March 2019
Association’s journal of EYE-Photo Club eV
I SS U E # 03
WWW.EYE-PHOTOMAGAZINE.COM
EDITOR’S LETTER
We start into the springtime and while outside the temperatures are rising and the days are getting longer again, we feel the motivation to start something new again. So just recently we started to select a “featured artist of the day” on our Instagram page. We promote the artist’s work not only on our Instagram page but also on all our social media pages as well as on our website and most recently on our daily blog. I want to reveal the links to our photo blog page right here: https://eye-photomagazine.blogspot.com But back to our March issue. We start with the column by Thomas Füngerlings who reports on “Artificial selfies in urban space”. Our guest columnist Nikita Stupin tells us the best places for photography in Toronto, in his new column “Toronto. Secret Guide “. The cover photo comes this time from Nuno David, to whom we also dedicated our first article in the section “PhotoReview”. Besides, we present in this column the works of Jürgen M. Seibold, RJ Poole, Jenny Cameron, Adria Nabekle, Ovidiu Seralu, Torsten Richter, Cristóbal Carretero Cassinello, Luca Paccusse, Ryan Hardman, Audrey Dagorne, Bob Bruyn, Charles Lafrance and Houdoyer Eric. We are particularly proud of the selection of our “EYE Catching Moments”. Our online editors in our Facebook group once again came up with a fantastic collection
of great pictures, which we present in our column. Here is the link to the group for all interested: ww.facebook.com/groups/eyephotomagazineeditorschoice Finally, two things on our own behalf: Last year, our landscape workshop under the direction of Markus Brandstetter and Manuel Martin was well received. That’s why we spared no effort, and this year we are planning two new workshops! Data and information about them can be found here: www.mb-lichtbild.de/workshop With our cooperation partner Kase Filter it is now also possible to purchase the great Kase filters at a discounted price. More details can be found in the advertisement or directly on the manufacturer’s website www.kasefilter.eu - with the discount code “KASE-EYEPHOTO” you get a 10% discount on your purchase. In this sense, we wish you an excellent start to springtime and have fun reading!
Yours, Stefan CIMER (Founder & Managing Editor)
Cover photo by NUNO DAVID Š
Because getting your work published DOES matter! EYE-Photo Magazine is the independent, online magazine of EYE-Photo Club, a registered cultural association, providing a platform to talented and enthusiastic photographers from all over the world for presenting their work, regardless of their genre, to an international readership. All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy of any materials used in this issue. Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed in any form. EYE-Photo Magazine Š - all rights reserved www.eye-photomagazine.com office@eye-photomagazine.com
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9 THOMAS FÜNGERLINGS
ARTIFICIAL SELFIES IN URBAN SPACE
16 NIKITA STUPIN
TORONTO. STREET GUIDE
26 NUNO DAVID
36 JÜRGEN M. SEIBOLD
44 R J POOLE
54 JENNY CAMERON
64 ADRIA NABEKLE
70 OVIDIU SELARU
80 TORSTEN RICHTER 4
CON
TENT
88 CRISTÓBAL CARRETERO CASSINELLO
96 LUCA PACCUSSE
104 RYAN HARDMAN
112 AUDREN DAGORNE
118 BOB BRUYN
128 CHARLES LAFRANCE
136 HOUDOYER ERIC
146 EYE-CATCHING MOMENTS
Photo by NUNO DAVID ©
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COLUMN
Last year I took place a workshop with the photographer
Kay von Aspern in Vienna. The theme was "Self-portrait
in urban space". Selfie art? That sounds sophisticated. I was sceptical at first, is that something for me? But then I dived more in-depth into the matter. As in the teaser
image (model: Betty Fischer), I generally find selfies disturbing. I'm not sure about the privacy and the (artistic) urge for publicity.
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COLUMN
ARTificial selfies in urban space by Thomas FĂźngerlings
It's almost a crack by one, and you stand on both sides. How do you see it?
Self-portraits have a long tradition in painting, sculpture and photography. Rembrandt is known for painting countless self-portraits. He shows himself in funda-
mentally different positions. The facial expressions and body language also vary
from picture to picture. With the smartphone, the self-portrait as a "selfie" has become the ubiquitous mass phenomenon with which one wants to show and impress
oneself. But what makes the artistic self-portrait different from the selfies on our cell phones?
The well-known photographer and workshop leader Kay von Aspern received six participants in the foyer of the Hundertwasser Museum. He told us that in the next six hours we would stage our self-images artistically on the street.
The “selfies� should include more than the mere image of ourselves. Emotions and moods can be expressed as visually or socially critical statements. We should en-
gage in a game of self-expression and send messages by skillfully using the immediate environment for self-presentation. 10
Humour or a distance to one’s self are helpful and desirable! When walking through the 3rd district of Vienna around the museum, we quickly no-
tice what it’s all about. We look, observe each other and use the urban environment for our first experiments. It is nice to exchange ideas, find ideas and give
help. Kay is always on the side and motivated to try out every new thing. Everyone is enormously creative.
In an elaborated plan, the close colleague grabs the camera of the other and photographs precisely according to the instructions of the person portrayed.
It
would be the icing on the cake if we could even develop our visual language. I have noted the different approaches of the participants for you.
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COLUMN
ARTificial selfies in urban space by Thomas FĂźngerlings I love glass or windows
in photography. I often play and
with
reflections
mirror
images
and
use them as additional
dimensions or additional layers. You will find my self-portrait hovering as a maestro, applause
on
piano
keys
(haha), through a telephone
booth,
lying
in
the car, on call but-
tons, rear-view mirrors or quite profane in a
humorous dialogue with graffiti.
His photography is about the
changed
conscious
or
more
perception
of the environment. Kay shows you the way from
the motive hunter to the motive
collector.
