EYE-Photo Magazine, Edition April 2016 by EYE-Photo Magazine

Edition April 2016

www.eye-photomagazine.com

InFocus

EYE-Catching Moment

Interview with Pierre Le Blanc

We proud ly p r e s e n t a h a n d picked s e l e c t i o n o f fa n ta s t i c Photogra p h s

InFrame Photo Review with Antonis Giakoumakis

Dear Friends and Readers! Spring is making itself felt and is reflected in our new and improved layout & design.

Photo Review with Erich Reichel

The April issue is jam-packed in over 300 pages with fantastic and captivating features. Pierre LeBlanc, artist and photographer is set “inFocus”, providing us with interesting insights into his artistic work. Antonis Giakoumakis, Erich Reichel, Ila Coronel, Rey Scue, Katia Morchetti and Ross Nicholson present their captivating photographic work in our feature “inFrame” and our special feature “inDetail” highlights the work of filmmaker and photographer Heinz Innerhofer!

InFrame

Enjoy reading!

InFrame

Photo Review with Ila Coronel

InFrame Photo Review with Rey Scue

InFrame Photo Review with Katia Morchetti

InFrame Photo Review with Ross Nicholson

InDetail Special Feature with Heinz Innerhofer

We conclude with a notice on our own behalf: The editorial department would like to thank Catharina Lindgren for her work at the magazine. We all wish her well in her next venture! EYE-Photo Magazine is an independent, online magazine, providing a platform to talented and enthusiastic photographers from all over the world to present their work, regardless their genre, to an international readership. The magazine can be read and downloaded for FREE!

Edition

EYE-Catching Moment

All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists and subject to copyright! Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed in any form.

April 2016

Founder, Editor in Chief and Art Director: Stefan Cimer

web: www.eye-photomagazine.com email: office@eye-photomagazine.com

Would you like to be featured in EYE-Photo Magazine? contact us: office@eye-photomagazine.com

InFocus Interview with

Pierre Le Blanc by Christian Schirrmacher

Hello Pierre!

I use photography as a medium of my sensibility to other and its story, and the best way

First of all I would like to thank you for taking

for me to express it is staging. Through these

your time and conduct this interview with us.

pictures, I question the human being hypocrisy who keeps on destroying its own pla-

Please tell aus a little bit about yourself to

net, the raise of extremism at the eve of the

begin with

2012 French presidential elections (Series:

Before I started photography, I was working for the film industry in Paris. But my desire was to create my own stories, and the photography was the medium I decided to use. My photographs cannot be separated from the projects in which I commit myself: exhibitions in profit of breast cancer research, image education through photography, portraits of adults with neuromata handicap etc.

One minute of silence), and the absurdity of our lifestyle. Therefore, since 2005, I multiply initiatives, either working with young deaf teenagers, or creating a photo workshop in an Emmaus Social Center.

InFocus with Pierre LeBlanc

When did you start photography?

You work with models, are that professio-

Overtaken by the events, men became afraid,

But then, what about our sacrosanct Demo-

nal models?

entrenched themselves, isolated themselves. A

cracies? Would Art fall asleep? Isn’t it in our

resistance was organized, but in vain. What re-

nice liberal societies, governed by people who

Some models are professional, some are ac-

mains is ‘The Bench,’ which will tell you of those

teach us to think Freedom (but can Freedom

tors, and some are friends...

responsible for this tragedy. What remains is a

be taught?), who cherish it by offering it nice

bench, to learn to be reborn… to gently, slowly

frames, attractive colors, bronze but mislea-

rebuild the obscenity of our incoherence and lea-

ding reflections, isn’t it precisely here that art

I started photography 17 years ago. Your work is very special – could you please describe your way of taking photos? My artistic work takes place in the following way, before beginning a new series, I always ask myself the same question: do I have something to say? Then I ask myself how I’m going to stage those emotions, which set will allow me to create relevant and forceful scenes, in relation with the theme defined for this series. Then I start the search for the characters… the final thing is the shooting itself!

