payment by debit or credit card (either made securely online or in person via a chip and pin machine). 12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly and within 7 days of the end of a sale. Any delay may involve you having to pay storage charges which are currently set at £5 plus VAT per lot per day. Buyers are responsible for their own shipping charges, additionally Ewbank’s cannot pack your items prior to collection. 13. Ewbank’s is the trading name of Ewbank’s LLP a limited liability partnership. Registered in England. Registered number OC413431. Registered office: Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN.

WELCOME TO THE PROPMASTERS 30TH ANNIVERSARY AUCTION. As well as a celebration of the 30th anniversary of Propmasters I wanted this auction to be a celebration of the continual successful huge growth of the hobby. As such, this special auction has been intentionally assembled to be accessible to every collector. All decades and genres of Cinema are represented, from the 1930’s to present day, by individual pieces of movie and television history that played their own special part in bringing to life what you finally see on screen. I experienced many a childhood moment at various film studios and locations in the l970’s/1980’s, a true golden era of production in the UK. From Superman to Aliens, witnessing first-hand the magic of the movies. A Raiders of the Lost Ark Crew Cap gifted to me in 1980, aged just 10, was my first collection piece and where I pinpoint the beginning of my appreciation and passion for such artefacts. By the mid 1980’s I was actively trying to add pieces to my collection, often to the bemusement of various film personnel (and family) who just could not understand why I would want such things! Knowing I always wanted to endeavour to make it my career, immediately subsequent to college, I founded ‘Propmasters’, in conjunction with selling all types of collectable film and television memorabilia. Today Propmasters are firmly established as one of the foremost purveyors of movie props, costumes and associated ephemera in the world. I sincerely hope you enjoy the auction, good luck with your bidding! David Oliver Founder Propmasters

David Oliver on location filming of Doctor Who - Remembrance of The Daleks, 1988

Dedication To my forever understanding Jo-anne and our son Jamie; to my much-missed father (look Dad that auction you always wanted me to have!); to every collector that shares the passion.

1† A group of seven 1930’s original professional hand drawn pencil artworks on card of various film actors, actresses and scenes, for unidentified commercial use, circa 1930’s. Each is hand signed and dated on the back by the artist, G.H. Flowen. Includes, what are understood to be, Elizabeth Allan, Jean Hersolt and Bert Roach (7) £80-120

2† Rin Tin Tin (1922 - 1931) A large official Warner Bros. publicity colour card oversized publicity still in period frame, glazed. £150-250

3† Edward G. Robinson (1940’s) Sepia ‘First National & Vitaphone Pictures’ publicity photograph of Edward G. Robinson, photograph inscribed and signed, “To Eric, never forget you’re a Robinson, sincerely Edward G. Robinson”, mounted and framed. £150-250 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

4† Approx 69 complete sets of US Lobby cards, predominately 1950’s, all being complete sets of eight cards including; The Wild One starring Marlon Brando; King Solomon’s Mines; Look for the Silver Lining; Let’s Rock (featuring Paul Anka); Life with the Lyons; Life at the Top; Victor Hugo’s Les Miserables and Lord Jim starring Peter O’Toole; I Aim at the Stars; I Mobster; I Want To Live!; Jungle Man-Eaters; Jaguar starring Sabu, Journey to the Lost City; The Square Jungle starring Tony Curtis; Mickey Rooney in the Last Mile; The Desperate Hours starring Humphrey Bogart; The Crooked Road; The FBI Story starring James Stewart; The Big Heat; The Devil at 4 o’clock starring Spencer Tracy and Frank Sinatra; The Safecracker; The Shrike; The Greatest Show on Earth; The Underwater City; The Hill; Sam Spiegel’s production of The Chase starring Marlon Brando; The Spiders Web; Give My Regards to Broadway; Great Day; Hell is a City; Hannibal Brooks; Harry Black and the Tiger starring Stewart Granger; Hell on Frisco Bay; The Running Man; The Blue Lagoon; The Password is Courage; The Big Trees; The Mississippi Gambler; The Immortal Battalion starring David Niven; The Mob; The Kentuckian starring Burt Lancaster; The King and Four Queens starring Clark Gable; The Big Land, Arrowhead; The Guns of Navarone; Union Pacific; Villa Rides starring Yul Brynner; Vengeance Valley starring Burt Lancaster; Woman of Straw starring Gina Lollobrigida; You Can’t Win em all starring Tony Curtis; Diana Dors in The Long Haul; Doris Day in Love Me or Leave Me; Quiet on the Western Front; The Hook starring Kirk Douglas; The Proud and Profane; Rogue’s March; The Deerslayer; King Rat; Time Limit and Breakout (69) £1500-2500

VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

5† Mudlark (1950) Group of five large thick card black and white images of the 1950 Royal Film Performance for ‘The Mudlark’. Each image features a typed description together with the logo ‘Daily Graphic’ which was a popular Newspaper at the time. The images include James Stewart and family arriving at the performance. These images are understood to originally have been on display within the 20th Century Fox London Offices. Together with Lady In Cement (1968) five different press stills; The Sand Pebbles (1966) exhibitors campaign book, two synopisis and two Tora Tora (1970) campaign books. £80-120

6† Charlton Heston - An official period circa 1950’s, studio publicity photograph hand signed by the actor to the front and additionally hand signed to the back with added message. Accompanied by two similar period larger studio publicity photographs and also a picturegoer postcard. A hand-signed and personalised black & white photograph of Charlton Heston in ‘Diamond Black’. The inscription reads “Jack, is she in makeup yet?”. This was a humourous reference to Yvette Mimieux, his co-star. The Autograph is dedicated to Jack Roe, the Assistant Director from whom this piece was obtained and an official period studio publicity photograph hand signed by the actor to the front with accompanying hand signed Letter. The personalised letter is hand typed, dated Jan. 29 1968, and hand signed by the actor. £80-120

7† Ivanhoe (1952) A great helm used during the production of the film, constructed of steel with exterior detailing. Together with a separate carved wood Lion’s head finial which was added later to the helmet for alternative production use. Additionally accompanied by a steel Bascinet Helmet made for Sword Of The Valiant (1984). £150-250 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

8† Our Man Flint (1966) Pleasure Unit Hypno Mind Control Wheel with power unit. A full scale professionally constructed rendition of the prominent prop seen in the film that is understood to have been made for publicity/promotional purposes for the film’s original theatrical release in the UK in 1966. The large psychedelic patterned rotating wheel is supported by a steel tripod complete with electrical power unit attached. This item contains electronic components, no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is important for the new owner to satisfy themselves as to their safety and maintenance. £400-600

9† Reg Hill Archive (1960’s onwards) Reginald Hill was an English model-maker, art director, producer, and freelance storyboard artist who is most prominently associated with the work of Gerry Anderson. Comprising of a Supercar cast recording record album; personally issued/owned copy of the ‘Thunderbirds Television Mall Supplement’ signed on the index page; storyboard book for the Gerry Anderson produced Jif Commercial; The Last Days Of Pompeii - three different storyboard books; a quantity of printed and photographic storyboards for an unspecified Greek Mythology production; a large file of storyboards for Gunbus (Sky Bandits); miscellaneous photographs of concept artwork and the Protectors prop model car (Qty) £120-180

10† Chitty Chitty Bang Bang (1968) An ornate Jacket worn by one of the Vulgarian Bandsmen seen to the right of the entrance to Baron Bomburst’s Castle during the welcome reception. Retains the original costumer’s sewn in label (blank) to the inside. £400-600

11† Goodbye Mr Chips (1969) ‘Headmaster’s Wife’, Anne Leggatt, costume design. The design features a full length costume design together with adjacent hat and back of coat detail and is signed in hand by the Costume Designer. Executed by hand in fine pencil and watercolours by the film’s Oscar winning Costume Designer, Julie Harris. Mounted, framed and glazed £250-350 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

12† Road to Hong Kong (1962) Crew gift folder containing thirty four double sided card pages illustrating caricatures of members of the cast and crew of the film. Bob Hope and Bing Crosby starred as con men ‘Chester Babcock’ and ‘Harry Turner’, in this being the last of their highly popular road movies. The folder was a thank you gift from the film’s stars Bob Hope and Bing Crosby, together with Director Norman Panama and Producer Melvin Frank, to select member’s of the Crew at the end of filming. £250-350

13† Lawrence of Arabia (1962) Production paperwork collection. The production file mainly relates to the filming location for ‘Petra’. Includes a hand drawn plan/sketch of ‘Petra’, 22 x 17inches, which details various points such as ‘the rocky foothills in this area are a white to ochre colour’, 16 different 10 x 8inch b & w (some with hand annotations on the back); 27 different 8 x 7inch b & w photos; 8 different 6 x 4inch b & w photos; 46 page story outline (3 pages loose); ‘Ameropa Pictures Ltd’ unused letterhead; 3 page set list with hand annotated red highlights; card file detailing contents plus London office address. The photographs were obviously for reference purposes and are very indicative of the film’s beautiful cinematography. £250-350

14† Where Eagles Dare (1968) Original production used Script. The Script was the original property of Chris Kenny, who was the Second Assistant Director on the film and is hand named and dated on the first page.The 136 page Script has been red card bound and contains both white and blue coloured pages. Items from this iconic movie are incredibly hard to source and this superb piece has the added importance of it’s unique high ranking identified crew member association. £300-500

15† Batman (1966) A group of autographs of various stars from the television series. Comprising of Burt Ward ‘Robin’, Frank Gorshin, ‘The Riddler’ and Julie Newmar ‘Catwoman’, signed photographs. Together with Eatha Kitt ‘Catwoman’ and Yvone Craig, ‘Batgirl’ mounted signatures with photograph. £80-120

16† Star Trek (1966) Central eight main cast autographs from the original television series, William Shatner, James Doohan, Walter Koenig, DeForest Kelley, Majel Barrett, Nichelle Nichols, Leonard Nimoy and George Takei. Mounted and framed with a colour photograph of the cast. £250-350 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

17† Bob Hope (1960’s) A group of four different Christmas cards exclusively made for Bob Hope and sent to select friends of his, three from the 1960’s and the other from 1979. £80-120

18† Khartoum (1966) A group of four different original hand drawn military costume designs for Peter Arne as ‘Major Kitchener’, Edward Underdown as ‘Hicks Pasha’, Nigel Green as ‘Lord Wolseley’ and a British Infantryman. The designs feature a full length costume design together with attached costume swatches. Executed by hand in fine pencil and watercolour by the film’s Costume Designer, Bill Carman. Individually mounted, framed and glazed. £500-800

19† Khartoum (1966) A pair of original hand drawn military costume designs for Charlton Heston as ‘General Gordon’ and Richard Johnson as ‘Lt Col JDH Stewart’. Individually mounted, framed and glazed. £350-450

20† Lock Up Your Daughters (1969) The signature costume worn by Christopher Plummer in his starring role as ‘Lord Foppington’. The costume can be clearly seen worn by the character throughout the first half of the film. Beautifully tailored to realistically emulate a period waistcoat and still complete with all it’s original ornate buttons. The interior retains it’s original Costumiers tag detailing the actor’s name. A highly identifiable costume that additionally featured heavily on original promotional posters, compounding it’s featured importance. £200-400 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

21â&#x20AC; Anne of a Thousand Days (1969) A costume made for Richard Burton in his lead role as King Henry VIII. The costume comprises of two parts, a sleeveless heavy robe with a frock type heavy vest. Both being elaborately decorated with wire embroidery and ornamental designs. Both parts can be seen worn by Richard Burton during different sequences, sometimes separately to each other. There have been some minor cosmetic alterations subsequent to filming for alternative production use by the costumier. ÂŁ700-1000

22† The Dick Emery Show (1963 -1981) A floral patterned lace covered red satin jacket with interior BBC production tag and Dick Emery name tag. Made for use by the comedian in one of his character sketches. £80-120

23† A Man For All Seasons (1966) A Tudor style Head Dress unidentified in the final edit but made for use by Susannah York as ‘Margaret’. The head dress is decorated with lace and faux pearls and retains the original costumier tag. Accompanied by an additional costumier card hang tag and costumier storage bag, both detailing actress and production. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

24â&#x20AC; The Benny Hill Show (1969 -1989) A two piece grey suit made for Benny Hill circa 1970â&#x20AC;&#x2122;s on the show, retaining interior costumier tags and card hang tag with production details. ÂŁ700-1000

25† A Man For All Seasons (1966) A Tudor style two piece costume worn by Paul Schofield in his starring role as ‘Thomas More’. Used in several scenes to include when the King visit’s Thomas More’s home and can be regarded as the signature costume of the film. Accompanied by costumier card hang tag and costume bag. £700-1000 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

26† A Man For All Seasons (1966) A Tudor style costume worn by Paul Schofield in his starring role as ‘Thomas More’. Used in several scenes to include the character’s initial appearance on screen. Together with costumier card hang tag and costume bag. £400-600

27† A Man For All Seasons (1966) A Tudor style floor length dress worn by Susannah York as ‘Margaret’. Used in several scenes to include the characters initial appearance on screen. Together with costumier card hang tag and costume bag. £400-600

28† A Man For All Seasons (1966) Wendy Hillier as ‘Alice’ costume. Used in several scenes to include the characters initial appearance on screen. Comprises of top bodice bustier with integral under shirt plus head dress. Both retaining costumier tags. £400-600

29† Chitty Chitty Bang Bang (1968) Original production used Script. Dated June 1967, the 222 page Script includes blue coloured revision pages. £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

30† Fahrenheit 451 (1966) Original production used Script. Dated December 1965, the 128 page Script includes pink coloured revision pages. £400-600

31† Spartacus (1960) A Roman Helmet and Tunic. Both helmet and tunic feature embossed circular lion head motifs. The interior of the leather Tunic retains the original costumier printed name and identified as ‘extra Spartacus’. As well as clear use in the film, this particular costume was interestingly additionally worn by one of the Roman soldiers greeting guests in the foyer of the film’s London Premiere. £500-800

32† Kidnapped (1960) The signature hero Naval frock coat worn by Peter Finch in his leading role as ‘Alan Breck Stewart’. Clearly seen worn throughout the film it is also featured predominately on all publicity material and posters for the film and is highly identifiable. The elaborate costume remains in complete condition with wire embroidered detailing, buttons, etc. Still retaining the original costumier tag to the interior detailing the actor’s name. £1500-2500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

33â&#x20AC; Where Eagles Dare (1968) A Nazi SS military tunic. The tunic retains the majority of itâ&#x20AC;&#x2122;s insignia to include armband, sleeve eagle , ribbon, cuff title. Such Tunics can be seen in multiple sequences of the movie. Retains internal costumier tag. ÂŁ400-600

34† At The Earth’s Core (1976) Full size Mahar Creature. In the film, The ‘Mahar’ keep primitive humans as their slaves through mind control and are the principal prehistoric type creatures featured in the movie. This is believed to be the sole surviving example of the Mahar and used for the sequence where one swoops down from it’s perch to pick up a human slave. Constructed of a rubber latex material over a heavy steel armature. £1500-2500

35† Edward II (1970) A pair of ornate medieval style Soldier Helmets with fixed Eye Guard Visors. One with an ornamental Lion figure to the top and the Helmet intricately decorated and detailed all over. The second features hanging metal chain braiding around the brim. Both retain their original costumier labels to the interior detailing actors and production. It was Ian McKellen’s highly lauded portrayal of Edward II in this production that catapulted him to fame (2). £120-180

36† The Black Hole (1979) Miniature full figure ‘Humanoid’, standing pose. The miniature was obtained directly from the Walt Disney Company and accompanied by a Disney certificate of authenticity. The certificate states that the model “... was used in a window display in Disneyland’s Main Street USA to help promote the 1979 release of Disney’s The Black Hole”. The detailed figure features a cloth costume over a hard rubber type body form with detailed arms and boots. There are two metal protruding rods from the base of each boot to facilitate fixing to a set base. The hooded head features the reflective face mask with small hole detailing. The head has become detached from the body and the face mask has suffered cracking to the lower half. £700-1000

37† The Black Hole (1979) Miniature full figure ‘Humanoid’, seated pose. The miniature was obtained from the Walt Disney Company and is accompanied by a Disney certificate of authenticity. The certificate states that the model “... was used in a window display in Disneyland’s Main Street USA to help promote the 1979 release of Disney’s The Black Hole”. The detailed figure in seated position features a cloth costume over a hard rubber type body form with detailed arms and boots. There are remnants of metal protruding rods from the base of each boot to facilitate fixing to a set base. The hooded head features the reflective face mask with small hole detailing. £700-1000

38† Blue Peter (1970’s) From Britain’s longest running Children’s television programme of all time comes this Presenter’s Hard Hat. The Edelrid branded safety hard hat features the iconic Blue Peter emblem to the front and to the back as well as retaining it’s original BBC wardrobe label to the interior. Blue Peter presenters often found themselves in situations where such Hard Hat’s were a necessity and as such is a piece that is highly associated with the show. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

39† Cromwell (1970) Richard Harris as ‘Cromwell’ costume design. Full length costume design together with adjacent Belt/Sword detail and hand signed by the Designer. Executed by hand in fine pencil and pen by the film’s Costume Designer, Nino Novarese, with a costume swatch fabric attached. Double mounted, framed and glazed. £400-600

40† Cromwell (1970) Richard Harris as ‘Cromwell’ costume design. Full length costume design, signed and titled in hand by the Designer. Executed by hand in fine pencil and pen by the film’s Costume Designer, Nino Novarese, with two different costume swatch fabrics attached. Mounted, framed and glazed. £400-600

41† Capricorn One (1978) Advance Campaign Set for the 1978 movie starring Elliot Gould and James Brolin. Such campaign sets were used to promote the film to prospective distributors/buyers, and produced in very low numbers by ITC Entertainment, the producers of the movie. Consists of an oversized publicity campaign book of high gloss card, a synopsis of card, a production note folder containing various details about the film and it’s cast/crew plus a selection of fifteen different high quality 10 x 8 inch black and white stills with descriptive labels on reverse. £80-120

42† Alien (1979) Two different styles of lobby card large sets with eight different cards per set, a single chestburster large cinepix lobby card, three standard sized lobby cards and a synopsis, together with five different press stills for Aliens. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

43â&#x20AC; Doctor Who (1979) SHADA, written by Douglas Adams, complete set of six different original production used Scripts from the infamous Tom Baker story which never completed filming due to various BBC strikes. The Scripts are dated 10/09/1979 - 02/10/1979, and were the former property of the special effects assistant on production. ÂŁ800-1200

