FANStudio Portfolio

范凌工作室 FANStudio 城市｜Urbanism 建筑｜Architecture 艺术｜Art 策略｜Strategy

物理中没有直线，只有波；物理中没有固体，只有高频场域。 宇宙并不受制于三维的垂直－平行坐标系框架。 宇宙的实体能量常常是（辐射式的）向外扩张或（引力式的）向内收缩。 理查德·巴克明斯特 ·富勒

Physics has found no straight lines － has found only waves － physics has found no solids － only high frequency event fields. THE UNIVERSE IS NOT CONFORMING TO A THREE-DIMENSIONAL PERPENDICULAR-PARALLEL FRAME OF REFERENCE. The universe of physical energy is always divergently expanding (radiantly) or convergently contracting (gravitationally).’

Richard Buckminster Fuller

范凌工作室 | FANStudio

范凌工作室探索空间的边界。2007年建立至今，以跨学科的工作方式进 行设计和艺术创新，工作涵盖：建筑、城市、基础设施、空间艺术和策 略规划。 FANStudio exists to discover the boundary of space. Established by Ling Fan in 2007, it is recognized for its work in: architecture, urban infrastructure, spatial art and strategic thinking.

范凌 | Ling Fan

1981年生于中国上海，现居北京，从事空间艺术和建筑设计实践。范凌 的工作注重研究、分析和策略，勇于推演并挑战边界条件。通过设计、 评论、教学和研究等多种方式介入城市和社会文化问题。 范凌毕业于美国普林斯顿大学，获建筑学硕士以及荣誉毕业奖，现任教 于中央美术学院建筑学院。 范凌曾在挪威奥斯陆建筑学院、美国哥伦比 亚大学建筑学院Studio-X、美国南加州大学建筑学院，美国莱斯大学、中 国同济大学等院校进行讲座、评图和教学。 他入选了首届“关注未来艺术英才”计划，并获《美术观察》2009年度 当代青年艺术评论奖。他的设计和艺术作品在韩国光州设计双年展、美 国辛辛那提创意中国展、北京世界设计师大会、北京设计周、上海国际 艺术双年展、现场张江公共艺术展等展出。 Born in Shanghai, now is based in Beijing to practice spatial art and architectural design. Ling Fan’s approach to design has always been studied, analytical and strategic in nature. He is willing to test boundaries. He intervenes into issues of urbanism and society with design, writing, teaching and researching.

He received a Master of Architecture degree from Princeton University. He is an Assistant Professor at China Central Academy of Fine Arts.

He was selected as a winner of “Focus on Talents” Project by Today Art Museum, In 2009, Ling Fan was awarded Young Art Critic Prize. His design works have been exhibited and published internationally.

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坐享悬绿 Floating Green

2008 景观艺术装置 上海艺术双年展 中国上海 8m x 2m x 2m 2008 Landscape Art Shanghai Art Biennale Shanghai, China 8m x 2m x 2m

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6 现场照片｜photo: climbing children

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草坪代表大众福利，是沙土在城市环境中的视觉替代物，是城市 设计师在大规模城市设计图纸中模棱两可的表面填充物，但都“ 请勿践踏！”，并不属于公众生活。 草坪温顺、纯净、受约束，压制恐惧、肮脏和不确定性；草坪是 权力和民主之间角力的战场——用最民主的方式占领和覆盖。 草坪虽然是自然的再现，但却完全不自然，是工业复制和生物工 程的产品，被裁成方块，用卡车运输，由工人安装。 草坪是形成城市视觉质量最经济、最有效的方式——用最少的材 料消耗在最短的时间内覆盖最广泛的暴露表面。珠江三角洲如 此，奥运前的北京也如此。

“坐享悬绿”把扁平的草坪与被覆盖地面重新分离、掀起，使其 从一个城市化的纯粹平面视觉标志转化为可被公众占据、使用的 城市家具。 城市居民被暗示草坪的空间功能——触觉、嗅觉和坐的塑性感 知，被掀起的草坪本身薄且有韧性，在谈笑时的抖动可以随着草 坪本身传播——不是一个敬畏的草坪，而是一个情绪化的草坪。 物体建筑强调独一无二和纪念性，城市则强调密度和多样性，“ 坐享悬绿”拒绝成为标志物或雕塑，而着眼于创造一个可介入的 丰富城市场域。 草坪作为材料本身的廉价也给这种集群诉求提供了可能。“坐享 悬绿”本身由提供具有鲜明形态特征的某一艺术形式转化为可以 产生多样个体和丰富组合可能的生成系统。生成的作品被散布在 上海浦东张江高科技园区的现有城市绿化中，形成具有城市功能 的公共艺术空间。

PARADOXICAL GREEN Lawn is a visual substitute for soil and mud in an urban environment. It is an all-purpose hatching in urban designer’s / planner’s large-scale master plan drawings. But most, if not all, claim “Keep Off!” in reality, and none belong to the domain of public activities.

Lawn is benign, salubrious, and controlled. It beats horror, squalidity and uncertainty. Lawn represents social commonweal. It is a strategic battlefield between democracy and power- occupying and covering surfaces with a most democratic method.

Lawn is a visual reminder of natural environment in an urban context; however, it is anything but natural. It is an engineered product subjected to the rule of industrial reproduction and genetic engineering. It is produced in patches, cut into uniform squares, transported by trucks, and installed by human labors.

Lawn is the most economical and efficient veil in creating a prepossessing urban image. It consumes the least material substance, but covers the largest surface area within the shortest time period. Evidence can be found from Pearl River Delta to Beijing during the Olympic Games.

FLOATING GREEN “Floating Green” is a public artwork rethinking this condition. The flat lawn layer is detached from the ground it covers, and folded to create inhabitable urban furniture out of a flat visual icon for urbanization.

