Decorative Arts & Contemporary Art. Ewbanks 14 July 2016

Decorative Arts, Contemporary Art & Modern British Paintings Decorative Arts, Contemporary Art & Modern British Paintings

Thursday 14th July 2016

Thursday 14th July 2016

www.ewbankauctions.co.uk

ÂŁ5

ewbank’s auction sale dates 2016 Viewing days/times vary, please contact the auctioneer for details

Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA, ASFAV Partner

Andrea Machen, Cert GA Decorative Arts Specialist

chris@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

andrea@ewbankauctions.co.uk

July 6th 14th 14th 28th

Antique & Collectors' Decorative Arts Contemporary Art & Modern British Paintings Asian Art

August 3rd ends 26th 31st

Antique & Collectors' Movie Poster Timed Auction Antique & Collectors'

September 6th 7th 21st 22nd 23rd Alastair McCrea, MA Partner

Andrew Delve, MA, ASFAV Partner

Tim Duggan, ASFAV Partner

John Snape, BA, ASFAV Partner

alastair@ewbankauctions.co.uk

andy@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

john@ewbankauctions.co.uk

Entertainment & Memorabilia (Movie, Music, Sporting & Toys) Vintage Posters Jewellery, Silver & Watches Fine Art & Antiques Antique Furniture & Clocks

October 4th 5th 6th 27th 27th

Books, Manuscripts, Maps & Stamps Antique & Collectors' Photographic, Scientific Instruments & Natural History Decorative Arts Contemporary Art

November 10th 10th 16th 30th

Asian Art Textiles, Sewing & Vintage Fashion Antique & Collectors' Jewellery, Silver & Watches

December 1st 2nd 8th 9th 14th 15th

Fine Art & Antiques Antique Furniture & Clocks Entertainment & Memorabilia (Movie, Music, Sporting & Toys) Vintage Posters Antique & Collectors' Fine Wines & Spirits

Next Decorative Arts & Contemporary Art Auction: 27th October 2016

Front Cover: Lot 453 Back Cover: Lot 89 Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale.

For Monthly sales they go online approximately one week before the sale.

Lot 60

Lot 72

Dates are published on our website and are subject to change without notice.

Decorative Arts, Contemporary Art & Modern British Paintings

Surrey & Hampshire’s Premier Auctioneers & Valuers

Decorative Arts, Contemporary Art & Modern British Paintings Arts & Crafts, Art Nouveau, Richard Garbe Collection, Art Deco, Modern Design, Original Contemporary Artworks, Contemporary Prints

SALE: Decorative Arts: Thursday 14th July 2016 at 10.00am Contemporary Art & Modern British Paintings: Thursday 14th July: 3.00pm VIEWING: Monday 11th July 9.00am - 5.00pm Tuesday 12th July 9.00am - 7.00pm Wednesday 13th July 9.00am - 5.00pm Morning of sale For the fully illustrated catalogue, to leave commission bids, and to register for Ewbank’s Live Internet Bidding please visit our new website: www.ewbankauctions.co.uk The Burnt Common Auction Rooms London Road, Send, Surrey GU23 7LN

Tel +44 (0)1483 223101 E-mail: antiques@ewbankauctions.co.uk Buyers Premium 27% inclusive of VAT MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS

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INFORMATION FOR BUYERS AT AUCTIONS ORDER OF SALE Thursday 14th July 2016 at 10.00am Decorative Arts Lot Arts & Crafts

1

Art Nouveau

28

Richard Garbe Collection

60

Art Deco

67

1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues and on our web-site. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Thursday 14th July 2016 at 3.00pm

3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price.

Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

Decorative Arts, Contemporary Art & Modern British Paintings

4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 22.5% on the hammer price of each lot purchased. In addition, VAT will be added to this premium (see below).

Modern Design

122

Lot Original Contemporary Artworks

300

Contemporary Prints

465

EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

The forename(s) and surname of the artist: In our opinion a work by the artist.

The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work.

The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.

‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest.

‘Signed’: Has a signature which in our opinion is a recognised signature.

‘Dated’: Is so dated and in our opinion was executed at that date.

The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.

Measurements: Height precedes width.

Artists Resale Right: Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser's invoice.

Where possible such lots are marked in the catalogue with a §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.co.uk or phone +44 (0) 0845 410 3410

5. VAT. Items in our catalogue may be marked in the following ways: a. (†) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union.

[These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7. Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Phone bidders must be prepared to guarantee a starting bid of at least £500 if they wish to bid by telephone.

REMEMBER THAT YOU CAN BID LIVE ON EWBANKS LIVE ON THE SAME BASIS AS IF YOU ARE IN THE ROOM AND SAVE 6% OVER ANY OTHER BIDDING PLATFORM FOR THIS SALE 10. Commission bidding. You may leave commission bids (absentee bids) with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or via our website or online bidding platform.

11. Methods of Payment. Usually any cheques will need to be cleared before you can take the goods away. Please discuss with our office in advance of the sale if you plan to use other methods of payment (except cash, for which there is an upper limit of 15,000 euros equivalent). There is an additional charge of 2.5% plus VAT on credit card payments with no additional charge on debit card payments (either made securely online or in person via a chip and pin machine).

12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly and within 7 days of the end of a sale. Any delay may involve you having to pay storage charges which are currently set at £5 plus VAT per lot per day.

Thursday 14th July, 10.00am Arts & Crafts Art Nouveau Richard Garbe Collection Art Deco Modern Design

Lot 22

ARTS & CRAFTS

1 1 Keswick copper tray with design of scrolling tendrils and flower heads, by W N Mawson, marked in both corners, 58.4cm x 24cm £80-120 See Illustration

3 3 Baron Barnstaple a pair of twist handle vases, with incised decoration of fish and flowers, incised FB and dated 1909, 29cm £70-100 See Illustration

2 2 A pair of Arts and Crafts needlework pictures, Song and Poetry. 61cm x 18cm £80-120 See Illustration

6

4 4 Christopher Dresser design for Hukin & Heath, silver plated articulated six division toast rack on arched base and bun feet £300-400 See Illustration

5 10 5 Set of thirty door finger plates, Arts & Crafts design, copper and brass finish, removed from a house built in 1908 £100-200 See Illustration

10 Sir Giles Gilbert Scott, pair of oak waterfall bookcases, designed for Whitelands College, London, 152cm x 62cm £400-600 See Illustration

6 Seven brass door plates, some with Gothic Reform motifs, each approx 30cm wide £60-80 7 Aesthetic movement ebonised mahogany desk, with two frieze drawers and brass handles. 76cm x 91cm x 52cm £150-250 8 A Liberty Tudric pewter stand designed by Archibald Knox, with incised design, reg no 426935 and no 0320 £50-70 9 Early 20th C turquoise and pearl necklace in Arts and Crafts manner, marked 9ct £70-100 11 11 Unusual Doulton Barbotine vase, with frieze of hand painted flowers in Persian style, late 1920’s to early 1930’s, 24cm £100-150 See Illustration

7

15

12 12 Doulton Barbotine Ware vase, green glaze ground painted with stylised flowers, 26cm £200-300 See Illustration 13 Pine bookcase decorated with mottos and figures, C 1900 £70-100

15 Doulton Lambeth tyg reading ‘in Commemoration of the Hosting of the British Flag at Pretoria’ and a novelty barrel reading ‘Till From This Barrel you can drink and take your fill Ah Ah Try again from all such cruel drinks Abstain which do men kill’ both 17cm £80-120 See Illustration 16 Gothic reform pine cupboard with castellated cornice. Height 216cm, width 117cm, depth 53cm £60-80 17 Arts and Crafts bookcase, with leaded glazed doors £70-100 18 Ruskin pottery three handle mug decorated with green grape vine pattern over a yellow lustre glaze, impressed marks to base - Ruskin Pottery 1911, 13cm £40-60

14 14 Doulton Lambeth stoneware vide poche, modelled as a night heron stood over a blue glazed pool with applied leaf decoration, designed by Harry Simeon, circa 1934. 16cm £100-200 See Illustration 8

19 19 Doulton & Co., Lambeth Aesthetic Movement charger, circa 1880 decorated with a classical Greek head within a border of stylised vines. signed ‘Doulton & Co, Lambeth’ and with the initials N G 52cm diameter. £200-400 See Illustration

20 Set of six Arts and Crafts oak and marquetry inlaid chairs to include two armchairs and four side chairs £100-150 21 Approximately 180 lithographic plates depicting tile, carpet and porcelain designs, floral studies, scenes of antiquity, and others from “The Art Decorator, designs in colours for art workers”, circa 1890. £60-80

22 22 Archibald Knox design for Liberty & Co, a Tudric pewter and green glass bowl: model No 0924, the sides with pierced stylised foliate border, with green glass liner, by James Powell of Whitefriars, on four shaped feet, stamped marks, 17.4cm diameter. £500-800 See Illustration 9

23 Arts and crafts oak smokers cabinet with handles to sides, double doors with floral design repousse copper finish panels. Fitted interior with two square drawers plus one other. 29cm x 40cm x 20cm £80-120

26 A Gordon Russell mahogany drop flap table with x frame stretcher and reeded legs, stamped underneath Russell 1958 116cm wide overall. £100-150

24 Arts and Crafts Burmantofts art pottery sunflower pattern jardinière stand. Decorated in relief with panels of sunflowers on a cream textured ground, within brown strap work borders, impressed marker’s mark and numbered 1948 to base. 75cm high £60-80

27 27 An Arts and Crafts wash jug, basin and soap dish decorated with stylised floral roundels £40-60 See Illustration

25 (detail) 25 Shapland and Petter, Barnstaple, an Arts and Crafts oak dressing table with stylised floral marquetry, mother of pearl and abalone inlay.

Retailed by T B & W Cockayne, Sheffield.

Retailers label to inner draw. Circa 1910.

160cm x 122cm x 58cm £400-600 See Illustration

10

ART NOUVEAU

30 Henri Godet (1863 -1937) Two bronze figures of young women emerging from flowers, two colour patination. 23cm high £300-500 31 Art Nouveau mahogany and marquetry inlaid mantel clock, 28cm high £60-100 32 A pair of Legras art glass vases enameled decoration of flowers, marked Legras to side, 24.5cm high £80-120

28 28 An Art Nouveau table lamp, with dome top, stylized fan form design with green roundels, on tri form support, possibly WMF, 52cm Note this lot has original wiring and will need to checked by a qualified electrician. £100-150 See Illustration

33 33 Friedrich Adler German 1878-1942, a silvered pewter twin handled vase, probably made by Urania Holland, design of stylized plant forms, 37cm £80-120 See Illustration

29 29 French marble bust of a fashionable lady wearing a turban, 43cm high £180-220 See Illustration 11

36 36 Austrian Art Nouveau, white metal bowl, with repousse decoration of lilies and ivy, pierced handles and feet with floral decoration, stamped Diana’s head mark, early 20th C, 9 x 26.5cm £100-150 See Illustration 34 34 Pair of Doulton Lambeth stoneware cylindrical vases decorated with grapes and flowers. n 8318. 34cm high £100-150 See Illustration

37 37 Oscar Gundlach-Pedersen for Georg Jensen, silver centrepiece bowl on ebonised stand, London import marks for 1926, 16.9oz, 527g, £300-500 See Illustration 35 35 1920’s bronze patinated spelter lamp with relief floral design framing slag glass panels, on baluster base, (re-wired) 56cm £80-120 See Illustration 12

38 Art Nouveau design mahogany tray with satinwood and harewood inlay £40-60

39 39 Zsolnay Pecs reticulated vase and cover, base with printed Zsolnay Pecs factory mark, no. 83 and impressed no. 18. H 18cm. £80-120 See Illustration 40 Royal Doulton Flambe vase, 21cm and a smaller stem vase. 11cm. £80-120

41 Pair of Doulton Lambeth baluster form vases with mottled green glaze and raised floral decoration. Height 22cm £50-80

42 A pair of pewter two handled bowls with Ruskin blue and green cabochons, marked Pewter and number 01111 15cm wide £50-70

43 Minton red glazed vase the cylindrical neck with gilded decoration marked Walbrook London 20cm high £40-60

44 44 Auguste Moreau, bronze figure of a standing naked lady, on red marble socle base, C 1900, 31cm high £400-600 See Illustration 13

45 45 Art Nouveau oak wardrobe with copper repousse - work panels and fittings. Height 184.5cm, width 117cm, depth 55cm. £100-150 See Illustration

46

47

46 An Austrian Amphora Jugendstil figural card tray by Reissner, Stellmacher & Kessel, impressed and painted marks, 25cm high, 26cm wide. £180-220 See Illustration

47 An Art Nouveau Royal Dux figural group with mirror, modelled as a young woman seated before a wall, impressed pink triangle mark, 53cm total height. £400-600 See Illustration

14

48 48 A large Austrian Amphora Art Nouveau bust of a young woman with plumed headdress, stamped with red factory mark for ‘Riessner, Stellmacher & Kessel’ to base and inscribed ‘E Stellmacher’ to reverse, 50cm high. £500-700 See Illustration 15

49 49 Early 20th century Royal Dux Bohemia porcelain figurine of a pierrot kissing the hand of a lady, raised pink triangle (E) factory mark to base, 28cm high. £300-500 See Illustration

50 50 A pair of WMF pewter candlesticks, modelled as maidens holding aloft urns and standing on pierced circular bases, C1900, model no 169 169A, both stamped ‘WMF EP, as, 1/0, 47’, 25cm high £250-350 See Illustration 16

51 51 A large Art Nouveau patinated metal bust, modelled as a women with flowers in her hair, 46cm high. £150-250 See Illustration

52 52 Franz Iffland, German (1862-1935) - “L’Hiver & L’Été”, a pair of Art Nouveau patinated metal busts of young women depicting Summer & Winter, 21cm high, together with a further two Art Nouveau metal busts signed ‘Delpain’, 16cm £100-150 See Illustration

53 After Auguste Jean-Baptiste Roubille, French, 1872-1955 - ‘Le Smart Carman’, print, later production, 29cm x 45cm. £40-60

54 After Ludwig Hohlwein, German, 1874-1949 ‘Richard Strauss-Woche’, festival poster Munich 1910, later production print, 38cm x 54cm £60-80

55 After Willy Richard Oertel, (Serapion Grab Pseudonym), German, - ‘Die Elf Scharfrichter’ (The Eleven Executioners) later production, print, 38cm x 54cm. £60-80

56 56 Arts & Craft’s mahogany and leaded glass sideboard-chiffonier probably retailed by Liberty of London. The angled base on squared legs having a series of cupboards and drawers. Above, a green leaded glass cabinet on raised supports, 182 x 122cm x 40cm £400-600 See Illustration 57 Two iridescent glass bowls, in gilt metal Art Nouveau style mounts, probably Loetz, unmarked, 6.5 x 14.5cm £70-100 58 Art Nouveau mahogany and marquetry inlaid tray with stylised floral design, and brass handles 60cm wide £70-100 59 Art Nouveau fender, copper and brass on cast metal 115cm wide £50-80

17

RICHARD GARBE (1876-1957) COLLECTION Provenance: Consigned by the great nephew of Richard Garbe. Originally gifted by Richard Garbe to his brother Gilbert Garbe and thence by descent to the current owner and vendor.

