Ewbanks 20th Century Art & Design Auction - 22 october by Andrew Ewbank

20th Century Art & Design Thursday 22nd October 2015

ÂŁ5

Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA ASFAV Partner

Andrea Machen, Decorative Arts Specialist

Alastair McCrea, MA Partner

Andrew Delve, MA ASFAV Partner

Tim Duggan, ASFAV Partner

chris@ewbankauctions.co.uk

alastair@ewbankauctions.co.uk

Front Cover: Lot 592

andrewe@ewbankauctions.co.uk

andy@ewbankauctions.co.uk

Inside Front Cover: Lot 556

andrea@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

Inside Back Cover: Lot 520

John Snape, BA ASFAV Partner

john@ewbankauctions.co.uk

Back Cover: Lot 547

20TH CENTURY ART & DESIGN

Surrey’s premier antique and fine art auction rooms

Celebrating 25 Years

20TH CENTURY ART & DESIGN Arts & Crafts, Art Nouveau, Art Deco, Modern Design, Contemporary Art

SALE: Thursday 22nd October 2015 at 10.30am VIEWING: Monday 19th October 10.00am - 5.00pm Tuesday 20th October 10.00am - 8.00pm Wednesday 21st October 10.00am - 5.00pm Morning of sale Arts & Crafts: Lot 1 – Page 4 Art Nouveau: Lot 97 – Page 13 Art Deco: Lot 180 – Page 21 Modern Design: Lot 300 – Page 29 Contemporary Art: Lot 462 – Page 39 For the fully illustrated catalogue, to leave commission bids, and to register for Ewbank’s Live Internet Bidding please visit our new website www.ewbankauctions.co.uk The Burnt Common Auction Rooms, London Road, Send, Surrey GU23 7LN

Tel +44 (0)1483 223101

E-mail: antiques@ewbankauctions.co.uk Buyers Premium 27% inclusive of VAT MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS

http://twitter.com/EwbankAuctions

www.facebook.com/Ewbanks1

INFORMATION FOR BUYERS 1.

Introduction.The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium at 27% inclusive of VAT on the hammer price of each lot purchased.

VAT. (†) indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

Condition of Lots. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Intending buyers have ample opportunity form inspection of goods and neither the seller nor we as the auctioneers accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Condition Reports.We may be able to assist buyers unable to view by providing a condition report, but these reports are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. (Please see our Conditions of Sale).

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Commission bids should be left with us before an auction starts. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or Email. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). We accept card payments provided that your registered address is the same as the card address. There is a surcharge of 2.5% plus VAT on credit cards but no charge on debit cards. 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges which are currently set at £5 plus VAT per lot per day. 13. Artist Resale Right. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser’s invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.org.uk or telephone +44 (0) 845 410 3410.

Arts & Crafts

Lot 28

Arts & Crafts

1 1

Moorcroft for Liberty biscuit barrel, pomegranate pattern on inky blue ground, the planished pewter mount stamped Moorcroft Tudric 1328, 13cm £250 - 350 See Illustration.

Cotswold school sideboard after a design by Peter Waals, open section above three drawers flanked by two panelled cupboard doors with carved octagonal handles, the chamfered legs on chip carved base 96cm x 153cm £200 - 300 See Illustration.

Christopher Dresser design for Benham and Froud Copper kettle of spherical form with brass mounts and wooden handle, stamped B & F mark. 22.5cm £100 - 150

Group of early 20th century silver and enamel jewellery, to include a shield form stamped DM & Co, a turquoise set necklace and two brooches with enamelled birds £50 - 80

2 2

Arts & Crafts copper. William Soutter of Birmingham beaten copper coal bin with cover, 39cm high and a Benson copper jug £50 - 80 See Illustration.

6 6

Cast bronze plaque depicting a female figure in classical dress and carrying the hind quarters of a deer, 42cm x 22cm £300 - 500 See Illustration.

Early 20th century brown leather sofa, stud fastening, on bobbin turned legs and stretcher 155cm wide £150 - 250

10 Arts & Crafts walnut table, rectangular with curved support, pegged construction £50 - 100

7 7

Royal Doulton, an Art Nouveau design biscuit barrel, height 17cm together with a Doulton Lambeth blue to green mottle glazed vase with raised decoration, height 25cm and small Royal Doulton Titanian ware bowl, height 5cm £70 - 100 See Illustration. Pair of early 20th century brown leather arm chairs, studded fastening, on turned legs £300 - 500 See Illustration.

11 11 Doulton Lambeth, complimentary pair of stoneware spirit decanters with stoppers. The shoulders with moulded foliate decoration over a square form body. Both with factory mark and stamp -1881 to the base. Height each 24cm £50 - 80 See Illustration.

12 Aesthetic walnut inkstand, with silver plated handle, two glass inkwells on rotating platforms above pen tray. Height 15cm, width 28.5cm £40 - 80 13 Gothic Revival coromandel tea caddy, domed top with ornate, engraved strap and handles, fitted with twin locking domed lids, labelled Black, and Green, by Tritschler Carlisle 16 x 23 x 12cm £200 - 300 8

18 14 Early 20th century oak coal bin, with applied copper repousse work with stylized floral decoration 50 x 59 x 41cm £60 - 100 15 Gordon Russell console table and coffee table, comissioned in the 1970s labelled Broadway Studios, pear wood Gordon Russell, Marin Hall, cabinet maker S.D. Wilcock, May 1973, coffee table 70 x 100cm, console table, 90 x 50cm £300 - 500 See Illustration.

16 Copper jardiniere with Arts and Crafts decoration, of stylized floral motifs and curved arrowhead handles C1900, 20.5 x 31.5cm £100 - 150 17 Gothic reform centre table, octagonal form top with single drawer, turned legs and cross section stretcher 106 x 106cm £100 - 200 18 Bruce Talbert a set of four gothic Revival chairs, in oak inset with roundels of ebony, turned legs, upholstered in woven green silk, 89cm £200 - 400 See Illustration.

19 19 Rare Wemyss Tulip vase, plum pattern marked Wemyssâ&#x20AC;&#x2122;, stamp for retailer T. Goode & Co 37cm high ÂŁ800 - 1200 See Illustration.

20 A.E Jones Arts & Crafts table lighter with motto, ‘There is no better herb under the canopy of heaven’ planished surface with applied handle, Birmingham 1925, 9.5cm and a Georg Jensen acorn pattern butter knife, length 11cm £150 - 250 21 American copper wall sconces with two branch candelabra, early 20th century, 40cm each £50 - 80 22 Doulton Lambeth stoneware jardinière with impressed leaf design on a mottled blue/yellow ground, 20cm £40 - 60 23 Worcester Aesthetic movement teapot and an Old Hall vase, teapot with blue and white Japanese style decoration, vase with Chrisopher Dresser influenced form, handpainted transfer printed flowers £80 - 120 24 Set of ten arts and crafts style silver tea spoons with pierced handles Sheffield 1912, makers mark H W £50 - 100 25 A pair of Doulton Mackinlays Scotch Whisky jugs. Decorated of applied thistles and seals £80 - 120 See Illustration.

27 27 An unusual Doulton Art Pottery jug, moulded with fish and water lilies. 21cm high £60 - 100 See Illustration. 28 Hannah Barlow for Doulton, vase decorated with sheep in a landscape by Hannah Barlow and Florence Roberts Inscribed numbers 339 and 625, 30cm £200 - 300 See Illustration. 29 Burmantoft vase, incised decoration of ‘bleeding Heart’ flowers, impressed monogram 23.5cm £50 - 80 30 Arts and crafts oak mission chair, with slatted sides and wide plank arms on square section legs, two cushions covered in William Morris fabric £100 - 200 31 Set of six Arts & Crafts chairs, oak with wavy back splats and square section legs, four chairs and two carvers, upholstered in William Morris fabric £300 - 500

26 26 A pair of Royal Doulton bottle vases. Impressed mark on one base possibly for Olive Dale, Number 6224 17cm £40 - 60 See Illustration.

32 Early 20th century Art pottery, an unusual Bretby pottery jug with dolphin spout and cherub in relief, the body with stencilled Art Nouveau style decoration 23cm and a Farnham pottery owl jug 10.5cm £40 - 60 33 Pair of late 19th century gothic revival candle sticks, in brass with pierced base and formal design of tulip heads, 20cm £30 - 50

188 231

25 27

111

28 231

230

231 26 7

34 W A S Benson circular copper and brass bowl on four trefoil feet diameter 20cm and a similar chamber stick in copper and brass, 11cm £80 - 120 35 Silver plated Kettle on stand with ebonised handle, after a design by Christopher Dresser 21cm high £30 - 50 36 Silver plated jug design attributed to Christopher Dresser, angular form with bands of formal leaf decoration, 18cm high An almost identical jug in earthenware was registered by Watcombe in 1872 £40 - 60 37 Christopher Dresser design, unglazed terracotta crocus pot holder decorated with repeating palm forms, impressed 8 x, 10 x 26cm £60 - 100 38 William Stephen Coleman 1829-1904 a stoneware moon vase handpainted with a mermaid, the reverse a crab, signed with monogram & dated 1902, 14cm high W S Coleman was born in Horsham Surrey director of Minton Art Pottery, establishing it in 1871, an illustrator and painter he was best known for his naturalist drawings £50 - 80 39 A group of early 20th century Art pottery, including an unusual pair Allvervale owl vases, similar fish vase Longpark pottery twin handled vase and two others £50 - 80 40 An Arts and Crafts three handled silver bowl, standing on three raised feet, planished finish, stamped marks, Chester 1911, 12.5cm wide £150 - 200 41 Liberty and Co set of 6 planished pewter bowls, numbered 0899, 12.5cm diameter £80 - 120

42 42 A large William Morris style tapestry panel circa 1890, depicting a large flowing and fruiting vine, worked in shades of olive greens and red, 256cm x 236cm £80 - 120 See Illustration. 43 Jones, Owen, The Grammar of Ornament, published by Bernard Quaritch, London 1868, Second edition, hardcover, Moroccan burgundy leather binding. 112 plates £300 - 400 44 Liberty and Co, oak and leather fire screen, circa 1900 with pierced top rail and embossed foliate design applied ‘Leatho’ label, 58cm wide, 77cm high £150 - 250 45 Set of five Early 20th century tiles, framed as one panel, relief decoration of fish and seaweed, framed 132cm x 25cm £100 - 200 46 American Arts & crafts silver ring set with cabochon agate and a pendant with green glass £50 - 80