It
gives you different perspectives
when
photo-
graphing and gives you
hints for the development and the construction of your imagery. 12
The author Thomas FĂźngerlings is a photographer, blogger (weekly), editor and administrator at EYE-Photo Magazine.
www.thomas-fuengerlings.de
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landscape workshop NATIONALPARK SNOWDONIA / WALES
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MARKUS BRANDSTETTER
MANUEL MARTIN
OLIVER HERBOLD
UNIQUE LANDSCAPE PHOTOGRAPHY WORKSHOP SNOWDONIA NATIONAL PARK / WALES FEATURED BY EYE PHOTO CLUB & EYE PHOTO MAGAZINE A three-day intense photography experience with three passionate and skilled coaches. DESCRIPTION: Unique landscape and nature photography workshop, using neutral density filters for mountain landscapes, rivers, lakes and waterfalls. Long exposure photography at sunrise and sunset around the beautiful Ogwen Valley in the breathtaking SNOWDONIA National Park - North Wales. More about Snowdonia National Park can be found here: Visit Wales DATEA AND PRICES: Start: 14/09/2019 at 12.00 o’clock End: 16/09/2019 approx. 12.00 o’clock Workshop price: 599,00 EUR Maximum number of participants: 12 WHAT IS INCLUDED? Bed & Breakfast Three-day photography workshop with three instructors. Three theoretical blocks on the following topics: • Filters: Oliver Herbold • Workflow in Lightroom: Markus Brandstetter • Luminance masks, using Photoshop: Manuel Martin Covering a wide range of photographic subjects, like image composition, technical aspects, equipment, photo editing, focus stacking, long exposure, night photography, use of filters, etc. Access to a closed Facebook group for all participants. Individual coaching throughout all three days. Post processing in Lightroom and Photoshop (luminance masks). Lightroom workflow tutorial as handout. Discount code for all students with a 15% discount on all Kase Filter products. REGISTRATION AND MORE DETAILS:
PHOTOS BY OLIVER HERBOLD ©
www.mb-lichtbild.de/work-shop
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WWW.KASEFILTERS.DE
15
COLUMN
The musical mood of this city is - Mick Harvey Out of time man When a little more than ten years ago I boarded a plane that had a goal to deliver me and more than a hundred other people to the large city that seemed to be utterly incomprehensible land of Canada at the time, I could not imagine how all this would turn out for me. And it turned out to be big - with a diploma of a doctor with a subsequent doctoral degree, the birth of a beloved daughter and my development as a photographer who shoots the streets and as a result exhibits his works in galleries. It was in Toronto that this became my primary goal - to see street photography as an art form. Probably, my choice to start a about various cities of interest opinion, is due to some nostalgia which for me has unconditionally
series of articles with Toronto, in my for my second home, become this place.
One thing you need to know before you decide to shoot
COLUMN Toronto. Secret Guide. BY Nikita Stupin
people on the streets of Toronto - the less visible you are, the better. Not everyone here likes the idea of being immortalised by the hand of your genius, and there is a high probability of running into those who may not like it so much that you will have problems. For example, with the police.
It is no coincidence that it was in Toronto that I invented the “Contactless shooting” technique which I successfully taught in educational institutions in Moscow and Toronto and which I will describe in detail in one of the following materials. If to speak specifically - do not meddle on the rampage, be tactful and everything will be fine. So, let’s start our day in Toronto. CHINATOWN I will try to tell you about what attracted me as a photographer, about the places that inspired me and gave birth to images that forever became the basis for my work. At the same time, I have to say the main thing: each of the cities we will talk about will be special for different people. I will only describe to you what I like and what I would like to share with you. Probably, this is the fate of humanity today - to have something Chinese, even where there should not be any Chinese traces and Toronto is no exception. Chinatown is right in the heart of the city. The district stretches along Spadina Street from its intersection with Queen St. Up to College St. This place has several nice cafes where you can try delicious coffee and take a short break watching those in a hurry thru big windows. Passing quite a bit along the Spadina, you will fall into the Chinatown itself, which you naturally will not confuse with anything. First, you will see the hieroglyphic extravaganza enclosed in a variety of signs, chaotically scattered 18
across the facades of houses. Then, almost immediately you will feel the aroma, the unique smell of Chinatown. A considerable number of food stalls exhibited at the entrance of beautiful fruits and vegetables, herbs, seeds, cheap clothes and the same cheap goods and toys. All this turn into an exclusive smell. A slightly rotted pumpkin mixed in an aromatic dance with the sharp smell of a rubber doll sold at the next counter complements all this with delicate urine odour that comes with a curly pattern from the opposite alley. You will immediately understand that you are in place, do not doubt it. Despite the smell, I love Chinatown. I like for its liveliness, for the opportunity to feel the rhythm of the city. I advise you to visit here early in the morning, at dawn, in the afternoon around lunchtime and the evening, somewhat closer to the night. This will give you the opportunity to collect a vast number of frames, take my word for it. In the morning, China Town is empty. No one around, except the beggars sleeping in the boxes, wrapped in sewer smoke, stray dogs and of course the Chinese, with solemn faces, opening the windows, setting the tables, lighting the lights in their stores and pensively, with a cigarette in their teeth peering into the distance. In the afternoon, it is very crowded here. Here comes the whole city. Tourists go to stare at the colours and see the exotic fruits, local people come for cheap products, many offices are located in the centre, and their employees are forced to pour into the stream on Spadina to get to work. They all look surreal and strange, contrasting madly with their shoes polished to shine and expensive costumes with all the surrealism surrounding them. At night, the neon lights of the signs turn on everywhere; stores close, marginal personalities appear on the street, couples walk arm in arm, police cars slowly patrol the streets. This is an entirely different Chinatown, but from this, no less photogenic. 19
COLUMN Toronto. Secret Guide. BY Nikita Stupin
KENSINGTON MARKET This small and noisy area of multi-coloured mosaic merges with the adjacent Chinatown. Collected from all that God had at hand - Kensington Market is full of confusion, taco smells, fresh coffee and vintage clothing and equipment stores. It is believed that this area is photographed most often, and this is not surprising, because this place has long been legendary among both residents of the city and tourists as well. Walk along the main street of Kensington Avenue, not forgetting to investigate the lanes here and there, in them; you can often find very worthwhile works of street artists. I also advise to visit the shop of used and vintage goods, go inside to plunge into the story filled with everything in the world of grandfather cabinets, going into that will throw you into the distant and forgotten past worse than the Delorian thrower Marty in Back to the Future. Focus, because there is a high probability that you will find a very cool camera from the old days at a super low price. Bargaining here is by the way entirely appropriate. In some Cafes, they offer delicious craft coffee and delicious homemade tacos. I also advise you to climb the roof of the city parking lot located in the centre of the quarter, from there you can enjoy a beautiful view of both the district itself and the adjacent China Town. QUEEN ST. Toronto is the place where the King and the Queen always go in parallel. The two most famous streets of the city, reaching out through the entire centre, dividing it in two and radically different from each other. Calmer King St. And completely crazy, sometimes to vulgarity crazy Queen St. A narrow sidewalk brings people together, millions of coloured and not very signboards make life more beautiful, and homeless people wrapped in holed blankets, meth junkies with insane eyes, mothers with their kids 20
