FADDY Magazine - Issue 29 February 2021 by FADDY Magazine

ISSUE 29 FEB 2021

TheLove Issue

ELLEN VON UNWERTH SWEPT AWAY featuring

GEORGINE

faddymagazine

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FOLLOW, CONTACTS Instagram: faddymagazine faddymagazine@gmail.com Facebook Page: faddymag For all inquiries please contact Candice Solomon Email: candicevalentinesolomon@gmail.com, FADDY Magazine submissions: candicevalentinesolomon@gmail.com Web Page: http://faddymag.com FADDY MAGAZINE EDITOR-IN-CHIEF & ARTISTIC DIRECTOR Candice Valentine Solomon MANAGING EDITOR Biagio De Giovanni SVP SALES AND ADVERTISING Candice Valentine Solomon candicevalentinesolomon@gmail.com JOURNALIST/WRITER Linda Arroz Gabrielle Smith Jamie Valentino Anneysa Gaille Rhett Butler EDITOR-IN-CHIEF ASSISTANT Helen Wilkey GRAPHIC DESIGN CONSULTING Massimo Storari GRAPHIC Giulio Cesare Silvestri & Biagio De Giovanni FADDY MAGAZINE HEADQUARTERS FERRARA - 44124 - Via Giglioli 28/A 5

Editor’s Note When I was thinking about what I wanted to create for The February

one heart and this is what I believe will make us whole on a global

issue.

scale.

I thought to myself I want to speak about love.

As the great Steve Wonder would say.

As some of you might or might not know I was born on Valentine’s

“Love is in need of Love Today “

Day. “The day of love”

I would like to give a huge Thank you to

Everything in this issue was given to me as a birthday gift by all the

Ellen Von Unwerth for our beautiful Cover and inside feature and

contributors.

every single person who contributed to This issue and Faddy Maga-

I believe that love is the most important thing in this world and most

zine and worked tirelessly to create great work especially during this

of all to create a safe space where we can all show our love for each

time of Covid.

other in the creative community and hold each other to the light

As I have always said we are nothing short of a miracle.

and grow together.

Thank you for making Faddy Magazine great. Thank you for always

Love is so many things. It’s venerability, it deep passion and some-

being brave and most of all about love.

times pain. What I found that was most important for me was to

I hope our LOVE ISSUE inspires you to be loving and feel the love

share with all of you the work of some very special creatives who

that all of the beautiful photographers and creatives have brought

have inspired me in so many ways.

to the February issue of Faddy Magazine.

I am blessed to say that all of our contributors are all about love and unity on all levels. This

Candice Solomon

issue is a cornucopia of love and tribe.

Editor in Chief

I would like to think at the end of the day that we are all apart of

Faddy Magazine

andice Solomon a native

segment of the fashion industry. She also operates a highly suc-

New Yorker, resides in Man-

cessful e-commerce showroom servicing blue ribbon customers

hattan with her fiancé and

globally. She is Editor-in-Chief and Artistic Director for FADDY

artist Robert Santore.

Magazine and the Sr. Vice President of Sales & Advertising.

Candice is a world traveler and the

Candice Solomon has an accomplished and impeccable reputa-

quintessential Native New Yorker.

tion in the world of fashion and fashion design as;

She is a highly successful female en-

•

Creative director

trepreneur running the operations,

•

Design director

“day-to-day” and strategic business

•

Editorial strategist & executive produce

offerings in the highly competitive

•

Stylist

and ever-changing landscape of the fashion industry. She is an

•

Content creator

award winning bridal and evening wear designer noted for her in-

•

Fashion merchandizing strategist

ternational and celebrity red carpet patrons.

•

Fashion and style trendsetter and Mentor

She has been featured in People Magazine’s “Best Dressed” for

•

Branding specialist

dressing her distinguished clientele, most notably, Donna Ha-

•

Instagram & social media influencer & strategist

novers wedding dress in People Magazine and “Town And Coun-

•

LikeToKnowIt influencer

try” magazine. In addition, she was featured in multiple concurrent years in the

Candice is renown throughout the fashion industry as the “go

highly prestigious “Best Of” in New York Magazine. Candice was

to girl” for “anything and everything” from sourcing incredible

regularly featured in the New York Times, “Style and Fashion”

location for editorial photo shoots, engaging with and securing

sections, and in many global publications, both print and digital

the worlds best and acclaimed photographers, stylists, award

editions.

winning hair and makeup professionals to securing multi-million

She was the executive producer and an on-screen commenta-

dollar apparel pulls for promotions and presentation, as well

tor for the award winning documentary “7 Years Underground”

as working with an inclusive, multidimensional pool of talent as

which focused on the early years of Rock & Roll, Jazz and Blues at

models.

the famous “Café A Go Go” located in Greenwich Village in New

She is passionate and a life-long supporter of the LGBT Commu-

York City. “7 Years Underground” winning awards in film festivals

nity, Trans Lives and mentor to many talented young people who

around the world.

have become incredible successful under her guidance.