Lot 123

Art Nouveau

Art Nouveau 97 Art Nouveau silver bowl by Henry Atkins the circular body, with decoration of flowers with entwined stems, crimped rim, raised on a spreading foot. Sheffield 1905 16 x 25cm £100 - 200 98 Royal Dux figural spill vase modelled as a maiden on a step, pink triangle to base, 38.5cm high £100 - 150 See Illustration. 99 A set of six silver Art Nouveau buttons, one decorated with a ladies head the others foliate designs Birmingham 1902 and 1903 cased £50 - 80 100 Royal Doulton, a rare Art Nouveau design jug, of tapering form with fluted rim, decorated with heraldic motifs, scrolling foliate and bearing the motto “Better Late than Never”, height 23cm, together with a small Art Nouveau Royal Doulton purple mottle glazed and enamelled bowl, height 12cm £100 - 150 See Illustration. 101 Pair of Austrian chargers, with relief decoration of figures and cherubs, early 20th century, stamped made in Austria 40cm diameter £80 - 120 98

102 Five Tiffany & Co sterling silver grapefruit spoons, decorative handles with floral patterns in relief to back and front Pat 1880M length 14.5cm 6oz £100 - 200 103 Tiffany Favrille glass a miniature two handle cauldron in gold iridescent glass incised LCT on base 5.7cm diameter and a miniature flared tubular vase £60 - 100 104 Large French pottery model of a raven perched over a bunch of grapes, height 27.5cm £50 - 80 105 Art Nouveau bronze cast from a model by Emmanuel Villanis, bust of a young women entitled ‘Lucrece’ signed on shoulder, foundry mark and numbered 2373, 37cm £250 - 350

100

106 Art Nouveau pewter mounted claret jug, design of cherries within a whiplash frame, clear glass with cut decoration, 30.5cm £150 - 250 107 Large Art Nouveau bust, depicting a lady wearing laurel leaf band in her hair, plaster with sepia stain, reverse bears circular mark, and numbered 1667, 39.5 x 37cm £150 - 250 108 Art Nouveau period bronze cast from a model by Gustave Gurchner, cold painted figural vide poche, of a maiden with flowing hair, apparently unmarked, 8.2 x 20.2cm £300 - 500 See Illustration.

108

114 Art Nouveau wardrobe, walnut with single mirrored door flanked by carved panels above drawer 205cm £200 - 300 115 Two handbags with Art Nouveau motifs, a leather bag with embossed decoration of Pierette, a silvered clasp bag and cigarette case £30 - 50

109 109 Daum France glass plafonnier, light shade, of yellow to amber mottled glass, signed Daum Nancy with cross of Lorraine, 30cm diameter £300 - 500 See Illustration. 110 WMF wine cooler, brass with Secessionist decoration of laurel leaves and leaf decorated handles, stamped on base, 23cm £70 - 100

116 116 A Secessionist casket by Erhard & Sohne, rosewood inlaid with brass, panels of exotic birds and flowering branches, on square section feet, the interior lined with red velvet, C1900 24cm wide £200 - 300 See Illustration.

111 111 Art Nouveau gold brooch, of clover sprigs set with pearl, French stamp, 2.6 x 3.5cm £100 - 150 See Illustration. 112 A pair of large French spelter figures representing L’electricite and La Vapeur, gold painted on faux marble bases, The largest 85cm high £150 - 250 113 Royal Doulton Art Nouveau decorated vase, of inverted baluster form applied with a stylised band of flowers on a blue ground. 47cm high £70 - 100

117 117 Daum Nancy, a cameo glass vase with decoration of purple flowers on a mottled blue mauve ground, signed Daum Nancy, 22cm £200 - 300 See Illustration. 118 Royal Doutlon Flambé glazed elephant, red glaze with ivory coloured tusks, early 20th century 19cm £50 - 100

121 119 Art Nouveau silver ladies mesh purse the clasp embossed with flowers and foliage, import mark for London 1906 Makers SM 13cm width £80 - 120 120 Art Nouveau silver plated purse embossed with two female figures to green embroidered bag, diameter 5cm, a continental white enamel ladies purse 11cm wide and Edward VII silver card holder Birmingham 1905 £50 - 100 121 Arts & Crafts rosewood bookcase cabinet, pierced decoration, leaded glazed doors, the central section with bevelled centre and inserts of slag glass, two leaded glass doors flanked by open sections 150cm x 156cm x 36cm £400 - 600 See Illustration.

122 122 Three opalescent Art glass vases, a squat vase with green trailing, another with applied green foot and a slender vase with crimped neck, early 20th century tallest 24cm £50 - 80 See Illustration.

123 123 Frans Bergman (1861-1936) Vienna, bronze, Art Nouveau watch stand, in the form of a young lady and lily pads, stamped verso 17cm ÂŁ600 - 1000 See Illustration.

126 Large Austrian ceramic group, modelled as a young maiden and a swan amongst naturalistic foliage, impressed 5197 W, to underside, 64cm high £150 - 250

127 124 124 After Paul (Gabriel Jean P.) Moreau-Vauthier, Bronze figure of a lady, inscribed P. Moreau-Vauthier on base. 37cm high £400 - 600 See Illustration.

127 Richard Ginori Art Nouveau plate, tube lined decoration of a young women with winged headdress and three birds in flight, printed marks, ‘Serpentina’ 21cm diameter £100 - 150 See Illustration.

128

125 125 Societe Parisienne de Ceramique Art Nouveau bust, modelled as a young women wearing a gilded necklace, unglazed earthenware, signed H. Jacobs, Paris- Charenton Le Port, 56cm £350 - 450 See Illustration.

128 20th century British School, watercolour and gouache heightened in silver, a design for wall paper or fabric, depicting a bird, fruit swag and pendants, 50 x 70cm £60 - 80 See Illustration. 129 A set of five secessionist style WMF silver plated cup holders, each with pierced decoration and impressed factory marks to base 7.5cm high and an Art Nouveau pewter frame (5) £120 - 160

Art Deco Lot 219

Art Deco 180 An unusual Maling inkwell, with decoration of a viking ship on a gilt decorated black ground, 18cm wide £70 - 100 181 Art Deco oak clock, inset with brass, silvered and black enamelled dial. Height 32cm, width 24cm £30 - 50 182 Heals Art Deco dressing table, in sycamore and rosewood, ivorine label 157cm by 97cm £80 - 120

186 Lalique glass circular dish Actinia pattern, clear and opalescent glass, acid etched R Lalique France diameter 29cm £250 - 350 See Illustration. 187 Doulton series ware ‘George and the Dragon’ plate, width 16.5cm, ‘The Falconer’ and a plate depicting a Norsk scene and five further plates of differing designs, together with 3 Royal Doulton wares including a small jug, height 9.5cm, a sugar bowl, height 6cm and lidded dish, height 5.5cm £80 - 120

183 Heals Art Deco sycamore and rosewood bedside cabinet. 69cm by 36cm £60 - 100 184 Art Deco cabinet oak in the manner of Ambrose Heal. in ‘smoked’ and limed oak. With visible joints and concave moulding, glazed cabinet flanked by two open bookshelves, on bun feet 123 x 125cm £80 - 120

188

185 185 Betty Joel ‘Sunburst’ Bed, headboard and bed end, in walnut, 128cm by 134cm £60 - 100 See Illustration.

188 Royal Doulton, a pair of Titanian ware vases, of tapering form with pierced twin handles decorated with bird of paradise design, height 19cm £50 - 80 See Illustration. 189 Gouda pottery and a pair of iridescent glazed peacock vases, hexagonal form impressed H 23cm high and four items of Gouda pottery to include a vase, pair of miniature two handled vases and an ashtray £80 - 120 190 Shelley tea service for six, painted and printed with yellow flowers Reg No 781613 comprising teapot, milk jug, sugar bowl, six cups and saucers, six tea plates, and a bread and butter plate £70 - 100 191 Group of Art Deco ceramics, Beswick, large twin handled vase, hand painted in rust, yellow, blue and purple hues. printed Made in England mark to base, together with incised 21 and hand painted 774-9, height 30.5cm, together with an Art Deco Czechoslovakian vase and further drip glaze vase £40 - 80

186

192 Large Art Deco ceramic figure of a stylised panther, in green glaze, 18.5 x 46cm £70 - 100

193 Art Deco decanter and glasses, in yellow faceted glass, with four tot glasses £50 - 80

201 Bakelite telephone, Late 1950s made for G.P.O £50 - 80

194 Art Deco mantle clock, of variegated marble with green patinated gazelle. 21.5 x 45cm £70 - 100

202 Group of Art Deco ceramics, Wilkinson Ltd fish cruet, Royal Winton “Gera” sugar sifter, another sugar sifter, ice cream sunday money box and a Wedgwood wave jug £50 - 80 203 Group of Moorcroft pottery, pair of Moorcroft Anemone bowls, 16cm, a similar Ginger Jar,16cm, Pansy pattern bowl 16cm and a Coral Hibiscus pattern bowl. 23.5cm £100 - 150 204 Art Deco onyx clock garniture, geometric pattern with chrome motifs, width 46cm, height 21cm £100 - 150

195 195 Bronze figure group of two young deer, cold painted finish, on black variegated marble stepped plinth, 1930s, 28 x 56cm £200 - 300 See Illustration.

205

196 196 French terracotta figure group, girl feeding grapes to a goat, marked on reverse RNV terre cuite d’art grand feu, marque depose, 1930s, 30 x 57cm £120 - 180 See Illustration.

205 Moorcroft pottery magnolia pattern vase and bowl, the vase of squat form with green signature, 10cm and a shallow bowl, with green signature and impressed marks, 17.5cm diameter £150 - 250 See Illustration.

197 Art Deco enamel stove, marine blue odeon form, 64 x 36cm £150 - 250 198 Wilton Ware hexagonal blue ground vase, decorated in gilt with boatmen in a formal garden setting. 35cm £40 - 60 199 Art Deco Walnut tub chair and table, table with alternating tiers, 54cm high, chair with brode upholstery £100 - 150 200 Brass and mirrored glass Art Deco electric clock by Smiths clock, and an acrylic and glass ceiling light £60 - 100

206 206 Moorcroft clematis pattern vase and bowl, ovoid form vase on a blue to green ground, impressed marks, 13cm and a similar bowl with pale flower, green signature, 18.5cm diameter £150 - 250 See Illustration.

207 207 Three Moorcroft bowls, hibiscus, and magnolia patterns both with paper labels and a later blackberry bowl with impressed marks £100 - 150 See Illustration. 211 211 Clarice cliff bizarre pattern vase, painted in orange, green and blue impressed 268, 20cm high £150 - 250 See Illustration. 208 208 Three Moorcroft vases, two with anenome pattern on a blue ground and one lilly on a brown ground 7.5 and 9cm, impressed marks and paper labels £100 - 150 See Illustration.