InFocus with Pierre LeBlanc

Please, tell us a bit about the project ‘le banc‘ - ‘the bench‘ I would describe it like this: „It couldn’t go on like this. Things were turning for the worse. A long process of destruction had begun. It became uncontrollable, and spread like lightning… and what should have happened, a flash and then nothing.

ve a trace behind.“ “Is Art Work always carrying somewhat a political message? Are they projecting a particular world consciousness? Are they producing discourses in fact? And even, by pure provocation, would you say that Art should be militant? Art is often the last bastion of revolt, refusal, alternative and dream.

should keep vigil? Make sure not to fall asleep with too exciting promises, not to let itself be blinded by mad but always over wise lights, make sure the utopia survives in our fragile consciousness? “

InFocus with Pierre LeBlanc

8Au bord des délices©PierreLeblanc

InFocus with Pierre LeBlanc

12Murmures et pulsionsÂŠPierreLeblanc

InFocus with Pierre LeBlanc

Are you working by yourself or do you have

Has your style of shooting changed since

Among all your fantastic work, could you

Car‘s cockpits are the set I use to depict our

an assistant?

you starting?

name one as your favorite, and if yes, why?

deepest states. Stopping time in this private

Most of time I work alone, sometimes I work with an assistant for the makeup.

space, “Insides” reveals us as behind closed Yes it changed a lot; 17 years ago I started

My favorite is probably my last work intitled «

doors, the intimacy of drivers and their possi-

with black and white street photography.

Insides »

ble passengers, whether it is nice, absurd or

How much does your equipment help you to

I got older, less shy. I decided to create my

execute your artistic visions?

stories; the only limits are my imagination.

horrible. A sharp look on a cracked up society. If the expression « to be driving » often means

I need good equipment, because there’s no pro-

that we are “master on board”, having control

cessing after the shooting. The lighting of the set

on our lives, I show here that it’s not always the

is essential to execute my artistic vision.

case. As in the backyard of a mansion or the backstage of a theater, I propose through this

What kind of equipment are you using? I use a Canon 5D Mark2, Mamiya RB 67 Pro SD and a Fujifilm X100T. I started photography with a Nikon Fm2n.

series a point of view on what escapes most of the time from our eyes. Who has not dreamed of being invisible, to be able to see forbidden scenes?

New, second-hand, rented or stolen, the car as mirror-carries us as the body is the vehicle of our souls. This systematic artwork delivers us the human being in all its states.

InFocus with Pierre LeBlanc

9Maman est folleÂŠPierreLeblanc

InFocus with Pierre LeBlanc

10Une idée fixe©PierreLeblanc

InFocus with Pierre LeBlanc

OPEN ART SURGERY Next Surgery: April 17th 2016 - starts at 19.00 Presenting Artists: Christopher Reuter: Photographer Artist Ivan Beslic: Graffiti Artist Warren Richardson: Body Percussionist / Musican / Singer Are there any photographers who took in-

Are there any special projects or exhi-

fluence on your artistic and photographic

bitions you’re currently working on and

work and style?

which you like to introduce here ?

There are quite a fiew, like: Gregory Crewdson,

The project I’m preparing at the moment is

Erwin Olaf, Josef Koudelka, Alex Majoli, Steve

entitled “Life upside down”, consisting of 10

McCurry, Harry Gruyaert, Martine Franck, Burt

photos, shot in 10 different sets. Each photo-

Glinn.

graphy will come with a video shot in the set with the same actors…for the moment; I’m in the writing process of this project! Please visit Pierre LeBlanc: website: www.pierreleblanc.be Facebook: www.facebook.com/pierre.leblancphotographe

Varinia Akua: Singer & Song writer Open Art Surgery is a unique art concept and was conceived by the international artist Colin Sinclair. Open Art Surgery is not just another typical exhibition - It’s much more! What makes Open Art

More info: www.openartsurgeryonline.com

Antonis Giakoumakis Photographer, Greece

For me photography is everything I do not want to forget the moment I capture, good or bad, pretty or ugly. As the motif appear before my eyes.

InFrame Photo Review with

antonis Giakoumakis

It cannot be objective, but it can constitute a constant reminder that the world is not what we see.

InFrame with Antonis Giakoumakis

Erich Reichel Photographer, Presov, Slovakia www.facebook.com/erich.reichel.9

InFrame Photo Review with

Erich Reichel

My name is Erich Reichel, I live in Prešov in

I create mostly black and white photos; I love

Slovakia. I am obsessed by photography.

it and I have the impression it brings us back into the 50s and 60s.

Although I am not photographing for a long time, I work intensively with on each and every

In general, I greatly admire the work of pho-

photo I take. My work is mainly focused on the

tographers and filmmakers from this period, a

photo of the streets, where it’s possible for me

lot.

to try to show not only street life as the classic

The most important thing for me is the first

street photo but also to dominate the space its-

impression that I get, when I am looking at

elf, sometimes I try to bring abstraction into my

the photo the first time.

compositions. Whenever it possible for me I try to particiTo achieve and express my artistic visions I

pate in the FIAP salons, where I have already

often work with different techniques and filters,

won some awards. Together with some friends

multiple exposures etc.

in my city, we have found the “fotoklub PAF 5.6”. In this club we discuss our work together and try to spread cultural life.