Candice is the owner of a boutique consultancy/agency in New York City focusing on optimizing strategic placement, strategy and trend management for a broad cross section and inclusive

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LINDA ARROZ - Writer Linda Arroz is a writer based in California. The first plus sized spokesmodel to get a contract with a major brand, Spiegel Catalog, Arroz’ career spans the evolution of her skill sets. During her three years with Spiegel, she learned how to tell stories, discovered the story behind the story, the art and craft of the pitch, and how to produce and style a TV segment. Co-author of “Affordable Couture,” published in 2012, Arroz’ experience includes working as an apparel firm marketing director, magazine editor, fashion stylist, and TV personality, producing hundreds of morning television makeovers. Her portfolio of work has always been a voice of inclusivity. Her consulting firm, Makeover Media, continues to advise clients on a range of issues and opportunities. Arroz is currently working a memoir of her years working on the assembly line at General Motors. GABRIELLE SMITH - Writer Gabrielle Smith is a freelance journalist and creative copywriter. The London College of Fashion alumna has written widely about fashion and culture, with her work published in numerous magazines such as; Harper’s Bazaar UK, House of Solo Magazine, French Fries Magazine, Overdue Magazine etc.

ANNEYSA GAILLE - Writer Anneysa Gaille is a poet, educator, and journalist based in New York City. In 2018 her chapbook, No Such Thing As, was published by the Center for the Study of Gender and Sexuality at the University of Chicago. She is currently an adjunct lecturer in the English Department of Brooklyn College. Gaille also serves as the poetry and visual arts editor for the Brooklyn Review.

JAMIE VALENTINO - Writer Colombian-born writer, Jamie Valentino is the Editor-at-large of POP Style TV, and his column Sexpert is published biweekly in PROVOKR. You can read his essays and interviews in Google Arts & Culture, W42ST Magazine, LUXE Magazine, The Queer Review, Vulkan Magazine, and more.

RHETT BUTLER - Writer Rhett Butler is a print and broadcast journalist from New York City. His work has appeared in TIME Magazine, Money Magazine, UFC Magazine, JET Magazine, Heavy.com, The Shadow League, and more. He is also a Boxing Writer’s Association of America Member, Play-By-Play Commentator, and Combat Sports Insider.

HELEN WILKEY - Assistant to Senior Fashion Editor Helen Wilkey spent her first two years out of The University of Chicago working in talent, most recently at Paradigm Talent Agency. Ready to explore realms beyond her desk, Helen looked to fashion for hands-on production experience. She is now assisting on shoots in and around New York City.

table of contents

198 8

Larry Fink

Exclusive Interview

Steven Lyon

Ellen Von Unwerth

Love Love Love

David Drebin

Exclusive Interview

Severine Guyon

Mama India - A Journey to Love

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Swept Away

156

Ivan Aguirre

Mighty Aphrodite

182

Pauline St. Denis / Newheart Z. Ohanian - In Her Eyes

136

Freddy Koh

Love is Everything

116

Malo

Personal Feature 9

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We have already given Deities to each part Of our self Summoned With constellations of cork Having lost all distinction Between private dream and public song There is no more need to follow An unfolding through time Though I do Understand that desire For lives lived with A recognizable shape And sheets too Bright to Fall asleep in The way One wants One memory To rhyme With another Let’s let Our eyes adjust Until we can see in the dark As if we’ve just woken up With an innominate Two-hundred & seventh bone Pressed into this left Clavicle’s hollow Leaving shadow without scar Intimacy without autobiography Not necessarily Representative of what Has been Or yet to be - Anneysa Gaille

Brandon foster F O R G R E AT L - O -V- E WRITTEN BY: BRANDON FOSTER

Life beholds many queer feelings that are not issues to resolve or predict, these untold puzzling

works of art are meant to be encountered and uncommonly experienced. As a promise to selflessly place value in an accidentally on purpose act. This life can in turn hold many splendid moments, that in exchange leave behind a story built on one’s ability to endure. Endure by the power of being fueled with one unexplainable deep adoration. You can not glimpse at it, you can not caress it, and you must never assume you can command it. In spite of these facts appreciate this offering, fathom that you may only possess it within your own being and grant its radiant release. In one’s time, you are meant to hold many great loves that define your power to love and be loved. As you pass shadows in the dark that may sparkle at high noon understand one may hold the potential chance to plummet in fondness. As the moons pass the blessed act of your shadow coming across another mystical being may occur, but never one alike from another moons time. For attraction is only a temporary “love” lead by expectation but love is a permanent “attraction” found by destiny. For it was what it is so it will always remain as it should, for what is unconditional love under consequential conditions.