44† James Bond (1973 - 1983) Original production letterheads for Live and Let Die (2 different styles), The Man with the Golden Gun, The Spy Who Loved Me, Moonraker, For Your Eyes Only and Octopussy (6) £80-120

45† Gerry Andersons Space 1999 (1975) A quantity of vintage official Fan Cards depicting the characters ‘John Koenig’ and ‘Helena Russell’ with the printed signatures of the actors, Martin Landau and Barbara Bain (11). ‘Alan Carter’, Nick Tate; ‘Maya’, Catherine Schell (2). ‘Tony Verdeschi’, Tony Anholt (6), the reverse of the cards display the Space 1999 logo and ITC/ATV information. Originally these were exclusively sent out to fans writing in to the show during it’s original broadcasting in the 1970’s. Together with two framed displays containing three different cards in each. £150-250

46† Flesh Gordon (1974) An original final poster artwork design for the cult classic science fiction comedy. The two piece design features the logo and the artwork separately, each having clear acetate overlays. Both artworks are accomplished in hand, mounted on artists white backing board with protective tissue sheet overlays. The artwork can be seen continually used in numerous poster releases right through to subsequent video releases for the film and as such is highly recognizable. £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

47† The Vampire Lovers (1970) An original Script for the film heavily annotated in hand by it’s star, Ingrid Pitt, in her seminal film role as Marcilla/Carmilla/Mircalla Karnstein. The 121 paged brown covered Script is dated 15th December 1969 on the flyleaf and annotated in hand by the film’s star on the numerous pages which have relevance to her character/s. The flyleaf has a large bold signature and dedication in hand by Ingrid Pitt, the Script having originally been gifted by the actress. £1500-2500

48† Brass Target (1978) US Army Ike Jacket made for John Cassavetes in his role as ‘Major Joe De Lucca’. Retains the original costumer’s sewn in label, with typed detailing, to the inside. £80-120

49† The Three Musketeers (1973) Costume made for Faye Dunaway in her costarring role as ‘Milady’. The costume can be seen when ‘Milady’ accompanies the ‘Duke Of Buckingham’ (Simon Ward) to his bedroom. The Gown has been subject to alteration for subsequent alternative use, most notably with the addition of pearl detailing to the chest and neck line plus pearl tipped pink coloured fabric tassels to the shoulders. Exhibits production wear and signs of age, particularly to the lower and inner hem lines but overall still presents very well. Accompanied by the Costumiers wardrobe card hang tag detailing the actress and production. £250-350

50† NASA Astronaut Space Suit - An early 1970’s period Spacesuit from an unidentified production. The suit features metal tipped fingers on the gloves, NASA and American flag insignia and wooden roundel chest air valve detailing. £250-350 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

51† Poldark (1977) A floor length period dress worn by Margaret Ward in her series two role as ‘Mrs Gower’, retaining original interior costumier with production details. £80-120

52† Nicholas and Alexandra (1971) A formal Naval Service Jacket made for Eric Porter in his role as ‘Premier Stolypin’, as seen during the Royal Train and subsequent Assassination at the Opera sequences. Retaining original buttons and interior costumier tag detailing the actor, together with additional costumier card hang tag. £80-120

53† Prince Regent (1979) A dress made for Susanna York as ‘Mrs Fitzherbert’, Retains it’s original type detailed interior costumier tag and additional costumier card hang tag. Together with a high waist skirt from the same production. £80-120

54† Cuba (1979) The signature Jacket worn by Sean Connery as ‘Major Robert Dapes’. Sean Connery can be seen wearing such a style of Jacket throughout the majority of the movie and as such it is highly and instantly identifiable. Images of Sean Connery wearing such a Jacket featured heavily in the film’s poster and publicity release campaign. Custom made for production, complete with interior sewn in Costumier label with typed detailing of actor name and production details. £800-1200 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

55† Young Winston (1972) A three quarter length Jacket worn by Robert Shaw in his role as ‘Lord Randolph Churchill’. The Jacket has had the collar recovered in a suede like material post production for subsequent alternative use by the Costumier. Retains the original Costumier tag to the inside detailing the actor and scene use. £250-350

56† Gerry Fisher Collection - Cinematographer (1947 - 2016) Gerry Fisher’s personal Coat, Body Warmer and monogrammed camera holdall. Mr. Fisher wore this Coat and Body Warmer whilst working as Cinematographer on various productions during the seventies and eighties and his personalised Camera equipment holdall, with production scripts for Revenge, Windy City, The Wagon Hitchers, Beyond The Black Hole and Witches Bayou. £80-120

57† Star Wars (1977) Rebel Ceremonial Guard Jacket. Such a style of Jacket can be best seen worn by a high ranking Rebel Officer next to C-3PO and R2-D2 upon the podium where Princess Leia awards Han, Luke and Chewbacca with their medals. Very indicative of John Mollo’s costume design style seen throughout the movie. £2500-3500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

58† As You Like It (1973) A period dress made for Maureen Lipman as ‘Celia’ in the stage play, retains Costumier identification card hang tag. Together with a pleated Skirt with integral petticoat made for Josie Lawrence for an unidentified BBC production, with internal BBC name tags. £80-120

59† Blake’s 7 (1978) Hero costume worn by Michael Keating in his leading role as ‘Vila Restal’. This particular costume can be clearly seen worn by the character throughout the season three story ‘Harvest Of Kairos’. Vila was one of the original ‘Seven’ and featured throughout the show’s entire run. The costume comprises of a leather trimmed Jacket with matching Trousers and Belt with BBC wardrobe interior production tags still present. £4000-6000 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

60† One of Our Dinosaurs is Missing (1975) Hero Tailcoat Jacket worn by Peter Ustinov in his leading role as ‘Hnup Wan’. Clearly seen worn by the character in scenes towards the end of the film, to include those within the Natural History Museum. Bespoke made for the actor, the generously sized Jacket retains it’s original interior costumiers label detailing the production and actor name. Buttons have been replaced with alternatives by the Costumier for subsequent alternative production use of the Jacket. £400-600

61† King Richard The Second (1978) Elaborate large robe with train and belt made for Charles Gray as ‘Duke Of York’, retaining interior costumier tag and bag. £250-350

62† James Bond Live and Let Die (1973) Original soundtrack album release official promotional ‘3D’ card shop store display. The shaped thick card display with protruding ‘3D’ effect album cover and movie title plinth. £120-180

63† Trapped (1973) Original hand drawn and coloured artwork for the video release of the film starring James Brolin and Earl Holliman, signed by the artist. Creased to the top otherwise fine. £80-120

64† The Adventures of Barry McKenzie (1972) Original concept artwork poster design for comedy staring Barry Crocker and Barry Humphries. The entire artwork is accomplished in hand with hand written pencil text. Together with Golden Rendezvous (1977) Original publicity concept artwork design for the 1977 thriller starring Richard Harris and Ann Turkel. The entire artwork is accomplished in hand with separate text elements added and has been mounted on artists white backing paper. £80-120

65† The Eagles Wing (1979) An original concept artwork poster design for the western starring Martin Sheen and Harvey Keitel. The entire artwork is accomplished in hand and has been mounted on artists white backing paper. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

66† Butch and Sundance The Early Days (1979) Two different original concept artwork poster designs for the Butch Cassidy and the Sundance Kid (1969) prequel. Both are composite designs using different elements, mounted on artists backing board. £120-180

67† Julia (1977) Archive of six different poster designs plus a theatrical release poster. Comprises of original accomplished in hand example, composite example plus four camera/print master examples. £250-350

68† The Villain (1979) Original concept artwork poster design for the film starring Kirk Douglas, Ann Margaret and Arnold Schwarzenegger. The colourful artwork is overlaid with it’s original fine line detail acetate sheet. £120-180

69† Zulu Dawn (1979) Principal hand drawn concept costume design for ‘Lieutenant Coghill’, portrayed by Christopher Cazenove.The design features a full length costume design, titled and dated. Executed by hand in fine pencil and water colours by the film’s Costume Designer, John Bluckley. Presentation framed/glazed. £150-250

70† The Golden Voyage of Sinbad (1973) Original cinema foyer floor promotional card display stand still within it’s original shipping box. £150-250

71† Countess Dracula (1971) Original production used Script. Dated July 1970, the 104 page Script includes pink coloured revision pages and numerous hand annotations in pencil. £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

72† Scrooge (1970) Original production used Script. Dated November 1969, the 123 page Script includes multi-coloured revision pages. £150-250

73† Carry on Abroad (1972) Original production used Script. The 111 page Script includes pink coloured revision pages and hand annotations in pencil to the cover. £250-350

74† Carry on Henry (1971) Original production used script. The 107 page Script is detailed as being the Second Draft. £250-350

75â&#x20AC; Star Wars (1977) An Imperial Cloak. The Cloak is indicative of the style, and made from the same material, as the Grand Moff costumes and as such was likely intended for their use but ultimately not used. Accompanied by a certificate of authenticity detailing that the Cape was sent out on the set of Star Wars from the Costumier. ÂŁ800-1200 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

76† The Muppet Show (1977) Original ATV network hand annotated set construction production used blueprints for Gypsy Camp (2 different), 5/12/77 and Chicken Western, dated 12/12/77. (3) £120-180

77† The Muppet Show (1977) Original ATV Network set construction production used blueprints for Desert Island and Boat, dated 5/12/77, Boiler room (includes Rowlfs piano), dated 5/12/77, and Green (set) dated Dec 5 (1977). (3) £120-180

78† Bless This House (1972) Original production used Script. The 117 page Script includes pink coloured revision pages. £150-250

79† The Kremlin Letter (1970) Four different hand drawn costume designs in pencil by the films costume designer, John Furniss. Three are of typical Russian winter attire and the fourth of a suited gentleman. £150-250

80† Death On The Nile (1978) Multisigned production used Script for the Agatha Christie thriller. The green card covered 135 page Script is noted as being the Third Draft on the first page. The back of the third page has been hand signed and dedicated by eight of it’s stars: Bette Davis, Lois Chiles, Jon Finch, George Kennedy, Angela Lansbury, Jane Birkin, Olivia Hussey and Simon MacCorkindale. The signatures having been obtained during production by the original Crew member owner. Accompanied by a fold open card Synopsis with typed UK opening night cover note stapled to front and two large Press Preview tickets. £500-800

81† Hound Of The Baskervilles (1978) Hand drawn concept costume design for the principal character ‘Sherlock Holmes’ portrayed by Peter Cooke. The design features a full length costume design by renowned costume designer Charles Knode. Executed by hand in pencil and coloured pencil. £100-150 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

82 Star Wars The Empire Strikes Back (1980) A production made Darth Vader helmet constructed within the production interim of Star Wars A New Hope (1977) and The Empire Strikes Back (1980). The Helmet is believed to be a transitional test production piece, with production tells of both the ‘A New Hope’ and ‘Empire’ screen used helmets, not intended for screen use but for departmental reference. Constructed of fiberglass, the chin on the faceplate still features the small triangular cut out, unique to the ‘A New Hope’ style helmet, yet the dome to face plate male/female attachment ring is of ‘Empire’ in styling. The interior is unfinished with no padding, the inner cross grills and eye lenses are correct to the final screen used versions although the outer dome’s edge is thinner in width. There is no VAT on the hammer price on this lot. £15000-20000

83† Hellraiser (1987) Life-size statue display of the iconic horror movie character ‘Pinhead’, from the Hellraiser saga of films created by Clive Barker. The statue was made by Image Animation, circa 1991, for studio display/promotion at their workshops within Pinewood studios, 182cmBackground: Image Animation were the groundbreaking effects team behind Hellraiser, Nightbreed & others. It is understood that Steve Norrington originally sculpted the piece whilst at Image Animation. The statue is constructed of fibreglass with a material skirt, upon wooden display base plinth. Metal nails/pins protrude from the head and the whole piece is painted to film specifications. An instantly recognizable display piece with direct linked studio history to the team that gave life to the legendary character. Accompanied by a photograph of such a Pinhead statue at the Image Animation Studio circa 1992 £4000-6000

84 From Dusk ‘Till Dawn (1996) Seth Gecko’s (George Clooney), Vampire Killing Jackhammer. Hero, operational version of the movie’s signature and most identifiable prop. Fitted with a pull chord functional two stroke petrol engine which activates the stabbing movement to the Stake at the front whilst emitting typical associated engine sound. This item contains electronic components, no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is important for the new owner to satisfy themselves as to their safety and maintenance. There is no VAT on the hammer price on this lot. £5000-8000

85â&#x20AC; Cocoon (1985) Life size Anterean Alien. One of the two life size Anterean Aliens discovered within the Cocoons in the swimming pool used by the residents of a nearby home for the elderley. Constructed of a semi-rigid urethane with fully jointed heavy metal armature enabling it to be coiled into the fetal position for placement within the Cocoon. ÂŁ2000-4000

86† Indiana Jones and The Temple of Doom (1984) ‘Thuggee’ gown made of a heavy duty thick wool like material which wraps around itself at the centre torso, where it can be tied. The costume features a two striped front chest panel, the stripes understood to being an indicator of rank. The costume still retains the Bermans and Nathans Costumier label inside, detailing ‘Temple Guard - Raiders II’. £1200-1800

87† Indiana Jones and the Temple of Doom (1984) ‘Thuggee’ gown made of a heavy duty thick wool like material which wraps around itself at the centre torso, where it can be tied. The costume lacks the small striped front chest panel but clear evidence of it’s original presence still remains. The costume still retains the Bermans and Nathans Costumier label inside, detailing ‘Temple Guard - Raiders II’. £800-1200

88† Indiana Jones and the Last Crusade (1989) A two piece suit made for one of the main characters, ‘Kazim’ (Kevork Malikyan), in the third installment of the blockbuster Indiana Jones franchise. Such a brown pin stripe suit can be clearly seen worn by ‘Kazim’ during the sequence where he is discreetly observing the meeting between ‘Donovan’ and the ‘Sultan’. Additionally Indiana Jones fights off an attacker in the memorable boat sequence who is wearing such a suit.Bespoke made for the actor by the Costumiers Bermans & Nathans, retaining the original inner wardrobe tag to the trousers with production details. £600-900

89â&#x20AC; Aliens (1986) An incredibly rare production used mould for the iconic Facehugger creature. The facehugger is the second stage in the life cycle of a Xenomorph, the Alien. Its bony finger-like legs allow it to crawl rapidly and its long tail can launch it in great distances. These particular appendages give them an appearance somewhat comparable to chelicerate arthropods such as arachnids and horseshoe crabs. The heavyweight two piece mould comprises of both male and female halves and is constructed from a heavyweight plaster with a steel rod back strut support. ÂŁ2500-3500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

90† Poor Little Rich Girl (1987) a pair of production used Clapperboards from the Emmy and Golden Globe winning television movie starring Farrah Fawcett as ‘Barbara Hutton’. The film is based on the true story of one of the richest women in America - heiress to the Woolworth fortune. The fronts feature the title of the production, the Director name and the Cameraman name (2) £200-400

91† Deceptions (1985) An original full size Clapperboard utilised during the production of the 1985 television mini series starring Stephanie Powers. The front features the title of the production, the Director name and the Cameraman name together with other shooting details. Two bands of camera tape, several layers deep, wrap the front of the clapperboard as shot details were progressively updated during production. £80-120

92† The Witches Of Eastwick (1987) A prop recital programme. Such programmes were used in the sequence where Jack Nicholson (Daryl) causes a scene during the music recital at the Eastwick Hall. Printed on gloss card, the programme has full details of the recital proceedings on the inside right hand page. £80-120

93† Star Wars Return Of The Jedi (1983) Original release Cinema foyer promotional advertising 3D effect display stand in the form of the Style A one sheet, constructed of thick card over deep cut polystyrene, 25 x 38 inches £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

94† Excalibur (1981) An elaborate Robe made for Niall O’Brien in his role as ‘Sir Kay’, King Arthur’s step brother. Such a Robe can be seen worn by the character in the King’s chambers when King Arthur is revived back to good health after drinking from the Grail brought to him by Sir Perceval. The woven floor length Robe features intricate detailing with a thick knotted rope like bold detailing to the hems. £800-1200

95† The Company of Wolves (1984) An exclusive issue cast and crew sweatshirt. £40-60

96† Indiana Jones & The Temple Of Doom (1984) Exclusive cast and crew issue Jacket and T-shirt. The Jacket of blue denim has the film’s colourful logo embroidered on the back. The T-Shirt with the film’s logo across the chest, copyrighted 1983. £180-220

97† Star Wars The Empire Strikes Back (1980) A black card portfolio with film logo to front containing six different professional publicity images of the prop and costume exhibition held at Selfridges London in promotion for the release of the film, images 12 x 8 inches. £120-180 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

98† Star Wars The Empire Strikes Back (1980) A black card portfolio with film logo to front containing seven different professional publicity images of the prop and costume exhibition held at Selfridges London in promotion for the release of the film, images 12 x 8 inches. £120-180

99† Hammer House Of Horror (1980) Television publicity campaign book for the original Hammer Television Series. The large format card cover illustrated brochure features column shaped pages detailing each Hammer film. Together with five vintage official press stills of Raquel Welch and Christopher Lee in Hammer productions. £80-120

100† Terrahawks (1983) A group of Studio production used high gloss colour ‘teaser’ card Brochures for the Gerry Anderson series. The Brochure would have been part of the studio campaign to promote and market the sale of the first series to perspective interested Television companies around the world (16). £80-120

101â&#x20AC; Star Wars The Empire Strikes Back (1980) Lucasfilm Master Set of 434 different original colour publicity Slides for the 1980 second installment of the iconic Star Wars movie saga. For the promotion of the original release of The Empire Strikes Back, only one such Master set was issued per continent for publicity/promotion purposes. This set having been the set for Australasia. The Slides are housed within an Australian issue Empire Strikes Back ring binder and have been carefully preserved since issue and as such all remain in excellent condition. Approximately 20 Slides from Star Wars (1977) are also included in the total. The Slides cover the whole film in detail with stunning images, to include poster art. ÂŁ1500-2500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

102† Aliens (1984) Production used transparencies featuring Amanda Ripley (Elizabeth Inglis) in old age, for screen read out images, a picture of Amanda as an elderly adult is shown to Ripley (Sigourney Weaver), Elizabeth Ingis is Sigourney Weaver’s real-life mother. £250-350