Artists Resale Right: Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser’s invoice. Where possible such lots are marked in the catalogue with a §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.co.uk or phone +44 (0) 0845 410 3410.

60 60 § Richard Garbe RA, Terracotta figure of man with a lamb, 58cm

£500-800 See Illustration

61 Richard Garbe RA, plaster bust of the artists daughter Alfreda, signed and dated 1956, 30cm. £200-300 See Illustration 18

62 62 Richard Garbe RA, pair of framed copper relief wall plaques depicting heraldic scenes. 36cm. £200-300 See Illustration

63

64

63 § Richard Garbe RA, Doulton & Co. wall mask, entitled ‘Lion of the East’ in blue glaze. £400-600 33cm.

See Illustration

64 Richard Garbe RA, bronze bust of his daughter Alfreda, signed and dated 1904, 11cm. £300-500 See Illustration 19

65 65 ยง Richard Garbe RA, plaster model of a classical figure with Greek mask and monkey, 56cm ยฃ500-800 See Illustration 20

66 66 Richard Garbe RA, brass relief wall plaque depicting a classical seated maiden, 20cm ÂŁ100-200 See Illustration

21

ART DECO

67 67 Art Deco glass decanter and six glasses, clear glass with frosted and red enamel decoration £100-150 See Illustration

68

69

68 Susie Cooper, ‘Leaping Deer’ design; four plates (incl. two breakfast, one side and one serving dish), jug and egg cup, 1930s, £40-60 See Illustration

69 Pair of Art Deco green patinated bronze bookends in the style of Max le Verrier, modelled as kneeling naked ladies, green patina on marble bases, 19cm £400-600 See Illustration 70 Art Deco marble clock garniture, the clock base 45cm wide, and a gilt plaster figure of a nude lady, 46cm tall £60-80 71 Wedgwood Dragon lustre bowl, octagonal form, 18cm diameter, 8.5cm high £30-50

22

72 72 Daisy Makeig-Jones, Wedgwood Fairyland Lustre vase, tree serpent / Imps on a bridge pattern.

The vase signed with gilt monogram ‘SMJ’ . Base bears printed Portland vase mark, painted pattern number Z5360 and incised shape number 3150. H 29.5cm £2000-4000 See Illustration 23

73 Royal Doulton Character Figures The Potter, HN 1493, The Mendicant HN 1365, Bluebeard HN 2105, and The Carpet Seller, HN 1464.(4) £50-80

75 75 Royal Doulton figure, The Alchemist, HN 1282, impressed no. 4237, black printed back stamp, hand-painted HN number, 29cm £300-400 See Illustration 74 74 Royal Doulton figure, Bluebeard, HN 1528, hand-painted title & green printed back stamp, 30cm £250-300 See Illustration

24

76 Doulton Flambe, ovoid vase with silhouette scene of horses ploughing a field, 16.5cm £50-80

77 77 Louis Icart, pastel on paper, Pierrot with a dancer, signed and dated 1914, in gilt frame. 45cm x 60cm ÂŁ800-1200 See Illustration

25

78 A Collection of 12 Art Deco toast racks including a Burleigh ware gnome toast rack, Carlton ware, Grimwades etc. £100-150 79 C H France ‘Harva’ Pair of bookends, in the form of elephants with lustre decoration, 1930’s, 18cm £50-80

82 Charlotte Rhead and CH Brannam, Charlotte Rhead for Crown Ducal ‘Tudor Rose’ pattern vase, pattern no 4491, signed to base “C Rhead”, height 23cm together with a C H Brannam cat with hand painted star decoration, height 35cm. £70-100

80 Clarice Cliff Plate, painted with the Blue Japan pattern, with early 1930s backstamp The Biarritz, Royal Staffordshire Reg no 784849, 18.5 x 15.5cm £60-80

83 83 Art Deco figured walnut piano by Berry of London. Height 98cm, width 118cm, depth 53cm £100-200 See Illustration

81 81 Moorcroft vase of baluster form, with hibiscus flower decoration, green painted mark to base together with Potters to the Late Queen Mary label. Height 16cm. £100-120 See Illustration

26

84 84 Louis Wain for Bristol pottery, Cat and Dog mug 19cm £80-120 See Illustration 85 Art Deco walnut cloud chair, re-upholstered in cream fabric £150-250

87 A group of early plastic jewellery, including Linga Longa, Phenolic and others, bangles beads and brooches, 1920’s to 1930’s £50-100

88 88 An Art Deco fan shaped parquetry picture of a fisherman by a bridge. 54cm high x 97cm wide £80-120 See Illustration

86

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86 An Art Deco carved wood panel depicting Saint Paul. 101cm x 53cm £100-150 See Illustration

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27

89 89 Lalique ‘Ornis’ vase, goblet form opalescent vase, the handles in the form of two birds, etched signature and numbered 976. 1920’s, height 19.5cm Literature: R. Lalique Catalogue Raisonne by Felix Marcilhac, number 976, page 434, illustrated. £800-1200 See Illustration

28

90 90 Lorenzl figure, bronze figure of a dancing girl with outstretched arms, signed on figure base, on green onyx stand, 21.5cm ÂŁ500-800 See Illustration

29

91 91 Art Deco clock garniture in cream, black and striated brown marble £80-120 See Illustration 92 Pair of Moorcroft hibiscus vases, baluster form, Walter Moorcroft, with Moorcroft Royal Warrant Paper label “By Appointment Potters To The Late Queen Mary”, each 22cm £200-300 See Illustration on page 42

94 94 Jean at Joel Martel (1896-1966) wooden sculpture of a bird signed on base £200-300 See Illustration 95 Poole Pottery Persian Deer pattern plate, design by Ruth Paveley, diameter 31cm £30-50 96 Poole Pottery charger, hand painted with stylised flowers including a rose and tulips, marked “W.T.L. & S. 1939” to base, diameter 33cm £40-60 97 Carlton ware tea service Pattern No. 1245, comprising, teapot, sugar bowl, cream jug, two cups and saucers and a biscuit plate. £40-60

93 93 Moorcroft hibiscus pattern jardinière, Walter Moorcroft, circa 1950-1986, coral hibiscus on a green ground, signed with initials to base, 23 x 23.5cm £150-250 See Illustration

30

98 Art Deco silver plate tea service, of circular form on raised foot £50-80

99 99 Art Deco amber bead necklace, composed of butterscotch amber cubes interspersed with smaller beads, 9ct gold bolt clasp £70-100 See Illustration 100 Art Deco green and gold painted bedroom suite comprising dressing table, chair, cupboard, side table and headboard. Dressing table - 153cm x 100cm x 55cm £100-150 101 Royal Doulton Flambe, Seated cat designed

by Charles Noke, height 13cm. £50-80

102 102 A reproduction Chiparus figure of a young lady with painted dress on a stepped onyx base. The base bears name D H Chiparus.

50cm high £150-250 See Illustration 103 Art Deco cloud form mahogany cased and marquetry inlaid triple train mantel clock 25cm high £40-60 104 Cartlon ware Bleu Royale ‘Mikado’ gondola shaped footed bowl. Carlton ware mark, partial label and painted no’s 2698 and 3199 to base. 32cm wide £50-100 105 A gouache study of two dancers 35cm x 26cm £40-60

31

106 106 Marcel Guillemard, Art Deco bronze figure of a naked lady holding a bunch of flowers, on marble base, signed to base of right foot, 50.5cm high ÂŁ800-1200 See Illustration 32

107

110

107 Art Deco bronze figure of a nude lady with silvered finish seated on a stepped onyx base, 20cm high £300-500 See Illustration

110 A pair of chrome plated figures of naked lady’s standing with arms outstretched holding a swag of flowers the base incised Limousin 44cm high £100-200 See Illustration

108 Art Deco onyx box with silver mounts, 18cm wide £100-200

111 Chrome figure of a standing naked lady on black polished stone base 25cm £60-100 112 Shelley tea set with fluted petal form cups and floral decoration registered design number 272101 and a Carlton buttercup breakfast service £70-100

109 109 A collection of six continental bisque bathing beauties, mainly 1920’s to 1930’s £150-200 See Illustration

33

115

113 113 Clarice Cliff Bizarre, Athens shape jug, painted with geometric diamond pattern, marks including Newport Pottery 16.5cm £80-120 See Illustration

115 A pair of Christofle Gallia stylised dog salts, Paris, circa 1940, one dog modelled standing, the other sitting with feeding bowl, widest 9cm, together with 7 Gallia knife rests in the form of playing card suits, stamped factory marks to base, (9). £150-250 See Illustration 116 An Art Deco carved marble bust of a young girl, indistinctly signed K.Ochmolz, 8cm high. £40-60

117 117 An Art Deco shagreen hand mirror with ivory inset together with two matching shagreen brushes, (3). £100-150 See Illustration 114 114 Miklos Komlos, Hungarian, 1906-1945 ‘Young Lovers’, circa 1935, majolica pottery, impressed to base ‘Komlos’ and ‘Made in Hungary’, 38cm high £150-250 See Illustration 34

118 Dorothy Wilding, British 1893-1976- Portraits of a society lady, circa 1920/30’s; chlorobromide prints on tissue and card mounts with pencil signature, all three 24cm x 29cm, (3).

Provenance: The artist’s studio, 22 Old Bond Street, London, labels attached to the reverse. £60-80

119 119 Jack Miller, British 1945-2004 - ‘Living Room by Betty Joel’, screenprint in colours, signed, titled and numbered 24/35 and dated 78 in black ink, image size 67 x 50, Betty Joel was a British designer of Art Deco furniture £100-150 See Illustration

120 Harper’s Bazaar’, circa 1930/40, original artwork, gouache, 23cm x 33cm, together with another by the same hand ‘France’, gouache, 19cm x 29cm, (2). £100-150

121 Art Deco light oak long case grandfather clock, with silvered dial, Roman numerals and three train movement. 182 x 41cm x 21cm £150-250

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MODERN DESIGN

124 124 Luigi Massoni for Guzzini, a ‘Brumberry’ table lamp white powder coated steel, and chromium plated base, with caramel coloured perspex shade, designed 1972. £100-150 See Illustration

122 122 Livio Seguso, a large glass sculpture, the cased irregular form with iridescent finish, signed on base, 47cm £200-400 See Illustration 123 Ercol nest of three pebble tables in elm wood, largest 66cm x 45cm x 41cm high £100-200

125 125 Constructivist tea service, in homage to Kazimir Malevich, white ceramic, produced

by St Petersburg Porcelain £100-150 See Illustration

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129 Ercol Windsor style elm and beech armchair and rocking chair £60-100

126 126 Hans Hansen Danish silver ring, signed, another flower form set with oval cabochon garnet, makers mark D E, and an onyx set ring £70-100 See Illustration

130 Gunther Hoffstead for Uniflex, circa 1950’s teak dressing table with triptych mirror (128cm x 152cm x 50cm) together with matching stool and chest of six drawers (72cm x 121cm x 46cm). £80-120 131 Circa 1960’s cross-sectional coffee table with glass top. Height 38cm x 102cm x 76cm together with a black enamelled standard lamp with pierced shade. £60-100

127 Swedish stainless steel and teak set of flatware for 12 place settings comprising 12 table knives, 12 table forks, 12 dessert knives, 12 dessert spoons, 12 soup spoons, 12 teaspoons and two servings spoons and two serving forks (88) £50-80

132 128 128 Stuart Devlin silver wine goblet commemorating the wedding of HRH The Prince of Wales and Lady Diana Spencer, London, 1981, 10.7oz, 334g £100-150 See Illustration

132 Philippe Starck for Flos Italy, gun table light, black shade with interior crosses, designed 2005, 92cm £400-600 See Illustration

37

133 133 Philippe Stark, gun standard lamp, for Flos, Italy based on M16 rifle, black shade the interior with crosses, designed 2005, 171cm ÂŁ700-1000 See Illustration 38

134 Luigi Cicognani & Marco Merendi, ‘Bamboo’, light fibreglass tubes on steel base, designed 1999 £200-300

138 135 135 Aage Weimar Danish 1937-1966 set of six silver cups, raised on stylised leaf and berry stands, stamped marks to base, 8cm high £300-500 See Illustration

138 Georg Jensen silver collar necklace, band with shallow concave surface, original design by Ove Wendt, boxed £300-500 See Illustration

136 Pair of mid 20th, rosewood single bed headboards 75cm x 90cm £70-100

139 139 Georg Jensen silver wave form cuff bracelet, stamped marks and external signature £200-300 See Illustration 137 137 Silver ring with raised design of a row of houses, makers mark unclear possibly PLZ and imressed 925 £80-120 See Illustration 39

143 A Marco Lin Sweden glass paperweight with gold coloured thread work signed M 513/13 and a pair of Christofle cut glass martini glasses, boxed £50-80

140 140 Georg Jensen sculptural form silver ring £150-200 See Illustration 144 144 Mid century Swedish silver necklace, with double leaf forms, marked Stigbert for Stig Englebert design attributed to Sigurd Persson, Swedish silver marks £100-150 See Illustration

141 141 Han Hanson pendulum style silver pendant £80-120 See Illustration 145 142 Silver ring with raised design of a row of houses, makers mark unclear possibly PLZ and stamped 925 £80-120

40

145 Georg Jensen silver and haematite ring, numbered 124 £80-120 See Illustration

146 H.P Hansen, Danish rosewood extending dining table, stamped made in Denmark together with manufacturers label to underside. 28.5cm x 87cm x 140cm (unextended) £100-200

153 Pair of Ercol Windsor style rocking chairs, in elm and beech £80-120 154 Two Ercol elm coffee tables and a 1950’s standard lamp £80-120

147 Mid century amber jewellery, a necklace of amber drops, some mounted in wood, and a modernist brooch with Russian marks £50-80

155 Pair of Ercol beech armchairs and two low back stools £80-120

148 A large green glass seated figure of Budai, 25cm £80-120

156 Ercol elm and beech oval coffee table and rectangular coffee table £60-100

149 Kosta Boda large bottle vase in red to yellow glass 51.5cm and an Orrefors vase in clear glass 33cm, both signed £70-100