InFrame with Erich Reichel

On the Road to Nowhere

Rainy Street

InFrame with Erich Reichel

In the Sky

Increase

InFrame with Erich Reichel

In Lamps

Lights Up

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Dreamed

Umbrellas

InFrame with Erich Reichel

Weber Street

Winter Square

InFrame with Erich Reichel

Steps

Tearful Time

InFrame with Erich Reichel

TIME does not STOP

Lost in the Waves of Streets

InFrame with Erich Reichel

Street View

OPEN ART SURGERY Next Surgery: April 17th 2016 - starts at 19.00 Presenting Artists: Christopher Reuter: Ivan Beslic: Warren Richardson: Varinia Akua:

Photographer Artist Graffiti Artist Body Percussionist / Musican / Singer Singer & Song writer

Open Art Surgery is a unique art concept and was conceived by the international artist Colin Sinclair. Open Art Surgery is not just another typical exhibition - Itâ&#x20AC;&#x2122;s much more! What makes

Open Art Surgery

so special in contrast to normal art presentations is the aspect of interactive communication between the artist and the patrons.

For more info visit: www.openartsurgeryonline.com

ADVERTISING PLACEHOLDER Would you like to make advertising for your product, service or event in our magazine?

EYE-Photo Magazine

is your reliable partner for marketing and advertisement! Contact us: office@eye-photomagazine.com

Ila Coronel Photographer, guayaquil ecuador

InFrame Photo Review with

Ila Coronel

InFrame with Ila Coronel

Ila Coronel Photographer, guayaquil ecuador https://www.facebook. com/ilaCoronelFotofobias yourshot.nationalgeographic.com/profile/223741

Rey Scue Street & Documentary Photographer / Frankfurt/Germany

Web: reyscue.com Social Network: flickr.com/reyscue instagram.com/reyscue facebook.com/reyscuestreet

InFrame Photo Review with

Rey Scue

Rey Scue is a photographer – and thereby he com-

As street photographer he loves to roam the quar-

mitted himself consciously to a language that is

tiers of Frankfurt and of course other places. He

straight, honest and clear. An international language,

loves to watch people, to trace for a special mo-

everybody may understand. A language that does

ment and to discover something surprising that is

not enhance the beauty of a theme nor mask reali-

worth to be shown. A facial expression, a gesture,

ty, but that instead leaves room for interpretation to

a destiny …

each viewer. These photos speak for themselves – and as a consequence one does not need to say too much about them. Still there can be said a lot about the artist: For Rey Scue black and white is enough colour. He looks closely on moments, situation and people, while others turn away. He aims to jolt people that watch his pictures, as he shows the drawback of the pictural world in the glossy magazines. Rey Scue’s

Rey Scue is a self-taught artist. His masters are famous photographers from all over the world as well as undetected talents. His field for experimentation is daily life – and quite often he pays attention to the men and woman that stand on the fringes of society. His photos permit deep insights and are always an invitation to start thinking and talking about life, highs and lows, social wrongs. Rey Scue‘s ambition is that people take the time to pause even in these fast-paced days. He himself

photos depict normal life and they bring to mind,

decelerates when he roams the streets with his

that every person is unique.

camera. Hopefully he will continue to do so … because his works play part in contributing to a less superficial world.

InFrame with Rey Scue

Killing Floor

InFrame with Rey Scue

Different Life

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Heart Beat

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La Vie

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French Street Fighters

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Ready To Rumble

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Mobile Twins

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Big Brother Is Watching You

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Crying Window

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The Soul Is Full Of Violins

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Window Clown

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Show Me Your Face

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Grimly Face

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Happy Elephant

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Desperate Art

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Three Apes Plus

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Sleeping Zone

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Sleper In Metropolis

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Save Me

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Say Hello

Katia Morichetti Photographer / Bologna, Italy

Web: http://www.katiamorichetti.it/ http://katiamorichetti.tumblr.com/

InFrame I was born in 1975 and I live in Bologna, Italy, but I travel a lot for work. The interest for photography was

