System of Archetypes CONTINUITY IN ARCHITECTURE | MAY 2022 ENCOUNTER & EXCHANGE | STUDIO 3
Farah Nadhiera Binti Mohammad Fuad Syahirah Hanis Abd Ghafar
Contents
Thesis Question
PART A
PART B
PART C
Recap of Studio 1 and 2
Theory and Precedent
Technical Resolutions
4
13
16
PART D
PART E
PART F
Final Drawings
Summary & Reflections
Bibliography & Appendix
40
81
84
How can architects negotiate a contentious listed ruin by introducing a contemporary typology for spaces of exchange? exchange of items, conversations, stories, skills and talents
Summary Map STUDIO 1
PROLOGUE Summary Map
STUDIO 2
STUDIO 3
System of Absences
System of (Ex)change
System of Archetypes
CONTINUITY IN ARCHITECTURE | NOV 2021 ENCOUNTER & EXCHANGE | STUDIO 1
CONTINUITY IN ARCHITECTURE | FEB 2022 ENCOUNTER & EXCHANGE | STUDIO 2
CONTINUITY IN ARCHITECTURE | MAY 2022 ENCOUNTER & EXCHANGE | STUDIO 3
Archetypes /noun/ 1.
A very typical example of a certain person or thing.
2. An original which has been imitated; a prototype. 3. A recurrent symbol or motif in literature, art, or mythology. (Oxford Languages)
Farah Nadhiera Binti Mohammad Fuad Syahirah Hanis Abd Ghafar
Farah Nadhiera Binti Mohammad Fuad Syahirah Hanis Abd Ghafar
Farah Nadhiera Binti Mohammad Fuad Syahirah Hanis Abd Ghafar
STUDIO 1 PROMPT
STUDIO 2 PROMPT
STUDIO 3 PROMPT
How can architects negotiate and intervene listed buildings tainted with
Looking at the past, how can buildings preserve the heritage and identity
Explore the tectonics of building’s archetypes that are functional,
dark histories by orchestrating between the permanence and ephemeral
contemporary, and personal to Accrington’s genius loci.
aspects, as a way to reactivate UK high streets?
coming 5, 10, 50 and 100 years?
KEY SUMMARY
KEY SUMMARY
Studio 1 examines the site by looking introspectively into two contentious
Studio 2 progresses by selecting one site appropriate to the ambition in
buildings neglected and destroyed by arson and relates them to the
tackling the wider issues in Accrington. It analyses the changing aspects
wider urban context. The methodology and theories revolve around the themes of ghost town, process of grief, embodiment of memory and System of Absences.
KEY SUMMARY the building that interacts with their local context. This includes experimentation on methods of representations to transcend traditional
buildings in Accrington high street. By engaging with Marc Auge’s theory
ways- looking into CGI, ambience, atmosphere, reference to classical
on Non Places (1992), Archigram’s avant-garde design manifesto (1961-
paintings, perspectives, composite drawings, exhibition, etc. Different
1974), Leon Krier’s urban sketches (2009), history of retail consumption
scenes and scenarios will be tested such as day/night and summer/
and personal criticism of existing retail typology in Accrington, the
winter to prove sustainability and adaptability. General drawings and
outcome is to propose a suitable use and an appropriate building system,
resolutions will demonstrate compliances with building regulations,
giving life to the former Conservative Club.
Accrington local plan and RIBA’s Sustainable Outcomes Guide.
Recap of Studio 1 and 2 Part A summarises findings and proposals from Studio 1 and 2 to inform the final design decisions leading to Studio 3. Previously, Studio 1 reflected on the grim past of Conservative Club, whereas Studio 2 continued by investigating the current conditions, the needs and aspirations for the future. Studio 3 will thus merge the contentious heritage that is valuable and worth remembering while considering ways to negotiate for a contemporary use that is resilient, adaptive, meaningful and sustainable for Accrington.
Recap Studio 1
PART A Recap of Studio 1 and 2
Black Abbey and the Conservative Club
System of Absences kbur
In Studio 1, we have extensively explored contentious histories around Accrington, and further narrowed down our research into two selected listed ruins tainted by dark events which were ultimately destroyed by an unfortunate blaze.
13th century 1-3 Black Abbey Street
Black Abbey Street
Street
NO
Location of the club within the Accrington Conservation Area, in proximity with other majestic artefacts of the town makes it an ideal node to break the boundary between forgotten historical landmarks and contemporary activities to initiate regeneration of the town centre.
S1 intervention (The Black Abbey)
S1 intervention (The Conservative Club)
Conservative Club 1890
Black Abbey
ad
y Abbe
CAN
2
1
on A3
n Ro
2
As we engaged with multiple precedents, work and theories particularly by Sulfaro and Pierre Nora on Lieux de Memoire, we have proposed interventions on both sites that emphasises journey through memories, utilising the concept of permanence and ephemeral in our proposal. Our intervention intends to comfort, negotiate and evoke lessons on listed ruins by reinstating forgotten landmarks using local materials such as the NORI bricks and sculpted wire mesh, provoking ghostly image of the absences. Moving forward to Studio 2, we have chosen to further our thesis pursuit with the Conservative Club. While both ruins carry significant values to Accrington, the club’s composition is greater in scale and complexity compared to the abbey as a testing ground for our research.
1:2500
Blac
9 Black Abbey Street 11 Black Abbey Street & 1 Jacob Street
Cannon Street
NS
T.
BLACK ABBEY
ST.
1
Have you heard about the building that grew downwards?
In Accrington, there is one...
The Golden Era
PART A Recap of Studio 1 and 2
1890 - 1990s
A grand and bespoke design to compete with the Liberal Club In Studio 1, we investigated the glory days and downfalls of Conservative Club, coupling it with theories of ruins and options for appropriate architectural solutions. To recap the story behind this majestic building erection, when the Liberal Club (1885) opened its door just across the street, the conservatives wanted to compete by building taller and bigger at the Cannon Street. The Conservative Club was later opened not long after, in 1891 as the biggest
18901990s
conservative club in the country, attracting guests from all Early 1900s Friends of Accrington Conservative Club
When it first opened its door, the magnificient ballroom can hold up to 1,000 people from all over the world. The Victorian Society (2017)
over England.
The Downfalls
PART A Recap of Studio 1 and 2
2008 - 2016
“A magnificent building beset by neglect and vandalism” The Victorian Society, 2017
What started as a bespoke Queen Anne style building and a fierce competition to the Liberal Club opposite the street, now becomes a derelict ruin as a result from neglect, vandalism and arson attack. Studio 1 discussed the edited space and fabric of Conservative Club throughout 130 years from a proud facade to a torn fabric. The analysis is synthesised to Images: (1) ITV. (2016) Fire at the former Conservative Club in Accrington (ITV, 2016) (2)(3) Downfall of a political giant: Inside the eerie ruins of Britain’s biggest Conservative Club (Daily Mail, 2016)
propose a sensitive adaptation and capture memories to the sad ending of a formerly monumental building.
Image: Richard Needham (2016) Accrington Conservative Club destroyed by fire 18th May 2016. https://www.flickr.com/photos/46833951@N04/26512484173
The Intervention
PART A
Signboard that reads ‘Conservative Club’
Recap of Studio 1 and 2
The Permenance & The Ephemeral Our Studio 1 proposal responds to the contentious ruin by recreating and capturing the former form of the facade, but using what feels like an ephemeral material to evoke a ghostly imagery; something that is there but does not feel quite present. The classical, Victorian facade with detailed sandstone carvings stands strong and solid in contrast to the new additions of wire
Sculpted wire mesh Signboard that reads ‘Churchills’
mesh in a contemporary and lightweight material, portrayed to be translucent to provoke the absence of once a proud and magnificent building.