Its plastic feature invites people to touch, smell, occupy and sense it. The delicate bouncy structure oscillates with joviality when people sitting on it talks, moves and laughs. It is no longer a forbidding symbol of urbanity, but turns to an emotional and sensitive participant in urban life.

While an architectural artifact usually seeks singularity and monumentality, a city embraces density and multiplicity. “Floating Green” rejects to be a symbol or a sculpture; instead, it dedicates to create an interactive urban field.

The availability and low cost of the material provides the work with the opportunity of mass distribution. “Floating Green” therefore shifts from a particular visual image to a generative system with the potential to produce varied individual pieces and combinations. Some generated urban furniture pieces scatter across the existing green areas in Shanghai Pudong Zhangjiang Hi-tech Park, contributing to a high quality public space with both aesthetic experience and urban function.

8 photo | west view

9 photo | back view

10 现场照片｜photo: front view

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实水中的虚石 Absent Pebble, Materialized Water

2009 景观空间装置 韩国光州设计艺术双年展 韩国，光州 2m x 2m x 2m 2009 Landscape Installation Gwangju Design Biennale , Korea Curator: Byoung Soo Cho, Mohsen Mostafavi 2m x 2m x 2m

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14 diagram | informal & formless

不定形的卵石｜informal element: pebble

水线｜Line

水面｜Surface

无形的水｜formless element: water

水场｜Field

虚石｜Absent Pebble

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我把园林看作多种空间密度的重叠——包括 树、石、水、房、廊等。有形的空间、无形的 空间和不定形的空间并置交融，形成一个复合 的空间感知。 这个空间装置捕捉了这种叠合密度的空间质 量，形成复合的空间场域，用有形的物质化方 式逆转无形和不定形元素的空间逻辑关系：水 的无形和石的异形（不定形）转化为不同状态 的有形——两者作为物质消失了，留下了材效 （新材料组成空间形成水纹光影）和空（石头 以空的方式留在空间中）。 这种新的时空二元关系凝固了一个有形的瞬 间——不定形的元素在无形的环境中“停留” ，这是我所认为的“留（resting）”空间的本 质。

The Chinese garden is a spontaneous density field, in which formal elements and formless elements are juxtaposed to render a synthetic spatial sensation.

This spatial installation captures this condition through the formation of a synthetic space that reverse the logic of formal and formless elements: water as formless element is materialized through the repetition of its texture, while pebble as a formal element is subtracted from the materialized water field to be an absent figure. This dichotomy captures the moment, where formal element resting in a formless environment. It also creates an authentic spatial essence for “resting”.

16 photo | material effect (water wave)

17 drawing | top: front elevation; middle: section; bottom: plan

3mm corrugated acrylic panel

正立面图｜Elevation

剖面｜Section

平面 ｜ Plan

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19 photo | mediation space in bamboo forest

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三城筑 Three Cities Tale

2008 艺术装置 创意中国展 辛辛那提美术馆，美国 1,000平方米 2008 Art Installation China Design Now Exhibition Cincinnati Art Museum, US 1,000 sqm

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23 展览既传递信息，也传达感知和体验。在美国辛辛那提美术馆 进行的“创意中国”展中，我们用深圳、上海、北京三种不同 的城市空间体验容纳不同的设计媒介，深圳对应平面设计，空 间从天花上垂下，薄且轻；上海对应了产品和时装设计，空间 从墙上延展伸入展场，折叠和迂回；北京对应了建筑和城市设 计，空间从地面筑起，稳且有肌理感， 三种空间的物质感用同一种材料筑成，我们选择了实验室里生 产出来的复合材料pc板，建构深圳、上海和北京三座城市的不 同体验物质化。

Three cities in our design are not simply abstract containers of different exibition media. Our idea is to meterialized distinctive urban experiences of the city of Shenzhen, Shanghai and Beijing, though an interplay between specific spatiality, materiality, texture ,light transmission and construction method.

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积极的自然 Active Naturalism

2010 办公 杭州，中国 国际竞赛中标 7,800 平方米 2010 Office Hangzhou, China 1st Prize, International Invited Competition 7,800 sqm

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回 归 积 极 的 自 然

26 计了由四个层面组成的生态建筑

nature

自然｜nature 望模拟自然，而是希望在建筑中 间所带来的塑性感知；

urban

共空间，把城市的公共性对建筑 城市｜urban 作用尽量发挥

积极的自然 | active naturalism

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building

=

RETURN To ACTIVE NATURE

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公共空间部分和办公空间部分。 建筑｜building 过各种技术增加建筑自身的生态

ife

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筑存在高效之外的另一种逻辑， 之间的空间联系，形成舒适的交 生活｜life 发一种“慢”的健康生活方式。