Photo Review with

Katia Morichetti

born thanks to my father: he is totally incapable of taking pictures, so it was up to me to do so. I started getting really interested in photography five years ago, I attended a basic course and then I continued by myself, trying to find my own point of view. In this pursuit, street photography has been a huge way to grow: itâ&#x20AC;&#x2122;s the kind of photography that allows you to live and recount everyday life through peopleâ&#x20AC;&#x2122;s faces and through places, with curiosity irony and, sometimes, poetry. I participated in several group exhibitions in Italy and abroad and I got some awardsand I got some awards (For example, I had the honor of being among the winners of CBRE Urban Photographer of the Year 2015). Recently I joined Italian Street Photography Association

InFrame with Katia Morichetti

Ross Nicholson Photographer / United Kingdom Web: www.rossnicholsonphotography.com Facebook: www.facebook.com/Ross.nicholson.artafaks 500px: https://500px.com/rossnicholson

InFrame Im 39 years old and iâ&#x20AC;&#x2DC;m resonanably new to photography as ive only been doing it around 3 years now, my wife is a

Photo Review with

Ross Nicholson

multi award wining professional photographer, but she has no intrest in it anymore so she gave me all her equipment for me to play with, so she has taught me, she taught me to work with the tools i have and keep work as natural as possible.

I simply just find a location go there and shoot my vision. Im not going to bullshit any one with my long winded explanations of my vision as i think each shot from each location has to be shot with the vision at the time, no method no silly vision minded explanations, simply shoot there and then.

So in the small time i have been involved in my hobby i try to get out as much as possible but somtimes its difficult to escape my real life of work and family.

InFrame with Ross Nicholson

No Fishing

InFrame with Ross Nicholson

Pitlochry

Misty You

InFrame with Ross Nicholson

Ghost Ship

InFrame with Ross Nicholson

Path To The Lighthouse

No Diving

InFrame with Ross Nicholson

Stepping Stones

InFrame with Ross Nicholson

Stones Throw Away

InFrame with Ross Nicholson

Banksy Boi

St. Monans Zig Zag Pier

InFrame with Ross Nicholson

Wrecked

Beyond The Depths

InFrame with Ross Nicholson

No Bullshit

InFrame with Ross Nicholson

Lovers

InFrame with Ross Nicholson

Bridge Over The Dark Side

InFrame with Ross Nicholson

Imperial War Museum Manchester, England

Slide Away

InFrame with Ross Nicholson

Arround The Bend

Heinz Innerhofer Filmmaker / Photographer / Artist Web: www.h-innerhofer.com

Heinz Innerhofer *1964 Studied at the film school „Zelig School for Documentary Films“ in Bozen. A series of periods abroad followed, as an assistant cameraman for various documentary films for the ORF, ZDF, SRF and RAI, before returning to South Tyrol

InDetail

and completing a 3-year course as a bookbinder. By coincidence I came to Munich, where I worked as a photographic assistant for a few years. I started independent work as a photographic and graphic designer in 2001 and in 2010 I completed a 5-semester course in artistic and representative photography at the Austrian „Prager Fotoschule“, with distinction. Today he lives and work as a freelance photographer in St.Lorenzen (South Tyrol).

Special Feature with

Heinz Innerhofer

MAIN EXHIBITION „Trierenberg Super Circuit“ Festsaal des Neuen Rathauses der Stadt Linz, Hauptstraße 1-4 31. October - 22. November 2015, from 11.00 AM till 07.00 PM. ARC-Electronica Linz Deep Space 11. September 2015 07:00 PM project presentation „bin bist ist“ according with a composition by Caroline Profanter, Rezitation Christina Auer Projekt 2014 52 x 3+ Alte Turnhalle Bruneck 23. Mai 11.00 AM - 08.00 PM, 11.00 AM Vernissage - 06.00 pm Finissage 3 photographs each week for one year, for the exhibition one day, exhibition with 156 photographs and contemporary music a time lapse in 2,41‘ Music by Adam Pescoller, Philip Glass, Morton Feldman Christina Auer flute, Adam Pescoller piano, Enrico Pompili piano, Patrick Künig glockenspiel Winner of the gold medal at “Internationalen Trierenberg Super Circuit” in the category portrait. Finalist at „Siena International Photography Awards 2015“ in the categories monochrome and portrait.

InDetail with Heinz Innerhofer

‚am are is‘

Everybody manages - some of us better, other not quite so good - to create an image of themselves to show the rest

Never before has the individual been as free as today. Be who you are! , the world shouts at us. Unfold! Do your own

of the world. A modern-day adventure in between conformance and individuality. Be all yourself - but don’t differ

thing! Make something of yourself! This is the imperative of contemporary individualism.

from the others. The bad news is: never has there been more pressure to be happy and successful than today. We are doomed to be The good news is: happiness is still achievable, the Western world will survive, and we’ll keep searching for lov¬e.

happy. We are forced to be successful. We have to be. Individualism has become compulsory.