212 Ceramic flying ducks, for wall mounting, 1930s the largest 22cm wide £50 - 100 213 Art Deco style plaster figure of a reclining nude, late 20th century. Height 60cm £40 - 60 214 Susie Cooper coffee service, porcelain with floral painting £50 - 80

209 A collection of Morcroft pottery, two pen trays anenome and hibiscus, two cream ground items and an anenome dish, various marks and two with Liberty’s retail labels £100 - 150

210

215

210 Dunhill Aquarium lighter, internal decoration of fish within a shaped glass form, 8 x 10cm £500 - 800 See Illustration.

215 Royal Dux pair of porcelain blue and white and gilt pierrot / clown bookends, one reclining with legs in the air, height, 27cm £250 - 350 See Illustration.

219 216 A Grays pottery hors d’oeuvre set, comprising five rectangular dishes painted with alternate green and black line decoration fitted on oak tray. Solano ware part service comprising 6 cups and saucers, cream jug and sugar bowl £80 - 120 217 Art Deco heater, by The Gramophone Co Ltd EMI fan heater model no CRH6B £40 - 60

219 Daisy Makeig-Jones, Wedgwood Fairyland lustre ‘Firbolgs’ pattern vase and cover, decorated with gilt ‘firbolgs’ frolicking amongst flowering trees on an iridescent lustre ground. Printed Wedgwood Portland Vase mark to base, together with painted pattern number Z5247 and incised shape number 2410. Height 24.8cm £1500 - 2500 See Illustration.

218 Large English pink glass vase with etched design of a galleon, 38cm £70 - 100

220 Daisy Makeig-Jones Wedgwood octagonal “Hummingbird” pattern lustre bowl, exterior decorated with gilt and enamelled hummingbirds against a mottled blue ground. The interior a mottled orange, with outlined gilt bird motif border and single gilt hummingbird. Printed Wedgwood Portland Vase mark to base, together with painted pattern number Z5294. Height 5cm, Width 8.7cm £50 - 100 221 Clarice Cliff bowl, landscape pattern with red roof cottage and flowers by a pond, interior banded with colour, 20cm £70 - 100 222 Andre Fau and Marcel Guillard Boulogne Sur Seine large Art Deco figure of a lady, with gilt and grey mottled glazes over a white ground. Incised marks to base “Boulogne”, “Made in France” and “Foguy”. Height 32cm £50 - 80

225 225 Modernist glass ‘Ruba Rombic’ ash tray, by the Consolidated Lamp and Glass Company No. 829 Circa 1930 10cm diameter 5cm high £80 - 120 See Illustration. 226 Art Deco mirror, with peach tinted glass border and sand blasted floral motif, 75cm x 57cm £50 - 80 227 Royal Doulton “Plaza” breakfast set, for two decorated with blue flowers, comprising teapot, a pair of tea cups and saucers, tea plate, jug and sugar pot 1920s £40 - 60 228 A pair of Clarice Cliff wall plaques, with relief design of a basket of flowers, the handle tied with a ribbon, on a cream ground, 34cm diameter, printed factory marks for Clarice Cliff Newport Pottery Co and a Clarice Cliff Olde Bristol Porcelain part teaset, from a design by Duvivier, 5 cups and saucers £80 - 120 229 Moorcroft pottery, shallow dish, in Clematis design. 16cm and an oval Moorcroft Hibiscus Pattern bowl 23cm x 13.5cm £80 - 100

223 223 Gio Ponti (attributed) for Richard Ginori Art Deco vase, with raised leaf decoration picked out in gold. Marks to base “Richard-Ginori Pittoria di Doccia” and “Richard Ginori 36-10”, height 28cm. Note: This vase comes together with a certificate from the Gio Ponti archives stating that it was produced by Richard Ginori under the artistic direction of Gio Ponti in the second half of the 1920s £100 - 200 See Illustration. 224 Clarice Cliff, Indian Tree pattern vase, shape no 990. Marks to base, height 20cm £50 - 100

230 230 A pair of Royal Doulton vases, by Ada Tosen and Maud Bowden decorated with a band of anemones on a blue ground. Impressed mark 8742 £100 - 150 See Illustration.

231 Group of Doulton ceramics, vase by Francis C Pope, 28cm another of baluster form by Bessie Newberry and a rectangular vase by Emily Welch 21cm £100 - 150 See Illustration. 232 J G Morris, Girl with a terrier, water colour 27cm x 25cm, together with a ceramic figure of a girl with a terrier, 29cm high £40 - 60 233 Four early 20th century pin cushion heads, one nude torso 8.5cm, one frilled collar 9cm high and two small with shawls 5cm high each £30 - 50

238 Two French Art Deco mirrored glass stands, designed by Jean Luce for Crystal de St-Louis, 54cm x33cm and 36 x 24cm £200 - 300 239 A collection of 72 black and white photographs of 1930s /40s glamour girls, glazed in 3 frames, 50 x 40cm (3) £50 - 80 240 A French Art Deco five branch bronze chandelier, circa 1930, the raised outstretched arms decorated with stepped geometric design, with pendant fittings (lacking shades) 65cm wide £150 - 200

234 Dame Laura Knight, a pair of coronation mugs, 1937, one with original certificate, stamped marks Laura Knight DBE RA and Myott, 8cm £50 - 80

241 Just Andersen, Danish (1884-1943) patinated bronze shallow bowl, with engraved galleon decoration, stamped marks, 23.5cm diameter, together with another similar example (2) £100 - 150

235 Duchess China coffee set, decorated with flowers and Chinese lanterns, comprising, coffee, cream jug sugar bowl and six cups and saucers, 1930s £50 - 80

242 Susie Cooper part tea for two, including a kestral shape teapot, milk jug, sugar bowl and plate with hand painted pink flower and green banding, 1930s £40 - 60

236 Clarice Cliff Persian pattern vase, hand painted design in red and browns, honeyglaze, produced 1929, shape 719, 31cm £60 - 80

243 Susie Cooper Crown Works and Grays, quantity, including a dish painted with a bird, two tea pots, lustre jug and cup and saucer, brightly coloured bowl and an ovoid table lamp and two utensil jars £80 - 120 244 Art Deco oak sideboard, with two drawers two cupboard doors with stylized decoration. 98cm x 120 xcm x 43cm £60 - 100 245 Roberto Gatti (Italian b1928) ceramics, ovoid lustre vase, and a figure of a goat both 32cm £70 - 100 246 A pair of Italian pottery figures, of peasant girls, marked Trevir the tallest 38cm high £50 - 80 247 C H France ‘Harva’ Pair of bookends, in the form of elephants with lustre decoration, 1930s, 18cm £80 - 120 248 Art Deco ceramics, two Susie cooper plates diameter, Clarice cliff plate, a Charlotte Rhead patch jug and a bowl £50 - 100

237

249 Art Deco birds eye maple three piece bedroom suite, comprising two door wardrobe, gentlemans compactum and dressing table with circular raised mirror £80 - 120

237 After René-Paul Marquet. ‘Parasol’,. H. 24.5cm (incl. base). Gilded and silvered bronze, face and hands of carved ivory. Green onyx base, Skirt marked: Marquet, 7941 £300 - 500 See Illustration.

Modern Design

Lot 401

Modern Design

306 Sculptural magazine table in the manner of Ico Parisi, dark stained wood with glass shelves £100 - 200 307 Susie Cooper black fruits, set of harlequin cups and saucers and a Crown Devon vase with gilt horse on a black ground £40 - 60 308 Ron Hitchins sculptural tiles, various abstract designs of creatures, fish and plants, in a burr maple frame £100 - 150

300 300 Rosewood desk with ‘floating’ shaped top, above open section over four drawers, circa 1960s 73cm x 143cm x 76cm £300 - 500 See Illustration.

309 Group of mid 20th century ceramics, including a harlequin set of triangular stoneware bowls, an Italian vase with abstract figures, Copenhagen Faience chamber stick and other items £50 - 80

301 A pair of Modernist style silver candlesticks London 1990 14cm high makers JC, a Studio pottery pot and cover 20cm and a metal figure of a rabbit 18cm £50 - 70 302 Vigneron a mid 20th century low sideboard with tiled panel teak with sycamore interior, two cabinets and four drawers, the tiled panel with abstract design of wine bottle, glasses and food, 83cm x 248cm x 48cm £400 - 600 303 Pair of MIM Roma chests, rosewood veneer on teak, five drawers, on a dark stained base 90 x 45cm £500 - 800

310 310 Poole pottery ‘Delphis’ pattern charger, shape no.5, diameter 36cm together with a ‘Delphis’ pattern shield shaped plate, shape no.91, length 30cm. Both decorated by Jean Millership active 1966-69. with printed factory marks to base £100 - 150 See Illustration.

304 304 MIM Roma double chest of drawers, rosewood veneer on teak two columns of five drawers, on dark stained base, top drawer labelled £400 - 600 See Illustration. 305 MIM Roma shoe chest, rosewood on teak, single cupboard door enclosing interior with bars, dark stained base £150 - 250

311 311 Vico Magistretti a set of ten Carimate chairs, red stained with rush seats, designed 1959 £200 - 400 See Illustration.

312 Norwegian silver and enamel bracelets, both with enamelled panels, one with raised floral motif, with one case £50 - 80 313 Anton Michelsen two Norwegian silver pendants, in stylized plant forms, one with enamel, an enamel necklace and stainless steel ring £50 - 80 314 Bernard Moss rocking figure for Heals, girl with out stretched arms and metal loop. signed and dated 1950 Commissioned by Heals and given to suppliers of fabric, this one addressed to Mr Comery £50 - 80

324 Modernist circular plaque ring, set with large yellow amber stone in silver mount £30 - 50 325 Jacob Hill Denmark starburst brooch, silver with banded agate centre, signed with full signature £30 - 50 326 Cube booklcase, White painted with square sections, 145cm h x 105cm w 20cm £100 - 150

315 Susie Cooper design Wedgwood coffee set, boxed £40 - 60 316 Large model of a seated rabbit Sylvac style, with matt blue glaze marks unclear height 31cm £30 - 50 317 Stuart Devlin amethyst and pearl dress ring, set with two lines of alternating pearl and amethyst beads to tapered textured shoulders, mounted in 18ct yellow gold. Signed SD, London 1979 £200 - 300

318 318 Tile top coffee table, the top with multi coloured tiles, black metal frame £60 - 80 See Illustration. 319 Vintage industrial steel desk, with five drawers and enamelled top, 76 x 150cm £150 - 250 320 Frem Rojle a set of four chairs, teak, on three tapering round section legs, 1950s £70 - 100 321 A Gold Abstract ring by Andrew Grima, textured gold with open work design. Mounted in 18ct gold, Makers mark AG £200 - 300 322 Cow hide rug, tan and cream, 238 x 178cm £30 - 50 323 Medina glass, two ovoid vases, three paperweights and others

£40 - 60

327 327 Bjørn Wiinblad Danish,1918-2006 ceramic sculpture, in the form of a lady wearing a hat, polychrome painted decoration, signed and dated 84, height 52cm £300 - 500 See Illustration. 328 Pat Elmore R.B.A, carved pine bust of a young girl, inscribed to base Pat Elmore number 82, 26cm high, on associated base £60 - 100 329 Group of mid to late 20th century ceramics, Aquarius Fish plates by Washington pottery, 1970s, eight Living landscapes of Clarice Cliff plates by Wedgwood, Emetts ‘dog and dogstar’ dishes by Wade £50 - 80

332 Sculptural bronze coffee table, in the form of a seated nude with arms outstretched supporting an oval plate glass top, Signed on the base. 60cm x 90cm £300 - 500 333 Dyrlund Smith, Denmark, Rosewood two section bureau bookcase. The top drop down section with fitted interior £100 - 150 330 330 Carl Fagerlund, Orrefors Sweden set of wall lights, clear bubbled glass in leaf forms two single-shade 31 x 13cm and two with three-shades, 32 x 32cm 1960s £100 - 200 See Illustration.