办 公 和 生 活 10 方 式

公的交错 办公和自然的结合 事件空间的引入 一种崭新的健康工作方式和生活方式

放办公 | Serial open office

串联办公｜open office 共空间，把城市的公共性对建筑空间的积 发挥

放办公| network open office

公共空间部分和办公空间部分。我们希望通 增加建筑自身的生态性能； 并联办公｜network office

新工作 / 新生活 new Work / new life

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Work anD lIFe Style

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间 | event Space

张力在二层空间中拉开一条裂缝，一层随之发 事件空间｜event space 城市生活引入建筑的二层，形成一个具有张力 事件空间。

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间 | Public Space

新生态 / 新天地 new ecology / new Place

筑存在高效之外的另一种逻辑， 之间的空间联系，形成舒适的交 公共空间｜public space 发一种“慢”的健康生活方式。

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台 | green terrace

富的室外平台层，为人们提供了沟通 内院空间｜green space 以及在工作中接触自然环境的机会。 院都有一个景观主题。

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27 杭州新天地项目是一个大型的工业遗存改造项目，整体项目由 美国RTKL事务所规划，核心区由来自英国的Grimshaw和Seire建 筑事务所进行设计。商务中心面积为8000平方米，位于核心区 北侧，将容纳新天地的开发商进行办公、招商、会议和活动。 这个厂区始于大跃进时期对生产规模的追逐，而止于改革开放 的生产效率和效益的诉求。这种空间在当时被认为是高效的福 特主义的空间，在当代终极消费主义语境下却散发出了意想不 到的更大生产力。同样，我们在工业环境下不断扩张城市，侵 蚀自然，而在当代的绿色道德下却不得不花费巨大的还原自然 和生态。高效的几何和有机的自然分享着同样的空间政治。两 种空间的联盟，在我们的设计中一方面代表了对现有语境的回 应，另一方面也代表了我们对于任何一种模式的批判和反思。 设计由一个灵活的空间框架体系和一个自然的人造地形体系叠 合而成。我们把公共空间和办公空间交错布置办公空间向上或 向下半层即可到达公共空间，形成办公、休闲、沟通的相互穿 插。增加公共空间的可达性、利用率，形成高质量的办公空间 环境。更细致的分层鼓励人们能够更多的使用步行上下楼的慢 生活方式。通过公共空间和办公空间的交错，整个建筑形成一 个连续的环路，串起不同的办公空间和公共空间。 建筑办公空间内部设置了一个有机形态的中庭空间，把风、阳 光等自然要素带入建筑内部，形成了良好的办公环境。空间框 架和人造地形两种空间类型容纳了串联和并联两种开放办公方 式。空间框架系统为办公室布局提供了自由度，这个空间所支 持的串联式开放办公一方面继承了传统并联式开放式办公在开 放性、透明性、高效性、灵活性上的优势，另一方面也解决了 并联式开放办公在节能、通风、私密性等方面所存在的问题。 人造地形系统向上升起所形成组团式办公和会议空间两者间实 现了并联的功能。同时两种办公空间所形成的空间多样性本身 也增加了办公的和谐和乐趣。 建筑的空间张力在二层空间中拉开一条裂缝，一层随之发生的 扭曲把城市生活引入建筑的二层，形成一个具有张力和灵活性 的事件空间：展览、活动等都可以在这个空间中发生，成为整 个办公楼的社会功能和生命力的重要体现。事件空间边缘是整 个人工地形形成的空间扭曲，形成了空间的独特性，一直延伸 到二层室外。事件空间和三层的山园之间通过一个波浪连接， 活动可以延伸到三层的室外平台上。

Xintiandi is a large scale urban development to re-activate the industrial heritage on the outskirt of Hangzhou. The masterplan is designed by RTKL from USA. Nicholas Grimshaw Architects and Seire Architects from UK designed the major two mixed-use buildings.

This project is the business center building that accommodates the developer of the whole area with programs of office, meeting, and hosting events.

This project is a superposition of a flexible spatial framework and an artificial landscape. The public program and office program are arranged alternately to enhance the accessibility between working, recreating, communication and other activities. The shift of different levels creates a more subtle layer change that encourage people to walk up and down and enjoy the slow working and life style. Through the interval between public space and working space, the whole building is a continuous loop. The core of the working space is an organic shape atrium, which brings wind, light and other natural elements back to the building to create a ambient working environment.

The spatial tention split the building horizontally on the second floor.

The floor plate is distorted to connect the ground floor, which receives the city life into the building. The second floor is a flexible event space. It is a special space that receives all the spatial tensions from the artificial landscape. It also connects with the three floor open terrace.

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PUBLIC SPACE 7F Roof Garden 6F Small Meeting Room 5F Multipurpose Room 4F Meeting Room 3F Waiting Room 2F Entrance Lobby

NETWORK OFFICE 6F Studio 5F Studio 4F Director Office 3F Studio

garden

ga

Cafe Main Entrance

Theme Shop

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SERIES OFFICE 7F Roof Garden 6F Administration Office 5F Construction Office 4F Design Office 3F Administration Office

elevator core

arden

EVENT SPACE Cafeteria Office Lobby Entrance

EXTERNAL FACADE Steel Fram Curvy Acrylic Flat Glass

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restaurant

cafe discussion space

small meeting room

open office

courtyard waiting area

studio reception

discussion space open office

open office

open office

discussion space

3rd Floor Plan

utility rm ä‹ťáşƒ

terrace

á…¸ŕťŞá‘‡ŕ§„

ä†’ŕť›âŤźá “

Ďž Ďž

Ď&#x;

Ď&#x; Ďž

event space âŒ?ŕĄźă ŽäŻˆË„ŕ§ƒŐŻáˆŠăžœÇƒâŒ?ŕĄźÇƒá†ˆÓŽă„?♉âŒ?Փ⍟˅

lobby

terrace

á…¸ŕťŞá‘‡ŕ§„

䎟༙

Ďž Ď&#x;

ŕ Ąŕ§„

terrace

terrace

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Ďž

2nd Floor Plan

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平台/内院 terrace / courtyard

模 型 ModEl 105

Spatial Framwork:

Artificial Landscape:

空间框架系统 extension 空间框架系统 of the old factory 空间框架系统 fabric from south

积极的自然系统 积极的自然系统 积极的自然系统 spatial superimposition of the two systems

artificial landscape artificial landscape artificial landscape

空间框架系统是南侧老厂房肌理的延伸 空间框架系统是南侧老厂房肌理的延伸 空间框架系统是南侧老厂房肌理的延伸

自 然

Active Naturalism:

自然地形系统 自然地形系统 extension of the自然地形系统 natural landscape from north

Spatial Framwork Spatial Framwork Spatial Framwork

自 然

gEoMETRy + NATURE

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自 然

gEoMETRy + NATURE

两个系统在F地块形成了一种独特的空间张力，容纳开发、经营、管理这个新天地的机构。 两个系统在F地块形成了一种独特的空间张力，容纳开发、经营、管理这个新天地的机构。 两个系统在F地块形成了一种独特的空间张力，容纳开发、经营、管理这个新天地的机构。

gEoMETRy + NATURE

自然地形系统是北侧景观在基地上的延伸 自然地形系统是北侧景观在基地上的延伸 空间框架系统是南侧老厂房肌理的延伸 空间框架系统是南侧老厂房肌理的延伸 空间框架系统是南侧老厂房肌理的延伸

active naturalism active naturalism active naturalism

自然地形系统是北侧景观在基地上的延伸 自然地形系统是北侧景观在基地上的延伸 自然地形系统是北侧景观在基地上的延伸

空间框架系统和自然地形系统叠合形成新的空间系统 空间框架系统和自然地形系统叠合形成新的空间系统 空间框架系统和自然地形系统叠合形成新的空间系统

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Floor Plate

Public Space + Office Space

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33 剖面a-a

SectIon a-a

剖 面 图 SECTIoN 27

剖面b-b

SectIon b-b

剖 面 图 SECTIoN 28

bby / lounge / PublIc SPace

34 门 厅 和 公 共 空 间 lobby / lounge / PublIc SPace

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major event space 30

entry

The tension of the space splits the building into two parts. The split becomes a public space that absorbs social life and urban activity into the building.

Event space connects with the courtyard. The activity extents from inside to outside.

The wave creates a unique spatial quality for the event space.

Exhibitions and activities happen at this space. It is the convergence of vibrancy and social functioning

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跃动大厦 Pulse Tower

2009－ 综合功能（住宅＋商业） 西安，中国 建造中 24,800 平方米 2009 － Mixed Use (Residential + Commercial) Xi’An, China in Construction 24,800 sqm

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40 photo | construction site

UOFJUBQ OJ MG

SFUBFIU MG MBJUOFEJTFS MG MBJUOFEJTFS MG

MBJUOFEJTFS MG

MG MBJUOFEJTFS MG

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41 Pulse大厦坐落于西安古城西门外200米，是集居住、休闲、商业 等功能于一体的综合功能塔楼。

Pulse Tower, locates 200 meter west of the Old Xi’An city wall, is a hybrid building mixing residential, leisure and commercial programs.

西安是一个老城，但是城市中除了文化和历史的纪念物之外，却 已经被各种当代生活的“流”所渗透、侵蚀、浸没。在老城墙边 上建造一个当代塔楼，与其用传统的元素伪装敦实和古朴，不如 和老城在新与旧的“流”中推手太极，在动与静的运动中平衡。

Xi’An is one of the oldest cities in China. However, other than the static cultural and historic monuments, it has been infiltrated, eroded, and immerged by the contemporary flux of people, building, and traffic. Instead of building a traditional looking tower to fake old and respectful attitude, we prefer to fuse the old with new flux in order to find the balance between dynamic and static.

Pulse捕捉了老城所需要的鲜活，把“九宫格”的传统城市布局垂 直反射到建筑表面，每个格子用不同尺寸向外跳跃形成阳台，像 一个垂直的灵动城市，充满活力，也像老城墙上的砖块，由于时 间古远而形成一种粗质、像素化的肌理感。 随着高地价的房地产开发现状以及追求大、全、私密的房地产消 费心理，人们不得不把钱花费在一大堆封闭、僵化甚至无聊的居 住建筑中。为什么不能重新让生活有个性？为什么不能重新让生 活存在公共性和社区性？我们为每户人家设计了不同的阳台，启 发人们思考自己的生活；整个建筑的大堂设计在三层，成为一个 具有独特空间效果的公共客厅，我们设计了中庭，启发一种在自 己公寓内的慢生活，可以在自己家里散步，散步的过程中可以穿 越各种有趣的公共功能——健身房、游泳池、花园、会所等。

Pulse Tower captures the vibrancy of an old city, projecting the traditional nine-square layout to the vertical skin. Every square jumps back and forth to be customized balcony, like a city with various pulses. The skin also looks like the old fabric of brick city wall.

With the rapid augment of land price and the customers’ preference of big size and privacy, one spends a large amount of expenses on closed and banal residential spaces without too much life quality. Why not bringing individuality back to life? Why not bringing publicity and community back to life? Why not bringing joyful and playful back to living?

We designed customized balcony for each unit, it might inspire people to engage in life with different ways. The lobby, elevated to third floor, is a public living room. The three atriums penetrate into the residential floors to encourage a slow life within the building. The promenade path connects atriums with leisure programs of gymnasium, swimming pool, spa, garden, and club house.

42 diagram

single house nature

单体房屋 自然

courtyard community nature

tower no nature no community

合院 公共空间 自然

nature no community

自然 没有公共空间

nature community

atrium too large for community

中庭太大 难以利用

not all community spaces 不是所有的公 have access to light 共空间都与外 and air 界连通

自然 公共空间

高层 没有公共空间 没有自然

nature community

自然 公共空间

best combination

最佳结合

43 diagram

63#"/*4.

63#"/*4.

63#"/*4. tower in the park

residential service programs typically located near base

花园里的塔楼

住宅服务空间一般排布在底层

63#"/*4.

63#"/*4.

63#"/*4.

