Exposed Magazine November 2016

NOVEMBER 2016

THE SHEFF ROCKERS BRING THE NOISE AHEAD OF THEIR HOMECOMING SHOW.

PROUDLY SUPPORTING THE CHILDRENS HOSPITAL CHARITY

SLAVES // JACK GARRATT // RICHARD HAWLEY IAN HISLOP // STEPHEN MALLINDER OUTLINES FESTIVAL // ELECTRIC SIX SHAZIA MIRZA // SHEFFIELD VINYL GUIDE + MORE INSIDE!

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PAGE

32 THIS IS METALCORE

FEATURES

Monolithic Sheffield noisesmiths Bring Me The Horizon have a huge homecoming gig heading their way this month. Our rock blogger Chris Lord got the latest from the city’s Marmite metal export.

21: EXPOSED VS

Truth be told, we’re far better at supping cocktails than putting them together – but we were still mightily tempted

by The Botanist’s offer a crash course in mixology. How hard could it be?

70: TAKING CONTROL

Fresh from polishing off a second album with a Beastie Boy, we checked in with Isaac Holman of Kentish punk duo Slaves.

96: FROM THE VOLT

Founding member of Cabaret Voltaire and subsequent pioneer of modern dance music Stephen Mallinder talks his early years with the Cabs, Rough Trade Records and his new band.

101: THE VINYL COUNTDOWN

We visited some of the city’s best-loved record stores and got to know he dedicated vinyl nuts behind them.

116: TRENCH HUMOUR

We sat down with long-term writing partners Ian Hislop and Nick Newman to discuss The Wipers Times, a true story about a satirical newspaper set up in the trenches of World War 1.

REGULARS 10 21 45 47 51

UPFRONT VS FASHION FOOD THINGS TO DO 64 COMEDY 67 NIGHTLIFE 70 MUSIC 109 LGBT 119 GAMING 113 FILM 124 CULTURE

PLUS...

BRIGHT SPARKS Phil Turner (MD) phil@exposedmagazine.co.uk Nick Hallam (Sales Director) nick@exposedmagazine.co.uk Sarah Koriba (Accounts) accounts@exposedmagazine.co.uk ROCKETS UP THE BACKSIDE Joe Food (Editor) joe@exposedmagazine.co.uk Rachel Heward (Editor) rachel@exposedmagazine.co.uk RING OF FIRE Marc Barker (Design) marc@exposedmagazine.co.uk GETTING TOASTY Kieran Wade, Mark Perkins, Ellie Grace, Ali Bianchi, Kerre Chen, Heather Paterson, Paul Stimpson, Martin Smith, Tom Green-Fuller, Eliza Frost, Stevie Birchall, John Morgan, Kevin Wells, Josh Evers THE BUSINESS STUFF Exposed is published monthly by Blind Mice Media Ltd, Unit S8 and S9, Globe Works, Penistone Road, Sheffield S6 3AE. The views contained herein are not necessarily those of Blind Mice Media Ltd and while every effort is made to ensure information throughout Exposed is correct, changes prior to distribution may take place which can affect the accuracy of copy, therefore Blind Mice Media Ltd cannot take responsibility for contributors’ views or specific entertainment listings.

JACK GARRATT, ELECTRIC SIX, SHAZIA MIRZA + MORE!

FOR ALL THE LATEST NEWS, GOSS AND GREAT OFFERS GO TO WWW.EXPOSEDMAGAZINE.CO.UK

8 | For more listings and reviews, head to exposedmagazine.co.uk

THROUGH THE LENS

YORK S H I RE ART S PACE This month, Yorkshire Artspace are hosting an open studios, with over 150 artists waiting to welcome you into their workshops from November 18-20. We sent Exposed photo blogger Ellie Grace over for a sneak preview, as she explored the studios of silversmith Rebecca Joselyn, photographer Adam Bailes, silversmith Jen Ricketts and designer/sculptor David Appleyard. Head to artspace.org.uk to plan your visit, explore the artist and maker directory, and learn more about their three studio sites.

10 | For more listings and reviews, head to exposedmagazine.co.uk

For more Sheffield Through The Lens ventures head to www.exposedmagazine.co.uk.

For more listings and reviews, head to exposedmagazine.co.uk | 11

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Horoscopes

On yer bike!

Popular family festival Eroica Britannia has announced it will be relocating to The Peak District’s Friden Grange for next year’s highlyanticipated event. Now heading in to its 4th year, the 3-day family festival and vintage bike ride has been successful in attracting participants from around the globe to join in with the Great British Adventure. The most recent event saw 45,000 riders, ranging from 9-years-old to 86-years-old, taking on the scenic route.

The festival’s spokesman told Exposed that the move will help “refine and develop both the festival and the ride experience.” After a survey showed 89% of the 2016 attendees will return the following year, the new site will also allow space for camping and parking as well as the possibility of expansion. The three routes of the world famous ride have also been changed to include new experiences, challenges and stunning landscapes.

The event will take place over the 16th-18th June 2017, tickets prices start at £20 and are on sale from 18th November. Head to www. eroicabritannia.co.uk for more info.

WIN! WIN! WIN!

Bullet For My Valentine Tix

Bullet for my Valentine have been smashing through sell-out tours in South America and the US of late, and now they return home with a brand-new bassist and a tour to break him in.

For the first time ever, BFMV will be playing their 2005 album The Poison live in its entirety. Coming to Sheffield O2 Academy on Monday November 28th, the band will have support from none other than Killswitch Engage and Cane Hill. Sound up your street? We have one pair of tickets that we are willing to give up in exchange for a correct answer to the following: WHAT NAME WAS THE BAND ORIGINALLY FORMED UNDER? A) FOR THE RECORD B) ALLEGIANCE TO INDEPENDENCE C) JEFF KILLED JOHN Head over to exposedmagazine.co.uk/ competitions to enter.

SCORPIO: Oct 23 – Nov 21

Throwing caution to the wind, you give into those growing feelings of wanderlust and decide to expand your horizons by travelling. Beginning your journey a whole sixteen miles away from family and friends in Barnsley, the following months are a haze of life-changing experiences: watching the sun set over a Doncaster canal, bartering with locals in the bustling markets of Chesterfield and eating exotic kebabs on the streets of Rotherham. You return a much more rounded person and encourage your friends to put their life on pause in favour of discovering what the world (namely the South Yorkshire and Derbyshire bit) has to offer.

SAGITTARIUS Nov 22 - Dec 21 The moon moves into your romance zone and swiftly nicks your bird, the sly prick.

CAPRICORN Dec 22 - Jan 19 An asteroid crashes into Uranus before being swallowed by a large black hole.

AQUARIUS Jan 20 - Feb 18 Yes, Aquarius tends to be the most honest and kind of the signs – but this alone isn’t enough to convince the jury of your innocence.

PISCES Feb 19 - Mar 20 A neutron star is so dense that a teaspoonful of it would weigh almost a billion tonnes. This, however, is considerably less than the density of your brain.

ARIES Mar 21 - Apr 19 Your once dream job of being a stripper quickly becomes tedious. Every day’s the same old thong and dance…

LEO July 23 - Aug 22 If you use the phrase “blue sky thinking” in one more meeting, the stars will personally see to it that you never feel love again.

TAURUS April 20 - May 20 The tricky balance of affording bills, maintaining a healthy social life and putting your happiness first is resolved as you begin squatting in your local boozer.

VIRGO Aug 23 - Sep 22 It’s time to throw away your pride and moral values – then that career promotion could finally be in the pipeline.

GEMINI May 21 - June 20 You eventually get pregnant through continuing to have sex without contraception.

LIBRA Sep 23 - Oct 22 There’s literally only you that could bring a thriving hotcake-selling business to its knees.

CANCER June 21 - July 22 This month sees you gripped in a steamy love triangle between yourself, your right hand and your internet service provider.

LET THE GREAT FOODINI CARESS YOU INTO THE ETHER. FONDLE OUR FUTURES, FOODINI - FONDLE OUR FUTURES! UHN. For more listings and reviews, head to exposedmagazine.co.uk | 13

LOCAL HERO

Return of the Boardwalk

Once of Sheff’s best-loved and most historic music venues is set to be given a new lease of life as the Boardwalk Beer Hall. Huzzah! Chris Bamford and Kate Major have left their respective management roles at Shakespeares and The Three Tuns to focus on turning the Snig Hill venue into a quality beer hall specialising in real ale and craft beer. The big news for gig-goers is that live music will be returning to the location which has seen the likes of The Clash, Sex Pistols and Arctic Monkeys tread its boards. The management team hope to provide exposure for both local and touring bands at the venue, with a focus on showcasing a variety of different genres. If all goes well there is also the opportunity to redevelop the cellar into a separate 200-capacity live venue called ‘Under the Boardwalk’ – huge news for the local band scene!

Keep abreast of the latest developments at facebook.com/ boardwalkbeerhall

“Everyone looks like they’re having a good time on meth.”

“The only thing mainstream about me is that I’m from London.”

“I don’t think you should let your dog drink Guinness, mate.”

“Should I see the doctor if my wee smells like Sugar Puffs?”

“I genuinely wouldn’t know what to do with an aubergine.”

“Cavalry? I’ve shit ‘em.”

Calvin Marsland Stockbridge lads Calvin Marsland and Daniel Hart have given themselves a mountain to climb – quite literally.

The two friends will be tackling Africa’s highest peak, Mount Kilimanjaro, to raise funds for Weston Park Hospital. We spoke to Calvin to find out why they were taking on this monumental task.

Can you tell us why you have chosen to raise money for Weston Park Hospital?

We have chosen Weston Park Cancer Charity because it is where my mum was treated for the duration of her disease. From December 2012 right through until her passing in November 2015, the hospital was phenomenal in her treatment and care, and in the extra support extending out to all the family. Dan’s auntie was also treated at the hospital, and she passed away August 2015. It is without doubt that Weston Park was to be the chosen charity between us!

And you’ve already been very active with your charity work. Could you tell us a bit about what you’ve done so far?

We have been fundraising in many different ways. From running a charity taxi service on New Year’s Eve, to launching a charity beer (Mt. Kili Pale Ale) with Bradfield Brewery or organising a charity ball at St Paul’s Mercure

Hotel which raised a total of £8,000. We’ve also got a firework fundraising spectacular coming up in November at Bracken Moor Stadium, all the details for that are on our Facebook page (bottom of the page).

What have you done to train for climbing Kilimanjaro?

We’ve done three practice walks to Snowden, Scafell Pike and Ben Nevis. We have also led a small expedition across the peak district on a 12-mile route on which members of the community joined us (including my 75 year old Granny, she’s an unbelievable woman). We’ve also signed up to the gym and attend at least three days a week, with a program designed to train legs, back strength and general resistance to prepare us for carrying heavy loads for extended periods of time.

And what are your plans after tackling the mountain?

My plans for after Kilimanjaro change every day! A career change? More charity fundraising?

Who knows..... but right now in my head, I have already done 2 half marathons, so I would like to achieve a full marathon at some point in the future. Perhaps one abroad in Paris, or New York!

To donate to Calvin and Daniel’s cause head to justgiving.com/kilimanjarowestonpark 14 | For more listings and reviews, head to exposedmagazine.co.uk

we’re hiring join the team!

RECRUITMENT@COFFIKA.CO.UK

Interested in talented barista’s

SHOT OF THE MONTH

In need of a little love advice?

Has the fizz gone out of your banger? Let the lord of love enter your soul...

Dear SP, I recently decided to join in with the Movember fun and grow a moustache. Sure enough, after putting down the shaver for a week or two my upper lip now sports a resplendent rug of bristle. However, I’ve since found that my sexual appeal to women has increased tenfold; in fact, I don’t quite know how to deal with all of the attention.

I’ve never really been a “ladies man”, you see, and all of the face stroking and come-ons are starting to leave me a little disorientated. Shall I shave the blighter and go back to my quasicelibate lifestyle, or can you teach me how to embrace the lust and become a fully-fledged Sex Panther like yourself?

Ronald, Woodseats

AT THE INDIE DISCO

Shelley Richmond captured Neil Hannon doing what he does best at The Divine Comedy’s show at The Foundry last month.

16 | For more listings and reviews, head to exposedmagazine.co.uk

Finally caught on, have you?

It’s true: for centuries men have always been able to rely on a well-groomed Mr. Tickler as the ultimate aphrodisiac. Mine smells like oak. However, as you have clearly discovered, with great whiskers also comes great responsibility. Science people discovered that the amount of lip foliage a male displays correlates directly with their manliness, and by sporting a sizable tache you are effectively confirming the following to those around you – A: yes, I am a wonderful lay; B: sure, I’m kind of a big deal; and C: of course I know how to jump-start a car! If none of these things are true, I’d suggest that you are not ready to join me and fellow panthers in drinking from the eternal fountain of passion and sin.

Yours, SP

to pastures new

Anyone see the herd of multi-coloured elephants passing through our streets this summer? Well, they’ve just raised over £410,000 for The Children’s Hospital Charity! The public art trail featuring 58 unique elephants were sold at auction last month, with the highest bid coming from Broadfield Holdings for Pete McKee’s elephant, raising a whopping £22,000. The art display, that became a popular selfie trail over the summer months, was put together by Wild in Art and The Children’s Hospital Charity with support coming from some big names like the Arctic Monkey’s ‘AM’ elephant which sold for £16,500 and Matt Cockayne’s ‘Hendophant’ for Henderson’s Relish which raised £11,300. The money raised from the auction, organised by BBC Bargain Hunt’s Charles Hanson and Associate Director and Head of Northern Auctions Lucy Crapper, will go towards a new Multipurpose Fluoroscopy System, which will save lives with its ability to identify and stop internal bleeding in those with severe vascular trauma injuries. The auction was the last time all the elephants would be together, but some may still be spotted around a few locations in the city as the new owners proudly display their purchases.

ON TWITTER: @GeeAll0ver Overheard “to be honest if I fail, I fail. My heart belongs to the sesh” #studentlife @Shan_Mox96 Nothing like a gourmet meal for dinner. 3 pieces of toast #studentlife @B_bickle Our house is so cold that we could leave frozen chicken out for 2 days and it still wouldn’t defrost #studentlife @stevenobrien80 Heard there was a gypsy with a horse and carriage giving drunks rides on Wellington Street for money last neet. #onlyinbarnsley @georgiebeaman Girl with blue hair casually taking a ferret for a walk on a lead through Hillsborough #OnlyinSheffield

Head to www.herdofsheffield.com for more info.

@paul_tinto #onlyinSheffield Welcome to a world you never realised exsisted. A world of shadow, the rum and uncanny. Join me on my adventure.

Are there any Sheffield curiosities you’d like me, Dr Lester Deertrap, to investigate?

If so, drop me a line, care of the Editor at joe@ exposedmagazine. co.uk. Pip, pip.

INSTAGRAMMER OF THE MONTH: @0keavey captures the raw, urban side of Sheffield through a 35mm lens.

HIGH STREET SPOOKS Since opening in 1933, the Fargate branch of Boots has reportedly experienced a range of unexplained paranormal goings-on. Donning a top hat and cane, a Victorian ghost namedJohn has reportedly been spotted several times during his journey from the lift across the shop floor. Though apparently now content browsing the meal deals and hygiene products, John has not always been so peaceful; over the decades staff have recalled becoming suddenly trapped in the store’s cellar, the door often locking from the inside, while the

lights flickered on and off. More recently, the manager of the shop was called to the premesis by the police to turn the alarm off. They found no sign of a break-in and saw no damage apart from a knocked over mannequin. After putting the mannequin back in its place, the manager and officer were suddenly knocked to the ground as it was thrown full force at them both down the aisle. Needless to say, the manager refused to enter the shop alone for the rest of her time there. Food for thought next time you’re buying your toiletries…

For more listings and reviews, head to exposedmagazine.co.uk | 17

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URBAN CHOOLA Compared to its competitors on London Road, Urban Choola is fairly young at just three years old, but the Indian Street Kitchen has firmly announced itself as a force to be reckoned with in that time. So much so, that they’ve now outgrown their former venue and have moved to 842 Ecclesall Road, complete with a brand new refurb.

Eat In

Head chef Rohan Karkhanis channels an authentic Indian street food experience, inspired by dishes native to his hometown of Mumbai. From puris to thali dishes and a whole load of veggie options between them, there’s plenty of choice on the cards. We highly recommend booking a table via the website.

Take Out

If you don’t manage to nab a table however, never fear: they do free delivery (within 3 miles). And with the soon-tocome options of placing an order directly with the website or ordering private

catering for events and such, it’s looking to be a very bright future for Urban Choola filled with bell peppers; curry powder creamy cashew nut sauce.

Drink Up

As a Halal restaurant, naturally Urban Choola doesn’t sell alcohol. Now before you turn your nose up at the very thought of a curry without a beer, why not try the mango lassi instead? A traditional Indian drink of fresh mangoes, cardamom and creamy yoghurt, it’s definitely the healthier and cheaper alternative. And it doesn’t taste all too bad either.

Discount

For those with an Independent Sheffield Card, there’s 10% off when you dine in from Sunday-Thursday.

Contact

You can find Urban Choola at 272 London Rd, S2 4NA. Check out www.urbanchoola. co.uk to find out more about the dishes on offer or call 0114 2590 8880.

Much-loved traditional pub The Gardeners Rest, known throughout the city for its real ale selection, regular live music nights and stunning beer garden, could be sold via community shares depending on the success of a local Crowdfunder project. The scheme was initiated by the recently formed Gardeners Rest Community Society, a group of locals and longstanding admirers of the historic pub, who aim to keep the building running as a professionally managed public house which also offers a variety of services to the community.

If the £100,000 target is met by 28th November 2016, the pub, which first opened its doors in 1898, will be kept alive with its identity preserved. To ensure the building provides as much social benefit as possible, there are also plans to create employment and training opportunities, offer a space for creative pursuits and provide good standard accommodation on the above floors.

Investments can be as little or large as you choose, and you will still have the same rights as every other shareholder regardless of the amount, including your right to vote at general meetings, stand for election to the Board of Directors, inspect the share register of the society, volunteer skills for the refurbishment or just give the Gardeners Rest your custom and support.

Head to www.crowdfunder.co.uk/gardenersrest for more information on the venture and how to get involved.

Want to know more about Sheffield Independents? Head to independent-sheffield. co.uk and don’t forget to pick up your membership card for exclusive deals and offers from local businesses of every shape and size.

For more listings and reviews, head to exposedmagazine.co.uk | 19

TA PAS

NOV 2016 -

free!

DANCE CLASS ALL LEVELS - STARTS 8pm

Live music from 8.45pm

CUBAN

BAR

Wednesdays

‘A raucous mix of live R E that S T A U Reveryone A N T & C U B can’t AN BAR music and dancing help getting involved in!’

JAZZ AND SWING...

TA PAS

CUBANA DOWNSTAIRS LOUNGE BAR FROM 8pm

MPR HAMMOND TRIO WEDS

NOVE MBER

9

&

THE BIG SWING IS AN EXCITING NIGHT OF UPBEAT

SWING

2

R E STAU R A N T

Featuring Mathew Richardson on Drums, Martin Longhawn on Keys and the powerful vocals of Kate Peters. The trio fuse Jazz, Blues and soul to perform a mix of ‘standards’ taken from ‘The Great American Songbook’ through to arrangements of popular tunes from the likes of Stevie Wonder, Norah Jones, Ray Charles, James Taylor and many more.

NDS LIVE BA NCE FREE DA CLASSES

RYAN TAYLOR WEDS

NOVE MBER

16

Ryan Taylor armed with his Hammond brings an eclectic blend of jazz, swing and Latin music, fused together with a touch of soul. Expect improvised grooves, colourful arrangements and electric solos from Ryan and the boys.

THE BIG EASY WEDS

NOVE MBER

23

LEEDS CITY STOMPERS

WEDS

NOVE MBER

30

An energetic swing band from Leeds, with lively vocals, trumpet, sax, guitar, piano, double bass and drums. They perform some of the best swing from throughout the 20th century Their dynamic, energetic and often virtuosic performances make them great to watch. This no-nonsense music will get your toes tapping and onto the dance floor without question.

Playing 1920s blues, ragtime, swing and folk with the energy and feel of modern rock and roll music. Known well on the Lindy Hop circuit these guys play dances across the country. Christopher Fox on guitar and double bass, Martyn Roper on double bass and guitar and Jack Amblin on drums and washboard.

Expect an upbeat and vibrant performance.

NTRY FREE E

TESSA SMITH AND THE APPLEJACKS WEDS

NOVE MBER

Leeds Vocalist Tessa and her Applejacks are entertaining and captivating. With a strong Lindy Hop background Tessa knows how to play for dancers and does so regularly all over the UK. Their music choice has a variety of flavours and will stretch your dancing to its optimum.