is for the way you look at me with eyes that never cease to lull my heartache. “Why do

you always look at me that way?” Don’t you dare ever stop tenderly stimulating each of my senses with no foreseeable explanation as to how it could be happening. “Why am I feeling

feelings let alone feeling this?” The rarity of this alluring effect overtaking me has lasted a million moments that I could stay lost in forever by my own volition. “I didn’t ask for this, naught like this, but will I remember?” Above all rose the undeniable crashes of emotions that advance and depart against my being in rhythmic waves that subsequently never seem to fade away from my existence. “This is only a craving, but will it matter once I’m full?” Distance consistently propels me further away yet nevertheless pulling me deeper into your protection. “What will happen if I choose me knowing this will never end?” Listening to the screams of her heart while denying the whispers in his head all together focusing on the gumption of their soul left a gonzo trail behind written in the stars. No one else may understand how vulnerably strong and safe you are, but I do. You might inevitably fail twenty-one thousand times more than another but you will prevail in this new life. As you are a special creation pieced together by deep compassion. Move forward with your goals that you must attain, triumph through the scars that have been placed on your heart by acts and words delivered by ones not yet capable of understanding. Life is incalculable, it refreshes with the overseen season’s weather. Even your coldest winter months happen for the greatest of reasons that we’re all here. Together it may feel eternal, like all you ever have is the sole choice to freeze them out, but do not let this world turn your heart of fire into a brick 33 below zero. I promise spring is upon its return and with it, new leaves will bloom that are better at being better.

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Brandon foster O

is for the only one I see with eyes framed in gold and skin as soft as the gaze into my own. “Why can’t I say so?” Inside your delicate embrace, how could it feel like it was

meant for me like something since freshman year? Afraid to fall yet defined by a cluster

of adjectives and one belief that is wrapped in warmth and perseverance. “What will come of this?” Through the mist of fog and steam, a paramour devotion magnified through energy once transferred by a chase for glory. Terrified yet amazed by the capabilities of all my favorite pleasures creating a new world of inspiration. “Where did it all go perfectly wrong?” Leading you to better understand how to exonerate your foregone afreet so I may refrain from my own overtaking me. I already chose you although I’ll choose me over and over, you were my trophy once before. “Where will you find me?” Confess at this moment and foresee the time to adjust your artifice as I reclaim my sovereignty. “Will it be?” Gifted with true strength to adore, and a love so sweet it must be kept bottled to deny easy attachment. I couldn’t profess that my heart skipped a beat for you at first clear sight beyond the height of dawn. The essence of life is not being perfect like a fresh sheet of snow untouched. The essence of life is surrounding yourself with humankind that loves you when you’re being authentic and helping you through the failures so that you can continue to improve. Two souls searching for each other that never chose but took one look and never stopped for a second to look back. Unforgettable stubborn smirks and loving faces that one could say I’ve seen before. A gentle kiss that will never fade, stroll with me as I shyly give into your touch that makes me forget about them.

is very very extraordinary within everything that you hold as your power to transform me. “Why did you take so long to undress me?” I’ve loved you forever past a day for the lessons you’ve taught me to use as my protection against a turned blind eye. Tailoring my

wounds in satins and silk to rectify my circumstances of unprivileged birth. “Will it be worth the price?” Giving her the strength in red to stand with her smile from ear to ear in awe of her sheer perfection. Deciding to do what you please with what you have found as your need. “Will you fade or be eternal?” Tell me now is this what you do or is this who you are with each breath that you take and each step that you may make? “What could May say?”

FOSTER BRANDON

I tried to give away all the pain, I tried to break away from what wasn’t anymore the purest love I ever knew. Forced by fire and bridges I had to cross with the hope that my aptitude would bring me back to you, but there is only foolishness to return to what was left behind in this journey. I somehow let go of all the shame you left upon my intellect, although you made your final return reimagined and I now at last have found beings that also no longer bear this homogeneous pain that promise to protect me. Purposely isolated in the middle tray clinging for a first love to save from its own demise. I would have stayed up with you unbroken to sprawl underneath the starlight had I known how to save a life.

is even more than anyone that you adore. Claiming love lives on the wings of anointed

doves, and love is all that I can give to you. “Will you still keep me the way I’ve kept you?” Transfixed attention on the reflection of your honorable love that you now glorify is more

than just a game for two. Romanticizing the process of a true fool learning the rules to ultimately reach one along a conquest that concerns not all. Falling in line with what is the highest form of expression, desires, and truthful vents. A tree through obstructed sunlight rooted in kindness has grown deeply out of the soil where a slim seed was once planted long ago. “In the fullness of time do you concur?” The past may shed a flowing tear but I have retained and hitherto pardoned all. I am gratefully unshakable in the humbling belief that the worthy gift of life’s magic is offered till the end and this love brings me to my one knee. Current balances may delegate everything in the rotation of my gravitational pull, but something spiritual has synchronized deep in my incarnation. My love I take you but please do not break me. For it is only me and you in greatest love.