157 Collection of mid 20th C Italian glass including a Ronneby Sommerso bird signed, two ducks and three faceted vases £50-80

150 Svaja vase in shades of blue and green, cased in clear glass, signed, 39cm £50-80

158

151 151 Loet Venderveen, bronze figure of a seated panther, signed and numbered 57/750, 30cm high £300-500 See Illustration

158 Studio pottery vase bearing a number of autographs including O Fitzgerald, and Brooke, the base signed with a monogram 16cm diameter £20-30 See Illustration 159 John Ditchfield iridescent green glass frog, signed, 10cm £60-80

152 Susie Cooper, Black Fruits part tea set. 14 items and a Royal Doulton Eden part fruit set, 20 items £40-60 41

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175

93

168 167 166

92 92

170

171

163 John Ditchfield iridescent green glass frog 10cm £60-80 164 Dan Aston, a collection of studio freeform glass, six vases, two scent bottles.(8) the tallest vase 30cm £80-120

160 160 John Ditchfield, iridescent purple glass pig 10cm £100-150 See Illustration 161 Susie Cooper, Glen Mist, part tea and coffee service. 39 pieces £50-100 162 Jonathan Harris Silver cameo glass vase, base inscribed ‘Jonathan Harris Ironbridge England 2008 ‘Silver Cameo’ 1/1 unique’ 21cm £80-120 42

165 165 Bronze hares, pair of bronze hares the bodies with cold painted finish, unmarked, tallest 9cm £100-150 See Illustration

166 A Moorcroft Anna Lily vase of ovoid form with initials MRJ, and HJS (Moorcroft designer Nicola Slaney introduced Anna Lily in 2001), boxed 17cm High £60-100 See Illustration

169 Moorcroft ‘Flames of the Forest’ vase by Philip Gibson 22cm High £100-150 See Illustration

170 167 167 Moorcroft pottery, Butterfly vase by Emma Bossons, 20cm high, boxed £80-120 See Illustration

170 Vicky Lovatt for Moorcroft Pottery, an Eventide Winter pattern biscuit box and cover. 13cm high £60-100 See Illustration

171

168 168 Moorcroft ‘Passion Flower’ plate, 1992, limited edition 257/500, boxed 22cm £40-60 See Illustration

171 Alicia Amison for Moorcroft Pottery, a Bramble Revisited bowl 15.5cm diam £40-60 See Illustration 172 Sally Tuffin vase, Dennis China Works, After William Morris pattern 24cm. and a Rhino pattern vase, painted marks S.T with monogram 19cm £150-250 43

173 Okra Glass Studios, Wings of Flight Collectors Vase, 9cm and a Richard P Golding art glass, wavy rim bowl, engraved signature on the base and dated 2013, 29cm diameter £80-120 174 Fiona Bakewell for Moorcroft Enamels, Making Tracks polar bear ginger jar and cover. Boxed, 7.5cm £60-100 175 Sally Tuffin for Moorcroft Pottery, a lamp base in Cluny pattern, 36cm £60-90 See Illustration on page 42 177 177 Hermes Paris, framed scarf nautical theme, titled, ‘Railing’, bears label for Forest Gallery Fine Art, interior of frame measures 85cm x 85cm £100-150 See Illustration

176 176 David Andersen suite of white enamelled jewellery, including leaf form necklace, pair of earrings, and two brooches, makers mark and sterling 925 Norway £80-120 See Illustration

178 178 Hermes Paris, framed silk scarf, nautical theme, L’air Marin, with sailing ship, lighthouse and shells, frame interior bears label of Forest Gallery Fine Art, 85cm x 85cm £100-150 See Illustration 44

179 Large mid 20th C, red, abstract pattern wool wall hanging £100-150

180

181

180 Richard Golding, Okra glass, iridescent Honesty design scent bottle, 12cm, and Golden Pond 11/50 paper weight. £80-120 See Illustration

181 Richard Golding, Okra glass Lily vase, 30cm £80-120 See Illustration

182 182 Two glass cats by Lalique and Baccarat, Lalique cat in frosted glass, 6.5cm x 9cm Baccarat cat 7cm x 11cm, both signed. £120-160 See Illustration 183 Terence Conran, ‘Balance’ coffee table / storage unit, veneered in oak. 36cm x 120cm x 40cm £60-100

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184 184 Kurt Ostervig for Jason Mobler Denmark mid 20th C rosewood drop leaf table with castellated hinge, raised on V form supports, 73cm x 30cm. Extended length 194cm. ÂŁ1500-2500 See Illustration

185 185 Kurt Ostervig, Denmark, four rosewood dining chairs, with upholstered seats, mid 20th C ÂŁ200-400 See Illustration

46

186 186 Gillian Packard an opal set silver ring, the cabochon oval of 3.34 carats in concave setting, with textured finish sides, signed and with hallmark for London 1969 Commissioned by the current owner, the proceeds from the sale will go to the The Tunnell Trust a charity supporting Young Musicians Gillian Packard was born in 1938 and studied at Kingston School of Art, the Central School and the Royal College of Art. She established herself as one of the leading jewellers of the 1960’s, winning many major jewellery awards and became the first woman to become a Freeman of the Goldsmiths Company in a professional capacity. Her work appears in The V&A London, and many private collections £400-600 See Illustration

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187

189

187 Ruth Dresman, studio glass, deep green bowl, sandblasted design of an octopus and seashells, signed, 14cm x 31cm £150-250 See Illustration

189 Ruth Dressman glass bowl, cranberry coloured glass overlaid on clear with sandblasted design of flat fish, signed, 30cm diameter £100-150 See Illustration

188 188 Ruth Dresman, studio glass, a large bowl with two raised sides design of two lobsters, sandblasted amethyst and peach, signed, 12cm x 45cm £200-300 See Illustration

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190 190 Ruth Dresman, green glass shallow bowl with design of frogs, with resist process sandblasting, signed 26cm diameter £100-150 See Illustration

193 Rough amber necklace, natural form beads in yellow orange and brown £80-120 194 Susie Cooper for Wedgwood “Corn Poppy” part service including tea and coffee, dinner and breakfast ware, tureens (65 items) £50-70 195 H J Francois, Paris, a canteen of silver plated cutlery with blue enamel handles. 8 place setting plus serving spoons and slad servers, (lacking one knife one small fork) (76) £100-150

191 191 Ruth Dresman a two colour glass bowl with sand blasted design of a bird among sycamore leaves and seed heads, signed 9cm x 21cm £100-150 See Illustration

196 Perspex and glass desk with single shelf.

Height 75cm, width 125cm, depth 60cm £80-120 197 Perspex and glass side table with magazine rack. Height 84cm, width 100cm, depth 37cm £50-80 198 Side table with marble top over two perspex pedestals, height 74cm, length 150cm, depth 46cm. £80-120 199 Perspex nest of tables, two large and one small. Largest height 105cm, width 85cm, depth 45cm £50-80 200 Perspex trolley on brass castors and three further side tables, trolley, H48 x W65 x D40cm £60-80

192 192 Amber necklace of irregular form natural amber beads in shades of orange to brown £70-100 See Illustration

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204 204 Bing & Grondahl figural dish 2253 ‘Greenland girl’ 30cm deep 29cm wide £100-150 See Illustration 201 201 Two Mid Century Mexican silver pendants, one figural with carved stone and an articulated fish, both on chains £70-100 See Illustration 202 Geoffrey Baxter, Whitefriars, textured range ‘TV’ vase in tangerine, pattern 9677. Height 18cm. £80-120 203 John Ditchfield, Peacock paperweight. Signed and dated 1980 £80-120 205 205 Minton design attributed to Christopher Dresser, an unusual pair of specimen vases, on protruding triangular bases, gilt and enamel decoration 14cm high £100-200 See Illustration

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206 206 Osvaldo Borsani, Rosewood bar / cabinet, circa 1950 with three part folding upper section revealing a maple veneered and mirrored interior. The lower section with central drop-front storage compartment flanked by four drawers. 145cm x 178cm x 44cm £300-600 See Illustration

208 208 Fides Becker, High Hell Red Leather Caged Shoe, With label, Fides Becker Extra Vergine, Signed on the sole, and dated 2002. £250-350 See Illustration

209 207 207 A collection of late 20th C glass perfume bottles two rectangular perfume bottles & three faceted perfume bottles. £100-150 See Illustration

209 Saporiti Italian design Stainless steel coffee table, with off centre recessed section, stamped on legs, 33cm x 120cm £150-250 See Illustration 210 A Whitefriars coffin vase in pewter designed

by Geoffrey Baxter, pattern no. 9686, height 13cm £30-50

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215 † Swedese, floor standing tree coat rack in natural wood finish, designed by Michael Young and Katrin Olina Petursdottir. Height 194cm.

VAT is additionally payable on the hammer price for this lot £60-120 216 † B & B Italia, ‘Lady Fat’ designed by Patricia Urquiola, Low table in red fabric with painted steel tray top and internal storage compartment.

VAT is additionally payable on the hammer price for this lot £80-120

211 211 David Linley Trafalgar captains decanter, with walnut, glass and silver stopper, marked ‘Invensys 1996-2006, David Linley ‘925’, Edinburgh, 2005 £70-100 See Illustration

217 † Late 20th C rattan hanging wicker chair with drop in upholstered cushion, after a design by Nanna Ditzel.

VAT is additionally payable on the hammer price for this lot £70-100 † 218 Eight large circular moulded plastic hanging lights VAT is additionally payable on the hammer price for this lot £200-300

212 Mid 20th Century wool work picture of two decorative Cockerels in gilt frame under glass.

80cm x 130cm £30-50 213 Falcon ware “Misty Morn” large ovoid ginger jar, with figural finial 30cm high £50-80 214 † Swedese, floor standing tree coat rack in white lacquer finish, designed by Michael Young and Katrin Olina Petursdottir. Height 194cm.

VAT is additionally payable on the hammer price for this lot £60-120 219 219 Mid 20th C Murano Italian glass lamp in the form of two bunches of grapes, 33cm high £200-300 See Illustration 52

220 220 Bronze figure of a recumbent stag with heart decoration, on hardwood base, 31cm high ÂŁ250-350 See Illustration

221 221 Woven wool panel with a design of a figure in the shower, monogram to the reverse. 86cm x 89cm ÂŁ120-180 See Illustration 53

222 222 Orrefors Graal glass fish vase by Edward Hald n 363-E6 of ovoid form with fish swimming 20cm high ÂŁ300-500 See Illustration 223 A Kosta Boda Atelje glass paperweight signed B Vallien 12cm high and a large Ngwenya glass elephant 17cm high ÂŁ50-80

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224 224 Murano mottled glass vase in yellow, blue and orange, 20cm high and a yellow glass cactus vase 40cm high £100-150 See Illustration 225 A green glass vase of cylindrical form with metallic lower band indistinct marks to base and another similar vase of ovoid form 18cm high £80-120

227

226 226 Baccarat cut glass ‘Pauline’ pattern vase, signed to base and to side £150-250 See Illustration

227 20th Century large clock in yellow marble surmounted by Mercury bronze figure. £100-150 See Illustration 228 Circa 1950’s Italian side table

£50-100

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Thursday 14th JULY, 3.00pm CONTEMPORARY ART & MODERN BRITISH PAINTINGS

Lot 394

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ORIGINAL ARTWORKS Artists Resale Right: Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser’s invoice. Where possible such lots are marked in the catalogue with a §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.co.uk or phone +44 (0) 0845 410 3410.

300 300 Nancy Bailey (1913-2012), St Mary’s Isles of Scilly, oil on canvas, signed, 45cm x 90cm £200-400 See Illustration

301 301 Michel Cadoret (1912-1985), ‘Mediterranee’, oil on canvas, 1956, 75cm x 60cm, exhibition label verso, Musee Municiplal St. Germain (1974) £200-300 See Illustration 58

302 302 § Donald Hamilton Fraser British 1929-2009, “Colour Study, Seascape”, oil on paper, 18cm x 15cm painted in 1994, signed by the artist lower right, framed Provenance: CCA Galleries, “Donald Hamilton Fraser - Recent Works 26th Oct-26th Nov 1994.”. £500-800 See Illustration

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303 Brasil Pense, 20th century, composition with figures and boat, pencil drawing and gouache, signed and dated ‘76, 39cm x 19cm £40-60

307 Life study of a reclining nude, mixed media, inscribed verso “P10/93 C. Johnson”, 57cm x 82cm £40-60

304 304 Ray Howard Jones, gouache, Traeth Llewelyn Rocks of Ynys Barry, 29cm x 46cm, and correspondence between the vendor and the artist £200-300 See Illustration 305 Eric Seeley b. 1951, Pensive Woman, oil on canvas, Russell Gallery label verso, 30cm x 30cm £100-200 308 308 Contemporary stainless steel sculpture, signed with initials, CH & JB, 28cm high £150-300 See Illustration 309 Rico Blass, three dimensional mixed media, sphere with coloured strata, 60cm x 86.5cm (overall) £100-150

306 306 John P. Rooney, Fisher wives outside a croft, acrylic, 36cm x 47cm £100-150 See Illustration

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310 Rico Blass, three dimensional mixed media, cube within a square, 49cm square (overall) £150-200

317

311 311 Lesley Butler, abstract textile picture, mixed media, 95cm x 88cm £100-150 See Illustration

317 Frederic W. Schilbach, rail yard with caboose, Toronto, Canada, oil on canvas, 50cm x 60cm £150-250 See Illustration

312 Edward P Laniastar, two figures by a wooded lake, signed and dated 38, 35cm x 25cm £50-80 313 Deborah Jones, warrior figures in a red landscape, signed, mixed media, 69cm x 90cm £100-200 314 20th century aboriginal school figures and animals mixed media 60cm x 123cm £100-200 315 20th century aboriginal school abstract mixed media 62cm x 90cm £100-200

318

316 20th century aboriginal school abstract mixed media 62cm x 90cm £100-200

318 Frederic W. Schilbach King Street West at Bay Street, Toronto, Canada, oil on canvas, signed and dated 1970, 76cm x 60cm £200-300 See Illustration 319 Antonin Vaclav Slavicek, ‘Monopoly Crisis’, pen and ink, signed and dated, 20cm x 28cm £80-120 61

320 Margaret Souttar, Scottish, 1914-1987, two figures on a white ground, signed lower left, mixed media on canvas, 77cm x 62cm Provenance: By direct descent through the artist’s family. £100-200