in a wheelchair pushing a crowd of young people loudly falling out of a bar at a street corner, black thick wires stretched from a single wooden post to another, expensive boutiques, designer clothing shops, organic food, unrealistically cool cafes and restaurants, tattoo studios on the first floor, fortune tellers on the second, police siren, arrest of a doubtful citizen right at the entrance to the church, kissing couple at the opposite side of a road and carefully watching all this, the centenary old man in a wheelchair tied to a window frame creates an indescribable atmosphere of some crazy underground movie scene. From the balcony, from the height of the second floor, holding the Canadian flag in a shaking hand, an old man is closely watching the madness that has become for him and many residents of the city- a face of Toronto. A street that they are not proud of, but which they sincerely love. Queen is one of my most beloved streets in the city, and speaking of my route, I advise you to start right from Don Valley Parkway S, where under the broad arches of the highway you can easily find whole tent settlements of homeless people, and right through Moss Park and St. Michael’s Hospital, crossing Spadina and on to Trinity Belwoods Park, which I also advise you to look into in search of successful shots. BAY BLOOR AREA The key, most important, expensive, a shining intersection of two streets Bay and Bloor - you will not be confused with anything, be sure to feel the monumentality of the moment. Expensive supercars are going out of underground garages of high-rise glass buildings, infinitely hurrying somewhere people, vanity is in its pure, classic manifestation. It is worth getting here to investigate in detail not only the intersection itself but also adjacent streets and alleys. Pay attention to the rather unusual Crystal building designed by Daniel Libeskind for the Royal Ontario Museum or ROM which 21
COLUMN Toronto. Secret Guide. BY Nikita Stupin
is located on a very close intersection of Bloor and Avenue Road. YORKVILLE ST. Right next to the Bay and Bloor is the mecca of people with money in Toronto. A small street filled with shops and restaurants, forming a whole neighbourhood with beautiful houses, well-groomed lawns and breathtaking price tags exposed for everyone to see. Here you will meet many beautiful, well-dressed people, tourists from all over the world, and with a very high probability - Jack Nicolson or Keanu Reeves. From here, you can quickly get to the next great location on our list - the campus of the University of Toronto. UOFT A huge university, the pride of the city, the campuses of which are scattered in the very centre of the town, will give an unforgettable experience to your photographic genius. The old library and meeting room building, separated by vast green football fields - are an example of perfect urban integration. Be sure to spend more time here, paying attention to details, looking into places hidden from the general view; you will find your shots here a hundred per cent. In between classes, students arrange picnics right on the grass, do not forget to grab a wide-angle lens, believe me, you will need them. LAKESHORE AREA Leaping along the road to the small but charming Queens Park, head towards 22
the lake along University Avenue, which will lead you straight to the shore of Ontario - Lakeshore Avenue. If you do not know that this is a lake in front of you, you can easily confuse this vast mass of water with the sea. Walking along the well-groomed embankment, reach the parking of yachts and boats, often on hot summer days, beauties and their gentlemen sunbathe on the decks, music plays, residents’ jog at the same time introducing their four-legged friends to the sport. Be sure to pay attention to the monumental building that looks like a factory; it was built in 1928 for storing grain. The building was abandoned in 1980 for demolition, but for some reason, it still stands and is of extreme interest to all searching and seeing photographers. As a clue, I would like to inform you that we once managed to get inside, and despite all the dangers of this enterprise, this was worth the risk. Here, almost adjacent to the abandoned concrete giant, is an open basketball court, always noisy, full of people, be sure to watch it from the side. You can also find a small airport located on a tiny island right in front of an abandoned vault, the planes take off and land regularly, and I must say, they do it very nicely. If you decide to go along the embankment to the opposite side of the basketball court, then you will quickly get to the new and beautiful George Brown College campus, built almost on the water, it is also a must-see location.
R.C. HARRIS FILTRATION PLANT My secret and most favourite place in Toronto is a bit far from the noisy city centre and thus, protected from tourists, cars and other types of visual garbage, sometimes spoiling the picture. I would very much like each of our readers to visit it and see for themselves how magical this place is in its ideal proportions, in the openness of space, in the smoothness of the lines. R.C. Harris Filtration Plant is located at the very end of Queen St East at the intersection with Victoria Park Avenue. 23
COLUMN Toronto. Secret Guide. BY Nikita Stupin
It’s easy to get here by tram going along Queen St and stopping right in front of R.C. Harris. The treatment facilities built at the beginning of the 20th century look like decorations for Batman films. Strict, fundamental lines of stone buildings, colossal glass windows through which internal cleaning mechanisms are visible, and their monotonous rumble noise is heard, the wooden benches are ideally located on a hill directly at the walls of the main building, a smooth descent to the wild sandy beach and the endless perspective of Lake Ontario right in front of you. This place is incredibly beautiful, trust me, and be sure to go there at the end of the day, meet the sunset and make your perfect shots. Well, perhaps that’s all. Of course, this is not all the places about which I would like to tell you but fur sure those are the places I think you should start your acquaintance with the most multi-ethnic city on Earth. I tried not to go into details, trying to preserve the impartiality of the story, because for everyone this city will become something different. And I know, surely it will leave a trace in memory. Feel the world around you and do not forget - photography is a pass to all societies.
- - - - NIKITA STUPIN - Russian-Canadian photographer. Founder of a creative street pho-
tography crew “Moustache & Glasses”. Adept of the classical Straight Photography
style. Behind the back of the photographer are more than 25 exhibitions, both in Russia, and in North America and the USA. Besides international venues, Nikita Stupin’s exhibitions have gone over with success on “Red October”, in Fotoloft Gallery at Winery, Artplay gallery and other art platforms in Moscow.
At the heart of his thin insight and unique approach to work not only his talent, but also his degree in the field of clinical psychiatry. 24
Nikita is the member of the Russian Photo Union, an international organization of photographers of Group 7, the teacher of faculty of the photo of Institute of Arts Education (Moscow), Toronto Film School (Canada) and MOMMA (Moscow). Member of the international organization Fujifilm X-Photographers, ambassador of the Fujifilm company. The author of multiple publications on the Street photo and a phenomenon of Straight Photography, and also author’s own technique of “contactless shooting”. Nikita is the creative director of Dessange Russia and Camille Albane Russia network, and also URT Subaru Russia.
www.moustacheandglasses.com
www.facebook.com/moustacheisart
www.instagram.com/moustacheisart twitter.com/NikoMoscow
www.flickr.com/people/moustacheandglasses
But street photography is a passion of mine since I love to capture the mundane, the things we see every day and don't give attention and transform it into something ethereal. There is always beauty in every corner of any street. I have a lot of street photos, but I choose the ones I did in New York since I became inspired by the shots of Bruce Gilden and a couple of NYC street photographers.