Ellen Von Unwerth Swept Away featuring GEORGINE

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Photographer Ellen Von Unwerth Fashion Special Georgine Starring Shirley Mallmann Anna Shoot George Romann Styling Catherine Baba Make-Up Romero Jennings Hair Sebastien Bascle 1st lighting assistant Stan Rey Grance Video Matthieu Lemaire-Courapied Stefan Frost Produced by Producing Love Post Production Aurore de Bettignies 39

LARRY FINK American photographer Larry Fink is an icon, a dynamic spirit who resists being defined by his perhaps bestknown series, The Vanities, and who prefers a calm, quiet life on his Pennsylvanian farm over the hustle and bustle of New York City. On the occasion of his new solo show, Larry Fink – Retrospective, at Cologne-based Galerie Bene Taschen through 24 April 2021, Faddy Magazine spoke with the legendary photographer and storyteller about his life, his circle of like-minded photographer friends, recent projects, and why he still loves teaching and mentoring. As part of this special issue, Fink is sharing some rarely seen, love-inspired works as well as the best of his series The Vanities, Somewhere There is Music, and other works, on view in his current retrospective.

Larry Fink, George Plimpton, Jared Paul Stern, and Cameron Richardson, January 1999 © Larry Fink, courtesy Galerie Bene Taschen

LARRY FINK LARRY FINK EXCLUSIVE I N T E RV I E W BY CANDICE SOLOMON

Tell me a little about grow-

sometimes not.

of the images. Do many

ing up and what it’s been

On each and every Sunday, I

people have this strong

like for you as a photogra-

put my piano on rollers and

emotional connection to

pher over the years, from

take it along with my harmon-

your work?

the 1960s to the present.

ica wherever I go. For me,

I hope so, one of the main

A dominant idea within my

music is everything. It tran-

family was that revolution

was soon to come. A delu-

sional idea I might add, but it

scends with a communication beyond anything else I have experienced.

empowered me not to think of having a career within capitalism but to use my

obsession of photography to

document the dignity of man and woman, and essentially

work for the revolution. Needless to say, time didn’t bear

out the revolution. Thankfully, I was left with a career. And

Tell me about your beat-

nik lifestyle. Did you go to

accessibility. That I use the formal language of art making in vigorous ways is only to find the language to create accessibility on as many levels as possible.

my parents’ club, the Cafe Au Go Go? You were a big part of that era. Tell me

more about it and if it was a magical, liberating time for you as an artist.

I love the fact that you are also an educator. What has this been like for you to teach at the finest schools in NYC with the

Yes, I went to Cafe Au Go Go,

toughest curriculums? I

the Half Note, Gerdie’s Folk

know people who have

City, the Village Vanguard,

attended Pratt and could

Birdland, Slug’s Saloon, Wah

barely get through the

Club, the Metropole on 47th

first semester. Only the

I also love the fact that

Street…

strongest survive in the

music plays such an im-

We shared a love of jazz

schools where you have

thankfully in the deepest part of my heart, I am still working for the revolution.

portant role in your life. Do you still keep a harmonica in your pocket?

music, sometimes folk, and especially the blues. The

taught. Who were your best students, and what

beats did not share my leftist

became of them?

politics, and this was a discor-

Honestly, I am surprised I

dant note in our relationship.

survived. As far as curriculum

I always have a harmonica in

I was more on the periphery,

is concerned, I had a much

my pocket. I am constantly

looking inside.

more organic curriculum than

Will you play me a song when we meet?

making sounds, to the point where I am told I act like a young child. Music is simply sound, sometimes organized, 42

emphases in my working is

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was prescribed by the instiThe moment I saw your photography, I felt pulled in, as if I belonged in many

tutions. However, within my curriculum I was comprehensive. It didn’t go from A to B

Larry Fink, Stag Party, March 1994 © Larry Fink, courtesy Galerie Bene Taschen

LARRY FINK to C. It might have gone from

hear some of your stories.