334 Saporiti Italian design Stainless steel coffee table, with recessed section to centre, stamped on legs, 33cm x 120cm £400 - 600 335 Pair of Verner Panton style S chairs and a further white painted metal frame S chair. Height 87cm £80 - 100 336 Eero Saarinen style tulip dining chairs, one white and one black armchair, height 85cm and two white side chairs, height 80cm. Each with moulded stamp Rudi to underside £150 - 250 337 A pair of Charles and Ray Eames style DSW chairs, height 84cm each £50 - 80 338 Phillipe Stark, pair of Ghost chairs, clear perspex, height 93cm, each with moulded Kartell mark to underside £150 - 250 339 Three Large opaque plastic globe hanging lights, diameter approx 50cm £50 - 80 340 Low centre table, hardwood veneered with stitched leatherwork to base, height 46cm, width 120cm, depth 120cm £100 - 150 341 Cube shelf unit, height 180cm, width 180cm, depth 40cm £40 - 60 342 Multi disc light, of 19 articulated sections in pendant. 500cm £80 - 120

331 331 Georges Jouve for Marcel Asselbur, mirror on brass frame with four ceramic coat hooks and mirror, C1950, 42cm x 22cm overall size 52cm high £500 - 800 See Illustration.

343 Merrow Associates, rosewood and chromium plated steel coffee table £150 - 250 344 Set of three cubes forming a display shelf, clear Perspex with ice cube finish. height 40cm £40 - 60 345 Scandanavian silver, Norwegian silver caddy spoon by Brodrene Lohne of Bergen, Danish silver handled bottle opener by Georg Jensen £50 - 100

346 Moorcroft vase decorated with summer fruit dated 2000, 20cm high £50 - 100 347 Crown Devon blue ground lustre bowl, decorated with galleons diameter 8cm and Sylvac rabbit 20cm £50 - 100

351 Group of mid 20th century glass, Whitefrias smoky glass vase 18cm and a group of Scandanavian glass, some items signed, glass (6) £60 - 80

348 Lalique scent bottle, Chevrefeuille pattern, clear and frosted glass with moulded pattern of woodbine, late 20th century, 11cm £30 - 50

352

349 349 Lucite Handbag, of oval form with paste studs, 1960s 11 x 25 x 8cm £70 - 100 See Illustration.

352 Group of Murano glass, to include a large Sommerso glass bowl with faceted sides deep blue and amber cased glass, similar peach smoked glass with blue and yellow halo, scent bottle and an ovoid vase, all mid 20th century (4) the tallest 31cm £70 - 100 See Illustration. 353 A set of eight chairs, moulded beech plywood on chrome supports, late 20th century £80 - 120 354 A set of eight contemporary moulded plywood side chairs on chrome supports, late 20th century £60 - 100 355 Black lacquered desk, organic form fitted with shelves and shaped glass top 70cm x 107cm x 57cm £70 - 100

350 350 Lalique Cactus dressing table set, comprising, perfume bottle 11cm, perfume bottle 9cm, atomiser 10cm and box 11cm £200 - 300 See Illustration.

356

356 Christian Astuguevieille French born 1946, sculptural table, black rope on wood, designer label dated 2000, 79cm x 200cm x 52cm £800 - 1200 See Illustration. 357 Round wall mirror with black pierced frame from Becker design USA, diameter 76cm £50 - 100 358 Wall mirror, with aluminium studded frame diameter 104cm £50 - 100 359 Cube table, with mirrored recess silvered scale finish late 20th century 55cm x 46cm x 46cm £40 - 60 360 G H Brannam, Barnstaple green glazed aspidistra pot on associated column stand with floral decoration, pot with impressed marks, stand incised Registered design number 44561, 67cm overall height £50 - 80

361 A pair of beaten copper garden containers, possibly for lights, height 66cm £40 - 60 362 After Bjorn Wiinblad, Danish 1918-2006 - ‘Queen’s’, published by TT seregrafi a.s; screenprint/gravure screen printed in colours and in metallic colours, signed within the plate 84 x 60cm £40 - 60 363 After Bernard Buffet, French 1928-1999 lithograph, Building with three turrets, printed in colours, signed and dated ‘65’ within the plate 63.5cm x 48cm £60 - 80 364 An unusual English silver easel backed photo frame with part material borders painted with stars and clouds, hallmarked. 12cm high £50 - 80

367 Chrome framed cheval mirror, on wheels, 152cm high £60 - 80 368 A pair of side tables, on metal frame bases, each with single drawer £60 - 80 369 Ray Finch (1914-2012) Winchcombe pottery cream glazed teapot with bamboo handle impressed mark to base 24cm high £50 - 100 370 Ray Finch (1914-2012) attributed, Winchcombe pottery brown glazed teapot, with horizontal band of decoration, bamboo handle 24cm £50 - 100 371 Studio pottery vase in the form of a pebble impressed W mark to base, 19cm wide and a brown glazed teapot impressed A mark to base 13cm high £40 - 60 372 John Davidson (b1936) Cornish school cream glazed bowl impressed mark, diameter 20cm £30 - 50 373 Japanese school studio pottery, brown and cream glazed square shallow bowl, impressed mark to base 17cm square £40 - 60 365 365 Jean Lurcat ‘Le Tapageur’ (the noisy one), circa 1960, screen-printed on heavy linen, label attached to rear COROT, Champs- Elysees, Paris, 163cm x 120cm together with another by Lurcat (2) £200 - 300 See Illustration.

374

366 366 Fasem International, Italian T/38 dining suite, studio archirivolto designed for the opening of The Conran Shop flagship store at the Michelin Building, London in 1987, comprising a large glass topped table and six matching chairs, table 200cm long, 85cm wide, 73.5cm high £350 - 450 See Illustration.

374 John Maltby (b 1936) brown glazed square shallow bowl, with gilt decoration, impressed marks 19cm square £100 - 200 See Illustration. 375 Unknown artist abstract sculpture, stone and enamelled on metal base, indistinctly signed 12cm high £80 - 120 376 David leach (1911-2005) green glazed bowl, impressed mark to base diameter 10cm £40 - 60

377 Studio pottery, Berger, brown glazed vase signed on the base 20cm, green glazed vase 14cm high and stone ware jug with glazed neck 23cm £50 - 100

385 Michael Casson brown glazed jug, impressed mark to base 36cm high £150 - 250 386 Nelson pottery vase, impressed marks to base reading Nelson D6 NZ 13cm and brown a cream glazed stand with abstract design signature in distinct 22cm by 22cm £40 - 60 387 David Leach (1911-2005) green glazed cup 10cm, Mary Rich slim necked porcelain vase with floral stopper, and a squat vase marked W70 5cm £50 - 100 388 Peter and Jill Dick Coxwold pottery, brown glazed plate 20cm Harry Horlock Stringer (1927-2014) cream glazed jar and cover 6cm and round jar and cover with impressed mark to lid 7cm Coxwold £40 - 60 389 Ray Finch (1914-2012) Winchcombe pottery brown glazed charger, impressed mark to base diameter 31cm £80 - 120 390 Ray Finch (1914-2012) Winchcombe pottery cream glazed charger, impressed mark to base diameter 31cm £80 - 120

378 378 David Leach (1911-2005) brown glazed vase, impressed mark 23cm high £150 - 250 See Illustration. 379 Toff Milway brown glazed jug, monogramed on base 26cm, and brown glazed vase stamped, made in Cley 20cm £50 - 100 380 Studio pottery brown and green glazed teapot, makers mark M 14cm high blue glazed teapot monogrammed FP, 13cm and a grey glazed teapot unmarked 14cm £50 - 100 381 Harry Horlock Stringer (1927-2014), cream and brown glazed teapot, stamp to base of handle 18cm £40 - 60 382 David Leach (1911-2005) teapot, cream glazed with bamboo handle impressed mark to base 20cm £40 - 60 383 Mary Rich (b1940) saltglaze teapot, with bamboo handle 20cm and studio pottery brown glazed teapot unmarked 25cm £50 - 100 384 Two studio pottery teapots, brown glazed teapot signed on base, possibly G Aultner, dated 97 26cm and a brown glazed teapot unmarked 14cm £50 - 100

391 Ray Finch (1914-2012) Winchcombe pottery brown glazed bowl impressed mark to base diameter 30cm £80 - 120 392 A studio pottery red glazed bowl, unmarked diameter 33cm £30 - 50 393 Ray Finch (1914-2012) Winchcombe pottery green and brown glazed bowl impressed mark to base diameter 25cm £80 - 120 394 Studio pottery bowl in brown and red glazes monogramed AI on base, diameter 21cm, bowl with crackled glaze lustre finish to the inside, incised mark to base, diameter 12cm and a brown and cream glazed bowl impressed mark to base 13cm £50 - 80 395 Studio pottery brown glazed twin handled bowl monogrammed FP on base 24cm, brown glazed cup impressed mark to base 12cm and brown glazed bowl monogrammed CG, diameter 25cm £50 - 80 396 John Dunn large raku glazed bowl, monogrammed JD diameter 45cm

£50 - 80

397 Studio pottery white glazed bowl, with textured rim, impressed star mark to base, diameter 27cm £60 - 100

398 Studio pottery, red and black glazed plate impressed mark to base diameter 45cm £50 - 80 399 Studio pottery, green glazed vase, impressed mark on base Made in Cley 20cm and a Muchelney stoneware jug with brown glazed rim 24cm £50 - 100

405 Vintage Christian Dior Train Case, with Dior monogrammed fabric leather trim and brass fittings, with key, labelled Paris, made in France £100 - 150 406 Nick Munro pewter tea service, spherical tea pot with caned handle £50 - 80

400 Pair of studio pottery vases, in black and white matt glaze, impressed monogram KG possibly for Kerstin Gren tallest 47cm £40 - 60

407 Bronze Hares, pair of bronze hairs the bodies with cold painted finish, unmarked, tallest 9cm £100 - 150

401 Jan Beeny ceramic sculpture of a sheep, applied mark to base 46cm £100 - 200

408 Hermes ashtray and a Versace plate, ashtray with design of a formal garden with statues, plate 19.5 x 16cm with Medusa design, 18cm £80 - 120

402 Group of Studio pottery, Ray Marshall studio pottery, a large stoneware charger with incised basketweave decoration, signed and dated 1963, 36cm diameter £50 - 80

409 409 Asprey-Garrard Art Deco style clock, with black enamel on silvered metal, marked Swiss made, 11 x 12.5cm £200 - 300 See Illustration. 410 BjørnWiinblad for Rosenthal vase, abstract swirl design, signed 22cm £50 - 100

403

411 European ceramics, pair of Bjorn Wiinblad for Nymolle plates, diameter 20cm, two other plates from the same designer, a Danish vase and Dutch Vase marked Liberty & Co 10cm high £50 - 100

403 Poh chap Yeap born 1927, large vase, ovoid with flat sides and speckled, rust and violet, incised Yeap to base £100 - 150 See Illustration.

