Embroidered Digital Commons
A distributed embroidery of ‘A Lexicon of / for the Digital Commons’ Raqs Media Collective, 2003. Facilitated by Ele Carpenter 2008 - 2013
The Commons A principle of common ownership, access, protection and use: •
Common Land: Diggers, 1649
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Global Commons: Antarctica, the high seas and deep seabed minerals, the atmosphere and space (Buck, 1998)
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Commons, multitude and globalization (Hardt & Negri, 2000)
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Culture is something you do, not something you buy.
Digital Commons The Digital Commons invites open participation in the production and distribution of tools, culture and ideas / knowledge. •
The Internet is a distributed network On distributed Communications (Paul Baran, 1964). Rhizomatic network (Deleuze & Guattari, 1980)
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Digital Tools can be collectively developed and maintained GNU / GPL (1984), Open Source Software, FLOSS, FLOSSIE.
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A challenge to property and territorial rights Homesteading the Noosphere (In: The Cathedral & The Bazaar, Raymond, 1999)
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Digital formats are inherently reproducible. Remix Culture, Lessig. Creative Commons: Copyright to share (est 2001)
Networks Paul Baran, 1964
EDC is a combination of decentralised groups participating in a centralised project using a distributed network.
A Concise Lexicon of / for the Digital Commons Raqs Media Collective, 2003
Access Bandwidth Code Data Ensemble Fractal Gift
Heterogeneous Iteration Journal Kernal Liminal Meme Nodes
Orbit Portability Quotidian Rescension Site Tools Ubiquity
Vector Web Xenophilly Yarn Zone
‘A Lexicon of / for the Digital Commons’ Raqs Media Collective, 2003.
Access
Access Space, Sheffield, 2010
Code
National Museum of Computing, Bletchley Park, 2011
Ensemble "The conceit or delight in togetherness in an increasingly anomic, fragmented world. Playing or working together to create finished or unfinished works. Chamber musicians, criminals, code-hackers and documentarists form ensembles. Artists try to. Effective ensembles are high bandwidth assemblies that build into their own architecture portals for random access into themselves. They are, when they are at their best, open systems that place a premium on shared information within them. They can at times maintain high levels of secrecy while seemingly appearing to be transparent. Here, confidentiality is an index of practices in gestation. Mined data is, sometimes, restored to natural states of information entropy in data dissembling ensembles, which have been found to work best at night in media labs. The Raqs Media Collective is an ensemble and everything it does is an ensemble of existing or anticipated practices."
Fractal
Co-ordinated through the Mr X Stitch blog.
Gift
Öppen Syjunta, Handarbetets Vänner Galleri, Stockholm, September 2010 & Konsthochschule Berlin-Weisensee, May 2012
Heterogeneous "That which begins in many places, like the story of a person's life. Diverse, dispersed, distributed, as in the authorship of culture, and in the trajectories of people who come to a site. Interpretations and ideas embrace greater freedom only when they encompass heterogeneity. In this, they are like most intimacies and some kinds of fruitcake. The richer they are, the more layers they have."
All My Independent Women, VBKĂ–, Vienna, Austria, November, 2011
Kernel
Access Space, Sheffield, 2011 - 2012
Meme with MzTEK
‘Being Social’ Furtherfield Gallery & FLOSSIE Conference, London, 2012
Nodes
European Women Writers' Network Belgrade University Serbia & Chawton House Library, Hampshire 2011
Quotidian
http://www.glittyknittykitty.co.uk/
Rescension
Digital Humanities Conference, Kings College London, July, 2010
Site
Radical Cross Stitch (Rayna Fahey) and Public Assembly (Lynda Roberts), Sculpture Now!?! Yarra Sculpture Gallery, Melbourne, Australia.
Tools
Analogue is the New Digital, Art Yarn, MadLab, AND Festival, Manchester 2010
Ubiquity
Open Design / Open Creativity. Fad Fest, CCCB Barcelona, July, 2012.
Vector
V&A Museum, Power of Making Exhibition, Digital Drop-in, London, 2011
Web
Face Book Group, Embroidered Digital Commons, 2011-12
Yarn
HumLab & Bildmuseet, Umea University, Sweden, 2009
Zone
Analogue is the New Digital, Art Yarn, MadLab, AND Festival, Manchester 2010
Proximity of craft and code • Exists in the everyday and within the political history of craft mechanisation and computing. • Open source and open processes are always unfinished, evolving and unraveling. • Therefore documentation has to be ongoing. • Objects and their processes are symbiotic. • Producing a series of works from each stage of the production process. • The work is an excess of documentation and maps the evolution of ideas over time. • Distributed works are produced through a variety of socio-economic contexts and professional / amateur roles. • Complex authorship and ownership issues.
Embroidery Writing and literacy Close reading and stitching Public space - public discourse Reclaimed skill - sustainable Like all collaboration - it is not compulsory Collective production Nonviolent Direct Action
Xenophilly
Manchester Science Festival, September 2012.