Walking platform made up from steel structures
NORI Bricks structures stitched with exposed walls of existing ruin
Computer Generated Imagery showing contrasting materials between a solid stone ruin with lightweight, “translucent” wire mesh on top, communicating the idea of permanence and ephemeral.
Existing ruin on site
Greeneries and landscaping to address lack of parks and quality outdoor spaces in Accrington
Proposed temporary intervention
Exploded diagram showing the demountable parts of the intervention
Interactions with the additions to the ruin with sculpted wire mesh, NORI Bricks structures, greeneries and landscapes.
PART A
A Manifesto.
Recap of Studio 1 and 2
The Future of High Street
1
Doing stuffs, rather than buying stuffs.
2
Immersive physical experience.
3
Reflect 21st century consumption culture.
4
Engagement of city council + local community.
59.74%
voted for retail
In Studio 2, our research delved into the concept of ‘exchange’. The former industrial town is now predominantly characterised by retail buildings but slowly becoming a ghost town due to tragedies and vacancies from the impacts of Covid-19 and online shopping. Yet a survey conducted by the Hyndburn council found that almost 60% out of 380 respondents voted for “shopping/ retail outlets” as the most important facility/ theme to them when thinking about the future of Accrington Town Centre. We embrace this consensus and introduced an alternative approach to the exchange
5
Community-led, rather than commercial-led.
6
Balance between order & chaos.
7
Self sufficient, rather than segregated zoning.
8
Flexible and adaptable, rather than rigid.
culture to be more than just consuming but as spaces to meet and empower the community. Instead of browsing items, they can ‘window-shop’ skills they wanted to learn in this new space. Following observations and criticisms of the existing retail use in cc in ton
e
o ose
ni esto to e e ne n stee t e
o
o t e
future of Accrington Town Centre, which will be developed and translated in urban and architectural terms.
Retail Typology
PART A Recap of Studio 1 and 2
We studied spatial arrangements of existing Accrington and studied the buildings to inform the design in the vacant
retail buildings in Accrington to recognise their
site near the ruin (labelled 4).
features, problems and best practices.
3
Chain stores
1 1
Shop-street frontage
Wilko
Bla
ckb
urn
Roa d
2
Galleries with skylight
Ruin Arcade
4
Vacant land/ Ruin
Shop-street frontage
2
Galleries with skylight
3
Chain stores
Sum of the parts
PART A Recap of Studio 1 and 2
Of Streets, Squares and Monuments
BLACKBURN ROAD Retail WILKO Retail TOWN HALL Civic
TESCO Retail
BAPTIST CHURCH Civic CONSERVATIVE CLUB Civic & Retail
ST JAMES CHURCH Civic
Source: Krier, L. (2009) Drawing for Architecture. MIT Press.
ARCADE Retail In the pursuit of the ‘true city’ as Leon Krier suggested, Accrington needs a balance in between monuments, streets and squares. The exploded illustration applied Krier’s theory and contextualised it into Accrington’s personal urban grids. The illustration implies how the site of former Conservative Club interacts and complements with its neighbouring buildings in terms of functionality (retail and civic spaces) and monumentality (the defining character of a square or street), thus blurring the boundary between community, culture and commerce.
Theory and Precedent Part B presents one theory and one key precedent. The theory of classical paintings such as their composition will be studied to apply on our picture-making productions later on. A key precedent is highlighted in this chapter to give a background concept on contemporary approaches to ruin.
Theory of classical paintings
PART B Theory and Precedent
Studies and observations on the art of perspectives, lightings and eye movements in conveying a strong narrative and emotion. In this analysis we ask: How can the principles of classical paintings be applied to visualisations in Studio 3 to create convincing and impactful imageries/ picture-making?
Pinturicchio was an Italian painter during the Renaissance. Similarly, his paintings sought similar techniques but arranged in a portrait mode with human activities on the lower one-third proportion of the paintings. We envision the programme modules in Conservation Club to do the same by providing devices to enhance views of existing artefacts around Accrington.
Raphael’s School of Athens (c. 1508–11). Symmetrical framing and perspective, revealing rich layers of distance and focus,
symmetry, framing and rule of third. The paintings analysis helps us to understand how the eyes observe
foreground and background, with human activities on the lower
things while simultaneously thinking how to use architectural elements to reveal, obscure or highlight spaces. (Final uncropped image can be found at later pages).
and wander around the image to feast on the details. Rule of third
Framing
Perspective- symmetry
Precedent Analysis
PART B Theory and Precedent
Contemporary approaches to ruin The text and redrawn diagrams below are extracted from architect Michael Davies’s essay on New Life for Old Ruins (2019). He explained three approaches towards a ruin and their considerations to take into account. This information helps us to make an informed decision to intervene contentious listed ruin at Accrington’s
Dovecote Studio // Haworth Tompkins
Conservative Club.
1
Building inside the ruin
Preferred option for Conservative Club
This method tends to express the ruin most fully
This option works best to preserve and express the listed ruin by putting it as the outermost skin. This approach also creates
new addition
weather-tight seal between old and new (Davies,
opportunity to play with depths and layers. The technical
2019).
challenges can be resolved by studying Dovecote Studio by Haworth Tompkins as building precedent.
ruin
2
new addition
Building on the ruin
May be possible for Conservative Club
The ruin can be seen from both sides, but the
The ambition to use wire mesh as facade means that the mesh
interface between old and new often means that
must be supported by steel frames at the back of the existing
the ‘ragged edge’ of the ruin may be lost, as is
ruin, instead of on top of the ruin. Plus, we want the intervention
the case with Norwich Cathedral’s new refectory
to be demountable and only lightly touches the listed ruin.
building (Davies, 2019).
ruin
3
new addition
ruin
Building over the ruin
Not possible for Conservative Club
This provides the simplest and least destructive
This option is not feasible to Conservative Club because of the
solution. The ruin is enclosed inside a museum-
neighbouring buildings on site. The club shares a party wall with
like building. However, the ruin is now separated
its an adjacent building so it is not possible to offset the ruin’s
from its context (Davies, 2019).
perimeter outwards.
Technical Resolutions different archetypes- the facade, the roof, the stairs and the
different uses, seasons and scenarios.
PART C Technical Resolutions
Development Models
PART C Technical Resolutions
Iteration 1 The starting point is taken from feedbacks received in Studio 2. The roof form is problematic and the facades seem to be unresolved like a collage rather than a holistic single building which materials blends in harmony.
Iteration 2 We take a bold approach by
to introduce a viewing platform. It
mimics and responds to the Baptist’s Church tower across the street. Instead of having a full wire mesh front facade that partially blocks view, this new volume allows for a full glazing for uninterrupted and more emphasised viewing experience.
Iteration 3 Similarly for the stairs core, we introduced a vertical tower that mimics the church, perpendicular to the front facade. In plan, this creates a somewhat similar floor plan that resembles a cross, just like the church. The strong space division between front-stairs core-back helps to create a clear structural grid while expressing different kind of aesthetics and internal micro-climate with 3 different roof systems.
Iteration 4 Lastly, we decide which parts of the ruin to be carefully preserved and which parts of the facade to be clearly expressed as new interventions. The contrast between old and new facade is narrated through different materials: old sandstone and new white terracotta, similar to David Chipperfield’s intervention to Neues Museum in Berlin. Both materials are abundant and local to Accrington.
