#05 / 2017
www.eye-photomagazine.com
Founder, Managing Editor Stefan Cimer
Cover photo by Olga Karlovac Š
Because getting your work published DOES matter! EYE-Photo Magazine is an independent, online magazine, providing a platform to talented and enthusiastic photographers from all over the world to present their work, regardless their genre, to an international readership. All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy of any materials used in this issue. Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed in any form. EYE-Photo Magazine Š - all rights reserved www.eye-photomagazine.com office@eye-photomagazine.com
Olga KARLOVAC Interview
John HUGHES Close up & “no rules street photography”
Christian FRIEDSAM Photo Review
Daniel ANHUT Photo Review
Dimitris POLITIS Photo Review
Iain CLARK Photo Review
Manuel LOHSCHMIDT Photo Review
Pascal COLIN Photo Review
Ranko Tintor Fiko Photo Review
EYE-Catching Moments selected in November 2017
photo by: Jiri Kois ©
Olga KARLOVAC INTERVIEW
I
+++ Interview - Ol
was born in Dubrovnik, and currently live in Zagreb, Croatia. I am an economist but photography is my passion and a way of life. Wandering the streets of Zagreb and Dubrovnik, seeing and feeling things and just shooting. Apart from photography I enjoy small things, like a morning espresso in an local coffee bar, reading books, going for a walk in nature and sometimes simply doing nothing... In March 2017 I have published my first photo book “Fragments” and currently finished working on my next book called “Before winter”. More about me you can find at my Facebook page and Youtube video of my book.
lga KARLOVAC +++ Olga, it’s a great honour to have you here for an interview. Thank you for taking the time for us! Could you share with us how you first became interested in photography – what is photography to you? Well, it happened few years ago, as an attempt to release some internal stuff out of my system, as a way of helping to go through life. I bought myself very simple camera and started taking photos. To me photography is the way I communicate to everything around me and within myself. Before this interview I’ve viewed your photographs. Your images have an obvious unique style. Where do you get your inspiration? Reading helps me a lot, just taking time for reading,. And sometimes I get it from something very ordinary that I see that just grabs my attention...
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lga KARLOVAC +++
+++ Interview - Ol Could you share with us how you first became interested in street photography? When I started making photos, the streets were the place that moved me most. I felt it was the right place to make shots...though I make shots everywhere not just in the streets... How much does your equipment help you to execute your artistic visions and what kind of equipment are you using? I think it does help, though it is not the equipment that makes the shots. I do feel attached to my cameras. I use a Nikon D5100 with several different lenses, but currently I work mostly with an Ricoh GR II. I also use an old analogue Pentax, Holga and Diana. Lately I use Holga and Diana as well...
lga KARLOVAC +++ Can you tell us about your work flow from the point you first step onto the scene (street) until you showcase the developed picture? When on streets, I get totally focused and I feel very much isolated and just following my instincts and intuition...when I am done shooting, usually I briefly take a look at shots on my computer when I come home. Then depending on the time and how I feel I slowly choose ones I like and do some basic cropping and contrasting. That is briefly it... What is it in your subjects that make you want to capture it? Hard to say it, as it just happens, I would say it is a feeling inside of me that emerges while looking things around. What would you say characterizes your work in comparison to other street photographers? I think my work is very intuitive, subjective and moves away from what we are used to... Your images are mostly in black and white. What is the crucial factor in your opinion to develop an image in black and white over colour or vice versa? I prefer B&W, as for me, it gives more strength and essence to photos.
+++ Interview - Ol Finally let’s talk a bit about your recent published photo book. What’s the idea behind it? Please share with us what motivated you to face the BIG challenge (and a lot of work of course) to publish a book? Well, at the beginning of this year I published my first photo book “fragments” I did it for myself not really thinking about selling it or presenting it much... but it got really good reception and I enjoyed making it (the whole process went pretty smooth). I love having it as a kind of written statement of things in my life and as something that stays with me in material form…. With this positive experience I started shooting a new project called “before winter” and decided to put it on paper as well...it took me 7 months to make all the shots. It’s a story made of photographs
that began in a nightmare
during a cold and rainy night which somehow turned into a melancholic fantasy of memories and ended with a “coming home”... whatever that may be... after I made all the shots the process of producing
the book
turned into nightmare and at the end it took another
5 months to finish and print it.