103† Indiana Jones and the Temple of Doom (1984) Large embroidered patch of the film’s title logo. The patch has a raw unfinished edge, lending itself to being a test sample of a design that was likely ultimately never finished/issued, and was sourced directly from the manufacturer in 1983. Together with a crew preview screening ticket, fourteen press stills and a synopsis. £120-180

104† James Bond License to Kill (1989) Original production used Studio Letterheads featuring the logo artwork from the movie together with the iconic 007 Gun logo (32), together with a quantity of large board back mailing envelopes with silver stripe featuring the James Bond logo (32) £120-180

105† Star Wars The Empire Strikes Back (1980) Cast and Crew exclusive issue ‘Passport’. The Passport was designed and thought up by Star Wars and Empire Strikes Back Producer, Gary Kurtz, to enable full security within the Star Wars stages during filming at Elstree Studios, whilst at the same time adding an ingenious piece of Star Wars magic. Called the Passport for obvious reasons, being that pages had to be stamped for clearance on to certain named areas of the Star Wars Stages. A high quality item with thick board covers and sixteen different pages, many featuring Star Wars associated emblems and illustrations. The Passport is stamp numbered to the front and with stamps inside, indicating it was actually used which is rare amongst the known surviving examples. £300-500

106† Superman 2 (1980) A group of production used miniatures comprising a ‘Bus Stop No Standing’, a ‘One Way Sign’ and a miniature section of Brick Wall, all from the Metropolis miniature set. Together with two different model reference photographs and an unusual production photograph of a Metropolis stunt action sequence. Both miniature signs can be clearly seen on screen during Superman’s battle with Zod, Non and Ursa. The reference photographs are of real ‘street furniture’ which were taken to construct corresponding miniature versions of the same items. One photograph is hand annotated with measurements. £150-250

107† Scandalous (1984) Group of five different original Costume Designs. The Costume Designs are all for Pamela Stephenson’s leading character ‘Fiona Maxwell Sayle’. The group comprises of four different hand drawn designs in coloured pens, each with attached costume material swatches, together with a fifth design being a production Xerox copy with hand coloured extended detailing. All executed by the film’s Costume Designer, Krizia. £250-350 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

108† Flash Gordon (1980) Production used photo album containing costume concept design images and behind the scenes images. The album features a hand written label to the cover and hand written notes to the flyleaf, to include the text ‘Designs rejected by Dino De Laurentiis Snr’. This lends itself to the assumption that this book was originally used to show the film’s producer proposed costume designs and others, during pre-production of the movie. The album contains three different behind the scenes black and white images featuring the Ming Royal Guards together with fifteen different proposed costume design images for principal characters, to include Flash Gordon, Ming, Princess Aura, Prince Barin, Vultan, and others. The costume designs are by well known Costume Designers of the period Willa Kim and Jean Pierce Dorleac, some are print dated 1978. £300-500

109† Indiana Jones and The Last Crusade (1989) A group of three different production used storyboards depicting Indiana and Henry Jones sliding down a slope after their plane crash. Individually mounted and board backed within acetate baggies. £80-120

110† Little Shop of Horrors (1986) Two production used bound sets of storyboards. ‘Death of Audrey’, fifty two pages with a hand written note ‘Death Of Audrey’ attached to the first page and ‘Green Mother’, thirty nine pages. £150-250

111† Star Wars The Empire Strikes Back (1980) A group of cast and crew issue embroidered patches featuring the film’s iconic logo. Originally obtained directly from the British manufacturer of the Crew Patches for production. The style of patch is understood to have been gifted to cast and crew during the production of The Empire Strikes Back (12). £80-120

112† Back To The Future (1985) Royal Premiere Programmes for 1 and 2, with Press Kits for 2 and 3 containing stills and information on the films. £200-400 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

113† Flash Gordon (1980) A large scale miniature Hawkman. The Hawkmen are seen throughout the movie and when in flight the production used a mixture of real actors and miniatures. The large scale miniature lacks all accessories and clothing but the fixing points for production aerial shots are still present on it’s back. The body is constructed of a hard dense rubber like material which is now in a solid state. It exhibits signs of general age and wear, in particular to the hands and feet. £250-350

114† Gerry Andersons Terrahawks (1983) A unique archive of production material contained within four binders. Comprising of Anderson Burr pictures correspondence to London Weekend Television, internal memorandums, transmission schedules, breakdowns, filming schedules, agreements, Kate Kestral character record launch details with promo poster and demo single, budgets and other items. £250-350

115† Young Sherlock Holmes (1985) ‘Professor Rathe’, portrayed by Anthony Higgins, Tailcoat. Worn by the character as part of his School Teacher costume with robes ensemble. The Jacket still retains the original Morris Angels costumier label detailing the actor and production. £300-500

116† War and Remembrance (1988) Costume worn by Robert Hardy as ‘Winston Churchill’. Featured in several episodes, this is the signature costume associated with one of history’s most important world leaders and is instantly identifiable as such. Comprises of a Homberg style Hat, Shirt, Waistcoat, spotted Bow Tie, Jacket, pair of Braces (suspenders), Trousers, Shoes and a body padded ‘fat suit’. The costume and it’s components retain their original Costumier bags (3) with the Jacket, Waistcoat, Trousers and ‘fat suit’ all having an internal Costumiers labels detailing the actor and year’. The Hat has ‘C.B.C.’ and ‘Beaverbrook’ hand written internally on the brim, due to alternative added subsequent production use. £600-900 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

117† French and Saunders (1987 - 2017): The costume worn by Dawn French as Jane Russell in their spoof comedy homage sketch of ‘Gentleman Prefer Blondes’. One of the most highly remembered sketches of their career. The floor length gown, covered in red sequins, closely emulates the dress worn by Jane Russell in the classic film. £800-1200

118† The Lenny Henry Show (1984 - 2004) Lenny Henry ‘Vac Man’ character costume comprising of a hooded jumpsuit, rubberised pants with attached cleaning accessories, leg covers and gauntlets with BBC storage bag. £150-250

119† French and Saunders (1987 - 2017) The costume worn by Jennifer Saunders as Marilyn Monroe in their spoof comedy homage sketch of ‘Gentleman Prefer Blondes’. One of the most highly remembered sketches of their career. The floor length gown, covered in red sequins, closely emulates the dress worn by Marilyn Monroe in the classic film. £800-1200 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

120† French and Saunders (1987 - 2017) A School uniform style dress made for Dawn French. £80-120

121† French and Saunders (1987 - 2017) An Orphan Annie costume made for Dawn French. The costume closely emulates the iconic dress worn by Annie. £150-250

122† Superman IV (1987) Dinner Suit Trousers worn by Gene Hackman in his role as ‘Lex Luthor’. The Trousers can be clearly seen worn by the character during the sequence where Lex Luthor chats with Superman on the balcony of his lair. Retaining the original sewn in Costumier’s label detailing the actor’s name and production details. Additionally there is a large card Costumier’s Wardrobe reference card tag externally attached detailing the actor’s name. £250-350

123† Indiana Jones and the Last Crusade (1989) A long Greatcoat worn by a Nazi Soldier in the third movie of the Indiana Jones saga. Such Greatcoats can be seen in particular during the memorable and lavish burning of the books sequence where Indiana Jones has a surprise chance encounter with Hitler. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

124† The Lenny Henry Show (1987) A four piece peach coloured suit made for his comedy character ‘Delbert Wilkins’. Comprising of knee length jacket, trousers, tie and pocket hanky and retaining internal BBC production tag. £150-250

125† Hotel Du Lac (1986) A cream coloured suit jacket made for Denhom Elliott as ‘Philip Neville’. Such a Jacket is seen worn by the actor during various Hotel garden sequences. Retaining the original internal costumier tag with production details and card hang tag. £80-120

126† Inside The Third Reich (1982) A dogtooth tweed jacket made for Rutger Hauer as ‘Albert Speer’. Worn by the actor during the first half of the film. Internal costumier tag and card hang tag. £150-250

127† Blake’s 7 (1981) Servalan’s (Jacqueline Pearce) ship flight deck suite of three chairs comprising of Servalan’s high back chair and two matching low back flight controller chairs. Used during season four of the series and clearly seen in the episodes ‘Animals’ and ‘Assassin’. All three swivel chairs match in colour and feature heavy bases with a futuristic appearance. Original BBC TV identification labels still present. £2500-3500

128† The Cotton Club (1984) A three piece pinstripe suit, with costumier tags inside each piece and a card costumier hang tag. Together with an Appointment with Death (1988) black silk shawl jacket with red print, made for Jenny Seagrove as ‘Sarah King’ but not seen in the final edit, retains costumier hang tags. £80-120

129† Clockwise (1986) A pin stripe custom tailored suit Jacket made for John Cleese in his lead role as the Head teacher, Brian Stimpson. This style of Jacket can be seen worn during the majority of the film and as such is the signature costume of the character. Retains it’s original interior pocket sewn in costumier label and card hang tag with actor and date details. £200-400

130† Cannon and Ball (1980) Bobby Ball’s signature black tuxedo jacket, retaining interior named costumier tag dated 1980. £400-600

131â&#x20AC; Flash Gordon (1980) Costume worn by one of the inhabitants of Mongo during the finale sequences. The two piece Costume comprises of a large one piece long over head tabard gown with corresponding trousers. The tabard features shoulder armour epaulettes, constructed of fibre glass and both costume pieces are heavily and intricately detailed with ornate decorations. The trousers retain their original interior wardrobe tag. ÂŁ800-1200 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

132† Star Wars The Empire Strikes Back (1980) Limited edition pre-release thick card portfolio containing two different Ralph Mcquarrie concept designs in a card folder. The card folder is housed in a large card ‘envelope’ with a Darth Vader pewter ‘seal’. The ‘envelope’ and the thick card portfolio both feature an embossed outline of Darth Vader on the front. £80-120

133† Camille (1984) An ornate ladies bonnet with floral decoration made for Greta Scacchi in her leading role as Camille/Margaret Gautier. Worn during her horse and carriage journey alongside Count De Noilly (Denholm Elliott). Retaining internal costumier tag and costumier card hang tag, together with costumier storage bag. £80-120

134† Star Wars The Empire Strikes Back (1980) A pair of hand coloured Xerox costume designs for Darth Vader and Obi-Wan Kenobi by John Mollo, Costume Designer on the film. These designs were originally donated by Mollo for exhibition to the organiser of the Star Wars 10th Anniversary UK Convention in 1987. They would have originally been used during production for departmental reference. £1200-1800

135† When The Wind Blows (1986) Hand drawn pencil original storyboard. The long storyboard consists of five sequential panels depicting a scene from the Raymond Briggs animated film. Presented in a custom mount display. £200-400 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

136† Gerry Andersons Terrahawks (1983) An ornately detailed model miniature pod from ‘The Auto Space Four’ ship seen in the episode ‘The Gun’. The model is intricately constructed of resin and plastic. £1200-1800

137â&#x20AC; Star Trek (1989) Trek Maroons made for Nichols, Doohan, Takei and Robin Leach for the 1989 Robin Leach Lifestyles TV special filmed on the Enterprise bridge at universal studios. Accompanied by an official press still picturing the characters in uniform. ÂŁ1000-1500

138† The Boys In Blue (1982) Two different original concept artwork poster designs for the comedy starring Tommy Cannon and Bobby Ball. Both artworks are accomplished in hand and are mounted on artists white backing paper. £80-120

139† Not Quite Jerusalem (1987) Two different original concept artwork poster designs for the romantic drama staring Joanna Pacula and Sam Robards. Both entire artworks are accomplished in hand and are mounted on artists board card. £80-120

140† Alice In Wonderland (1982) Two different original concept artwork poster designs for the fantasy musical starring Sophie Barjac and Susannah York. Both entire artworks are accomplished in hand and are mounted on artists board card. £80-120

141† The Gringos (High Risk) (1981) An original concept artwork poster design for the action comedy starring James Coburn and Anthony Quinn. The artwork is accomplished in hand with separate text elements added and has been mounted on artists white backing paper. £80-120

142† The Lords of Discipline (1983) An original concept artwork poster design for the thriller staring David Keith and Robert Prosky. The entire artwork is accomplished in hand with hand written pencil text. £80-120

143† Night Shift (1982) An original concept artwork poster design for the comedy starring Henry Winkler and Michael Keaton. The entire artwork is accomplished in hand with applied detailing and has been mounted on artists white backing board. £150-250 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

144â&#x20AC; Superman III (1983) An oversized miniature American sedan car made by the Derek Meddings model crew for a filmed sequence that was cut from the final edit. The sequence involved the car crusher at the Junkyard where Superman encounters his evil self. Accompanied by nine different behind the scenes period studio prints of the sequence being shot and supervised by Derek Meddings and his crew, clearly featuring this very miniature. ÂŁ2500-3500

145† Gerry Andersons Terrahawks (1983) Original hand drawn production line drawings for ‘Int Spacehawk Flight Deck’ and ‘Section diagram of Spacehawk’. These line drawings would have been the master from which blueprints would have been produced from for reference by various departments on the production, primarily the model department. Both hand drawn by Gary Tomkins, one dated 16/12/82. Spacehawk was one of the principal space ships in the Gerry Anderson produced series. £300-500

146† Flash Gordon (1980) Dwarf minions costume. The costume can be clearly seen during the suitably lavish and extravagant Emperor Ming and Dale Arden wedding ceremony sequences. Highly distinctive and indicative in colour and style of the whole film, the costume is beautifully made with incredible intrinsic detailing to the front and back and fibre glass armour piece decorations to each shoulder. Tagged cottrel 101. £1000-1500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

147† Flash Gordon(1980) Aboria Treeman Costume. Comprising of a short sleeved shirt with a pair of trousers. The Trousers feature internal elasticated braces and are purposely short in length for their use with the boots that were worn by the Treeman. £300-500

148† Flash Gordon (1980) Mongo citizen Hat. Such hats can be best seen on screen during the Flash Gordon execution sequences. The Asian style hat is constructed of a wicker type material which has various applied intricate decorative detailing. £300-500

149† Gerry Andersons Terrahawks (1983) Original hand drawn production line drawings for ‘Full Size Detail of Dashboard for Int Hudson’, dated 29/11/82 and Hudson Rear, Side, Front and Plan View. These line drawings would have been the master from which blueprints would have been made from for reference by various departments on the production, primarily the model department. Both hand drawn by Gary Tomkins. Hudson was one of the principal vehicles in the Gerry Anderson produced series. £400-600

150† Gerry Andersons Terrahawks (1983) Original hand drawn production line drawings for ‘Treehawk’, dated 27/9/82, and ‘Int/Ext Tree Elevator’, dated 1/12/82. These line drawings would have been the master from which blueprints would have been made from for reference by various departments on the production, primarily the model department. Both hand drawn by Gary Tomkins. Treehawk was one of the principal space ships in the Gerry Anderson produced series. £300-500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

151† Blake’s 7 (1981-1983) An original hand drawn comic art page from the Marvel UK monthly comic. £80-120

152† Saturn 3 (1980) Four futuristic large Chess playing pieces, Pawns. Featured in the sequence where ‘Alex’ (Kirk Douglas) plays Chess against ‘Hector’ the robot, and wins. Bespoke made from wood, two being painted silver, the other two black. The Chess set featured both metal and wood pieces, the less heavy wood pieces were required to enable the Robot to physically pick them up during filming. £300-500

153† Blade Runner (1982) An electric pink exclusive Crew issue Jacket The satin style Jacket with elasticated collar and cuffs. The back of the Jacket features the Film’s title underlined in Japanese language. £800-1200

154† Adam and the Ants (1980) Three different costume design presentation framed displays. Each presentation containing an original hand drawn costume design by Eve Goddard (Adam Ant’s ex-wife), additionally dated 1980 in her hand, and collage of material swatch samples for that corresponding costume. £500-800

155† Flash Gordon (1980) Production used Storyboard file. Noted Italian artist Mentor Huebner often worked with famed film producer Dino DeLaurentis on his films and he had great influence on the overall look of Flash Gordon. His storyboard art is beautifully accomplished giving a real sense of movement and action. This production used spiral bound file contains 195 individual consecutive pages of rare early preproduction Storyboards featuring two frames per page. £800-1200

156† Flash Gordon (1980) Ming Royal Guard Helmet. Clearly seen in the film in multiple sequences. Constructed of fibre glass with applied gold gilding. Exhibits heavy age wear. £600-900

157† Legend (1985) Hand drawn costume concept design of ‘Imps, Elves at Woodchoppers’, ‘The Cottage’, featuring a collage of numerous costume designs; ten different designs on the one sheet with annotations, by renowned costume designer Charles Knode. Executed by hand in pencil and pastels on a suitably atmospheric brown parchment type art paper. £250-350 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

158† Flubber (1997) A large scale miniature of ‘Professor Philip Brainard’s (Robin Williams) homestead. Highly detailed to accurately emulate it’s full size counterpart comprising of the main house and adjoining garage. Constructed predominately of wood with plastic detailing. Accompanied by a letter of authenticity from the Disney Corporation. £1200-1800

159† The Saint (1997) A Painter’s disguise outfit worn by Val Kilmer as ‘Simon Templar’. Comprising of a production distressed coat covered in paint remnants, trousers, polo neck sweater, gloves and a hat. Each costume piece retains it’s original production costumier label tags which detail the actor’s name and production information. £250-350

160† The Saint (1997) A roll neck polo jumper sweater made for Val Kilmer in his tiltle role as ‘Simon Templar’. Retaining it’s original production costumier label tag which details the actor’s name and production information. £80-120

161† The Saint (1997) ‘Dr. Emma Russell’ (Elisabeth Shue) signature hero costume. Comprising of a blue button up dress and companion soft leather three quarter length Jacket. The significance of this costume is compounded by it’s appearance on various theatrical release posters and other publicity material for the film. Each costume piece retains it’s original production costumier label tags which detail the actor’s name and production information. £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

162† Absolutely Fabulous (1992-2012) A designer jersey top worn by Joanna Lumley as the iconic character ‘Patsy’ during Series Four episode ‘Donkey’. The production, based around fashionistas Edina and Patsy, typically utilised contemporary high fashion designer labels for wardrobe. This scarlet red viscose Jersey top is an authentic Donna Karan piece. This Jersey was one of a selected few pieces retained by Joanna Lumley after filming and subsequently sold in her charity auction to benefit the Prince’s Trust in 2012, with certificate from Joanna Lumley. £120-180