Facade Explorations
PART C Technical Resolutions
In these quick sketches, we explore and ask how the Conservative Club would be dressed
Flores & Prats Yute’s. What we like about this approach is how the materials wrapped
Rafael Moneo National Museum of Roman Art. This composition becomes the starting point
if it was hypothetically designed by Flores & Prats, Lacaton & Vassal, Palladio, Rafael
around the building and extend from facade to the roof. Furthermore, the building uses
to introduce a tower-like structure for the stairs core. The opening spans across levels and
Moneo, the original architect, and the mixture of them, clashing classical approaches with
contemporary materials and construction methods as an extension to collage with the old,
will be bigger compared to the other adjacent ones.
contemporary ones. While doing so, we take note of the relationships between facade and
existing textile warehouse.
openings with spaces inside of the west elevation by overlaying texts labelled as workshops, stairs, rooftop garden, etc.
Facade Explorations
PART C Technical Resolutions
Lacaton & Vassal FRAC Dunkerque. We choose this precedent due to architect’s intention
Andrea Palladio Ragione Palace. This is an exercise to imagine if there is no hierarchy to the
Conservative Club. Interestingly, our positioning of the stairs core
to recreate the same geometrical shape with the old, adjacent twin building, but using
west elevation, similar to Palladio’s approach on symmetry, harmony, repetition and strict
coincides with the former design of Conservative Club. The language between front and
contemporary materials. Plus, the extensive use of translucent materials is something we
proportion.
back volumes also differ greatly here- front is grand, whereas rear is modest with several
hope to employ to create a ghostly image.
small extensions later on. The former club appear to be a rectangular building footprint slotted in an exquisite and highly decorated facade envelope at the front.
Facade Explorations
PART C Technical Resolutions
To recreate a ghostly appearance of the former Conservative Club, four different materials are short-listed. They all offer translucency but posses different constraints and opportunities.
Option 1
Option 2
Option 3
Option 4
External cladding: Polycarbonate / ETFE cushions
External cladding: Wire mesh panels
External cladding: Sculptued wire mesh
External cladding: Glass block
Precedent: Lacaton & Vassal // FRAC Dunkerque
Precedent: Fieldwork // Nth Fitzroy by Milieu
Precedents: Eduardo Tresholdi // Marcelo’s Burlon’s Fashion Show
Precedents: Dumas + Horacio // Apartment complex in Mexico City’s upscale Polanco neighbourhood
Not chosen for front facade due to material contraints
Not chosen because of rigid straight angles, however
Chosen to recreate the highly ornate Queen Anne details on the
Not chosen because of rigidity and heaviness of glass blocks.
but can be used as roof systems.
assembly details using this material is referred.
former Conservative Club while retaining the transluscent quality
Comparably more difficult to disassemble. Not very suitable to
for ‘ghostly’ picture-making. However the challenge will be to
put on top of load-bearing listed building facade.
convert this art piece into a sound architectural material assembly.
Roof Explorations
PART C Technical Resolutions
Form and geometry
Option 1
Option 3
Option 2
Option 4
flat, glazed roof to emphasise circulation axis (removed as the roof is further developed and simplified)
CA
introduction of window puncture on mesh facade NN
ON
ST
RE
exposed roof terrace
Glazed arched roofing on atrium to ensure airtightness
solid roof to emphasise threshold between inside-outside
exposed roof terrace
glazed, pitched roof covering the atrium area
translucent, glazed roof
central pitched form that aligns with its northern counterpart
ET
translucent, glazed roof
S2 roof form initial proposal In Studio 2, we wanted to create series of layers by making the roof to appear staggering in height, creating elevation profiles for our building, while recreating former volume and form of the old Conservative Club. At its initial phase, while the intended visual is achieved, our composition seems to be problematic. As an archetype, the roof is not simply a ‘cap’ that covers the building, but it is an element that helps achieve intended aesthetic and interior atmosphere, whilst also being one of the building’s ‘face’. Moving forward, the roof form and system is further refined to express the design narrative better as well as reflecting the overall system of the building.
glazed puncture flat, glazed roof emphasising the circulation axis This option is a more radical approach of proposing the uppermost floor to be mostly exposed as an outdoor space
full-height glazed puncture through the west facade to emphasise stair core
glazed puncture breaks the facade’s horizontality
Following explorations and multiple iterations, this form is chosen to have best represent and emphasise the different segments of the building. Its simple pitched form simplify the narrative of the building while giving nods to the former Conservative Club’s roof, the aesthetic of other important artefacts of the town as well as sympathetic towards the existing roof geometry of neighbouring context, in particular the gothic-style Baptist Church.
introduction of openings that frames the view to the street interplay of geometry that emphasises different spaces of the building
Roof Explorations
PART C Technical Resolutions
Development and Sefaira Analysis
Option 3 Sefaira Analysis As part of the iteration, we have run through sefaira analysis to identify potential environmental comfort issues and to better inform our proposed material options. While trying to achieve intended visuals and atmosphere, we have also referred to the RIBA sustainability guide on their recommendation for fabric first approach on regulating the building’s internal climate to ensure its long term sustainability. Summarised are the result of the analysis in regards to light penetration into the building.
flat, glazed roof to emphasise circulation axis (removed as the roof is further developed and simplified)
solid roof to emphasise threshold between inside-outside
CONSIDERATION
1
Understandably the roof terrace is mostly overlit, given its position facing the south
Introduction of brise soleil element is required to reduce overheating and glare at the area. Although it is intended to be an outdoor space, the area needs to be comfortable enough to allow building users to enjoy the space. However, it is also important to retain as much transparency to achieve optimum garden atmosphere.
2
The area around the atrium and stair core is well-lit, apart from the area where there is immediate openings
Despite the favourable result, further material consideration apart from glass roof is required to achieve level of translucency intended while ensuring heat retention and circulation for comfortable interior all year round.
translucent, glazed roof
The Atrium the roof will be translucent to achieve a continuous language with the proposed sculpted mesh facade
translucent, glazed roof
glazed puncture glazed puncture breaks the facade’s horizontality
OBSERVATION
Glazed puncture an opportunity to create an interplay between existing solid sandstone ruin, translucent wire mesh and transparent glazing for layered views to the street. The puncture also denotes structural stability within the absences of the mesh
Stair Core Solid statement that becomes a threshold between the two segments of the building. It emphasises the transition between internal and external building climate Roof Terrace an outdoor space with open air environment. The roof is fully glazed similar to a greenhouse typology for optimum plant rearing environment.
Archetypes
PART C Technical Resolutions
Form, volume and elements
3
Neighbouring office buildings
PA
CA
NN
ON
RA
4
Solid, warm pitched roof system on stair core indicate structure, a threshold and transition between internal and external building climate. Its solidity, with glazed puncture on the East and West enhance the poetic capture of sunrise and sundown.
DI
SE
ST
RE
ET
Translucent pitched roof using ETFE film at roof terrace, similar to a greenhouse allows the space to maximise southern light, as well as creating an outdoor building environment, a different experience compared to the northern half of the Retail & building.
2 Pitched roof form recreating volume of former Conservative Club using ETFE cushion with differing transparency for view and shading through atrium space and creating shadows. Operable windows to assist with ventilation during summer
ST
RE
Outdoor (exposed to sun, shaded from rain)
Indoor (exposed to sun, shaded from rain)
el
ET
ss
ce ac
m fro
Programme modules made with prefabricated, structural insulated wall panels (SIP) for easy customisation, assembly and disassembly as required
ev tl
s
e tre
Outdoor (shaded from sun and rain)
5 1 Introduction of glazed puncture through wire mesh facade establish relationship and encounter and exchange between atrium space and building interior with passersby on Cannon Street Ghostly reincarnation using sculpted wire mesh
Ba
se
nt me
l
l eve
Existing Grade-II listed facade
Arched bracing on roof gives nod to the common aesthetic of most of Accrington’s important building such as the Market Hall and the Arcade. Other than providing support, the arched form subtly shapes the ceiling, hence the overall atmosphere of the uppermost floor.