324 324 Margaret Souttar, Scottish, 1914-1987, oil on board, vase of flowers, unsigned, 122cm x 80cm Provenance: By direct descent through the artist’s family. £200-300 See Illustration 321 321 Margaret Souttar, Scottish, 1914-1987, abstract, signed lower right, oil on paper, 95cm x 60cm Provenance: By direct descent through the artist’s family. £200-300 See Illustration 322 Margaret Souttar, Scottish, 1914-1987, abstract, signed lower right, mixed media on board, 122cm x 91cm Provenance: By direct descent through the artist’s family. £200-300 323 Margaret Souttar, Scottish, 1914-1987, oil on paper, still life of flowers and fruit, signed lower right, 75cm x 55cm Provenance: By direct descent through the artist’s family. £100-150 62

325 325 Margaret Souttar, Scottish, 1914-1987, mixed media on board, abstract, unsigned, 122cm x 92cm Provenance: By direct descent through the artist’s family. £100-200 See Illustration

326 Margaret Souttar, Scottish, 1914-1987, oil on board, abstract, signed 122cm x 92cm Provenance: By direct descent through the artist’s family. £200-300 327 Margaret Souttar, Scottish, 1914-1987, oil on board, crane on blue ground, 70cm x 122cm Provenance: By direct descent through the artist’s family. £100-150

332 332 Margaret Souttar, Scottish, 1914-1987, oil on canvas, still-life of fruit and flowers, signed lower right, 75cm x 100cm Provenance: By direct descent through the artist’s family. £200-300 See Illustration

328 328 Margaret Souttar, Scottish, 1914-1987, mixed media on board, abstract, unsigned 122cm x 90cm Provenance: By direct descent through the artist’s family. £200-300 See Illustration 329 Margaret Souttar, Scottish, 1914-1987, mixed media on board, depicting a bird signed lower left, 92cm x 122cm £100-150 330 Margaret Souttar, Scottish, 1914-1987, oil on board, depicting three sailing boats, signed top left, 122cm x 81cm overall £200-300 331 Margaret Souttar, Scottish, 1914-1987, oil on board, abstract with figures, unsigned 107cm x 62cm £100-150

333 333 Margaret Souttar, Scottish, 1914-1987, mixed media on board, depicting a seated figure with a cat, unsigned, 122cm x 72cm £200-300 See Illustration 63

334 Margaret Souttar, Scottish, 1914-1987, oil on canvas, abstract, unsigned, 103cm x 76cm £80-120

335 Margaret Souttar, Scottish, 1914-1987, oil on canvas, depicting a standing figure, unsigned, 122cm x 91cm Provenance: By direct descent through the artist’s family. £100-200

336 Margaret Souttar, Scottish, 1914-1987, oil on canvas, abstract predominantly in brown, unsigned, 102cm x 77cm £100-150

337 Margaret Souttar, Scottish, 1914-1987, oil on canvas, abstract predominantly in blue, unsigned, 102cm x 76cm Provenance: By direct descent through the artist’s family. £80-120

338 Margaret Souttar, Scottish, 1914-1987, oil on canvas, abstract predominantly in brown, 88cm x 72cm Provenance: By direct descent through the artist’s family. £100-150

341 341 Margaret Souttar, Scottish, 1914-1987, oil on canvas, abstract with head in profile, unsigned, 102cm x 76cm Provenance: By direct descent through the artist’s family. £100-200 See Illustration 342 Margaret Souttar, Scottish, 1914-1987, oil on canvas, abstract predominantly in blue, unsigned, 104cm x 76cm Provenance: By direct descent through the artist’s family. £80-120

339 Margaret Souttar, Scottish, 1914-1987, oil on canvas still life of foliage and flowers, unsigned, 77cm x 102cm Provenance: By direct descent through the artist’s family. £80-120

340 Margaret Souttar, Scottish, 1914-1987, oil on canvas depicting a standing figure unsigned, 91cm x 72cm Provenance: By direct descent through the artist’s family. £100-200

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343 343 Margaret Souttar, Scottish, 1914-1987, selfportrait, mixed media on canvas, signed lower right, 60cm x 51cm Provenance: By direct descent through the artist’s family. £100-150 See Illustration

347 Margaret Souttar, Scottish, 1914-1987, oil on paper depicting houses in a square, signed lower right, 86cm x 63cm Provenance: By direct descent through the artist’s family. £80-120 348 Margaret Souttar, Scottish, 1914-1987, oil on paper, abstract with moon signed lower right, 88cm x 59cm Provenance: By direct descent through the artist’s family. £80-120 349 Margaret Souttar, Scottish, 1914-1987, oil on paper, abstract water landscape, signed lower right, 51cm x 95cm Provenance: By direct descent through the artist’s family. £80-120 350 Margaret Souttar, Scottish, 1914-1987, pencil sketch half-length portrait of a man, and a pen and ink sketch of a bird of prey, signed, 46cm x 37cm Provenance: By direct descent through the artist’s family. £30-50

344 344 Margaret Souttar, Scottish, 1914-1987, bustlength portrait of the concert pianist Stephen Bishop, mixed media, unsigned, 77cm x 41cm Provenance: By direct descent through the artist’s family. £100-150 See Illustration 345 Margaret Souttar, Scottish, 1914-1987, oil on board, abstract of a rocket, signed to the middle, 65cm x 82cm £80-120 346 Margaret Souttar, Scottish, 1914-1987, oil on paper, depicting houses, signed lower right, 67cm x 84cm Provenance: By direct descent through the artist’s family. £80-120

351 Margaret Souttar, Scottish, 1914-1987, oil on paper abstract of a figure, signed lower right, 79cm x 23cm, and an oil on board abstract of a figure unsigned, 68cm x 43cm Provenance: By direct descent through the artist’s family. £100-150 352 Margaret Souttar, Scottish, 1914-1987, two unframed oils on board depicting landscape with clock tower, 62cm x 83cm and another smaller Provenance: By direct descent through the artist’s family. £30-50 353 Margaret Souttar, Scottish, 1914-1987, oil on board depicting a black bird, unsigned, 42cm square £40-60

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358 358 Margaret Souttar, Scottish, 1914-1987, oil on paper designs for stations of the cross, (9) Provenance: By direct descent through the artist’s family. £100-200 See Illustration 354 354 Margaret Souttar, Scottish, 1914-1987, oil on board, self-portrait half-length, dressed in black coat, signed lower right, 76cm x 51cm £100-150 See Illustration 355 Margaret Souttar, Scottish, 1914-1987, oil on paper depicting tribal figure of a naked woman wearing a crown, unsigned, 51cm x 33cm Provenance: By direct descent through the artist’s family. £100-150 356 Margaret Souttar, Scottish, 1914-1987, oil on paper, designs for St Laurence’s Church Chobham, stations of the cross including Crib and Virgin, all unframed, some signed Souttar ‘62, various sizes 76cm x 55cm and smaller, (9) Provenance: By direct descent through the artist’s family. £100-200 357 Margaret Souttar, Scottish, 1914-1987, oil on paper, designs for St Laurence’s Church Chobham and stations of the cross, various sizes including 74cm x 54cm, (9) Provenance: By direct descent through the artist’s family. £80-120 66

359 Margaret Souttar, Scottish, 1914-1987, oil on paper designs for stations of the cross, 74cm x 53cm and smaller, (10) Provenance: By direct descent through the artist’s family. £100-200 360 Margaret Souttar, Scottish, 1914-1987, mixed media St. Mary’s Church Lynton Lady Chapel, 75cm x 55cm, two others, and four oils on paper, images of crosses, (7) £100-200 361 Margaret Souttar, Scottish, 1914-1987, oil on paper, four unframed works including still-life of flowers x2, one signed, an abstract and another with guitar, (4) £100-200 362 Margaret Souttar, Scottish, 1914-1987, oil on paper, four unframed works including stilllifes, signed and some dated ‘56 and ‘58 Provenance: By direct descent through the artist’s family. £100-200

363 363 Margaret Souttar, Scottish, 1914-1987, oil on paper, four unframed works including one of a woman, and three abstract, 94cm x 63cm Provenance: By direct descent through the artist’s family. £100-200 See Illustration

364 Margaret Souttar, Scottish, 1914-1987, oil on paper, four unframed works including still life of flowers, table lamp and abstract, one dated 58, two signed, 96cm x 63cm Provenance: By direct descent through the artist’s family. £100-200

365 Margaret Souttar, Scottish, 1914-1987, oil on paper, four unframed works including table lamp, still life with saucepan and abstract, 96cm x 62cm Provenance: By direct descent through the artist’s family. £100-200

366 Margaret Souttar, Scottish, 1914-1987, oil on paper, five unframed works including still life with plant and statue, portrait of a girl and portrait of a black bird, the largest 96cm x 63cm Provenance: By direct descent through the artist’s family. £100-200

367 367 Margaret Souttar, Scottish, 1914-1987, oil on paper Cambridge College, signed and date ‘60 and another similar, both unframed, 103cm x 69cm Provenance: By direct descent through the artist’s family. £200-300 See Illustration

368 Margaret Souttar, Scottish, 1914-1987, oil on paper, S.... College Cambridge and with Trinity College Arms, signed lower right, unframed, 76cm x 56cm £200-300

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371 369 369 Margaret Souttar, Scottish, 1914-1987, oil on paper, Cambridge College, 56cm x 76cm and a sketch of Trinity Hall, both signed lower right Provenance: By direct descent through the artist’s family. £200-300 See Illustration

371 Margaret Souttar, Scottish, 1914-1987, oil on paper, Trinity Hall Cambridge, 76cm x 56cm, unsigned and unframed, and two sketches of Magdalene, signed £200-300 See Illustration

372

370 370 Margaret Souttar, Scottish, 1914-1987, oil on paper, Trinity Hall, signed and unframed, and another sketch signed and dated ‘60 Provenance: By direct descent through the artist’s family. £200-300 See Illustration 68

372 Margaret Souttar, Scottish, 1914-1987, oil on paper, Cambridge College, and a sketch, both unsigned and unframed £200-300 See Illustration 373 Margaret Souttar, Scottish, 1914-1987, oil on paper, five unframed works, three signed including portrait x 2 and three abstracts Provenance: By direct descent through the artist’s family. £150-250

374 Margaret Souttar, Scottish, 1914-1987, oil on paper depicting classical head, another of a woman’s head, six sketches Provenance: By direct descent through the artist’s family. £150-200 375 Margaret Souttar, Scottish, 1914-1987, oil on paper, abstract figural portrait depicting eleven figures, signed lower right, unframed and another Provenance: By direct descent through the artist’s family. £20-40 376 Margaret Souttar, Scottish, 1914-1987, a large quantity of sketches of Cambridge colleges, approx. 26 in colour, other sketches and details of designs Provenance: By direct descent through the artist’s family. £60-100 377 Margaret Souttar, Scottish, 1914-1987, oil on paper depicting half length portrait of Edward dressed in blue, 50cm x 41cm, unsigned and unframed and another portrait of a girl Provenance: By direct descent through the artist’s family. £150-200

380 Margaret Souttar, Scottish, 1914-1987, oil on paper, The House in Dormer Forest, two other interior settings both unframed and unsigned, 19cm x 28cm image size of largest, and a quantity of pencil sketches for The House in Dormer Forest including Peter Ustinov, Olivia Travers and James Cleaver a quantity of painting on tracing type paper of figures and interiors of buildings Provenance: By direct descent through the artist’s family. £50-80 381 Margaret Souttar, Scottish 1914-1987, a selection of mixed media works and prints including shop fronts, figures, portraits and birds, (18) Provenance: By direct descent through the artist’s family. £60-100 382 Margaret Souttar, Scottish 1914-1987, selection of original works to include, stilllives, seagull and figure studies, (13) Provenance: By direct descent through the artist’s family. £60-100

378 Margaret Souttar, Scottish, 1914-1987, two charcoal drawings of tribal figures both, signed, unframed, 96cm x 64cm, and a drawing of two clowns Provenance: By direct descent through the artist’s family. £80-120 379 Margaret Souttar, Scottish, 1914-1987, oil on paper bust-length portrait, an abstract, both unframed and unsigned, a quantity of other unframed works by the same hand Provenance: By direct descent through the artist’s family. £80-120

383 383 R. Davey, Paris street scene, signed, oil on canvas, 50cm x 60cm £100-150 See Illustration

69

384 384 R. Davey, Paris street scene, signed, oil on canvas, 60cm x 90cm £150-250 See Illustration

387 387 Mary Remington 1910-?, ‘Eggs in the copper bowl’, Exhibited, N.E.A.C. The Mall Galleries, 1988, 46cm x 67cm £200-300 See Illustration 388 Christine Morrell Barnett, ‘Harbour/Dream’, watercolour, Bohun Gallery Label verso, 36cm x 55cm £50-100 389 Mike Hindle, ‘Dog on Beach II’, watercolour, signed and dated verso 2001, 18cm x 15cm £40-60

385 385 Alan Furneaux, ‘Marrakech’, signed, oil on canvas, 74cm x 100cm £300-500 See Illustration

390 Bob Eckersley, ‘Cut glass dish with fruit’, acrylic on board, 43cm x 33cm, and another, ‘Still-life with Tankard’, 24cm x 33cm, (2) £60-100 391 Emma Dunbar, ‘Blue Spotted Sheep’, acrylic on board, signed and dated ‘06, 28cm x 29cm £50-80

386 386 § Eric Rimmington British b.1926, ‘Standing Clay’, oil on canvas, 41cm x 51cm, and another, ‘Six over Seven’, oil on linen, 31cm x 36cm, (2) £200-400 See Illustration 70

392 Mountainous landscape, signed indistinctly verso and dated 1970, oil on canvas, 58cm x 49cm and another, landscape with a cloudy sky, oil on board, 35cm x 25cm, (2) £60-100

393 393 § Oliver Warman, RBA, ROI, ‘Richmond Hill’, signed lower right, oil on board, with Sadler Street Gallery label verso, titled to label and attributed verso, 36cm x 45cm £120-180 See Illustration

395 395 § Eleanor Fein, British b.1940, ‘Peering Tiger’, oil on canvas, 30.5cm x 30.5cm Provenance: Bohun Gallery £200-300 See Illustration

396 Emma Turpin, 1964, ‘Woman Looking at the Stars I’, oil on board, 20.5cm x 21.5cm Provenance: Bohun Gallery £60-100

397 Christine Morrell Barnett, seascape, watercolour, 21cm x 50cm Provenance: Bohun Gallery £60-100

394 394 § Neil MacPherson British b.1954, ‘A Woman Who Knew When to Let the World Pass By’, 2009, oil on canvas/board, 41cm x 40cm Provenance: Bohun Gallery. £500-700 See Illustration

398 Fiona Millais, British b.1960, ‘November Walk’, mixed media on wood, 30cm x 32cm Provenance: Bohun Gallery £50-100

71

399 399 Victoria Crowe, British b.1945, ‘Annunciation’, mixed media, 19cm x 24cm £200-400 See Illustration

401 401 § William Littlejohn, 1929-2006, ‘Dragonfly, Fish and Trellis’, watercolour, 1999, 32cm x 39cm Provenance: Bohun Gallery £150-250 See Illustration 402 Mary Rose O’Neill, b.1961, ‘Garden’, etching, collage and stitching, 61cm x 55cm Provenance: Bohun Gallery £60-100

403

400 400 § Olwen Jones, British b.1945, Interior with white lilies, watercolour, 33cm x 26cm Provenance: Bohun Gallery £150-200 See Illustration

72

403 § Fiona Millais, British b.1960, ‘Hellabore Diptych’, acrylic on canvas, 56cm x 102cm £200-300 See Illustration

404 404 § Fiona Millais, British b.1960, ‘Agapanthus and Stream’, acrylic on canvas, 76cm x 82cm Provenance: Bohun Gallery. £100-200 See Illustration

405 Barbara Shaw, ‘Peacock Feathers in a Vase’, watercolour and collage, signed and dated 1996, 44cm x 35cm, H. J. Willcox, ‘Amphora’, watercolour, 24cm x 34cm, C. CunninghamJones, abstract, 28cm x 39cm, (3) £40-60

406 Parrish, ‘Wild Flowers’, watercolours, 65cm x 42cm and 58cm x 31cm, (2) £40-60

407 Helen Williams, Triptych, white linen and a larger piece, 100cm x 36cm £100-150

409 409 § John Bellany (Scottish, 1942 - 2013) ‘Rose Valley, moored in harbour’, signed, oil on canvas, 76cm x 61cm, unframed.