I wanted to take some different pics from the ones in the famous NYC landmarks. You cannot avoid it altogether, but I wanted to show another side of New York, the discrepancies between the rich and the poor, different social classes. I also like portrait pics; I do it casually. I am planning to do a printed photo album with my New York pics. WEB www.nunodavid.com www.instagram.com/underthealias
PHOTO REVIEW
I
started photography as a hobby since I travelled quite a lot and was a bit frustrated about not capturing exactly what just saw in those fantastic places.
PHOTOREVIEW
NUNO DAVID
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PHOTOREVIEW
NUNO DAVID
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PHOTOREVIEW
NUNO DAVID
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PHOTOREVIEW
NUNO DAVID
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He as well was able to obtain this passion for photography till today as also to sharpen his perception along. Most of the time, there is only a 50mm lens at his Canon EOS 6D in use, like at his beginnings. For JMSeibold it is markedly essential to approach the motifs even physically or to find the correct distance. He also deals with topics like nature, expanse and life in different ways. These are counted among the essential Sujets of the art history and will be, corresponded with his ideas, interpreted and implemented. The artist brings with his works normal things in the foreground to give them the possibility of providing consideration. As a result of this, motifs obtain through several rooms of
interpretation and levels of importance, which is not only necessary to discover as also to witness. Seibold's stylistic direction and expression move in large parts in an environment of reduced colourfulness right up to contrasty monochrome aesthetics. The pictures shown in this magazine are a cross-section about different series.
WEB:
www.jmseibold.de
Instagram: jmseibold
Facebook: JMSeibold Fotografie CONTACT:
Mail: jmseibold@jmseibold.de
PHOTO REVIEW
J
Ăźrgen M. Seibold already began to photograph in his youth, after he had not only received a camera as a gift but also thereby started to develop his created pictures on his own.
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PHOTOREVIEW
J Ü R G E N M. S E I B O L D
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PHOTOREVIEW
J ÜRG EN M. SEIB O L D
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PHOTOREVIEW
J Ü R G E N M. S E I B O L D
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Gorgon
PHOTO REVIEW
I
collaborate with people who act as alter egos in front of my camera and through whom I express myself. These alter egos symbolise the feminine part of the male psyche – the anima, hence my signature body of work is titled the ‘Anima Series’. This work comprises photographic portraits that create a narrative about the human condition. My photographs contain many references to the spiritual and the influence of the feminine principle.
The Anima Series formed a balance to my early life which was very macho in nature and included military service as a teenager with the Australian SAS Regiment, security work, boxing and athletics.
These experiences have moved me to express the feminine aspect of my psyche and explore my masculine identity more fully.
My work is a response to the loss of innocence; I felt growing up in a violent, masculine world. The brooding Gothic appearances of my images reflect the shadow side of human nature, yet also acknowledge the wonder and fascination we experience as children. The world is simultaneously haunting and beautiful.
WEB www.rjpoole.com www.flickr.com/photos/rjpoole Instagram:@rjpoole12
PHOTOREVIEW
RJ POOLE
Walking
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One step at a time
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PHOTOREVIEW
RJ POOLE
My Shadow
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Id
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PHOTOREVIEW
RJ POOLE
Far Below _____________
Angel
Only my faith__________ 50
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PHOTOREVIEW
RJ POOLE
My Shadow_____________
Life Message
Without Me_____________ 52
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Fairyland
PHOTO REVIEW
J
enny Cameron is a Fine Art Landscape Photographer living the dream in the Scottish Highlands with her Husband and two dogs.
Her passion for the wilderness began from a love of travel & outdoor life. Sadly Jenny was diagnosed with a rare bone disease a few years ago in her hip called Avascular Necrosis. This put an end to her mountain adventures (hiking, winter climbing, skiing, and backpacking to name a few). She spiralled into a dark place for a short time but thankfully found her solace in landscape photography, and her journey began in October 2015 never looking back. EXHIBITIONS (in 2018)
• January 2018, proudly became UK Official Photographer for Haida Filters. • March 2018, Photography Masterclass kindly invited her for an interview as their Feature Photographer of the Month. • April 2018, The Publisher We Photo approached her for ten of her most recent Scottish Landscape images. Published in a hardbacked Photography Book. • May 2018, Jenny was approached by an Art Gallery in Southern Scotland, where she exhibits a selection of her Landscape Portfolio. • July 2018, Photography Masterclass Magazine published her very first Post processing Tutorial.
WEB www.facebook.com/JennyCameronPhotog 500px.com/jennycameron2
www.viewbug.com/member/jennycameron
wordpress.com/view/jennycameron.blog
jennycameron.blog/2018/07/08/from-start-to-finish/
PHOTOREVIEW
JENNY CAMERON
Clansman
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Ardvreck Castle
Kengorm
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PHOTOREVIEW
JENNY CAMERON
Reflect_________________
Duncansby
Sgurr nan Gillean______ 58
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PHOTOREVIEW
JENNY CAMERON
Equilibrium____________
Elysian
Wilderness_____________ 60
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PHOTOREVIEW
JENNY CAMERON
Hermitage______________
Neist
Sundown _______________ 62
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H
PHOTOREVIEW
aving studied theatre in both Switzerland and Paris, worked on several television sets in Europe, I developed my visual skills as well as my sense of colour, scenery and framing.
WEB adria-nabekle.com www.instagram.com/adrianabekle/ www.facebook.com/profile.php?id=100012043573576
PHOTOREVIEW
ADRIA NABEKLE
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ADRIA NABEKLE
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PHOTO REVIEW
I
am a 35 years old the northern part passion for creating tured and encouraged
dreamer, born and raised in an artsy family in of Romania, where my love for landscaping and things with my own hands have always been nurby my parents.
I have been living and working in London for the past nine years now, pursuing better career opportunities that would have been unreachable had I remained back home in Romania. I have been nursing fantasies about photo shooting art since I was a young boy. Back home, I used to watch my father painting and create his amazing drawings on canvas. I first dreamt of becoming an artist, just like my father ...it never happened, I felt I was never as good as he was. I pay homage to his talent and artistic spirit through my work today.