Indoor (shaded from sun and rain)
4 climates within the building offering different atmosphere and experience
Volumetric explorations Apart from taking inspiration from the essence of the streets and the town, the building form is further developed from our S2 proposal in accordance to the intended building climates. Structure and materials are carefully chosen to achieve this as well as to ensure seasonal comfort of the internal building environments.
Key Section
PART C Technical Resolutions
A
The Roof
The Roof
Detail 2
Detail 3
A
The Roof Detail 1
The Facade
The Module ( +1.050 )
PARADISE STREET
Floor system Posi joist
Existing ruin Sculpted wire mesh facade
CA NNON STREET
Detailed Section A-A Scale 1:50 on A0 0
1
2
3
4
5
6
7
The Facade
PART C Technical Resolutions
01
1
Unitised glass wall
01
2 1
Sculpted wire mesh facade
Existing ruin
2
02
3
Scale 1:200 on A3
‘Phantom’ of the Club
3 4
02
6
Forming the base of our thesis beginning from Studio 1, the overall height of the previously destroyed facade is reincarnated, while engaging with existing listed structure on site, an incorporation strategy when intervening with traumatic ruins as highlighted by Sulfaro (2014). Taking precedents from the works of Edoardo Tresoldi, wire mesh is sculpted to recreate the ‘ghost’ of the facade to form an existence that seems apparent to sense but with no substantialty. This reincarnation of the absence stands majestically on Cannon Street as a reminder, an object lesson and a beacon of past glorified magnificence. We have sensitively taken care to ensure minimal works on the existing listed facade. Taking precedent from the design of Dovecote Studio, a new facade structure is inserted within the ruin perimeter to support the sculpted wire mesh facade proposed. This ensures the listed ruin remained untouched to preserve its memory and historical form. Unitised glass curtain wall is installed behind the sculpted wire mesh facade to ensure building airtightness, as well as to retain transparency for viewing out.
1 2 3 4 8
7
5 6 7 8 1
Sculpted wire mesh Unitised glass curtain wall (triple-glazed) Removable steel mesh leaf guard 150mm gap between existing ruin and glass wall Steel structure to support metal frame Metal grating Perimeter gutter with EPDM lining Concrete threshold
5
Indoor food module
2 Programme module
Scale 1:10 on A3
Scale 1:50 on A3
The Facade Edoardo Tresoldi (sculpted wire mesh) Famously known as the Artist of the absent matter, we have based our facade’ s construction on Eduardo’s methodology of sculpting wire mesh to form the ornate details of the reincarnated Queen Anne style Conservative Club facade. Similar to his crafts, we have chosen wire mesh due to its malleability to be shaped into various details as required, apart from using the mesh’s translucency to create a ghostly image of the absences. His artworks and installations prove the feasibility of our intention to create a statement from the once neglected listed ruin.
PART C Technical Resolutions
The Roof
PART C Technical Resolutions
Detail 1
The Atrium
1
Interplay of solids and voids breaks the horizontality between floor levels, connecting spaces through the height of the building visually and acoustically. The large atrium space mediates the interior chaos of spaces between existing solid sandstone ruin, proposed mesh facade, circulations as well as series of programme modules.
ETFE cushion roof with operable windows and fritting to control light transmission and solar gain, reducing glare and overheating
Arched steel bracing
By reinstating the former volume of the club, this part of the building wears a pitched roof form. Referring to the FRAC Dunkerque restoration, we have opted ETFE cushion for roofing material. Similarly, we wanted the area to be translucent to allow for just enough light penetration as well as to enhance the intended effect of transparency next to the solid stair core segment.
We have initially considered glass, however following further research and explorations, ETFE membrane is chosen as a better option: Extremely thin membrane, <0.20mm
Better insulating properties using air pockets
Durable, great lifespan of at least 30 years
Low maintenance, with excellent weathering properties
FRAC Dunkerque/ Lacaton & Vassal interior showing ETFE cushion roofing
2
Translucent, 90-95% of light transmission, similar to glass but with only 1% of its weight
3 4
Recyclable
Scale 1:50 on A3
1 2 3 4 5
Operable window for natural ventilation ETFE cushion unit Air inflation unit (distribute air to ETFE cushion to maintain constant pressure, as well as retaining its structural stability and insulation) Aluminium clamping strip Steel roof structure
3
Full-height atrium space, between facade and interior spaces that spans from ground to 3rd floor
1
2
4
1
Washroom with accessible WC
2 Accessible lifts
5 Scale 1:100 on A3
5
5
3
Outdoor food venue and entertainment
4
Indoor food module
5 Programme modules
PART C Technical Resolutions
Operable ETFE membrane roof is opted following the RIBA’s sustainability guide for fabric first approach and options for responsive local control, due to its excellent thermal performance, while achieving intended translucency. This assists in reducing the building’s operational carbon, with less dependency on mechanical aids.
Arched steel bracing as roof support Employment of posi joists as part of the flooring system. The open web steel design creates services void that allows for ‘clean’ and easier installation of services and pipework
ETFE cushions with fritting patterns
View out through layers of walls: Prefabricated SIPs Glazings Mesh facade
Existing ruin
Planter boxes that doubles as half wall for fall prevention
Scale 1:50 on A3 0
1
2
3
The Roof
PART C Technical Resolutions
Detail 2
1 2 3 4
Slate roof
5 6 7 8 9 10
Timber rafters
11 12 13 14
1
1
Roof slate Counter battens Ventilation zone to roof Mineral wool insulation fitted between rafters Breather membrane Services void Gutter Cavity closer I-Beam Rigid insulation Plasterboard with skim and paint finish NORI Brick Wall tie Cement render
2 3 4 5
6 7 8
Indoor food module
9
2 Access to roof terrace 3
Staircase
4
Programme modules
10
5 Planter box (doubles as half wall at 1100mm height for fall prevention as per the Building Regulation) 1
11
2 5
The Threshold 12 Being the core as well as the threshold between the building’s designated climate, the slice of space here is intended to convey solidness, hence our decision to employ a warm roof construction. Covered entirely with slates tiling, with its pitched formation, this segment of the building delivers clean, contemporary interior visual while being sympathetic to traditional Victorian roof aesthetics the Conservative Club once wore as well as the neighbouring Baptist Church and buildings.
13
3 4
4
14
Full-glazed windows on opposing sides enhance the poetic narrative intended, whereby the stair core area captures and emphasises the first and last light of the day.
1
Scale 1:50 on A3
Scale 1:20 on A3
The Roof
PART C Technical Resolutions
Detail 3
1
2
3
4
5
6
Operable louvers as brise soleil
ETFE film roof
1
2
2
2
2
2
2
1 2 3 4 5 6
Arched steel bracing
3
Scale 1:100 on A3
The Outdoor Terrace 1
Glazed puncture with decorative screen that doubles as sun shade
Taking advantage of its ideal position facing the south, the space is optimised as an outdoor roof terrace with garden. Similar to the roof at the atrium, ETFE is employed to achieve intended transparency. However, being outdoor, instead of ETFE cushion, we have opted for ETFE foil, a single layer membrane type, as insulation is not necessarily required in this area. Similar to a greenhouse canopy, its excellent light transmission properties makes it ideal for garden and plant rearing. The roof is equipped with unitised operable louvers to manipulate solar gain on any hot, sunny days as required.