We don’t have to believe in any God, we don’t have to get married, we are allowed to tattoo our body. We can become a doctor despite having our nose pierced and are allowed to be hetero-, homo-, bi-, pan-, poly- or whatsoeversexual.

As a result I ask myself the decisive question or ignore it: do I still even know who I?

InDetail with Heinz Innerhofer

am I? I am –

This BEING has been keeping me thinking for a long time now and will keep doing so. Working on this topic was a

you are – are you?

tremendous challenge. It is something very private and I find it extremely difficult to talk about.

is she? she is –

I always thought I’d have to change. But changing entails a lot of cruelty and self-rejection.

we are – are we?

I will have to change because I’m not good the way I am.

… anything can happen…

By asking I am - am I? I’m on the way to BECOMING a BEING

InDetail with Heinz Innerhofer

EYE Catching Moment selected March 2016 We are proudly presenting our „EYE-Catching Moment“ selection for our April issue again. This slection of fantastic photographs was submitted by amazing, entusiastic photographers of our photo group - www.facebook.com/groups/eyephotomagazineeditorschoice/ We congratulate all selected photographers and thank everyone for your participation!

Photographer: Marco Schmidt ©

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Photographer: Benjamim Leandro Medeiros © Photographer: Игорь Угрюмов ©

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Photographer: Emanuel Pereira Aparico Ribeiro ÂŠ Photographer: Chris Linus ÂŠ

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Photographer: Jose Mario Liz Neves ÂŠ

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Photographer: Claudia Knote © Photographer: Chris Farley ©

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Photographer: Heko Köster ©

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Photographer: Marco Mandolini ÂŠ

Photographer: Nicholas Kilford ÂŠ

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Photographer: Yer Nevilos ﾂｩ

Photographer: Roberto D窶連mbrosio ﾂｩ

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Photographer: Chris Milla ÂŠ

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Photographer: James Capisinio ÂŠ

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Photographer: Lars Asplund ÂŠ

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Photographer: Bobbie Montales ÂŠ

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Photographer: Draz Foto ÂŠ

Photographer: Stephan Finsterbusch ÂŠ

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Photographer: Vitor Murta ÂŠ

Photographer: Marija Jilek ÂŠ

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Moment

EYE-Catching

Moment

Photographer: Karlo Flores ÂŠ

Photographer: Katrin Glaesmann ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

Photographer: Arie Arielly ÂŠ

Photographer: Albert Serra ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

Photographer: Davide Morello ÂŠ

Photographer: Goran Boricic ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

Photographer: Paulo Correia ÂŠ

Photographer: Mosaab Alsaray ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Photographer: Christian Lindsten ÂŠ

Moment

EYE-Catching

Moment

Photographer: John Pilkington ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

Photographer: Milind Tambe ÂŠ

Photographer: Luis Ricardo Fraile Yut ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

Photographer: Vitor Murta ÂŠ

Photographer: Witold Steblik ÂŠ

EYE-Catching

Moment

Photographer: Antonio Carreira ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Photographer: Hiroharu Matsumoto ÂŠ

Moment

EYE-Catching

Moment

Photographer: Dotto Nicola ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Photographer: Adem Karabal ÂŠ

Moment

EYE-Catching

Moment

Photographer: Christian Lindsten ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

Photographer: David M Milstien ÂŠ

Photographer: Henk Goossens ÂŠ

EYE-Catching

Photographer: James Watkins ÂŠ

Moment

EYE-Catching

Moment

Photographer: Joao Fernandes ÂŠ

EYE-Catching

Photographer: Juha Forsberg ÂŠ

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Photographer: Katherine Young ÂŠ

Moment

EYE-Catching

Moment

Photographer: Katrin Glaesmann ÂŠ

EYE-Catching

Photographer: Massimo Nenci ÂŠ

Moment

EYE-Catching

Moment

Photographer: Vitor Murta ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

Photographer: Helio Raposo ÂŠ Photographer: Nuno Andrade ÂŠ

EYE-Catching

Photographer: Ana Batista Constantino ÂŠ

Moment

EYE-Catching

Moment

Photographer: Dave Davies ÂŠ

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

EYE-Catching

Moment

Photographer: Remi Martin ÂŠ

Photographer: Lars Asplund ÂŠ

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