412 Orrefors glass vase by Edvard Hald, decorated in green with fish and seaweed, marked to the base ‘Orrefors Graal Nr. 363-E6 Edvard Hald’, 19.5cm high £300 - 500

404 Susie Cooper porcelain, harlequin coffee service and a ‘Glen Mist’ jug and bowl £40 - 60

413 Philip & Kelvin Laverne, modern circular dining table, the textured top decorated in colours with scenes of everyday Chinese life, the top, column and base bound with bronzed metal, signed to the top, 119.5cm diameter, 71cm high £2000 - 3000

Lot 597

Contemporary Art 39

Contemporary Art Artist Resale Right. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser’s invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.org.uk or telephone +44 (0) 845 410 3410.

462 462 § Visual aid for Band Aid 1985, 181/500, 104 images signed by artists including Patrick Hughes, Ken Kiff, Terry Frost, Coriander Studios, framed ARR (Artist Resale Right) is additionally payable on this lot. Please visit the DACS website (http://www.dacs.org.uk/ home) or contact the auctioneer for more details, 127cm x 98cm £700 - 900 See Illustration.

465

463 A P Power ‘Fast Food’, signed in pencil, print, 48cm x 60cm £40 - 60 464 Two contemporary prints of Venice, signature indistinct, 9/15 and 13/25, each 48cm x 22cm £40 - 60 465 Dame Elizabeth Frink (1930-1993) limited edition lithograph, “The Great Bow” 13/30 , 1974 signed in pencil by the artist, in aluminium frame, not glazed, with certificate from RA, 25cm x 15cm £150 - 200 See Illustration. 466

466 § Dame Elizabeth Frink (1930-1993) limited edition etching ‘Antony and Cleopatra’ 29/175 signed in pencil lower right, with certificate, 76cm x 56cm £300 - 400 See Illustration. 467 § Victor Pasmore (1908-1998) limited edition print 54/55 ‘Linear Motif 8’, signed with monogram VP lower right, 41cm x 44cm £200 - 400 See Illustration.

467 472 ‘Deck chairs III’, signed limited edition print, signature indistinct, 74cm x 56cm £50 - 100 473 Sue Macartney Snape ‘Royal Ascot’ 735/750 signed in pencil 59cm x 48xm £40 - 60

468 468 Large woodcut coastal scene, with sailing boats, marked Pila within the image, signed and titled, in silk mount and gilt frame, 48 x 72cm £100 - 150 See Illustration. 469 Alvar Suñol Muñoz Ramos (French/Spanish, 1935) pair of limited edition aquatints, signed in pencil and numbered 160/250 54cm x 41cm and another from the same series, 43cm x 64cm £100 - 150 470 Linda le Kinff, French b.1949, two limited edition prints, signed, 13cm x 17cm and 19cm x 15cm £80 - 120

474 474 Bruce McLean (Scottish b.1944) ‘Hot Slick’ limited edition screenprint, 1989, signed and numbered 227/250 by the artist, 121cm x 150cm £200 - 300 See Illustration.

471 Anatole Krasnyansky (1930 Russian), abstract print, signed in pencil, 53cm x 41cm £80 - 120

481 Anne Magill (b.1962), ‘Ours, 119/175’, ‘Late Evening, AP’, ‘Saturday Evening, 129/175’, ‘By the River, AP’, ‘A Journey’s End, AP’, ‘To Your Door, AP’, ‘Storm, AP’, ‘Journeys, 35/175’ and ‘A Break in the Clouds, AP’, each signed, titled and numbered in pencil, unframed, various sizes £80 - 120 482 Maxwell Doig (b.1966), three limited edition prints, ‘Figure on Floorboards II’, ‘Figure reading on Black & White tiles’ and ‘Centered Figure with Paper Boats’, each signed, titled and numbered in pencil, unframed, various sizes £80 - 120 483 Mark Demsteader (b.1963), four limited edition prints, ‘Vicky I’, ‘Georgina III’, ‘Georgina Kneeling’ and ‘Georgina Turning’, all artist’s proofs, each signed and titled in pencil, unframed, various sizes £80 - 120

475 475 § Bruce McLean (Scottish b.1944) ‘Lobster Factor 10 Days’ limited edition screenprint, 1989, signed and numbered 37/75 by the artist, 122cm x 93cm £200 - 300 See Illustration. 476 Glynn Boyd Harte (1948-2003), two artist’s proof lithographs, ‘Early Morning, Charlecote’ and ‘Early Evening Charlecote’, each signed in pencil, unframed 72cm x 53cm £100 - 200 477 Craig Wylie (b.1973), two limited edition prints, ‘Still life with Oranges’ (framed) and ‘Still life with Apples’ (unframed), each signed and titled in pencil, each 87cm x 71cm £80 - 120 478 Craig Wylie (b.1973), two limited edition prints, ‘Still life with Oranges’ and ‘Still life with Lemons, each signed and titled in pencil, unframed, each 87cm x 71cm £60 - 100 479 Kirsty Wither (b.1968), six limited edition prints, ‘Wee White Waltzers, 74/100’, ‘Creamy Light, 82/100’, ‘Tight White Buds, AP VIII/X’, ‘Standing Room Only, 74/100’, ‘Fair Few Flowers, AP VIII/X’ and ‘Big Patch of Sun, 153/175’, each signed, titled and numbered, all unframed, various sizes £60 - 100 480 Deborah Schenck (b.1985), three limited edition floral prints, ‘Beaulieu Orchid’, ‘Beaulieu Calla Lilies’ and ‘Beaulieu Magnolia’ each signed, titled and numbered in pencil, unframed, each 88cm x 70cm £50 - 80

484 484 § John Hoyland RA (1934-2011) ‘La Manga’ etching and aquatint in colours, 1989, signed and dated in pencil, numbered 7/10, an artist proof aside from the standard edition of 30, 74cm x 56cm £300 - 500 See Illustration. 485 Christopher Penny (1947), ‘Reed Landscape’, 82/50, signed print, 38cm x 45cm £50 - 100

486 486 Edmund BLAMPIED (1886-1966) dry point etching, horse cart and figures, signed in pencil, 64/100, 18cm x 24cm £100 - 200 See Illustration.

489 489 Edmund BLAMPIED (1886-1966) dry point etching, horse cart and figure, signed in pencil, 19cm x 22cm £100 - 200 See Illustration.

487 487 Edmund BLAMPIED (1886-1966) dry point etching, horse with figures, unsigned, 17cm x 25cm £100 - 200 See Illustration. 490 490 Edmund BLAMPIED (1886-1966) dry point etching, ladies at lunch, unsigned, 20cm x 23cm £100 - 200 See Illustration.

488 488 Edmund BLAMPIED (1886-1966) dry point etching, horse and cart, signed in pencil, 49/100, 20cm x 29cm £100 - 200 See Illustration.

500 Michael English, ‘Coke’, poster, published 1980 by Sheneal 90cm x 60cm £50 - 100 501 Six reproduction Shell posters, the largest 63cm x 86cm £40 - 60 502 Leon Piesowcki, ‘Blue Planet’, screen print, 1971, 28/75, 94cm x 63cm £100 - 200 See Illustration. 503 Jacqueline Watt, three prints, signed and inscribed in pencil, each 27cm x 30cm £40 - 60 504 Chenin, ‘untitled II’ abstract in black and white, signed in pencil, 41cm x 41cm Bloomingdales label verso £50 - 100

491 491 Edmund BLAMPIED (1886-1966) dry point etching, three figures, signed in pencil, 22cm x 30cm £100 - 200 See Illustration. 492 Enfys Jones ‘Twenty Six Years’, oil on canvas, signed, titled and dated on stretcher, 226cm x 150cm £100 - 200 493 Exhibition poster, David Hockney 11th October 9th December 1974 at the Musee des Arts Decoratifs, 63cm x 49cm £50 - 100 494 1970s Biba poster 50cm x 76cm

505 After Marc Chagall, three prints, the largest, 26cm x 23cm £40 - 60 506 Nino Finamore, Pompei, a series of six woodcuts in a folio, signed and inscribed in pencil, another folio of 12 woodcuts, and four loose woodcuts £200 - 400 507 Fritz Husmann (1896-1982) lithograph of Mary Wigman in ‘The Elegy’, signed in pencil, 31cm x 22cm £40 - 60

£50 - 80

495 Exhibition poster, Edward Hopper 11th February - 29th March 1981, at the Hayward Gallery, 75cm x 50cm £50 - 100 496 1980s L S Lowry print, 64cm x 55cm and 1980s Picasso Print Published Braun & Cie Paris, with embossed stamp, 57cm x 18cm £50 - 100 497 Marino Marini (1901-1980 Italian) ‘Le Cavalier’ 1955, colour lithograph published Braun & Cie, signed in the plate, 61cm x 49cm £50 - 100 498 Exhibition poster, David Hockney prints 1954-1977, Scottish Arts Council touring exhibition, 74cm x 49cm £50 - 100 499 Exhibition poster, L S Lowry 4th September to 14th November 1976, at the Royal Academy of Arts, his last Exhibition before the artist’s death, 74cm x 51cm £50 - 100

508 508 Margaret Barnard, British 1900-1992, Grosvenor school, ‘The Cove’, linocut in colours, Michael Parkin Fine Art Ltd., label verso, 21cm x 30cm £250 - 350 See Illustration.