Roof terrace with garden and seating
2 Programme modules 3
Entrance to the indoor segment of the building
Scale 1:20 on A3
Support track Louvers Louver linkage Actuator ETFE film with cable support Steel roof structure
PART C Technical Resolutions
Unitised operable louvers The louvers act as brise soleil at the roof terrace, deflecting sunlight as the louvers’ angle are adjusted accordingly. Considering the space position facing the south, while it is desirable to maximise light penetration, the louvers are essential to prevent excessive glare and heat gain. When required, the louvers can be adjusted to be fully opened or closed to achieve optimum environment.
light and heat deflected
light and heat deflected
Floor System Posi Joist
1
2
3
7
Scale 1:10 on A3
4
8
5
9
6
Posi joist is opted in line with our DfMA (Design for Manufacture and Assembly) agenda to employ as much prefabricated components for easy assembly and disassembly (refer S2 design principles). The open web steel design that features open diagonals allows for services and pipeworks to flow and installed easier. Its modular nature allows for lightweight construction, increasing time and cost efficiency.
1 2 3 4 5 6 7 8 9
Floor chipboard Rigid insulation Sound mat Gypsum board Floor underlay Wood parquet (floor finish) Gypsum fireboard Posi joist Services void
PART C Technical Resolutions
Arched steel bracing as roof support
ETFE film roof with operable louvers
Folding doors that can be fully opened for an expandable outdoor space during warmer season
Full-height operable window assists with air circulation. Equipped with balustrade for fall prevention, while allowing uninterrupted view out Scale 1:50 on A3 0
1
2
3
Flexible programme modules able to accommodate various activity types as required
Top Floor Garden he top floor garden acts as an outdoor space but shaded by
film
with louvres to control sun glare, heat and emissivity. The steel frame arches become a hanging or attaching device for installations.
Squirrel Point of View he additions of garden spaces, plants, trees, flowers and greeneries will hopefully attract insects, birds and squirrels back to this ‘acorn town’.
The Module
PART C Technical Resolutions
Permanent & Temporary
increase flexibility
B GF
Option 1
Option 2
Option 3
F1 F2 F3
Programme modules Permanent components Temporary components
Operable internal wall panels While its surrounding walls are fixed, flexible internal wall allows for module expansion. This can be achieved either through employment of folding doors or demountable wall panels.
Demountable half wall panels Mounted on top of permanent half walls, this option readily convert rooms into terraces when they are not required.
Prefabricated wall panels The walls are completely flexible for reconfiguration, assembly and disassembly as required.
While all three options allow for mass customisation, we have chosen to pursue with Option 1 and 3. Instead of opting for half wall as in Option 2, prefabrication and installation of a full-height unit of wall panel simplifies the assembly process and technical resolution. By allowing the whole wall panels to be fully disassembled as required, we are creating opportunities for expandable modules unit for larger crowds. Employment of prefabricated wall panels also means that the building is flexible for future change of use without requiring major modifications.
The Module
PART C Technical Resolutions
Mechanical connection system
Option 1
Option 2
Option 3
Metal Plate, Screw & Bolts
Snap & Lock Mechanism
Interlocking Joinery
Scoring Guide Ease of Assembly
Bracket and locking screw are pre-installed on opposite sides of the prefab panels
Skills required
Structural integrity
0
Easy
0
D.I.Y
0
Weak
5
Medium
5
Mediocre
5
Medium
10
Hard
10
Professional
10
Sturdy
15mm deep recess Metal bracket
Screws Locking screw Image credit: MDPI
0
•
5
Image credit: ArchDaily
10
0
5
10
0
Ease of assembly
Ease of assembly
Ease of assembly
Skills required
Skills required
Skills required
Structural integrity
Structural integrity
Structural integrity
Connections are exposed
• • •
Easy to assemble/ disassemble connection Seamless connection between panels Consideration for D-I-Y, no need for additional screws or further drilling that requires professional service
• •
5
10
Seamless connection between panels Double sturdiness from interlocking components as well as screw connections
As well as the type of panels opted, connection types are an important determinant to assess feasibility and complexity of intended wall assembly proposal. Mechanical or dry connection system are best for low skilled labour, as opposed to wet, chemical connections. Each of the three options are rated according to the listed aspects. Upon analysis, Option 2 and 3 are chosen for further consideration. Despite Option 1 rating best for the ease of assembly, the connections between panels are exposed, thus potentially disrupting the overall visual and aesthetic of the programme modules. Option 2 and 3 on the other hand, results in seamless connection between panels and possibly are complementary to one another for a sturdy wall connection.
The Module
PART C Technical Resolutions
1 unit module
Ceiling of floor above 6m 1
2
3
3
1
2
Prefabricated wall panel fitted with operable window
3
9m
Slender column visually ‘hidden’ behind the wall, to achieve clean, sleek aesthetic as viewed from outside the module
4
3m
6m 3m
1 2
3
Steel bracket Structural insulated panel (insulation foam core in between OSB boards as base for desired wall finish) Posi joist flooring system
3
The Prefabricated
1
Scale 1:20 on A3
One of the essence of the building as a space of exchanges is achieved through the 11 programme modules on the 1st and 2nd floor, with the 3rd floor’s module being mainly adapted as an indoor food venue. The module is sized following our building’s 3x3m grids, that adheres to the UK Government Workplace Design Guide and the HSE for optimum working environment and are flexible enough to accommodate for various activities type as exemplified. Following our initial exploration on wall panel configuration and connection options, we have opted for SIP panel system due to its properties of being load-bearing and great thermal performance to ensure airtightness of each individual modules, allowing flexibility in spaces configuration.
1
Wall panel fitted with door
2 Wall panel fitted with glazing 3
150x150mm column
4
Operable full-height window with built-in balustrade
PART C
Programme scenario
Technical Resolutions
Expansion scenario
demountable wall panels for module expansion
Washing Tools
Drying
+
Plantation pod attachment option
Art Workshop
Co-Works
Kiln Pottery wheels
1
4
Structurally independent wall panels and their connection system allow for slender 150x150mm column, hidden behind wall panels, for a clean, sleek visual as viewed from outside the module 1
Wall panel fitted with glazing
2 Wall panel fitted with door 3
Pottery Workshop Scale 1:50 on A3
2
Cooking Workshop
3
Solid wall panel
4
Wall panel fitted with operable window
Wall panels slotted in by interlocking joinery and snap & lock mechanism
Design for Manufacture & Assembly (DfMA) The programme modules are designed with DFMA approach in mind. We also wanted to challenge the stereotype of prefabrication being boring or rigid by providing several configuration options for wall panels, that allow building users to customise each module according to their needs. While the modules are sized according to the building grids, the possibilities are limitless as rooms can be sized up or down by adding or removing structurally independent prefabricated wall panels as required. In line with the RIBA sustainable outcomes, this ensures adaptability and sustainability in the long run, as current building use and activity trends changes and becomes irrelevant with time, while protecting the Conservative Club from yet another series of neglect.
Modules Floor Plan Scale 1:100 on A3 0
2
4
6
8m
Final Drawings Part D presents general architect’s drawings including site plan, floor plans, sections, elevations, isometric drawings, exploded drawings and many more. They are curated to be more than ust drawings, but to tell stories, convey possible interactions between floor levels, express the spatial ualities inside the building and its relationship across the street, and how the position and function complement to Accrington s existing urban fabric.
Phantom of the Club The ‘ghost’ of the former Conservative Club reclaming its historical grandeur as one approaches Cannon Street
xtending the life of a ruin The collage puts a vintage postcard of old Cannon Street circa 1925 next to the new imagined intervention to the Conservative Club. The hand reaching out to shadow represents how adaptive reuse can prolong the life of once a valuable and worth-remembering piece of contentious building heritage.