Swing Dance Class from 8pm. Live music starts from 8.45pm. Swing & Jazz DJ sets from 11pm.

Why not try our delicious tapas in the upstairs restaurant beforehand - to book a table call 0114 2760475 Call 01142 760475 UNIT 4 LEOPOLD SQUARE, SHEFFIELD S1 2JG

C U B A N ATA P A S B A R . C O . U K Find out what’s happening on our Facebook page

www.facebook/cubanatapasbar

DS IVE BAN NCE FREE DA CLASSES

EXPOSED

THE BOTANIST

TRY REE EN

m.

75

What’s that? Swanky new cocktail venue The Botanist want to take us on at a spot of speed mixology? Well, more fool them because we’ve got super intern Stevie on our side, who’s actually pretty good at this stuff. She once took a Vodka Revolution masterclass on a hen do in York, no less…

“Maybe it’ll be like of those things that you don’t think you’ll be good at, but end up being really good at?” Stevie mused as we stood waiting for our challengers in the downstairs bar. “Like, at university I had to take a course in accounting – and I genuinely hate stuff like that – but I actually got 100% in the exam. Completely didn’t expect it.”

“Mmmm,” I replied.

“Also, I make a mean espresso martini. Like, really good. That’s my signature cocktail really.”

I couldn’t quite work out whether she was nervous or excited. She was talking quite a lot. But before we could talk more about our victory prospects we were summoned upstairs to meet bar manager Jack, her opponent. Now, Jack knows a bit or two about cocktails. In fact, it was pretty much all he spoke about – with gusto – for the opening twenty minutes, as we were taken through entire menu and told about the fundamentals of good bartending.

He even agreed to give Stevie a brief lesson in some basic moves, such as free pouring, which quickly ended in a sopping wet bar and a criminal amount of wasted spirits. Not looking good. Next up, he took us through a step-by-step guide to whipping up a delectable blueberry martini before announcing the challenge.

It was all about speedy multi-serving, and the task For more listings and reviews, head to exposedmagazine.co.uk | 21

THE BOTANIST

was to whip up a good standard blueberry martini, pour a pint of Samuel Adams and assemble a quick G&T – the catch being that he was to have one armed tied back rather uncomfortably with electrical tape. The person who serves all three in the fastest time wins. But even that, for Stevie, still didn’t make things fair. “But I’m shit,” she protested. “She is pretty shit,” I concurred. “Ok,” said Jack. “How about you pick three separate cocktails for me to make from scratch, still with one arm behind my back. You just do the one cocktail, the pint and the G&T. Okay?” To be fair, it sounded like the best chance we had.

In sporting fashion, we picked what we thought would be the most difficult drinks to make (those with tough verbs like ‘smash’ and ‘crush’ in their names) and decided Jack would go first. We gave him a quick countdown and off he went, a one-armed man flying around the bar at impressive speed and using his mouth to remove bottle lids, one hand to freepour multiple spirits and somehow – and I’m still not quite sure how – zesting a lemon.

He accidentally threw his strainer in the bin at one point but managed to style it out and five minutes and twenty seconds later he’d rustled up a pear and kiwi crush, an apricot and pear smash and a blueberry

and passion fruit martini. He was sweating a lot, and it was pretty darn impressive, but with just the one tricky drink to make, surely our Stevie could do it quicker?

Or perhaps not. “I’ve never even poured a pint before,” she said, warily ogling the beer pump. “Oh, and is this one gin?” she asked pointing to the bottle labelled ‘Brockman’s Gin’. But once the clock started running she sprang into action,

22 | For more listings and reviews, head to exposedmagazine.co.uk

throwing ingredients together and getting her shake on. The freepouring skills still left a little to be desired, but she managed to successfully pour her first ever pint, and a quick sip of the finished martini saw it pass my high quality tasting test. With almost four minutes on the clock, she casually knocked up a G&T, popped down serviettes and served up all three with time to spare.

Exposed win! Victory sips all around!

VERDICT:

Granted, our opponent had one arm and an infinitely trickier challenge than we did – but a win’s a win!

Big-ups to The Botanist for the crash-course in bartending; our Stevie could make a seasoned mixologist yet…

The scores so far: EXPOSED: 27 CHALLENGERS: 36 DRAWS: 3

Christmas in The Square Sunday 20th November From 12pm The Square will be transformed into a magical winter wonderland for our special Festive Fair.

Enjoy the sound of local choirs performing a selection of classic Christmas songs whilst you meet and pet real life reindeer.

With snug blankets, fairy lights and traditional winter drinks, Christmas at Leopold Square will be like no other.

www.leopoldsquare.com

Stay in for a change.

Sheffield’s coming alive after five.

Why rush home when there’s plenty of food, shopping and culture right here? In our city centre you can shop until 6pm on weekdays. And participating stores are now opening until 7pm on Thursdays for some late night retail therapy. Home time can wait.

Keep up to date at sheffafter5.com #sheffafter5

Words: Joseph Food

Photography: Aimee Catt

One of the most consistent bands on the Sheffield scene, indie trio The Floodhounds recently released their third studio EP Look What You’ve Started – adding another six tracks of infectious blues rock to their already impressive repertoire. After giving the record numerous spins in the Exposed office, we were keen to get band in for a live session at Kelham Island Museum and grabbed Jack (vocals/guitar), Rhys (bass) and Lauren (drums) for a chat before the cameras started rolling.

The new EP’s a belter. How was putting it together?

Jack: Pretty stressful. We recorded six tracks in two days at 2Fly Studios, which I wouldn’t really recommend doing. Luckily, Alan [Smyth, 2Fly producer] knew what he was doing and it all came together well.

Rhys: Yeah, we’d originally gone in with the plan of recording four, but Alan persuaded us to take it up to six. It makes it our biggest EP to date.

Are there any particular themes which run through the record and tie the tracks together?

Jack: I guess so, although I’m really conscious that I’m being recorded and I’m really bad at articulating stuff like this.

Rhys: A lot of reviews went really deep into your lyrics and the meanings of the tracks.

Jack: I know, and it’s funny as they tend to find things that I didn’t know were there! But yeah, I guess that there’s a bit of a conflict in the themes at times: the slowed down, more intense stuff like ‘Great Mistakes’ which is about the breakdown of the relationship; then there’s ‘A&E’ and ‘State of Mind’ which are more “chin up, son”, feel-good rock songs.

26 | For more listings and reviews, head to exposedmagazine.co.uk

And for the Exposed readers out there who don’t know much about The Floodhounds, give us a brief history lesson.

Jack: I met Rhys through a friend of a friend; he actually learned the bass just to be in this band.

Not long after our old drummer left, I was in Leeds visiting some friends from uni and one asked how the band was going. I mentioned how it wasn’t looking good as we were without a drummer and Lauren was literally stood next to us. My friend just pointed and said, “She plays drums.”

Surely that’s fate?

Lauren: Definitely. I was originally supposed to just come onboard for to record an EP, but I ended up doing a few gigs and… wait… I’ve never actually asked if I’m a full-time member yet!

Jack: You’ve been here two years. I think you’re safe.

You’ve certainly earned your spurs on the local scene and are now branching out with your gigs.

What sort of barriers do you think stop other young bands from doing the same?

Jack: Having a car helps!

Lauren: That’s another reason why I’m in the band, I think! But yeah, because Sheffield is so good for unsigned bands it can be quite easy to get trapped

OR NS

IN S ES

N CO-SP O SIO

For more listings and reviews, head to exposedmagazine.co.uk | 27

IN S ES

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EXPOSED IN SESSION An exclusive YouTube gig every month from some of the city’s finest musical exports – filmed live with no overdubs.

Watch the session online at: www.exposedmagazine.co.uk

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OR NS

in playing the same venues every month. It’s always good to take your music to other places.

Jack: There’s also an element of luck involved – you know, having a mutual friend in a different city who puts you on to a good venue that books bands.

Rhys: We’ve been invited along to a couple of radio shows in different cities, and I think that’s maybe because our sound’s a bit more difficult to pigeonhole perhaps?

Where do you guys stand on bands having strategies? Are they important, or is it more a case of right place, right time?

Jack: I think it’s a bit of both nowadays. You need to be on the ball with regards to applying for gigs at the right times and spreading your music; but I suppose, on the other hand, most of the good stuff we’ve got have come out of the blue without us thinking about it too much.

Streaming. Is it a good or a bad thing?

Jack: Again, a bit of both. Obviously it gets your music out there, but it’s more of a promotional tool than anything to do with money.

Lauren: It’s great to have your music available for anyone to listen to, especially for bands like ourselves. However, I think because so many bands are on it nowadays, it’s very saturated and easy to pass under the radar. It’s not really a big deal to be on Spotify, as anyone can get on there now, and that makes it difficult to stand out.

And with regards about the wider music scene in general, are there any guitar bands that you think are flying the flag pretty well?

Jack: I’m a huge fan of YAK and I’m seeing them in

N CO-SP O SIO

Sheffield next week. Drenge are also great; I saw them a few weeks ago and it was an awesome live show. As long as there are bands like that coming through, things will be fine.

Lauren: Yeah, it’s good to see bands that you’ve been following on the live circuit years before doing so well.

Rhys: I remember seeing Catfish and the Bottlemen playing SOYO years ago and their story does give you a bit of hope as a band. They’d just put in the effort touring non-stop for a few years and are now doing really well.

What I particularly like about those bands is the importance they place on their live shows. So many bands have upped their games when it comes to gigging.

Jack: The Fat Whites are another great example of that, they play one of the best live gigs you’ll ever see. And it’s sort of bad to watch, but also so good at the same time.

Lauren: I think it kind of links in to what we were saying about streaming. That market is so saturated now that bands know they need to make their live shows count to make a name for themselves.

And what’s the plan now the EP is out now? Will you be touring it?

Jack: Yep, that’s the plan. We’ve got a load of gigs booked in for October and we’ve got more getting confirmed all around the north in November and December, plus we’ve got a gig in London to look forward to. We’re already working on the next batch of material, and we reckon we’ll be releasing them as singles in the New Year.

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AHEAD OF WHAT PROMISES TO BE THE BIGGEST SHEFFIELD SHOW IN THEIR HISTORY – A FITTING WAY TO SPEND THE 10TH ANNIVERSARY OF DEBUT ALBUM COUNT YOUR BLESSINGS – I CAUGHT UP WITH THE BAND’S FOUNDERGUITARIST AND LONG-TIME RIFF MERCHANT, LEE MALIA, TO TALK ALL THINGS BRING ME.

32 |l For more listings and reviews, head to exposedmagazine.co.uk

Once the country’s most polarising deathcore prospects, and now one of the most critically and commercially successful rock acts this side of the Atlantic, Bring Me the Horizon’s decade-long career has seen the Steel City quintet take a more unconventional route than most to mainstream success. Controversy, incendiary live shows, line-up changes, addiction, and a bold, progressive attitude towards their craft have all attributed to their dramatic rise to the very top of the international rock summit. You could say they’re merely the latest in a line of global rock stars spawned by a city that seems to have an unusual knack for it. But when you compare the nature of this band’s musical output to that of Def Leppard, or a certain band from High Green, BMTH deserve a world of credit for their enormous crossover success; often in the face of stifling rock ‘n’ roll traditionalists and elitists. That’s the Spirit’s #2 UK and US album chartings are perhaps victories more significant for alternative music itself than for Oli Sykes & Co.

For more listings and reviews, head to exposedmagazine.co.uk | 33

TDD

Following the commercial success of That’s The Spirit, will there now be pressure from the label to continue in a similar vein?

The good thing about the label is that they’ve never tried to make us write anything. In England it’s RCA, I think [laughs]. They’ve always been really supportive of us, because when we first signed with them we wondered if they were gonna be pushy like that, but they weren’t at all. They’re just happy with the way we’re progressing, so they just want us to get on with it. They don’t ever try to give us any direction.

How much of the band’s recent mainstream success can be attributed to the pre- addition of Jordan Fish before Sempiternal?

Yeah, definitely, he’s a really good songwriter. It’s cool because I used to write songs with Oli, and to have Jordan come in means it’s someone else with loads of other ideas for song structures. He’s got a different past in music as well. He had that electronic band called Worship, so it’s good to have an outside influence genre-wise.

The band has never shied away from experimenting with different styles.

How do you see the next album shaping up?

At the moment it’s a bit soon as we haven’t started writing, but we’ve spoken about it

a little bit. We’re thinking the same way, in the sense that no one has any real idea, so God knows what the next album’s going to be like. But that’s pretty exciting. I guess we won’t know until the first day we sit down and write something.

A headline UK arena tour represents an enormous achievement for any band, but do you ever miss or crave the intimacy and chaos synonymous with shows in smaller venues like Corporation or Plug?

Yeah, I reckon we’ll definitely play those venues again. The arena shows are going to be awesome, because you get to do a really long set and a big stage show, but it is always cool to play the smaller venues.

Before we played Wembley, we played a show at the Underworld, a sort of secret show, which was cool as it was one of the first venues we ever played in London, so I

think we’ll do something like that up north in the future.

What can fans expect from your Sheffield show on November 6th?

It will easily be the biggest and longest set we’ve ever done, and hopefully also the best show we’ve ever done. I’m pretty excited for it because we haven’t used this stage or played this set before, so it’s gonna be good.

Considering BMTH’s deathcore beginnings, did you ever think the band would play Glastonbury?

Playing Glastonbury and all these other festivals is mental, because when we started we didn’t have any aims to play anywhere, we just wanted to play shows because we liked going to shows and we all played instruments. We never had any idea that this would happen, but it’s crazy, and everything’s an achievement – like playing ▶

We’ve actually played to people bottling us, so we know how bad it can be. You just have to play and tour, and if people like you, then they like you.

That’s how it should work.

34 | For more listings and reviews, head to exposedmagazine.co.uk

TDD-Sheffield-ExposedMag-15.2cm x 22.8cm_Layout 1 20/10/2016 11:18 Page 1

▶ a show with nobody booing! I remember playing our first couple of festivals, and it was weird to cross over in that sense as we were still an underground band. But nowadays it’s pretty good playing the big shows.

I read some stuff about a European tour with Killswitch [Engage]. You got some shit on that one?

Yeah, but I think it’s good that happened to us, because it makes you decide whether you want to be in a band, put up with that sort of stuff and work at it. A lot of bands nowadays don’t go through the hard tours, so then when they get a tour that’s not amazing, they think it’s the end of the world. But we’ve actually played to people bottling us, so we know how bad it can be. You just have to play and tour, and if people like you, then they like you. That’s how it should work.

Many are tipping the band to headline Download next year. Have any discussions taken place?

No, we haven’t spoken to them. We don’t really know what we’re doing next year.

We’re probably going to start writing first, so there’s nothing in the pipeline yet.

A few years back, the band recorded several bonus tracks for Sempiternal at Sheffield’s Steel City Studio. Would you ever record an entire album locally?

It depends what we’re recording, because with drums we always like a good sounding room. If there was a studio in Sheffield that sounded really good, we’d probably do it.

The last album was in Santorini [Greece], and we got to go on holiday while we did it.

That was pretty cool.

Throughout the band’s career, which recording process has been the most memorable?

The last one was cool because there wasn’t a producer, so it was just us lot doing it ourselves. That was a good way of doing it, but I also think we learnt so much about being a band when we recorded Suicide Seasons [2008] in Sweden. That was a huge learning curve in us actually becoming a proper band, so that sticks out as a good memory.

How much of a bond do you have with the Sheffield music scene these days?

Are there any currently unsigned local bands destined for greatness?

I’ve been a bit out of the loop to be honest.

Because we’re on tour so much that when I get back I don’t really go to that many shows, so I’ve kind of missed out on who’s coming through. Is there a band called Malevolence? Everyone says they’re meant to be good. There’s the Festivile stuff too, which is quite good for the hardcore-metal scene, but I just need to catch up with it all to be fair. I think it’s a bit harder nowadays as well. When we were young there were shows three or four times a week in pubs and everywhere, so if you wanted to gig it was a lot easier, as you could jump on shows all the time. Nowadays there seems be less people just wanting to go out just to see bands play.

The dictionary definition of sempiternal is ‘eternal, unchanging and everlasting’.

If you had to tour the world with two bands for eternity, who would you choose?

I’d go with Queen, just because they’re probably the best band ever. And Metallica because I used to be obsessed with them when I was a kid! Playing before those guys at Reading & Leeds last year was a massive thing for me.

36 | For more listings and reviews, head to exposedmagazine.co.uk

Bring Me The Horizon play Sheffield Arena on November 6. Tickets are available from www. sheffieldarena.co.uk

ON NOVEMBER 6 2016 BRING ME THE HORIZON W I L L P L AY S H E F F I E L D A R E N A THIS IS NOT AN ANNOUNCEMENT THIS IS A WARNING SHEFFIELDARENA.CO.UK 0114 256 56 56

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Eat, drink and be merry with our bumper Christmas party guide.

The Forum

Unit 4, Leopold Square, Sheffield S1 2JG Enjoy a festive fiesta at Cubana this Christmas, whose variety of party packages make sure everyone is catered for. From a drinks reception to buffet, lunch time meal or full sit-down evening do, their award-winning tapas, impressive cocktail menu and selection of rum is second to none.

The offers: Day time menu £14.95, evening menu £24.50, buffet £13.50, drinks reception £4.50 per person.

Book now: info@cubanatapasbar.co.uk, or call 0114 2760 475. www.cubanatapasbar.co.uk

129 Devonshire St, Sheffield S3 7SB Go as big or small as you like at the Forum, who are offering everything from ‘Prancer’ and ‘Blitzen’ booth packages of spirits, beer, wine or cocktail pitchers for the table, to festive cocktail classes, a buffet menu (mini Korean turkey sliders with crackling anyone?) or a full slap-up three course meal.

The offers: £19.95 per person or £27 per person with wine for the full three course meal, £11.95 for the buffet menu, cocktail classes £20 per person, Blitzer package £130 per person, Prancer £200 – including two bottles of spirit and one prosecco, or one spirit, two prosecco and 24 bottles of Heineken.

Book now: bookings@forumsheffield.co.uk, or call 0114 280 8222 or 07715208966. www.forumsheffield.co.uk

The Old House

The Broadfield

Cubana

113-117 Devonshire St, Sheffield S3 7SB From fizz packages and deluxe beer boxes to a decadent three course dinners of the finest modern British fare, or talk and taster sessions from their resident gin experts, The Old House have got it covered this festive season.

The offers: Drinks parties from £15 per person, three courses for £19.95 per person and £27 with wine.

Book now: bookings@theoldhousesheffield.co.uk, or call 0114 280 8222 or 07715208966. www.theoldhousesheffield.co.uk

452 Abbeydale Road, Sheffield, S7 1FR Whether you want to hire out their private dining room or go for the full three course dinner option, at The Broadfield you can personalise your party with add-ons such as prosecco on arrival, Sheffield Dry Gin and tonic kits, post dinner cheese boards and more.

The offers: Three course menu £19.95, add-ons start from £4 per head.

Book now: info@thebroadfield.co.uk, or call 0114 255 0200. www.thebroadfield.co.uk For more listings and reviews, head to exposedmagazine.co.uk | 39

Genting Club

St Paul’s Place, Arundel Gate, Sheffield S1 2PN On top of their four course traditional Christmas menu or light bites packages, Genting offer a Go Casino option, where you can gain valuable gaming experience with ‘learn to play’ sessions, designed for everyone from newbies to seasoned players; try your luck at blackjack, roulette, slots and poker.

The offers: four course menu £32 peak time Thursday to Saturday, and £24 off –peak Sunday to Wednesday. Light bites menu from £16 and Go Casino supplement from £10.

Book now: Call 0843 886 2474. www.gentingchristmas.co.uk

Napoleons

844 Ecclesall Rd, Sheffield S11 8TD // 17 Livesey St, Sheffield S6 2BL On top of a delicious spread of Christmassy treats, from appetisers like Yorkshire pudding, onion compote and Henderson’s syrup, through to spiced orange crème brulee with mincemeat roulade, Napoleons on Ecclesall Road will be throwing festive party nights every Thursday in December. At their Owlerton venue, the menu boasts classic Xmas dishes like roast turkey with all the trimmings and proper Christmas pudding with rum sauce.

The offers: Both venues, Sunday to Wednesday £25, Thursday to Saturday £37, includes three courses, a drink on arrival and £5 gaming chip. Plus, if you’re a large party pre-order five bottles of wine and get the fifth for free!