163† Legends Of The Fall (1994) World War I military costume used in the battle sequences. Comprising of tunic, trousers (pants), peak cap and pair of leg gaiters, complete with the original costumiers branded costume bag. £80-120

164† Lost In Space (1998) ‘Judy Robinson’ (Heather Graham) Costume. The overalls feature numerous zips plus pockets and insignia to the left chest. Seen worn by the character during several key scenes throughout the movie, to include her first and final appearance. £400-600

165† Michael Collins (1996) ‘Harry Boland’ (Aidan Quinn) Costume. Comprising of jacket, trousers and waistcoat, all retaining their original costumiers tags with production details. Such a costume can be seen worn by Aidan Quinn in several scenes of the movie and can be regarded as the leading character’s signature costume of the whole film. £200-400

166† Notting Hill (1999) A life size thick board standee of an oriental lady in traditional costume. Clearly seen inside the entrance of ‘William Thacker’s’ (Hugh Grant) house in several scenes involving the star cast. The standee has a metal strut running vertically up the back and folds in half. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

167† Con Air (1997) A large scale miniature of a Sedan Car constructed of plastic and other materials. Utilised in the action packed finale of the film when the Aeroplane crashes on to the Las Vegas strip and clearly seen during the ‘making of’ special feature of the film. Finely detailed with electrics, rotating wheels, etc. Complete with removable side panel where the car would have been attached to the set by Velcro allowing a crash effect ‘hit’ by the Aeroplane. Accompanied by a certificate from The Walt Disney Company. £250-350

168† Con Air (1997) A large scale miniature of a Porsche 911 constructed of plastic and other materials. Utilised in the action packed finale of the film when the Aeroplane crashes onto the Las Vegas strip and clearly seen during the ‘making of’ special feature of the film. Finely detailed with rotating wheels it is understood this was original radio controlled but those internal components were removed after filming. Accompanied by a certificate from The Walt Disney Company. £250-350

169† Braveheart (1995) A long handled prop Battle Axe made for the various battle sequences in the movie. Made of a heavy hard foam dense rubber material to emulate wood and metal. £150-250

170† Chimera (1991) An original full size Clapperboard utilised during the production of the 1991 television mini-series starring John Lynch. The front, unusually, features attached engraved plates with the title of the production, the Director name and the Cameraman name. Camera Tape strips are hand written with scene and date plus original chalk details are still present. £80-120

171† Animal Farm (1999) an accurately detailed full scale animatronic Pig Head made for the film version of the classic George Orwell Novel. Made by the legendary Jim Henson Studios, whose work has been generally regarded as one of the best and most ground breaking in the industry. Constructed of a rubber latex head with hand punched hair, glass eyes, and full jaw detail to include teeth and tongue. Built upon a jointed inner hard skull cap with some internal operational electronic wires still remaining. This head can be best seen during the making of documentary for the film, where a Jim Henson Studios puppeteer demonstrates the effectiveness of its animatronics. This item contains electronic components, no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is important for the new owner to satisfy themselves as to their safety and maintenance. £400-600

172† James Bond The World Is Not Enough (1999) A prop ‘Plutonium Rod’ with the standard and the stunt version inner rod attachments. Such Rods are seen clearly in the climatic fight sequence between James Bond and Renard in the Submarine which ultimately results in Renard’s death by a gold version of one of these Rods. Made of metal with the stunt attachment version being of rubber/foam, obviously for safety purposes during the fight sequence. £150-250

173† Die Hard With A Vengeance (1995) A prop gold bar used during the Federal Reserve Bank of New York raid sequences. Deceptively, only a few single bars were made in comparison with solid block units to give the illusion of quantity. This prop gold bar was one of those known to have originally been retained by the studio, being hand signed by Jeremy Irons (Simon Gruber) along one side, and offered as a competition prize in promotion of the film release. The bar is constructed of a gold painted resin material with various embossed stamped detailing. £150-250

174† Tank Girl (1995) A large electric Power Drill with long cork screw attachment made for the film. The Drill is attached via a flex power chord to it’s accompanying tool belt that features added circuitry detail. The Drill features the Water and Power emblem, who were oppressive corporation led by Kesslee (Malcolm McDowell) in the film.This item contains electronic components, no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is important for the new owner to satisfy themselves as to their safety and maintenance. £150-250

175† Far And Away (1992) Prop Homeseeker’s Guide and Homestead Certificate. The Homeseeker’s Guide folds open to reveal a map of the area to include the all important unassigned lands. Such paperwork can be seen being collected by the character Joseph Donnelly (Tom Cruise) before the climatic race to claim land sequences. The props are accompanied by a note from the production department to an actress detailing requirements for the scene. The props are integrally significant to the film’s overall story line and premise. £150-250 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

176† Space Truckers (1996) Prop bust of Charles Dance, who portrayed two characters, ‘Nabel’ and ‘Macanudo’. The bust can be seen on top of a display unit in the living quarters of the character. Made of heavy plaster, the original bronze effect paint has mostly worn away subsequent to production to reveal it’s green surface sealant undercoat. £150-250

177† Teenage Mutant Ninja Turtles (1990) A Henson Studios Maquette for a newborn Ninja Turtle. The Maquette would have been reference for departmental use and is presented on it’s original wood block base. £800-1200

178† Cool World (1992) A large related group of different original pencil drawn animation sheets, to include six of the leading character, ‘Holli Would’ (Kim Basinger), the remaining of the character’s cigarette smoke formation from the same sequence. Together with two photographic backgrounds from the scene and an animators production folder containing five footage detail sheets, all of which are heavily annotated in hand (75 approx) £400-600

179† Michael Jackson (1992) A large painting by noted pop art/comic artist Des Taylor. The painting was commissioned for the official Michael Jackson Day III at Hammersmith Palais, London, 1992 and awarded to the best dressed attending fan. Oil on wood, 122cm x 122cm. Accompanied by a 1993 ‘Off The Wall’ Magazine featuring a review of the event. £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

180† Cutthroat Island (1995) A four piece peasant ladies costume. Accompanied by a letter and COA from the Hollywood Charity Auction where it was originally sold. £80-120

181† Alien 3 (1992) An exclusive Special FX Crew Issue Jacket. The baseball/varsity style jacket has leatherette sleeves and features embroidery on the front chest, ‘Alien III Special FX’, with large embroidery of the film’s title on the back. £80-120

182† Dick Tracy (1990) A uniquely personalised Crew Jacket. Zip front, double pocket, inside pocket with red satin style lining. Embroidered with the name ‘Cindy’ on the front chest and ‘Caglione & Drexler’ on the opposite chest. The back features a design underlined with ‘Special Character Makeup’. £80-120

183† First Knight (1995) A uniquely personalised exclusive Cast and Crew issue Jacket and Cap. The Jacket has a removable faux fur collar with ‘Dave’ and ‘First Knight Special Effects Crew’ embroidered on the jacket front. On the jacket back is a large embroidery of the film logo with a Knight on Horseback image. The accompanying cast and crew cap features similar embroidery. £80-120

184† The Fifth Element (1997) Military Technician Jacket. This style of Jacket can be seen during the sequences aboard the President’s Ship. The film’s costumes have a very unique and individual style having been designed by Jean-Paul Gaultier. The short sleeve aquamarine Jacket features various embroidered patch insignia with added detail to the back, where originally pipes would have been fed through. The jacket is name tagged inside ‘Peter Chong’. £150-250

185† The Fifth Element (1997) A pair of aquamarine Lab Technician Jackets made for the production. The film’s costumes have a distinctively unique and individual style having been designed by Jean-Paul Gaultier. A large Costumier’s storage reference label is still attached to each jacket’s shoulder. £250-350 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

186† Red Corner (1997) Richard Gere in his portrayal of ‘Jack Moore’ signature costume. Comprises of Jacket, Trousers and Shirt. All items of clothing are intentionally production distressed to include a bloodied bullet wound to the left shoulder of the Jacket and Shirt. Each item contains a wardrobe tag detailing the actor and production details. Additionally the original wardrobe tag and continuity photo are attached to the left sleeve of the jacket. The inside of the Trousers have been partially lined with black camera tape to make them stronger for the roof top chase scenes. The Suit is heavily featured on the movie release posters, DVD release cover and other items, additionally compounding it’s importance. £400-600

100

187† Star Trek Deep Space Nine (1993) ‘Nava’ (Barry Gordon) Ferengi Costume from the episode ‘The Nagus’. Comprises of a full-length sleeveless brown jumpsuit with stirrups for the feet, a reflective bronze-colored dickie that attaches to the jumpsuit via Velcro, a long-sleeved jacket in a pattern of olivegreen and burgundy wavy lines, a multi-coloured striped portion that goes down the front and around the back and a Ferengi head wrap the colour of the dickie but with the black accents of the jacket. Sewn in tag reads ‘Deep Space Nine, Barry Gordon’ and a costumer’s tag reads ‘DS9 411, Nava, Barry Gordon’. £800-1200

101

188† Film Books (1990’s) including Making a Monster, Star wars the Magic of Myth, Shrek the Art of the Quest, Man of Steel, Making of 1941, Stargate Visual Guide, Making of Blakes 7 (3), James Bond the World is Not Enough companion, Indiana Jones the ultimate guide, the Elephant Man book of the film, No Strings Attached inside Jim Hensons Creature Shop, For My Eyes Only John Glen, James Bond Girls & Stage Make-up. £80-120

189† Batman and Robin (1997) Gotham Miniatures Portfolio, ‘1/24 Scale Gotham Miniatures’ production portfolio containing 91 different A3 sized Blueprints. Each Blueprint features the Warner Brothers production detailing stamp to one corner and the Blueprints can be easily removed from the portfolio if so desired.The Blueprints detail all aspects and areas of the miniature Gotham sets that were created for the film. Accompanied by a certificate of authenticity from a Visual Effects Crew on the production. Together with seventeen behind the scenes photographs featuring the large miniature of the Batmobile with the illuminated inner body. £150-250

190† Judge Dredd (1995) Original production used large blueprint ‘Lawmaster Cycle Schematic Drawing’ for the movie starring Sylvester Stallone in the title role. This blueprint would have been referenced by various departments on the production but primarily the unit in charge of constructing the Lawmaster Motorcycles. Drawn by Dave Allday, the blueprint features several different designs from different angles for the Lawmaster with accompanying descriptive text. The Blueprint features some minor hand/colouring annotations. £80-120

102

191† Evita (1996) A pair of prop gift boxes. Such boxes can be clearly seen given out to the needy of Argentina by Evita (Madonna). The grey card boxes feature a paper strip along the centre of the lid, in Argentinean flag colours, with text reading ‘Fundacion Eva Peron’. Together with three prop large sugar bags, bearing the distinctive likeness of Madonna as Evita, which were made for production. £80-120

192† Evita (1996) A Peron propaganda placard with illustration of Jonathon Pryce as ‘Peron’. Such placards can be seen in several sequences in the film being carried and also as wall decoration. Together with a ‘Fundacion Eva Peron’ box lid, an empty doll box and two prop large sugar bags, bearing the distinctive likeness of Madonna as Evita, which were made for production. £80-120

103

193† Exorcist III (1990) Hand typed manuscript, the 112 fully hand typed written Script is dated as January 30, 1982, with the original tile of ‘Legion’. Housed within it’s original protective packing envelope with hand written pencil title detailing. This is the original manuscript, hand typed in full and featuring careful amendments either with the aid of white correction fluid or carefully over-pasted typed paper segments. Originally sourced from renowned Cinematographer Gerry Fisher who was a highly regarded working associate and friend of Exorcist author William Peter Blatty. As such, this is thought to be the original William Peter Blatty first master script for Legion/Exorcist III, which finally went in to production in 1989. £800-1200

104

194† Teenage Mutant Ninja Turtles (1990) ‘Leonardo’ character Ninja Turtle Stunt Head. The head is constructed of a painted latex rubber material skin with the interior foam filled. The piece has recently undergone some professional preservation/restoration, to help preserve it for years to come, and is presented on a bespoke made display base. £3000-5000

105

195† Evita (1996) Theatre Programme which can be seen held by ‘Peron’, Jonathan Pryce and accompanying guests during the Gala theatre night where he first meets ‘Evita’, Madonna. The card covered programme contains various pages of information and retains it’s gold tassel topper although lacking the joining chord for the topper. £80-120

196† Gerry Andersons Space Precinct (1994) A group of pieces made for the episode entitled ‘Divided We Stand’, comprising of a ‘Vote Vinny’ prop Rosette, ‘Vote Vinny’ campaign notices (5), and ‘Vote Vinny’ Flyers (3). Together with a Gerry Anderson hand signed compliment slip, an exclusive crew issue party invite and newspaper. £80-120

197† James Bond Tomorrow Never Dies (1997) A group of production used blueprints, comprising of ‘A Stage Layout’, ‘Electra Bedroom’, ‘MI6 Situations Room’ and ‘Bicycle Shop’ (4). £80-120

106

198† James Bond Tomorrow Never Dies (1997) A group of production used blueprints, comprising of ‘Top of Banner Set’, ‘Submarine’, ‘Voltage Locker’ and ‘Carver Banner’. Edward G. Robinson, Sepia ‘First National & Vitaphone Pictures’, publicity photograph of Edward G. Robinson. Photograph inscribed and signed “To Eric, never forget your a Robinson, sincerely Edward G. Robinson”, mounted and framed. £80-120

199† Autographs (1990’s) A collection of female star autographed photographs, comprising of Lynda Carter ‘Wonder Woman’, Elizabeth Hurley ‘Austin Powers’, Farrah Fawcett ‘Charlie’s Angels’, Cheryl Ladd ‘Charlie’s Angels’, Sharon Stone ‘Total Recall’ and Claudia Christan ‘Babylon 5’. £80-120

200† Autographs (1990’s) A collection of male star autographed photographs, comprising of David Duchovny ‘The X-Files’, Alfred Molina ‘Spider-man 2’, Mira Furlan ‘Babylon 5’, Bruce Boxleiter ‘Babylon 5’, Rene Auberjonois ‘Deep Space Nine’, Avery Brooks ‘Deep Space Nine’, Michael Caine, Terence Stamp ‘Superman’, Michael Sheard ‘The Empire Strikes Back’, Roger Walters ‘The Wall’. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

107

201† The Avengers (1998) A Belt made for Uma Thurman in her leading role as ‘Emma Peel’. As part of her signature leather/PVC Catsuit, such a belt can be clearly seen in several sequences of the movie and additionally prominently in various film posters and publicity material. The style of belt is worn with both styles of black Catsuit worn by the actress. The back of the belt features the original Costumier’s tag detailing the actress name, production, the number ‘5’ and character, that being of ‘Bad Emma’. The belt lacks it’s oversized metal frame buckle although evidence of residue remains where it was once present. £150-250

202† Official publicity/promotional items in conjunction with the release of various films (1990’s) Master and Commander (2003) A large deluxe book, in the style of a ship’s log, containing information and photographs on the film. Together with two brass coloured miniature key-rings in soft velvet like pouches, one being a telescope the other an octant. Together with promotional books for War of the Roses (1989) and Road to Perdition (2002) plus a publicity book for CI5 The New Professionals (1998). £80-120

203† James Bond (1990’s) A collection of Press and Premiere material, comprising of a For Your Eyes Only (1980) Odeon late night showing invitation, The Living Daylights (1987) publicity booklet; Goldeneye (1995) press kit and synopsis, Tomorrow Never Dies (1997) Royal Premiere programme and ticket, crew screening ticket and The World Is Not Enough (1999) premiere programme. £80-120

108

204† A collection of press/preview/premiere tickets and programmes from the (1990’s) including Quest for fire preview ticket, Taps preview ticket; Butch and Sundance press ticket, The Stuntman preview ticket, Young Winston premiere programme and ticket, The Saint premiere program, Back to School preview ticket, Batman and Robin UK premiere programme (5), Star Trek First Contact royal premiere programme, Robocop press ticket, media ticket and a synopsis, Alien 3 press ticket, Terminator 2 press ticket (2), Ben Hur and Paint Your Wagon cinema brochures. £80-120

205† Starship Troopers (1997) A pair of Mobile Infantry Trooper boots, size US 9.5. £80-120

206† James Bond Tomorrow Never Dies (1997) A prop Fuel gauge read out dial with three corresponding sheets of production paperwork; a Submarine control room production utilized large blueprint and Prop Carver Media Party Invitations. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

109

207† Saving Private Ryan (1998) A group of allied military soldier accessories comprising of Entrenching Tools (3), Leather Shovel case shrouds (4), Khaki Accessory Pouches (9) and a Belt. £80-120

208† Braveheart (1995) A hero English Soldier Helmet. Such Helmet’s can be clearly seen throughout the film. This Helmet is of an all metal construction indicating that it is a ‘hero’ version for foreground use. The Helmet still retains a ‘Property Of Clan Wallace’ decal to the inside as this was one of the props gifted to them by the production company after filming as a sign of appreciation for their contribution to the film. The Helmet exhibits production battle wear/use to include dents to the back and what appears to be residue of stage blood to the top. £300-500

110

209† Cry Freedom (1990) Denzel Washington’s three piece Suit worn by him in his Oscar winning role as Steve Biko. The bespoke made Suit comprises of Jacket, Waistcoat and Trousers. Denzel Washington can be seen wearing the Suit during the dramatic and important Court room scenes. The original wardrobe costumier label tags within the inside back of the Jacket and waistcoat detail the film’s title, actor’s name and scene/production codes. £400-600

210† Flawless (1999) A purple dress worn by Nina Sonja Peterson (aka Nina von Arx) as one of the dancers, original wardrobe label attached. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

111

211† Xena Warrior Princess (1995 - 2001) A prop sword used in the series. Constructed of a hard dense rubber material with a faux ruby stone embedded to each side below the cross guard. £80-120

212† Wings of a Dove (1997) Coat worn by costar Alison Elliott as ‘Milly’. Custom made, the garment is detailed beautifully all over with an intricate silver pattern. £120-180

213† Eurovision Song Contest (1993) A Bolero style Jacket with edge detailing made for ‘Sonia’ (Evans), the United Kingdom’s entry for that year who came second. Retaining the original BBC Coat Hanger detailing the singer’s name. £80-120