63#"/*4.

park in the tower 63#"/*4.

distribute them vertically to make community spaces

塔楼里的花园

将服务功能竖向分布开来以生成公共空间

x

+ single house nature 单体房屋 自然

courtyard community nature 合院 公共空间 自然

balcony 阳台

vertical courtyard 垂直里坊

natural and individual

open and communicative 开放和交流

自然和个性化

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44 perspective: view from old city wall

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46 section diagram

47 diagram | atrium space

48 perspective | interior spaces

索引

图名

28层

1:3

图号

B30

方案设计

2009 10

索引

图名

09层

1:3

49 perspective | view towards old city wall

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南方摩天楼 South Skyscraper

2008 4个塔楼＋1个规划国际投标 A塔楼获胜 深圳，中国 项目建筑师，非常建筑／张永和事务所 200, 000平方米 2008 4 Towers + 1 Masterplan International Competition 1st Prize, Tower A Shenzhen, China Project Leader, Atelier FCJZ / Yung Ho Chang 200, 000 Sqm

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不同的高层设计 街区与高层建筑 Different Tower 52 & Tower中庭类型： Fabric Atrium Typology

diagram | fabric & tower

南方摩天楼 街区与高层建筑

Tower in South 平面：

Fabric & TowerPlan

中庭式的高层设计提供了更好的通风和采光，是对南方生态建 筑的地域性解答。 正反L形 点状分散 四栋塔楼提供了四种基于中庭的各不相同高层解决方案。中庭 不同的高层设计 Two L Shapes Detached Spots Different Tower 的类型各异，形成四种不同的室内外空间关系。

Towers with atrium has better ventilation and lighting. It is a vernacular answer to the ecologic building in south China.

The four towers gives four different solutions based on atri方形，移位 中间，角部通 Square Displacement Center or Corner Connected um. Different types of atrium forms different relations between inside and outside.

相同的街区设计 Same Fabric

不同的高层设计 Different Tower

剖面： Section

相同的街区设计

普通摩天楼 - 核心筒在中间

南方摩天楼 - 核心筒分散，中间是中庭

General Tower - Core in the Center

Southern Tower - Detached Core, Leaving the Center for Atrium

Same Fabric

中庭类型：

斜线上升

Atrium Typology Oblique Line

直线

Straight Line

折线

Zigzag Line

直线

Straight Line

相同的街区设计 Same Fabric

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平面： Plan 高层与街区相互脱开： 水平脱开形成街道，

垂直脱开形成屋顶花园。 Detachment between tower and fabric: the horizontal detachment shapes streets, while the

正反L形

点状分散

方形，移位

斜线上升

直线

折线

Two L Shapes

Detached Spots

Square Displacement

中间，角部通

Center or Corner Connected

vertical detachment forms roof garden.

剖面： 18

Section

高层与街区相互脱开： 水平脱开形成街道， 垂直脱开形成屋顶花园。 Detachment between tower and fabric: the horizontal detachment shapes streets, while the

高层与街区相互脱开： vertical detachment forms roof 水平脱开形成街道， garden. 垂直脱开形成屋顶花园。 Detachment between tower and fabric: the horizontal detachment shapes streets, while the vertical detachment forms roof 18

Oblique Line

Straight Line

Zigzag Line

直线

Straight Line

53 The Urban Fabric Quality of Skyscraper Although skyscraper is a unique spectacle for an urban context, skyscraper does not represent urban life. Skyscraper always appears as a monumental object, the monolithic vertical volume of which accumulates power, which is conflict with the horizotal urban fabric of democracy and equality. Skyscraper severs the urban fabric and ultimately destorys the urbanity.

Shenzhen grows into a metropolitan in a short period of time, which is more an imagery urban transformation rather than urban life quality. Responding to this issue, juxtoposing a vertical tower with a horizontal urban block of skirtbuilding leaves the tower’s footprint to urban public space, which creates continuous pedestrian streets along different blocks. Skyscraper extends upwards its urban functioning as a landmark, and melts downwards – onto the city surface - into the urban fabric, encouraging the connectivity of urban life.

clear vernacular features that provides a more hygienic and better inhabitable, controlled environment.

Shenzhen locates on the south, humid and hot. We create an ecological atrium space going through the building section, which brings in sunlight, natural air ventilation to form a better nature for the working space. This eco-atrium is a buffer between interior and exterior environment that is consistent to the local climate, geographic features, and life style.

Both qualities creates a new skyscraper typology for this specific program and context.

The Vernacularity of Ecological Skyscraper Skyscraper is a strong physical intervention into the given environment. We hope this intervention is sustainable and responds to the vernacular condition of natural and cultural differences.

In so doing, the skyscraper becomes an ecological tower with This is an invited competition. Participants included Coop Himmeblau, Hans Hollein Architects, MVRDV, Morphosis and Steven Holl Architects. The jury was chaired by Arata Isozaki.

I collaborate with Yung Ho Chang / Atelier FCJZ in this project. We won the first prize for the Tower A, the largest tower among the four, which is a media masion.

摩天楼 in South

式的高层设计提供了更好的通风和采光，是对南方生态建

域性解答。

塔楼提供了四种基于中庭的各不相同高层解决方案。中庭

各异，形成四种不同的室内外空间关系。

类型：

Towers with atrium has better ventilation and lighting. It is a vernacular answer to the ecologic building in south China.

The four towers gives four different solutions based on atrium. Different types of atrium forms different relations between inside and outside.