Provenance: The vendor was the manager of Bird & Davis who made John Bellany’s canvases. The painting was a Christmas gift from John Bellany. £2000-3000 See Illustration

410 Ken Howard British b.1932, watercolour, coastal town, signed and dated ‘79, 26cm x 36cm, £200-400

408 Accia, three paintings of warriors, acrylic on board, (originally purchased from Liberty of London), 33.5cm x 24cm each £40-80

73

74

411 Unknown artist New York School mid 1990’s, triptych oil on canvas, six studies of the same girl in surrealist setting with various animals (middle panel 152.5cm x 152.5cm, end panels 152.5cm x 91.5cm) £1500-2500 See Illustration

411

412 412 Kelsey Brookes (American b.1978) original ‘Drawing 4’, signed, framed and dated illustrations from 2009, female nude, pen and ink on paper, 21cm x 28cm £150-250 See Illustration

414 414 Kelsey Brookes (American b.1978) original ‘Drawing 7’ signed, framed and dated illustrations from 2009, female nude, acrylic, pen and ink on paper, 21cm x 28cm £150-250 See Illustration

415 Joanne Helman, “Two Red Pears”, oil on canvas, 91cm x 91cm £100-150

416 Joanne Helman, “Five Red Pears”, oil on canvas, 152cm x 91cm £150-250

413

417 Joanne Helman, “Red Apple”, oil on canvas, 76cm x 61cm £100-150

413 Kelsey Brookes (American b.1978) Original ‘Drawing 6’ Signed, framed and dated illustrations from 2009, female nude, pen and ink on paper, 21cm x 28cm £150-250 See Illustration 75

420 Cecil Keeling, cartoon of Roman Centurions signed in pencil with printed caption ‘The next man I Hear talking about sunny beaches of Ostia is Automatically in Charge!’ 32cm x 24cm Abbott and Holder label verso £40-60

418 418 Rozanne Bell, Cornish harbour, signed, acrylic, 59cm x 23cm £100-200 See Illustration

421 421 Elizabeth Jane Lloyd (1928-1995), ‘Through the garden gate in Summer’, watercolour, signed in pencil, 71cm x 54cm £120-180 See Illustration

422 Henry Bird (1909-2000), ‘Nude with Horns’, signed sketch, 45cm x 28cm £80-120

419 419 Franta Belsky, Czech (1921-2000), bronzed resin of Winston Churchill, signed verso, 15cm high £100-200 See Illustration 76

423 Henry Bird, 1909-2000, pair of sketches of standing female nudes, one dated 7 Aug ‘46, unsigned, gallery label verso, each 45cm x 27cm £100-200

424 424 George Manchester, British 1922-1996, industrial landscape scene, signed and dated 1969, oil on canvas, 40cm x 60cm £50-80 See Illustration

426 426 Julian Gordon Mitchell, man with sculpture of ear, oil on canvas, 76cm x 102cm £100-200 See Illustration

427 Julian Gordon Mitchell, two paintings, various fungi, another of pomegranate, both oil on canvas, 73cm x 102cm £100-200

428 Julian Gordon Mitchell, two paintings, bowl of fruit and vegetables, another of an open musical case containing an Hurdy Gurdy, both oil on canvas, 76cm x 102cm £100-200

429 Julian Gordon Mitchell, empty room containing propped up wheelbarrow, oil on canvas, 127cm x 102cm £100-200

425 425 Julian Gordon Mitchell, boy with four eyes working at a table, oil on canvas, 101cm x 76cm £100-200 See Illustration

430 Julian Gordon Mitchell, two paintings, highheeled shoes, 30cm x 40cm, and a portrait of a lady, both oil on canvas, 40cm x 30cm £50-100

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431 431 Julian Gordon Mitchell, scene of a stage production with a clown and monkey, 120cm x 150cm £100-200 See Illustration 433 433 Julian Gordon Mitchell, image of mannequin with mouse head, oil on canvas, 150cm x 120cm £100-200 See Illustration

432 432 Julian Gordon Mitchell, broken pipe oil on canvas. 150cm x 120cm £100-200 See Illustration

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434 434 Julian Gordon Mitchell, image of a beehive on a table, with small smoke pump and bees escaping from a crack at the bottom, oil on canvas, 100cm x 120cm £100-200 See Illustration

439

435 435 Julian Gordon Mitchell, image of a chopping block with head, 120cm x 100cm £100-200 See Illustration

439 Julia Burns, still-life of oranges, signed, oil on canvas, 70cm x 87cm £50-100 See Illustration 440 Unknown artist, portrait of a man, oil on canvas, unsigned, 81cm x 64cm £50-100 441 Unknown artist, portrait of man with a sea shell, oil on canvas, unsigned, 40cm x 36cm £50-100 442 Unknown artist, study of a hung chicken, unsigned, gouache, 60cm x 45cm £50-100

436 436 Pair of 20th century oils on board of mythological animals painted in relief, to include a prancing horse with Egyptian style head, unsigned, 120cm x 45cm £60-100 See Illustration 437 Unknown artist, portrait of man with dead chicken, oil on canvas, unsigned, 140cm x 110cm £50-100 438 Unknown artist, abstract, oil on canvas, unsigned, 138cm x 133cm, by the same hand, abstract, 122cm x 95cm £50-100

443 Unknown artist, abstract, oil on canvas, unsigned, 66cm x 87cm £50-100 444 Unknown artist, study of a dead bird, oil on canvas, unsigned, 66cm x 87cm £50-100 445 Unknown artist, abstract, oil on canvas, unsigned, 60cm x 50cm £50-100 446 Zemane Mathieu batik, birds in flight. 90cm x 63cm and another framed textile depicting birds (2) £40-60

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447 447 American school, bloodstock auction, watercolour, signed Eric and dated ‘52, 58cm x 47cm, back of the mount stamped Perkins & Lavaty agents for artists, New York 22, reverse with label for A.P.F Framemakers and Conservators, New York City £300-500 See Illustration

448 448 Ron Meilof, landscape with a swan on a lake, signed, oil on canvas, 49cm x 69cm with original purchase receipt. £150-250 See Illustration

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449 449 Michel Cadoret (1912-1985), ‘Towners II’, oil on canvas, 1956, 76cm x 100cm, exhibition label verso, Musee Municiplal St. Germain (1974) £300-500 See Illustration

450 450 § Fred Yates (British 1922-2008), Worthing sea front, watercolour, signed and dated ‘89, 53cm x 74cm Provenance: Purchased from Thompson Gallery Marylebone approximately 20 years ago. £1000-1500 See Illustration

451 451 Dusan Jevtotic ‘Grape Harvest’, signed and dated 1976, pair of oils on board, each 10cm x 17cm £150-250 See Illustration

452 452 Clifford Bayly, ‘The Long Track’, acrylic on board, 120cm x 120cm £250-350 See Illustration 81

82 453

453 § Jean Lurcat, French (1892-1966), “L’Homme et Les Regnes”, (Trans. Man and the Kingdom of animals and plants) hand woven wool tapestry made by Suzanne Goubely-Gatien, Aubusson, circa 1947, signed in the weave Lurcat together with workshop monogram GG, depicting the figure of a entombed man in an abstract nightscape among a variety of plants and animals, 220cm x 304cm.

Provenance: Originally purchased for the Belgium home of the vendor’s family in 1947 and has been in the same family from new. A photograph of this lot was used on the front Cover of Homes and Gardens ‘The Luxury of Space’ February 1966.

Jean Lurcat, (1892 - 1966) was a French artist and designer most notable for reviving the art of tapestry weaving in the 20th Century.

During the 1930’s, Lurcat turned from being primarily a painter to designing tapestries.

In 1939 he established a centre for the making of contemporary tapestries in the French town of Aubusson, historically associated with tapestry weaving since the 16th Century.

Amongst his most notable works is L’Apocalypse (1948) commissioned for the Church of Notre Dame de Toute-Grace du Plateau d’Assy. £3000-5000 See Illustration

83

454 454 ยง Ismael De La Serna, Spanish 1897-1968, portrait of an old man with a glass of wine, oil on canvas, 45cm x 34cm. ยฃ800-1200 See Illustration 84

455

455 § Phillip Connard, British 1875-1958, ‘Carnations’, signed, oil on canvas, 50cm x 60cm. £600-800 See Illustration

85

456

456 Jacques (Jakub) Zucker, American, 19001981, ‘Notre Dame on the Seine’, signed, oil on canvas, Bruton Street Gallery label verso, 58cm x 71cm £800-1200 See Illustration

86

457

457 Henderson Cisz, acrylic on canvas, scene depicting two figures on a deserted beach, 91cm x 91cm ÂŁ800-1000 See Illustration

87

458 Paolo Bigazzi Popies, Charterhouse in Tuscany, signed, oil on canvas, gilt frame.

40x50cm £200-400 459 Madge Bright, Caribbean Fishing Boats, signed, oil on canvas, gilt frame. 40x65cm £50-80

460 Aubrey Sykes VPRI PPS (British, 1910-1995) Member of the Wapping Group, The Discovery, watercolour and bodycolour on board depicting riverscape of Thames at Chelsea Embankment, bears exhibition labels to verso. signed top right 36cm x 52cm £300-400

461 461 Contemporary sculpture of a panther made up of recycled car parts, 40cm long

£100-150 See Illustration

462 462 Contemporary sculpture of a tractor with back hoe made up of recycled car parts, 63cm wide £140-180 See Illustration 88

463

463 Frank Meisler 20th Century Israeli “David & Batsheva” silvered and gilt bronze on a black marble effect swivel square base. 35cm high, with certificate. £600-800 See Illustration

89

464

464 Frank Meisler 20th Century Israeli, “Torah Shrine” silvered and gilt bronze sculpture on a black marble effect swivel action square base.

40cm high £400-600 See Illustration

90

CONTEMPORARY PRINTS

465 § John Piper (1903-1992) ‘The Seasons: Autumn’ etching, 1981, sheet Size: 60cm x 50cm, signed and numbered 11/100 by the artist in pencil, framed. £500-800 See Illustration

465

466 § John Piper (1903-1992) ‘The Seasons: Winter’, etching, 1981, sheet Size: 60cm x 50cm, signed and numbered 56/100 by the artist, framed. £500-800 See Illustration

466 91

467

467 § Victor Pasmore British 1908-1998, “Magic Eye 7” Etching & Aquatint, 1995, sheet Size: 50.5cm x 50.5cm, published by Marlborough Fine Art, signed and numbered 20/35 by the artist in pencil, framed. £400-600 See Illustration

92

473 † George Mallard, ‘Sinbad’s Garden II’, signed and dated ‘79, limited edition etching 16/25, 38cm x 45cm, As this lot is owned by a company registered for VAT we are obliged to charge VAT on the hammer price on this lot. £30-40 474 Andrew Wernik, Silk screen, Phase Dance: Slipstream, signed and dated ‘89, 127cm x 97cm £100-150 468 468 Albert Irvin RA ‘Simone II’, screen print, 1992, Sheet Size: 30cm x 42cm, signed and numbered by the artist, framed £200-300 See Illustration 469 Sam Toft “Big Mustard Hug” Limited edition giclee print, signed and numbered by the artist, published by the Art Group with their certificate of authentication, unframed, 33cm x 23cm £60-100 470 Sam Toft “The World’s Our Oyster, Doris”, limited edition giclee print, signed and numbered by the artist, published by the Art Group with their certificate of authentication, unframed, 24cm x 69cm £60-100 475 471 Clare O’Hea, “Cosmos”, limited edition giclee print, signed and numbered by the artist, published by the Art Group with their certificate of authentication, unframed, 26cm x 80cm £40-60

475 § Craigie Aitchison British 1926-2009, screenprint with highlights, No 55/75, dated 2000, 30cm x 24.5cm. £500-800 See Illustration

472 Michael Austin ‘Echoes’, limited edition giclee print, signed and numbered by the artist, unframed, 46cm x 30cm £30-50

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479

476 476 Hilary Adair, artists proof, 60cm x 41cm, and two screen prints from the ‘Calf Bearer’ series, both approx. 64cm x 47cm (one unframed) £100-150 See Illustration

479 Linda Beckett, two limited edition lithographs ‘Last Sunlight on the Ocean’ 11/30, and ‘Embers of the Sky’ 14/30, both signed, titled and numbered in pencil, unframed, each 62cm x 90cm £40-60 See Illustration

477 Limited edition framed print after Ravett, “Gothic Habitat”, 74cm x 50cm, a limited edition lithograph after Leon Piesowocki entitled “Girl Reflected in a Window”, 82cm x 56cm (unframed), and another with signature indistinct £50-80

480 478 478 Michael Kenny, 20th century, ‘Black Tyre’, signed and dated 1969, artist’s proof, screen print, 62.5cm x 75.5cm £80-120 See Illustration 94