Book now: For Ecclesall Road call 0114 266 1115, for Owlerton call 0114 285 5566. www.napoleons-casinos.co.uk

The Botanist

5A & 5B Leopold Square, Sheffield S1 2JG Create your own adventure at the newest addition to Leopold Square, with a Christmas coordinator on hand to cater to your every need, and a menu containing their famed hanging kebab – this time with a Christmas twist of turkey in spiced cranberry glaze – you’ll have everything you need for a sparkling Xmas do.

The offers: Three course lunch for £22.50, and dinner for £27.50.

Book now: sheffieldbdm@thebotanist.uk.com, or call 0114 273 7855. thebotanist.uk.com

Revolucion de Cuba

1 Mappin St, Sheffield S1 4DT A roster of live Latin-American music will keep you entertained at Revolucion de Cuba while tasty tapas parties, three course dining, or Mostrador buffet-style food will ensure you’re plenty fed. Finish things off with their range of drinks packages including cocktail wristbands, Cuban teapots and beer and cider buckets. For something different, why not give their salsa lessons or Cuban cocktail masterclass a go?

The offers: Depending upon whether you go off-peak or join the party at its full height, prices range from £17.95-£32.95 for the three course dining option, £14.95-£21.95 for the tapas and Mostrador parties. Salsa and cocktail classes from £24.95.

Book now: Simply head to the website, www. revoluciondecuba.com/sheffield and fill in the contact form, or call 0114 2799250. www.revoluciondecuba.com

40 | For more listings and reviews, head to exposedmagazine.co.uk

Sentinel

178 Shoreham St, Sheffield S1 4SQ Naturally, Sentinel’s Christmas party menu contains plenty of beery twists, with the likes of Timmermans beer poached pear and Harrogate blue cheese tartlet with mustard leaf to start, ale-braised brisket of beef and Yorkshire pudding for main and Sheffield gin and tonic sorbet with berry coulis and beer nut biscotti for pud – to name just a few.

The offers: £28 for three courses or £24 for two.

Book now: hello@sentinelbrewing.co, or call 01143 999 888. www.sentinelbrewing.co

Silversmith’s

111 Arundel St, Sheffield S1 2NT The award-winning Silversmith’s team have cooked up a Christmas feast in line with their all-year-round ethos of sourcing the best seasonal local produce – expect dishes like spiced artichoke soup with almond brittle and truffled Yorkshire blue cheese emulsion, and twice cooked Bradfield pork belly with potato fondant, black pudding bon bon and cider gel.

The offers: Three course dinner and prosecco on arrival for £35, and three course lunch, without prosecco £26.

Book now: Call 0114 270 6160. www.silversmiths-restaurant.com

The Milestone

84 Green Lane at Ball Street, Kelham Island, Sheffield S3 8SE Dine in style at The Milestone this festive season, with a menu full of the best seasonal goodies, from honey roasted parsnip soup with curried oil and crème fraiche to loin of pork with black pudding, apple puree, celeriac fondant and seasonal cabbage. Throw in a few honey caramelised roasted roots and buttered winter greens and you’ve got yourself a proper festive feast.

The offers: Sunday to Wednesday, two courses for £18, three for £20. Thursday and Friday two courses for £19.50 and three for £22.50.

Book now: bookings@the-milestone.co.uk, or call 0114 272 8327. the-milestone.co.uk

Craft & Dough

1A, Kelham Square, Kelham Island, Sheffield S3 8SD // 44 Campo Ln, Sheffield S1 2EG // 359-361 Ecclesall Rd, Sheffield S11 8PF Take the non-traditional route this year – deep fried brie with hedgerow berry compote, and fried whitebait with aioli feature on their starters and their much loved crafty cuts pizza (braised beef, pepperoni, balsamic red onion mozzarella and Parmesan) is joined by their taco pizza creation, which involves refried beans, Mexican chicken, mozzarella, diced tomatoes, black olives, spring onions and sour cream – plus vegetarian options and desserts aplenty.

The offers: two courses for £12.50, three for £16 and you can add a large glass of wine, or pint of Craft & Dough IPA on arrival for an extra £4 per person.

Book now: Head to the website below and fill in the form at the venue of your choice to book. craftanddough.co.uk

Marco’s New York Italian

West Bar Green, Sheffield S1 2DA On top of two and three course dining options mixing the very best festive food with an Italian-American twist, Marco’s also offer a private dining experience, for between 20-40 guests.

And if you’re the lucky one organising the whole shebang, Marco’s will reward you with a £40 voucher if you book a party of 10 or more before November 30th.

The offers: £28 per person for three course meal (plus a £6 supplement if you opt for the New Orleans Cajun steak).

Drinks packages also available, just ask when you book.

Book now: enquiries@marcossheffield.com, or call 0114 399 0990. www.mpwrestaurants.co.uk

The Head Of Steam

103-107 Norfolk St, Sheffield S1 2JE A well-stocked bar of craft beers from around the world complemented by local cask and quality food Head Of Steam are throwing Christmas with you in mind – simply contact them and they will sort out a bespoke party package, just for you.

Book now: sheffield@theheadofsteam.co.uk, or call 0114 275 2526 www.theheadofsteam.co.uk

Bloo 88

182 West St, Sheffield S1 4ET Housed in a stunning 19th century former hotel, you’ll find handmade stone-baked thin crust pizzas, topped with locally sourced ingredients and cocktails galore. 20 or more attending? Try the snazzy private party room upstairs.

The offers: Three courses for £17.95, two for 13.95.

Book now: bookings@bloo88.com, or call 0114 270 6264 www.bloo88.com For more listings and reviews, head to exposedmagazine.co.uk | 43

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Cow 156-160 West Street S1 4ES, www.wearecow.com Ralph Polo LS £20 // CK ¼ zip £24 // Fila hat £8 // Clarks shoes £32 // PF Flyers £18 // Corduroy shirt £16 // Levis £20 // Chinos £28

Mooch 76 Division Street S1 4GF, www.facebook.com/moochvintage Levi’s W32 // Flight jacket £45 // Cord shirt £15

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For more listings and reviews, head to exposedmagazine.co.uk | 45

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Vulgar 127-129 Devonshire St S3 7SB, www.vulgarsheffield.com Shirt £14 // Dungarees £25 // Bag £28 // Shoes £48 For more listings and reviews, head to exposedmagazine.co.uk | 47

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Rose tattoos have a long history stretching all the way back to early days of modern tattooing itself. They still remain hugely popular amongst the Good Vibrations clientele, so we spoke to studio manager Nick Kilby to learn a bit more as to why he feels the rose design has stood the test of time.

Why do you think rose tattoo designs are so popular?

It’s a hard one to pin down as to why things do become popular, but yes, the rose tattoo remains a constant source of inspiration for both tattooists and those being tattooed. You can certainly make the case that the rose as a symbol of love and growth began its life in literature and poetry and that it has transposed from there into people’s ideas of what they wish to project with their tattoos.

What is the history behind them?

The rose tattoo is just about as old as the Westernised craft of electric tattooing.

From the oldest photos of tattooing and tattoos you can see them on flash sheets hanging on the walls of shops and on people’s bodies. Whilst the craft and art has developed, the design versatility afforded to the artist has allowed it to remain a constant symbol that can allow them to demonstrate the best of their abilities.

From an artist’s perspective, why do you enjoy working on these tattoos?

Really because they are super fun to do.

Many of the artists freehand draw their rose designs onto the customer, meaning that they can achieve a perfect flow and movement across the body and make it a truly bespoke piece of work.

Who at Good Vibrations should someone see about a rose design?

All of the artists would do a great job within their own style, so it really is customer preference as to whom they would pick.

Finally, what do you have going on at Good Vibrations in November?

It’s business as usual but we have some artists itching to do some portfolio work that will be being posted on the Facebook Page. Give us a like and a follow – facebook.com/GoodVibrationsTattoo and @goodvibrations tattoo on Instagram – and you will be able to catch them.

Bookings and enquiries can be made by emailing huntersloft@goodvibrationstattoo. co.uk, calling 0114 457 0831 or popping into the studio for a chat.

641 ECCLESALL RD, S11 8PT

TEL:0114 457 0831

233 CROOKES, S10 1TF

TEL:0114 267 1924

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MURRaY CHRISTMAS 2016

CHRISTMAS IS ALL ABOUT FOOD, FAMILY & FRIENDS indian family style dining Nov 23rd - Dec 24th Holidays are coming. We think Christmas is all about great food, your immediate, extened or work family and of course, friends.

If you’ve got any further enquires or questions please send us an email on ashokasheffield@mac.com

Like years gone by, we’re championing our family style dining.

Choose from one of the menus below, we’ll put all the food in the middle of the table so guests can share our most popular dishes family style.

You will not leave hungry, we’ll top up with curries where neccessary and provide unlimited rice and freshly baked naan breads.

GO ON THE LINE FOR MORE INFORMATION WWW.ASHOKA1967.COM established since 1967 xmas a4.indd 1

21/10/2016 11:02

016 11:02

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Three brews to celebrate International Stout Day As we’re sure you’re fully aware, November 3rd is International Stout Day. And with this in mind, we swung by Beer Central to pay a visit to booze aficionado Sean Clarke who gave us the lowdown on three of the finest stouts in his store.

Silversmiths polish up Since the ever-charming Gordon Ramsay suggested Silversmiths close down on his Kitchen Nightmares show back in 2008, the Arundel Street restaurant set about drastically turning the tables and has now established itself as one of the city’s best spots for fine dining. Keen to build on their success, Silversmiths have recently been hard at work reshaping their venue, menu and opening times.

Alongside the new all-inclusive breakfast, lunch and dinner menus is the announcement that they’ll be serving traditional Sunday lunches. The breakfast offerings will include cake and sweet and savoury patisseries which you can wash down with local brews Birdhouse Tea or Forge Coffee. And there’s something for everyone with their plentiful lunch offerings too, from venison to short rib and lamb rack, as well as lots of fish and veggie options. With the festive season just around the corner, keep an eye out for their specially crafted Christmas menu available from December 1st to the 23rd.

Head to www.silversmiths-restaurant. com for more info.

Siren Craft Brew Barrel Aged Caribbean Chocolate Cake 330ML 8.4% ABV This beast of a beer does exactly what is says on the bottle! Siren are based in Berkshire and have brewed this in collaboration with Cigar City Brewing from Florida. A rich, tropical Chocolate Stout brewed with Cacao Nibs, Cypress Wood and Lactose and then aged in Bourbon Barrels for 12 months; it’s a beautiful flavour that oozes decadence.

Acorn Brewery Gorlovka 500ML 6% ABV Brewed locally by Acorn Brewery near Barnsley, Gorlovka is a multi-award winning Russian Imperial Stout. Roasted malt makes this is a full bodied stout with liquorice and dark fruit flavours. Perfect for those cold Autumn nights and named after Barnsley’s twin town out in the Ukraine!

The Kernel Brewery 1856 Imperial Brown Stout 330ML 9% This is magnificent! Brewed in South East London by one of the UK’s leading craft breweries, this Imperial Brown Stout uses a heritage recipe from 1856. It’s round and smooth, creamy cocoa & chocolate flavours, leads to dried fruits with hints of lightly roasted coffee. Did we say it was magnificent? It really is.

Be sure to grab yours from the Beer Central store at The Moor Market.

Opening times: 8.30am-5.30pm, Monday to Saturday.

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The Sheffield Cook Book: Second Helpings Marco’s New York Italian West Bar Green, Sheffield S1 2DA // 0114 399 0990 // mpwrestaurants.co.uk THE PLACE

Situated beneath the Hampton-byHilton hotel in Sheffield’s West Bar area, the inside of Marco’s New York Italian restaurant has a classy but comfortable feel with its smart surrounds giving the venue more of a “proper restaurant” feel than other Italian food chains. A pleasant soundtrack of Frank Sinatra tracks greeted us as we settled down in one of the snazzy booths and added nicely to the ItalianAmerican theme.

THE FOOD

We’d decided to stick to the Italian side of the menu for the evening, and therefore opted for the Monte Cristo sharing board to kick things off. The two large olive grissinis made for perfect dipping in the tangy, sweet-and-sour caponata – a tasty mix of aubergine, tomatoes and peppers.

The fresh rosemary focaccia accompanied the crushed avocado, mozzarella and bruschetta nicely (in fact, we could have done with a bit more bread to finish things off ) and served as a great palette-cleanser before the main event.

For mains we opted for brand new menu addition Pollo Allo Valdostana and – won over by the sheer meatiness of the

thing – the Calzone Al Carne. The former arrived as a mouth-watering cluster of fontina cheese, slices of prosciutto ham and chicken with spaghetti al pomodoro; a relatively simple dish, but a hearty, melt-in-the-mouth treat when done well, as this certainly was. The hefty calzone was packed with spicy nduja sausage, pepperoni, bolognaise and mozzarella cheese, which made for a delicious meaty feast of the highest order.

Dessert-time and the beastly calzone had seen to it that I wouldn’t be attempting another course; however, my partner, keeping the Italian vibe going to the end, ordered a classic affogato to finish.

It arrived looking resplendent: three scoops of vanilla gelato in a cocktail glass, drenched in hot espresso and with amaretti biscuits on the side. A smooth, flavoursome finish to tie off a great evening of food.

THE VERDICT

With new additions to the menu tasting superb, ditto for the old favourites, and the service being as attentive as ever, Marco’s New York Italian easily preserves its reputation as one of the best places for fine dining in Sheffield city centre.

After the huge success of The Sheffield Cook Book back in 2014, Exposed sister company Meze Publishing have gone nationwide, with a whopping 16 regional titles to their name. And now they are back for round two. With some returning old favourites as well as a smattering of new additions to reflect the ever-changing nature of our city, The Sheffield Cook Book: Second Helpings combines stories and anecdotes from the chefs, suppliers, producers and restaurateurs, as well as over 80 original recipes for you to try out for yourself. Expect everyone from the likes of Ashoka through to Brocco On The Park, Bhaji Shop, Cubana, Holt Café, Nourish, Peppercorn, Milestone, Sentinel, Street Food Chef, Thyme Café, Whirlow Hall Farm and True North Brew Co – to name a few!

The book is out this month and available to buy from every business in the book, as well as in local Waterstones, on Amazon and at mezepublishing.co.uk.

All hail the ale!

In recognition of the best national beers currently on the market, the Celebrate British Beer Foundation gathered in the House of Commons last month to reward the retailers who are helping boost the profile of our national beers. Organised by beer trade magazine Off License News, a handful of MPs found themselves rubbing shoulders with prominent names in the brewing and alcohol distribution business, most of whose businesses have created many jobs. Marks & Spencer was awarded the Supermarket of the Year award, but our own little Hop Hideout brought home the bacon with The Regional Retailer – North Award.

www.hophideout.co.uk

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Knocked it out of the Park!

Independent boutique hotel Brocco on the Park has long been known for its unique Scandi-chic interiors and innovative kitchen which delivers great seasonal food. But their latest recognition comes in the form of a national award, recognising them as the best city hotel in the UK. The Good Hotel Guide paid several anonymous visits and found the independently run hidden gem to be superior, awarding them the revered Cesar Award for City Hotel of the Year 2017 – the only hotel in Yorkshire to receive acknowledgement in the Good Hotel Guide’s 10 awards this year. Owner Tiina Carr told Exposed: “This is such an unexpected and wonderful surprise, the team have worked tirelessly since we opened two years ago and we continue to keep really busy!

We can’t wait to welcome more new guests to our little taste of Scandinavia in Sheffield!”

Check Brocco on the Park out on Twitter at @ BroccoSheffield for more information.

Trippets 89 Trippet Ln, Sheffield S1 4EL // Tel: 0114 276 2930 // www.trippetsloungebar.co.uk THE PLACE

Venture a little further out of West Street and you’ll come across Trippets Lounge Bar, known for their fizz, dining, jazz and most importantly – gin.

We were greeted by sweeping velvet curtains strewed across the monochrome décor before we made our way to the very well stocked bar. The hearty sounds of a live jazz band filled the room as we settled down for our Spanish seafood lunch to say a culinary goodbye to summer.

THE FOOD

Breadsticks and gherkins were already sat on the table and it wasn’t long before the selection of tapas dishes were brought out. Taking a closer look at what I thought was just bread, I discovered a quails egg wrapped in ham enclosed in the centre of the basil bread. This paired with the pebre (Chilean salsa) tasted delightful - the ham was smoky, the egg was creamy and the different textures of the salsa worked well with the perfumed bread.

Next up were the sardines and calamari.

Ring-shaped calamari gives me flashbacks to the rubbery and bland supermarket-bought sort, but this was quite the opposite, the squid was tender and the breadcrumbs provided the 54 | For more listings and reviews, head to exposedmagazine.co.uk

perfect crispiness. I was surprised to see no tartar sauce accompanying the dish but I can confidently say that it did not need it at all; just a squeeze of lemon did the trick! Picking through the sardine bones was a feat, but it was worth it; the flesh was robust with a sesame-like nuttiness and we washed it down with glass of delicious Manzanilla over ice.

Another glass of wine was brought out with the main, this time it was the fresh and crisp Ontanon Vetiver Rioja Blanco.

We had fillet of hake with chickpeas and tomatoes which was pleasingly succulent – the fish was cooked to perfection and the tomatoes brought a slight tanginess to the dish. The dessert menu was calling out to me so I caved and ordered the sticky toffee pudding with black treacle sauce, berries and fresh cream. This was magnificently syrupy and the fresh berries and cream helped restrain the density of the dish.

THE VERDICT

After the meal everyone got involved with the jazz band; some were up on their feet dancing off the calories, and others were given instruments for some impromptu playing. Overall, a Sunday afternoon well spent. For more like this, you can find all sorts of food, gin and jazz events on Trippets’ website.

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CRAFT BEER

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28 lines, 12 hand pulls, and a new cocktail menu Fresh locally sourced British menu Newly refurbished bar with free hire space

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Find us a whisker away from Division Sreet at 49 Wellington Sreet, S1 4HG (0114) 2796700

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SMOKE B A R B E C U E

“Put the forK down... it’s time to get dirty!”

MERRION CENTRE - LEEDS UNIT 6, 11 MERRION WAY, LS2 8BT 01133 720 720

1 ST PAUL’S PLACE - SHEFFIELD S1 2NB 0114 331 0331

Say Hello!

www.smokebbq.co.uk

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Where there’s a grill, there’s a way Seeking out – and promptly devouring – five of the finest burgers in Sheffield.

LONGHORNS BARBECUE SMOKEHOUSE AT THE HEAD OF STEAM

103-107 Norfolk St Sheffield S1 2JE www.theheadofsteam.co.uk A beer haven combining the very best craft beers from around the world wouldn’t be complete without some seriously good grub. And what better combo than beer and barbecue food? With Longhorns taking the reins in the kitchen, they cook everything low and slow and slather with their own rubs and sauces for truly authentic smokehouse flavours.

Much like their BBQ meat boards, the Longhorns burgers are not for the faint-hearted. The Smokehouse Patty is one thing, with two beef and hog smoked patties served in a brioche bun with Monterey Jack cheese, ranch bacon, house burger sauce and pickles – but we went one further and opted for the Big Ass Burger, same as the above but literally doubled up. Though physically a difficult one to tackle, we took one for the team and wrestled it down. Superb.

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8OZ BURGER CO.

9 Leopold St Sheffield S1 2GY www.8ozburgerco.co.uk Burger. Beer. Bliss. Those three words perfectly encapsulate the 8oz Burger philosophy, and it’s a vibe which has seen customers flocking to their Barnsley and Sheffield restaurants for their fill of stunning, handmade grub. Everything from their patties and pulled pork to their hot sauce and dirty mayo is freshly made on-site, and with over 30 creations on their roster – including a number of delicious, veggie-friendly falafel burgers – it boasts one of the widest selections of gourmet burgers you could ever hope to find. There’s also a great selection of craft beers, cocktails and homemade milkshakes on offer to whet the whistle.

If you’re not feeling quite up to the Man Vs Food Challenge (50oz burger and ½lb of fries in 15 minutes), then you won’t go far wrong with the Pig Out, an 8oz beef patty packed with chorizo, crispy bacon, pulled pork and sausage. It tastes just as good as it looks.

URBAN ¼

1B Kelham Island Sheffield S3 8RY www.urbanquarter.co.uk With Kelham Island fast becoming one of the go-to Sheffield areas for eating and drinking out, it wasn’t long before a quality burger joint opened up. Urban ¼ opened almost two years ago and their back-to-basics approach, concentrating on nailing the “true essence of a burger” has seen them become one of the most popular places in the city to go to for a memorable gourmet experience.

All burgers come with the secret recipe Urban sauce which was slathered across their incredible signature dish, the 60z beef patty (locally sourced and made using quality cuts of chuck brisket) is also joined by smoky braised beef brisket, mushroom and horseradish duxelle, watercress, slaw and rosemary chips. Simple but incredibly effective – and so damn tasty!