普通摩天楼 - 核心筒在中间

南方摩天楼 - 核心筒分散，中间是中庭

General Tower - Core in the Center

Southern Tower - Detached Core, Leaving the Center for Atrium

54 城市设计导则

diagram | urban design guideline

Guideline 1 城市肌理

Urban Fabric

地块：15～35M

街道：4～6M

Block

Street

2 连续的街道

Continuous Streets

主街

Main Street

宽度: 6米（1～2层后退0～2米） Width: 6 meter (0-2 meters setback on floor 1-2) 次街

Sendorary Street

宽度: 4米（1～2层后退0～2米） Width: 4 meter (0-2 meters setback on floor 1-2)

3 街道界面

Street Interface

骑楼 -1

Porche 1

骑楼 -2

Porche 2

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4 塔楼的方向性

Direction of Towers

各个塔楼的标志性由于其所处城市位置的 不同有明显的方向性。塔楼面对大片的景 观，有好的视野，同时也意味着塔楼有更大 的被观看面。 Every towers has its particular direction due to its placement in the city. A tower facing wide area of landscape has a good view and a bigger chance to be viewed as well.

5 塔楼

Towers

方形体量

相似的立面设计

Rectangular Volume

基于中庭的设计

Similar facade

Different and rich space inside, like the atrium

同样的方形体量使塔楼与城市建立比较良好的关系，相似的立面设计使得塔楼之间相互相互协调但又不相同。中庭式的设计使建筑 获得更好的通风采光，同时使方形体量的塔楼在内部获得很大的差异。 The same rectangular volume creates a good relationship between the tower and the city, while similar facade design not only coordinates the four towers but also keep their uniqueness. Design of atrium make it possible to get better ventilation and lighting. It also gives more disparity between the rectangular volume of towers.

6 塔楼和裙房相互脱开 Tower and podium

关系1：水平分开形成街道

关系2：垂直分开形成屋顶花园

关系3：塔楼的中庭和街道相联系

Type 1: Horizontal detachment to form streets

Type 2: Vertical detachment to form roof garden

Type 3: Connection between atrium and streets

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56 model photo

8

16

57 perspective | bird’s view

17

58

舞动大楼 Five Dancing Towers

2010商业、住宅综合体 进行中 河南，中国 160, 000平方米 2010Commercial + Residential In Progress Henan, China 160, 000 sqm

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61 随着中国飞速的城市化建设，大众所有的注意力都转向剧

本项目坐落于河南焦作市中心，功能为居住和商业综合

院、博物馆 以及体育场等建筑上。然而这些所谓的标志建

体。设计概念用两种基本的建筑空间元素：点状的塔楼和

筑只是中国现行建筑模式的一些特例。绝大多数城市仍然

体状的基座组成。在塔楼上形成体量上的轻微扭转，在高

是以的住宅开发项目为主，那些开发商大都会选择廉价和

密度的居住状况下产生了优雅的曲线和组合状态。这一做

毫无特色的住宅方案，以谋求快速收回成本赚取利益。我

法也可以产生视线和日照上的错动和优化。点状塔楼插入

们有没有可能拥有既高密度又经济可行而又有地标性的特

基座中，形成基座的内院、内街等公共空间系统，为底层

色住宅呢？

巨大的商业面积提供丰富的空间体验和公共性。

点 | Point

线 | Line

面 | Surface

体 | Volumn

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鄂尔多斯市民中心 Erdos City Civic Center

2011 鄂尔多斯斯托克前旗市民中心 会议、展览，办公 中标 内蒙古，中国 42, 000平方米 2011 Erdos Civic Center Conference, Exhibition, Office Competition Inner Mongolia, China 42, 000 sqm

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游廊 corridor 在建筑内与外穿越，形成展览和城市景观之 间的蒙太奇切换

天光系统 skylight system

屋顶平台 roof terrace 形成一个新的城市平面，成为城市活动和观 察城市的新视点

豆荚系统 pod system 有豆荚的地方就有城市服务功能，包括：信 息台、服务台、资料室等。

二层展厅 2nd floor exhibition space 城市文明展厅 城市工业展厅 市民公共服务平台 市民开放工作室 休息厅

结构 structure 水景 waterscape 市民广场 people square

城市模型互动沙盘 urban planning interactive model 停车 parking

一层展厅 1st floor exhibition space 城市规划展厅 城市文化展厅 报告厅 会议室 资料室 图书馆 办公室

65 启发1：帷帐空间 帷帐是东方古典建筑的起源,帐幕的自然弯曲状态表达了一种东方 的审美观和价值观,和西方的文明的直线表述产生了对比,本案延 续了这一美学的倾向,屋顶自然垂落的姿态,形成的建筑延展、放 松、飘逸的气场。 启发2：起伏轮廓 起伏形成层叠，形成层次的变化和交互。起伏的轮廓形成一种独 特的集体形态，区别于单一形体的标志性，而形成一种由多个元 素复合形成的集体姿态。这个姿态和本建筑所具有的市民中心和 展览展示功能的内在性相吻合，并最终形成一种新的标志性，和 自然、城市、人与天相协调。 启发3：飞翔动感 建筑不是静态的，是一种动的凝固，所以在建筑的静止状态中可 以看到动的轨迹，像飞翔的雄鹰在滑翔的那个瞬间。整个建筑即 将从地面上起飞。 新水平面 建筑在地面和天空之间形成一个新的水平面，这个水平面就像是 城市发展的新平台，形成对城市理解和观察的新视点。这个水平 面在力的作用下逐渐变形，一边用自身抵抗着张力，一边又在张 力的作用下在新水平面上下形成变化的空间，这个空间容纳着天 和地的力，容纳着城市和自然的力， 是一种动态的凝固。 开放的空间 传统的展览空间是内向的，把外部世界的物质收纳入展览空间中 间，封闭并向内挤压。 我们希望设计一种具有开放性的展览空间，这个空间的边界是模 糊的，展览不是一种收纳，而是一种拓展和延伸，是城市、自