510 Isabel de Bohun Lockyer, British 1895-1980, ‘Chateau de la tour Vevey’, linocut in colours, signed and numbered, dated 1925 in pencil, 18cm x 21cm, Michael Parkin Fine Art label verso £200 - 300 See Illustration.

511 511 Isabel de Bohun Lockyer, British 1895-1980, ‘Afterglow Bordigliera’, linocut in colours, numbered and dated 1925 in pencil, Michael Parkin Gallery label verso, 27cm x 12cm £150 - 250 See Illustration.

509 509 Margaret Barnard 1900-1992, Grosvenor, ‘The Lion Slayer’ linocut in colours, 11.5cm x 16cm, Michael Parkin Fine Art label verso £250 - 350 See Illustration.

512 Victor Manuel, Cuban 1897-1969, portrait of a young woman, limited edition print, 21/40 signed, titled and dated 1964 £60 - 80 513 Georges Redon (1869-1943) French, ‘Ce que c’est pratique!’ lithograph printed in colours, 40cm x 26.5cm £60 - 80 514 Ernst Fuchs, Austrian, b.1930- ‘Venus Kentaura’, 1967, etching and aquatint, signed and numbered XVII/XX and inscribed EA in pencil, 29cm x 25.5cm £100 - 200

515

510

515 Francis Rudolph, Latvian (1921-2005), half-length portraits of a man and a woman facing away, both signed and dated, oil on boards, 44cm x 62cm and 38cm x 49cm (2) £80 - 100 See Illustration.

520 516 Christian Mischke, German, b.1944 - ‘Korea’, aquatint, signed, titled and numbered 66/80 and dated ‘87, 27cm x 19cm image, together with two further aquatints by the same hand (3) £100 - 150 517 Egon Schiele, Austrian (1890-1918), Grunes Madchen, print, nude subject, signed and dated 1913, 30cm x 47cm £40 - 60 518 Terence Donovan, British 1936-1996, abstract screen print signed in pencil 103cm x 100cm, Terence Donovan is best known for his celebrated and iconic photographic work in the 1960s/1970s. He took up painting towards the end of his life and held a highly successful exhibition of his paintings at the Albemarle Gallery in 1990, Exhibition No. 18 verso £50 - 100

519 Alexandra Hughes, enlarged photograph on panel of a swimmer, signed verso and dated 2006, 77cm x 96cm £40 - 60 520 Peter Lik (Australian b.1959), ‘Harmony’ limited edition photograph silver halide Fuji crystal archive print, number 448 of 950. 48cm x 150cm, with certificate and original paperwork. Framed and glazed £800 - 1200 See Illustration. 521 Mark Demsteader (British b.1963). ‘Emma III’ number 74/150, signed in pencil, certificate verso. 75cm x 57cm £60 - 100 522 Martin Procter (English b.1942), ‘Sea Wall 6’, limited edition print number 72/150, signed in pencil. 37cm x 38cm £50 - 80

523 Graham Hardy, study of a nude, signed pastel. 56cm x 26cm ÂŁ50 - 100 524 Â§ David Nash (b.1945) limited edition lithograph, Composition, 7/100, framed and glazed, signed and numbered in pencil, 20cm x 14cm, Provenance: Gifted from the artist to the vendors family, in the last five years ÂŁ100 - 200 See Illustration.

524

Contempory Sculpture

545 545 Yumi Nozaki, glass abstract clear and coloured glass sculpture, signed, 24cm x 25cm ÂŁ1500 - 2500 See Illustration.

546 Jean-Yves Gosti (b.1960, French), carved slate and painted sculpture, signed and dated 1999 on base, 34cm high ÂŁ100 - 200

547 547 Richard MacDonald (American, b.1946), ‘Caruso Study III’, 2003, bronze raised on chrome pole to polished black marble base, 27/75, 77cm high x 49cm wide, sold with certificate, original paperwork, accompanying book and DVD £2000 - 3000 See Illustration.

548 548 Brian Lewis, life-size pine sculpture of a man and a women, signed on the base, 2006. 170cm high ÂŁ1500 - 2500 See Illustration.

549 Cocomir (b.1931). Tulip lamp, ash carved wood head on bronze base. 176cm x 27cm ÂŁ500 - 1000 See Illustration.

549

Contemporary Artworks

550 550 Guan Ze Ju oil on canvas signed, Titled verso “JING QIAN”, (In Front of the Mirror) and signed Provenance: Bought direct from the artist, private sale Guangzhou (Old Canton) 1986 private estate £4000 - 6000 See Illustration.

551 551 § Michel Kikoine (1892-1968) oil on canvas, portrait of a seated man dressed in grey and blue with a lady beyond, signed lower left 70cm x 50cm, ARTIST RESALE RIGHT MAYBE PAYABLE ON THE HAMMER PRICE OF THIS LOT AT A MAXIMUM OF 4% £2000 - 3000 See Illustration. 552 Three abstract compositions, unsigned, watercolours, each 27cm x 40cm £50 - 100

553 Floyd, study of a horses head, signed, acrylic, 30cm x 26cm £50 - 100 554 Margaret E L Levinson ‘Lobsterpots at Mudeford’, 2/15 signed in pencil, 33cm x 24cm and an impressionist style landscape, signature indistinct, 26cm x 22cm £50 - 100 555 Anna Blume ‘On the thine hands thou wanderest’, 5/20, signed and titled in pencil, 23cm x 15cm £40 - 60

556 556 Henry Scott Tuke, RA, RWS (British, 1858-1929). Two studies of a young man on the beach. Oil on board, unsigned. Early 20th Century. Both studies are painted on the either side of the same board. One a study of a young boy seated on rocks showing his head and torso, also painted verso with a sketch of a boy bending forwards on the beach. 33cm x 24cm. These studies are believed to have been painted as studies for Tuke’s works depicting young boys bathing in the open air around Falmouth Harbour in Cornwall in the early 20th century. Tuke’s works are held in major collections worldwide and similar works include ‘Head of T .C. Tiddy’, ‘Aquamarine (study)’, and ‘August Blue (study)’ housed at the Royal Cornwall Polytechnic Society. Tuke was educated at the Slade School of Fine Art and was considered a founder member of the Newlyn School. Provenance: purchased amongst a large group of paintings at a car boot sale by the vendor within the last five years £1000 - 2000 See Illustration.

557

562 557 Michael Steinpichler, ‘Autumn Harvest’, signed with initials, and dated 2014, oil on board, 68cm x 99cm £1000 - 1500 See Illustration. 558 G. Canova, abstract, female nude beneath tree, signed and dated ‘72, oil on canvas, framed, 100cm x 60cm £100 - 200 559 G. Canova, abstract, study of vegetables, signed and dated ‘71, oil on canvas, framed, 49cm x 35cm £60 - 100

560 Oliver Heywood (1920-1992) ‘Peppers’ oil on canvas, signed and dated 1972, 35cm x 55cm £50 - 80 561 Jean Lurcat, ceramic tile, ‘Bird Man’ inscribed verso, 20cm x 20cm £50 - 80 562 § Tessa Newcomb (b.1955), ‘Out Riding’ oil on board, initialled and dated ‘91. 14cm x 57cm £500 - 800 See Illustration.

563 563 Leszek Muszynski ‘After the swim’ crayon 8cm x 15cm £300 - 500 See Illustration.

566 566 Marion Wilcocks - ‘Katerina’, oil on canvas, with monogram, 45cm x 60cm £100 - 200 See Illustration. 567 Tim Pryke , Hazy Sunshine, signed, oil on board, 29cm x 38cm and another of a woodland scene, 13cm x 39.5cm £40 - 60

564 564 Leszek Muszynski ‘Study from Ibiza’ oil on board 20cm x 20cm £300 - 500 See Illustration. 565 Head and shoulders portrait of a woman, unsigned, watercolour, 12cm x 10cm £50 - 80

568 568 Dave Archer, acrylic, cosmic study, gallery label verso for Swanson Art Galleries, San Francisco signed and dated ‘83, 33cm x 25cm £300 - 500 See Illustration. 569 Dave Archer ‘Red Wine Space’ acrylic, gallery verso label for Swanson Art Galleries, San Francisco, 50cm x 40cm £400 - 600

570 M Campbell, still-life of leaves, gouache, signed and dated ‘73, 50cm x 37cm £50 - 100 571 Early 20th century portrait of a young lady with red hair reading a book, unsigned, oil on board, 44cm x 34cm £150 - 250 572 Pamela Drew SMA SAVA 1910-1989 (Lady Rathdonell) African village with flag post, oil on aluminium sheet, 59cm x 74cm £60 - 100 573 Michael Bentine, Two original cartoons, ‘Final dogfight in wheelchairs’ signed and inscribed verso, 21cm x 29cm and ‘The old Peruvian Templar’ £40 - 60 574 Asian school, city scene with figure, signature indistinct, oil on canvas, 74cm x 47cm £60 - 100 575 George Hooper, 1910-1994, ‘Castle Acre, Norfolk’, watercolour with pen and ink, 61cm x 47cm £300 - 400 See Illustration. 576 Deanna Petherbridge CBE, Study in the Pedimental, pen and ink on paper, 99cm x 73.5cm, Note: Study for a broken set of rules £150 - 200

578

577 Alberto Vazquez, ‘Naked couple’, pencil sketch, signed 35cm x 45cm £80 - 120

578 James Elder Christie 1847-1914 Scottish, oil on board, lady at a piano, signed, another picture painted verso £200 - 400 See Illustration.

575

579 579 ยง John Plumb (British, 1927-2008) Man drinking tea, Oil on canvas. Exhibition label verso: Herbert Art Gallery, Coventry, Metamorphosis 1966. Cat No 53. 90cm x 70cm. For more information visit www.dacs.org.uk ยฃ2000 - 3000 See Illustration.

580 580 Robert Hill (British, 20th century), townscape with bell tower, oil on canvas, 61cm x 75cm ÂŁ600 - 1000 See Illustration.

581

582 581 AW Jardine, ‘Mayfly Time’, signed and dated ‘67, oil on canvas, gallery label verso, 60cm x 90cm £400 - 600 See Illustration.

582 Continental School, abstract townscape, oil on board, signed indistinctly bottom left corner, 69cm x 80cm £500 - 1000 See Illustration.

583 583 Hannah Weil, Dinner Table with Roast Chicken, oil on board, signed and dated ‘60, 49cm x 84cm £200 - 400 See Illustration.