112

214† Terminator 2 - 3D Battle Across Time (1996) Hero Claw Arm Police Jacket worn by Robert Patrick in his seminal role as the T-1000. The mini-sequel to Terminator 2: Judgment Day reunited director James Cameron and the main cast of the movie, including Arnold Schwarzenegger as “T-800”, Linda Hamilton as “Sarah Connor”, Edward Furlong as “John Connor”, and Robert Patrick as the “T1000”. The Police Jacket has Los Angeles Police embroidered patches to each upper sleeves with a smaller insignia patch below. Each sleeve features a seamlessly integral long claw chrome effect arm. The Jacket features a Zip removable inner to facilitate/aid production use. £2000-4000

113

215† The Mummy (1999) A double faced 3D relief display plaque featuring Boris Karloff as the Mummy from the classic 1932 movie and Imhotep from the 1999 movie. Underlining the plaque is a Scroll which reads ‘The Mummy 1998’. It is understood a small number of these were made and presented to select members of the production crew on the 1999 movie starring Brendan Fraser. Constructed of a bronze coloured Fibreglass. There has been a minor repair to one end of the scroll otherwise in fine condition. £80-120

216† The Land Girls (1998) One of the film’s signature costumes worn by the leading character ‘Prudence’ (Anna Friel). Comprises of a pink satin type Slip, a Dress, a hand knitted bolero style Cardigan and a head Scarf. £500-800

114

217† Starship Troopers (1997) A Mobile Infantryman Jacket and pair of Trousers. The Jacket retaining both arm and chest insignias. £250-350

218† Shining Through (1992) A three piece Suit made for Michael Douglas in his starring role as ‘Ed Leland’ Michael Douglas can be seen wearing such a Suit in scenes at the beginning of the movie to include those in his Office. Each costume element still retains it’s original sewn in Costumier wardrobe tag, with the Jacket and Trousers tags detailing actor and production date. £80-120

219† Shining Through (1992) German Military Tunic Jacket made for Michael Douglas in his starring role as ‘Ed Leland’. Michael Douglas can be seen wearing such a Tunic for the climatic end of the film whilst in disguise as a German Officer. The Jacket still retains all it’s original pocket and fastening buttons, chest insignia and seam ribbon. The collar insignia was subsequently changed after filming to it’s current style for alternative use by the Costumier. The interior of the Tunic still retains it’s original sewn in Costumier wardrobe label, detailing actor and production date. £150-250 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

115

220† Lie Down With Lions (1994) A Waistcoat worn by Omar Sharif as ‘Safar Kahn’. Omar Sharif can be seen wearing such a style of Waistcoat throughout the majority of the movie, initially under his Jacket then subsequently without the Jacket during the camp fire sequences. Custom made for production, complete with interior sewn in Costumier label with typed detailing of actor name and production details. With additional card costumier large wardrobe identification hang tag. £80-120

221† Sleepy Hollow (1999) An exclusive cast and crew issue Letterman style Jacket from the 1999 Tim Burton cult classic. The Jacket has the Headless Horseman emblem embroidered to the chest, underlined with the film’s title. Made of wool with leather styled sleeves and trim. This Jacket was never originally available to the general public but only to those working on the production of the film. Size Medium. £80-120

222† Richard III (1995) A Tailcoat with matching Waistcoat worn by Sir Ian McKellen in the title role as Richard III. The costume can be seen during the sequence where Richard III greets the royal Prince upon his arrival at the Train Station. Both garments retain their original interior Costumier sewn in tags, detailing the actor’s name with production reference numbers. £150-250

116

223† Star Wars The Phantom Menace (1999) A plaque featuring an array of the film’s featured creatures in 3D relief together with the Star Wars logo and ‘Creatures’ title. Presented to select members of the production crew upon completion of filming and never generally available to the public. The plaque appears to be made of a painted resin material and has a hanging hook embedded at the rear top. £150-250

224† Eyes Wide Shut (1999) A cloak used in Stanley Kubrick’s Eyes Wide Shut. As seen worn by the attendees at the Masked. The long cloak features an integral cape, collar and hood with original costumier tag to inner neck. £400-600

225† Starship Troopers (1997) A Mobile Infantryman Morita assault rifle. Such rifles are clearly seen in numerous scenes. Constructed of hard rubber with a shoulder sling strap attached to one side. £400-600

117

226† The All New Alexei Sayle Show (1994) A two piece metallic purple suit with interior BBC production tag and Alexei Sayle name tag. £150-250

227† Young Guns II Blaze Of Glory (1990) Deputy Carlyle (Robert Knepper) five piece outfit comprising of Jacket, Waistcoat, Shirt, Trousers and Shirt Collar. Features multiple bullet hit wounds and remnants of stage blood. Clearly seen when William H. Bonney (Emilio Estevez) uses Deputy Carlye as a stand-in decoy for Chavez (Lou Diuamond Phillips). £200-400

228† Little Voice (1998) A green crocodile skin patterned Jacket made for Michael Caine as ‘Ray Say’. The Jacket can be seen worn by the actor in several different sequences. Retaining the original internal named costumier tag. £400-600

118

229† Josh Kirby Time Warrior - The Human Pets (1995) A miniature WW2 German Messerschmitt Fighter Plane with passengers seen during the escape from the alien. Internal electronics untested. Accompanied by a hand signed letter of Provenance: from head of Creature Effects on production. £80-120

230† Shining Through (1992) American Military Tunic Jacket made for Michael Douglas in his starring role as ‘Ed Leland’. Michael Douglas can be seen wearing such a Tunic in several scenes during the movie and it can be easily identified. The Jacket still retains all it’s original pocket buttons, two fastening buttons and one epaulette button. The other insignia having been typically subsequently removed by the Costumier for alternative use. The interior of the Tunic still retains it’s original sewn in Angels Costumier wardrobe label, detailing actor and production date. £150-250

231† Gerry Anderson’s Space Precinct (1994) Pair of Medic/Nurse three piece costumes, each comprising of Jacket, Trousers and Belt. The Costumes were featured in multiple episodes throughout the series, such as ‘Witness’. £120-180 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

119

232† Scarlett (1994) Based on the sequel to Gone With The Wind. Timothy Dalton, ‘Rhett Butler’, maroon red Jacket worn during the fox hunting sequences. Retaining original internal costumier tag. £200-400

233† Starship Troopers (1997) A Mobile Infantry Helmet as worn by the Troopers. £250-350

120

234† The Krays (1990) Signature hero three piece Suit worn by Gary Kemp as ‘Ronnie Kray’. Consisting of Jacket, Trousers and waistcoat, all individually retaining original costumier internal tags. Used during the film and in official publicity shots for the film. £2000-4000

235† Mission Impossible (1996) A life cast of Tom Cruise who portrayed ‘Ethan Hunt’. The life cast was used during production as a reference within the Hair and Make-up department. With exception of the main facial features, the hard foam head has been covered in a multitude of clear strips of tape. Beneath that tape a clear and visible hairline has been indicated with black marker and some strands of wig hair are still present. £250-350 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

121

236† Evita (1996) A group of three costumes made for Madonna in her starring role as Eva Peron during the ‘Goodnight and Thank You’ song sequence. Comprising of a floral patterned dress with black skirt detail to side (With interior costumier tag), a peach coloured nightdress with lace detailing and a pastel green coloured nightdress with lace detailing. Only the pastel green nightdress is not clearly visible on screen as was likely used as an undergarment. (3) £2000-4000

122

237† James Bond Tomorrow Never Dies (1997) An official limited edition promotional product placement licensees Brief Case. Produced in conjunction with the release of the film by Eon, the Brief Case features various exclusive products from the noted brand product placement companies featured in the movie. Product Placement is a term given to companies who pay/sponsor to have their brand featured and associated in/with a movie to enhance their product’s brand name within the marketplace. Consists of a Samsonite Brief Case, an Ericsson Cell Phone, a Visa credit card size/shaped multi tool gadget, a BMW 1/24 scale die-cast car, a Heineken barrel shaped can of Beer, an Avis boxed deluxe Key-ring, an Omega Watch competition entry card, a Wilkinson Sword Razor, A Smirnoff small bottle of Vodka with drinking glass and two different bottles of L’oreal make-up. Suitably the combination to the Brief Case lock is 007. The contents are presented within a bespoke cut foam inner liner. Both Case and Contents in perfect condition, the Case even still retaining the original card hang tags. £400-600

238† Starship Troopers (1997) Mobile Infantry Trooper body armour. Constructed of hard dense rubber with interlocking body belts. £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

123

239â&#x20AC; Alien 3 (1992) A production used maquette of the newborn Dogburster Alien creature. Constructed of a hand painted dense rubber material. ÂŁ800-1200

124

240† James Bond The World is Not Enough (1999) ‘Caspian Pipeline Project’ Dossier File prop. The plastic ring binder, with illustrated printed cover, contains multiple repeated ‘filler’ paperwork, to include fold out maps of the proposed pipeline territory. Such Dossiers can be seen during the pipeline development site office cabin of ‘Electra King’ (Sophie Marceau) sequences. Together with an original large production used blueprint for ‘Int Submarine Reactor Room’ and a front elevation dyeline of the Submarine. £100-150

241† Batman Returns (1992) Prop ‘Gotham Globe’ Newspaper with front page headline ‘Penguin Forgives Parents’ above large photograph of Danny DeVito as ‘The Penguin’. The whole front page story text relates to the headline with internal repeat filler pages. £250-350

242† Toys (1992) An oversized rendition of the classic vintage Monkey riding a tricycle clockwork tinplate toy used in the Zevo Toy Factory sequences. With functional wheels and operational steering system. £300-500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

125

243† Snow White A tale of Terror (1997) An original hand drawn costume design for Sigourney Weaver in her leading role as ‘Claudia Hoffman’. Executed in pencil and pastels by Weaver’s personal costume designer for the film, Charles Knode, and initialed and dated by him. Sigourney Weaver has added a signed hand written note of thanks to the costumiers on production to the left top corner of the design. £300-500

244† The Borrowers (1997) ‘Pod Clock’ (Jim Broadbent) multi-function Tool. Used by the character in numerous scenes and highly identifiable with the film. The prop is constructed to have the appearance of being assembled by the Borrower from small household objects to include a teaspoon, hacksaw blade, rubber band, zipper and string. £400-600

126

245† Dinosaurs (1991) ‘Baby Sinclair’, the leading prehistoric dinosaur puppet character of the Jim Henson show. Baby Sinclair became the show’s most popular and iconic character and featured heavily throughout. This large seated version of the character has a hand puppet operated mouth and was used for sequences where a tail was not required. Predominately constructed of a foam latex rubber type material with glass eyes (clothing has been added for display purposes). The piece has recently undergone some professional preservation/restoration, to help preserve it for years to come, and is presented on a bespoke made display base. £7000-10000

127

246† Batman Forever (1995) ‘Robin’ (Chris O’Donnell) costume. The character, Richard (Dick) Grayson, is first introduced in the movie, wearing this costume, as part of the high wire family Circus act called ‘The Flying Graysons’. The key dramatic sequence ends with the death of his family caused by ‘Two Face’. Subsequently he wears the costume, with the addition of the eye mask, to rescue Batman and the costume is also seen, folded neatly, within the ‘Batcave’ costume storage room. Comprises of a tailored one piece bodysuit, gloves with separate buckled ‘gauntlets’, belt with buckle and an Eye Mask. Bodysuit exhibits mild discoloration to the legs due to production use and one of the metal chest clasps is loose. £2000-4000

128

247† James Bond Goldeneye (1995) Official promotional Jacket. The Jacket emulates James Bond’s Jacket as worn in the opening sequences of the movie. Originally never on general sale being produced in a low number as a promotional item for tie-in competition prizes in publicity for the movie’s release. Features the film’s title on the chest pocket and the 007 logo on the arm pocket. £120-180

248† The Borrowers (1997) ‘Pod Clock’ (Jim Broadbent) signature costume. Worn by the character throughout the film. Comprising of a cloth jersey and industrial overalls with heavy rope detailing, together with matching shoes. All with the intended appearance of having been cobbled together using household ‘borrowed’ pieces. £250-350

249† Braveheart (1995) Hand drawn costume concept design of ‘The Slaughtered Scottish Lords & Pages’, featuring a grouping of five different full costume designs on the one sheet by renowned costume designer Charles Knode. Executed by hand in pencil and watercolours. £250-350 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

129

250† 1492 Conquest Of Paradise (1992) Hand drawn concept costume design for the character ‘Isabella Queen Of Spain’, portrayed by Sigourney Weaver. The design features a full length costume design by renowned costume designer Charles Knode. Executed by hand in pastels and paints. £250-350

251† Ridley Scott/John McEnroe (1990) Three different unique hand drawn concept costume designs for the iconic Tennis player John McEnroe in the Perrier Commercial directed by Ridley Scott. Each features a full length costume design executed in hand in pencil and pastels by renowned costume designer Charles Knode. £150-250

130

252† Braveheart (1995) Hand drawn costume concept design of ‘The Scots At War’, featuring a grouping of five different full costume designs on the one sheet by renowned costume designer Charles Knode. Executed by hand in pencil and watercolours. £250-350

253† The Borrowers (1997) ‘Homily Clock’ (Celia Imrie) signature costume. Worn by the character throughout the film. The costume has intended appearance of having been cobbled together using household ‘borrowed’ pieces. £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

131

254â&#x20AC; Lara Croft Tomb Raider The Cradle Of Life (2003) Lara Croftâ&#x20AC;&#x2122;s (Angelina Jolie) Tiger Motif Jacket. Made from goldcoloured satin featuring a large embroidered tiger motif to the back, with matching embroidered Chinese dragons on the chest panels. A highly identifiable and a signature wardrobe piece to both the character and the movie. ÂŁ4000-6000

132

255† Austin Powers Goldmember (2002) ‘Frau Farbissina’s’ (Mindy Sterling) costume. Comprising of blouse and skirt worn by the character when she visits Dr. Evil in Prison. Production wardrobe label still attached to blouse. Additionally accompanied by a ‘Newline Cinema’ certificate of authenticity. £150-250

256† Aeon Flux (2005) Bregna Guard Costume. Comprising of Helmet with face mask, jacket, trousers/pants and a pair of gloves. The Jacket is detailed with padding to the front and back. Such Bregna Guard costumes can be seen in key points throughout the movie. £150-250

257† Aeon Flux (2005) Bregna Guard Costume. Comprising of Helmet with face mask, jacket, trousers/pants and a pair of gloves. The Jacket is detailed with padding to the front and back. Such Bregna Guard costumes can be seen in key points throughout the movie. £120-180 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

133

258† Alexander (2004) Macedonian Soldier Costume. Comprising of a Helmet with plume, cloth body Jerkin, leather skirt, chest and back armour and a pair of Sandals. All components exhibit production battle fatigue. The Interior of the armour is annotated in hand with production reference numbers. Such costumes can be seen during the battle sequences between the Alexander commanded Macedonian Army and Persian Army. £250-350

259† Beyond The Sea (2004) ‘Mary Duvan’ (Greta Scacchi) Handbag and suede high heel shoes seen in the film, together with a costumiers branded storage bag. Additionally accompanied by a dress made for production for the character which retains the original costumiers inner tag detailing actress and production. £150-250

260† Beyond The Sea (2004) ‘Mary Duvan’ (Greta Scacchi) costume. Comprising of dress and jacket ensemble. Seen in several scenes to include the musical number where ‘Bobby Darin’ courts ‘Sandra Dee’. Retains the original costumiers inner tag detailing the actress and production. £150-250

134

261† Enemy At The Gates (2001) ‘Commisar Danilov’ (Joseph Fiennes) Military Jacket. This style of Jacket can be seen worn by the character throughout his role in the movie. The Jacket retains the insignia to each sleeve but the buttons and collar insignia have been removed for alternative subsequent use by the costumier. Retains the original costumier label to the interior neck, detailing the actor and date. £80-120

262† Goal 3 (2009) Three pairs of white high heel, knee high boots worn by the glamour girl’s during the erotic video shoot sequence. The boots feature silver buckle detailing and are stored within their original boxes (3). £80-120

263† The Golden Compass (2007) Two Jackets made for the Magisterium Police, one blue and one green. Such Jackets can be seen worn by the Magisterium Police during the Jordan College sequences. Insignia detail and buttons removed for alternative subsequent use by the Costumier. Attached to one Jacket is a wardrobe label detailing the word Magisterium. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

135

264† Infamous (2006) ‘Truman Capote’ (Toby Jones) coat. As seen worn by the character in his bedroom and subsequently during his visits to ‘Perry Smith’ (Daniel Craig) in Jail. Custom made, complete with interior sewn in costumer label detailing actor and date, the coat exhibits small signs of a red residue to the front and back, possibly red wine, as seen in the sequence when ‘Capote’ is at his bedroom dressing table. Together with a second example (2) £120-180

265† Sky High (2005) Superhero cape made for the principal character ‘Jetsream’ (Kelly Preston). Such a style of cape can be clearly seen worn by the character in several scenes throughout the movie. Made of a vinyl rubber plastic material with a high neck collar. £120-180

136

266â&#x20AC; Lara Croft Tomb Raider The Cradle Of Life (2003) A full scale prop Terracotta Warrior made of lightweight hard foam and superbly painted to resemble terracotta. The prop Warrior breaks down in to three sections; head, torso and legs. Most of these Warriors were destroyed during filming making this a rare example. ÂŁ800-1200

137

267† The Four Feathers (2002) A group of prop Rifles used by the ‘Mahdi’, constructed of hard rubber with detailing to include hand wound rope/string adornments and sling (6) £80-120

268† The Four Feathers (2002) A group of prop Rifles used by the ‘Mahdi’, constructed of hard rubber with detailing to include hand wound rope/string adornments and sling (6) £80-120

269† The Four Feathers (2002) A group of prop Swords primarily used by the ‘Mahdi’. During one dramatic sequence Heath Ledger as the lead character ‘Harry Feversham’ also utilises such a Sword on the battlefield. Constructed of metal with a leather bound handle, these are the foreground ‘hero’ versions of the prop (4) £150-250

138

270† The Four Feathers (2002) A group of prop Swords primarily used by the ‘Mahdi’. During one dramatic sequence Heath Ledger as the lead character ‘Harry Feversham’ also utilises such a Sword on the battlefield. Constructed of painted resin with detailing to the handles (3) £80-120

271† Charlie and the Chocolate Factory (2005) A Wonka chocolate bar packing cardboard box from the Tim Burton movie starring Johnny Depp.Such boxes can be clearly seen in several scenes in the movie. The box features images of the four different flavoured and coloured Wonka bar designs featured in the film. £80-120