480 Rafael Bogarin (Venezuelan, b.1946). ‘Jupiter 3’, limited edition colour silkscreen print.

Signed, titled and numbered 157/295 in pencil to margin. Unframed, 65cm x 50cm (paper size 73cm x 58cm) £40-60 See Illustration

484 Duggie Fields, (American), limited edition serigraphs, ‘Role Model’, 61/100, signed in pencil and dated 1987, 74cm x 58cm £100-200 485 Rosina Wachtmeister, ‘L’ isola di Muran’, framed print, Glynn Boyd Harte, limited edition print, 73/100, and two unframed prints £50-100

481 481 Nicholas Phillips. Lithographic print depicting a garden scene. Signed in pencil to margin, unframed. 28.5cm x 31cm (paper Size: 51cm x 64cm) £10-20 See Illustration 486 486 Jo Brocklehurst, 1935-2006, pastel and mixed media, ‘Miss 13’ signed titled and dated 1980, 58cm x 90cm £150-250 See Illustration 487 May, Women on a sofa Artist Proof signed 50cm x 64cm and William Tillyer Bernard Jacobson Gallery poster 70cm x 98cm £50-100 482 482 § Terry Frost, ‘Lemon and Blue’, screenprint, signed and numbered in pencil 118/150, 38cm x 65cm. £400-600 See Illustration 483 Glynn Boyd Harte (1948-2003) still-life of crayons, pencils, flowers and fruit, III/X, signed, 57cm x 75cm £80-120

488 1970’s printed mirror of a woman in suspenders with an apple 70cm x 48cm £50-100 489 Margaret Souttar, Scottish, 1914-1987, 29 prints of a Cambridge college, 57cm x 77cm, unframed and unsigned and another of Trinity College with writing in pen at the bottom and dated 17.5.60, two sketches and an acetate Provenance: By direct descent through the artist’s family. £50-80

95

490 Margaret Souttar, Scottish, 1914-1987, two limited edition prints of Trinity College, Cambridge, 144 and 145 out of 150, signed, unframed, 78cm x 56cm Provenance: By direct descent through the artist’s family. £80-120

495 Margaret Souttar, Scottish, 1914-1987, limited edition print, Selwyn College Cambridge 70 out of 75, signed, unframed, 58cm x 78cm Provenance: By direct descent through the artist’s family. £50-80 496 Margaret Souttar, Scottish, 1914-1987, limited edition print, Trinity College, Cambridge, four out of 50 signed, unframed, 58cm x 78cm Provenance: By direct descent through the artist’s family. £50-80 497 Margaret Souttar, Scottish, 1914-1987, limited edition print, Trinity College, Cambridge, 4 out of 50 signed, unframed, 58cm x 78cm Provenance: By direct descent through the artist’s family. £50-80

491 491 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 142 and 143 out of 150, Trinity College Cambridge 77cm x 56cm, signed Provenance: By direct descent through the artist’s family. £80-120 See Illustration 492 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 166 and 167 of 178, Queen’s College Cambridge, 77cm x 56cm, signed Provenance: By direct descent through the artist’s family. £80-120 493 Margaret Souttar, Scottish, 1914-1987, limited edition print Trinity College Cambridge 2/50, signed lower right and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 494 Margaret Souttar, Scottish, 1914-1987, limited edition print, Selwyn College, Cambridge 72 out of 75, signed, unframed, 58cm x 78cm Provenance: By direct descent through the artist’s family. £50-80 96

498 Margaret Souttar, Scottish, 1914-1987, limited edition print, Trinity College, Cambridge, 4 out of 50 signed, unframed, 58cm x 78cm Provenance: By direct descent through the artist’s family. £50-80 499 Margaret Souttar, Scottish, 1914-1987, limited edition print, Trinity College, Cambridge, 1 out of 50 signed, unframed, 58cm x 78cm Provenance: By direct descent through the artist’s family. £50-80 500 Margaret Souttar, Scottish, 1914-1987, limited edition print, Selwyn College, Cambridge, 71 out of 75 signed, unframed, 58cm x 78cm Provenance: By direct descent through the artist’s family. £50-80 501 Margaret Souttar, Scottish, 1914-1987, five prints of Cambridge Colleges, one signed, unframed, each approximately 79cm x 56cm Provenance: By direct descent through the artist’s family. £30-50

502 Margaret Souttar, Scottish, 1914-1987, ten acetate stencils of the Cambridge colleges in various states, 84cm x 61cm Provenance: By direct descent through the artist’s family. £50-80 503 Margaret Souttar, Scottish, 1914-1987, limited edition print Trinity College Cambridge 5/50, signed lower right signed and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 504 Margaret Souttar, Scottish, 1914-1987, limited edition print Trinity College Cambridge 1/50, signed lower right and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 505 Margaret Souttar, Scottish, 1914-1987, limited edition print Trinity College Cambridge 3/50 signed lower right and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 506 Margaret Souttar, Scottish, 1914-1987, limited edition print College Cambridge 72/75 signed lower right and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 507 Margaret Souttar, Scottish, 1914-1987, limited edition print of a College Cambridge 74/75, signed lower right signed and unframed 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 508 Margaret Souttar, Scottish, 1914-1987, limited edition print College Cambridge 71/75 signed lower right and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80

509 Margaret Souttar, Scottish, 1914-1987, limited edition print of a College Cambridge 75/75, signed lower right and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 510 Margaret Souttar, Scottish, 1914-1987, limited edition print Selwyn College Cambridge 74/75, signed lower right and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 511 Margaret Souttar, Scottish, 1914-1987, limited edition print Selwyn College Cambridge 70/75, signed lower right and unframed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 512 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 168 & 169 of 178, Queen’s College Cambridge, signed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 513 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 170 & 171 of 178, Queen’s College Cambridge, signed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80 514 Margaret Souttar, Scottish 1914-1987, two limited edition prints 172 & 173 of 178, Queen’s College Cambridge, signed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £80-120

97

515 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 174 & 175 of 178 Queen’s College Cambridge, signed, 77cm x 56cm Provenance: By direct descent through the artist’s family. £50-80

521 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 13 & 14 of 178, Trinity College Cambridge, signed, 77cm x 56cm and another print not numbered or signed Provenance: By direct descent through the artist’s family. £80-120

516 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 176 & 177 of 178 Queen’s College Cambridge, signed, 77cm x 56cm and another print not numbered or signed Provenance: By direct descent through the artist’s family. £50-80

522 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 10 & 12 of 178, Trinity College Cambridge, signed, 77cm x 56cm and another print not numbered or signed Provenance: By direct descent through the artist’s family. £80-120

517 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 2 & 3 out of 178, Trinity College Cambridge, signed, 77cm x 56cm and another print not numbered or signed Provenance: By direct descent through the artist’s family. £80-120 518 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 4 & 5 of 178, Trinity College Cambridge, signed, 77cm x 56cm, and another print not numbered or signed Provenance: By direct descent through the artist’s family. £80-120 519 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 6 & 7 of 178, Trinity College Cambridge, signed, 77cm x 56cm and another print not numbered or signed Provenance: By direct descent through the artist’s family. £80-120 520 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 8 & 9 of 178, Trinity College Cambridge, signed, 77cm x 56cm, and another print not numbered or signed Provenance: By direct descent through the artist’s family. £80-120

98

523 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 146 & 147 of 150, Trinity College Cambridge, signed, 77cm x 56cm and another print not numbered or signed Provenance: By direct descent through the artist’s family. £80-120 524 Margaret Souttar, Scottish, 1914-1987, two limited edition prints 148 & 149 of 150, Trinity College, Cambridge, signed, 77cm x 56cm and another print not numbered or signed Provenance: By direct descent through the artist’s family. £80-120 525 Margaret Souttar, Scottish, 1914-1987, one limited edition print 150 out of 150, Trinity College Cambridge, signed, 77cm x 56cm and two unsigned prints Provenance: By direct descent through the artist’s family. £50-80 526 Picasso exhibition poster 21.4.58, hands grasping a bunch of flowers, printed Schuster, Paris 75cm x 49cm and a Cezanne poster £100-150 527 Konstantin Chmutin, Limited Edition Mezzotints, Still-life VI (Off-Centre Gallery) Concept VI & Still-Life V (Royal Academy Summer Exhibition 1991) with original receipts £150-250

528 528 § Henry Moore (1898-1986), seated figure with architecture background, etching signed and numbered 42/50, 22cm x 21cm. £500-700 See Illustration

529 529 § Henry Moore (1898-1986), Tiger, etching signed and numbered Pl X, 28/65, 26cm x 30.5cm. £500-700 See Illustration 99

530 530 ยง Henry Moore (1898-1986), Leopard, etching signed and numbered Pl V 21/65, 32cm x 26.5cm. ยฃ500-700 See Illustration 100

531 531 § Henry Moore (1898-1986), Reclining figures, lithograph in colours, signed and dated ‘73, numbered 5/75, 36cm x 29cm. £500-700 See Illustration 101

532

532 ยง Henry Moore (1898-1986), Mother and Child, etching, aquatint, roulette and drypoint in four colours, signed and numbered Pl XXIX, 61/65, 26.5cm x 32cm. ยฃ500-700 See Illustration

102

533 533 § Paul Klee (1879-1940), Figure, lithograph in colours, signed, with certificate of authenticity, 25cm x 19cm Provenance: lot 166 at Dreweatt Neate Auction 18th February 2005. £400-600 See Illustration

534 534 § John Piper (1903-1992), ‘Foliate Heads II’, 1975, screen print on paper, image 58cm x 76cm Provenance: Bohun Gallery. £400-600 See Illustration 103

535 § John Piper (1903-1992), ‘The Seasons: Autumn’, etching, 1981, sheet Size: 60cm x 50cm, signed by the artist and numbered 92/100 in pencil, framed Provenance: Bohun Gallery. £500-800 See Illustration

535

536 § John Piper (1903-1992), ‘The Seasons: Winter’, etching, 1981, sheet Size: 60cm x 50cm, signed and numbered 74/100 by the artist, framed Provenance: Bohun Gallery. £500-800 See Illustration

536 104

537

537 § John Piper (1903-1992), ‘Locmariaquer, Brittany’, 1990, etching and aquatint, image 41cm x 60cm, signed by the artist and numbered 22/70 in pencil, framed Provenance: Bohun Gallery. £500-700 See Illustration

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538 538 § Joan Miro, “Lithograph II” (Miro Lithograph Series I, Mourlot Edition), signed in pencil, 31cm x 24cm, with certificate of authenticity. £400-600 See Illustration 539 Shoichi Hasegawa, b.1929, ‘Fossile’, etching and aquatint, 80/99, signed in pencil, 62cm x 53cm £100-200 540 Alexa, ‘After the rain’, etching, 42cm x 46cm and ‘Night’, aquatint, 37cm x 36cm, both signed in pencil, (2) £50-100 541 David Remfry, ‘Sisters’, etching, signed and numbered 18/50 in pencil, 44cm x 38cm Provenance: Bohun Gallery £50-70 106

542 Etching of girl reclining on a bed with an angel at her shoulder, signed indistinctly in pencil; Jen Thompson, ‘The Warm Hedge’, watercolour; Diana Croft, ‘Spirals & Stars’, mixed media, 6/25, signed in pencil, and a dry point etching, ‘Hill’, signed in pencil, (4) £60-80 543 Lebadang (b.1921), two limited edition prints one of a prancing horse 35/50 and one of moored boats 5/10 £50-70

546

544 544 Sir Sidney Robert Nolan (Australian 1917 1992) limited edition print ‘Mission Station’ 40/60, signed and titled in pencil 63cm x 47cm £60-100 See Illustration

546 After L.S. Lowry (1887-1976), ‘The Arrest’, unsigned limited edition print from edition of 850 copies, numbered to margin with Adam Collection stamp, framed and glazed, 52cm x 42cm, (frame: 62cm x 51cm) £300-400 See Illustration

547

545 545 Sir Sidney Robert Nolan (Australian 19171992), limited edition print ‘Carcase in a Tree’, 40/60, signed and titled in pencil 63cm x 47cm £60-100 See Illustration

547 After Fernand Leger 1881-1955, ‘The Accordionist’s Family’, Saphire E11, from the suite of 10 serigraphs after gouaches, 1954-55; screenprint in colours on arches, signed and dated 50.51 within the plate, bears monogram for printer Jean Bruller, numbered 359/1000 in pencil, bears blind stamp ‘Serigraphie F Leger’, 50cm x 35.5cm; together with one other screen print after Fernand Leger titled ‘Fleur sur fond Jaune et Orange’, numbered 795/1000 in pencil, bears monogram for the printer Jean Bruller within the plate, bears blindstamp ‘Serigraphie F Legar’, 46x31.5cm (2 in total) £400-600 See Illustration 107

548 548 Sir Sidney Robert Nolan (Australian 19171992) First Proofing Foliate form on purple back ground dated, 23rd December 1982, not signed, 79cm x 69cm £100-200 See Illustration

549 549 Sir Sidney Robert Nolan (Australian 19171992), limited edition print 33/70, signed lower margin, 66cm x 51cm £150-250 See Illustration

550 550 Georges Braque 1882-1963 ‘Oiseau Bleu et Jaune, 1960’ coloured lithograph print, 27cm x 40cm, facsimile signature £300-500 See Illustration 108

551 551 § Laurence Stephen Lowry (1887-1976), ‘Family Discussion’ signed lower right in pencil, limited edition print 223/850, 36cm x 25cm, With Certificate from Halcyon Gallery and other paper work. £1000-1500 See Illustration 109

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554

552 § Sandra Blow, British 1925-2006, ‘Borderline’, screenprint in colours/wove, 67/85, signed in pencil, 73cm x 73cm. £400-600 See Illustration

554 Beryl Cook, coloured print, Street Market, signed in pencil, with Gallery blind stamp, 36x36cm £150-250 See Illustration

555

553 553 Brendan Neiland, b.1941, screenprint, ‘Hampton Court’, signed and dated 1984, and numbered 39/250, Redfern Gallery label verso, 74cm x 51cm £60-100 See Illustration 110

555 Anita Ford (British, b.1948). Three limited edition prints. ‘The Green Rocks Remain’, 1978. Signed, titled dated and numbered 11/26 in pencil to margin. 48cm x 48cm. ‘The Rocks Turned Green’, signed, titled, dated ‘78, and numbered 14/32 in pencil to margin.

And ‘Desert Field’, signed and dated ‘80 and numbered 21/25 in pencil to margin, 73.5cm x 60.5cm. Each framed and glazed (3) £20-40 See Illustration

556 Jan King (b.1945). ‘Direction’, limited edition screenprint, 1978. Signed, titled and numbered 108/250. Framed and glazed, 54cm x 38cm (size in frame 65cm x 53cm). £10-20 See Illustration

557 Two limited edition prints. Bob Hooper, 20th century, ‘Cross Section No.15’, artist’s proof, signed and dated ‘70, 53cm x 51.5cm, and Dale Devereux Barker (British, b.1962).