I started to realise my creative flows in photography about 5-6 years ago when out of the sudden I began collecting emotions through the lens of my camera. Educated in mechanical engineering, with a sense for exact sciences and geometry of things in life, I feel that I can capture specific emotions when the right angle of colour and light it’s applied. The black-and-white photography segment is the one niche that I best identity myself with...with a bit of an ‘eternal snapshot’ twist. I like capturing the quintessence of someone’s inner beauty and nostalgia. I feel I have a different experience than the classic stream as my models often tell me that I can metaphorically transpose their souls into black and white memorabilia, which lasts for eternity. All my portraits capture a unique artistic trait, they all, defined in the clearest and simpler way my creative patterns. I have been awarded the first place in the international photography contest by Cityscape BW, and my photographs frequently appear and are commented in MonoPix magazine. My camera is my best companion on the streets of London, and I never miss an opportunity to capture the special flavour of an after- rain street landscape or the unspoken charm of a surprising sunset.
PHOTOREVIEW
OVIDIU SELARU
People say that one photo means more than 1,000 words: I like saying that words can not limit beauty in photography. I do not narrow down my interests into strict portrait or landscape niches; I just seek new perspectives; I play with angles and architectural geometry of space around me. I only rely on my instinct; I do not rationalise a move or a motion...I rarely set expectations; I just let nature do its job...
Sixth sense cannot be explained, talent cannot be x-rayed, and so heartfelt art cannot be disliked...I feel inspired by many things and people around me; I learn new photo techniques every day. All of this allows me to grow and develop my skills. Follow your heart, follow your instinct, and you will never fail to voyage your unique journey from pure passion to a sophisticated form of communication. WEB beta.1x.com/member/DISHU 72
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OVIDIU SELARU
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OVIDIU SELARU
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OVIDIU SELARU
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POSSIBLE LANDSCAPES SERIES The series “Possible Landscapes” resulted from being bored and sick having seen too many standard photos and living in a quite non-attractive surrounding in northern Germany.
So I decided to develop a special concept of in-cameramulti-exposures combined with unique and individual use of colour management. I was aiming to create unique and unseen landscapes. Though taken on non-spectacular locations the images contain something between possible and impossible, they COULD be like real environmental (what they are, in fact), but they are NOT. Everything is depending on perception. The camera technique helps to trick the eye, simultaneously showing what´s “inside” the environment. Nothing is added or removed in the exposures. It´s just what the eye of the camera is offering. I expanded this concept for Seascapes, Woodland and Cityscapes, too. WEB www.trchtr.de www.facebook.com/torsten.richter.5477 www.artlimited.net/7300
PHOTO REVIEW
B
orn in Germany in 1969 Torsten Richter started his artistic journey in Primary School. Successfully participating in School´s Art Contests, he began with drawings and paintings, later skipping to photography and music. After winning another contest as “Best European NonProfessional Photographer” in 2005, he put his main focus on experimenting with different styles of what´s possible in analogue and digital photography. Struggling with severe disease in 2015 he decided to bring everything together, developing new ways in his artistic expression by mixing up what he exercised so far. From here we go.
PHOTOREVIEW
TORSTEN RICHTER
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TORSTEN RICHTER
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C
ristóbal Carretero Cassinello. Almería (Spain). Photographer, graphic designer, web designer, professor of economics and expert in financial excel. Passionate about photography and design, for more than 20 years in the advertising graphics sector, he is the founder of the design and training studio for companies: kritodesign.com STATEMENT As an author I use photography to capture beauty, detail and unique moments of our daily life and existence; also to surprise and play with the spectator, questioning the prism with which he observes the reality of things. Photography tells us and helps us to understand our relationship with the world through our narrative and visual language. BLUE ALMERÍA Blue: 1. Adj. Said of a colour: Similar to the sky without clouds and the sea on a sunny day, and which occupies the fifth place in the light spectrum. 2. Adj. The colour blue. Almería is Blue, a colour that sounds like a Blues rhythm. Located in the southeast of Spain I land of contrasts, dreams and serene light bathed in the fresh harmony of the colour of the Mediterranean Sea and its unfathomable skies... In its streets, squares, boulevards, houses, ports and coasts, there lives calm and hope. A beautiful light will reveal to us its best-kept secret, a chromatic code of bluish, blue and indigo tones, which will invite us as a guiding thread, to contemplation, reflection and interpretation of the city of light, from a conceptual prism and colour that will reveal to us its ancestral maritime identity. WEB www.cccassinello.com www.instagram.com/cccassinello www.facebook.com/cccassinello NEW PHOTOGRAPHY PROJECT Cosmos: www.cccassinello.com/index.php/cosmos NEW EXHIBITIONS PCOI - Phototography Club of India. Exhibition. Calcutta. ‘The Cone Man’. 10-17 December 2018.
PHOTOREVIEW
CRISTÓBAL CARRETERO CASSINELLO
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CRISTÓBAL CARRETERO CASSINELLO
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CRISTÓBAL CARRETERO CASSINELLO
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I like to look for a moment, an expression or a candid situation to capture, wherever I am. In my opinion, photography, in addition to being beautiful aesthetically, must say something. That’s why in my pictures I prefer to show people, particularly those unknown, caught in their everyday life. In recent years, I have published in several magazines and websites, like Cities by ISP - Italian Street Photography, ImageMag and Eyeshot. My work has been exhibited during solo and group exhibitions in Italy (Rome, Milan, Florence, Trieste, Venice) and Poland. I’m one of the founder members of the Italian street photography collective Funky Avenue. WEB www.lucapaccussephoto.com www.instagram.com/lucapaccusse www.facebook.com/LucaPaccussePhotography www.flickr.com/photos/lucapaccusse 500px.com/luca_paccusse www.eyeem.com/u/lucapaccusse world-street.photography/en/LucaPaccusse www.vogue.it/photovogue/portfolio/?id=158579 funkyavenue.com/fotografi/lucapaccusse/
PHOTO REVIEW
I
am born and based in Rome, Italy. Since I love travelling and my passion for art is always stimulating me, I approached photography a few years ago, focusing in particular on street and documentary genre. I attended courses and workshops at Officine Fotografiche Roma.