然、天和人在某个空间的拓展，是一种公共性的空间，是一种城 市性的空间，是一种汇聚的空间，是一种活动的空间。 展览功能 建筑形态对天、人、城市、自然的呼应关系直接联系了作为展览 功能的建筑的四个展示空间： 天-历史展厅； 人-文化展厅； 都市-城市规划展厅 自然-资源/工业展厅 市民中心功能 建筑形态对天、人、城市、自然的呼应关系间接形成了四个象 限，这四个象限分别容纳了四个市民中心的组团，分别为： 城市形象展示组团 城市文化教育组团 城市行政服务组团 城市活动组团 舒展 建筑向都市、自然无限延伸，形成一种广泛的覆盖作用，不仅仅 对于城市，也对于自然；不仅仅对于天，也对于人。整个建筑给 人的感觉无限延伸，形成一个生长的有机体。 展览方式 建筑提供了丰富的展览空间和展览方式。形成对同一个展览内容 的多种层次展示和观赏。点、线、面结合的展览方式，形成一种 丰富的观展体验。

天和地 sky and earth

张力 tension

动态的凝固 frozen motion

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新天地孵化器 Xintiandi Incubator

2011 杭州新天地商务中心J地块 办公、商业 中标 杭州，中国 23, 900 平方米 2011 Hangzhou XTD J Plot Office, Commercial Winner, Competition Hangzhou, China 23, 900 sqm

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屋顶太阳能板 Roof Solar Panel

顶层行政酒廊 Roof Business Louge 屋顶平台 Roof Terrace

出租办公 Office 中空Low-E玻璃 Low-E Glass Panel

公共露台 Public Terrace

中庭 / 生态井 Atrium / Eco-Well

商业大堂 Commercial Lobby

镜面波纹铝板 Aluminum Sheet

办公大堂 Office Lobby

停车 Parking

71 杭州的水不仅塑造了城市的形态和文化，也同样以多样的姿态存 在。水在文化上、艺术上具有浓厚的意味。中国传统的空间不断 在屋顶、地面和墙面等建筑空间元素中寻找水的灵感。

圆和方、柔和刚： 空间：“波”启发的动态表皮系统和“流”启发的柔性体量之间 的并置，形成了建筑空间以及建筑和周围环境的关系。

本案由两个从水出发的系统复合而成：回波和潜流

功能：两层系统之间有时粘连，有时脱离，塑造了室内空间，形 成了功能的有机分布，包括：商业、餐饮、串联式办公、并联式 办公、内院、中庭、公共平台、屋顶花园、顶层行政酒廊等多样 的空间体验和使用可能性。

回波：由外而内的水：面空间 波形成了由内而外的表面肌理系统，我们采用3毫米厚的镜面铝 板进行不同穿透性的处理，形成了连续变化的表面肌理和透明 度，使建筑对外形象统一而且多样。建筑在阳光变化和人位置变 化下形成多样的透明、反射和折射效果，使建筑“波光粼粼“。 从而产生了一种视觉统一性下的多样微观变化，也用一种积极的 态度与周围新建筑和工业遗存之间形成动态关系。 潜流：由内而外的水：体空间 地块处在整个新天地地块的南侧入口处，是人流、车流等诸多动 态因素汇聚之处，建筑体量随着流的变动而逐渐被挤压和变形。 地块联系了东西两侧的商业业态以及南侧入口和北侧广场，形成 了在基地内部穿越的潜在路径。建筑体量亦考虑为这几条潜在 路径提供捷径的可能性，因此体量受到了明流和暗流的穿越、切 片、摩擦，产生一个具有物质性的形体，像胚胎，具有成长的张 力。充分回应了整个新天地开发的动态和发展本质。

文化：两个系统一方一圆，一刚一柔，呼应了良渚文化的玉琮所 代表的具有更广泛地域性和历史性的人文空间观。为整个建筑在 功能的合理性、空间的丰富性和使用的高效性之外又增加了文化 含义的深刻性。 氛围：波的表皮系统通过透明和反射的变化形成对周围环境的呼 应。流的体量系统在底部形成柔性的姿态，和现有的商业建筑和 工业建筑之间柔软切换；中部的刚性姿态形成自身的体量特征和 形体感；上部的柔性姿态和天形成自然过渡。

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简历 Curriculum Vitae born in 1981 in Shanghai, China lives and works in Beijing and Shanghai EDUCATION 2007

2005

Princeton University, Princeton, USA Master of Architecture Tongji University, Shanghai, China Bachelor of Architecture (honor)

ACADEMIC EXPERIENCE 2007-

2010

2010

2010

2008-2009

2007-

2005-

China Central Academy of Fine Arts, School of Architecture Assistant Professor + International Program Coordinator “NEXT CITY” Research Project (Sponsored by Dutch Design, Fashion, Architecture, Participant School: China Central Academy of Fine Arts, Tsinghua University, TU Delft, Sandberg Institute, Arnhem Academy, Design Academy in Eindhoven) Coordinator + Tutor CAFA + Columbia GSAPP + CUHK Summer Urban Research Program Coordinator + Tutor Architectural Association School of Architecture, Beijing Winter School Visiting Tutor Oslo School of Architecture and Design Visiting Lecturer Time + Architecture Magazine Guest Editor Design Critic BASE, China Academy of Arts, Columbia University, Southeast University, Tongji University, Tsinghua University, USC, University of Hong Kong

PRACTICE EXPERIENCE 2010-

2008-2010

2004-2008

Principal / Founding Partner Fan Ling Studio Beijing / Shanghai Founding Director Crystal Design Center C-Pod (Crystal Platform for Open Design) Beijing Project Architect Atelier FCJZ / Yung Ho Chang Beijing / Boston