TWISTED BURGER COMPANY The Harley 334 Glossop Road Sheffield S10 2 HW www.twistedburger.co A main player on the burger scene since opening in 2011, Twisted Burger now have three venues – their spiritual home of The Harley, the Moor Market and The Yard in Ilkley – not to mention regularly flipping their eclectic range of burgers at festivals up and down the UK. Their loves of music, artwork (they work closely with local artist Tom J Newell) and mouth-watering food has established them firmly as a Sheffield institution.

Their most popular burger is the Pig Daddy Kane (pictured), a sumptuous double beef patty with pulled pork, American cheese, Dead Twisted BBQ sauce and chorizo and apple jam. We also ordered the second favourite and vegan-friendly Drop Dead Twisted Burger, a collaboration with local clothing brand Drop Dead featuring vegan meat, vegan cheese, BBQ jackfruit and the ever-popular Dead Twisted BBQ Sauce.

FEAR X LOATHING

101 West St Sheffield S1 4EQ fxlsheffield.com By starting things off small, Fear X Loathing has perfected their range of ‘juicy’ burgers – and juicy they most certainly are. From the classic cheese burger to the smashed avocado chicken, and halloumi veggie option; the menu of just seven burgers assures that this is just the beginning…

When they needed someone to test out their soon to be brunch burger, we knew we were the ones for the job. With a beef patty, melted cheese, bacon, sausage patty, hash brown, poached egg and hollandaise sauce all towered on top of each other inside a brioche bun, this is an absolute beast. The herby sausage patty combined with the crunchy hash brown and creamy sauce is the stuff lazy weekends were made for – trust us, you won’t be getting much done after devouring this one. Look out for the new menu launch this month, every Saturday 12-4pm.

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MUSIC n SPORT n COMEDY n FAMILY n ARTS & THEATRE

YOUR LOCAL BOX OFFICE

www.sivtickets.com

ALL THE HOTTEST TICKETS IN ONE PLACE.

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TOP PICKS

Top 5 Bonfire events After Dark

Burly Q

Sheffield City Hall // December 10 // From £22.50 A veritable Steel City institution, Burly Q is back with a fabulous festive show, combining award-winning internationally acclaimed performers, including the likes of Vicky Butterfly, Beau Rocks, Bonnie Fox, Kiki DeVille, Ian Marchant, Russell Bruner and Craig Gadd. Expect a variety show like no other, full of magic, mischief and delightfully daring cabaret and burlesque. VIP guests can enjoy a two course Christmas dining option complete with full table service, while, as usual after the show there will be vintage inspired DJs and dancing until the early hours. www.burlyq.co.uk

The Moor Christmas Party: Light Switch On

The Moor // November 20 // Free Get into the festive spirit and witness the city of Sheffield officially welcome Christmas! The event will be held by Yellow Bus Events, who will be bringing a dose of Christmas sparkle, along with real reindeer and Father Christmas, a live Nativity show, plus snow machines and festive performances as you watch lights on the giant Christmas tree turn on. www.moorsheffield.com

Into Film Festival

Various Locations // November 9-25 // Free Into Film Festival returns showcasing thought-provoking film viewings for children ages 5-19. The festival was created to engage and excite young people, with screenings ranging from classic film to exclusive blockbuster previews; all of the viewings are chosen due to having an educational benefit.

To accompany the screenings, there are also free workshops, Q&A sessions with professionals from the film industry plus a host of educational resources. Visit the website to book your place for each screening. www.intofilm.org

Don Valley Grass Bowl // November 5 // £11 The annual bonfire spectacular returns to Sheffield once again.

The evening will be jam packed with the bonfire igniting at 7.30pm followed by a fantastic fireworks display accompanied by music from Hallam FM and Big John Live. With 18,000 spectators, this is the biggie. www.sheffieldarena.co.uk

Bonfire Night Extravaganza

Dam House // November 5 // Free Set in the picturesque surroundings of Crookes Valley Park, Dam House bring their annual bonfire and firework celebration. Settle down with a drink in front of the lake and watch their impressive selection of fireworks. www.damhousesheffield.co.uk

Bonfire and fireworks evening

Handsworth Old Rectory Community Centre // November 5 // £3 Located around four miles from Sheffield city centre, Handsworth Hall is beautiful Grade II listed building, with surrounding fields and countryside. Plus you get the full shebang: firework display, a traditional bonfire, plus a licensed bar, a BBQ and rides for the children; perfect for all families. www.orh.org.uk

Secret Garden Bonfire

The Hallamshire House // November 5 // Free The Secret Garden returns for a Bonfire Night celebration filled with delicious street food from Freak Street Café and funky tunes from JohnnyM, Dill, Greg Zogg and Tom Goose, plus plenty of Thornbridge beer to wash it all down with. www.myhallamshire.co.uk

Chatsworth Bonfire

Chatsworth House // November 5-6 // £12.50-£15 adults Disney classics will soundtrack a special children’s fireworks display at Chatsworth early on, which will be accompanied with live ice-carving, tasty bonfire food and drink, live music and roaming entertainers. Then the grand finale firework display will finish things off with a bang around 8.45pm. www.chatsworth.org

CAST@Depot Bakery CAST Sheffield are a group of talented locals who team up with the best foodie businesses in Sheffield to host a unique jewellery-making night. We ventured down to Depot Bakery for their latest craft social where a mouth-watering menu combined with the team’s jewellery knowhow (and lots of wine) made for a great evening.

We were given all the tools needed to create our very own bespoke ring by carving ring wax – actually not as tricky as it sounds! But it is a good idea to have a design in mind before attending. Delicious plates of food were

brought out to us as we were hard at work, including duck rillettes served with beetroot and orange chutney, sourdough toast, wild mushroom, braised shallot and smoked goat’s cheese pie and apple and pear crumble with custard. Not one dish could be faulted.

When you’re plenty full and happy with your creation, the carved ring wax gets whisked away to the studio to be cast into solid silver or gold – exciting, eh?

It’s all about creating something unique in a curated space, alongside great food and great people. Take a look at www.castsheffield.co.uk.

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THE FAT CAT MULTI AWARD WINNING VENUE Real Ale  Craft Beer  Homemade Food 23 Alma St, Sheffield S3 8SA

KELHAM ISLAND BREWERY TAP HOUSE

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First of all, why the name?

The show has absolutely nothing to do with The Kardashians, so if fans of that show come to watch they will be in for a surprise! It is a reference to the three Bethnal Green women and other women out there who could be watching the Kardashian show at home one day, then choosing to go to Syria to become Jihadi Brides the next. My show is largely about four things: people being offended, political correctness, Jihadi Brides and ISIS. Is there a particular message you are trying to get across to your audience?

I’m not trying to get across any message and there is no aim in that sense. I have never done a show like this before; I normally talk about my moustache and how I like to tidy up in Primark – you know, the more observational stuff. I have never written anything political before. I’m just trying to stop people from joining ISIS! Your show has been described as “brave”. Would you say this has been a brave move by you?

I don’t think I’m brave; I’m just a comedian. Comedians like Dave Allen joke about the IRA, for example, and plenty of other stand-ups talk a lot about controversial topics such as race, prostitution and politics. I don’t think there is anything brave about it – it’s just what we do.

Is the show related to any personal experiences growing up?

No, not at all. I mean, in the beginning it did relate to having strict parents when growing up, but I simply thought that this particular topic – the “jihadi brides” – was very interesting and, obviously, quite an important and relevant one too.

Have you had many Asian women reach out to you after seeing your show, with either good or bad reactions?

I have had a lot of emails, yes, but mostly with women thanking me for telling the truth and raising awareness around the topic. But it’s not really about giving hope; I am just trying to stop people from going in the first place!

Award-winning comedian and writer Shazia Mirza talks to Exposed about her critically-acclaimed yet highly controversial live show, The Kardashians made me do it.

64 | For more listings and reviews, head to exposedmagazine.co.uk

TOP PICKS The Catherine Tate Show: Live

Sheffield City Hall // November 3 // From £29.50 Award-winning comedian and actor Catherine Tate will be introducing her critically acclaimed BBC series, The Catherine Tate Show, live to Sheffield this autumn. The British sketch comedy series brings first class humour through exaggerated character stereotypes. The show is set to include some of the show’s best-known sketches, as well as some never seen before scenes.

What the critics say: “Catherine Tate’s sense of comedy is as sharp as ever.” – Evening Standard. www.sheffieldcityhall.co.uk

Words: Georgia Smith

Funhouse Comedy Club

Top 3 Billy Connolly Quotes:

When did you first get into stand-up comedy?

About 11 years ago. I used to be a science teacher but I went through a drama course and later enrolled on stand-up comedy course. I managed to find the funny side of my life from within and it just started to happen!

Do you have any future plans to write another show? If so, do you have any topics in mind?

Yes, I am planning on talking about the lies people have told, and how those lies are becoming the new truths. Lies have been told to people so many times, over and over again, and so they have become the truth. People don’t want to hear the truth anymore, so that’s what I’ll be setting out to do.

Catch Shazia Mirza at The Leadmill on November 3rd. Head to www.leadmill. co.uk for tickets.

“NEVER TRUST A MAN, WHO WHEN LEFT ALONE WITH A TEA COSY… DOESN’T TRY IT ON.” “WHEN PEOPLE SAY ‘IT’S ALWAYS THE LAST PLACE YOU LOOK.’ OF COURSE IT IS. WHY WOULD YOU KEEP LOOKING AFTER YOU’VE FOUND IT?” “BEFORE YOU JUDGE A MAN, WALK A MILE IN HIS SHOES. AFTER THAT WHO CARES? HE’S A MILE AWAY AND YOU’VE GOT HIS SHOES!”

New Barrack Tavern // November 6 // £5.50 Offbeat Brummie comedian Andy White heads up the Funhouse Comedy bill this month, with Jay Handley, Masai Graham, Richard Lindesay and Peter Phillipson in tow.

What the critics say: “Andy’s humour embraces silly voices, funny faces, observational humour, topical humour and his mixed race background. He can do material that’s clever, cheeky, sick or just silly.” – Riproar Comedy. www.funhousecomedy.co.uk

WiFi Wars

The Leadmill // November 9 // £15 Hosted by comedian and regular videogames commentator Steve McNeil, WiFi Wars is an immersive comedy games night which revolves around your smartphone skills – compete in a range of games, quizzes and challenges to be in with the chance to win a whole load of prizes.

What the critics say: “Some of the most fun we’ve had in aeons.” – The Londonist. leadmill.co.uk

Billy Connolly

Sheffield Arena // November 13 // From £35 Legendary Glaswegian comedian Billy Connolly will be bringing his High Horse tour back out on the road this month, after performing it at the start of the year, to much acclaim. Though his health isn’t what it once was, Billy’s latest show promises to be as captivating and hilarious as always, using his ailments to his advantage as a means for outrageous comic material.

What the critics say: “As effortlessly funny, playful and anti-conventional as ever.” – Chortle. www.sheffieldarena.co.uk

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VERY SPECIAL GUESTS

JUNGLE ( DJ SET )

+ MANY MORE TO BE ANNOUNCED

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TOP PICKS

Displace 5th Birthday Hope Works

Muzik with Eli & Fur

Code // November 11 // £5 Female DJ duo Eli & Fur have been making waves on the deep house scene, ever since their first track ‘You’re So High’ amassed over three million plays on YouTube back in 2012. Since then, they’ve been tipped by Beatport as ones to watch, have won a whole host of awards from the likes of DJ Magazine and the Bass Music Awards and have been championed by none other than Pete Tong. Don’t miss their debut Musik set, with support from Steve Lynam and James Burns. codesheffield.com

HotCakes VS Jungle Cakes

The Night Kitchen // November 12 // £16 A warehouse party of epic proportions – three rooms of bass, jungle, breakbeat, garage bassline and drum and bass from the likes of Ed Solo, JFB, Marcus Nasty, The Asbo Disco, Jurassik, Narcs, A-Kid and more, as labels HotCakes and Jungle Cakes go head to head with some of the very best acts they have on their roster.

With the last two events selling out, and all the early bird tix flying off the shelves make sure you get in early. www.facebook.com/TheNightKitchen

Hope Works Vs Atomic Jam Ft Dave Clarke, The Zenker Brothers

Hope Works // November 25 // £18 For its 21st birthday, Atomic Jam is joining up with Hope Works to celebrate all things techno, and who better to head the proceedings than Dave ‘The Baron’ Clarke. In support will be The Zenker Brothers, Lo Shea, Chris Duckenfield, He/aT, Stephanie Sykes and more TBA. www.hope-works.co.uk

Outlook Festival Presents: The Homecoming Party

Plug // November 26 // £12-£20 Roni Size heads up the Outlook Homecoming in the main room with P Money in Room 2 and Reggae Roast in Room 3 with a three hour set. Also on the bill are Congo Natty, Ed Rush, Coco, Mumdance, DJ Q, Aba Shanti and the Outlook Residents. www.the-plug.com

Cream Classics

O2 Academy // November 12 // £15 A slice of 90s dance heaven as the O2 celebrates clubbing institution Cream, with Seb Fontaine, Tall Paul, dance duo and former Cream residents, K-Klass and Allister Whitehead on the decks. www.academymusicgroup.com

Last month saw drum and bass pioneers Displace celebrate five years of bringing cutting-edge underground music to Sheffield, with a pulsating night of bass-driven music at Hope Works.

Over the years they have managed to book an incredible array of world famous DJs and MCs including the likes of S.P.Y, Commix, DJ Hazard, Dillinja and Alix Perez. This ability to bring the best in the business to Sheffield’s underground venues was shown once more with the stellar line-up on display last month.

What Displace do well on their nights is never settle for just the one headlining act. Hybrid Minds were the first of the three to hit the decks and they quickly showed the lively crowd why they are so in demand, with bookings across Europe all year round. Beginning the set with their familiar liquid sound before dropping some unexpected heavyweight bass driven tunes, they made sure the party got off at full swing with their electrifying set.

With a weekly slot on BBC Radio 1, Friction is the man to turn to for all things drum and bass. There are not many in the industry who will have as wide a knowledge of the genre as this man and therefore the anticipation was high. There was no disappointment as Friction displayed why he is so globally revered. From dropping brand new cuts nobody had ever heard before to playing old school jungle we had all forgotten, this was a set to live long in the memory for all involved and a reminder of how he has reached such heights.

After two incredible acts, Break jumped behind the decks for a ferocious set of pure heavyweight gold.

A resident of the scene for well over a decade, Break has seen his music released through countless labels and featured in mixes from almost every top drum and bass DJ you can name. Simply put, Break has been there and done it. Therefore, following two acts of their calibre was a breeze for this man and it showed with a set that left vibrations in the wall. There was still time for the Displace Crew themselves to get behind the turntables and celebrate their birthday in style with an energetic and, as always, tight and fluid set. Five years is a long time for any events business to prosper but this is clearly just the beginning, as their events continue to sell out while they raise the bar with each and every one. Words: Tyrone Scott For more listings and reviews, head to exposedmagazine.co.uk | 67

SHAKESPEARES LISTINGS Friday 4th November

Black Mamba Fever - The exceptional Rock’n’Roll band from Sheffield are playing their third gig here at Shakespeare’s.

Supported by Syrupp and Redfern you can’t afford to miss it. Doors open at 7:30pm. £3 entry.

thursday 10th

Voted Sheffield Camra Pub of the Year 2013 Cask ales on rotation (over 2000 in less then 3 years), Over 125 whiskies, wide range of rums, gins, vodkas and ciders.

EVERY THURSDAY shakespeares pub Quiz.

Test your knowledge of shakespeare, sport, science and stuff from 9.00 free entry & drinks to be won

EVERY wEDnESDAY reg & friends open acoustic night.

Come along and play, sing or just watch. free entry

0114 275 59 59

www.shakespeares-sheffield.CO.uk shakespeares ale & Cider house, 146 – 148 Gibraltar street

The Fates - This three piece A Cappella group performing primarily folk, roots and gospel material. They are launching their first album as a trio ‘Now we are three’ right here.

Starts at 8:30pm entry £7/£5.

Friday 11th

Wagonwheel Presents – Roaming Son, The Sea Whores and Tom Baxendale – Three highly acclaimed acts performing Rock ‘n’ Roll, lo-fo skiffle and all the good stuff in between. Starts at 8:00pm. Entry £5otd.

saturday 12th

Pow Wow Club – With special guests Mace & Clive Read (Federal R&B Club) playing their classic and rare Rhythm & Blues collections from the 50’s and 60’s. It’s a hip night for all to enjoy. Starts at 8:30pm. £4 entry OTD.

saturday 19th

Monster Ceilidh Band - Redefining what ceilidh means by combining traditional dance forms with contemporary electronic dance music. Starts at 8:00pm. Entry TBC.

Friday 25th

Mik Artistiks Ego Trip - Three very different individuals just doing what they do. Playing great music which not only makes people laugh, but can move them to tears or ecstasy.

Starts at 8:00pm. Tickets at www.eventbrite.co.uk

Al

West Street, Doncaster DN1 3AA

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7.00pm | £7 Adv - £9 Door

JIMMY MAC BAND NIGHT 7.30pm | £5 Adv

WINTERMAN STANTON 7.30pm | £5 Adv

THE JOKERS 7.00pm | £5 Adv

THE JAM’D

7.00pm | £8 Adv - £10 Door

JIMMY MAC BAND NIGHT 7.30pm | £5 Adv

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CHANTEL MCGREGOR 7.00pm | £14 Adv

THE TOTAL STONE ROSES 7.30pm | £10 Adv

SLADE UK

7.30pm | £8 Adv

THE BAND FROM COUNTY HELL 7.30pm | £8 Adv

Advance tickets available from

www.leopard-doncaster.co.uk DOME BOX OFFICE 01302 537704

All tickets are subject to a processing fee of 50p per ticket for events priced £10 & under, £1.50 for events priced £15 & under, and £2.50 for all other events.

Withcollarsupturned,Exposedrecentlywentdeepintothe eye of the unrelenting storm that is Slaves. While the punk rock whirlwind prepared for another huge UK tour, Lewis BuddengotontheblowerwithIsaacHolman(drums/vocals) to speak about working with a Beastie Boy, how to “make it” as a band and the age-old dilemma of eating a mouldy egg sandwich or getting punched in the throat…

Describe where you are in the world.

Right now I am in Liverpool and stood outside a kebab shop.

Rock star life treating you well, then?

Exactly, mate.

You have just completed a UK tour of tiny venues. How was the ‘Back Of The Van’ tour?

It was lovely, the whole tour was brilliant. It was nice to go back to our roots and remember why we started doing this in the first place. It was quite humbling – and fucking knackering.

What was the best and worst job you had before the band took off?

Laurie used to work in a milkshake shop, which I remember he fucking hated. I have only had a couple of jobs, such as working in the stock room of a Topshop in Tunbridge Wells for a year, which was actually quite gruelling at times. But apart from that I was a care worker, so I actually loved my job and would still be doing it if we didn’t get signed.

When and why did you start playing drums stood up?

I have always done vocals in previous bands; I usually just marched around with a microphone before I started doing this. When we started doing Slaves, there wasn’t anyone in the area that wanted to join the band. We couldn’t find anyone that was as committed or really up for making the kind of music we were making. It was mostly kind of shit indie bands and DJs. Nobody wanted to drum for us, so Laurie brought the drums round to my house and said, ‘Why don’t you just bang these until we get a drummer?’

We gave it a go for about half an hour until my neighbours complained, then we stopped and decided we liked it.

Thank God for nobody wanting to join your band!

Well, exactly!

How did the band take off from the small ‘toilet circuit’ to the Main Stage of Reading and Leeds? What’s the secret? Working with the right promoters, management, labels?

It’s simply down to doing exactly what you want to do and just working hard. Being consistent

and not compromising for anybody. We have known exactly what we wanted to do and have always done it. That’s what I would say – don’t let anybody get in the way.

Is that your advice to the budding bands out there?

Yeah, don’t try and sound too much like anyone else; get in a room with your mates and see what happens. Just persevere, and don’t give up because the progress isn’t quick enough.

We toured for fucking ages in Laurie’s car before anything started to happen. So just do it because you love it and you believe in it. Stay hard and be true.

Following a massive debut release, did you feel the pressure when working on Take Control?

I think the expectations were there but the pressure wasn’t. We didn’t really feel it anyway; we just believed in ourselves and knew that we had something good again. You can’t really let things like that get to you too much. Just don’t think about it.

The new album has drum machines, synths and other production elements back in it.

How is all that going to pan out live?

Well on songs like ‘STDs/PHDs’ I actually play a drum machine, so I’m going to play one of those live. We have rehearsals coming up so hopefully we’re going to nail all of these songs so we can do them justice live.