PHOTOREVIEW
LUCA PACCU SSE
Q&A How did you get into street photography? A few years ago, I started taking pictures of people on the street. Sometimes from close up, others from far away, sometimes casually, but it was all unknown people. I realised that I enjoyed it. See their expressions, their gestures, interactions and situations that were created. So, over time, I focused almost exclusively on this. I am passionate about capturing moments of life, surreal situations or the interaction of people with some surrounding elements. What is on your subjects that makes you want to capture them? I’m often focused on lights and shadow contrasts, so I orient myself where these are more intense. Other times I’m attracted by juxtapositions, colours or a particular texture of clothing. Often it’s about luck or coincidence: a dog that jumps out of the water while you are diving a man, a set of elements that appear at the same time on the scene, a new shadow projected in the space that I am framing. Overall, what pushes me to do street photography is spontaneity and authenticity. How does black & white vs colour play into your work? I love both types of photography. I think some photos are better in colour and others in black and white. On this occasion, I presented only colour photos, and I admit that in recent times I'm almost always shooting with the intention of taking this kind of pictures. Despite this, while I’m shooting or during the editing work, sometimes I convert a photo to black and white if I realise that the b/w essentiality helps the readability of a picture. 98
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PHOTOREVIEW
LU CA PAC CUS S E
Q&A What equipment do you prefer to use and why? Currently, I use almost exclusively a mirrorless, Fujifilm XE1. I prefer this type of camera compared to the SLR because it’s more manageable and is ideal for street photography. I shoot with a focal length ranging from wide-angle to 50mm. What would you tell a newcomer who asks for your advice on how to start? You can start with a course, look at the work of the masters of photography and combine this with constant practice. Moreover, it is essential to know how to compare and understand every criticism or suggestion to grow. About street photography, I would suggest developing a sense of observation, focusing each time on different elements that can happen to meet by walking in the street.
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LU CA PACCUS S E
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lighthouse
Bombed heavily during World War II, Plymouth still retains some of its beautiful architecture, although much was replaced (especially in the city centre) during the 50s and 60s by wide, parallel, modern boulevards and modernist buildings. Today, Plymouth remains a cultural and economic melting pot. Photographer Ryan Hardman has spent a year and a half photographing its architecture and its inhabitants.
WEB
www.ryanhardman.photography
www.facebook.com/Ryan-pixtures-photography-252503175179864/
PHOTO REVIEW
P
lymouth is one of the South West of England’s most populated cities. From the time of the Industrial Revolution, it has grown as a commercial shipping port, handling imports and passengers from the Americas, and exporting local minerals including tin, copper, lime, china clay and arsenic.
PHOTOREVIEW
R YA N H A R D M A N
WOW___________________
Father karras (exorcist)
for Russia_____________ 106
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PHOTOREVIEW
R YA N H A R D M A N
images from right to left, from top to bottom: SOS Quick cash, Welcome, the arrow, health building, Jesus king of kings, civic centre
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R YA N H A R D M A N
Tweety pie_____________
the dog man
nun____________________ 110
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Femme Akha
PHOTO REVIEW
I
am from the south of France. Photography is for me a means of expression; It gives me another look at the world, a new way of observing what surrounds me and a way to immortalise moments of life to share. My work is oriented towards the atmospheres with a noticeable sensibility for the landscapes. Whether it is urban landscapes (streets photography and architecture) or natural, it is through travels and meetings that I reveal my photographic world.
WEB www.audrend.com www.instagram.com/audren.d www.flickr.com/photos/142476036@N07
PHOTOREVIEW
AUDREN DAGORNE
Echoué
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Fisherman
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PHOTOREVIEW
AUDREN DAGORNE
Sunset Samui
Tamaris eyephoto
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Vue du sol NY
Vue obstruĂŠe
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After moving to the Netherlands most of my photography was more pragmatic, but the last few years it has returned as a serious passion. I’m currently a member of the Dutch street photography collective StreetEye. My work had been published in various magazines and is regularly featured on Instagram hubs such as myspc, bnw_demand, doubleyedge, balkan.collective, streetizm and capturestreets. In 2017 my series of public transit portraits, “Neither Here nor There” was exhibited at the Netherlands Photo Museum in Rotterdam. I am employed both as a violinist and (tour) photographer by the Rotterdam Philharmonic Orchestra. In 2019 I was a prize winner at the Zilveren Camera Awards in the Netherlands with my series on the famous conductor Yannick Nézet-Séguin. The Zilveren Cameras are the top photojournalism awards in the Netherlands. The series will be on display in several museums throughout this year. www.zilverencamera.nl/jaargang/zc-2018/personen-inhet-nieuws-serie/yannick-nezet-seguin-on-tour
PHOTO REVIEW
I
’m a classical musician and photographer originally from Canada, now living and working in the Netherlands. During my time at the University in Toronto, I was an avid photographer, developing and printing film in the campus darkroom.
PHOTOREVIEW Q&A
BOB BRUYN
How did you get into street photography? Street photography is a relatively recent addition to my photographic repertoire but has quickly grown to become an almost allconsuming passion. I love the challenging and improvisatory nature of street photography. It requires passion, skill, dedication and perseverance to master. The demands are similar to those needed to be a good musician! What is on your subjects that makes you want to capture them? I love the feeling of connectivity with people in the urban environment: Observing and capturing fleeting encounters, moments, and situations, hopefully in an artistic, sensitive or surprising manner.
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BOB BRUYN
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BOB BRUYN
Q&A
How does black & white vs colour play into your work? As many street photographers, I started in the classic black and white, often applying the requisite sauce of contrast, clarity and grain. But after some time, and at the instigation of people in the know, I evolved more toward colour. Colour demands a somewhat different sensibility and another range of editing skills. I feel that colour better reflects the time in which we live. However, I still love and admire excellent B&W photography! What equipment do you prefer to us and why? I shoot exclusively with Fujifilm X gear. I have a wide range of lenses that I use for different types of shoots. But on the street, I stick to the smaller and lighter Fujicron lenses. Smaller cameras are best suited for long days on the streets. The less gear, the better. I seldom use a flash, but that might change… What would you tell a newcomer who asks for your advice on how to start? Go out and shoot. As much and as often as possible. Participate in Street Workshops. Seek inspiration in the work of master photographers but also music, art, film and sculpture. Go to an art museum, and you will come out with different eyes. And of course, seek your inspiration on the street. David Gibson’s “Street Photographer's Manual” is an excellent jumping off point. Website: Instagram:
www.bobbruyn.com @bobbruyn_street @bobbruyn_ontour
I’ve started work on a new series “Open Doors - Paris Metro” Strangers from divergent worlds converge in the microcosm of the metro car: Connected by proximity but not by spirit. www.bobbruyn.com/opendoors-parismetro
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PHOTOREVIEW
BOB BRUYN
harles Lafrance is a self-taught street photographer based in Montreal, Canada. His work is a contemplation on personal anxiety and long walks through the city; a daily observation of neighbourhoods, shooting the same one for months before moving on to the next one.