AWARDS 2010

2009

2007 2004

Award for Best Instructor, China Art Education Committee Highest Honor, China Young Art Critic Award Scholarship, Princeton University Highest Desgin Honor, National University Design Competition

PUBLICATION (featured) 2010

2010 2010

2010 2010

2010 2009

2009

2008

2007

AREA Asia, “Floating Green”, Beijing, Jun. 2010 AREA, “Floating Green”, Italy, Jun. 2010 AREA Asia, “Urban Pulse”, Beijing, May. 2010 FRAME, “Please!”, Beijing, (forthcoming) 306090 Sustain and Develop, “Floating Green,” New York, Mar. 2010 TL, “Floating Green”, Belguim, Jan. 2010 Urban Flux, “interview,” Beijing, October 2009 Urban Flux, “Design into Life,” Beijing, Oct. 2009 Zhang Jiang On Site, “Fat Flat Float”, Shanghai, Pi Li, (eds.)

Pidgin, “Fat Flat”, Princeton

PUBLICATION (authored) Book: 2009

2006

Article: 2010 2010

2010

2009 2009

2009

“100 Years of Dutch Architecture”, co-translated with Lu Pinjing, Keren He, Siyong Liu, China Architectural Industry Press, Beijing, 2009 “1:2 Tongji Studio,” co-edited with Yung Ho Chang, Fang Ji Wang, China Architectural Industry Press, Beijing, 2006 (forthcoming) “End of Form”, AREA 2010, Beijing / Italy “Being Beijing”, co-authored with Cressica Brazier and Tat Lam, A+U 2010, Japan “A Case Study as Being Contemporary”, in Urban Flux 2010/01, Beijing “Being Beijing”, co-authored with Cressica Brazier and Tat Lam, A+U (Asia) 2009/10, Japan/ China “From Xiaoqu to Megablock”, in Time + Architecture 2009/03, Shanghai “Exhibition or Appearance”, in Time +

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2008

2008

Architecture, 2009/01, Shanghai “Colloid Space and Modern Art Space”, in Domus, 2008/11, Italy/ Beijing “On Close Reading: Building a Critical Interface”, in National Architecture Education Conference Essay Collection, Shanghai 2008 “Contigencies in the Art School”, in Abitare 2008/03, Italy/ Beijing 2008 “Five Polemic Points on the ‘Notes around the Doppler Effect and Other Moods of Modernism’”, in Time + Architecture 2008/01, Shanghai 2008 “Postcard Urbanism”, in Pidgin 3,

Princeton University School of

Architecture, Princeton 2008 “Interview with Peter Eisenman”, in Pidgin 4, Princeton University School of Architecture, Princeton 2008 “Extra Large: Dimension in Context,” in

306090: Dimension, New York 2008 “The Cloud in the Clock: A Fabricated Dialogue on Beijing,” co-edited with Jonathan Solomon, in 306090: Dimension, New York 2007 “Interview with Peter Eisenman”, in Time

+ Architecture 2007/06, Shanghai 2007 ”Four Steps Representing a Chinese Handscroll,” in Pidgin 2, Princeton University School of Architecture, Princeton 2006 “Reading the Image of IIT McComick Student Center,” co-authored with Fei Wang, in Time + Architecture 2006/01, Shanghai 2006 “Le Dian: A Flat Sound Structure,” in Pidgin 1, Princeton University School of Architecture, Princeton LECTURES AND CONFERENCES 2010

2010

2010

“Soft Energy”, Shanghai, organized by Center for Architecture, Urbanism and Infrastructure, Princeton University and Regional Plan Association “Beijing – Seoul – Tokyo Emerging Architectural Practices and the City”, Columbia Studio – X, organized by Columbia University Graduate School of Architecture, Planning and Preservation.

“Hard, Soft, Fast, Slow: Access and Mobility in 21st Century Cities”, Princeton University, organized by Center for Architecture, Urbanism and

2010

2010 2009 2009 2009

2009 2008 2007 2006

Infrastructure, Princeton University and Regional Plan Association “Research in Flux: Investigative Strategies for Architecture & Urbanism in China”, Central Academy of Fine Arts, Museum of Contemporary Art, organized by CAFA and Columbia University “Being Beijing”, Architectural Association School of Architecture Winter School Lecture Series, Beijing NOTCH: North Europe Art Festival, Beijing, organized by Norway Embassy, Sweden Embassy, Denmark Embassy AREA Dialogue: Sustain and Develop, Beijing, organized by AREA Magazine and C-Space Gallery C-Pod: + - x / Jessie Reiser, Beijing, organized by Crystal Platform for Open Design, AREA Magazine, and Sanlitun Village National Architecture Education Symposium, Xiamen Symposium on Architecture and Phenomenology, Suzhou International Conference on Architecture History and Theory Education, Tongji University “Field and More”, Southeast University

EXHIBITION 2010 2010

2010 2009 2009 2008

2008

2007

“Mother and Daughter: Exhibition for Cultural Heritage and Translation”, Today Art Museum, Beijing, China “40 under 40 Young Designer Exhibition”, Shanghai World Expo, Shanghai, China ”Mini maousse 4”, The Cité de l’Architecture et du Patrimoine, France “Design into Life”, Beijing World Designer Congress, Beijing, China “An Absent Pebble in Materialized Water”, 2009 Gwuangjiu Design Biennale, Gwuangju, South Korea “Floating Green”, 2008 Shanghai Art Biennale, Shanghai, China Exhibition Design, China Design Now, Cincinnati Art Museum, Cincinnati, USA Thesis Exhibition, Princeton University, Princeton, USA

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Š FANStudio 2011/04 | www.fatflatfloat.com | fanlingstudio@gmail.com