Is incorporating more production and instruments something you think you will do more of in the future?

Yeah, there are no rules or guidelines; we’re up for using anything. I am up for getting a fucking choir in or something, you know. I don’t care, I will use whatever.

As a two-piece, how much do you think consciously about experimenting with different sounds and production? Or do you just go with the flow?

It’s more just if there are instruments lying about we will more than likely pick them up and start playing with them, then before you know it we have a song. We don’t just play heavy guitar

70 | For more listings and reviews, head to exposedmagazine.co.uk

For more listings and reviews, head to exposedmagazine.co.uk | 71

music, that’s not what we want to do. We will play anything if you put it in our hands.

We can’t actually really play anything, but we can – if you know what I mean?

How was [Beastie Boy and producer on the album] Mike D feeling about this experimenting? Did he encourage it or was it a case of “stop dicking around and get back to the guitar?”

Not at all! he He loves all of his drum machines and that. He takes the same opinion as we do: if it sounds good, it sounds good.

How was being crammed into the back of small van with Laurie during the last tour? Play any good games to pass the time?

We played games in the van with [support act] Wonk Unit – like Horse Box! Basically, you’re on the motorway and you spot a horse box the first person to shout it out has got it, and then before you arrive at your destination the last person to have

72 |l For more listings and reviews, head to exposedmagazine.co.uk

called “horse box” wins. Easy.

Classic. How about we play a game of This or that?

Go for it.

Tea or coffee?

Tea. Skepta or The Weekend?

Skepta.

Festivals or club shows?

Festivals.

Beastie Boys or The Clash? … The Clash. Awks.

Mike D is going to be pissed! *Laughs* I’ve got to be honest though!

Eat an old, sweaty egg sandwich or get a punch in the throat...

Well, I don’t know what the throat punch could lead to…. both could make me ill?

True, but you have to pick…

I will go for the punch in the throat, erm, please.

Consume or Be Consumed?

Consume, obvs.

Slaves play 02 Academy Sheffield on Friday 25th November.

Tickets available from www.academy musicgroup.com

Tickets available from: foundrysu.com Box Office: 0114 222 8777 All shows open to the public (14+ unless stated otherwise)

Wednesday 26th October

Friday 25th November

Matt Berry & The Maypoles

Soul II Soul

Sunday 30th October

Saturday 26th November

CC Smugglers

The Sisters Of Mercy

Doors: 7pm Tickets: £10 Adv

Doors: 7pm Tickets: £29.50 Adv

Wednesday 2nd November

Sunday 27th November

Pete McKee in conversation

Boris - The Musical

Doors: 7pm Tickets: £18 Adv

+ Isembard’s Wheel

with Professor Vanessa Toulmin

Doors: 7pm Tickets: £8 Adv/£6 Cons

+ Smoove & Turrell Doors: 8pm (18+) Tickets: £25 Adv

+ Support

Doors: 7.30pm Tickets: £8/£10 Adv

Thursday 10th November

Wednesday 14th December

European Outdoor Film Tour

Embrace

Doors: 7pm Tickets: £12 Adv

Doors: 7pm Tickets: £21 Adv

Foundry, Studio & Fusion, Sheffield Students’ Union, Western Bank, S10 2TG facebook.com/FSFSheffield twitter.com/su_foundry foundrysu.com foundry@sheffield.ac.uk

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m

k

For more listings and reviews, head to exposedmagazine.co.uk

Last year, the fine folk at Tramlines Festival weren’t content with throwing just one massive music bash a year, and so little sister Outlines was welcomed to the family.

Offering a dose of festival fun to tide us over ‘til the summer months, and with the likes of Roots Manuva, The Big Moon, Blessa, Coco and Loyle Carner on the bill, it was a rip-roaring success and team have since had their sights set firmly on round two.

The festival is looking to build on last year’s success and been notched up to a twoday event. Taking place over March 3-4, the usual live hotspots of The Harley, Queens Social Club, Plug and Skate Central will again serve as key venues. Up to 150 genrehopping acts are set to join the party this year, the likes of Jagwar Ma, The Selecter, Slow Club, The Crookes, Lady Leshurr and Clean Cut Kid. Jagwar Ma, the Australian psychedelic outfit heading up the bill, have become one of the most in-demand live acts on the touring circuit. Following a summer of sold-out headline gigs across Europe and the US, the trippy guitar-dance purveyors recently released their second album Every Now and Then to critical acclaim.

Established Sheff favourites Slow Club and The Crookes will both take to the stage, and joining them will be a wealth of emerging local talent such as Liberty Ship, Vultures and Blind Saints. As per, there will be a big onus on showcasing the native talent, so artists and band are encouraged to apply for live slots – head to the website for the application details. While super-early bird offers have already sold out, weekend tickets are available for a mere £15, while stocks last…

For tickets, more info and up-to-date announcements, head to www.outlinesfestival.com.

THE LINE-UP SO FAR: Jagwar Ma The Selecter Slow Club The Crookes Clean Cut Kid Lady Leshurr Azusena Babe Punch Blind Saints Blood Sport Eyre Llew Girl20 Hannah Peel Islet Jodie Abacus Liberty Ship Luxury Death Matic Mouth Nachthexen Rocky Nti Rozelle The Orielles The Seamonsters Vultures

For more listings and reviews, head to exposedmagazine.co.uk | 75

For more listings and reviews, head to exposedmagazine.co.uk

Andy H is something of a Sheffield DJing institution. Since performing at the first ever Tuesday Club event back in 1998, the turntable master has gone on to represent the brand at festivals and clubs around the globe. A big specialist in hip hop and bass music, he’s shared the stage with the likes of Public Enemy, Roots Manuva and Major Lazer, to name but a few. And with the legendary event turning the ripe old age of 18 this month, Exposed grabbed Andy for a chat about the history behind the city’s longest running Tuesday night party.

Can you remember how The Tuesday Club first came around?

I wasn’t involved from the very start, but I remember the flyers appearing around town as there was a real buzz about it starting. I went down to most of the early nights as it was right up my street.

Watching DJs like the Scratch Perverts and Mr Scruff live was even better than the mixtapes I had spent years collecting.

It was Tom, Mark & Mailey who first got me involved. They were students at the time and had decided to start their own night in Sheffield with the music they were into.

The Students Union was free on a Tuesday so they gave it a go. Musically there wasn’t much like TTC around in Sheffield at the time and I think that was the secret to their early success: finding something new that

no one else was doing and just going for it.

You played early on, right? What can you remember of that?

I actually started in the pre-bar as part of a DJ team called Breakdivision. In those days we would get four decks out and two DJs would jump on to show off their juggling and scratching skills. We were first asked to play the main event at some point around 1999. It was great because we were able to play a wide mix of genres – hip hop, breaks, house, drum & bass – all in the same set. I kept supporting headliners for a few years before joining as a resident.

What have been your biggest highlights over the 18 years?

Wow, that is a hard question! As I mentioned before, seeing artists I have been a big fan of for years has been amazing. Quantic Soul Orchestra, Raekwon, Bonobo have all put on incredible live shows. As for DJs, the likes of Mark Ronson, Jazzy Jeff, Craze & Qbert are artists that I have watched since I first got my turntables, so all personal highlights for me – especially getting the chance to support them!

It’s also been incredible to see artists come

to us early in their careers. People like Flying Lotus, Gaslamp Killer, Chase and Status and Sheffield’s own Toddla T have all played support slots at TTC and gone on to become world-renowned.

What is the secret to its longevity?

There has always been a team dedicated to the night working on their own aspect of putting the events on. The team has changed in members over the years and people have come and gone, but the same format has served the night well. Everyone who works on the events really cares about them and the night as a whole. It has always been policy to combine new acts along with well-established favourites.

This allows the nights to evolve musically but bring back old faces who are part of the family.

How is the big birthday bash shaping up?

I can’t wait! As you can see from the lineup, there’s a little bit of everything in there that has helped make the night great over the years. Junglist Alliance and other old residents are back to play so it should be a real journey through the history of The Tuesday Club.

The Tuesday Club’s 18th birthday party takes place at The Foundry on 8th November. Head to www. tuesday-club.co.uk for tickets.

For more listings and reviews, head to exposedmagazine.co.uk | 77

For more listings and reviews, head to exposedmagazine.co.uk

Jamie T O2 Academy Crashing on stage and jumping in headfirst with new single ‘Power Over Men’, Jamie T proves from the outset that he has lost none of the hedonistic energy that catapulted him to fame back in 2005. And the crowd is just as up for it, as beers – and people – are flung across the room as the set swiftly moves onto another newbie ‘Tescoland’ and old favourite ‘Operation’.

Over a decade later, Jamie T’s inimitable mash up of punk, hop-hop and reggae tinged rhythms are just as effective, with this latest album Trick is a return to his roots, following on from the largely tamer Carry On The Grudge. The set is peppered with tracks from all four of his albums though, with early hits ‘If You’ve Got The Money’ and ‘Sheila’ almost drowned out from the din of audience participation. ‘Don’t You Find’ is another highlight, showing a softer side to the singer, and a sound that’s a world away from his usual Joe Strummer-esque persona.

Following a raucous rendition of ‘Sticks and Stones’ the band leaves the stage to the man himself, and things are slowed down once more for the acoustic ‘Back In The Game’ before crowd-pleasing closer ‘Zombie’ sends the O2 into one final frenzy.

Words: Rachel Heward Photo: Kevin Wells

78 | For more listings and reviews, head to exposedmagazine.co.uk

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For more listings and reviews, head to exposedmagazine.co.uk

Super Hans Queens Social Club Last month, on the 13th of October, a large queue snaked outside of the Queens Social Club to see a legend of our time. Peep Show enthusiasts from all corners of our hilly village came to show their allegiance and kneel at the altar to witness the resurrection of our favourite onscreen crack enthusiast, Super Hans.

First on was his favourite Germanic electro glittery trio, Enter The Cosmos. Peddling comedic sci-fi religious ceremonies and initiation tests, the crowd were left ready to quit their jobs, dump their partners and join the cult. Think Dr Strangelove meets Space Balls with more nudity, flags and Madonna.

The crowd spent the rest of the evening raving away to Super Hans’ hand-picked classic 90’s bangers. In awe we watched on, knowing he was about to take us to another dimension within the confines of this small Sheffield Working Men’s Club. He raced around the stage waving his arms and legs like a spider in the first sprays of a shower to Depeche Mode’s ‘Just Can’t Get Enough’. The mad antics continued and Father Spliffmas truly delivered early this year, more moreish than that crack he so loves and even threw in a very long note of dread to keep us all on our toes.Bravo, Super Hans – now stay away from our mothers with your dirty rock and roll!

Words and pic: Francesca Scotrick-Boyd @TheTeletarts

All Saints O2 Academy

You Me At Six @O2 Academy Kicking things off with old favourite ‘When We Were Younger’, frontman of the Surrey pop-punk favourites Josh Francheschi – hooded and clad in all black – oozed with his usual charisma, captivating the crowd and creating an electric energy that was hard to turn away from. The set included further tracks from their popular 2011 album Sinners Never Sleep, such as ‘Bite My Tongue’, ‘Loverboy’, ‘Reckless’ and ‘Little Death’, which were undoubtedly what the audience wanted to hear; although us Sheffield lot were hoping for an Ollie Sykes duo during ‘Bite My Tongue’, but were left bitterly disappointed.

Energetic, passionate and very much

alive, they didn’t falter, bringing to the stage even older classics ‘Safer to Hate Her’, ‘Stay with Me’ and the old fave ‘Underdog’, releasing everyone’s innerteen and creating nostalgia-driven chaos which raised the roof.

The encore blew the night apart, returning to the stage to play their new single ‘Night People’, the crowd – still buzzing – did not want the night to end, and who can blame them? It is definitely an exciting time for the band, with their new album promising to be a fresh, heavier sound, You Me At Six are very much back and ready again to rule the rock realm.

Words: Stevie Birchall Pic: Jordan Grant

Earlier this year we saw 90s babes All Saints release their latest album Red Flag after 10 years of radio silence and with that, their first tour in 15 years (shit, that makes me feel old). I knew I had to be there, and as I arrived to a packed out main room it was clear that I wasn’t alone. And really do forget just how many bangers they had. They opened with 1997 debut single ‘I Know Where It’s At, the perfect opener for a night of nostalgic pop perfection.

They smashed out hit after hit old and new: ‘Rock Steady’, ‘Black Coffee’, ‘Lady Marmalade’, ‘One Strike’ and ‘Under The Bridge’, the list goes on. A highlight for was surprisingly one of the new tracks, ‘Ratchet Behaviour’, which had a heavy dancehall vibe and the girls did their own take on Beyonce’s ‘Formation’ in the interlude to show that the night wasn’t all about reminiscing. They still know how to get a crowd moving, and though at times I did occasionally think to myself, ‘is this mum dancing?’

I didn’t care a jot, because I – and everyone there – was loved every minute of it. A bit of girl power never fails.

Words: Lisa Pullen Pic: Kevin Wells

For more listings and reviews, head to exposedmagazine.co.uk | 81

For more listings and reviews, head to exposedmagazine.co.uk

TOP PICKS

Flamingods

Picture House Social // November 11 // £7 Quite unlike anything around at the minute, Flamingods are a psychedelic five-piece who like nothing more than a bit of musical experimentation. Melding as many music elements as they can cram into one song, Flamingods Frankenstein-esque song-writing approach leaves us in a state of trippy bliss. www.picture-house-social.com

The Wailers

O2 Academy // November 11 // £23 The original backing band of the legendary Bob Marley, The Wailers bring their heaving back-catalogue of vintage reggae classics to Sheffield. www.academymusicgroup.com

Soul II Soul

The Foundry // November 25 // £25 (WIN TICKETS!) North London dance outfit Soul II Soul are back in business. Featuring both Jazzie B and Carol Wheeler in the line-up and support from Smooth and Turrell, any fan of classic dance and old-skool raving needs to mark this down on the calendar. Additionally, we’re offering you the chance to win a pair of tickets for this top night at www. exposedmagazine.co.uk/competitions. www.su.sheffield.ac.uk

Baba Naga & LOGS

Queens Social Club // November 5 // £8 Everone’s favourite psychedelic doom rock shamans play their first headline show, with support from LOGS – a trio consisting of Rory from Drenge, Rob from Wet Nuns and Nick from Seize The Chair. www.harleylive.co.uk

Hands Off Gretel

Mulberry Tavern // November 11 // TBC Ferocious grunge outfit and former Exposed In Session stars Hands Off Gretel return home following as UK-wide tour. The band have built up a dedicated following over the last couple of years with their raw, guitar-driven energy and the rasping snarls of vocalist Lauren Tate bringing comparisons to the likes of The Distillers and Hole. www.facebook.com/mulberrytavern

Head to www.exposedmagazine.co.uk for the full list of live music events and things to do in Sheffield this month.

82 | For more listings and reviews, head to exposedmagazine.co.uk

WORDS: PAUL STIMPSON. PHOTO: LEWIS EVANS

Blossoms Leadmill A number one album, an Exposed cover feature (wahey!) and a sell-out tour brings us full circle from when the band last played the Leadmill.

Tonight, the crowd are buoyant, the atmosphere is electric and there is a feeling that this band has legs – they’re on the cusp of brilliance.

Blossoms kick off the show with ‘At Most A Kiss’, a track they debuted in Sheffield a year ago. The response is much different this time: the band exchange almost disbelieving smiles at each other as the foundations are shaken. What follows is an hour of 80s-inspired guitar pop. Newer tracks ‘Honey Sweet’ and ‘Getaway’ go down a storm, whilst ‘Blow’ and ‘Cut Me and I’ll Bleed’ are received like the old, early EP classics that they are. Frontman Tom Ogden slows things down for ‘Favourite Room’, and challenges the crowd to see how far they can sing the song without his help. The crowd finish the entire thing for him, and Tom adds throws in a medley of Babyird’s ‘You’re Gorgeous’ and Manc classic ‘Half the World Away’. “Best of the tour so far. Easily,” he tells the crowd. ‘Charlemagne’ finishes the show with inevitable chaos rounding off the night brilliantly.

WORDS: RACHEL HEWARD. PHOTO: KEVIN WELLS

Michael Kiwanuka Leadmill A packed out Leadmill sees two-time Mercury prize nominated Michael Kiwanuka take to the stage with a serenading set that truly captures an artist at the peak of his craft. Easing us in with slow-burner ‘Cold Little Heart’, it’s Kiwanuka’s highly skilled band that impress to begin with, as the first five minutes are entirely instrumental, before the song builds to showcase those ever-affecting Marvin Gaye-esque vocals.

The set flows seamlessly, and there’s no doubt as to why his recent album has been so lauded – the lyrics are soul-searching, melancholy and authentic, while the music is powerful and uplifting. Besides the pop-tinged ‘Black Man In A White World’, which brings the audience out of an almost trance-like state following the softness of ‘Rule The World’, one of the unexpected highlights is ‘Father’s Child’, a track that when performed live offers a subtle energy that isn’t quite captured on the album. The encore, comprising of a beautiful cover of Prince’s ‘Sometimes It Snows In April’ and the finale of goose bump-inducing ‘Love and Hate’ did more than enough to prove Michael Kiwanuka’s credentials as one of the great soul singers of our generation.

For more listings and reviews, head to exposedmagazine.co.uk | 83

Sheffield City Hall Live Music | Comedy | Entertainment

November – December 2016 Tue 1st November | 7.30pm

Sat 26th November | 7.00pm

Thu 8th December | 7.30pm

Chinese State Circus

English Chamber Orchestra

Tickets: £27.50 (£25) Concessions: £25.30 (£23) Children 15 & Under: £11 (£10) Family Ticket (2 Adults, 2 Children): £16.23 (£14.75) per person

Tickets: £23.10 (£21), £20.90 (£19), £17.60 (£16) Students & U18s: £5.50 (£5)

Dr. Hook Starring Dennis Locorriere

Thu 3rd November | 7.30pm

Sat 26th November | 9.05pm Tickets: £7.70 (£7)

Tickets: £38.50 (£35), £32.45 (£29.50)

Sun 27th November | 7.30pm

Fri 4th November | 7.00pm

Maximum Rhythm and Blues with The Manfreds

Tickets: £23.10 (£21), £20.90 (£19), £17.60 (£16) Students & U18s: £5.50 (£5)

Sat 5th November | 8.00pm

Big Girls Don’t Cry Tickets: £28.05 (£25.50) Concessions: £25.85 (£23.50)

Sun 6th November | 7.30pm

David Essex Tickets: £78.85 (£75), £42.35 (£38.50), £31.35 (£28.50)

Mon 7th November | 7.30pm

The Australian Pink Floyd Show In the Flesh: £108.90 (£99) Great Gig: £86.90 (£79) Tickets: £43.45 (£39.50), £31.35 (£28.50)

Wed 9th November | 7.30pm

Queen Extravaganza

Sat 10th December | 3.00pm & 7.00pm

An Evening With Black Stone Cherry Tickets: £30.80 (£28)

Thu 1st December | 7.30pm

Jools Holland & His Rhythm & Blues Orchestra Tickets: £40.70 (£37)

The Sensational 60s Experience: The Tour That Never Ends

Tickets: £71.50 (£65), £55 (£50), £38.50 (£35)

Tue 6th December | 2.30pm

Tickets: £38.50 (£35), £27.50 (£25), £22 (£20)

Tickets: £13.20 (£12)

Christmas Memories Tue 6th December | 7.30pm

Kate Rusby At Christmas Tickets: £30.80 (£28) Under 16s: £22 (£20)

The Burly Q Burlesque and Cabaret Winter Ball 2016

Tickets: £16.50 (£15), £14.85 (£13.50), £11 (£10) Senior Citizens: £13.20 (£12), £12.10 (£11), £11 (£10) Under 14s: £11 (£10)

Michael Ball & Alfie Boe: ‘Together’

Grayson Perry: Typical Man in a Dress

Sat 10th December | 7.30pm

Christmas Celebration

Sat 3rd December & Mon 12th December | 7.30pm

Tickets: £27.50 (£25)

Tickets: £23.10 (£21), £20.90 (£19), £17.60 (£16) Students & U18s: £5.50 (£5)

Sun 11th December | 3.00pm & 7.00pm

Tickets: £28.60 (£26)

Richard Hawley

City Hall Christmas Concert: Black Dyke Band & Sheffield Philharmonic Chorus

VIP Dining: £51.70 (£47) Tickets: £24.75 (£22.50)

Fri 2nd December | 7.30pm

Thu 10th November | 7.30pm

Tickets: £38.50 (£35), £31.35 (£28.50), £24.75 (£22.50)

VIP: £108.90 (£99) Standard Tickets: £42.35 (£38.50), £32.45 (£29.50), £24.75 (£22.50)

Mon 28th November | 7.30pm

Mon 5th December | 7.00pm

Rebecca Ferguson

Christmas With The Overtones

Tickets: £31.35 (£28.50), £29.15 (£26.50)

Platinum Tickets: £51.15 (£46.50) Standard Tickets: £31.35 (£28.50), £26.95 (£24.50)

Fri 11th November | 7.30pm

Fri 9th December | 7.30pm

The SSS

The Catherine Tate Show Live The Hallé & Sheffield Philharmonic Chorus

Tickets: £35.75 (£32.50), £32.45 (£29.50), £27.50 (£25)

Every Wednesday | 12.30pm

Lunchtime Choir Tickets: £5.50 (£5), or book 5 sessions for £22 (£20)

Every Friday & Saturday Doors 7.00pm | Show 8.15pm

Last Laugh Comedy Cabaret Tickets: £18

Prices shown are total price paid.