The "Winter Storm" series was shot on the morning of January 20th, 2019. Temperatures reached -34 Celsius with gusts of wind up to 90 km/hr. The streets were, in fact, almost deserted. WEB www.instagram.com www.facebook.com/charles.southoffrance 500px.com/manage/public
PHOTO REVIEW
C
WINTER STORM
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CHARLES LAFRANCE
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CHARLES LAFRANCE
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CHARLES LAFRANCE
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“PAUSE in KYOTO”. In September I have re-
ceived a price from the jury of RENCONTRES PHOTOS IN France.
The photos of the series “PAUSE in KYOTO” are
taken in the streets with intense natural light and harsh sun lightning. I have the desire to use natural light as a spontaneously
directed projector, to capture the people who are taking a break.
PHOTO REVIEW
I
like to show the exposition of my series
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HOUDOYER ERIC
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HOUDOYER ERIC
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HOUDOYER ERIC
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www.hyperioncamerastraps.com 144
www.instagram.com/hyperion_camera_straps www.facebook.com/HyperionCameraStraps
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eye Catching - Moments
At EYE-Photo Magazine, we champion the idea that photos need space and that they should speak for themselves.
That's why you will find hardly any text in our column "EYE-Catching Moments" but the more pictures! In our monthly issues, we present a cross-section, a selection from the submitted photographs in our Facebook photo group. Our online editors, Helena Costa, Thomas FĂźngerlings, and Markus Brandstetter, nominate the best pictures for publication, regardless of their photographic genre. In this issue, we present the selection of January 2019. On almost 100 pages you can see pictures of over 50 photographers from all over the world. As cover photo for our column, our editors chose this time the photo of Fabien Perrochon. Visit or join our Facebook photo group: www.facebook.com/groups/eyephotomagazineeditorschoice
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Fabien Perrochon ©, “New-York, Calatrava station”
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Pierantonio Brianza ©, “KNOWLEDGE’S WEIGHT” 148
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EYE CATCHING MOMENTS
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Ajay Kumar ©
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EYE CATCHING MOMENTS
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Rene Stuardo ©
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EYE CATCHING MOMENTS
EYE CATCHING MOMENTS 154
Batsceba Hardy ©, “And the wind belongs to no-one”
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EYE CATCHING MOMENTS 156
Corinne Spector ©, “Mayan cemetery in Guatemala 2017”
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EYE CATCHING MOMENTS Santiago Pascual Buyé ©, “the last lighthouse”
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EYE CATCHING MOMENTS Ingrid Dzr ©, “Agonie”
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EYE CATCHING MOMENTS 162
Nikiel To Masz ©, “she and he”
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EYE CATCHING MOMENTS Marco Maljaars ©, “Dutch Polder - The Sheeps”
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“Dutch Polder - The farm house”
EYE CATCHING MOMENTS
Marco Maljaars ©,
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EYE CATCHING MOMENTS Fabien Perrochon, “New-York, Calatrava station” 168
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EYE CATCHING MOMENTS 170
Bernhard König ©, “Looking down”
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EYE CATCHING MOMENTS Kmon Nguyen ©, “saigon” 172
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Yves Sabrou ©
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EYE CATCHING MOMENTS 176
Jose Silva Pinto ©, “fotografias com gente lá dentro...”
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EYE CATCHING MOMENTS 178
António Carreira ©, “Abyssinia treasure”
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EYE CATCHING MOMENTS Loh Soo Mui ©, “Missing Home“ 180
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EYE CATCHING MOMENTS Sérgio de Medeiros ©, “No mundo de Electra” 182
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EYE CATCHING MOMENTS Patty Jansen, Leiden ©, “The Netherlands” 184
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Jim Graham ©, “Cloghan Point Study 3”
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Nadège Bessaguet ©, “In a perfect world, I’m a fish!”
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EYE CATCHING MOMENTS 190
AugustNaude ©
“She’s A Big Big Girl In A Big Big World”
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EYE CATCHING MOMENTS Roberto Di Patrizi ©
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EYE CATCHING MOMENTS Isa Egea ©, “EL BOSQUE DE LAS MANOS” 194
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Paweł Ferenc ©
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EYE CATCHING MOMENTS
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EYE CATCHING MOMENTS Jameson Sahariah ©, “Divine Painter” 199
EYE CATCHING MOMENTS Jens F. Kruse ©, “crossing the golden hour” 200
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Vittorio Fabianelli ©
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EYE CATCHING MOMENTS Goltzené Olivier ©, Model: Hédia Roz 204
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Pauline Ren ©
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Pauline Ren ©
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EYE CATCHING MOMENTS 210
Peter Cwoky Murín ©, “Valentines day, love hurt”
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EYE CATCHING MOMENTS 212
Bayéré Zouzoua ©,
“The flight of pigeons”
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Brian Wigglesworth ©, “The Merchant”
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EYE CATCHING MOMENTS 216
Amandio Antunes ©, “Cavity”
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EYE CATCHING MOMENTS Susan Syrowatka ©, “Aix en Provence” 219
EYE CATCHING MOMENTS 220
Panos Vassilopoulos ©,
“Scarlet Feat Greek dancer Aggeliki Petraki”
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Khant Zaw, ©
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EYE CATCHING MOMENTS 224
Grace Ho Pui Wan ©
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EYE CATCHING MOMENTS Raju Das ©, “need fire to survive” 226
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Andrea Ratto ©
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EYE CATCHING MOMENTS
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EYE CATCHING MOMENTS 230
Monika Grobelna ©
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EYE CATCHING MOMENTS Santanu Sonai Dey ©, “Shattered” 232
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EYE CATCHING MOMENTS Ankica Vuletin © 234
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EYE CATCHING MOMENTS 236
Daniel Kontakiewicz ©, “The reflection” Model: Idalia Baryła
MakeUpArtist: Czystymakeup by Kasia
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EYE CATCHING MOMENTS 238
Yap Kh ©, “The Lone Tree”
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EYE CATCHING MOMENTS Oliver Herbold ©, “Island in the clouds” 241
Joan Bosch ©
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EYE CATCHING MOMENTS
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EYE CATCHING MOMENTS 244
Kunephoto Nagen ©
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EYE CATCHING MOMENTS 246
Fernando José Barnabé © “The walking shadows”
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EYE CATCHING MOMENTS 248
David Rutter LRPS ©, “Yeah Yeah Yeah”
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EYE CATCHING MOMENTS 250
Keith Vaughton ©
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Peter Wang ©
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EYE CATCHING MOMENTS 254
Billa Bozem ©, “Rizwana”
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T INDEX ARTIST INDEX ARTIST The index is sorted chronologically according to the submitted date of the pictures and not in alphabetical order!