Thank you very much for taking the time, dear Olga!
lga KARLOVAC +++
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YouTube link to Olga’s book: https://www.youtube.com/watch?v=Mt9O6RY69Ng&feature=youtu.be Facebook: www.facebook.com/olga.karlovac Instagram: www.instagram.com/olga.karlovac
lga KARLOVAC +++
John HUGHES CLOSE-UP
CloseUP - Jo John, it’s a great honour to have you here for a short interview! Could you share with us how you first became interested in photography – what is photography to you? I first became interested in Photography when I moved to upper school in 1985. I was lucky enough that my school had a darkroom, I found out that I absolutely loved being in the darkroom and till this day I’ve never forgotten the smell. Photography for me is being able to capture moments that will be lost to time. I find being on the streets with a camera relaxes me and I couldn’t imagine my life without photography. Before this interview I’ve viewed your photographs. Your images has an obvious unique style. Where do you get your inspiration? In a word, film. I’ve been a movie geek since as far back as I can remember. I enjoy the cinematography of films from the 70’s and 80's, 2 films that stick out for me are Blade Runner and Black Rain both films directed by Ridley Scott, they have a wonderful dark noir look. When I started doing photography I was shooting 35 mm and the look and feel of film photography is beautiful, it’s like seeing a painting hanging in gallery. What I mean by that is seeing a photo printed adds so much more to it, it’s all well and good seeing painting’s and photos on a computer screen, but there’s nothing like seeing them printed and hanging on a wall. So, with my digital photos I try to make them look like film as much as I can, this is why I now shoot with Fujifilm cameras, Arcos & classic chrome give me that film look.
ohn Hughes
“3 times a lady” by John Hughes
CloseUP - Jo Have you been involved in arts in some other form other than photography? I haven't no. I have no talent outside of photography. I do enjoy going to galleries and looking at paintings, photos etc. I also have a passion for film and music. Could you share with us how you first became interested in street photography? Well, this goes back to my answer to question one. It all started with a school trip to London with my photography class. I had been given the assignment to photograph churches and cathedrals, I ended up finding myself being drawn to the people, maybe they were sitting on steps having lunch or talking to each other, I just liked watching how people interacted with the environment around them. When my teacher saw the Photos, he said I was a Street Photographer and at the time I had no idea what that meant, he then showed me a book called Subway by the New York photographer Bruce Davidson and from the moment I read this book I knew I wanted to be a street photographer.
How much does your equipment help you to execute your artistic visions and what kind of equipment are you using? I would say that camera doesn’t matter after all it’s just a tool, people get to caught up in gear and they end up losing sight of what matters. I will say it wasn’t easy finding the camera I felt
ohn Hughes comfortable using, I tried many different cameras and lenses until I stumbled upon Fujifilm’s X100. The camera was small and discreet, perfect for the streets. Plus, the camera had a look and feel of a rangefinder. I have now upgraded to the Fuji X-T2 the reason I moved to this camera was the screen and I found the 35 mm focal length on the X100 cameras was too wide for me. The only lens I own is Fujifilm’s 56 mm F1.2, I have fallen in love with this lens and I do believe it has given my photos a unique look and feel.
Can you tell us about your work flow from the point you first step onto the scene (street) until you showcase the developed picture? My day starts with one or two things. Before I head out I might spend an hour going through the book Subway, looking at the photos for inspiration. Once I'm on the train I might listen to music, this is normally classical or film soundtracks or I might watch the documentary Everybody Street. Doing this really helps me get ready for when I arrive in the city. I never listen to music when I'm on the streets, the noise of street helps me find my way. I try to have a plan when I go out to shoot, but I never stick to it (who does) but I do try. I try not to take more than 250 photos, which might sound like a lot but it really isn't. I know where I'm going to shoot and I kind of know what I want to shoot and I know if I’m going use monochrome or colour. As for my editing, I try to edit as little as possible, I hate sitting in front of computer screen. I have just bought iPad Pro, I now use this more for a quick edit when sitting in a coffee house or on the train coming home. I post maybe a photo a day on Instagram or Facebook, or I might write a blog for my website about the day and post a select of photos there. So, there's not really much to my workflow.