Prices in brackets include booking fee.

Sat 12th November | 7.30pm

Deacon Blue Tickets: £43.45 (£39.50) £32.45 (£29.50)

sheffieldcityhall.co.uk Box Office: 0114 2 789 789



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Hooton Tennis Club Big Box of Chocolates

Building on the raw, youthful exuberance of debut record Highest Point in Cliff Town, Merseyside five-piece Hooton Tennis Club are back with another batch of charming and energetic garage pop tunes.

Big Box of Chocolates is an album with the typically unpolished, guitar-heavy sound that the band owns, but on occasions the musicianship is taken up a level from its predecessor. ‘Bootcut Jimmy the G’, for example, features a bassline that could’ve been plucked straight from Mani’s back pocket. Every song on the record has a prominent lead guitar line, with riffs following the vocals around like an excitable cat chasing its tail. There was a roof that was hit on the last record, but in lead single ‘Katy Anne Bellis’, the guitar solos are at their ramshackled, ambling best.

Mid-tempo, inoffensive retro guitar pop is the usual shtick for this band. However, there are glimpses of melodic brilliance akin to Lee Mavers. ‘O Man, Won’t You Melt Me’, ‘Lauren I’m In Love’ and ‘Meet Me At The Molly Bench’ are all particularly impressive highlights.

The penultimate track on the album, ‘Lazers Linda’, is HTC on a bit of journey back to 1966. It’s fast-paced rock and roll, and at two minutes long it’s over before you know it. Overall, it’s another impressive and slightly matured offering from one the UK’s most exciting young indie bands.

7/10 PS

PUMPIN’ ON MI STEREO Interpol Turn on the Bright Lights

Hunter S Thompson once said, “Good people drink good beer.” I’ll add something to that: good people also think that Interpol’s Turn on the Bright Lights is one of the best debut albums around. Anyone who disagrees probably has a suspect internet history.

Let’s have it right, most songs that are ‘untitled’ are garbage. However, the opening track on this album is a belter despite only having three lyrics in it. And while the minor key sounds and Paul Banks’ monotone drawl meant that comparisons to Joy Division were inevitable – truth be told, Interpol are a level above. The intricacies of the big hitters like ‘Obstacle 1’ and ‘PDA’ charm and beguile as you try to work out what this strange new genre is and why you like it.

A collecion of songs that somehow manage to be so devastating, yet so therapeutic at the same time. PS

Honeyblood babes never die

Glasgow born duo Honeyblood make their way back to sights with their second studio album, Babes Never Die. After the departure of an original member, new drummer Cat Myers has come in and helped to intensify thir sound hugely.

Since their debut album, there has been a great amount of anticipation due to the change in band dynamics; some might say they had a lot to prove. Yet they have returned with even more flair and personality with this stimulating, well-thought through album. There’s plenty of contrast here: the journey begins with prominent, punchy guitar licks, whereas the latter part of the album is filled with softer, sentimental melodies complemented by their signature punk-rock vocals.

Single ‘Ready for Magic’ is one which particularly stands out with a consistent drum bassline and catchy hook, while ‘Love is a Disease’ is another showstopper with electro-funk guitar driving the track along with subtle percussion claps. No doubt Honeyblood have revelled in creating a unique and diverse record this second time round.

7/10 GS

The Courteeners Mapping The Rendezvous If there’s one thing that The Courteeners really know how to do well, it’s create the type of tracks that I’ve taken to calling “growers”: those tracks that you don’t even notice grabbing your attention until it’s suddenly stuck in your head all day and next minute you’re hooked. Mapping The Rendezvous, the fifth album by the hugely popular Manchester four-piece, is no exception. Here we are presented with another truckload of indie floorfillers, the only difference being that these tracks present a brand new exploration of their distinctive sound, whilst still retaining that anthemic stadium rock quality we’ve seen them pull off so many times before. The overall sound of the record builds much more on the grooves from the rhythm section and then perfectly glosses the lead instrumentals over the top. Additionally, a number of beautifully constructed ballads and a couple of throw-backs to their guitar-centric, chorusheavy earlier tracks offer a refreshing take on their earlier sound. The whole album bristles with a new-found sense of confidence and promises even bigger and better things for one of the north’s most popular bands. TGF 8/10 For more listings and reviews, head to exposedmagazine.co.uk | 85

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LOOK LOCAL

A QUICKIE WITH…

A brief word from the Sheffield band scene…

Former Exposed In Session stars Liberty Ship have a ton of stuff coming up this month, including their first overseas gig in Dublin and an acoustic tour with Reverend and The Makers which will head to The Leadmill on 18th November. Also keep an eye out for some live acoustic videos hitting social media. www.libertyshipband.com // facebook.com/ LibertyShipBand // @LibertyShipBand High Hazels have announced that two big Sheffield gigs, supporting Slow Club at Yellow Arch on November 4th and headlining The Leadmill on November 17th. www.highhazels.com // facebook.com/ HighHazels // @HighHazels

BLACK MAMBA FEVER

November), and Fizzy Blood’s new release ‘Animals’ (9th December) www.alyarecords.co.uk

Dutty riff-loving quartet KONG have announced a headline gig at The Leadmill, taking place on 12th November with support from Tremmors and Oddity Road. facebook.com/THATKONGBAND // @ KONG_BAND Noise rock duo Perfect Parachute Picture are back with a video for their new single ‘Faces’. Head to their FB page to listen – it’s a belter. facebook.com/perfectparachutepicture // @perfectparachutepicture

The SSS will release their third independent single, ‘The One You Need’, on November 11th. www.thesss.co.uk // facebook.com/ TheSSS14 // @_heSSS Local label Alya Records have a couple of exciting releases in the pipeline. These include the latest single from I Set The Sea On Fire, ‘Wrong Kind Of People’ (25th

Reyt Good Music has a trio of quality live music nights in store this month. The Chessmen, Matt Longden and Danny Pietnik play the Frog & Parrot on the 10th; Fear Lies, Gorilla Warfare and Vida hit The Washy on the 12th; and Dirty Sterling, Ryan Young & The Electric Sunrise and Shogun are the Mulberry Tavern on 26th. Cop a load o’that. www.reytgoodmusic.com // facebook.com/ ReytGoodMusic // @reytgoodmusic

Head to www.exposedmagazine.co.uk for the full list of live music events and things to do in Sheffield this month.

Black Mamba Fever, do introduce yourselves to the Exposed Readership.

Hello, we are Black Mamba Fever. We’re made up of Louis, an American historian; John, a computer scientist; Jake, a doctor of politics; and Patrick, a drummer.

We hear new music is on the horizon.

Pray, tell us more?

We have a single coming out on 4th November called ‘Feeling The Strain’. It’s the first song we ever wrote together so it’s a pretty special one to us. It’s quite loud and intense; however, the B-Side, ‘Fake Blood’, is a bit more of a mellow affair, the sort of song you’d listen to in the bath.

How’s 2016 treated the band so far, and are there any big plans for next year?

Pretty good! We played four gigs over the Tramlines weekend which was definitely a highlight and the Leadmill at the end of September was also really fun. We only started gigging about a year ago so we’ve just been playing around Sheffield so far, but next year we want to try and get around the country a bit and play places like London, Manchester, Slough, Winnersh and Pontypridd. The kind of stuff you dream of as a kid.

Finally, what three essential items should people bring to your gig at Shakespeare’s this month?

Louis is prone to snapping his bass strings during gigs, so if people could bring along some spares that would be very handy.

Lion bars are essential, just in case you get peckish. Finally, a pair of shoes for John as he has a tendency to lose his.

Size 10 would be preferable but he’s not that picky.

For more listings and reviews, head to exposedmagazine.co.uk | 87

A Tribute To The Beatles

Sheffield’s number 1 Beatles tribute band. Available for all events and special occasions

www.beatlesmoondogs.com

Go to the website to enquire or call 07725 834 999 or 0772 094 8799 A splendid time is guaranteed for all..... follow us on twitter @jandthemoondogs Find us on facebook via the website 88 |l For more listings and reviews, head to exposedmagazine.co.uk

For more listings and reviews, head to exposedmagazine.co.uk

JUST BEHIND THE STATION BEFORE YOU REACH THE TRAFFIC ISLAND A RIVER RUNS THROUGH A CONCRETE CHANNEL I TOOK YOU THERE ONCE; I THINK IT WAS AFTER THE LEADMILL” Inspired by the time Jarvis Cocker took an inflatable dinghy down the River Don, Pulp’s track ‘Wickerman’ taken from their 2001 album We Love Life is one of many songs inspired by the Steel City. As part of this issue’s vinyl celebration, we rounded up five more records with ties to specific locations in Shefffield ARCTIC MONKEYS – BENEATH THE BOARDWALK (2004)

Not an official recording per se, but a rare collection of 18 early demos featuring the soonto-be-famous ‘Fake Tales of San Fransisco’, ‘A Certain Romance’ and ‘Bet You Look Good on the Dancefloor’ alongside lesser-known tracks such as ‘Ravey Ravey Club’ and ‘Choo Choo’. After handing out CD copies at gigs, the tracks were shared online and one of the first recipients was situated beneath popular Snig Hill venue The Boardwalk when he saved the files and passed them on, hence the name.

PULP – SHEFFIELD: SEX CITY (B-SIDE TO BABIES) (1992)

An eroticised narrative tour of his hometown, Cocker grunts the names of various areas in lusty fashion to an electro-funk backdrop. Dirty sex in dirty tower blocks, a mass orgy taking place in Park Hill Flats, wandering the streets of Sheffield desperately seeking a shag – it’s a horny 2am text from Jarvis to the city itself.

RICHARD HAWLEY – COLES CORNER (2005)

On the corner of Church Street and Fargate was the entrance of historic department store Cole Brothers, a common meeting point for courting lovers. The record sleeve depicts a young Hawley standing outside popular landmark Coles Corner, flowers in hand, highlighting the sense of romantic longing that runs throughout the record.

HUMAN LEAGUE – DARE (1981) & HEAVEN 17 – PENTHOUSE AND PAVEMENT (1981)

These two hugely successful records were both born in Monumental Studios, a makeshift studio in West Bar with leaky ceilings and little room. It has since been demolished, but it was here, above a disused vet’s practice, that a charged rivalry between the two groups sharing the space (Human League recorded during the day; Heaven 17 during the night) led to them both producing arguably their finest works.

TONY CHRISTIE – MADE IN SHEFFIELD (2008)

Despite something of a comical resurgence following the revival of his 1971 hit ‘Amarillo’ by Peter Kay, Christie’s follow-up album saw the Conisbrough-born crooner collaborating with some of the best songwriters and producers in the city.

The album was recorded at the iconic Yellow Arch Studios and saw Colin Elliott and Richard Hawley sharing production duties, with contributions from the likes of Alex Turner and Jarvis Cocker plus lesser-known local songsmiths such as Martin Bragger AKA Billy Martin Junior; Sara Jay, who’d previously worked as a session singer with Massive Attack; and Mark Sheridan, guitarist in Hawley’s band who co-wrote two tracks on the album.

For more listings and reviews, head to exposedmagazine.co.uk | 89

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One song I wish I wrote...

Richard Hawley The first record I ever bought...

That was a Gene Vincent and the Bluecaps 78rpm record called ‘Race with Devil’ from Kenny’s Records on the Wicker, bought some time around the mid-70s. I wasn’t allowed to play my parent’s records at that time but they let me play the old 78s, which is odd really because they are so easy to break.

They’re made from shellac, which is incredibly fragile. It’s a substance made from millions of Indian and Thai insects called lac bugs – they use it for a food glaze now amongst other things.

The first gig I ever went to...

It was my Uncle Frank White’s gig at The Pheasant at Sheffield Lane Top. I was about ten-years-old, so they had to sneak me in through the side door. It wasn’t too long before I was playing with him on the same stage. He was an utterly brilliant guitarist and singer.

The first song I ever performed...

‘Jenny’ by Ken Cook, performed upstairs at the Firth Park Hotel at a little folk club ran by (I think) by a great folk musician called Ian Spafford, a friend of my dad.

Ken Cook was a Sun Records artist and that song has a wonderful melody that’s been used over and over. You can hear its chronology from ‘Thrills That I Can’t Forget’ by Welby and Boaz (1925), ‘I’m Thinking Tonight Of My Blue Eye’ by the Carter family (1929), ‘The Great Speckled Bird’ by Roy Acuff (1936), ‘The Wild Side of Life’ by Hank Thompson (1952) and many more! It wasn’t until later I found all this out, and also that Ken Cook’s real name was Roy Orbison! I was only very young at the time, to be fair.

‘Pale Blue Eyes’ by the Velvet Underground, one of Lou Reed’s most beautiful songs of the many that he wrote. It’s utterly spellbinding.

One song I wish was never made...

I can’t be negative about music – well, I try not to be these days because not all music is made for us. Someone, somewhere might get a lot from it so it’s best to try and be tolerant even if you know damn well that it’s bloody awful. It is hard though sometimes.

I first fell in love with music when...

I was a boy and I heard my family singing together around the house. It all just seemed so natural. There was always music playing from somewhere at home.

I thought we were normal until I went round other folk’s houses and found out they didn’t even have a radio.

A song I can’t get out of my head at the minute...

One I wrote last night! It keeps going round and round my brain, driving me crazy. This is a problem I am blessed with so I can’t complain. I’ll be 50 years old in January next year and those songs and ideas haven’t stopped since I was a boy.

Sometimes I think I must be a bit mental with it all though.

A record which reminds me of a specific time and place...

Listening back to all the early R&B, rock ‘n’ roll, bluegrass, delta blues, psychedelia and English folk music I absorbed as a child reminds me of Scott Road and Vickers Road in Sheffield, where I grew up.

Music allows me to...

Be free.

Richard Hawley plays Sheffield City Hall on Monday 5th December. Tickets and more info from www.sheffieldcityhall.co.uk.

90 | For more listings and reviews, head to exposedmagazine.co.uk

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DON’T JUST WALK INTO E H T T H L E WIL DRIVER ROAD KEEP FRIENDSHIPS ALIVE.

SEE YOUIN TIME?

11:3 Y A ID R F : T E E R T S T S E EMERGENCY: WE

D. KEEP YOUR EYES ON THE ROA NT: PEDESTRIAN INCIDE

AY 1.20AM WEST STREET FRID

BE A SAFE PEDESTRIAN

DP18395

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O D

?

Y 11:35PM They’re stoked to visit the UK, especially York “We’ve been touring for about three weeks around the East Coast in the US, so we’re already in pretty good form. We start the UK tour on 4th November, so we’re just going to chill out and relax a bit before that takes off. We usually get a great response in the UK, but there are all these different elements that make a great location for me: the vibe of the place or how the city itself feels is a big one. Obviously, we like playing big cities such as Manchester and London, but I personally like spending time in the smaller, more historic cities like York. Those places always have a great vibe.”

The new album is about vampires, kind of...

“The album’s largely themed around mortality and urban living. It looks mainly at this idea of the urban vampire – you know, getting more and more frustrated at your fellow citizens and just wanting to drain their blood!”

The Electric Six sound has shifted significantly “Obviously, the departure of our drummer [Percussion World] as he left to join Flogging Molly meant that we were going into the studio using a drum machine. It gives the music a completely different dance-synth sort of feel to it, so I suppose that’s the direction we’re shooting at for now. I’m not worried about change – this is our twelfth release, you know? We’re just really focussing on music that’s fun to play live.”

Electric Six play Sheffield’s O2 Academy on Thursday, 1st December. Tickets are available from www.academymusicgroup.com

With a both a new album in the pipeline and an impending UK tour, the man with the illuminating crotch, enigmatic frontman Dick Valentine, gives Exposed the lowdown on all things Electric Six. They’ve recently welcomed a new member to the band “Our new drummer, two-handed bob, he’s great! He’s obviously got a different style to Percussion World, but it means that we can play all the stuff we never really played with him before, and it’s really interesting to hear a brand new take on these songs.

Obviously, seeing as PW’s been with us so long, we weren’t sure if we should just take a break for a while after he left, but we just kept on going with it – and now I’m glad we did.”

Dick loves a bit of fan interaction I’ve always tried to have a good relationship with my fans. I think that’s really important. Not too long ago I toured for three weeks

in the UK and Ireland, just me and an acoustic guitar, and I really enjoyed it. I love being able to sit down and have a drink with the people who’ve come and watched my show. Sometimes I think that people must think I’m more famous and less approachable than I actually am.

I certainly wouldn’t even consider myself to be famous!

But it doesn’t look like they’ll be taking anyone to a gay bar No, we’ve not got any specific plans to make any stops in any gay bars on the tour. But, like everything, you never know what’ll happen and where you end up, so if the opportunity knocks …

For more listings and reviews, head to exposedmagazine.co.uk | 93

For more listings and reviews, head to exposedmagazine.co.uk

… Annnd relax!

Swank alert. I’m writing this month’s diary overlooking the pool of an Ibizan beach house, having just been reminded by my editor that this column is overdue. I reckon I’ve earned a break, though, and have good reason for stretching this month’s deadline beyond reasonable proportions.

This month’s recording schedule was kicked off by Ash Gray, a roots Americana singer songwriter from Austin, Texas, making his debut at Mu Studios. His melange of country and southern roots rock evokes the spirit of Gram Parsons and the Grateful Dead. A great pleasure to record, these tracks will form part of his next album. Check him out.

I’d normally say that it’s not every day you get to work with legendary international music makers, but at the moment that just wouldn’t be true! One such legend to visit this month was Martin Bisi, a musician/ engineer/producer who has helmed records by Talking Heads, Sonic Youth, Violent Femmes, amongst many others, from his Brooklyn studio. Martin is touring Europe making a documentary chronicling his studio’s history, from its inception with Brian Eno to the looming gentrification of the building it is housed in, possibly bringing 30 years of recording to a close. We rounded with a visit to Club60, where the DJ was spinning Herbie Hancock’s seminal 80s electro classic ‘Rockit’ – produced, incidentally, by none other than Martin himself. I couldn’t resist telling the DJ that the guy who made the record was actually stood ten feet from him. It was a beautiful moment for all concerned.

The night was wrapped up with a great set by Sheffield act Cuckoo Clocks. Big thanks to Thomas Lebioda from Brooklyn/ Sheffield art rock band Frogbelly and Symphony for hooking us all up.

Without coming up for air, the mighty Ben Ottewell from Gomez rocked into the studio with a batch of tunes to complete. Ben has earned a reputation over the last twenty years for an outstanding set of pipes which, once lubricated with generous helpings of Bulleit Bourbon, laid down vocals on what is to become his third solo album. Whilst at Mu, Ben had the pleasure of 6Music listeners voting his debut Gomez record as the best ever Mercury Prize winner! His sessions saw appearances from the likes of folk guitar whiz John Smith, local cello supremo Liz Hanks (who’s worked extensively with Mu regular Richard Hawley and Thea Gilmore), incredible singer songwriter Sam Genders (Tunng, Diagrams) and the beatific vocals of India Mckellar. We managed to track the majority of 10 songs on which Ben displayed his ability to deliver a terrific lyrical story wrapped up in a great tune.

Sheffield classic male vocalist Paul Pashley also spent a handful of days recording and mixing his latest EP written by my great friend Steve Edwards and yours truly. And to close this marathon month, I was booked to produce up-and-coming London band The Romans. Previous devotees of electronic beats, I had a feeling a great drummer would be just what they needed and so brought in Ben Gordelia (Paul Weller, The Moons). Ben’s ability to play super vibey grooves with devastating accuracy left the band slack-jawed.