truck drivers, mechanics, and

B to X to A; some students

Most people have no idea

the people of Martins Creek.

may have been confused,

about any of these pho-

The only issue now is many of

but most were enthused. I

tographers. Did you also

them are “Trumpers,” but one

love teaching. I teach to give

know Lillian Bassman?

does not have to talk politics

courage so that person can

I did not know Lillian, but I

to talk.

explore their own subjective/ objective imagination. As far as students who became

something there are many,

but I won’t name their names. That was not important to

me. The importance was the

broad sweep of the liberated visual soul.

knew of her work. Robert Frank is someone I didn’t

meet till much, much later in my life. I was not as involved with the photographic com-

munity as I was in the political and musical community. My

idols were musicians, photographers were my influence: Roy De Carava influenced

I’ve always admired the New School for Social Research. What was it like to work with Diane Arbus? I did not work with Diane Arbus. I knew her. We circled around each other in the

me profoundly as well as a chap named Simpson Kalisher. Brassai, Tina Mondotti, Dorothea Lange, Henri Cartier Bresson, Lisette Model, W. Eugene Smith, and Bill Brandt were other people I looked at.

sphere of Lisette Model. Di-

chievous and yet very loving about your photography. You seem to bring out the best in everyone. I adore this about your photography. There is a genteel quality to your work that I completely am captivated by. Tell me a little about this side of you. The gentility that you mention perhaps comes from the fact that every time I meet another person, I am astounded by the mysteries within them. They remind me of the mys-

ane was a direct but elliptical

I love the fact that you live

teries within myself, so my

soul, her emphasis was to

on a farm in Pennsylvania.

work is not to sit in judgment,

penetrate what frightened

What made you choose

but to receive energy in its

her the most, and to give her

that over New York?

purist emphatic fashion. Early

photographs a deep human-

The Catskills seemed too

on, in Social Graces, lots of

ity.

familiar to me. Pennsylvania was mainly comprised of

Tell me about this time in your life. You seem to have walked the path of dreams, and I’d love to 44

There is something mis-

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working class people, while the Catskills had some, but also the escaping New Yorkers. I enjoy hanging out with

sophisticated New Yorkers thought of the work as satire. I reject that notion absolutely. That I have a sense of humor about foibles is clear, but satire is not near.

Larry Fink, The Vanities, Meryl Streep and Natalie Portman, Los Angeles, February 2009 © Larry Fink_courtesy Galerie Bene Taschen

LARRY FINK Are you still working with

imagination. I have had some

I would only change things

film or have you gone into

workshops delayed due to

genetically, to improve the

the digital realm?

the pandemic, but used to

gene for kindness, and re-

I immediately loved digital. I

have students come out for

duce the one for cruelty.

loved film too, but it was simply a way for me to express my vision. As soon as I found

a day or two to my farm, and would consider doing so again if the world allows it.

digital I made it my way of working. It added more variable optics; the camera could see in the dark. By that time, even though my work with off-camera flash was noticed, I was tiring of it, and morally speaking it was more invasive than I want to be.

What do you have to say

about?

about the digital age and

Since covid, I am not inclined

all the bells and whistles? How do you feel about all the retouching that is happening in photography?

it shines on everyday objects my sink.

es, but I have no ill will toward

The frogs in the pond at the

their art, it makes no differ-

tographers? If so, how can

ence to me.

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am concerned with light. How

change and retouch my imag-

people come to learn from

my usual wont. Currently, I

around the farm, the road,

mentoring budding pho-

photographers express their

to photograph people as is

I do not tend to drastically

doing it. However one creates

I love teaching and helping

working on right now that you want us to know

Are you still teaching and

you?

What projects are you

bottom of the hill. I also now have the time to edit over 65 years of work, finding new photographs and putting to-

If there was anything that you could change what would it be?

gether a retrospective book, which may well end up being three volumes or more.

Larry Fink, Cecilia At Home, Bologna, Italy, May 2018 © Larry Fink, courtesy Galerie Bene Taschen

Larry Fink, Peter Beard Opening Party New York, New York, November 1977 © Larry Fink, courtesy Galerie Bene Taschen

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Larry Fink, Hugh Hefner and Playmates Oscar Party, Los Angeles, California, March, 26 2000, © Larry Fink, courtesy Galerie Bene Taschen

Larry Fink, Stephanotti Gallery Opening, NYC, February 1974 Archival pigment print 43 x 55 cm (17 x 22 in.)

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Larry Fink, Missouri 1958 Copyright and courtesy Larry Fink

Larry Fink, The Vanities, Los Angeles, March 2003 Archival pigment print 43 x 55 cm (17 x 22 in.)