View from ‘ghost eye perspective’ Conservative Club at night during winter. The lit facade becomes a safety feature to a formerly abandoned ruin.
iew from another Accy s monument Conservative Club as seen from Baptist Church across the street. The church’s arched entrance is used as a framing device following composition lessons from photography techniques and classical Renaissance paintings.
Site plan
PART D
T he A
I - Site location
II - The Acorn Trail
The site plan indicates the strategic positioning of Conservative Club.
The map on the right is a rebranded Acorn Trail that merges Accrington’s
Previously in Studio 1, we chose Black Abbey Street and Conservative Club
listed artefacts and exchange network. The new proposals in Black Abbey
due to the similar circumstances they experienced. Both were Grade II
and Conservative Club will help to catalyse an urban connection that ties
&
listed building that were vacated, neglected and attacked by arson. We hope to rejuvenate the important sites as they are situated within Accrington Conservation Area and become parts of Accrington’s Acorn Trail.
Accrington Arndale
character of a square or street).
Town Hall (1858)
Carnegie Public Library (1908) Market Hall (1868)
Baptist Church (1874)
21 Canon Street (1860)
Market Hall (1868)
1-3 and 7-9 Black Abbey Street (1191 and 1839)
&
&
Blackburn Road
Former Cash Clothing Company
Former Liberal Club
Conservative Club (1891) St James’ Church (1772)
& Town Hall (1858)
& 20 Canon Street (1867)
corn Trail
&
Bus station
interacts and complements with its neighbouring buildings in terms of
Final Drawings
20 Canon Street (1867)
Former office of Charles ‘Torney’ Hall, of Gothic House
Baptist Church (1874)
&
Carnegie Public Library (1908)
21 Canon Street (1860)
&
&
Gothic House
Conservative Club (1891)
St James’ Church (1772)
Black Horse Hotel
Arcade (1896)
Warner Street
Abbey Street
Warner Arms (1830)
Former Red Lion Hotel
1-3 and 7-9 Black Abbey Street (1191 and 1839)
Existing acorn trail (culture & heritage)
&
Proposed exchange network (retail & community)
Scale 1:2000 @A3
Site Section
PART D Final Drawings
Situated on higher ground level, the Conservative Club provides an opportunity as a viewing platform over Accrington conservation area. From the viewing deck on the top f loor, visitors can observe the rooftops and skyline of Accrington monuments, as well as the hillsides surrounding the small town.
Image source: Accrington Town Centre Conservation Area Management Plan
Town Hall
Bird eye perspective from Studio 2
Market Hall
Carnegie Library
Baptist Church
Conservative Club
Charity house
Viewing Platform Situated on a higher ground level and near listed buildings, the new intervention in Conservative Club provides a viewing platform for locals to appreciate the townscape and protect their rich heritage.
Liberal Club
WI
(1885)
LLO
A New Retail & Typology
W
STR
PART D
EET
Final Drawings Retail Typology 1
Shop-street Frontage (the High Street)
Mechanics Institution
Community . Cultural . Commercial
19 Cannon Street Grade II listed
Carnegie Library
(former Manchester & Liverpool Bank)
Shop-street Frontage
Grade II listed
(the High Street)
(1878, former)
Grade II listed (1907)
Baptist Church
Retail Typology 3
Grade II listed
Tesco Extra
Nur s
ery
21 Cannon Street
CA
Offi
ces
NN
ON
STR
Gothic House
EET
ST
EA G LE ST RE ET
Grade II listed
. JA ME S S TR EE T
(1874)
(the ‘Big Box’)
(leg Offic es al & fina ncia
Skate park
St. James Church
l)
Grade II listed
0
10
20
30
40m
ON
ST
RE
ET
STR
NN
CH UR
+
m Ce mu nt nit re y
Sh o
ps
CH
en tia l
ST
P
Offi ces Co
Re sid
Roof Plan Scale 1:500 on A3
.J AM
(le
The Cannon Street Quarter
CA
ES
ST
RE
ga Offi l & ce fin s an cia l
)
ET
PA RA DIS E ST RE ET
EET
(1546)
STR
EET
to B lack bu r
PART D Final Drawings Retail Typology 1
Shop-street Frontage (the High Street)
to M ark et S qua to M re ark et H all
W
to B lac kbu rn to T Roa d ow nH all
LLO
nR oad
WI
Shop-street Frontage (the High Street)
Retail Typology 3
Tesco Extra
. JA ME S S TR EE T
(the ‘Big Box’)
Nur s
ery
CA
ces
ON
STR
EET
ST
EA G LE ST RE ET
Offi
NN
(leg Offic es al & fina ncia
Skate park
l)
to Warner Street
0
10
20
30
40m
ST
RE
EET
ON
ET
STR
NN
CH UR
+
m Ce mu nt nit re y
Sh o
ps
CH
en tia l
ST
P
Offi ces
to Arcade
Co
Re sid
Ground Floor Plan Scale 1:500 on A3
.J AM
(le
The Cannon Street Quarter
CA
ES
ST
RE
ga Offi l & ce fin s an cia l
)
ET
PA RA DIS E ST RE ET
PART D Final Drawings
Existing ruin
North-West Isometry Not to scale
PART D Final Drawings
Existing ruin
South-West Isometry Not to scale
PART D
Exploded Diagram
Final Drawings
ETFE cushion
The exploded diagram concisely shows the clear organisation of load-
roof slates
bearing walls at the building envelope and services core, and frame structures to allow for spatial flexibility internally, building modifications and diassembly at the end of its life span.
white terracotta clad on load-bearing structure stairs core
ETFE film with operable louvres
services core
wire mesh clad on steel backing and frames Unitised curtain wall
prefabricated modules
white terracotta clad on steel frame structures timber and steel frame structures
existing load-bearing walls with NORI bricks structure and sandstone cladding
foundations Existing ruin
South-West Exploded Not to scale
PART D A
Final Drawings
A
views an
initial sketch of the section
d interac
tions
See-through market and exhibition spaces at basement through window openings of the ruin Cutting through the building’s long section to show the relationship between inside and outside, front and back access to the street level, circulation core, spatial qualities overlooking
Sectional Perspective AA
voids across levels and amongst workshop modules, and layered views and vistas towards the
Not to scale
cool air) can be released through voids, atriums and openings.
church. Cross ventilation annotations are included to indicate how warm air (less dense than
PART D B
Final Drawings
cross ventilation
B
cross ventilation
views an
d interac
tions
cross ventilation
cross ventilation
access to the street
access to the street See-through market and exhibition spaces at basement through window openings of the ruin
Cutting through the building’s long section to show the relationship between inside and outside, front and back access to the street level, circulation core, spatial qualities overlooking voids across levels
Sectional Perspective BB
and amongst workshop modules, and layered views and vistas towards the church. Cross ventilation
Not to scale
voids, atriums and openings.
annotations are included to indicate how warm air (less dense than cool air) can be released through
PART D Final Drawings
cross ventilation
D
D
cross ventilation cross ventilation
views and interactions
cross ventilation
access to the street
Cutting through the building’s short section to show the relationship between inside and outside, east and west openings, circulation core, spatial qualities overlooking voids across levels and amongst workshop
Sectional Perspective DD Not to scale
modules, and the church tower backdrop. The puncturing of solid walls through several levels follows Louis Kahn’s Exeter Library as building precedent.
Initial sketch on how stairs can be a vital circulation wrapped around modules to create overlooking spaces to browse items or activities.
Overlooking workshop spaces The placement of voids in between prefabricated modules help to create a dynamic workshop spaces where people can exchange conversations and ‘window-shop’ skills offered here.
Rooms within a room Development models imagined to be displayed in one of the programme modules within the building.