“Choice” by John Hughes
CloseUP - Jo What is it in your subjects that make you want to capture them? I always keep an eye out for someone that stands out from the crowd, but I would say most of the time it’s not the subject but more the moment that's happening, maybe it's the light or something else that catches my eye. I guess there is some thought that goes into taking a photo; however I do shoot from the heart. I find if you over think the scene you can end up missing the shot. What would you say characterizes your work in comparison to other street photographers? I have to be honest here and say that I don't feel the need to compare myself to other street photographers. I feel my photos speak for themselves and at the end of the day it's my look and my feel. I hope this answers the question. Your images are a vivid mixture of colour and black and white. What is the crucial factor in your opinion to develop an image in black and white over colour or vice versa? This comes down to a few things, the colours of scene play a big part in me deciding between monochrome and colour, how dark the scene is another factor. But these days I mostly shoot in colour, this again is all down to Fuji and the classic chrome preset, I just love the look this gives my photos.
ohn Hughes
by John Hughes
CloseUP - Jo Finally let's talk a bit about your recent project, your new photo group on Facebook, called "no rules street photography". What is the idea behind it? Please share with us what motivated you to face the BIG challenge to build up a photo group on Facebook, considering the great amount of photo groups, already existing on Facebook. I've wanted to start a group for a while, but I Just never got around to it. After getting messages from other groups telling me that I can't use watermarks or I must add what camera I was using etc. I decided to start my group with no Rules, as long as the photo was a street photo it would be accepted to the group. I would leave up to the photographer if he or she wanted to add info about the image. I was lucky enough to find a wonderful sponsor to help with giving out a prize to our best photo of the month. The group is growing every day with new members and great street photos. Visti John:
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Web: www.johnhughesphotography.uk/ Facebook: www.facebook.com/johnhughes1972 Visit the “no rules street photography� Facebook group: www.facebook.com/groups/norulesstreetphotography/ An exclusive feature of the selected photos can be found on the next pages.
ohn Hughes
by John Hughes
NO RULES STREET PHOTOGRAPHY photo by: Gerri McLaughlin
NO RULES STREET PHOTOGRAPHY Street photography must not be subject to any rules; at least that is the opinion of dynamic street photographer and Facebook photo group “no rules street photography� founder John Hughes. Together with a few photo enthusiasts, the award-winning photographer founded the photography group, always in search of the ultimate street capture. From now on, the weekly nominated photos will appear as a small retrospective in our magazine, because, like John Hughes, we likewise are interested in tracing the trends and spirit of street photography.
Visit and join the community: www.facebook.com/groups/norulesstreetphotography/
photo by: Michael Isidoro
NO RULES STREET PHOTOGRAPHY photo by: Amar Foto Antonio Marchesin “Silent Street”
NO RULES STREET PHOTOGRAPHY photo by: Elizabeth Gray “Stepping Overlooking Through”
NO RULES STREET PHOTOGRAPHY photo by: Özgür Abaci
NO RULES STREET PHOTOGRAPHY photo by: Adam Bonn “Easy like Sunday Morning”
NO RULES STREET PHOTOGRAPHY photo by: Brian Boyce
Christian FRIEDSAM PHOTOREVIEW
+++ Photoreview - Christian FRIEDSAM +++ As a fashion, beauty and commercial photographer I am aiming at the top of my industry, as both photographer and educator. Based in Berlin, my fashion & beauty editorials have appeared in numerous photography publications including Model Citizen Magazine, ELEGANT Magazine, ELUCID Magazine, OBSCURAE Magazine and BLACKHAIR Magazine. As a photographic educator, I am one of the most sought after speakers in my environment. I am working with some products of the top brands in the photographic industry such as Canon, Adobe, Profoto and Apple. A clean, eye-catching and accented style has become the hallmark of my work, whether shooting fashion and beauty editorials, look books, advertising campaigns or weddings. I am known for my creativity and collaboration with designers and stylists to create new looks. I am always working on new ways to share my passion and my knowledge with others. Through renowned platforms like 500px, Instagram and Facebook, I inspire hundreds of photographers in my sector worldwide. LINKS: WEBSITE:
www.friedsamphotography.com
INSTAGRAM:
www.instagram.com/friedsamphoto (@friedsamphoto)
FACEBOOK:
www.facebook.com/friedsamphoto
TWITTER:
twitter.com/friedsamphoto (@friedsamphoto)
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ristian FRIEDSAM +++
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ristian FRIEDSAM +++
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ristian FRIEDSAM +++
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ristian FRIEDSAM +++
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ristian FRIEDSAM +++
Daniel ANHUT PHOTOREVIEW
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With my first own camera, my love for photography was kindled in my early teens. The ability to cap-
ture fleeting moments and stories has fascinated me ever since. Countless color and B&W films later,
I switched to digital photography. In the beginning, I mainly use photography to capture travel, experiences and family moments. In recent years, I increasingly began to use photography as a creative means of expression. I started this new section with city and architectural photography, in Berlin there are exciting motifs to discover at any time of the day or year.