We ended with a celebratory pint and I stumbled home to pack my toothbrush for a 6am flight to Ibiza. And now, if you don’t mind, I’m going to lie down in the sun and very little until the madness resumes in just over a week’s time...

www.mustudios.co.uk // @MuStudiosSheff on twitter // Facebook/talentatmustudios 94 | For more listings and reviews, head to exposedmagazine.co.uk

PLUS SPECIAL GUEST

SUNDAY 13 NOVEMBER 2016

O2 ACADEMY SHEFFIELD

LIVENATION.CO.UK A LIVE NATION PRESENTATION IN ASSOCIATION WITH CAA

DEBUT ALBUM ‘PHASE’ OUT NOW

Cabaret Voltaire were one of – if not the – most influential electronic groups of the late 70s and throughout the 80s, and of course, they were formed right here in Sheffield. Founder member Stephen Mallinder was back in town recently with his new band, Wrangler. Our resident music blogger Mark Perkins got very excited, but calmed down for long enough to have a chat with the main man about the Cab Vol days, his new band and plans for the future.

For anyone who doesn’t know, tell us a bit about what you were doing in the Seventies at the time you began performing as Cabaret Voltaire.

We played our first gig in the Upper Refectory disco at Sheffield University. I wasn’t a student, but we went on to play at the Now Society and in the Lower Refectory, supporting groups like The Fall. We actually spent a lot of time there, thanks to our forged Students Union cards. Around that time we used to go to ‘blues parties’ in Hanover Square, which were illegal gatherings held in someone’s cellar. We were fascinated by the sounds of the reggae and soul music they played there, the frequencies, and the whole idea of ‘dub’ music. We couldn’t release our own music. Major record labels weren’t interested, even though audiences clearly were. Before punk came along, there wasn’t really an independent music scene.

People were ready for a change, but it took a while before there was any alternative to the major labels.

And is that where Rough Trade Records came in?

Rough Trade started releasing records in 1978 and we were one of their first signings. That label was such an important part of the history of British music, it all really started there for us and for so many other bands. We became involved with the idea of rhythmic dance music, but not disco music, and worked with the repetitive elements of the music and technologies. All that became part of the scene as the 80s progressed, but we still had a legacy in early dance music.

After the success of the Cabs, you moved to Australia, but were still involved in music.

Yeah, I was a producer and presenter on an arts radio station. My kids grew up there, so I was doing that for quite a long time. I ran a label, ran a production company, was a journalist, taught, lectured at university, did my PhD, and came to lecture back in Brighton. I still work there, but only part-time, because my own music is very demanding on my time. I think I’m valued by the university as someone who is engaging with the real world at the same time as working for them a couple of days a week.

96 | For more listings and reviews, head to exposedmagazine.co.uk

How did you get together as Wrangler?

Phil Winter from Tunng and I have known each other for years, since we were both signed to Virgin. When I was away in Australia, Phil started working with Benje, and when I was back Phil invited me to meet him. Within an hour we were working on stuff, and we’ve been making music ever since. We’ve just released our second album, White Glue, which we played some tracks from at the recent Sensoria festival.

You must have been their dream booking. The festival takes its name from a Cabaret Voltaire track doesn’t it?

Yes it does, so we knew we’d have to play a version of it to close our set, which we did, and it went down really well.

And you’ve got another project coming up, playing with John Grant, who was also in Sheffield for Sensoria. Did you meet up at the festival?

No, it’s just a coincidence that we were both here in Sheffield. The collaboration with John is part of a celebration of Rough Trade. It’s 40 years since they started so they’ve pitched together some of their newer artists with some of the older generation for a live show at the Barbican. We’re headlining and we’ll be playing a set of entirely new music, so I’m a bit nervous. John is a such a massive fan of electronic music, and in particular the Cabs, that he remembers tracks I’d forgotten we ever did! We’re excited about working with him and we’ve got an album’s worth of material ready to release. The sound will be a bit like John Grant has joined Wrangler, so it’ll be quite different from what his fans might be expecting to hear. Trouble is, we’ve not got much time left and we need to come up with a name for the band!

Wrangler’s latest album White Glue is available to download from iTunes and Amazon. Head to facebook. com/mallinder bengewinter for the latest updates on the band’s project with John Grant.

For more listings and reviews, head to exposedmagazine.co.uk | 97

FAST FOOD GONE FRESH

9”, 12” Same price or lower

138 West Street Sheffield S1 4ES info@spicychik.co.uk Tel: 0114 249 8151

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H

Music and politics have always gone hand in hand, with artists such as John Lennon, The Clash, Rage Against The Machine, Bob Dylan, Billy Bragg – and many more besides – using music to attack the establishment and try to invoke social change.

Naturally, this is still happening today as young artists react to politically tumultuous times, using music as a platform to voice their concerns.

Amongst these artists is folk singer Jay McAllister AKA Beans On Toast. Ahead of his show at The Leadmill on November 24th, Stevie Birchall nabbed 10 minutes with him on the blower as he arrived in New York City, the destination of the first gig of the tour.

By the sounds of it, he’s quickly settling into his time in the big apple: “It’s great!” Jay tells us, “I’m in the US for five weeks, touring and drinking, spending a lot of my time talking about Donald Trump with like-minded people in veggie cafés.”

The tour is in support of new album ‘A Spanner in the Works’, to be released on December 1st. “It’s referring to fucking things up a bit: it’s time for change.” Never one to shy away from expressing his thoughts, Beans On Toast has always been a topical lyricist, covering everything from politics to war, drugs and love. Has he ever thought about the impact his music can have on an audience?

“I take it with a pinch of salt, but I do believe in 99% of my songs.” He continues: “It is extremely important to talk about movements, thoughts and feelings that are happening at the time, it’s just a simple way to change quite a lot.”

Undoubtedly, his new album continues in the same vein. One track that particularly stands out is ‘The Drum Kit’, which tackles the issues facing the music venue industry.

“I used to work in a music venue, I know what it is like. Noise licenses can be tough, but I don’t think music will go anywhere.” An issue that’s close to his heart, Jay is a staunch believer in looking at these kinds of things with a fresh perspective: “The pressure should be on how we can open new music spaces, as well as clinging onto the old ones,

because that is just as important.”

So where has this love of all things music stemmed from? “My parents are my inspiration. They’re music lovers; my dad’s into country and my mum is a huge Beatles fan… But my influence to write comes through my thoughts, feelings and life itself.”

We finish the conversation discussing the upcoming tour and his Sheffield visit. “I’m looking forward to getting going, I love touring. I’m extremely excited to get back to Sheffield after a long stint away. We don’t underestimate the power of playing a gig, so we will be mixing things up with new and old tracks, there’s something for everyone.”

Catch Beans On Toast at The Leadmill on November 24th. Tickets and more info available at leadmill.co.uk.

For more listings and reviews, head to exposedmagazine.co.uk | 99

fat elephant

analogue digital recording studio

and video production based in kelham island

Production- Mixing - Mastering -Live Sessions - Demos - Video

www.fatelephantstudios.co.uk

fatelephantstudios@hotmail.co.uk

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The allegiance to independents has always been strong in Sheffield, and no more so than when it comes to the city’s beloved record stores. Veterans like Record Collector and LP Record Store have endured amid the digital era, and are now reaping the rewards of a vinyl resurgence in recent years. With newbies like Record Junkee, Tonearm Vinyl, Bear Tree Records, Spinning Discs and The Bakery opening up shop, it seems things are only getting better for what was once dubbed a defunct format. We decided it was high time we met the devoted folk behind this intriguing industry.

Words: Rachel Heward

For more listings and reviews, head to exposedmagazine.co.uk | 101

Record Collector

Record Junkee 7 Earl Street, Sheffield S1 4PY // recordjunkee.co.uk Georgia Rawson has been involved in the music industry for eight years, and her co-runner, Martin Leverton, has had stores since 1994. Now the owner of Record Junkee, Georgia is overseeing some exciting developments at the store’s new venue in the city centre which incorporates a gig space, bar and thousands of records of every genre imaginable.

What makes Record Junkee unique?

We have one of the largest selections of records within the north, in fact over 25,000 if we’re going to be precise! These records span across all genres, whether it’s soul, house or pop punk. We believe in a unity across the entire musical experience which is why we have a fully licensed 150 cap store venue as well, so our in-store performances are on a whole other level.

What’s your rarest record?

We have a mass selection of secondhand and brand new stock, so we’ve had original Pink Floyds and Bowies dropped in. We have had over 25 years to pick from... We’re still getting offers on a platinum record for Brand New’s Deja Entendu too.

How important is it to support locals?

Local music is the most important aspect of not just our store but the entire industry.

We allow both local bands and promoters to put shows on and place their records in the store. The social aspect has also made it a regular meeting point for people in the scene; we’ve seen a few bands even form on these premises, and another negotiate their label deal right from our sofa.

233-235 Fulwood Rd, Sheffield S10 3BA // recordcollectorsheffield.co.uk Barry Everard could write a book about his time at The Record Collector – in fact a good thirty or so pages are dedicated to the store, and the man himself, in Graham Jones’ recent book Last Shop Standing. From befriending John Peel after finding him an enigmatic record he was after, to being called “a legend around these parts” by Johnny Marr, having Richard Hawley throw a surprise party for him on the 33⅓ anniversary of the shop, and offering career-changing advice to Def Leppard’s Joe Elliot; there’s no doubt that Barry’s influence on the Sheffield music scene (and beyond) stretches far and wide. Standing proudly on Broomhill’s high street for 38 years, we popped into Record Collector to find out more.

What do you think makes Record Collector special?

I’ve never stopped keeping the faith. I’ve been keeping it every day since 1978. We try and be all things to all people, and it’s an honour and a responsibility to offer a good selection of records, the chance for someone to fall over something and find a record that can potentially change their life. We’re the largest and the longest established shop in South Yorkshire and have the stuff you just can’t get anywhere else; the record companies only offer a fraction of what’s out there, but we’ve been buying vinyl for years, so if you’re after something obscure, this is the place for it.

How important is it to help local bands?

If someone’s got a good record, I’ll always sell it for free. I don’t want to make money off local bands, so other than the VAT, I’ll give them everything back. Then they can use it to buy new equipment, or record more music.

What was your involvement in making the Last Shop Standing documentary?

I helped get some of the musicians involved, Johnny Marr and Richard Hawley, and suggested a lot of the music that was used.

It’s also my voice that’s explaining the concept of Record Store Day, with images of queues of around 450 people. People always ask me if vinyl is making a comeback, so I just say – let the queues do the talking.

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LP Record Store 37A Arundel St, Sheffield S1 2NU // www. facebook.com/LP.Vinyl.Sheffield Mark Richardson has been a record store owner for 21 years, successfully navigating the business through venue changes, a recession and the challenges faced due to the rise of CDs and digital streaming.

Naturally, he’s got a few stories to tell about his collection…

What is the rarest record you’ve ever bought/sold?

When a guy came into the shop demanding £20 for a box of 7” records I wasn’t expecting much, but as I got to the back of the collection I found a test pressing of Pink Floyd’s ‘Apples and Oranges’. I did a bit of research and realised I could fetch £550 for it! I called one of my regular (big spender) customers and he immediately jumped in a taxi from Doncaster, told me he wasn’t messing around and that £650 was his final offer. I couldn’t help but laugh, which he took for some sort of bargaining, and gave me £700 as his final offer! I’ve also got an early David Bowie single, back when he was known as Davy Jones, which is worth around £3800. Naturally this is kept in a safe rather than on the shop floor.

Do you have a guilty pleasure?

I still listen to Elvis still from time to time, I guess he’s quite cheesy, or even a bit of Neil Diamond.

What are you listening to at the moment?

A band from London called Archive who have been around since the ‘90s but never got much recognition over here, despite being huge in Europe. I’ve also been listening to DJ Shadow of late, and there’s a new Bowie boxset called Who Can I Be.

Spinning Discs 55 Chesterfield Rd, Sheffield S8 0RL // spinningdiscssheffield.co.uk Martin Black had always wanted to open a record shop, so when in April 2015 the opportunity arose in his neighbourhood of Meersbrook, he jumped at the chance. Initially focusing on new releases and re-issues, last month he extended things into the back room, offering range of quality used records to complement his newer collection.

So where do you begin when opening a record store from scratch?

I aimed to build the stock from new records and re-issues, covering all ranges and genres. I started getting things that I would want to see in a record store, and it evolved from there. Everything from Adele to ZZ Top; I organise it by alphabet mainly, not really separating out genres as such. I like the idea of coming across something entirely new while you’re looking through the G’s. Most people don’t have a genre-specific taste in music, and people often come to record stores to discover something. It mixes it up a bit.

What’s the best thing about owning a record store?

It’s the people interaction, and the community that forms around it. I love living here so to be able to bring something different and vibrant to the neighbourhood is great. We’ll get the coffee brewing on Saturdays and people come to have a chat and browse records.

That’s what it’s all about.

What are you listening to at the moment?

Beth Orton’s new record, Kidsticks.

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The Bakery 268 Sharrow Vale Rd, Sheffield S11 8ZH // www.facebook.com/thebakerysheffield Working as a quantity surveyor for the last few years, Ben Croft realised his passions in life lied somewhere else other than construction. Following a fervour of forward thinking music, especially of that on wax, Ben had the chance to open his own store only a couple of months ago, with the types and styles of vinyl in store heavily influenced by his own collection.

What’s the most unusual record you’ve come across recently?

I’m not sure if it’s the rarest, I tend to just buy tunes if I like the sound of them but it’s probably one of my most recent buys, Augustus Pablo – East of the River Nile. It’s a really nice rhythmic, roots-y, instrumental track pressed in 1978.

Do you have a guilty pleasure?

I’m not sure if it’s a guilty pleasure but I’ve really grown a liking for female 90s soul/ RnB. I think artists like Angie Stone, Erykah Badu, Indie Arie etc are brilliant.

What are you listening to at the moment?

I’ve really got back into my dubstep recently – the good stuff with nice percussion and deep, organic basslines.

Labels like Moonshine, Dub-stuy and Innamind are releasing really nice stuff at the moment.

Bear Tree Records Craft Workshop 5, Orchard Square (Upstairs, Sheffield, S1 2FB // beartreerecords.com Joe Blanchard has worked in record shops for over a decade, with stints at Selectadisc in Nottingham, Jacks Records (formerly Division St) and Record Collector in Broomhill. After opening Bear Tree Records in Orchard Square a year ago, he’s already outgrown the premises and a successful Kickstarter campaign (with money raised within one week!) has ensured he can expand his collection and move to a bigger site.

What’s the best limited edition you’ve ever got your hands on?

This year for Record Store Day I got the White Stripes Complete Peel Sessions, and was the only place in Sheff to have it. I also got a couple of copies of Beck re-issues, Mellow Gold and Odelay, of which there were only 2016 copies worldwide. It was a bit of a mad day, there was a six hour queue!

What are you listening to at the moment?

Nick Cave’s new album is stunning and I’ve also been listening to White Glue, which is the new album from Stephen Mallinder’s Wrangler. You should also check out Thee Oh Sees if you haven’t already.

Are there any good local bands on your radar?

Yeah Sievehead’s Into The Blue has been one of my best sellers this year by far.

Tonearm Vinyl 381 South Rd, Sheffield S6 3TD // tonearmvinyl. co.uk Scott McMullin’s Tonearm Vinyl is anything but the ramshackle record store stereotype, with a collection of original and second-hand vinyl immaculately presented in the roomy Walkley store. After setting up shop three years ago, last year he moved to bigger premises on South Road, enabling him to host events like local album launches and collaborations with neighbour Walkley Beer Co. What’s the most surprising record you’ve come across?

An older gentleman came in – he’d buy a lot of Elvis, that kind of stuff – and he was a bit of a classical connoisseur, recently coming across a rare record which he’d found for £1 in a charity shop. It was a 1960 record, and one of the first examples of a stereo record. After looking it up we sold it on for £2225, to someone in China.

What are your most common requests?

I’m commonly asked for artists like Springsteen and Carole King, and people always want to have classic albums like Fleetwood Mac’s Rumours in their collection, that sort of thing.

What are you listening to at the moment?

Recently, C Duncan; it’s great music to listen to when you’re hiking. I’m open to pretty much any style of music, but I’m also influenced by electronic artists like Kraftwerk.

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Well the dark nights are here, its freezing cold and, despite those who have been insistent on counting down the days since February, Christmas is still ages away. To be fair, November is generally a bit of a rubbish month. Unless of course you’re in Sheffield and looking for LGBT events, because we have more than you can shake a glittery stick at.

First up, we have the event I have been waiting all year for – Queer Protest is back! Taking place on 5th November at The Moor Deli, this year’s event is a collaboration of Sheffield’s queer and feminist communities hosted by Girl Gang, SAYiT, QASh (Queer Agenda Sheffield), Pride Sheffield and Festival of Debate. Guaranteed to be a sell-out, there will be a full day and night of events putting the party back into political. The daytime will start with a variety of workshops, documentaries and talks followed by a genderless fashion event showcasing some of the city’s most exciting designers. The evening cabaret will feature performances from Sheffield favourites Penny Slotz, Vermilda Hyde, Anna Kissed, Mr Blue Skyes, Kommander Karl and Marilyn Misandry.

Following the success of October’s fabulous Rocky Horror special, Sheffield’s biggest and longest running LGBT night Climax returns on the 18th.

Whether you’re a newbie or a regular since Geri was a Spice Girl, this remains the biggest monthly night on the calendar.

And if you want to nurse your Climax hangover in a darkened room with a bucket of popcorn then check out the various events for Transforming Cinema, Sheffield first ever trans film festival.

Putting trans stories at the centre stage, this two-

day festival will challenge mainstream media’s lack of representation in showcasing trans, non-binary and gender variant films and art. The weekend also marks the International Trans* Day of Remembrance, which will be marked on Sunday 20th November with a vigil at the Winter Gardens to memorialise those across the world who have been murdered as a result of transphobia and to bring attention to the continued violence endured by the trans* community.

On Friday 25th, your favourite queens are set to slay together as we see the ultimate tribute battle with Madonna vs Lady Gaga at OMG kicking off a weekend of events. On Saturday 26th / Sunday 27th we have the Action for Trans Health conference at Norfolk Park Heritage centre. And whether you’re attending the conference or not, check out their fundraiser on Saturday night at the Lughole with queer indie-pop punx the Spook School, bratty riot-grrl punk from Grotbaby and noise punk from Dispute Settlement Mechanism.

The same night we see the long-awaited return of Invert at its new home of West Street Ale House.

A broadly alternative music policy with a queer influence, it’s free entry, nice beer, no nasty people and all night dancing. What more could you want! If that’s not enough choice for one evening then why not try Andro and Eve’s latest event The Kingdom Come at Walkley Community Centre, showcasing the talents of the UK’s finest drag kings hosted by Adam All & Apple Derrieres, founders of the increasingly popular SOHO night, BOi BOX. It will be surreal. It will be fabulous. All hail the King!

SATURDAY 5 TH NOVEMBER Moor Theatre Delicatessen www.facebook.com Friday 18 th November Climax Sheffield University Foundry www.climaxonline.co.uk SATURDAY 19 TH & SUNDAY 20 TH NOVEMBER Transforming Cinema Film Festival Various Venues www.transformingcinema.co.uk SUNDAY 20 TH NOVEMBER International Trans* Day of Remembrance Winter Gardens FRIDAY 25 TH NOVEMBER Madonna vs Lady Gaga OMG www.omgclubs.com SATURDAY 26 TH NOVEMBER Action for Trans Health Fundraiser: The Spook School / Grotbaby / DSM The Lughole www.actionfortranshealth.org.uk Invert West Street Ale House www.facebook.com/ Andro & Eve presents: ‘The Kingdom Come’ Walkey Community Centre www.twitter.com/Andro_Eve SATURDAY 26 TH & SUNDAY 27 TH NOVEMBER Action for Trans Heath Conference Norfolk Park Heritage Centre www.actionfortranshealth.org.uk

For more listings and reviews, head to exposedmagazine.co.uk | 109

Head to exposedmagazine.co.uk for more

The sequels that time forgot Now, I’m not talking about HD remasters or remakes here; I’m taking about long-awaited followups and spin-offs that appear to have fallen right off the radar of the big game developers over the years. Here’s my top five.

By Kieran Wade

Onimusha

The last game was released in 2006 (we don’t count Onimusha: Soul), and I’ve always wanted another. I thought we’d get a PS3 game, but nope – never happened. Now, if the worlds of Onimusha came alive on the PS4 or Xbox One, I might have an actual orgasm. Seriously, I might actually splooge.

The environments and gameplay back then were something else, so all of that done today would make a lot of gamers very happy.

Resident Evil Outbreak

Back in the day when Outbreak was released, it was sort of difficult to make much progress as the game is supposed to be played online. Getting a decent group together was an awkward thing to do before Xbox LIVE and PlayStation Network, but the game itself is actually brilliant when you get a good session going.