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Larry Fink, Robyn and Raj Wedding, September 2017 Copyright and courtesy Larry Fink

Larry Fink, Angel Lust, New York ,1958 Copyright and courtesy Larry Fink

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Larry Fink, Lovers in a Doorway, Houston, TX 1958 Copyright and courtesy Larry Fink

Larry Fink, Justin Portman and Natalia Vodianova, Oscar Party, Los Angeles, February 2007 Copyright and courtesy Larry Fink

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Larry Fink, Amanda Evon Apple Eaters, 10-9-2012 Copyright and courtesy Larry Fink

Larry Fink, New York Magazine Party, New York, October 1977 © Larry Fink_courtesy Galerie Bene Taschen

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Larry Fink, Pat Sabatine’s Eighth Birthday Party, Martins Creek, Pennsylvania, April 1977 © Larry Fink, courtesy Galerie Bene Taschen

David Drebin David Drebin is pure energy. Once you’ve met him in person, you’ll never forget him. He stands out with his very open and engaging demeanor. His mindset is also reflected in his work, which is fresh and vivid, a mix of poetic narrative and contemporary drive. Following the spirit of his artworks – photographs, sculptures, neons, and light boxes – and on the occasion of his brand-new monography Collectors Edition, we went out to speak with the Canadian-born, New York-based artist about love, loyalty, and how far his creative process is driven by emotion.

Portrait David Drebin courtesy David Drebin

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David Drebin, Golden Dreams, 2017, copyright and courtesy David Drebin

david drebin D AV I D D R E B I N EXCLUSIVE I N T E RV I E W BY NADINE DINTER

What’s your definition of

inhabited by beautiful

Do you celebrate Valen-

love?

women with sensual,

tine’s Day?

long hair and seemingly

Love is the act of giving.

endless legs. How do you

Every day is a gift. Love is in

find those models? Do

the air!

Has love or some love-re-

you work with any of the

lated issue ever inspired

regularly? And what’s your

you to create specific

philosophy behind it?

works? Or do you work rather with anecdotes

It’s never the places, it’s the

or things you see around

faces in the places.

you?

Your photographic vision

https://daviddrebin.com/

Follow him on Instagram at @daviddrebin

Sex meets love and love

is to offer a kind of secret

meets sex – DavidDrebin.com

escape to viewers. Be it

David Drebin “Collectors

through a vast panorama

Edition”

In your work we find

window, a lovely view onto

heart-shaped objects in

Central Park, or the allure

Limited edition of 500 copies,

the sculpture Section,

of a refreshing dip in the

quotes from a passion-

pool. How have the cur-

ate conversation in your

rent difficult times affect-

38 x 48.5 cm / 15 x 19 1/ 8 in.

lightboxes and neon

ed the response to your

128 pages, hardcover, 50

works, as well as many

work? Do you think it’s

color photographs

emotion-struck sceneries

prompted more people to

in your photographs. Is

search for soothing visual

this a subject matter that

getaways?

everyone can relate to, regardless of where they

We build the brand and the

come from?

vision and the collectors come. I focus mainly on the

Yes. Love is the universal

vision. We have been show-

language.

casing works with Camera Work and Art Fairs together

More on David Drebin at

You are famed for your

since 2004. It’s never easy.

captivating dreamscapes

But passion is passion and

and cinematic city views

vision is vision.

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signed and numbered Published by teNeues Media

Texts in English, German, and French 250 EUR / 225 £ ISBN-13: 978-3-96171-283-0

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MALO Malo is a photograph artist, who puts his work at the service of a story… Through his photo series, he questions life, family, society, in a way that moves people, and don’t leave them unconcerned. His work, that he calls himself as participative, questions the audience, whom, from spectator, becomes the actor of an exchange between himself and the artist; even an introspection. If the form and content are intimately linked, graphic and technics choices are made to serve the story that he tells us, as a translation of the questions that he brings and asks us.

Faddy Stories

s e i or

Love is Everything by

Freddy Koh

FREDDY KOH

LOVE IS EVERYTHING

Internal Cover Fashion: Claudia Gasson (@missmaquetas) Fernando Rodriguez (@fernandorodriguezdesign_) IBRAINA (@ibraina.atelier) Juan Worley (@juanworleymx) Pajaros de Barro (@pajarosdebarroceramica)

Fashion: Fernando Rodriguez (@fernandorodriguezdesign_) Juan Worley (@juanworleymx) Pajaros de Barro (@pajarosdebarroceramica)

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Fashion: Fernando Rodriguez (@fernandorodriguezdesign_) IBRAINA (@ibraina.atelier) AFRODITA (@afroditafashionclothes) Juan Worley (@juanworleymx)