588 Jill Uht, two watercolour sketches of a vicar, each 9cm x 14cm, with original sale receipt £40 - 60

584 Peter Miller, ‘March Window’, signed, oil on canvas, 62cm x 54cm £80 - 120

585 585 Edmund BLAMPIED (1886-1966) charcoal sketch, backing a horse and cart, signed, 21cm x 27cm £200 - 400 See Illustration. 586 John Uht, clown marching band, signed, watercolour, 43cm x 60cm and three watercolour sketches by the same artist, with two original sale receipts £50 - 100 587 Jill Bays, red carnations and tulips, signed, watercolour, 35cm x 50cm and another of pansies, monogrammed, 12cm x 12cm £50 - 80

589 589 Mike Bernard (b.1957) ‘Sunlit Piazza, Sicily’ mixed media signed 50cm by 48cm with original sale receipt £200 - 400 See Illustration. 590 Roy Petit ‘Wiltshire Kitchen’ signed, oil on card, 19cm x 24cm, C Hollick ‘Mudeford Quay’ signed watercolour 10cm x 17cm and John Dyer Limited edition Print Agalanthus Blue 149/250 28cm x 34cm £40 - 60 591 A Pearce, ‘Bamburgh Castle’, signed, watercolour, 26cm x 36cm, and ‘Christchurch Priory’, 20cm x 32cm, with original sales receipts £50 - 100

592 592 § Eileen Agar (British, 1904-1991) ‘Seated Figure’ signed, acrylic on canvas. With New Arts Centre London and John Moores Exhibition (Liverpool 1957) labels verso. 180cm x 150cm. Provenance: bought directly from the artist in 1950s has been in the same family since £6000 - 10000 See Illustration. 593 Father Robert Zeller, Hong Kong School, oil on board of moored junks, 37cm x 52cm £30 - 50

594 Father Robert Zeller, Hong Kong School, oil on board of Hong Kong Harbour, 44cm x 75cm £30 - 50 595 Contemporary appliqué of Steve Jobs in an industrial style, 100cm x 100cm £150 - 250 596 Norma Jameson (b.1933), ‘Anemones 2’, signed, oil on board, framed, 25cm x 21cm £50 - 80

597 597 § Annie French (Scottish 1872-1965) ‘Reading the Cup’, pen, ink and watercolour, signed, mounted and annotated ‘Exhibitor Paris Salon and Royal Academy 1919’. 19cm x 20cm. Provenance: Been in the same family for well over 50 years, the picture was inherited from current vendor’s grandmother who worked in service in a local house and it is presumed that the picture was gifted during this time £3000 - 5000 See Illustration.

598 Robert Hill, British, Mevagissey Cornwall, Oil on board. Partial original label attached. 117cm x 88cm £500 - 1000 See Illustration. 599 Irene Rice Pereira, American, 1907-1971, Female nude, coloured ink on paper, signed and dated 1956, 66cm x 51cm £150 - 200 600 Halima Nalecz, British, 1917, Evening Song, gouache, signed and dated ‘70, 75cm x 54cm £200 - 300 See Illustration. 601 Dick (Richard) Bixby, born 1935, ‘Mayas Diwali’, watercolour signed and dated ‘96, 55cm x 80cm £50 - 100 602 Carlos Bayod Serafini, Spanish, 1943, space time all illusions, coloured ink on paper, signed dated and inscribed ‘80, 29.5cm x 20.5cm £60 - 100 603 Julian Gordon Mitchell (1968), study of a man with a bottle, signed, oil on canvas, 92cm x 92cm £60 - 100 598

604 Julian Gordon Mitchell (1968), composition with ball, oil on canvas board, signed verso, 29cm x 38cm £50 - 80 605 Julian Gordon Mitchell (1968), still life of a sculpture, signed verso, oil on canvas board, 23cm x 16cm £40 - 60 606 Julian Gordon Mitchell (1968), court jester, signed verso, oil on canvas board, 25cm x 18cm £40 - 60 607 Julian Gordon Mitchell (1968), portrait of a lady, signed, oil on canvas, 60cm x 46cm £30 - 50 608 Julian Gordon Mitchell (1968), still life of a box, signed verso, oil on canvas board, 50cm x 59cm £60 - 100 609 Julian Gordon Mitchell (1968), still-life of a child’s toy, oil on canvas board, signed verso, 50cm x 60cm £60 - 80

600

610 610 Neil Loeb (American 1950) abstract mixed media signed 195cm x 49cm £300 - 500 See Illustration.

612 Chenin, ‘untitled I’ abstract in black and white, signed in pencil, 41cm x 41cm £50 - 100 See Illustration. 613 Joel Rougie, lady with flowers, signed, acrylic, 53cm x 43cm £40 - 60 614 Japanese character, signed in pencil, 90cm x 46cm

£50 - 100

611 611 Neil Loeb (American 1950), abstract, mixed media, unsigned, 56cm x 76cm £150 - 250 See Illustration.

615 615 § Salvador Dali (1904-1989), two figures, coloured print, signed in pencil, 26cm x 18cm £300 - 500 See Illustration. 612

616 § Salvador Dali (1904-1989), nude, coloured print, signed in pencil, 26cm x 18cm £300 - 500 See Illustration. 617 Wright, watercolour street scene, signed, 22cm x 28cm, and Gillian Lawson ‘Flask walk Hampstead’ 251/500, signed in pencil, 36cm x 45cm £50 - 100 618 W Barrientos two figures on a bike signed watercolour 18cm x 13cm £50 - 100 619 W Barrientos, abstract figures, signed, watercolour, 48cm x 19cm £50 - 100 620 Abstract mixed media, signature indistinct, 19cm x 19cm and ‘Dance II’, signature indistinct, print, 20cm x 22cm £40 - 60 621 Study of a man and a woman, monogrammed ‘OR’, watercolour, 30cm x 36cm £50 - 100 622 Victor Lin? abstract mixed media, signature indistinct, 40cm x 29cm £50 - 100

616

623 In the manner of Terrance Donovan, Abstract, black acrylic on canvas. 122cm x 160cm £100 - 200 624 Terence Donovan, British 1936-1996 Chusin XVIII, Acrylic on stiff paper, Albemarle Gallery label Verso Exhibition No. 18 Terence Donovan is best known for his celebrated and iconic photographic work in the 1960s/1970s. He took up painting towards the end of his life and held a highly successful exhibition of his paintings at the Albemarle Gallery in 1990 £150 - 250 See Illustration. 625 May Fair, oil on canvas, cut and relayed on a new canvas, 68cm x 90cm £50 - 100 626 Robin Mullen (British b.1962). Three abstract panels, acrylic on canvas, unsigned, each 30cm x 50cm £60 - 100

624

627 Robin Mullen (British b.1962), abstract mixed media on canvas, signed verso. 77cm x 77cm £100 - 200 See Illustration. 628 Melinda Chantler, ‘Women’ signed mixed media. 70cm x 48cm £50 - 80 629 Portrait of man, oil on canvas, unsigned. 120cm x 88cm £50 - 100 630 Melinda Chantler, study of women in red, oil on canvas. With monogrammed MJC signature and dated 2009, 106cm x 106cm £80 - 120 See Illustration. 631 § David Nash (b.1945) ‘Yellow’ original watercolour from the Pyramid series, dated 2011, framed and glazed, signed, dated and titled in pencil, 17cm x 13cm, Provenance: Gifted from the artist to the vendors family, in the last five years £500 - 800 See Illustration. 631

627

630

632 Bronze abstract figural sculpture with partial coloured enamel decoration, signed del Campo and dated ‘78 to rectangular base, 49.5cm high £600 - 1000 See Illustration. 633 Modern bronze square with enamelled centre and textured surround, signed faintly verso ‘del Campo Italy’, 32.5cm square £250 - 350 634 Thetis Blacker (1927-2006) batik of a Phoenix, 50cm x 40cm, framed and glazed, 86cm x 65cm £40 - 60 635 Heidi Konig ‘Train to Konya’ etching, Hors de Commerce, HC III, 39cm x 44cm, signed, numbered and titled in pencil, framed and glazed 62cm x 68cm £30 - 50 636 Heidi Konig, limited edition woodcut etching, ‘Out of the blue’ 35/75, 49cm x 49cm, signed, numbered and titled in pencil, framed and glazed, 63cm x 62cm £30 - 50

632 Provenance applying to the following lots 652-689 Collection consigned directly from the artist. John Rosser: Rosser trained at the Watford School of Art and went on to paint in London with the Francis Bacon as his mentor. As a distinguished member of the Royal Institute of Oil Painters, he has exhibited widely at the Royal Academy and Paris Salons. Rosser has a national following of collectors and is widely known for his en plein air style of painting outdoors. He works in a variety of mediums from pen and ink to oil, acrylic, gouache and watercolour, varying from landscapes to seascapes and figurative. This collection features a wide variety of his works spanning his lifetime including the darker more abstract works of the 1940s and 1950s, as well as the later and brighter more Impressionistic works and seascapes from his current home in Poole. His work was exhibited in the recent retrospective ‘John Rosser - Sleeping With Francis Bacon’ held at the Ebury Galleries in London in 2009. 652 John Rosser, ‘One afternoon towards banks road Sandbanks’, unsigned gouache. 36cm x 50cm £200 - 300 See Illustration. 653 John Rosser, ‘Bandstand a pier Brighton’ signed gouache 20cm x 26cm £100 - 150 654 John Rosser, ‘Garden Pathway New Zealand’, unsigned gouache 11cm x 15cm £70 - 100 655 John Rosser, ‘Sea Sand and Wind’, unsigned acrylic, 29cm x 39cm £100 - 150 652

656 John Rosser, ‘Just a Moment at Sea’, unsigned gouache 19cm x 25cm £80 - 120

659 John Rosser, ‘One Sunny Day with Children’ unsigned gouache 15cm x 18cm £200 - 3200 See Illustration.

657 657 John Rosser, ‘Across the beach before Bournemouth’, signed gouache, 50cm x 60cm £250 - 350 See Illustration.

660 660 John Rosser, ‘Early Summer in the Museum Garden’ signed gouache, 25cm x 30cm £200 - 300 See Illustration. 661 John Rosser, ‘From the Shaw Nearby’, unsigned gouache, 20cm by 30cm £70 - 100

658 658 John Rosser, ‘Art School Common Room’, signed and dated 49’, gouache. 27cm x 35cm £300 - 500 See Illustration.

662 662 John Rosser, ‘Distant View towards House and Shops Sandbanks’ unsigned gouache, 28cm by 37cm £200 - 300 See Illustration. 663 John Rosser, ‘Interior with figure and the Edge with Roses’, signed and dated 2015, gouache, 19cm by 26cm £200 - 300

659

664

667

664 John Rosser, ‘Early Morning Light, St Marks Square, Venice’ signed, dated 14 gouache, 65cm x 80cm £300 - 500 See Illustration.