Now, imagine a brand new Outbreak game on today’s consoles – it would be awesome.

Baldur’s Gate Dark Alliance

Dark Alliance 1 and 2 are very repetitive dungeon crawlers, but my god they’re insanely fun, addictive and manage to immerse you in this fantasy Dungeons & Dragons-style world.

Playing these games co-op was the best way to do it, so if Dark Alliance 3 eventually got made with drop in/drop out capabilities, SO many dungeons would be crawled.

Dino Crisis

Dino Crisis 1 and 2 are some of the best horrorsurvival games of all time.

The third instalment was questionable, but let’s forget about that tosh and instead focus on a brand new game, yeah?

With today’s visual and gameplay capabilities, another Dino Crisis could be something truly special. I realise this is the third Capcom game on this list, so pull your socks up, will ya?

Half-Life

Never going to happen.

Get over it.

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JACK REACHER: NEVER GO BACK The second outing for Cruise’s Jack Reacher sees the man of fortune attempting to unearth a government conspiracy in order to clear his name, teaming up with Major Turner (Cobie Smulders in a welcome mainstream role) and a young girl that may or may not be his daughter. It’s a very workmanlike film – reluctant to try anything new or interesting.

Reacher is an awfully generic character, with little or no personality to set him apart, quite unlike how he is written in the series of books these films are based on. Attempts to delve into the relationship between Reacher and his potential daughter are strained and half-baked, never really ringing true, and miring the action like wet cement.

Never bad, but consistently and frustratingly average, Never Go Back never takes off.

Rated: 3/5

NOVEMBER PREVIEWS The Accountant (4th Nov) Ben Affleck is an accountant working for some of the world’s most dangerous criminal organisations, which begins to unravel around him as the body count grows.

INFERNO

Continuing the Robert Langdon adventures, based on the best-selling books by Dan Brown, Inferno sees Langdon tearing across Europe in an effort to stop a mysterious organisation from unleashing a deadly virus. The film starts promisingly, as Langdon (Hanks) wakes up in an Italian hospital with amnesia. The action picks up immediately, and rarely lets up, which is certainly a better place to be than the snail’s pace of the previous outings. However, once the significant reveals have been made, this once again falls back to formula, with even Hanks appearing uninterested by the final stretch. Unfortunately, this series is as stuffy as the museums its characters hang around, with the historical revelations undoubtedly working better on the page than on the screen.

Rated: 2/5

STORKS

From the studio that made The Lego Movie, Storks is an equally wacky and wild animation, albeit a more scattershot effort. Set in a time where Storks have ceased to deliver babies and instead have become a more corporate operation, moving to the delivery of online packages instead. When a baby is accidentally ordered, Junior, the company’s top delivery stork, is forced to try and cover up the error before it’s too late. As with many current animations, it’s the supporting cast that provide the majority of the jokes, with many genuinely hilarious moments (a particular scene where the leads attempt to get a baby to sleep at night particularly tickled my paternal funny bone). It is at its best when it piles on the crazy (a pack of wolves combining to form any vehicle they require), but there are equally tender moments that balance out the madcap beautifully.

Rated: 4/5

Arrival (11th Nov) The highly anticipated follow-up from Director Denis Villeneuve (Sicario) follows Amy Adams as an expert linguist attempting to make first contact with alien visitors, which are triggering global panic and chaos. Initial reviews pin this as something of a masterpiece.

Fantastic Beasts and Where to Find Them (18th Nov) From the world of Harry Potter, and set 70 years before his adventures, expect more magic and muggles, and a whole host of weird characters in this, the first of a planned series of films.

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ADVERTISMENT FEATURE

Tattoo Talk With 36% of Millennials and 40% of Generation X with at least one tattoo it is a hot topic when it comes to appropriateness in the workplace – and views are divided among business owners.

Long gone are the days where employers didn’t want men with long hair or smokers, instead we’re now witnessing some companies actively requesting no one with tattoos.

The fear here is that you are alienating a large pool of golden candidates based on appearance – and an ever growing pool of talent too as millennials and Generation X set their sights on flying careers.

Undoubtedly tattoos are more prevalent in the workplace as popular culture and major influencers such as celebrities and role models showcase their designs on social media and through the press. As time goes on and Generation X will take up positions of seniority in the workplace and it will become more of the norm. With this in mind, it may be time for some employers to shift their mind-set as otherwise they could be missing out on valuable candidates.

Both parties need to bend as these will be our future hiring managers, and on the flip side if you’re contemplating getting a tattoo think about visibility and appropriateness to please your industry.

SO, WHETHER CANDIDATE OR EMPLOYER, READ UP ON OUR GUIDELINES FOR A HARMONIOUS FUTURE: FOR CANDIDATES Industry views

There will be some industries such as the creative sector where tattoos don’t even get a second glance – we’re the same in recruitment but not everyone is as easy breezy. In customer facing roles or corporate environments organisations can be more stringent about what is acceptable, and in this case this is where we would say play it safe….

Play it safe

All we mean here is give yourself the option

to cover the tattoo. If they are placed on your arms you can cover them, but if they are highly visible on your neck, hands or face mean there is quite literally nowhere to hide. On the same vein if you want your tattoos to be accepted think about how you express yourself….

Express yourself

While tattoos are all about individuality and expression think about images and views you want to portray to others. Be cautious about tattoos that have any offensive implications, as again this is

0114 221 0550 info@benchmarkrecruit.co.uk The Workstation, 15 Paternoster Row, S1 2BX

probably something a potential employer doesn’t want to see. If you’re going to express yourself like this a discreet location would be best!

How about employers?

We would say if candidates have adhered to the above you can be open and honest about your expectance in terms of covering them up, as it is an accepted request for people with tattoos – plus an easy fix!

Employee Branding

If you are promoting yourself as a forward thinking company but clamping down on tattoos (even when covered) be warned that employees perception of your business will change – and not necessarily for the best. It could say more about your company culture and in time damage what people think about working for you.

The future

Based on the percentage of people now with tattoos we would say who knows in time you could love the candidate so much you won’t even notice them! Be inspired by people already embracing the change…

Embracing the change

We love these inspiring images – don’t judge a book by it’s cover…

Something to think about…

The tide may well turn and who knows it could be tattoo wearing hiring managers of the future only wanting tattooed individuals working for them! www.benchmarkrecruit.co.uk

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Words: Joseph Food In early 1916 a group of 12th Battalion Sherwood Foresters stumbled across an old printing press amidst the war-torn ruins of Ypres, Belgium. A sergeant of the regiment, previously a printer on Fleet Street, declared the machine still in working order and it was salvaged by the soldiers. This discovery gave Captain Fred Roberts the incredible idea of creating a satirical publication to raise morale amongst the weary troops. It was gallows humour at its best as The Wipers Times (a common mispronunciation of Ypres) poked fun at everything from The Bosche to their own top brass and quickly became a huge hit in the trenches. After turning the story into a well-received BBC drama in 2013, Private Eye editor Ian Hislop and satirical cartoonist Nick Newman are bringing the tale to the theatre.

Exposed sat down with the duo at The Lyceum last month to discuss the history behind this improbable publication, the role of black humour and their personal relationships with satire.

When did you first come across the story of The Wipers Times?

IH: About fifteen years ago I was doing a documentary for Radio 4 and I came across this brilliant true story. I showed the publication to Nick and said, “Look, this is a satirical magazine from 1916 – and it’s funnier than us!”

NN: It was so like Private Eye in terms of the scrapbook-like feel and the potpourri of silly jokes and articles alongside some more serious bits. There was such a great mix to it. We could have made a serious documentary about it all, but it just struck us that some of the jokes were perfectly formed sketches in their own right. We wanted to bring those to life and wake people up to the fact that this sort of thing actually went on during the war.

IH: The people behind The Wipers Times loved the theatre; they were obsessed by musicals and would visit the theatre when

on leave then return and write about it.

It seemed like the perfect place to bring the story to life. Plus, all of the scenes showing the two men putting it together are naturally quite enclosed – they’re either stuck in a trench or a dugout. You don’t need big action sequences to show that, so it naturally fits the stage really well.

NN: We had actually started writing it as a play in the first place. We’d been banging on about it without success for years, and whenever something such as War Horse or Birdsong came along we’d remind people that there was still The Wipers Times story to look at.

IH: We were bluntly told at one point that “no one is interested in the First World War.” Though it is slightly underrepresented in terms of film and theatre, especially when compared to the Second World War. Why do you think that might be?

Lack of a pantomime villain like Hitler?

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IH: I think that’s right. Because there were no Nazis or Hitler in it, some people don’t seem to find it as interesting.

And I suppose America didn’t come along and win it.

IH: [Laughs] Yeah, so why would they bother making a film about it?

Since The Wipers Times is such an incredible story to take in, how closely does the script reflect what really happened?

NN: Virtually everything we’ve written did happen.

IH: All of the incredible stuff is true. We’ve even managed to find a newspaper cutting from the sergeant, Tyler, who used to work on Fleet Street, in which he writes back home to his local newspaper to inform them they’ve found a press and started printing a magazine for the troops. He tells them how well it’s being received and mentions that they should try to get their hands on a copy, as it will be worth a lot of money in time. It was an incredible thought to have.

NN: It was incredible that they were aware of how successful they were. However, history seemed to pass them by and they ended up dying in obscurity. That’s another thing which made us want to make sure people knew about it.

I found while watching the BBC film that laughing with the characters creates a closer bond. Humour isn’t something▶

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▶you see much of in war films, and it makes them more human to the viewer.

NN: I’m glad you found that. I suppose virtually everything we’ve seen about the First World War focusses on the loss and the tragedy; you can go through the whole of The Testament of Youth and not one person smiles. Whereas in reality we know that people often cope with horrific situations by trying to make light of it and the gallows humour kicks in.

IH: It’s a really good point. Nick’s dad flew Spitfires in the RAF and his brother flew during the Falklands War. Both of them are very funny people. Their take on gallows humour was: “This is what fighting men do. This is how people survive.” I think you believe in the characters more because they’re trying to make each other laugh; they’re being funny to show that they won’t be reduced by the horrors, to show that they are still themselves.

Can either of your recall what first got you into the world of satire?

NN: I went to quite a posh prep school and I was certainly aware of Private Eye as the teachers would buy it to see what the parents of the boys were up to! From quite an early age I knew all about blowing raspberries at the establishment.

IH: Nick was older than I was, and he and his friend, Simon, were putting together this satirical comic review which he invited me and some friends along to. We’ve been working together on and off ever since.

Nick set up a magazine, Passing Wind, and when I arrived at university he very kindly sold it to me. Nick now claims he is entirely responsible for the whole of my career since.

NN: Absolutely! Because at this magazine

we decided to do celebrity interviews, and when Ian came in he decided to interview the Private Eye editors Richard Ingrams and Peter Cook, which led directly to his involvement in the magazine.

IH: Nick had a proper job at the time. He was a very serious business journalist. I later lured him over to the dark side at Private Eye to join the freelance brigade of humourists.

Do you have an added layer of respect for the Wipers Times considering that you both have spent much of your professional lives navigating tricky waters in what you can and can’t print?

Have you ever thought: ‘Well, if they can write about shooting their own officers during WW1, then I’m printing this!’?

NN: They were certainly an inspiration in that way. It did make us think about what jokes are okay to do. We have been working during events such as 9/11 and the death of Princess Diana with an issue of Private Eye to publish the next day. Naturally, you do ask yourself about boundaries quite a lot.

Are there any boundaries?

NN: Well, I don’t think that there are.

IH: Can I add that Nick has much worse taste and no editorial responsibility!

NN: [Laughs] But so much of comedy is about timing, and you can look back in shock at The Wipers Times and the jokes about flamethrowers as being bad taste.

However, it was all about belittling the horrors around them.

IH: Are there any boundaries? I say that if you’re making a point then it is justifiable;

if you’re doing something just to offend the relatives of the dead, for example, then I don’t think there is a place for that.

In an average issue of Private Eye, how many things are cut for crossing the line?

IH: Not that many, actually. I mean, the things that are omitted are mostly written by me [Laughs] and I send the letters of complaint straight to Nick.

Finally, how will this production differ from the BBC film?

NN: We’ve expanded certain elements of it. The film touched on the temperance movement but in the play there is a lot more given to that. We’ve also expanded the female roles in it, partly to make it more engaging to a wider audience as that was one criticism we had of the film. However, it’s kind of difficult since you can’t get away from that fact that there weren’t many women at the frontline.

IH: But we’ve managed to tell more stories of the soldiers’ partners and wives back home via flashbacks and letters home. It makes the story richer and more rounded.

NN: It allows you to get a sense of how they weren’t just fighting the Germans; there was the temperance society, who were trying to ban alcohol from the frontline, which was pretty much the only thing keeping them alive. They were fighting against their own top brass and they were also thinking about their families at home.

So much information has come from the additional research we’ve been obliged to do, and it provides an added sense of jeopardy to the story.

See The Wipers Times at The Lyceum Theatre from November 3-5. See www. sheffieldtheatres.co.uk for tickets and more.

For more listings and reviews, head to exposedmagazine.co.uk | 119

AFTER THREE SELL OUT WINTER BALLS BURLY Q SHEFFIELD RETURNS WITH ANOTHER EVENING OF DELIGHTFULLY DARING BURLESQUE AND CABARET!

Featuring

Bonnie Fox Vicky Butterfly Beau Rocks Russell Bruner Kiki DeVille Craig Gadd Ian Marchant

Sat 10th Dec

Doors & Dining : 7.30pm Show : 9pm - late!

Plus

Dj’s CherryRed & Den Iniquity £22.50 £ Tickets available at the City Hall Box Office, £46.50 via www.sheffieldcityhall.co.uk RESERVED CABARET SEATING

VIP RESERVED SEATING & DINING

and on : 0114 2789789

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ARTIST SPOTLIGHT

ANDY CROPPER This month’s spotlight goes to Andy Cropper for his stunning realist oil painting ‘Alley’. To see more of Andy’s work, don’t miss his exhibition ‘Uncertain Spaces & Obscure Views’ from November 24th to December 3rd at Bank Street Arts. Head to obscure-views.blogspot.co.uk for more.

For more listings and reviews, head to exposedmagazine.co.uk | 121

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TOP PICKS Symposium: Street View: Photography in Sheffield, the UK and Beyond

Millennium Gallery // November 24 // £10-12 This one-day symposium will be featured in the four month long exhibition Street View: Photographs of Urban Life. What makes this one so special is the exclusive range of art that circulates around the diversity of street culture ranging from the early 1900s to present day. Some of the pieces haven’t been exhibited for over 20 years and contextualise the ways city life has been captured on camera in Sheffield, the UK and across continents. www.museums-sheffield.org.uk

Made in Dagenham: The Musical

Lyceum Theatre // November 15-19 // From £13 Based on the British movie, Made in Dagenham has been labelled an extremely powerful musical, and even considered set to challenge Billy Elliot’s success in the theatre. Set in 1968, the show contextualises around gender inequality, focusing on women’s rights during that period. This heartwarming comedy also touches on love, and friendship; Josef Weinberger certainly creates a feel good vibe for his audience, successfully producing a humble and uplifting show. www.sheffieldtheatres.co.uk

Manor Operatic: Jack And The Beanstalk

Sheffield City Hall // December 27-January 8 // From £6.50 This year’s annual pantomime from Sheffield’s largest amateur theatre company is the enthralling Jack And The Beanstalk. Tickets are now on sale, and with an audience of over 25,000 over the last year, it’s worth snapping them up early! www.manoroperatic.com

Little Shop of Horrors

Crucible Theatre // November 7-12 // From £22.50 Commonly described as charming and hilarious, this kooky sci-fi musical storms into Sheffield for six nights only. Based on the original cult film, the show reflects a satirical tone, witty yet political, with a Motown style score and a giant carnivorous plant. The musical holds merit for being one of the longest running off-Broadway shows of all time, so be sure to buy your tickets promptly. www.sheffieldtheatres.co.uk

Live Late: AlgoRave

Millennium Gallery // November 18 // From £6 The Millennium Gallery team up with Algomech Festival, Algorave + Dangernoise audio for their latest Live Late event. It will be circulated around creating arithmetical, mechanical dance music, bringing futuristic rhythms to their audience. Algoraves focus entirely on creating unique sounds in order to create a sensual, holistic and personal experience for their audience. An alternative dancefloor party. www.museums-sheffield.org.uk

A WARM, DICKENSIAN WELCOME! The 24th instalment of the ever-popular Victorian Christmas Market arrives at Kelham Island Museum on the 3rd and 4th of December. With over 120 different stalls selling everything from festive food to jewellery, it’s the perfect place to grab some unique stocking fillers, and, illuminated by authentic Victorian gas lamps, this year’s event will make you feel like you’re in the middle of a festive Dickens’ novel. The Music Hall stand showcases a variety of brass bands and choirs, creating a truly warming Christmas vibe. There will also be a vintage fairground, featuring everything from flying chairs to hook-a-duck, as well as an array of local craftspeople from blacksmiths to potters and glassmakers to jewellers, making and selling their fine wares. To really immerse you in the era, the market area will be brimming with various characters from the period, including a cheeky pickpocket or two, and a certain man in red will have his grotto set up with all of his elves and reindeer as he makes preparations for his big night shift at the end of the month. Atruly unique event to really get you and the family into the Christmas spirit, tickets for adults are a mere £6 and accompanied kids (U16) get in for free!Shop of Horrors opens this November.

The market opens on Saturday 3rd December 10am-7pm and Sunday 3rd December 10am-5pm. Head to www.simt.co.uk for more information.

Fadoublegot

Theatre Delicatessen // November 17 // From £8 Leeds based Jamal Gerald takes on an autobiographical performance focusing on why individuals’ sexuality should embraced, not loathed.

Jamal discusses individuality as a celebration and reflects on his personal experiences, and how he has developed the confidence to wear labels without shame. A pretty extraordinary performance of spoken word and live art. www.theatredelicatessen.co.uk

Head to www.exposedmagazine.co.uk for the full list of events and things to do in Sheffield this month.

124 | For more listings and reviews, head to exposedmagazine.co.uk

Jack and the beanstalk EXPOSED156x113.pdf

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A brand new script written by

To book contact Manor Operatic Box Office on 01709 365108 or City Hall Box Office on 0114 2789789 www.manoroperatic.com www.sheffieldcityhall.co.uk

For more listings and reviews, head to exposedmagazine.co.uk

THE BEST OF EXPOSED ONLINE

There’s a whole bunch of other stuff we simply couldn’t fit in the mag due to the finite nature of physical resources.

So hooray for the internet! Go to www.exposedmagazine.co.uk for more articles, interviews, blogs and goodies.

OUR TOP PICKS

A LOOK BACK ON SENSORIA 2016

Mark Perkins reluctantly bids farewell to Sensoria for another year. Follow the link below for the second half of his festival review. tinyurl.com/hxpwb42

JARVIS COCKER’S MUSICAL MAP OF SHEFFIELD

In 2008 the Pulp frontman produced a radio documentary for the BBC which took listeners on an intimate audio tour of the city, introducing iconic artists such as Artery, Joe Cocker and Cabaret Voltaire along the way. In case you missed it back then, you can still listen to this little gem online! tinyurl.com/zgmpqrl

TIME FOR T

Summer may have passed, but Sheffield’s favourite soundboy Toddla T is bringing back the sunny vibes with his latest tune ‘Always’. tinyurl.com/j39dj8k

MAGIC MAN

This year saw Peter Firman hit the road touring his newest show Trix - stopping off at The Leadmill on the way for a night full of laughs and wizardry. tinyurl.com/zhxa4td Backed by the likes of Paul McCartney and Mayim Bialik, Meat-Free Mondays is a campaign to get even the most carnivorous of folk off the meat, just one day a week. To help you get inspired, here’s a round-up of some of the best veggie hotspots in Sheff . tinyurl.com/zwq8zj2

Throwback to four whole years ago when we filmed and interviewed Sheffield indie-poppers The Crookes amongst the surroundings of the Crucible Theatre. tinyurl.com/jdcdwhh

LUCKY NUMBER 7

Catch our review of director Antoine Fuqua’s reimagination of the 1960 American western film The Magnificent Seven. Starring Denzel Washington, Chris Pratt and Hayley Bennett to name a few, the picture “is a rollicking, no-brainer, thrill-ride of a Western.” tinyurl.com/zodjwhw

126 | For more listings and reviews, head to exposedmagazine.co.uk

PIC: TIMM CLEASBY

MEAT-FREE MONDAYS

TAKING THEIR CUE

128 | For more listings and reviews, head to exposedmagazine.co.uk