272† The Brothers Grim (2005) A Stunt Enchanted Axe prop made for the Terry Gilliam movie starring Heath Ledger. Such an axe can be seen in several scenes during the last third of the movie being wielded by the characters Grimm, Angelika and the Woodsman at different times. This is a lightweight Stunt version of the Axe, being made of a resin type material. £150-250 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

139

273† James Bond Die Another Day (2002) Original production used ‘master’ for the large scale miniature Ice Dragster. The final screen used model would have been derived from this ‘master’. It’s distinct style and shape makes it easily identifiable. Constructed of a heavy, solid and robust material with a smooth finish. £250-350

274† Aeon Flux (2005) A group of prop accessories carried by the Bregna Guard’s on their utility belts. Comprising a full size hard material Truncheon, a dummy hard rubber flash light within belt loop holster and a longer belt loop holster with upper clip. £80-120

275† Charlie’s Angels Full Throttle (2003) A group of prop Matchbooks made for the film. Each side of the glossy gold Matchbook features the name ‘Treasure Chest’, the name of the dockyard club where the ‘Angels’ perform a memorable dance routine in the movie. The logo’s on the matchbook match the unusual letter font of the large exterior sign of the club. The matchbook was created for set dressing for the ‘Treasure Chest’ club scenes. Obtained directly from the movie’s production company, Columbia Pictures. £80-120

140

276† The Cottage (2008) Faux diamond ring worn by the lead character ‘Tracey’, portrayed by Jennifer Ellison. The ring is worn by the character throughout her role but is most clearly seen when she stops the record from playing in the farmer’s house. The ring has a plaster/band aid in place which made it fit more securely on the actress’s finger. It is accompanied by it’s original costumier’s clear zip lock bag with the character’s name written on the front. £80-120

277† Fantastic Four Rise Of The Silver Surfer (2007) A prop ‘Tychon Admitter’. Such Tychon Admitters are utilised by the Fantastic Four to trap the Silver Surfer by separating him from his power source which is his board. This is a lightweight ‘solid’ version for those scenes when being carried by the Fantastic Four members. Features a side control panel, carry handle at top and retracted closed ‘leg’ detailing. £400-600

278† Night At The Museum (2006) A group of five different prop Mayan native standing figures and a Mayan Hut utilised in the Museum’s Mayan Diorama Display, the inhabitants of which magically come to life at night. The hand painted figures are constructed of a resin type material with a protruding pin to the base for ease of secure placement on set. £400-600 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

141

279† Planet Of The Apes (2001) A prop Human captive Neck Restraint and chain lead made for the production. Constructed of leather with the metal link chain measuring 72 inches long. £80-120

280† Wicked (2000’s) A Flying Monkey mask and Scarecrow Cowl from the long running hit Stage Musical based around characters from The Wizard Of Oz. Constructed from a flexible thick rubber-like material, the Monkey Mask with individually hand punched long protruding plastic hairs. Each mask was uniquely hand painted and makeup would have been additionally applied for each performance (2) £120-180

281† Pandorum (2009) A prop sleep pod mask made for the crew of the ‘Elysium’ whilst in cryogenic stasis within their pods. Constructed of rubber with various protruding clear tubes and black coiled tubing attached to the front. £80-120

142

282† X-men 2 (2003) A camouflaged uniform worn by one of Stryker’s soldiers. The uniform consists of a heavy duty military top and trousers and can be clearly screen seen, particularly when Stryker’s soldiers apprehend Wolverine. Accompanied by a 20th Century Fox COA. £80-120

283† The Golden Compass (2007) A pair of green Jackets made for use by the Magisterium Police. Such Jackets can be seen worn by the Magisterium Police during the release of Iorek sequences. Both featuring Magisterium emblem buttons (2). £80-120

284† Pitch Black (2000) A two piece costume comprising of fatigue shirt and trousers made for the ‘Captain’ (Vic Wilson) of the ‘Hunter Gratzner’ spaceship. Shirt features an embroidered Hunter Gratzner Industries Inc emblem patch to the front. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

143

285† Unbreakable (2000) David Dunn (Bruce Willis) Hooded Poncho worn throughout the film. Made of a canvas material with ‘FSU’ logo to front and ‘SECURITY’ text to the back. Different lengths of Poncho were utilised during production, this being the longest length version. £1500-2500

144

286† The Golden Compass (2007) Archive of 14 made/filmed Digital HD Film Cassette Tapes and 2 reference video cassettes from the production of the epic 2007 movie starring Nicole Kidman and Daniel Craig. The 50/40 minute Digital HD Cassettes are individually referenced with some featuring larger descriptive labels titled such as: ‘Daemon Tests/VFX Genesis’, ‘2nd Unit VFX Shoot (Polar Bear)’ and others. Many of the Cassette Cases feature internal production paperwork. These films would have been shot by the Visual Effects department in rehearsal and preparation for final filming. The 2 Video Cassettes feature actual wildlife documentaries, referenced for creation of the Daemons. £80-120

287† The Golden Compass (2007) Archive of 130 made/filmed CD Rom Discs from the production of the epic 2007 movie starring Nicole Kidman and Daniel Craig. The Discs are individually referenced with some featuring larger descriptive labels from the VFX, Art and Props Departments. Contents on the Discs would have been referenced by the production departments in rehearsal and preparation for filming. £80-120

288† The Golden Compass (2007) Archive of 70 made/filmed Digital Master Mini Film Cassette Tapes from the production of the epic 2007 movie starring Nicole Kidman and Daniel Craig. The 63/41 minute cassettes are individually referenced with some featuring larger descriptive labels titled such as: ‘VFX Daemon Test’, ‘Serefina Wire Rehearsal’, ‘Cat Survival Trust Shoot’, ‘Lyra/Daemon Rehearsal’, etc. These films would have been shot by the production departments in rehearsal and preparation for final filming. One cassette exhibits damage but all sixty nine others remain in fine condition and, although unviewed/tested, should remain in working order. £80-120

145

289† The Golden Compass (2007) A large hardback book covering the making of the movie with numerous exclusive behind the scenes photographs. This book was one of those exclusively presented by production to select members of cast and crew as a thank you gift. £80-120

290† Thunderbirds (2004) Publicity Image Archive. Large black ring binder containing 156 different high quality colour publicity photographs, all in their corresponding individually number coded pocket sleeve pages. £150-250

291† The Stepford Wives (2004) A group of accessories worn by Faith Hill as ‘Sarah Sunderson’. Comprising of a cherry pendent necklace (within original studio storage bag with attached wardrobe card tag), bracelet, floral hair slide, butterfly earrings and hair bands (within the original studio storage bag with attached wardrobe card tag). £80-120

146

292† The Corpse Bride (2005) A production used original hand drawn Storyboard, executed by hand in pencil and coloured pencil and with additional hand annotated ‘The Spoils’ lettering. The Storyboard also features the printed Corpse Bride film logo and the production sequential reference number applied sticker. Double mounted, Gothic style framed and glazed, together with a film poster/description/screen capture montage. £150-250

293† James Bond Die Another Day (2002) A missile made for the missile launch pads from the front of Zao’s gadget laden Jaguar. Such missiles can be seen at the front of the Jaguar during the action packed James Bond Vs Zao, Aston Vs Jaguar, car chase sequence. Constructed of a red resin, the pointed missile tapers to the base for placement within one of the launch pads. Together with a group of five stunt Tyre Spikes, constructed of a lightweight rubber material painted metallic silver to emulate metal; made for use on James Bond’s gadget laden Aston Martin Vanquish for selected stunt scenes plus an exclusive issue Model Unit Crew T-Shirt. £80-120

294† A group of official publicity/promotional items in conjunction with the release of various films (2000’s) including Mrs Doubtfire (1993) watch, My Super Exgirlfriend (2006) watch, Little Miss Sunshine (2006) campervan USB, X-Men (2000) watch, Titanic (1997) desk clock and pen and Fantastic Four (2005) and 21 premiere lanyard press passes. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

147

295† A group of official publicity/promotional items in conjunction with the release of various films (2000’s) including Knight and Day (2010) press lanyard (2), Rocky Balboa (2006) lanyard, Valkyrie (2008) lanyard, premiere tickets (2), Kingdom of Heaven (2005) lanyard and premiere tickets (2), after premiere invites (2), pre premiere reception invite, Moulin Rouge (2001) press lanyard and after party wristband passes (2), The Beach (2000) premiere ticket invites (2) and after part invitation wrist bands (2), Terminator 2 (1991) press screening invitations (7). £80-120

296† Night At The Museum (2006) A group of five different prop Mayan native standing figures and a Mayan Hut. Utilised in the Museum’s Mayan Diorama Display, the inhabitants of which magically come to life at night. The hand painted figures are constructed of a resin type material with a protruding pin to the base for ease of secure placement on set. £400-600

148

297† The Haunted Mansion (2003) ‘Megan’, Aree Davis costume. Comprises of a pair of jeans (wardrobe label attached), burgundy jacket (wardrobe label attached) and a pair of shoes in western costume bag with wardrobe label attached. Accompanied by a certificate from The Walt Disney Company. £80-120 298 No Lot

299† Fantastic Four Rise Of The silver surfer (2007) Belt with interlock link chain effect, front faux locking system and pair of wrist cuffs. The Silver Surfer was restrained within these after his entrapment by the Fantastic Four. The belt is expertly crafted from multiple heavy metal articulated links. The three piece set has been professionally presented on a bespoke torso display fixed upon a custom base with electric powered illuminated film logo. £600-900 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

149

300† Troy (2004) Mycenean Shield, ‘kidney shape’, used and clearly seen in the highly charged battle sequences. With arm loops to back and Snake decoration to front. £250-350

301† The Man Who Cried (2000) A long winter coat worn by Cate Blanchett in her leading role as ‘Lola’. The coat can be clearly seen worn by Cate Blanchett during her approach to the Cruise Liner and subsequently within their ship’s cabin. The bespoke made coat has a wool like exterior with a silk type lining and retains it’s original interior sewn in costumier label with actor and production details. £150-250

150

302† The Man Who Cried (2000) The signature Dress worn by Christina Ricci in her starring role as ‘Suzie’. Clearly seen worn by Christina Ricci in several scenes to include her romantic encounter with Johnny Depp’s character ‘Cesar’. Bespoke made of a satin type material with bow belt detailing and retaining it’s original interior sewn in costumier label with actor and production details. £500-800

303† The Stepford Wives (2004) Complete costume worn by Faith Hill in her role as ‘Sarah Sunderson’. Faith Hill can be clearly seen wearing the costume during the ‘Simply Stepford Day Spa’ scenes. Comprises of a floral dress, a headscarf, a pair of high heel shoes, two bras and a cherry pendent necklace. £300-500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

151

304† The Stepford Wives (2004) Complete costume worn by Roger Bart in his role as ‘Roger Bannister’. Roger Bart can be clearly seen wearing the costume during the Stepford 4th of July celebration scenes. Comprises of two identical patterned Dolce & Gabbana Shirts, an Etro Milan Jacket, a pair of Dolce & Gabbana Jeans and a Prada Belt. £80-120

305† The Stepford Wives (2004) Costume worn by costar Christopher Walken in his principal role as ‘Mike Wellington’. Christopher Walken can be clearly seen wearing the costume during the climatic scenes of the movie. Comprises of a white Dinner Jacket, a Saks Fifth Avenue branded Shirt, a bow tie, a Cumber belt, a pair of Cuff links, four Shirt Button Studs and a pair of Boss branded shoes (shoes use undetermined). £250-350

152

306† Stardust (2007) Ricky Gervais as ‘Ferdy The Fence’ full costume. Clearly seen worn by Ricky Gervais throughout his very memorable role as ‘Ferdy’, used on screen with and without the overcoat. The multi-layer costume comprises of a faux fur type Hat, a Shirt, two different Waistcoats, a heavy thick leather effect Waistcoat, a long Overcoat, a neck type Tie, a waist Cumber Band, Trousers and a pair of leather type Boots. The Overcoat currently has a faux fur/pelt lining which is believed to be an alteration/addition by the Costumier for subsequent alternative use. The costume and it’s components retain their original Costumier bags with actor and production details. £700-1000 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

153

307† Charlie’s Angels (2000) ‘Mr.Jones’ disguise costume worn by LL Cool J and Drew Barrymore. Seen during the film’s opening sequence. Comprises of kaftan type robe, shirt, trousers, hat and sandals. Retains original wardrobe labels detailing character and use. £500-800

308† The Cottage (2008) A pair of fleece jogging pants/trousers worn by the lead character ‘Tracey’, portrayed by Jennifer Ellison, throughout her role. Accompanied by a fleece Jacket which was provided for the character but not seen in the final edit. £80-120

154

309† X-Men 2 (2003) ‘Mitchell Laurio’ (Ty Olsson), Prison Guard Uniform. Laurio is the head guard in charge of Magneto in his plastic prison and plays a principal part in the film’s storyline. This costume is clearly seen in several scenes. The uniform comprises of Trousers/Pants, T-Shirt and Shirt. The Shirt has ‘Dept Justice Bureau Of Correction’ embroidered patches on each upper arm sleeve. The costume still retains it’s original Wardrobe Tags. Accompanied by a 20th Fox certificate of authenticity. £150-250

310† Primeval (2009) ‘Sarah Page’, portrayed by Laila Rouass 1930’s style red Dress worn by her in season three, episode six. The red dress was bespoke made for the character and is indicated as being ‘stage 3 pre-bird explosion’ on it’s accompanying original Wardrobe label, which refers to it’s exact use within the storyline. £250-350

311† Primeval (2009) ‘Danny Quinn’, portrayed by Jason Flemyng, 1930’s style white Tuxedo worn in season three, episode six. The White Tuxedo has been specially altered/enhanced for the episode with 1930’s styling, to coincide with the storyline and still retains it’s original wardrobe reference label. £150-250 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

155

312† A Dolls House (2009) Gillian Anderson’s (Nora) floor length velvet period dress worn by the X-Files star during her leading stage role in the play at the Donmar Warehouse, London. £200-400

313† A Question of Honour (2003) The principal costume worn by Aidan Quinn in his leading role as ‘Benedict Arnold’ in the historical drama also known as ‘Field Of Honour’. The Military Tailcoat can be clearly seen worn by the actor throughout the film and it’s importance is reflected in it’s prevalent use on DVD front cover releases of the movie. Complete with all buttons and embroidered detailing but lacking it’s shoulder epaulettes. Custom made, complete with interior sewn in Costumier label detailing actor and date together with wardrobe card hang tag detailing production. £250-350

314† Sunshine (2007) Pair of large miniature Icarus II Docking Reciever Clamps. Seen when the Icarus II docks with the Icarus I via their respective air locks. Constructed of resin and metal, both miniatures are fully articulated with wire operational functionalities. £400-600

156

315† Sunshine (2007) A miniature docking claw from the Icarus II. This miniature claw was part of the Icarus II’s massive air lock, which can be seen when Capa and Kaneda begin repairs on the solar shield and later when the Icarus II docks with the Icarus I. The claw is made of resin, mounted to a thick girder-like base. £150-250

316† Lara Croft Tomb Raider (2001) A deluxe Directors style chair from the production of the first Tomb Raider movie, starring Angelina Jolie as ‘Lara Croft’.The tall wooden chair features the film’s logo on the canvas chair back on one side with ‘Lara Croft Tomb Raider Film Crew’ on the reverse side. £120-180 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

157

317† Merlin (2008 - 2012) Prop hero Sword, complete with scabbard, made for the leading character ‘Arthur’, portrayed by Bradley James. Such a style of Sword can be best seen when used by the character during the second season story ‘Sweet Dreams’. Of all metal construction with an intricately detailed braid style handle and Lion motif pommel. Still accompanied by it’s original leather scabbard with belt loop to the rear. £800-1200

158

318† The Lost World (2001) Matthew Rhys, ‘Edward Malone’, two piece costume. Seen worn predominately by the character throughout the film. Costumier tags to each plus card hang tag, with additional waistcoat. £80-120

319† Up at the Villa (2000) Principal costume worn by the leading character ‘Mary Panton’, portrayed by Kristin Scott Thomas. The bespoke made costume can be clearly seen worn by the actress during the second Dinner Dance Ball scenes. Comprises of a one piece Ball Gown with side fastening. Additionally accompanied by a spare blouse section, the separate blouse section having been made for production but believed unused. £300-500 320 No Lot

321† Stardust (2007) Costume made for Primus’ groom. The costume comprises of a period style Shirt, Trousers and Waistcoat bearing the embroidered patch crest of Primus. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

159

322† Gladiator (2000) A Roman Legionnaire Sudis as seen in the Roman encampments around the battle fields. Constructed of wood with leather braided detailing and carved lettering. £500-800

324† Gladiator (2000) Praetorian Guard Pilum seen carried by the Praetorian Guards in the Colosseum. Constructed of wood, hard rubber and metal. £500-800

323† Gladiator (2000) Roman Legionnaire Pilum clearly seen during the film’s epic battle sequences. Constructed of wood, hard rubber and metal with a roundel to the upper section. £500-800

160

325† Sunshine (2007) Icarus II Air lock door miniature H62A docking door used on the miniature model of the spaceship. Such miniature docking doors were utilized for the scenes where Icarus I joins together with Icarus II. Comprises of a padded orange structure with detailed miniature model door. £120-180

326† Sunshine (2007) Icarus II Air lock door miniature H56 docking door used on the miniature model of the spaceship. Such miniature docking doors were used for the scenes where Icarus I joins together with Icarus II. Comprises of a padded orange structure with detailed miniature model door. £120-180 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

161

327† Fantastic Four Rise Of The Silver Surfer (2007) ‘The Thing’ (Michael Chiklis) full head mask of orange coloured rock formation appearance. One of the most identifiable pieces of the film. The mask is constructed of a hand painted rubber latex material with button down stud neck line for attachment to the body suit. £1500-2500

162

328† Kingdom of Heaven (2005) An ornate prop Sword used by soldiers of the Saladin Army in the Ridley Scott epic movie starring Orlando Bloom. Such Swords can be seen during the attack on the city of Jerusalem; the Kingdom of Heaven. The sword has an aluminium blade with wood effect hard rubber handle, accompanied by it’s original scabbard made of hard rubber with the appearance of leather with ornate sections of detail made to look like metal. Complete with original leather belt. £150-250