667 John Rosser, ‘Windy Day, Sandbanks’, signed dated 2014, gouache, 49cm x 60cm £70 - 100 See Illustration. 668 John Rosser, ‘London Eye with figures nearby’, signed and dated 2013, gouache, 26cm x 20cm £200 - 300

665 665 John Rosser, ‘Figures In Enchanted Garden’, unsigned, gouache, 27cm x 37cm £200 - 300 See Illustration. 666 John Rosser, ‘Summer Garden Early Sunshine’, unsigned gouache, 10cm x 16cm £70 - 100

669 669 John Rosser, ‘Just Sandbanks This Year’, signed gouache, 32cm x 42cm £70 - 100 See Illustration. 670 John Rosser, ‘Shaw line from a Window, Sandbanks’, signed gouache, 50cm x 39cm £200 - 300 671 John Rosser, ‘House with a Pool’, unsigned, gouache, 53cm x 72cm £70 - 100

674 John Rosser, ‘Abstract’, unsigned, circa 1949, gouache 35cm x 46cm £200 - 300 See Illustration. 675 John Rosser, Five signed limited edition prints, the largest 53cm x 64cm £200 - 300

672 672 John Rosser, ‘Studio Interior’, signed and dated 1955, gouache, 35cm x 46cm £70 - 100 See Illustration.

676 676 John Rosser, ‘Table in Cafe Shore’, signed and dated 2015, gouache, 17cm x 23cm £70 - 100 See Illustration.

673 673 John Rosser, ‘Abstract’ unsigned circa 1949, gouache, 52cm x 72cm £200 - 300 See Illustration.

677 677 John Rosser, ‘Beach , Sandbanks’, signed and dated 2015, gouache, 50cm x 73cm £200 - 300 See Illustration. 678 John Rosser, ‘The Bathers’, unsigned gouache, circa 1949/50. 30cm x 42cm £200 - 300

674

679 679 John Rosser, ‘figures’ unsigned gouache, circa 1949/50, 33cm x 53cm £70 - 100 See Illustration. 680 John Rosser, ‘Church’, signed and dated 1951/1952, gouache, 20cm x 28cm £200 - 300

687 686 John Rosser, Five life studies all circa 1950, gouaches, the largest 55cm x 35cm £70 - 100 687 John Rosser, a collection or late 1940s / early 1950s sketches and drawings in original portfolio £250 - 350 See Illustration. 688 John Rosser, ‘Dancing On The Bridge’, signed and dated 2015, gouache. 17cm x 25cm £70 - 100 689 John Rosser, ‘Beach Polo’, signed and dated 14’, gouache, 39cm x 38cm £70 - 100

681 681 John Rosser, ‘Two figures’ unsigned gouache circa 1949/50, 50cm x 70cm £50 - 80 See Illustration. 682 John Rosser, Abstract, signed and dated 1949, gouache 42cm by 33cm £250 - 350 683 John Rosser, ‘The Bathers’, signed and dated 1949, gouache, 30cm x 42cm £70 - 100 684 John Rosser, ‘Mediterranean Waterfront From The Rails’, signed and dated 2013, gouache, 30cm x 38cm £70 - 100 685 John Rosser, ‘Abstract’, signed and dated, 1950s gouache, 30cm x 40cm £70 - 100

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and Loss and Damage Warranty charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

2 Commission. Commission is charged to sellers calculated per lot, as follows: 15%

Entry Fee £10 per lot

Catalogue Illustration Fee £10 per lot (discretionary)

Loss and damage warranty 1.5%.

All the above are subject to VAT at current rates

Commission and fees are negotiable for important or large collections and consignments.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense .

4. Loss and damage warranty. All goods on our premises are warranted against fire, theft or accidental damage while on our premises and sellers are charged at the rate of 1.5% of the hammer price plus VAT on our best estimate of what the hammer price would have been had the goods sold.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

5. Illustrations. Almost all lots in our sales are illustrated on the internet. There are is a £10 plus VAT marketing and internet listing charge. Many lots in our Quarterly Fine and Specialist sales have an illustration in a physical catalogue. Where this is the case, or where a lot is entered for sale after the published catalogue closing date, then there is a £10 plus VAT catalogue illustration charge. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us “discretion” we may accept a bid of up to 20% below the formal reserve.

11. Unsold lots and withdrawn items If an item is unsold it may with your consent be re-offered at a future sale (see point 14b relating to authority to sell below). Where in our opinion an item is unsaleable, you must re-collect such items from the saleroom promptly on being so informed. Otherwise, storage charged may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of 10% of the mid sale estimate plus VAT on being bought in or withdrawn after being catalogued.

TERMS FOR SELLERS continued 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to indemnify us and any buyer or third party in respect of breach of this undertaking. 14. Authority to sell, deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission and applicable charges at the stated rate and all expenses incurred for your account from the hammer price and consent to our right and retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. b) In the case of lots unsold at auction, you authorise us at our discretion to negotiate a sale by private treaty not later than 21 days after the day of the sale at a price no less than 50% of the reserve that would have applied during the previous auction, unless you inform us in writing of your intention to collect the goods. In the case of a sale within this period the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case, no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owned by you to us on other transactions to be deducted from the sale proceeds. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request UNSOLD LOTS: YOUR ATTENTION IS DRAWN TO ITEM 11 ABOVE Unsold items which you wish to keep must be collected within five working days otherwise storage charges will apply. Please discuss with us as soon as possible the re-offering of unsold lots. If unsold lots remain with us after a period of one week, without instructions from you, we reserve the right to offer them to a local charity shop or arrange for their disposal at a charge of £10 plus VAT per lot.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £5 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within one week, we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. The forename(s) and surname of the artist: In our opinion a work by the artist. The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly or in part his work. The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date. ‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest. Signed: Has a signature which in our opinion is a recognised signature. Dated: Is so dated and in our opinion was executed at that date. The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and /or date and/or inscription have been added by another hand. Measurements: Height precedes width.

CONDITIONS OF SALE Ewbank’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. Definitions In these Conditions:

(a) “auctioneer” means the firm of Ewbank’s or its authorised auctioneer, as appropriate;

(b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) “terms of consignment” means the stipulated terms and rates of commission on which Ewbank’s accepts instructions from sellers or their agents;

(e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2

(h) The singular includes the plural and vice versa as appropriate.

2. Bidding Procedures and the Buyer (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. Increments Bidding increments shall be at the auctioneer’s sole discretion. 4. The Purchase Price The buyer shall pay the hammer price together with a premium thereon of 27% inclusive of VAT [or incremental] at the rate imposed by law. 5. Value Added Tax Value Added Tax on the hammer price is imposed by law on all items affixed with a ‘†’ or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. Payment (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and

(b) pay to us the total amount due in cash or in such other way as is agreed by us.

(c) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. Title and Collection of Purchases (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and Loss and Damage Warranty charges. (3) No purchase can be claimed or removed until it has been paid for.

CONDITIONS OF SALE continued 8. Remedies for Non-Payment or Failure to Collect Purchases (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(a) to proceed against you for damages for breach of contract;

(b) to rescind the sale of that Lot and/or any other Lots sold by us to you;

(c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(f) to retain that or any other Lot sold to you until you pay the total amount due;

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. T hird Party Liability All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. Commission Bids Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. W arranty of Title and Availability The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. Agency The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. T erms of Sale The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

CONDITIONS OF SALE continued 14. Descriptions and Condition (1) Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. Forgeries Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that-

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/ or the auctioneer as appropriate.

(2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions

(1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

HOW TO FIND US

Ewbank Auctioneers is situated between the A3 and B2215 South of Burnt Common Roundabout.

A257

One Way

Heading South turn off the A3 11â &#x201E;2 miles after the M25 junction and proceed through Ripley to the Burnt Common roundabout as above. If you miss the Ripley turning go South, proceed to the Merrow & Burpham slip road and join the A3 Northbound.

Burnt Common Roundabout

Heading North on the A3 take the Ripley turning to the Burnt Common roundabout and follow the Woodhill signs.

Please note: if using Sat Nav to navigate to us then do not use our postcode as this will direct you to the A3. Please use postcode GU23 7JY, this will take you to the Burnt Common roundabout then follow directions as above.

EWBANK AUCTIONEERS In 1994 we acquired the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking main line station is 4 miles with trains to Waterloo (25 minutes). Throughout our time in Guildford, we have had the privilege of advising thousands of clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of a hundred Antiques and Fine Arts auctions and over three hundred General Sales. When we started in 1990 we held six auctions a year and we are now expecting to hold up to 24 in the next twelve months. If they are to succeed, businesses like ours must give clients and buyers an efficient and friendly service and, over the years, we have always tried to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of Chartered Surveyors and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients come to us on recommendation, from professional advisers or existing clients. As the costs of selling by auction in Central London have rocketed we have benefited from the general trend in recent years for more important items to be sold outside the capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital illustrations of almost all lots in our quarterly Antique and Fine Art auctions, are included on the internet. Buyers are attracted from all over the world. We have an agreement with artfact.com, who list our antique sales on Ebay, take commission bids from prospective buyers and facilitate active participation in the auction from a PC anywhere in the world at the time that the sale is actually in progress. This gives a far greater global marketing ability. We are trail-blazing in this field as there are only a handful of other Antique and Fine Art salerooms in the UK who also list on Ebay. We see this as being the way forward for the future and it will maximise our ability to achieve the best possible prices for our clients. In our first internet linked auction in 2005 there were nearly 20,000 visits to our online catalogue generating over 500 specific enquiries and the figures have risen markedly since then. Ewbank Auctioneers has grown from humble beginnings holding six sales a year, to the position that we hold today, with our own salerooms and some twenty sales a year. Turnover since 1990 has increased by over 800%. Building refurbishment works have just been completed, which include a new mezzanine floor doubling our existing floor space, a new entrance, offices, a new heating system and external face-lift. Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group. He is also an elected Member of its International Governing Council (the highest decision making body in the Institution). He joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994 (he first became a member in 1982), and was Chairman from 2000-2007. He has also in recent years been on the Executive Committee of the British Art Market Federation and was one of the first to join the new City of London Guild of Arts Scholars. Chris Ewbank FRICS ASFAV

EWBANK’S AUCTION SALE DATES 2015 Viewing days/times vary, please contact the auctioneer for details.

November

December

4th

Antique & Collectors’

2nd

Antique & Collectors’

5th

Asian & Eastern Art

3rd

Music & Sporting Memorabilia

18th

Fine Jewellery & Silver

19th

Fine Art

4th Film / TV & Entertainment Memorabilia

20th Antique Furniture & Works of Art

9th

Fine Wine

9th

Toys, Textiles & Collectables

Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale. For Monthly sales they go online approximately one week before the sale. Dates are published on our website and are subject to change without notice.