PART D Final Drawings
Steel frame arches subtly following the same craft and language with cast iron roof structures at the Victorian Arcade and Market Hall
Existing facade
Translucent wire mesh to reinstate the former
marked in gold
volume of the proud Conservative Club, also as an object lesson on neglect, vandalism and
See-through
arson attack towards heritage buildings
workshop spaces
Neighbouring office buildings
21 Cannon Street
mostly 2-3 storeys high
(Grade II listed)
Wheelchair ramp access
CANNON STR EET
See-through market and exhibition spaces at basement through window openings of the ruin
North Elevation Scale 1:200 on A3 Initial sketch
Existing ruin
0
5
10
15m
PART D Final Drawings
Gothic House
Baptist Church
Conservative Club
(Grade II listed)
(Grade II listed)
Private day nursery
The Old Liverpool and Manchester Bank
and pre-school
20 Cannon Street (Grade II listed)
CANNON STR EET
North Elevation Scale 1:200 on A3 Initial sketch
Existing ruin
0
5
10
15m
Front Facade The wire mesh is a versatile material in a way that it provokes a poignant reminder to a previously uncelebrated, vandalised and neglected listed building. Apart from the strong poetic reason, it also functions as sun shading to a largely glazed facade and becomes light installations at night, aiding with passive surveillance to improve safety. The translucent quality allows interaction between inside and outside of the building.
Load-bearing,
Sandstone cladding with
Sculpted wire mesh bolted and
existing ruin
steel frame structure
anchored with steel frames
Facade Close Up Close-up facade during the day, merging an old, solid stone ruin with a new, lightweight and demountable wire mesh addition on top.
PART D Final Drawings
Attention is given to the rear facade as a gateway to improvise view from roundabout and avoid antisocial behaviour through passive surveillance
20 Cannon Street
21 Cannon Street
(Grade II listed)
(Grade II listed)
Rooftop garden on southern side to
Baptist Church
Accrington Library
maximise sunlight and heat intake
(Grade II listed)
(Grade II listed)
Opening up the site to connect
ETFE roof film with
Cannon Street with Paradise Street
Neighbouring office buildings
steel frame arches
mostly 2-3 storeys high
PAR ADISE STR E E T
South Elevation Scale 1:200 on A3 Initial sketch
Existing ruin
0
5
10
15m
PART D Final Drawings
ACCRINGTON’S ‘PURE FORMS’
perfect circle
pitched roof
vertical towers
Conservative Club
Baptist Church
Accrington Library
(Grade II listed)
(Grade II listed)
(Grade II listed)
arched openings
Private day nursery
Gothic House
and pre-school
The Old Liverpool and Manchester Bank 20 Cannon Street (Grade II listed)
PAR ADISE STR E E T
South Elevation Scale 1:200 on A3 Initial sketch
Existing ruin
0
5
10
15m
ETFE roof film with steel frame arches
Composite timber
Load-bearing,
and steel column
existing ruin
Copper
White terracotta cladding
engravings
on steel frame structures
Prefabricated timber modules
New skyline against older ones The proposal seeks to respond sensitively to Accrington Conservation Area by following the language of pitch roofs, vertical towers, steel frames naves, arched windows and honey coloured stones.
Approach from roundabout near Paradise Street View of the rear entrance to Conservative Club as seen from a driver’s point of view. The rear is designed as one of the gateways to invite and attract visitiors to the monumental building.
19
PART D Final Drawings
Viewing platform towards Accrington landscape,
Rooftop garden on southern side to
Baptist Church and surrounding listed buildings
maximise sunlight and heat intake
Ramp access for wheelchair
Rear entrance on ground level
Charity
and stroller users
(second wheelchair access)
house
Baptist Church (Grade II listed)
Neighbouring office buildings mostly 2-3 storey high
CANNON STR EET
PA RADI S E S TREET
Opening up the site to connect Cannon Street with Paradise Street
West Elevation Scale 1:200 on A3 Initial sketch
Existing ruin
0
5
10
15m
PART D Final Drawings
21 Cannon Street (Grade II listed) Baptist Church
The Old Liverpool and Manchester Bank
(Grade II listed)
20 Cannon Street (Grade II listed)
PA RADI S E S TREET
CANNON STR EET
West Elevation Scale 1:200 on A3 Initial sketch
Existing ruin
0
5
10
15m
ETFE cushion
ETFE roof film with
Composite timber and
operable shutters
steel column
Sculpted wire mesh
A Symphony of Geometries Arrangement and composition of geometrical forms with vertical towers, arched openings, pitched roofs, symmetry and repetition.
Prefabricated
White
timber modules
terracotta
PART D The stairs core glows like a lantern at
Final Drawings
night as an attraction and to improve safety to the adjacent streets Shared party wall with neighbouring building becomes services core for elevators and washrooms
Charity
Rear wheelchair
house
access
Rooftop
Viewing platform towards Accrington landscape,
garden
Baptist Church and surrounding listed buildings
Baptist Church (Grade II listed)
PA R A DI S E S T R EE T
CA NNON S TREET
East Elevation Scale 1:200 on A3 Initial sketch
Existing ruin
0
5
10
15m
PART D Final Drawings
Shared party wall with neighbouring building becomes services core for elevators and washrooms Neighbouring office buildings
Gothic
mostly 2-3 storeys high
House
Charity house
PA R A DI S E S T R EE T
Baptist Church
Private day nursery
(Grade II listed)
and pre-school
CA NNON S TREET
East Elevation Scale 1:200 on A3 Initial sketch
Existing ruin
0
5
10
15m
Summary and Ref lections
Summary
PART E Summary and Reflections
Beginning from S1, our proposal development have considered and looked into various scales from the overall Accrington urbanscape to the Cannon Street Quarter, building and human in S2 and finally, through to minute details of material layers in S3.
Scale
1 : 2000
1 : 1000
1 : 500
1 : 200
1 : 50
1 : 10
TOW N Accrington
HE ART O F TOW N Accrington Conservation Area
NEIGH BOURH OOD Cannon Street Quarter
STREET Cannon Street
B UI LDI N G Conservative Club
I N T E R I OR Rooms and spaces
LAY E R S Building elements
S1
page 45
page 45
page 48
page 53
page 39
page 26
Accrington Action Plan
Heart of Town: Accrington
Connections: Acorn Trail
Context: Grade II listed buildings
Massing: Ghostly provocation
Tectonics: Modern Methods
Sustainability: Comfort and
(AAP) 2012
Conservation Area
and Retail &
Community and cultural use
as object lesson
of Construction (MMC)
building’s environmental control
S1 S2 S3
PART E
The Conservative Club
Summary and Reflections
Past, Present & Future: a story to be continued...
100 years
1891
T (19 he 90 Ch s) ur c
hi ll’ s
N ig ht
cl ub
A New Retail & Typology Community . Cultural . Commercial
30 years
The Conservative Club
2016
5 years
The Blaze
5, 10, 50, 100 years?
S1
S2
S3
System of Absences
System of Exchanges
System of Archetypes
Existing Grade-II listed facade
Can
non
Stre
et
Original historical form boasting the Queen Anne grandeur, the highlight of Cannon Street. Was designed to “make a grand statement of permanence, prosperity and patriotism in Accrington”
Surviving basement and ground floor facade following arson incident. The upper floors are completely damaged and destroyed.
With reference to theories by Sulfaro on traumatic ruins and Pierre Nora on Lieux de Memoire, the Park of Ruin explores the notion of memory and journey through surviving historical remains. Reincarnation of the overall facade using sculpted wire mesh is intended to appear ghostly as object lessons as well as evoking sense of permanence and ephemeral.