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Fashion: Claudia Gasson (@missmaquetas) Fernando Rodriguez (@fernandorodriguezdesign_)

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Fashion: Fernando Rodriguez (@fernandorodriguezdesign_) IBRAINA (@ibraina.atelier) Anikena (@anikena.azulik)

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Fashion: Fernando Rodriguez (@fernandorodriguezdesign_) Anikena (@anikena.azulik)

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Fashion: Fernando Rodriguez (@fernandorodriguezdesign_) Anikena (@anikena.azulik)

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Fashion: Claudia Gasson (@missmaquetas)

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Fashion: Fernando Rodriguez (@fernandorodriguezdesign_) AFRODITA (@afroditafashionclothes)

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Director & Photographer Freddy Koh @freddy_koh Production: KOH (@koh2.0) Co-Production: Artiiis Academy ( @artiiis.academy Models: Tereza Holanova (@terezaholanova_) Rocio (@rochiosoncs) Keyla Kaputo (@keyycaputo) Da eul Ko (@dalkothekoreangirl) Danira Quintanar (@daniracrobat) Art Directors: Manolo Valencia & Erick Sommet (@ericksommet @manolovalencia.13) Florar Designer: Elizabeth Mazy (@silvestradeflores) Asistant: Alberto Velasquez Cinematographer: Axis Coday (@malaprxis) Asistant: Ernesto Manero (@manero.films) Bts Video : Ramiro Laguna (@rammlaguna) MUA: Carolina Bellavista (@cb_co) MUA asistants: Pamela (@pamefashionstylist) & Luciana (@hairmakeupluciana) Styling: Victoria Francis (@victoriajadefrancis) & Manuel Delgado (@manueldelgado.moda) Fashion: Claudia Gasson (@missmaquetas) Fernando Rodriguez (@fernandorodriguezdesign_) IBRAINA (@ibraina.atelier) Anikena (@anikena.azulik AFRODITA (@afroditafashionclothes) Juan Worley (@juanworleymx) Pajaros de Barro (@pajarosdebarroceramica) 155

IVAN AGUIRRE

MIGHTY APHRODITE

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Skirt IVAN AVALOS @ivankavalos

Dress: Patbo - Shoes: Prada Skirt BLANCO ABRAJAN @blanco.abrajan - Corset REBECCA GAMEROS @rebeccagameros

Hat: Lassalle - Panties: Victoria Secret Dress ITALA AGUILERA @italaaguilera

Hat: Lassalle - Panties: Victoria Secret - Shoes: Stuart Weitzman Bodie REBECCA GAMEROS @rebeccagameros

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Lingerie: Dkny - Shoes: Stuart Weitzman Nightdown REBECCA GAMEROS @rebeccagameros

Top: Alice And Olivia - Pantie: Provocateur - Shoes: Tom Ford Dress SAUL LIZACRI @saullizacri

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Jacket: Kobi Halperin - Shoes: Stuart Weitzman Ensamble YUNUEN HERNANDEZ @yunhhz

Corset CHRISTIAN COLUNGA @christiancolunga.mx REBECCA GAMEROS @rebeccagameros Bra And Panties : Victoria Secret- -Bloomers Shoes: Stuart Weitzman Dress FERNANDO ALBERTO @fernandoalberto_atelier

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Dress: Miri Mari Dress JEANETTE TOSCANO @jeanettetoscano1 - Lingerie REBECCA GAMEROS @rebeccagameros

Dress: Miri Mari - Pantie: Victoria Secret - Shoes: Tom Ford Corset unique piece REBECCA GAMEROS for FADDY @rebeccagameros - Dress SAYAGO @sayagoficial

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Suit: Alexandro Fratelli - Shoes: Stuart Weitzman Lingerie REBECCA GAMEROS @rebeccagameros

Lingerie REBECCA GAMEROS @rebeccagameros

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Jacket: Fiodulce Dolls - Shoes: Prada Top and Skirt ITALA AGUILERA @italaaguilera

Dress: Lenshina Nchami - Shoes: Prada Nightgown REBECCA GAMEROS @rebeccagameros

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Dress and Trousers YUNUEN HERNANDEZ @yunhhz

Dress and Head Piece YUNUEN HERNANDEZ @yunhhz

Bridal Dress ITALA AGUILERA @italaaguilera - Head piece Stylist Own

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Dress SAYAGO @sayagoficial

Lingerie REBECCA GAMEROS @rebeccagameros - Miniñaque ANGEL GRAVE @angelgrave_official