Since around 2014, I’ve been working on the topic of “Abandoned Places” as the incomparable atmosphere in these places keeps attracting me. There are countless possibilities to photographically address the transience and the traces of time. One year later, I came to portrait photography rather by chance and got stuck there. Meanwhile, this area forms another focus and is a great passion of mine. I want to photograph the human being with all its facets and natural beauty in a relaxed atmosphere. It is therefore always important for me to have a personal preliminary talk. I like un-retouched and reduced to the essentials pictures. I am curious and always open to exploring other areas of photography, as I am interested in all the possibilities of this medium. To experiment and to gain new experiences is passion for me and an important challenge at the same time. Every single experience helps me to develop myself. I am selftaught and have no photographic training. I prefer to work with as little equipment as possible and often try to create a harmonious atmosphere with the existing conditions. Especially the play with light and shadow is important for me. My goal is to create images that arouse emotions and thoughts. I’m rarely concerned with big effects, I love the small and silent details that make you look at pictures for a longer time and still cause reactions when you repeatedly look at them. For a long time now, I have been working almost exclusively in black and white, because this reduction creates a clarity and calmness for me that allow me to focus on emotions, light and details. Visit Daniel at: Web:
www.daniel-anhut.de
Facebook: www.facebook.com/daniel.anhut Instagram: www.instagram.com/daniel.anhut.fotografie/
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Daniel ANHUT +++
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Dimitris POLITIS PHOTOREVIEW
+++ Photoreview - Dimitris POLITIS +++ My name is Dimitris Politis, I’m 47 years old and I’m coming from Greece. Over the last years I’m living in Munich, Germany, working on a EPC Engineering Company. Intro I started with photography as a teenager in high school. Even if I was very seriously thinking to study photography officially, the final stopping point was that I didn’t like the idea at all to have the commitment and to be forced to photograph in compliance with the market and client tastes. I wanted to keep photography as something personal without forced influences, so I studied Physics in Athens, Greece. I passed through various phases and photographic preferences: for many of the “early years” I was shooting mainly portraits in black and white. After giving up the film camera and the dark room and changing to digital, I gradually started to experiment in various fields of photography and for around the last decade I’m shooting mainly what’s commonly called street photography (and besides that, a lot of family pictures). Why Street Photography? In the “early years” where I was shooting mostly portraits I was discovering how many different unknown expressions and aspects a face can have…. it was for me a surprising discovery to see that even very familiar faces were showing new hidden aspects... Often when sitting in the public buses or when I had to wait and kill time in public areas I used to look at the faces around me, trying to figure out what was the story behind each face… Then I started to look not only at the faces but also on a wider field of view. This curiosity of seeing, combined maybe with some early influences (like Robert Frank and his “Americans” discovered at the age of around 20) have lead me gradually to love to explore the visual possibilities of the “surrounding out”. Wish List Having to spend an average 10-12 hours per day for my work plus family obligations it’s really hard to find time to shoot...dedicated photo walks are a rare luxury, so my number one on my “photography wish list” is the most valuable thing: time to shoot more..and more..since: “shooting more is still not enough”. Visions / Expectation What I’m seeking to achieve in photography is by default not-reachable. It may be possible to make some small step forward but there will be always something to improve a further step to make. I’m not expecting fame or rewards ... What drives me is a very big curiosity of what I’m able to see, what I’m able to keep within the four corners of the frame. It’s much more about the whole process and not so much about the result ..It’s an inner voyage of visual explorations of the endless possibilities of seeing.