‘Golgotha’, Ltd Ed Screenprint. Signed, titled, dated 88’, numbered 1/6 in pencil to lower margin, unframed 30cm x 30cm (2) £10-20

END OF SALE

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TERMS OF SALE EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

The forename(s) and surname of the artist: In our opinion a work by the artist.

The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work.

The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.

‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest.

‘Signed’: Has a signature which in our opinion is a recognised signature.

‘Dated’: Is so dated and in our opinion was executed at that date.

The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.

Measurements: Height precedes width.

AUTOGRAPHS Autographs – We check all autographs when they are valued and believe to the best of our knowledge they are authentic. Many autographs come from private sellers and are sold without any history or COA. We urge buyers to satisfy themselves BEFORE bidding. If you strongly feel an item has been mis-described please contact us within one calendar month after the auction.

If you are an overseas buyer it is your prerogative to arrange shipping in good time to avoid the one month cut off period. If a concern is raised before the end of the timescale we will place the item on hold for another calendar month. During this time a letter of rejection must be obtained from PSA/DNA and NO ONE else. Details can be found here http:/www.psacard.com/Services/AutographAuthentication If a letter of rejection is provided by PSA/DNA we will offer a full refund, not inclusive of shipping or authentication. This is why we urge buyers to satisfy themselves BEFORE bidding.

TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only.

1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk. In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer.

The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22.5% plus VAT of the Hammer Price; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6 The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7 Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8 Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.5 If you do not collect the Lot that you have paid for within ninety days

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after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9 Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5).

Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

10 Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

11 Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing.

Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are secondhand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12 Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (i) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13 Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within one month of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14 Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15 Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankauctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website 17 General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate.

Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right.

Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These conditions of business are based upon recommended terms of sale by SOFAA (http:/www.sofaa.org/)

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CONDITIONS OF BUSINES FOR ONSITE AUCTIONS CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS (November 2015) These conditions of business for auctions held at an auctioneer’s premises (“Conditions”) consist of: (1) Users’ Introduction (which sets out a guide for users of these Conditions); (2) Information for Buyers (which sets out information for buyers who will be subject to the Terms of Sale); (3) Terms of Consignment (which are the contractual terms that sellers at auctions are subject to); and (4) Terms of Sale (which are the contractual terms that bidders and buyers at auctions are subject to).

Items (2), (3) and (4) are used together as a package.

(1) USERS’ INTRODUCTION 1.1 Modern consumer protection law, whether from the UK or the EU is having a steadily increasing impact on the sale of goods by auction. In particular, the Consumer Rights Act 2015 (the “Act”) and the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013 (the “Regulations”) apply to auction sales held at the auctioneer’s premises. Copies of the Act and the Regulations are available for inspection on request.

1.2 The Act stipulates that contractual terms that apply to consumers must be prominent and transparent (i.e. legible and expressed in plain and intelligible language). In addition, the Act sets out an indicative, non-exhaustive, list of terms which may be regarded as unfair and therefore not binding on a consumer. As a result (and in order to prevent these Conditions becoming unwieldy and unbalanced), these Conditions ask the auctioneer on occasion to accept more risk and responsibility in relation to its business buyers and sellers than it usually would (and indeed than it may legally have to) in order to bring these Conditions in line with the Act. 1.3 The Regulations state that certain information about the seller/auctioneer, the contract and the consumer’s rights must be provided to a consumer prior to concluding any contract for the consignment or sale of goods. However the extent of information to be provided depends on whether the contract itself is deemed to be a distance, off-premises or onpremises contract. These Conditions have been prepared on the assumption that all contracts with sellers and buyers are on-premises contracts (meaning contracts negotiated and concluded at the auctioneer’s premises). The information that the auctioneer is required to provide to consumer sellers and buyers is set out at the start of the Terms of Consignment and Terms of Sale respectively.

1.4 These Conditions have been prepared based on the following assumptions: a. the contracts concluded with the seller for the consignment of the goods and with the buyer for the purchase of the goods are on-premises contracts; b. the auctioneer will take possession of the goods from the seller prior to the auction; c. the auctioneer will prepare the description of the goods appearing in the auction catalogue based on the information provided by the seller and the auctioneer’s own inspection of the goods; d. the buyer will have the opportunity to inspect the goods prior to the auction and will have the opportunity to attend the auction in person; e. the auctioneer will take payment of the goods from the buyer, deduct any commission/ premium, agreed expenses and VAT and pay the remainder to the seller; and f. the auctioneer will keep the goods until they are either collected by the seller (if unsold at the auction) or collected by the buyer following the auctioneer’s receipt of the purchase price from the buyer.

1.5 The auctioneer has two points of interaction with consumers: a. when the auctioneer provides services to the seller; and b. when the auctioneer comes into contact with buyers. (Although not primarily contracting with the auctioneer, who is an agent for the seller, buyers normally contract on standard terms imposed by the auctioneer as agent. Some of these conditions create a direct contract between the buyer and the auctioneer).

1.6 These Conditions are designed to reflect the law and provide reasonable protection for the seller, the auctioneer and the buyer. The authors had in mind general sales of fine art and these Conditions do not deal with specialist sales such as plant and machinery, or agricultural produce. In these areas, statute law tends to lay down extra duties which must be dealt with by specific conditions not appearing here.

1.7 These Model Conditions primarily consist of the “Terms of Consignment” and the “Terms of Sale”. The transactions between seller and auctioneer, and seller and buyer are completely distinct contracts. We have therefore placed considerable importance on using the expression “Terms of Consignment” for sellers and other consignors who consign property for sale at onsite auctions, and “Terms of Sale” for transactions which take place by auction.

The term “Conditions of Business” includes both the Terms of Consignment and the Terms of Sale as well any notices displayed in the saleroom and any announcements made by the auctioneer at the auction.

1.8 Individual clauses have been drafted in the light of statutory requirements and case law.

1.9 Buyers and sellers are bound by the auctioneer’s Conditions of Business (2) INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are

displayed in our salerooms or announced by the auctioneer at the auction.

Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues and on our web-site. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 22.5% on the hammer price of each lot purchased. In addition, VAT will be added to this premium (see below).

5. VAT. Items in our catalogue may be marked in the following ways: a. (†) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them.

However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7. Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Phone bidders must be prepared to guarantee a starting bid of at least £500 if they wish to bid by telephone.

10. Commission bidding. You may leave commission bids (absentee bids) with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained).

Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or via our website or online bidding platform.

11. Methods of Payment. Usually any cheques will need to be cleared before you can take the goods away. Please discuss with our office in advance of the sale if you plan to use other methods of payment (except cash, for which there is an upper limit of 15,000 euros equivalent). There is an additional charge of 2.5% plus VAT on credit card payments with no additional charge on debit card payments (either made securely online or in person via a chip and pin machine).

12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly and within 7 days of the end of a sale. Any delay may involve you having to pay storage charges which are currently set at £5 plus VAT per lot per day.

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EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

The forename(s) and surname of the artist: In our opinion a work by the artist.

The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work.

The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.

‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest.

‘Signed’: Has a signature which in our opinion is a recognised signature.

‘Dated’: Is so dated and in our opinion was executed at that date.

The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.

Measurements: Height precedes width.

AUTOGRAPHS Autographs – We check all autographs when they are valued and believe to the best of our knowledge they are authentic. Many autographs come from private sellers and are sold without any history or COA. We urge buyers to satisfy themselves BEFORE bidding. If you strongly feel an item has been mis-described please contact us within one calendar month after the auction.

If you are an overseas buyer it is your prerogative to arrange shipping in good time to avoid the one month cut off period. If a concern is raised before the end of the timescale we will place the item on hold for another calendar month. During this time a letter of rejection must be obtained from PSA/DNA and NO ONE else. Details can be found here http:/www.psacard.com/Services/AutographAuthentication If a letter of rejection is provided by PSA/DNA we will offer a full refund, not inclusive of shipping or authentication. This is why we urge buyers to satisfy themselves BEFORE bidding.

(3) TERMS OF CONSIGNMENT Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Consignment carefully. Please note that if you (or another person acting on your behalf) provide goods to us to sell on your behalf at our auction, this signifies that you agree to and will comply with these Terms of Consignment.

Please note that these Terms of Consignment relate to auctions held at our premises only.

SUMMARY OF COMMISSION AND CHARGES Commission is charged to sellers calculated, per lot, at 15% Entry Fee £10 per lot (sold or unsold) Catalogue Illustration Fee £10 per lot (sold or unsold, discretionary) Loss and damage warranty 1.5%.

All the above are subject to VAT at the current rate.

Commission and fees are negotiable for important or large collections and consignments.

1 Definitions and interpretation 1.1 To make these Terms of Consignment easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person who places a bid for Goods at our auction; “Buyer” means the person who makes the highest bid for the Goods accepted by the Auctioneer; “Commission” means the commission that we charge you on the sale of the Goods as set out in Clause 5 below; “Consumer” means an individual acting for purposes which are wholly or mainly outside that ndividual’s trade, business, craft or profession; “Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “FCA” means the Financial Conduct Authority; “Goods” means the goods that you consign to us for sale at our auction; “Hammer Price” means the level of the highest bid for the Goods accepted by the Auctioneer by the fall of the hammer; “Premium” means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale; “Price” means the total of the Hammer Price, Premium and any applicable VAT; “Proceeds” means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT; “Reserve” means the minimum price at which the Goods may be sold; “Seller” means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable); “Terms of Consignment” means these terms of consignment;

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“Terms of Sale” means the terms of sale for bidders or buyers at our auctions; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer); “VAT” means any value added tax or equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk In these Terms of Consignment the words “you”, “yours”, etc. refer to the Seller. The words “we”, “us”, etc. refer to the Auctioneer. If the consignment of Goods to us is made by an agent we assume that you (as owner of the Goods) have authorised the consignment and authorised the agent to contract on your behalf. All obligations that apply to the Seller under these Terms of Consignment shall apply to the owner of the Goods and their agent, jointly and separately. Any reference to a ‘Clause’ is to a clause of these Terms of Consignment unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of the auction-related services that we are providing to you as set out in these Terms of Consignment or otherwise agreed with you in writing.

2.2 Our name, address and contact details as set out in these Terms of Consignment and/or on our Website.

2.3 The rate at which we will charge you the Commission plus any applicable VAT on the sale of the Goods as set out in Clause 5.

2.4 The fee that we will charge you plus any applicable VAT as set out in Clause 18 if either the Goods are unsold at auction or the Goods are withdrawn by you from the auction after the Goods have been catalogued and/or marketed by us prior to the auction in any way.

2.5 The arrangements for collection of any unsold Goods as set out in Clauses 18 and 20 and terms regarding payment of any Proceeds due to you set out in Clause 17.

2.6 If you have any complaints, please get in contact with us using the contact details set out on our website.

3 Procedure for consigning Goods for sale at auction 3.1 If you consign Goods to us for sale at auction, you will need to provide us with the following information about you, in a form acceptable to us: 3.1.1 Your legal name and proof of identity; 3.1.2 Information about the Goods (as set out in Clause 12); 3.1.3 Your bank account details; 3.1.4 Your address and contact details; 3.1.5 Your VAT registration number (if applicable); and 3.1.6 Your confirmation of whether you are selling the Goods as a Trader or as a Consumer.

3.2 If you do not provide us with, or we are not satisfied with any of the above information, we may refuse to accept consignment of your Goods for sale in our auction.

3.3 You must provide the Goods to us by any stated deadline (at your expense). We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4 The contract between you and the Buyer 4.1 The contract between you and the Buyer will be formed when the hammer falls accepting the highest bid for the Goods at the auction.

4.2 You may directly enforce any terms in the Terms of Sale against a Buyer and/or a Bidder to the extent that you have suffered damages and/or loss as a result of the Buyer and/or the Bidder’s breach of the Terms of Sale.

4.3 If you breach these Terms of Consignment, you may be responsible for damages and/or losses suffered by a Buyer, Bidder and/or by us. If we are contacted by a Buyer and/or a Bidder who wishes to bring a claim against you, we may in our discretion provide the Buyer and/or Bidder with information or assistance in relation to that claim.

4.4 We normally act as an agent only and will not have any responsibility for default by you or the Buyer.

5 Commission 5.1 We will charge you a commission on the sale of the Goods calculated as a percentage of the Hammer Price at the following rate: 15% plus VAT 5.2 In addition we have an Internet and marketing charge of £10 per lot and a further charge of £10 per lot for printed catalogue illustrations (these charges apply to both sold and unsold lots) and all charges are plus VAT. 6 Loss and Damage to Goods 6.1 We are not authorised by the FCA to provide insurance to you. However, subject only to Clauses 6.4 and 6.5, we accept liability for Goods from the time we takepossession of the Goods until the fall of the hammer.

6.2 Our liability for Goods is limited to our lower pre-sale estimate for the lot before the sale, or the Hammer Price if the lot has sold, or to the Reserve if the lot is unsold.

6.3 To justify accepting liability for Goods as set out above, we will charge you 1.5% plus VAT of the Hammer Price plus VAT or, if unsold, 1.5% of our lower estimate for the lot.

6.4 The liability accepted by us in Clause 6.1 does not include any liability for loss or damage to the Goods that is caused by or results from: (i) any inherent vice or defect affecting the Goods; (ii) acts of God, flood, drought, earthquake or other natural disaster; (iii) acts of terrorism, civil commotion, riots or war; or (iv) nuclear, chemical or biological contamination.

6.5 If you (or your agent) instruct us in writing not to assume liability for Goods, the Goods remain entirely at your risk unless and until the Goods pass to the Buyer or are collected by you or on your behalf. In this case Clauses 6.1 - 6.4 will not apply.

7 Photographs You will pay for the cost of any photographs of your Goods produced for the auction catalogue. We reserve the right to photograph all Goods unless you specifically request us not to. The copyright in such photographs will be owned by us, along with the text of the auction catalogue. For charges see clause 5 above.

8 Minimum bids and our discretion Goods will normally be offered subject to a Reserve agreed between you and us before the auction in accordance with Clause 9. We may sell Goods below the Reserve provided that we account to you for the same sale proceeds as you would have received had the Reserve been the Hammer Price. If you specifically give us a “discretion” we may accept a bid of up to 20% below the formal Reserve.

9 Reserves 9.1 Reserves must be reasonable and may not exceed our lower pre-sale estimate for that lot. We may decline to offer Goods which, in our opinion, would be subject to an unreasonably high reserve (in which case the Goods carry the storage and insurance charges set out in these Terms of Consignment).