329† 102 Dalmatians (2000) Life size animatronic hero Dalmatian puppy of the lead character ‘Oddball’. ‘Oddball’ is the main starring Dalmatian in the film, having the problem of not developing spots, hence this puppy is all in white. This would have been used during production within group puppy sequences. Such stand-in pups were either ‘solid’ or animatronic, like this version. The puppy is beautifully and realistically detailed, right down to the individual claws on each paw. The Front paws feature two slightly protruding metal rods and there are also screw holes to the plastic footplates of the rear paws. Originally the animatronics would have given movement to the neck and possibly slight movement within the body. Functions are currently untested and thus sold as non-functional.This item contains electronic components, no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is important for the new owner to satisfy themselves as to their safety and maintenance. £1000-1500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

163

330† The Golden Compass (2007) A selection of props made for set decoration at the Magesterium Headquarters. Comprising of paperwork in trays (4), brushed aluminium flip top note books featuring Magesterium emblems (4) and brushed alumminium mirror compacts featuring Magesterium emblems (4). £150-250

331† Fantastic Four Rise Of The Silver Surfer (2007) A prop hero electronic ‘Tychon Admitter’. Such Tychon Admitters were used by the Fantastic Four to trap the Silver Surfer by separating him from his power source, his board. This is a hero electronic version for the scene where the legs are activated and automatically open. The function is activated by a concealed switch adjacent to the handle and has been adapted to be mains power operated. Presented on a custom elevated display base that allows the function to operate.This item contains electronic components, no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is important for the new owner to satisfy themselves as to their safety and maintenance. £1200-1800

164

332† The Italian Job - Two different limited edition hand signed Robert Tomlin prints. ‘Tunnel Vision’ hand numbered 31 of 1250, dated 2006.. ‘Splashing Out’ - hand numbered 410 of 1250, dated 2004. Both framed/glazed with certificates to rear. £80-120

333† The Italian Job - Two different limited edition hand signed Robert Tomlin prints. ‘Over The Top’ hand numbered 200 of 1250, dated 2005. ‘Uninvited Guests’ - hand numbered 440 of 1250, dated 2006. Both framed/glazed with certificates to rear. £80-120

334† 102 Dalmatians (2000) A newborn Dalmatian puppy stand-in. used during production for the sequence after Perdita has her puppies. Realistically constructed of a hand painted silicone rubber material. £300-500

165

335† Merlin (2008-2012) ‘Uther Pendragon’, Anthony Head, hero Sword. Uther Pendragon, Arthur’s father, was one of the central leading characters and featured in 42 episodes through to his death in Season 4. Such a style of Sword can be clearly seen used by the character throughout his role. The Sword is constructed of all metal with an intricately detailed braid style handle and Lion motif pommel. Still accompanied by it’s original leather Sheath with belt loop to the rear. £800-1200

166

336† The Lion the Witch and the Wardrobe (2005) A stunt prop Sword made for the Faun red armoured Soldiers in the trilogy of The Chronicles of Narnia films.Such style of Swords can be seen wielded by Faun Soldiers during battle sequences. Constructed of a well detailed dense hard rubber material, painted to emulate steal and leather. £120-180

337† The Da Vinci Code (2006) An ornate Masquerade style Face Mask. Such masks can be seen during several memorable flashback sequences depicting the secret gatherings of the Priory of Sion, the guardians of the secret source of God’s power on earth. Constructed of a lightweight but strong ornately painted plastic with interior comfort pads and elasticated net head band strap. Still retains supporting cast member’s name tag to inside. £80-120 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

167

338â&#x20AC; Avatar (2009) Electronic Cockpit View Screen. Such View Screens were used throughout the headquarters sequences, relaying the visuals back from exploratory vehicles/aircraft. The highly detailed wafer thin screen is electrically powered and when switched on illuminates to produce a multi coloured static visual. The prop is quite a futuristic technological wonder in itself. The screen has been professionally sandwiched between thick, custom screen shaped, acrylic with the power lead discreetly protruding from the bottom right hand corner. Complete with power converter pack, tested and in full working order. The display features aluminium support legs on each corner and to the centre of each longer side.This item contains electronic components, no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is important for the new owner to satisfy themselves as to their safety and maintenance. ÂŁ1500-2500

168

339† Children of Men (2006) Riot policeman uniform. Seen at various points in the film the costume consists of a blue waterproof boiler suit, a padded body vest with a ‘Police’ badge on the chest and the checked black and white police pattern, leg guards, arm guards and a plastic blue helmet. £150250

340† Dorian Gray (2009) A pair of prop Music programmes, each with a slightly different hand drawn pencil portrait of ‘Dorian Gray’ (Ben Barnes) on the back. During the ‘An Evening Of Music’ concert for needy and deserving orphans scene a member of the audience sketches ‘Dorian Gray’ on the back of her programme, these are two variations of that final prop. £250-350

341† Van Helsing (2004) An elaborate and complete costume worn by the ‘Dwergi’, the small servant minions of Dracula. Comprises of a one piece padded bodysuit finely constructed of leather with metal detailing and tool belt with tools. Together with a full head mask comprising of a facial mask sewn within a cloth hood, gloves and boots. The costume retains it’s original wardrobe label with continuity unique production Polaroid photograph still attached. £300-500 VAT on the hammer price is payable at 20% on all marked lots in this catalogue. Buyers premium, at 27% inclusive of VAT, is also payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

169

342† The Spiderwick Chronicles (2008) Pair of hero costumes worn by the star of the film, Freddie Highmore, in his dual roles as both the twins, ‘Jared Grace’ and ‘Simon Grace’. The ‘Simon Grace’ costume comprises of a green T-Shirt, green check Shirt and beige Jacket. The ‘Jared Grace’ costume comprises of a charcoal grey TShirt, blue sweat shirt, brown Jacket and blue Jeans. Both costumes can be seen clearly worn in the film, in particular the ‘Simon Grace’ costume is used throughout the movie. Some costume elements retain their production scene identification labels. £400-600

343† Doctor Who (2007) From the two part story, Daleks In Manhattan/Evolution Of The Daleks, comes this costume worn by one of the leading featured characters, Laszlo, portrayed by Ryan Carnes. The outfit can be clearly seen worn by the character during the opening sequences of ‘Daleks In Manhattan’. The Costume comprises of a 1920’s period style shirt, a waistcoat, a pair of trousers, a pair of braces and a pair of brogue shoes. Retains original Costumier storage bags. £400-600

344† Harry Potter and The Philosophers Stone (2001) A statue in the form of Robbie Coltrane as ‘Hagrid’. Constructed of fibreglass that has been painted to give the appearance of being cast bronze. Gifted to select members of the Creature Effects Department at close of filming. £250-350

170

345† Doctor Who (2006) Rose Tyler (Billie Piper) worn zip-up top from the second series story ‘NEW EARTH’. Clearly seen worn by ‘Rose’ throughout the episode, ‘New Earth’ is regarded as a ‘companion’ story, being that it heavily features and concentrates on ‘Rose’ within it’s storyline. This costume is highly identifiable and instantly recognisable, being additionally featured in numerous publicity promo shots for the show. Originally part of the BBC ARCHIVE, having been sourced and released from the production costume department. £1000-1500

171

346† Starsky and Hutch (2003) A special signed limited edition, of 200 worldwide, 1:18 scale die cast metal Ford Gran Torino. Hand signed by both actors, David Soul and Paul Michael Glaser, with accompanying certificate of authenticity. Muscle Ertl Collectibles circa 2003. £150-250

347† Star Wars The Last Jedi (2017) A group of exclusive Special Effects crew issue apparel, comprising of Jacket, T-Shirt and Cap, unworn/new. £250-350

172

348† The Wolfman (2010) The signature costume worn by Emily Blunt in her starring role as ‘Gwen Conliffe’. The two piece costume consists of a long flowing skirt with matching separate bodice style top. Purposely production distressed, as a result of an attack by the ‘Wolfman’, portrayed by Benicio Del Toro.Each garment features the costumiers label with the actress’ name, Emily Blunt, identified clearly. The costume is the characters signature and thus most memorable outfit of the entire film and clearly seen worn during the films climatic ending. The importance of the costume is compounded by it’s prominent use on various promotional and cinema poster release publicity material. £1200-1800

349† Tinker Tailor Soldier Spy (2011) A quantity of contact sheets, each featuring multiple images in black and white and colour featuring many of the main cast to include John Hurt, Colin Firth and Mark Strong (16). £80-120

173

350† Doctor Who (2010) ‘SMILER’ complete costume from the story ‘THE BEAST BELOW’, starring Matt Smith as the Doctor. Such a costume can be clearly seen worn throughout the episode by the principal monsters/villains of the story. The costume consists of a long two piece gown of purple and blue and blue Trousers with purple Braces. The gown has production intentional distress to the colouring on the shoulders (to emulate fading over time due to exposure to light within their glass Voting Booth housings). Formerly part of the costumier inventory direct from the BBC production. Retained within and provided with the original costumier clothing bag. £800-1200

174

TERMS OF SALE EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. The forename(s) and surname of the artist: In our opinion a work by the artist. The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work. The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date. ‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest. ‘Signed’: Has a signature which in our opinion is a recognised signature. ‘Dated’: Is so dated and in our opinion was executed at that date. The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand. Measurements: Height precedes width. AUTOGRAPHS Autographs – We check all autographs when they are valued and believe to the best of our knowledge they are authentic. Many autographs come from private sellers and are sold without any history or COA. We urge buyers to satisfy themselves BEFORE bidding. If you strongly feel an item has been mis-described please contact us within one calendar month after the auction. If you are an overseas buyer it is your prerogative to arrange shipping in good time to avoid the one month cut off period. If a concern is raised before the end of the timescale we will place the item on hold for another calendar month. During this time a letter of rejection must be obtained from PSA/DNA and NO ONE else. Details can be found here http:/www.psacard.com/Services/AutographAuthentication If a letter of rejection is provided by PSA/DNA we will offer a full refund, not inclusive of shipping or authentication. This is why we urge buyers to satisfy themselves BEFORE bidding. TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. 1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk . In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise. 2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8. 2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid. 3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained). 3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party. 3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so. 3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice). 4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22.5% plus VAT of the Hammer Price; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due. 5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6 The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7 Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8 Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later. 8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

8.5 If you do not collect the Lot that you have paid for within ninety days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9 Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale. 10 Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence. 11 Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are secondhand. 11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded. 12 Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (i) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). 12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed. 13 Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within one month of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects. 13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14 Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15 Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. 15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery. 15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankauctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website 17 General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These conditions of business are based upon recommended terms of sale by SOFAA (http:/www.sofaa.org/)

CONDITIONS OF BUSINES FOR ONSITE AUCTIONS CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS (November 2015) These conditions of business for auctions held at an auctioneer’s premises (“Conditions”) consist of: (1) Users’ Introduction (which sets out a guide for users of these Conditions); (2) Information for Buyers (which sets out information for buyers who will be subject to the Terms of Sale); (3) Terms of Consignment (which are the contractual terms that sellers at auctions are subject to); and (4) Terms of Sale (which are the contractual terms that bidders and buyers at auctions are subject to). Items (2), (3) and (4) are used together as a package. (1) USERS’ INTRODUCTION 1.1 Modern consumer protection law, whether from the UK or the EU is having a steadily increasing impact on the sale of goods by auction. In particular, the Consumer Rights Act 2015 (the “Act”) and the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013 (the “Regulations”) apply to auction sales held at the auctioneer’s premises. Copies of the Act and the Regulations are available for inspection on request. 1.2 The Act stipulates that contractual terms that apply to consumers must be prominent and transparent (i.e. legible and expressed in plain and intelligible language). In addition, the Act sets out an indicative, non-exhaustive, list of terms which may be regarded as unfair and therefore not binding on a consumer. As a result (and in order to prevent these Conditions becoming unwieldy and unbalanced), these Conditions ask the auctioneer on occasion to accept more risk and responsibility in relation to its business buyers and sellers than it usually would (and indeed than it may legally have to) in order to bring these Conditions in line with the Act. 1.3 The Regulations state that certain information about the seller/auctioneer, the contract and the consumer’s rights must be provided to a consumer prior to concluding any contract for the consignment or sale of goods. However the extent of information to be provided depends on whether the contract itself is deemed to be a distance, off-premises or onpremises contract. These Conditions have been prepared on the assumption that all contracts with sellers and buyers are on-premises contracts (meaning contracts negotiated and concluded at the auctioneer’s premises). The information that the auctioneer is required to provide to consumer sellers and buyers is set out at the start of the Terms of Consignment and Terms of Sale respectively. 1.4 These Conditions have been prepared based on the following assumptions: a. the contracts concluded with the seller for the consignment of the goods and with the buyer for the purchase of the goods are on-premises contracts; b. the auctioneer will take possession of the goods from the seller prior to the auction; c. the auctioneer will prepare the description of the goods appearing in the auction catalogue based on the information provided by the seller and the auctioneer’s own inspection of the goods; d. the buyer will have the opportunity to inspect the goods prior to the auction and will have the opportunity to attend the auction in person; e. the auctioneer will take payment of the goods from the buyer, deduct any commission/ premium, agreed expenses and VAT and pay the remainder to the seller; and f. the auctioneer will keep the goods until they are either collected by the seller (if unsold at the auction) or collected by the buyer following the auctioneer’s receipt of the purchase price from the buyer. 1.5 The auctioneer has two points of interaction with consumers: a. when the auctioneer provides services to the seller; and b. when the auctioneer comes into contact with buyers. (Although not primarily contracting with the auctioneer, who is an agent for the seller, buyers normally contract on standard terms imposed by the auctioneer as agent. Some of these conditions create a direct contract between the buyer and the auctioneer). 1.6 These Conditions are designed to reflect the law and provide reasonable protection for the seller, the auctioneer and the buyer. The authors had in mind general sales of fine art and these Conditions do not deal with specialist sales such as plant and machinery, or agricultural produce. In these areas, statute law tends to lay down extra duties which must be dealt with by specific conditions not appearing here. 1.7 These Model Conditions primarily consist of the “Terms of Consignment” and the “Terms of Sale”. The transactions between seller and auctioneer, and seller and buyer are completely distinct contracts. We have therefore placed considerable importance on using the expression “Terms of Consignment” for sellers and other consignors who consign property for sale at onsite auctions, and “Terms of Sale” for transactions which take place by auction. The term “Conditions of Business” includes both the Terms of Consignment and the Terms of Sale as well any notices displayed in the saleroom and any announcements made by the auctioneer at the auction. 1.8 Individual clauses have been drafted in the light of statutory requirements and case law. 1.9 Buyers and sellers are bound by the auctioneer’s Conditions of Business (2) INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are

displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues and on our web-site. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. 2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. 3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. 4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 22.5% on the hammer price of each lot purchased. In addition, VAT will be added to this premium (see below). 5. VAT. Items in our catalogue may be marked in the following ways: a. (†) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax. 6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4. 7. Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. 8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory. 9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Phone bidders must be prepared to guarantee a starting bid of at least £500 if they wish to bid by telephone. 10. Commission bidding. You may leave commission bids (absentee bids) with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or via our website or online bidding platform. 11. Methods of Payment. Ewbank’s accept secure online payments for all items by credit or debit card. Payment in person can be made by card with chip and pin, or by cash (with a limit of £5,000), bank transfers are also accepted (buyer is responsible for any international bank transfer fees). Ewbank’s are no longer able to accept cheques as payment for items purchased at auction. Please discuss with our office in advance of the sale if you plan to use other methods of payment. There is an additional charge of 3% inclusive of VAT on credit card payments with no additional charge on debit card payments (either made securely online or in person via a chip and pin machine). 12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly and within 7 days of the end of a sale. Any delay may involve you having to pay storage charges which are currently set at £5 plus VAT per lot per day.

EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. The forename(s) and surname of the artist: In our opinion a work by the artist. The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work. The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date. ‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest. ‘Signed’: Has a signature which in our opinion is a recognised signature. ‘Dated’: Is so dated and in our opinion was executed at that date. The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand. Measurements: Height precedes width. AUTOGRAPHS Autographs – We check all autographs when they are valued and believe to the best of our knowledge they are authentic. Many autographs come from private sellers and are sold without any history or COA. We urge buyers to satisfy themselves BEFORE bidding. If you strongly feel an item has been mis-described please contact us within one calendar month after the auction. If you are an overseas buyer it is your prerogative to arrange shipping in good time to avoid the one month cut off period. If a concern is raised before the end of the timescale we will place the item on hold for another calendar month. During this time a letter of rejection must be obtained from PSA/DNA and NO ONE else. Details can be found here http:/www.psacard.com/Services/AutographAuthentication If a letter of rejection is provided by PSA/DNA we will offer a full refund, not inclusive of shipping or authentication. This is why we urge buyers to satisfy themselves BEFORE bidding. (3) TERMS OF CONSIGNMENT Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Consignment carefully. Please note that if you (or another person acting on your behalf) provide goods to us to sell on your behalf at our auction, this signifies that you agree to and will comply with these Terms of Consignment. Please note that these Terms of Consignment relate to auctions held at our premises only. SUMMARY OF COMMISSION AND CHARGES Commission is charged to sellers calculated, per lot, at 15% Entry Fee £10 per lot (sold or unsold) Catalogue Illustration Fee £10 per lot (sold or unsold, discretionary) Loss and damage warranty 1.5%. All the above are subject to VAT at the current rate. Commission and fees are negotiable for important or large collections and consignments. 1 Definitions and interpretation 1.1 To make these Terms of Consignment easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person who places a bid for Goods at our auction; “Buyer” means the person who makes the highest bid for the Goods accepted by the Auctioneer; “Commission” means the commission that we charge you on the sale of the Goods as set out in Clause 5 below; “Consumer” means an individual acting for purposes which are wholly or mainly outside that ndividual’s trade, business, craft or profession; “Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “FCA” means the Financial Conduct Authority; “Goods” means the goods that you consign to us for sale at our auction; “Hammer Price” means the level of the highest bid for the Goods accepted by the Auctioneer by the fall of the hammer; “Premium” means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale; “Price” means the total of the Hammer Price, Premium and any applicable VAT; “Proceeds” means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT; “Reserve” means the minimum price at which the Goods may be sold; “Seller” means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable); “Terms of Consignment” means these terms of consignment;