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Dimitris POLITIS +++
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Dimitris POLITIS +++
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Dimitris Politis at: Flickr: www.flickr.com/photos/dimitris_p7/ Instagram:
www.instagram.com/dimitris.politis/?hl=en
Dimitris POLITIS +++
Iain CLARK PHOTOREVIEW
+++ Photoreview - Iain CLARK +++ The St Jacobins - the Gypsies of Saint Jacques - Perpignan are living in a parallel society to mainstream France. Previously they were nomadic making a living by breeding and selling horses, as blacksmiths, making baskets and trinkets. As these skills are no longer required they now survive on benefits from the government. They have settled in Saint Jacques previously the Jewish quarter until the Vichy government expelled the Jews to concentration camps in the 1940’s. The majority of the men are jobless and the women are largely housebound bringing up children who stay up late at night and skip school resulting in an ongoing illiteracy amongst the population. Men are encouraged to marry early around 17 to girls sometimes first cousins at around 15 to have as many children as quickly as possible. By the shopping centre in Perpignan is where you find gaggles of Gypsy women with their pushchairs carrying children who should be long walking. The men are only seen in their neighbourhood. You never see a Gypsy alone. +++ Iain Clark is a practicing photographic artist whose work is in the permanent collection of The Scottish National Portrait Gallery, The National Portrait Gallery and in numerous private collections in the United Kingdom, Europe, the United States, and India. Iain Clark is attracting much media attention and artistic recognition for his unique portraits. It is his passion for people that has led to his recent ascent as an in-demand portrait artist. Iain’s technique has been described by the Scottish National Portrait Gallery as “sitting somewhere between photography and painting”. The camera and the photograph are only the beginning of the creative process and the subsequent manipulation of the image creates a finished portrait which is intended to capture the essential person. Iain says, “I am fascinated by the human condition and the huge variety of faces that I see every day. I believe that each and every one of us is unique and special. When I work on a portrait I strive to bring out something of the sitter’s soul.” Iain Clark’s work is a twenty-first century response to the eighteenth century art of portraiture. He digitally fuses image, colour and identity to create a ‘new way of seeing’. His portraits of the Broadcaster Muriel Gray and the Hollywood actor Brian Cox are part of the permanent collection at the Scottish National Portrait Gallery in Edinburgh and his portrait of the artist David Mach is in the permanent collection of the National Portrait Gallery, London. Web: Flickr:
www.iainclark.net www.flickr.com/photos/iainclarkart
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Manuel LOHSCHMIDT PHOTOREVIEW
“Souldestroyer”
+++ Photoreview - Manuel LOHSCHMIDT +++ My name is Manuel Lohschmidt, i'm 26 years old and I live in a very small town in the north of Germany. I’m at home on the other side, on the dark and mysterious side of life which is frowned upon but a part of everyones life and we all have to deal with it. Some more, others less. I want to show people what they don’t want to see. Life isn’t just a party Life is also pain, struggle and death and that’s exactly what I want to show with my own feelings behind every picture. It is a kind of mission for me to show the inner fragility of the human being ‘cause we are all born to broken people on their most honest days of living. I like to provoke and I want the people start to think about their lives, their feelings and their emotions. I don’t care if the masses like my photos ’cause it’s totally unimportant for me. My photography is my personal language which comes from the darkness of my mind and every photo is a chapter of my life with his own story but I want the people to create their own stories when they see my images. The more it tells, the less you see. But all in all, it is a hobby for me where I can let my emotions and my feelings run free. It’s a reflection of my soul with all highs and lows of this tiny life.
“Isolation”
“Death has forgotten me”
“Dissapear here. the night is unclear”
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“I am the babylon”
nuel LOHSCHMIDT +++
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“Face it alone”
nuel LOHSCHMIDT +++
“Find me to forgive”
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“Blind justice”
“Silence”
“Don’t choke”
nuel LOHSCHMIDT +++
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“You wont find me”
nuel LOHSCHMIDT +++
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“The hurt will go one. The end will never come�
Manuel Lohschmidt at: Facebook: www.facebook.com/finalbreathart Instagram: www.instagram.com/anotherbreath Flickr:
www.flickr.com/gp/130542703@N06/M85aLQ
nuel LOHSCHMIDT +++
“Beyond my depth”
“get the knife”
Pascal COLIN PHOTOREVIEW
+++ Photoreview I am 51 years old, I lived in a couple and I have two children. I work in a public institution which takes care of the insertion into work of disabled people. I live in Paris, in a city which I adore. I practice the photography of the street for approximately four years. Before I photographed the sky, the landscapes, the nature, (I have a small web site of photos) but I missed something. One day I read Thomas Leuthard’s e-book on the photography of street and I had a click, because I understood what I was missing: the subject, the human soul. I always have my camera with me, but I photograph essentially between midday and 2 hours, while my colleagues go to the canteen. I have no particular purpose. I walk and I shoot when the opportunity appears. I have a single camera, a Canon 6D, and I use a single objective in street photos, one 50 mm 1.4. Focal fixed obliges me to move me towards the subject, and my brain became used, I see the frame simply by looking with eyes. The device is big but it does not disturb me, I carry it at the end of the arm, along the body, as the continuation of my hand, and my working bag covers it partially. And as I wear a suit and a tie, people do not think necessarily that I photograph them. I think only of it! My photos of street are always in black and white. For me it is an obvious fact which I cannot explain, especially as there are very beautiful photos of street in color. Through my photos I try to drill a little human soul, to take it out of its noisy and agitated environment. In photo my master is Brassaï. In paint Modigliani. The absolute work: The man who walks of Giacometti. I am not a photographer, because it is a hard work which requires that one is dedicated all the time. When I have time, I make images, which I redeem little. I try to focus at the subject, the composition and the centering.