9.2 Once we have agreed a Reserve, this cannot be changed except with your and our consent.

9.3 Where a Reserve has been agreed only we may bid on your behalf and only up to one bid below the Reserve (if any) and you may in no circumstances bid personally or ask anyone else to bid on your behalf.

9.4 Pre-sale notifications will be sent via email if provided, or post if not, reserves will not be set by the auctioneer without specific instructions and we must be advised of any request for a reasonable reserve figure by you, in cases were no reserve has been set by you then the item will be sold without reserve.

10 Electrical items 10.1 You must test any electrical items that you wish to consign to us for sale using external contractors. We will not accept any Goods that are not certified as safe by an electrician (unless they are antiques).

10.2 If we notify you that we will not accept uncertified electrical Goods, you must remove such Goods promptly at your expense following such notification. If you do not collect the Goods within five days of our written notice to do so, we may dispose of the Goods at your expense.

11 Unsafe Goods If in our opinion any of your Goods, in particular those which are soft furnishings, infringe safety regulations, we will not offer these Goods for sale.

You must remove such Goods at your expense. If you do not collect such Goods within five days of our written notice to do so, we may dispose of the Goods at your expense.

12 Warranties and information about the Goods 12.1 You must provide us with all information that you have relating to the provenance, export/import history, condition, attribution and authenticity of the Goods (and any additional information that may be relevant).

12.2 In addition to any warranties implied by law, you warrant to us and the Buyer that: 12.2.1 any information that you provide in relation to the Goods is complete, correct and up-to-date; 12.2.2 the Goods will match any description of the Goods that you provide to us; 12.2.3 as far as you are aware, the main characteristics of the Goods set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by us at the auction) are correct.

12.2.4 to the best of your knowledge, the Goods have been lawfully imported and lawfully and permanently exported as required by the laws of any country in which the Goods were located; required declarations upon the export and import of the Goods have been properly made; and any duties and taxes on the export and import of the Goods have been paid; and 12.2.5 you will pay all taxes and duties potentially due on the sale of the Goods.

12.3 You must let us know promptly, and in any event before the auction, if you find out that any of the information you have provided to us relating to the Goods is incorrect or incomplete and/or if the Goods do not match the description that you provided to us or the main characteristics of the Goods set out in the auction catalogue.

12.4 Any information that you provide in relation to the Goods may form part of the contract between both of us and the Buyer and you acknowledge that the Buyer may have a statutory right to reject the Goods if the information provided is incorrect.

12.5 If we have to refund the price of any Goods to the Buyer due to the Goods being a Deliberate Forgery, you must promptly, and in any event within seven days, reimburse to us any Proceeds that we have transferred to you for those Goods following receipt of our written notice requesting you to do so.

13 Transfer of ownership of the Goods You warrant and undertake to us and the Buyer that you are the true owner of the Goods (or are properly authorised by the true owner to sell the Goods on the owner’s behalf) and you currently have and will have the right to sell the Goods to the Buyer with good and marketable title free of any third party rights or claims at the time when ownership of the Goods is to be transferred.

14 Indemnity You will indemnify and keep us fully indemnified against any and all liability, loss, damage, costs (including reasonable legal fees and any VAT in relation to such fees) and expenses which we may incur or suffer as a result of any breach of Clauses 12 or 13 by you or anyone acting on your behalf, including without limitation, if we are required to refund the price of any Goods to the Buyer as a result of your breach of these clauses.

15 Terms of Sale You agree that the Goods will be sold to the Buyer in accordance with our Terms of Sale, a copy of which will be displayed in the saleroom and printed in our auction catalogue.

16 Authority to deduct commission and expenses and retain premium and interest You authorise us to deduct our Commission at the stated rate and all expenses incurred on your account from the Hammer Price, plus any applicable VAT. You consent to our right to charge the Buyer and retain

beneficially the Premium plus any applicable VAT paid by the Buyer in accordance with our Terms of Sale and any interest earned on the sale proceeds until the date of settlement.

17 Settlement 17.1 Provided that the Buyer has paid for the Goods, we will usually pay the net sum due to you within twenty eight days of the last day of the auction by crossed cheque to the seller.

17.2 If the Buyer has not paid for the Goods, we will not submit payment to you. In this case no settlement will be made. We will however discuss with you the rights that we may exercise under Clause 9 of our Terms of Sale in relation to a Buyer’s failure to pay. We will not release the Goods to the Buyer until we have received payment in full of the Price for the Goods.

17.3 You must notify us in writing if your bank account details change. We will not be responsible for any payments made to the incorrect bank account if this is because you have not provided us with the correct bank account details.

17.4 If we make payments to your bank account in error, we may request reimbursement by sending you an invoice.

17.5 We may deduct any sums that you owe to us from the Proceeds.

18 Unsold and withdrawn items 18.1 If the Goods are unsold at auction, you authorise us to negotiate a sale by private treaty not later than the close of business two working business days following the last day of the auction. In this case you will pay to us the same charges as if such Goods had been sold at auction and, so far as appropriate, these Terms of Consignment will apply to any such sale.

18.2 In addition to Clause 18.1, we may, with your consent, re-offer unsold Goods at a future auction (or by private treaty thereafter as set out in Clause 18.1 above) but we may recommend a variation in estimates or Reserve.

Where, in our opinion, Goods are unsaleable, we will notify you and you must collect such Goods from the saleroom within seven days of the date of our notice to do so. If you fail to collect such Goods promptly, we may charge you reasonable storage charges at a daily rate of £5 per lot per day. If unsold lots remain with us after a period of one week, without instructions from you, we reserve the right to offer them to a local charity shop or arrange for their disposal at a charge of £10 plus VAT per lot.

18.3 You will pay us a charge of 15% of lower estimate for the lot plus all applicable marketting and / or illustration charges plus VAT on all charges, at a minimum of £10 plus VAT per Lot, on any Goods that are unsold at the auction and fail to sell by private treaty as described in Clause 18.1.

18.4 You will pay us a charge of 15 % of the lower estimate for the lot plus all applicable marketting and / or illustration charges plus VAT on all charges, at a minimum of £10 plus VAT per Lot, on any Goods that are withdrawn from the auction after being catalogued and/or marketed by us prior to the auction in any way.

19 Withdrawal of the Goods by us 19.1 We may (acting reasonably) at our discretion at any time withdraw your Goods from our auction: 19.1.1 for legal, reputational or operational reasons (including if you fail to provide evidence to verify your identity or your title to the Goods to our satisfaction); 19.1.2 if we reasonably believe that you may be, or are about to be, in breach of these Terms of Consignment; or 19.1.3 if we reasonably believe the Goods to be a Deliberate Forgery.

20 Warehousing 20.1 We have no liability for Goods that you deliver to our saleroom without sufficient sale instructions. We reserve the right to charge you a minimum warehousing charge of £5 plus any applicable VAT per Lot per day.

20.2 We will notify you to ask you to remove any of your unsold or withdrawn Goods. Unsold and withdrawn Goods will be subject to the charges set out in Clause 20.1 above if you do not remove them within five days of the date of our notification requesting you to do so.

20.3 If you do not remove your unsold or withdrawn Goods within [thirty days] of the date of our notification we may either: (a) sell such Goods and set off charges from any net proceeds of sale; or (b) at your expense dispose of such Goods.

21 Our liability to you 21.1 We will not be liable to you for any loss of opportunity or disappointment suffered as a result of participating in our auction.

21.2 In addition, neither we nor the Buyer shall be responsible to you and you shall not be responsible to the Buyer or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

21.3 Subject to Clause 21.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the Proceeds due for the Goods if sold or the Reserve if unsold.

21.4 Notwithstanding the above, nothing in these Terms of Consignment limits the liability of us or our employees or agents for: 21.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 21.4.2 fraudulent misrepresentation; or 21.4.3 any liability which cannot be excluded by law.

22 Notices 22.1 All notices between you and us regarding these Terms of Consignment must be in writing and signed by or on behalf of the party giving it.

22.2 Any notice referred in Clause 22.1 may be given: 22.2.1 by delivering it by hand; 22.2.2 by first class pre-paid post or Recorded Delivery; or 22.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

22.3 Notices must be sent: 22.3.1 by hand or registered post: a. to us, at our address set out in these

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Terms of Consignment or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing.

22.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankaucctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

22.4 Notices will be deemed to have been received: 22.4.1 if delivered by hand, on the day of delivery; or 22.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 22.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 22.2.3.

22.5 Any notice or communication given under these Terms of Consignment will not be validly given if sent by fax, any form of messaging via social media or text message.

23 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

24 General 24.1 Each of the clauses of these Terms of Consignment operates separately.

If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

24.2 We may change these Terms of Consignment from time to time, without notice to you. Please read these Terms of Consignment carefully, as they may be different from the last time you read them.

24.3 Except as otherwise stated in these Terms of Consignment, each of our rights and remedies: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Consignment or general law; and (b) may be waived only in writing and specifically. Delay in exercising or nonexercise of any right under these Terms of Consignment is not a waiver of that or any other right. Partial exercise of any right under these Terms of Consignment will not preclude any further or other exercise of that right or any other right under these Terms of Consignment. Waiver of a breach of any term of these Terms of Consignment will not operate as a waiver of breach of any other term or any subsequent breach of that term.

24.4 These Terms of Consignment are between you and us. No person other than you, the Buyer or us will have any rights to enforce any of these Terms of Consignment.

24.5 These Terms of Consignment and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

(4) TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only.

1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk. In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer.

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The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22.5% plus VAT of the Hammer Price; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6 The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7 Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8 Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

8.5 If you do not collect the Lot that you have paid for within ninety days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9 Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

10 Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

11 Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are secondhand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12 Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (i) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13 Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within one month of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14 Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15 Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankauctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3.

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website 17 General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate.

Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right.

Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These conditions of business are based upon recommended terms of sale by SOFAA (http:/www.sofaa.org/)

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No exit from A3 here

HOW TO FIND US Heading north on the A3 take the Ripley turning to the Burnt Common roundabout and follow the Woodhill signs.

Heading South turn off the A3 11â „2 miles after the M25 junction and proceed through Ripley to the Burnt Common roundabout as above. If you miss the Ripley turning go South, proceed to the Merrow & Burpham slip road and join the A3 Northbound.

Ewbank Auctioneers is situated between the A3 and B2215 South of Burnt Common Roundabout.

Burnt Common Roundabout one way

one way

A3

Please note: if using Sat Nav to navigate to us then do not use our postcode as this will direct you to the A3. Please use postcode GU23 7JY, this will take you to the Burnt Common roundabout then follow directions as above.

EWBANK AUCTIONEERS In 1994 we acquired the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking main line station is 4 miles away with trains to Waterloo (23 minutes). Throughout our time in Guildford, we have had the privilege of advising thousands of clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of a hundred Antiques and Fine Arts auctions and over three hundred General Sales. When we started in 1990 we held six auctions a year and we are now expecting to hold more than 36 auctions in the next twelve months.

If they are to succeed, businesses like ours must give clients and buyers an efficient and friendly service and, over the years, we have always tried to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of Chartered Surveyors and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients come to us on recommendation, from professional advisers or existing clients. As the costs of selling by auction in Central London have rocketed we have benefitted from the general trend in recent years for more important items to be sold outside the capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital illustration of almost all lots in our quarterly Antique and Fine Art auctions, are included on the internet. Buyers are attracted from all over the world.

We have an agreement with artfact.com, who list our antique sales on Ebay, take commission bids from prospective buyers and facilitate active participation in the auction from a PC anywhere in the world at the time that the sale is actually in progress. This gives a far greater global marketing ability. We are trail-blazing in this field as there are only a handful of other Antique and Fine Art salerooms in the UK who also list on Ebay. We see this as being the way forward for the future and it will maximise our ability to achieve the best possible prices for our clients. In our first internet linked auction in 2005 there were nearly 20,000 visits to our online catalogue generating over 500 specific enquiries and the figures have risen markedly since then.

Ewbank Auctioneers has grown from humble beginnings holding six sales a year, to the position that we hold today, with our own salerooms and some twenty sales a year. Turnover since 1990 has increased by over 800%. Building refurbishments works have just been completed, which include a new mezzanine floor doubling our existing floor space, a new entrance, offices, a new heating system and external face-lift.

Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group. He is also an elected Member of its International Governing Council (the highest decision making body in the Institution). He joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994 (he first became a member in 1982), and was Chairman from 2000-2007. He has also in recent years been on the Executive Committee of the British Art Market Federation and was one of the first to join the new City of London Guild of Arts Scholars, Dealers and Collectors.

Chris Ewbank FRICS ASFAV

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ewbank’s auction sale dates 2016 Viewing days/times vary, please contact the auctioneer for details

Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA, ASFAV Partner

Andrea Machen, Cert GA Decorative Arts Specialist

chris@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

andrea@ewbankauctions.co.uk

July 6th 14th 14th 28th

Antique & Collectors' Decorative Arts Contemporary Art & Modern British Paintings Asian Art

August 3rd ends 26th 31st

Antique & Collectors' Movie Poster Timed Auction Antique & Collectors'

September 6th 7th 21st 22nd 23rd Alastair McCrea, MA Partner

Andrew Delve, MA, ASFAV Partner

Tim Duggan, ASFAV Partner

John Snape, BA, ASFAV Partner

alastair@ewbankauctions.co.uk

andy@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

john@ewbankauctions.co.uk

Entertainment & Memorabilia (Movie, Music, Sporting & Toys) Vintage Posters Jewellery, Silver & Watches Fine Art & Antiques Antique Furniture & Clocks

October 4th 5th 6th 27th 27th

Books, Manuscripts, Maps & Stamps Antique & Collectors' Photographic, Scientific Instruments & Natural History Decorative Arts Contemporary Art

November 10th 10th 16th 30th

Asian Art Textiles, Sewing & Vintage Fashion Antique & Collectors' Jewellery, Silver & Watches

December 1st 2nd 8th 9th 14th 15th

Fine Art & Antiques Antique Furniture & Clocks Entertainment & Memorabilia (Movie, Music, Sporting & Toys) Vintage Posters Antique & Collectors' Fine Wines & Spirits

Next Decorative Arts & Contemporary Art Auction: 27th October 2016

Front Cover: Lot 453 Back Cover: Lot 89 Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale.

For Monthly sales they go online approximately one week before the sale.

Lot 60

Lot 72

Dates are published on our website and are subject to change without notice.

Decorative Arts, Contemporary Art & Modern British Paintings Decorative Arts, Contemporary Art & Modern British Paintings

Thursday 14th July 2016

Thursday 14th July 2016

www.ewbankauctions.co.uk

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