VISUALIZATION PORTFOLUIO

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TABLE OF CONTENT -

- ASHEVILLE MARKET PLACE

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- VOID, MORHP AND BUILDING

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- NYMA new york museum of art

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SALARISPRING 2013 KHANIKI

Narrative Research Diagram Urban Diagram/Site Plan Prespective Idea Ground Floor Plan Sections

PARTICIPATORYMARKET

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A market is one of many varieties of systems, institutions, procedures, social relations and infrastructures whereby parties engage in exchange. While parties may exchange goods and services by barter, most markets rely on sellers offering their goods or services (including labor) in exchange for money from buyers. It can be said that a market is the process by which the prices of goods and services are established. (Wikipedia) Markets are influential segment of city that has economic influences driven by demands and supply. Every market consists of two parts: buyer and seller. Market participants exchange goods and services by means of money and this bring profit to market. Increasing the level of interactivity between seller and buyer can construct a more sustainable trade. Markets can be defined according to their size. Location and their participants. Participants can be vary by types of participation. Increasing level of positive interaction in markets can benefit market in general. These interactions can be defined by level of predictability, organization of markets and market mechanism. What we can add to the basic market functions is determining new factor that can be merged with default market activities and add some sort of new value. Changing the static structure of market to a more dynamic one that can response to the environmental definition would be an evolutionary movement toward having a highly cooperating space. Defining new kind of collaboration between market roles (buyer and seller) would be another idea.

Combining these ideas with altering the market sub parts would dramatically change a traditional market to a whole new spatial participatory space and can bring about new sense of relationship in between.

Simplifying the interactive dynamic structure to the static structure with dynamic and rythmic installation of its element can provide us with the chance of havinf simple pheasible structure that can increase the level of interaction between people and their own environment.

Movement network can be executed as an attractor for the The difference of sunst down and dusk time in a span of 6 months in dynamic shells like interactive roofs. This way, traffic will be Asheville city is about 10minutes to 4 hours. This can define a different a determinant of the amount of light can be entered or can program and activities during the year. define the motion of the light in the space.

Interactive dynamic shells that can be designed according to the sun path and can controll the amount of light allowed to enter the space.

People can participate with changable light and use it as ever changing and adaptive shelter.

5 ADMINISTRATIVE MICRO RESTAURANTS CAFE’ STORAGE & BATHROOM BIG RESTAURANTS WORSHOP PARKING ENTERANCE MARKETS

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15’

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THE INTENTION OF THE PROJECT IS TO IMAGINING A BASIC FORM AS A BUILDING BY ADDING DETAILS AND DEFINING THE REAL ELEMENTS AS PART OF CONSTRUCTION. THE STRATEGY IS SUBTRACTING FORMS OUT OF CUBE TO CREAT THE PRIMARY SPACIAL VOIDS. LETTING THE FORMS MOVING INSIDE WILL PROVIDE US STRONG DYNAMIC VOIDS CAN BE CONSIDERED AS INTERNAL SPACES. PUTTING SLABS, SHEAR WALL AND GLASSES AS DEFINITIVE SURFACES WOULD BE ANOTHER MOVEMENT TOWARDS LAYERING THE PROJECT. FINLALLY ADDING DETAILS LIKE BRACING STRUCTURE, STRUCTURAL MESHE AND MATERIAL AND COLOR WILL COMPLETE THE BUILDING DEFINITION. AT THE TOP YOU CAN SEE THE LOGIC OF VOIDS. STARTING FROM ANGULAR FORM AND MERGING TO CIRCULAR PATTERN IS THE CONCEPT TO CREAT PARADOXIAL-DYNAMIC INTERNAL VOIDS. AT THE RIGH, WE HAVE THE EXPLOSION VIEW OF SLABS, VOIDS, STRUCTURAL CONCEPT AND THE WHOLE BODY.

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AT THE RIGHT PAGE I CREAT A SECTION OF ONE OF TH E MOST ELABORATED PART OF THE PROJECT IN TERMS OF INTERNAL SPACIAL QUALITY AND BY PUTTING THAT AT CONCEP IT IS WELL DEFINED AS A REAL BUILDING.

CONCRETE MATERIAL FOR BODY PRIMARY CONCEPT FOR VOIDS IN CONJUCTION WITH GLASS FOR VOIDS

CONNECTION OF ANGULAR FORM TO PRIMARY CONCEPT TO DEFIN UNDERNEATH DEFINITION AS PARKING CIRCULAR PATTERN SLOT AND COMMUTING PATH

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Final Presentation

new york museum of art PROFESSOR HECKER NEW YORK MUSEUM Ehsan Salari

NYMA Spring 2013

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SALARISPRING 2013

KHANIKI

17 FORCE, VOID, FLUIDITY, MISTERIOUS A museum is an institution that cares for (conserves) a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary.

Museums are influential segment of city that has cultural influences driven by historical context. Every museum consists of two parts: artist and viewer. Museum participants interact by means of that artist can present to their customer in the certain context called galleries. Increasing the level of interactivity between these two can construct a more sustainable cultural interaction. Museum can be defined according to their size, Location and their participants. Participants can be vary by types of participation. Increasing level of flexibility will bring about higher level of interaction in between. Different point of entrance will resulted in larger amount of participant that will persuaded to get inside. Having a simple design outside but mysterious can be another positive factor. Multifariouse and differentiated and convoluted way of commute in the museum can be a critical strategy to invite viewr t have more participation in galleries. Efficiency in terms of having vast big span for galleries is not only spatial but also can be an opportunity for presenting bigger and vary pice of arts in terms of size.