“Terms of Sale” means the terms of sale for bidders or buyers at our auctions; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer); “VAT” means any value added tax or equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk In these Terms of Consignment the words “you”, “yours”, etc. refer to the Seller. The words “we”, “us”, etc. refer to the Auctioneer. If the consignment of Goods to us is made by an agent we assume that you (as owner of the Goods) have authorised the consignment and authorised the agent to contract on your behalf. All obligations that apply to the Seller under these Terms of Consignment shall apply to the owner of the Goods and their agent, jointly and separately. Any reference to a ‘Clause’ is to a clause of these Terms of Consignment unless stated otherwise. 2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of the auction-related services that we are providing to you as set out in these Terms of Consignment or otherwise agreed with you in writing. 2.2 Our name, address and contact details as set out in these Terms of Consignment and/or on our Website. 2.3 The rate at which we will charge you the Commission plus any applicable VAT on the sale of the Goods as set out in Clause 5. 2.4 The fee that we will charge you plus any applicable VAT as set out in Clause 18 if either the Goods are unsold at auction or the Goods are withdrawn by you from the auction after the Goods have been catalogued and/or marketed by us prior to the auction in any way. 2.5 The arrangements for collection of any unsold Goods as set out in Clauses 18 and 20 and terms regarding payment of any Proceeds due to you set out in Clause 17. 2.6 If you have any complaints, please get in contact with us using the contact details set out on our website. 3 Procedure for consigning Goods for sale at auction 3.1 If you consign Goods to us for sale at auction, you will need to provide us with the following information about you, in a form acceptable to us: 3.1.1 Your legal name and proof of identity; 3.1.2 Information about the Goods (as set out in Clause 12); 3.1.3 Your bank account details; 3.1.4 Your address and contact details; 3.1.5 Your VAT registration number (if applicable); and 3.1.6 Your confirmation of whether you are selling the Goods as a Trader or as a Consumer. 3.2 If you do not provide us with, or we are not satisfied with any of the above information, we may refuse to accept consignment of your Goods for sale in our auction. 3.3 You must provide the Goods to us by any stated deadline (at your expense). We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4 The contract between you and the Buyer 4.1 The contract between you and the Buyer will be formed when the hammer falls accepting the highest bid for the Goods at the auction. 4.2 You may directly enforce any terms in the Terms of Sale against a Buyer and/or a Bidder to the extent that you have suffered damages and/or loss as a result of the Buyer and/or the Bidder’s breach of the Terms of Sale. 4.3 If you breach these Terms of Consignment, you may be responsible for damages and/or losses suffered by a Buyer, Bidder and/or by us. If we are contacted by a Buyer and/or a Bidder who wishes to bring a claim against you, we may in our discretion provide the Buyer and/or Bidder with information or assistance in relation to that claim. 4.4 We normally act as an agent only and will not have any responsibility for default by you or the Buyer. 5 Commission 5.1 We will charge you a commission on the sale of the Goods calculated as a percentage of the Hammer Price at the following rate: 15% plus VAT 5.2 In addition we have an Internet and marketing charge of £10 per lot and a further charge of £10 per lot for printed catalogue illustrations (these charges apply to both sold and unsold lots) and all charges are plus VAT. 6 Loss and Damage to Goods 6.1 We are not authorised by the FCA to provide insurance to you. However, subject only to Clauses 6.4 and 6.5, we accept liability for Goods from the time we takepossession of the Goods until the fall of the hammer. 6.2 Our liability for Goods is limited to our lower pre-sale estimate for the lot before the sale, or the Hammer Price if the lot has sold, or to the Reserve if the lot is unsold. 6.3 To justify accepting liability for Goods as set out above, we will charge you 1.5% plus VAT of the Hammer Price plus VAT or, if unsold, 1.5% of our lower estimate for the lot. 6.4 The liability accepted by us in Clause 6.1 does not include any liability for loss or damage to the Goods that is caused by or results from: (i) any inherent vice or defect affecting the Goods; (ii) acts of God, flood, drought, earthquake or other natural disaster; (iii) acts of terrorism, civil commotion, riots or war; or (iv) nuclear, chemical or biological contamination. 6.5 If you (or your agent) instruct us in writing not to assume liability for Goods, the Goods remain entirely at your risk unless and until the Goods pass to the Buyer or are collected by you or on your behalf. In this case Clauses 6.1 - 6.4 will not apply. 7 Photographs You will pay for the cost of any photographs of your Goods produced for the auction catalogue. We reserve the right to photograph all Goods unless you specifically request us not to. The copyright in such photographs will be owned by us, along with the text of the auction catalogue. For charges see clause 5 above.

8 Minimum bids and our discretion Goods will normally be offered subject to a Reserve agreed between you and us before the auction in accordance with Clause 9. We may sell Goods below the Reserve provided that we account to you for the same sale proceeds as you would have received had the Reserve been the Hammer Price. If you specifically give us a “discretion” we may accept a bid of up to 20% below the formal Reserve. 9 Reserves 9.1 Reserves must be reasonable and may not exceed our lower pre-sale estimate for that lot. We may decline to offer Goods which, in our opinion, would be subject to an unreasonably high reserve (in which case the Goods carry the storage and insurance charges set out in these Terms of Consignment). 9.2 Once we have agreed a Reserve, this cannot be changed except with your and our consent. 9.3 Where a Reserve has been agreed only we may bid on your behalf and only up to one bid below the Reserve (if any) and you may in no circumstances bid personally or ask anyone else to bid on your behalf. 9.4 Pre-sale notifications will be sent via email if provided, or post if not, reserves will not be set by the auctioneer without specific instructions and we must be advised of any request for a reasonable reserve figure by you, in cases were no reserve has been set by you then the item will be sold without reserve. 10 Electrical items 10.1 You must test any electrical items that you wish to consign to us for sale using external contractors. We will not accept any Goods that are not certified as safe by an electrician (unless they are antiques). 10.2 If we notify you that we will not accept uncertified electrical Goods, you must remove such Goods promptly at your expense following such notification. If you do not collect the Goods within five days of our written notice to do so, we may dispose of the Goods at your expense. 11 Unsafe Goods If in our opinion any of your Goods, in particular those which are soft furnishings, infringe safety regulations, we will not offer these Goods for sale. You must remove such Goods at your expense. If you do not collect such Goods within five days of our written notice to do so, we may dispose of the Goods at your expense. 12 Warranties and information about the Goods 12.1 You must provide us with all information that you have relating to the provenance, export/import history, condition, attribution and authenticity of the Goods (and any additional information that may be relevant). 12.2 In addition to any warranties implied by law, you warrant to us and the Buyer that: 12.2.1 any information that you provide in relation to the Goods is complete, correct and up-to-date; 12.2.2 the Goods will match any description of the Goods that you provide to us; 12.2.3 as far as you are aware, the main characteristics of the Goods set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by us at the auction) are correct. 12.2.4 to the best of your knowledge, the Goods have been lawfully imported and lawfully and permanently exported as required by the laws of any country in which the Goods were located; required declarations upon the export and import of the Goods have been properly made; and any duties and taxes on the export and import of the Goods have been paid; and 12.2.5 you will pay all taxes and duties potentially due on the sale of the Goods. 12.3 You must let us know promptly, and in any event before the auction, if you find out that any of the information you have provided to us relating to the Goods is incorrect or incomplete and/or if the Goods do not match the description that you provided to us or the main characteristics of the Goods set out in the auction catalogue. 12.4 Any information that you provide in relation to the Goods may form part of the contract between both of us and the Buyer and you acknowledge that the Buyer may have a statutory right to reject the Goods if the information provided is incorrect. 12.5 If we have to refund the price of any Goods to the Buyer due to the Goods being a Deliberate Forgery, you must promptly, and in any event within seven days, reimburse to us any Proceeds that we have transferred to you for those Goods following receipt of our written notice requesting you to do so. 13 Transfer of ownership of the Goods You warrant and undertake to us and the Buyer that you are the true owner of the Goods (or are properly authorised by the true owner to sell the Goods on the owner’s behalf) and you currently have and will have the right to sell the Goods to the Buyer with good and marketable title free of any third party rights or claims at the time when ownership of the Goods is to be transferred. 14 Indemnity You will indemnify and keep us fully indemnified against any and all liability, loss, damage, costs (including reasonable legal fees and any VAT in relation to such fees) and expenses which we may incur or suffer as a result of any breach of Clauses 12 or 13 by you or anyone acting on your behalf, including without limitation, if we are required to refund the price of any Goods to the Buyer as a result of your breach of these clauses. 15 Terms of Sale You agree that the Goods will be sold to the Buyer in accordance with our Terms of Sale, a copy of which will be displayed in the saleroom and printed in our auction catalogue. 16 Authority to deduct commission and expenses and retain premium and interest You authorise us to deduct our Commission at the stated rate and all expenses incurred on your account from the Hammer Price, plus any applicable VAT. You consent to our right to charge the Buyer and retain

beneficially the Premium plus any applicable VAT paid by the Buyer in accordance with our Terms of Sale and any interest earned on the sale proceeds until the date of settlement. 17 Settlement 17.1 Provided that the Buyer has paid for the Goods, we will usually pay the net sum due to you within twenty eight days of the last day of the auction by crossed cheque to the seller. 17.2 If the Buyer has not paid for the Goods, we will not submit payment to you. In this case no settlement will be made. We will however discuss with you the rights that we may exercise under Clause 9 of our Terms of Sale in relation to a Buyer’s failure to pay. We will not release the Goods to the Buyer until we have received payment in full of the Price for the Goods. 17.3 You must notify us in writing if your bank account details change. We will not be responsible for any payments made to the incorrect bank account if this is because you have not provided us with the correct bank account details. 17.4 If we make payments to your bank account in error, we may request reimbursement by sending you an invoice. 17.5 We may deduct any sums that you owe to us from the Proceeds. 18 Unsold and withdrawn items 18.1 If the Goods are unsold at auction, you authorise us to negotiate a sale by private treaty not later than the close of business two working business days following the last day of the auction. In this case you will pay to us the same charges as if such Goods had been sold at auction and, so far as appropriate, these Terms of Consignment will apply to any such sale. 18.2 In addition to Clause 18.1, we may, with your consent, re-offer unsold Goods at a future auction (or by private treaty thereafter as set out in Clause 18.1 above) but we may recommend a variation in estimates or Reserve. Where, in our opinion, Goods are unsaleable, we will notify you and you must collect such Goods from the saleroom within seven days of the date of our notice to do so. If you fail to collect such Goods promptly, we may charge you reasonable storage charges at a daily rate of £5 per lot per day. If unsold lots remain with us after a period of one week, without instructions from you, we reserve the right to offer them to a local charity shop or arrange for their disposal at a charge of £10 plus VAT per lot. 18.3 You will pay us a charge of 15% of lower estimate for the lot plus all applicable marketting and / or illustration charges plus VAT on all charges, at a minimum of £10 plus VAT per Lot, on any Goods that are unsold at the auction and fail to sell by private treaty as described in Clause 18.1. 18.4 You will pay us a charge of 15 % of the lower estimate for the lot plus all applicable marketting and / or illustration charges plus VAT on all charges, at a minimum of £10 plus VAT per Lot, on any Goods that are withdrawn from the auction after being catalogued and/or marketed by us prior to the auction in any way. 19 Withdrawal of the Goods by us 19.1 We may (acting reasonably) at our discretion at any time withdraw your Goods from our auction: 19.1.1 for legal, reputational or operational reasons (including if you fail to provide evidence to verify your identity or your title to the Goods to our satisfaction); 19.1.2 if we reasonably believe that you may be, or are about to be, in breach of these Terms of Consignment; or 19.1.3 if we reasonably believe the Goods to be a Deliberate Forgery. 20 Warehousing 20.1 We have no liability for Goods that you deliver to our saleroom without sufficient sale instructions. We reserve the right to charge you a minimum warehousing charge of £5 plus any applicable VAT per Lot per day. 20.2 We will notify you to ask you to remove any of your unsold or withdrawn Goods. Unsold and withdrawn Goods will be subject to the charges set out in Clause 20.1 above if you do not remove them within five days of the date of our notification requesting you to do so. 20.3 If you do not remove your unsold or withdrawn Goods within [thirty days] of the date of our notification we may either: (a) sell such Goods and set off charges from any net proceeds of sale; or (b) at your expense dispose of such Goods. 21 Our liability to you 21.1 We will not be liable to you for any loss of opportunity or disappointment suffered as a result of participating in our auction. 21.2 In addition, neither we nor the Buyer shall be responsible to you and you shall not be responsible to the Buyer or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 21.3 Subject to Clause 21.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the Proceeds due for the Goods if sold or the Reserve if unsold. 21.4 Notwithstanding the above, nothing in these Terms of Consignment limits the liability of us or our employees or agents for: 21.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 21.4.2 fraudulent misrepresentation; or 21.4.3 any liability which cannot be excluded by law. 22 Notices 22.1 All notices between you and us regarding these Terms of Consignment must be in writing and signed by or on behalf of the party giving it. 22.2 Any notice referred in Clause 22.1 may be given: 22.2.1 by delivering it by hand; 22.2.2 by first class pre-paid post or Recorded Delivery; or 22.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery. 22.3 Notices must be sent: 22.3.1 by hand or registered post: a. to us, at our address set out in these

Terms of Consignment or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing. 22.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankaucctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 22.4 Notices will be deemed to have been received: 22.4.1 if delivered by hand, on the day of delivery; or 22.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 22.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 22.2.3. 22.5 Any notice or communication given under these Terms of Consignment will not be validly given if sent by fax, any form of messaging via social media or text message. 23 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website. 24 General 24.1 Each of the clauses of these Terms of Consignment operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 24.2 We may change these Terms of Consignment from time to time, without notice to you. Please read these Terms of Consignment carefully, as they may be different from the last time you read them. 24.3 Except as otherwise stated in these Terms of Consignment, each of our rights and remedies: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Consignment or general law; and (b) may be waived only in writing and specifically. Delay in exercising or nonexercise of any right under these Terms of Consignment is not a waiver of that or any other right. Partial exercise of any right under these Terms of Consignment will not preclude any further or other exercise of that right or any other right under these Terms of Consignment. Waiver of a breach of any term of these Terms of Consignment will not operate as a waiver of breach of any other term or any subsequent breach of that term. 24.4 These Terms of Consignment are between you and us. No person other than you, the Buyer or us will have any rights to enforce any of these Terms of Consignment. 24.5 These Terms of Consignment and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts. (4) TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. 1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk . In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer.

The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise. 2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8. 2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid. 3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained). 3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party. 3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so. 3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice). 4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22.5% plus VAT of the Hammer Price; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due. 5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6 The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7 Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8 Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later. 8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14 Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15 Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. 15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery. 15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankauctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3. 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website 17 General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These conditions of business are based upon recommended terms of sale by SOFAA (http:/www.sofaa.org/)

No exit from A3 here

HOW TO FIND US Heading north on the A3 take the Ripley turning to the Burnt Common roundabout and follow the Woodhill signs. Heading South turn off the A3 11⁄2 miles after the M25 junction and proceed through Ripley to the Burnt Common roundabout as above. If you miss the Ripley turning go South, proceed to the Merrow & Burpham slip road and join the A3 Northbound. Ewbank Auctioneers is situated between the A3 and B2215 South of Burnt Common Roundabout.

Burnt Common Roundabout one way

one way

Please note: if using Sat Nav to navigate to us then do not use our postcode as this will direct you to the A3. Please use postcode GU23 7JY, this will take you to the Burnt Common roundabout then follow directions as above.

EWBANK AUCTIONEERS Chris Ewbank founded Ewbank’s in 1990 selling out of the Hog’s Back Hotel and in 1994 we acquired our present salerooms, the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking main line station is 4 miles away with trains to Waterloo (23 minutes). Throughout our time in Guildford, we have had the privilege of advising thousands of clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of two hundred Antiques and Fine Arts auctions and five hundred monthly Collectors sales. When we started in 1990 we held six auctions a year and we are now expecting to hold more than 50 auctions in the next twelve months. We always seek to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of Chartered Surveyors (Chris is a Chartered Arts and antiques surveyor), and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients come to us on recommendation, from professional advisers or existing clients. As the costs of selling by auction in Central London have rocketed we have benefitted from the general trend in recent years for more important items to be sold outside the capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital illustration of all lots for sale are included on the internet. We estimate that we now with four regular photographers on our staff take in excess of 50,000 images per annum. Buyers are attracted from all over the world. We have invested heavily in technology in recent years with both new back office systems and website. This gives a far greater global marketing ability. We see this as being the way forward for the future and it will maximise our ability to achieve the best possible prices for our clients. Since our first auction published on the internet that side of our business has risen markedly so that in the last 12 months we have had 4.25 million pages views on our website in the last 12 months up from 2 million two years ago. Recognising the importance of live internet bidding in today’s market we have for the last two years been operating our own live bidding platform Ewbank’s Live and regularly report over 50% of our sales being to on line bidders. In one specialist sale recently over 90% of sales were transacted on line. With others we have now also set up a new search hub and bidding platform www.theauctionroom.com which saves buyers up to 6% as against other commercial platforms. Ewbank’s has grown from humble beginnings holding six sales a year, to the position that we hold today, with our own Salerooms, bidding platform and some fifty specialist sales a year. Turnover in our first year in 1990 was approximately £250,000 and just one of our quarterly sales now easily exceeds that figure. Building refurbishments works have doubled the size of our floor space in recent years to accommodate the sale volumes. We have for some years now been able to claim that we are Surrey and Hampshire’s premier antique fine art and specialist auctioneers. Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group. He was also an elected Member of its International Governing Council (the highest decision making body in the Institution) from 2005 to 2013. He joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994 (he first became a member in 1982), and was Chairman from 2000-2007. He is on the Executive Committee of the British Art Market Federation and was one of the first to join the new City of London Company of Arts Scholars. We look forward to the future technological advances that will continue to enhance the auction experience for our clients and buyers. Chris Ewbank FRICS ASFAV

Andrew Ewbank, BA, ASFAV Partner

John Snape, BA, ASFAV Partner

chris@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

john@ewbankauctions.co.uk

December Thursday 13th Thursday 13th Friday 14th Wednesday 19th Wednesday 19th

Toys & Models Entertainment & Memorabilia Vintage Posters Antique & Collectors’ Fine Wines & Spirits

Andrew Delve, MA, ASFAV Partner

Tim Duggan, ASFAV Partner

alastair@ewbankauctions.co.uk

andy@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

Front Cover: Lot 82 Inside Front Cover: Lot 245 Back Cover: Lot 254 Inside Back Cover: Lot 214

Propmasters: The 30th Anniversary Auction Thursday 15th November 2018

www.ewbankauctions.co.uk

Propmasters: The 30th Anniversary Auction

Thursday 15th November 2018

Â£10