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Fashion Photographer Iván Aguirre @ivanaguirrefotografo Model Alejandra Velasco @ale_velasco Styling Ness De Luna @nessdeluna Make up Monica Godinez @mono_godinez Special Effects Jorge Gomez @dnfx_studio Model Agent Emiro Cantillo @emirocantillo Photography Assistant Gabo Lopez @gabolopez33 Photography Studio 216 Estudió @216studiomx Styling Assistant Christopher Mucci @christopher.mucci 181

PAULINE ST. DENIS NEWHEART Z. OHANIAN

IN HER EYES

Erickson Beamon crown headband Keren Wolf pearl bib necklace & pearl brooch (in center) Mindy Lam Couture cascading nostalgia brooch w/white opal/gold florals Mindy Lam Couture asymmetrical white opal floral 14k gold filled cuff Mindy Lam Couture long pearl necklace Richard Radcliffe beaded tunic top CD Greene white organza tunic shirt with Ostrich feathers (worn under) Molla Walker baby blue organza tunic dress w/feathers (layered under) <- On the left page: Erickson Beamon pearl tulle vail & long vail (wrapped around head) + brooch worn in hair Keren Wolf large pearl headband worn as necklace (top necklace) Keren Wolf pearl bib necklace (second necklace) Dial M Molla Walker cape shawl

Keren Wolf burgundy feather head piece Naeem Khan metallic lace dress Mindy Lam Couture asymmetrical black/ruby choker 14k filled finishing necklace Mindy Lam Couture asymmetrical black/ruby choker 14k filled cuff Erickson Beamon multi stone brooches (worn on declouette) <- On the left page: Erickson Beamon crown head band Keren Wolf pearl bib necklace & pearl brooch (in center) Mindy Lam Couture cascading nostalgia brooch w/white opal/gold florals Mindy Lam Couture asymmetrical white opal floral 14k gold filled cuff Mindy Lam Couture long pearl necklace Richard Radcliffe beaded tunic top CD Greene white organza tunic shirt with Ostrich feathers (worn under)

Keren Wolf hat accessory Lory Sun Artistry choker (top necklace) Mindy Lam Couture pearl floral choker (middle necklace) Mindy Lam Couture pearl floral cluster w/bee brooch Erickson Beamon necklace (bottom necklace) Stylist’s own vintage archival orb purse CD Greene rose gold chain mail cowl dress CD Greene rose gold chain mail kimono sleeve cropped jacket On the right page: -> Mindy Lam Couture pearl choker w/14k gold-filled finishing (top choker) Erickson Beamon pearl & swarovski hair jewelry & earrings Erickson Beamon pearl w/cameo detail drop stone choker (bottom choker) Erickson Beamon Swarovski beaded overlay dress Cemre Oktay white dress (worn under)@ Flying Solo CD Greene crystal-embellished opera gloves

Keren Wolf hat accessory Lory Sun Artistry choker (top necklace) Mindy Lam Couture pearl floral choker (middle necklace) Mindy Lam Couture pearl floral cluster w/bee brooch Erickson Beamon necklace (bottom necklace) Stylist’s own vintage archival orb purse CD Greene rose gold chain mail cowl dress CD Greene rose gold chain mail kimono sleeve cropped jacket On the right page: -> Erickson Beamon pewter head band & Erickson Beamon pewter & white double pearl strand necklaces Mindy Lam Couture pearl necklace (longest strand) Object & Dawn namaka modular necklace w/tassels (worn over the dress) Solomeina white & black pearl bracelets @ Flying Solo OMUT chain mail dress Artramus by Tatyana Ramus slip dress (worn under)

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CD Greene black feather and leather Manteau with Coque feather collar Erickson Beamon necklace Keren Wolf hair jewelry brooch with feather <- On the left page: Object & Dawn; elohim garter band (worn as a head accessory) artemisia modular bodice w/leather belt elohim modular garter belt Pier Antonio Gaspari black silk kimono Pour Moi garter stockings

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Guod Erat Demonstrandum black organza dress ( worn as head piece) Erickson Beamon black tulle front vail headband w/ jewels OMUT jewelry chain mail dress CD Greene black tulle bugle beaded twenties opera gloves Pour Moi garter stockings Simone Perele high waist brief Saint Laurent booties

Photographer Pauline St. Denis @pauline_st.denis Creative Director | Stylist Newheart Z. Ohanian @newheartnyc Hair Adam Maclay using Rene Furterer @adammaclay Make Up Regina Harris @reginaharris Nails Nori representation Artlist using Chanel @nailnori Fashion Assistant Ellen Claire Newell @ellenclaire_newell Fashion Assistant Helen Wilkey @been_to_helen_back Retouching Joseph Gerardi @q_studios Lighting Associate Brent Lee @photobrent 197

severine guyon mama india a journey to lovE

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