Network of movements in the void will be reflected in the void surfaces and will increase the environmental interaction in between. The form responds to the forces that created by movements and fluidity.

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FRONT SECTION

SIDE SECTION

DIAGRAM OF FORM GENERATION CONCEPT: CREATING CONNECTION BETWEEN STREET AND HIGH-LINE CREATING A VOID TO SHAPE A VERTICAL SPACE TO HAVE A CONNECTION UP TO ROOF ADDING SLABD AS FLOOR DEFORMING THE CENTRAL CORE IN ORDER TO HAVE A MORE DYNAMIC SPACIAL QUALITY

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INTERIOR PACE FLOOR 03

SIMPLE ANALYZIS OF MOMENTS AND REACTION IN STRUCTURE: AT THE DESIGN OF SHAFT AS LONG WE DON’T HEVE A SYMMETRICAL FORM, I TRIED TO CREAT A STRUCTURE THAT THE CENTROID IS PLACED IN NEAR THE CENTER OF VERTICAL SYMMETRY LINE. THIS WAY WE AHAVE A COMPLETELY STABLE SHAFT THAT CAN WORKS AS ASYMMETRY RECALINEAR ONE. ANOTHER CAHLLENGE FOR ME WAS THAT WE HAVE MORE LATHERAL FORCE ON TOP AS OUR BUILDING EXCEED THE HEIGHT OF OTHER SORROUND BUILDINGS AND WE HAVE HEAVY WIND LOAD IN NY CITY AND OUR MUSEUM IS COMPLETELY OPAQUE. SO THE SOLUTION IS TO CHANGE THE CENTER OF GRAVITY AND REPOSITION IT TO THE LESS HEIGHT AS POSSIBLE. TEH TRIC IS USING MORE STRUCTURAL M,EMBERS AND BRACING SYSTEM UNDERNEATH SO, WE HAVE A MORE DENSE AND MORE HEAVY STUCTURE ON THE LOWER PART OF BUILDING AND FOR SURE BY LOWERING THE CENTROID, MORE STABLE STRUCTURE. HAVING A COMPLETELY UNIBODY STRUCTURE WITH FIX MOMENT JOINTS (WELDING WHOLE THE STRRL MEMBERS TOGETHER) WE HAVE A WHOLE INTEGRAYED STRUCTURE THAT CAN RESIST IN A HIGH DEGREE AGAINST VARTICAL AND LATHEAL FORCES. CONTINUING THE STEEL STRICTURE UO TO 25 FEET UNDERGROUND CAN BE ACCOUNT FOR SEISMIC RESITANCE STRUCTURE FOR MORE SAFETY. USNG DIFFERENT DENSITY FOR ANGULAR SLABS, STAIR STRUCTURES AND ROOF GARDEN CAN CRAT DIFFERENT RESONANCE NUMBER AND WOULD BE ANOTHER IMPORTANT SAFETY FACTOR FOR COPE WITH EARTHQUAKES. SHEAR WALLS WHOLE AROUND THE STRUCTURE, COVERING WHOLE CENTRAL CORE AS SHATF AND CORE (FOR ELEVATOR AND FIRE STAIR) WOULD BE TEH FINAL THOUGHT TO COPE WITH ALL VERTICA AND LATHERAL LOADS.

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USING CATIA-DIGITAL PROJECT AS 3D MODELING TOOL FOR WHOLE THE STRUCTURE AND CONSTRUCTION BUILDING WAS A CHANCE TO EXPLORE THE STRUCTURAL DEFINITION OF MY MUSEUM. USNIG STANDARD IFC LIBRARY FOR BEAMS, GIRDER, COLUMN, SLAB AND WALLS PROVIDED ME WITH A HIGHLY ACCURATE INFORMATION ABOUT THE WEIGHT, QUALITY AND QUANTIS OF THE WHOLE MEMBERS. USING THESE METDA DATA CAN BE USED FOR FURTHER ANALYZYS STEP IN TERMS OF CONSTRUCTABILITY, COST ANALYZYS, ANALYZING THE FORCES AND ETC.

SIDE RENDER THE BLUE PATTERN IS THE GLASS STRIPS WILL BE USED TO ORNAMENT THE INTERIOR CORE WEALL THE RED PARTS ARE THE STAIRS INTERCONNECTING BETWEEN LEVELS ON THE RIGHT IMAGE THE UNDERNEATH PARTS IS AUDITORUM, WORSHP AND CLASSES PLACED UNDERGROUND

FRONT RENDER

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STRUCTURAL ANALYZIS TEH SHFT FROM THE SIDE VIEW IS SEMI-SYMMETRY AND HAS HIGH DEGREE OF LATHERAL STABILITY.

REINFORCED CONCRETE WALLS AND SLABS

VOID AS STRUCTURAL STABLIZER

CENTROID

MOMENT

REACTION

COMBINIG VERTICAL VOID STRUCTURE WITH DYNAMIC FULLY BRACED SHAFT FORM AND SHEAR WALL IS ACCOUNG FOR A WHOLE STABLE COMBINED STRUCTURE. INTEGRITY OF SHAFT WITH SLABS STRUCTURE FOR COPE WITH MOMENTS RESULTED FROM DL & LL AND LATHERAL FORCES. OMMITING INTERIOR COLUMN BY THE AID OF SHEAR WALLS AND CENTRAL SHAFT AND HAVE AN OPEN SPAN FOR GALLERIES. THE OVERHANGED FORCE MEMBERS WILL BE DIRECTED TO SHAFT AS WELL AS VOID WITH STEEL COLUMN.

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