• Pierantonio Brianza www.facebook.com/pierantonio.brianza.5 • Ajay Kumar www.facebook.com/Ajayimagess • Rene Stuardo www.facebook.com/rene.stuardo • Batsceba Hardy www.facebook.com/batsceba.hardy • Corinne Spector
www.facebook.com/profile.php?id=100006082037404
• Santiago Pascual Buyé www.facebook.com/santiago.pascualbuye • Ingrid Dzr
www.facebook.com/profile.php?id=100017325520513
• Nikiel To Masz www.facebook.com/tomasz.nikiel.96 • Marco Maljaars www.facebook.com/19marco75 • Fabien Perrochon
www.facebook.com/profile.php?id=100009156721024
• Bernhard König www.facebook.com/bernie.koenig • Kmon Nguyen www.facebook.com/kmonnguyen • Yves Sabrou
www.facebook.com/yves.sabrou.photograff
• Jose Silva Pinto www.facebook.com/jose.silvapinto.1 • António Carreira www.facebook.com/antonio.carreira.7 • Loh Soo Mui www.facebook.com/lohsm • Sérgio de Medeiros www.facebook.com/sergio.demedeiros.35 • Patty Jansen www.facebook.com/patty.jansen.14 • Jim Graham www.facebook.com/jim.graham.3114 • Nadège Bessaguet
www.facebook.com/profile.php?id=100006681285159
• August Naude www.facebook.com/august.naude • Roberto Di Patrizi www.facebook.com/robertodipatrizi • Isa Egea www.facebook.com/isaegea.fOTOGRAFIAS • Paweł Ferenc
www.facebook.com/profile.php?id=100008346189667
• Jameson Sahariah www.facebook.com/Jameson.saharia • Jens F. Kruse www.facebook.com/jensfranz.kruse • Vittorio Fabianelli www.facebook.com/vittorio.fabianelli.1 • Goltzené Olivier
www.facebook.com/profile.php?id=100014594263167
• Pauline Ren www.facebook.com/ren.pauline • Peter Cwoky Murín www.facebook.com/peter.zajec.12 • Bayéré Zouzoua www.facebook.com/bayere.zouzoua • Brian Wigglesworth 256
www.facebook.com/profile.php?id=100005974936680
T INDEX ARTIST INDEX ARTIST • Amandio Antunes www.facebook.com/amandio.antunes.315 • Susan Syrowatka www.facebook.com/SusaSyro • Panos Vassilopoulos www.facebook.com/panos.vassilopoulos.drummer • Khant Zaw www.facebook.com/KhantZaw • Grace Ho Pui Wan www.facebook.com/hopuiwan • Raju Das www.facebook.com/sadujar17 • Andrea Ratto www.facebook.com/andrea.ratto.5036 • Monika Grobelna www.facebook.com/monika.corkaewy • Santanu Sonai Dey www.facebook.com/sdsdey • Ankica Vuletin
www.facebook.com/profile.php?id=100012363212900
• Daniel Kontakiewicz www.facebook.com/photopassion.art/ • Yap Kh www.facebook.com/yap.kh.96 • Oliver Herbold www.facebook.com/oliverherboldphotography • Joan Bosch www.facebook.com/joan.bosch.7 • Kunephoto Nagen www.facebook.com/kune.nagen • Fernando José Barnabé www.facebook.com/fernandojose.barnabe • David Rutter LRPS
www.facebook.com/profile.php?id=100013298495328
• Keith Vaughton
www.facebook.com/profile.php?id=100011451346271
• Peter Wang
www.facebook.com/profile.php?id=100000103806780
• Billa Bozem www.facebook.com/sybille.bozem
EYE-Photo Magazine is an independent, online magazine, providing a platform to talented and enthusiastic photographers from all over the world to present their work, regardless their genre, to an international readership. All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy of any materials used in this issue. Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed in any form. EYE-Photo Magazine © - all rights reserved www.eye-photomagazine.com office@eye-photomagazine.com
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zwei tages fotoworkshop in der schweiz
MARKUS BRANDSTETTER
MANUEL MARTIN
LANDSCAPE & NATURE FOTO-WORKSHOP GRAUBÜNDEN/PRÄTTIGAU, SCHWEIZ
FEATURED BY EYEPHOTO CLUB & EYE-PHOTO MAGAZINE Landschaft- & Naturfotografie, Langzeitbelichtung, Filterfotografie, Focus Stacking, NightShooting, Postprocessing BESCHREIBUNG: Einzigartiger Fotoworkshop zum Thema Landschafts- & Naturfotografie mit Graufiltern, Berglandschaften und Bergseen, Langzeitbelichtung bei Sonnenaufgang und Sonnenuntergang inmitten der majestätischen Schweizer Berge an „fast“ geheimen Plätzen. DATEN UND PREISE: Beginn Workshop Ende Workshop Kosten Workshop: Maximale Teilnehmerzahl:
01.06.2019 um 12.00 Uhr 02.06.2019 ca. gegen 12.00 Uhr 299,00 EUR 10
WAS IST IM PREIS INBEGRIFFEN? Zwei Tage Foto-Workshop mit 2 Trainern Lerninhalte zum Thema Bildgestaltung, Technik, Ausrüstung, Bildbearbeitung, Focus Stacking, Langzeitbelichtung, Nachtfotografie, Fotografie mit Filtern. Austausch in geschlossener Facebook-Gruppe für alle Teilnehmer. Individuelles coaching über die Dauer des Kurses. Postprocessing - Grundlagen in Lightroom & Photoshop. Lightroom Workflow als Handout bzw. Tutorial. Rabattcode für alle Kursteilnehmer mit 15% Nachlass auf alle Kase Filter Produkte.
ANMELDUNG UND WEITERE INFORMATIONEN: www.mb-lichtbild.de/work-shop
PHOTOS BY MANUEL MARTIN ©
WWW.EYE-PHOTOMAGAZINE.COM EYEPHOTOCLUB.WEEBLY.COM
WWW.KASEFILTERS.DE
Y EE EYE PHOTO MAGAZINE
association’s journal of EYE-Photo Club eV