Links: Web:
ciel-villeetnature.e-monsite.com
Facebook: www.facebook.com/Ciel-ville-et-nature-528352820560485/ Facebook: www.facebook.com/colinboudot YouTube: www.youtube.com/channel/UCuW2LMJEU57M7Z_F2gY30eQ Flickr:
www.flickr.com/photos/pascalcolin/
Twitter:
twitter.com/colinesss
Instagram: www.instagram.com/colinessss/ (photos only taken with a mobile phone).
- Pascal COLIN +++
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Ranko Tintor Fiko PHOTOREVIEW
+++ Photoreview - Ranko Tintor Fiko +++ I was born in 1962 in Zagreb, capital of Croatia where I currently live. I am an architect who fell in love with photography in 2011 and who keeps discovering it’s magic ever since. Architecture has helped me in framing and composition while creating photography. I’m a self-taught photographer and I’m not photographing every day but when I feel the need and inspiration. I started with DSLR Canon 60D, but now I mostly use Canon 70D for photographing and Canon 7D for making videos. My first challenge was concert photography, which I find most complex in the world of photography. Then I moved into landscape photography and now I find inspiration in urban themes, people and street life. My photographs are guided by instinct and determined by the moment when an interesting situation is caught with the eye of my camera. Photography has enriched my life and made me contented. Since I’m the greatest critic of my work, it is more important to meet my own standards than to gain credits from others. My photos have won many International awards. Life is art, and art is life so I can easily say I live photography.
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anko Tintor Fiko +++
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anko Tintor Fiko +++
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anko Tintor Fiko +++
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Visit Ranko: Facebook:
www.facebook.com/RankoTintorFiko
Instagram:
www.instagram.com/ranko_tintor_fiko
Google+:
https://plus.google.com/+rANKoTINTORetto
500px:
500px.com/rankotintor
eye Catching - Moments
Our online editors, Helena COSTA and Thomas FĂœNGERLINGS, did their best to compile an interesting, albeit difficult collection of unique, remarkable and fantastic photos. We call them the "EYE Catching Moments" With great pride and joy, we present these images here, selected back in November 2017. We always strive to provide you with a lively cross-section of the different photo styles. The photographs were selected from our Facebook photo group, a group of nearly 14,000 members and photographers sharing hundreds of fantastic pictures every day. Visit the photo group here: www.facebook.com/groups/eyephotomagazineeditorschoice
eye Catching - Moments
Photo by:
Ankica Vuletin
eye Catching - Moments
Photo by:
Benjamim Leandro de Medeiros
eye Catching - Moments
Photo by:
Christine Anne
eye Catching - Moments
Photo by:
David Pichler
eye Catching - Moments
Photo by:
Dominique Agius
eye Catching - Moments
Photo by:
Dzung Viet Le
eye Catching - Moments
Photo by:
Graham Borthwick
eye Catching - Moments
Photo by:
Jiri Kois
eye Catching - Moments
Photo by:
Jiri Kois
eye Catching - Moments
Photo by:
Jose Mario Liz Neves
eye Catching - Moments
Photo by:
Katrin Stuurman
eye Catching - Moments
Photo by:
Laurence Kler
eye Catching - Moments
Photo by:
Limor Bahar
eye Catching - Moments
Photo by:
Markus Brandstetter
eye Catching - Moments
Photo by:
Masahiro Murakami
eye Catching - Moments
Photo by:
Mauricio Schuller
eye Catching - Moments
Photo by:
Neetesh Kumar
eye Catching - Moments
Photo by:
Nuno Andrade
eye Catching - Moments
Photo by:
Orna Naor
eye Catching - Moments
Photo by:
Paola Desideri
eye Catching - Moments
Photo by:
Quirin Gertz
eye Catching - Moments
Photo by:
Sheik Abdul Nadim
eye Catching - Moments
Photo by:
Tony Vt
eye Catching - Moments
Photo by:
Uwe Morchel
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EYE-Photo Magazine is an independent, online magazine, providing a platform to talented and enthusiastic photographers from all over the world to present their work, regardless their genre, to an international readership. All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy of any materials used in this issue. Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed in any form. EYE-Photo Magazine Š - all rights reserved
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