The ruin is repurposed into a functional building to revitalise the former Conservative Club. The building’s overall volume is reinstated, with clear contrast between old and new as well as exploiting the building’s potential to open up the street and encourage community activities. Learning from issues and existing retail typology dotted around town, Retail & ideology is proposed intended to blur the boundary between community, cultural and commercial pursuit, to regenerate the artery of the town, existing Acorn Trail + retail network, as a way to invite people back to Accrington. Additionally, our exploration and spatial planning that based on the UK’s workplace design guide, the Building Regulations and the HSE ensures good health and wellbeing of users, while encouraging social exchanges and interactions, in accordance with the RIBA sustainable outcome guide.
S3 began to demonstrate the viability of our proposal to create a contemporary space for exchanges, while sensitively negotiate with the historical listed ruin. Through precedent studies, further material explorations and technical resolutions, we have proven the feasibility to revitalise contentious listed ruin as intended, the very idea to repopulate the once forgotten structure as a node that opens up the site for public interaction. Sculpted wire mesh facade not only reinstate the former glory of the club, but also invoke a ghostly existence of the absences. Development of overall building geometry and archetypes exploration begins to narrate our design intention better, while also tackling the building’s internal climate through addition of a ‘threshold’ that successfully segmentised the building. Building’s environmental strategies including system of openings and enclosures, and sustainability are shown throughout, as outlined in the RIBA sustainable outcome guide.
future Following our DfMA approach, the Club retains its significance as a landmark and focal point for community engagement despite changing functions due to trend irrelevance. People in Accrington continue to enjoy the architecture and historical narrative preserved and represented through the design for years to come. This ties back to our initial S1 exploration based on Sulfaro’s essay, to incorporate existing remains while the building is rejuvinated for new purpose. At night, the glowy mesh facade serves as a reminder and lessons of neglect, while poetically retain beautiful memories created by the people in Accrington during the lifetime of the club, becoming a symbolism of past glorified existence.
Bibliography Arch Daily. (2014) FRAC Dunkerque/ Lacaton & Vassal. Arch Daily. [Online] [Accessed on 11 April 2022] https://www. archdaily.com/475507/frac-of-the-north-region-lacaton-and-vassal ArchDaily. (2013) Yute’s / Flores & Prats. 31st Jan. [Online] [Accessed on 11 April 2022] https://www.archdaily. com/324536/yutes-flores-prats Architekwiki. (2019) Elevator Addition Detail. [Online] [Accessed on 15 May 2022] https://www.architekwiki.com/ wiki/elevator-addition-details Bell, A. (2017) ‘Inside the Con Club’. Lancs Live. [Online] [Accessed on 16 March 2022] https://www.lancs.live/news/ local-news/gallery/inside-the-con-club-11418475 Cai, G., Xiong, F., Xu, Y., Larbi, A. S., Lu, Y. and Yoshizawa, M. (2019) ‘A Demountable Connection for Low-Rise Precast Concrete Structures with DfD for Construction Sustainability-A Preliminary Test under Cyclic Loads’. Sustainability 11, no. 13: 3696. https://doi.org/10.3390/su11133696 Cilento, K. (2010) Dovecote Studio / Haworth Tompkins. 17th November. ArchDaily. [Online] [Accessed on 24 May 2022] https://www.archdaily.com/89980/dovecote-studio-haworth-tompkins?ad_medium=gallery Comberg, E. (2018) ‘A Different Kind of Architectural Drawing: Léon Krier’s Sketches’. 24th Jun. ArchDaily. [Accessed on 19 January 2022]. https://www.archdaily.com/896720/a-different-kind-of-architectural-drawing-leonkriers-sketches Cutieru, A. (2020) A Guide to Design for Disassembly. Arch Daily. [Online] [Accessed on 2 March 2022] https:// www.archdaily.com/943366/a-guide-to-design-for-disassembly David Chipperfield Architects (No Date) Neues Museum, Museum Island Berlin, 1993–2009. [Online] [Accessed on 19 January 2022] https://davidchipperfield.com/project/neues_museum Davies, M.(2019) New Life for Old Ruins. Cathedral Communications Limited 2019. [Online] [Accessed on 13 April 2022] https://www.buildingconservation.com/articles/life-for-ruins/life-for-ruins.htm Designing Buildings. (2021) Design for Manufacture & Assembly (DfMA). [Online] [Accessed on 10 February 2022] https://www.designingbuildings.co.uk/wiki/Design_for_Manufacture_and_Assembly_(DfMA) Hobson, B. (2020) Archigram’s Plug-In City Shows That “Prefabrication Doesn’t Have To Be Boring” says Peter Cook. Dezeen. [Online] [Accessed on 16 March 2022] https://www.dezeen.com/2020/05/12/archigram-plug-in-citypeter-cook-dennis-crompton-video-interview-vdf/ Hyndburn Borough Council. (2012) Adopted Accrington Area Action Plan (AAP). Local Development Framework. [Online] [Accessed on 24th September 2021] https://www.hyndburnbc.gov.uk/download-package/adoptedaccrington-area-action-plan/ Hyndburn Borough Council. (No Date) Accrington Acorn Trail. [Online] [Accessed on 1st October 2021]https:// prospectsfoundation.org.uk/wp-content/uploads/2019/09/acorn_trail.pdf Krier, L. (2009) Drawing for Architecture. MIT Press. Langdon, D. (2018) ‘AD Classics: National Museum of Roman Art / Rafael Moneo’ 1st October. ArchDaily. [Online] [Accessed on 19 January 2022] https://www.archdaily.com/625552/ad-classics-national-museum-of-roman-artrafael-moneo Leader, A. (No Date) This Day in History: December 11. [Online] [Accessed on 24 May 2022] https://www. italianartsociety.org/2017/12/bernardino-pinturicchio-died-on-11-december-1513-in-siena/ MiTek. (No Date) Posi Joists. [Online] [Accessed on 11 April 2022] https://www.mitek.co.uk/products/posi-joists/ Perez, A. (2010) AD Classics: Exeter Library (Class of 1945 Library) / Louis Kahn. 9th Jun. ArchDaily. [Online] [Accessed on 24 May 2022] https://www.archdaily.com/63683/ad-classics-exeter-library-class-of-1945-library-louiskahn Pimlott, M. (2004) ‘Ornament and Picture-making. Ornament. Decorative Traditions in Architecture’. OASE (65) pp.625.
PART F Bibliography and Appendix RIBA. (2019) RIBA Sustainable Outcomes Guide. London: Royal Institute of British Architects. [Online] [Accessed on 10 May 2022]. https://riba-prd-assets.azureedge.net/-/media/GatherContent/Test-resources-page/AdditionalDocuments/RIBASustainableOutcomesGuide2019pdf.pdf?rev=5013ea18b10949f1af0a14cb439fcb32 Richardson, A. (2022) ETFE Foil: A Guide to Design. [Online] [Accessed on 10 March 2022] https://www.architen. com/articles/etfe-foil-a-guide-to-design/ SIP Build UK (No Date) What Are SIPs? [Online] [Accessed on 10 May 2022] https://www.sipbuilduk.co.uk/what-aresips/ Stewart, J. (2022) The Story Behind Raphael’s Masterpiece ‘The School of Athens’. 21st March. [Online] [Accessed on 24 May 2022] https://mymodernmet.com/school-of-athens-raphael/ Tresoldi, E. (No Date) About. [Online] [Accessed on 1st October 2021] https://www.edoardotresoldi.com University of the West of England. (No Date) Evolution of Building Elements. [Online] [Accessed on 15 May 2022] https://fet.uwe.ac.uk/conweb/house_ages/elements/section2.htm
The Facade
PART F Bibliography & Appendix
Option 1
Option 2 Parapet
Option 1 External cladding: Glass block
Glass block (front)
Glass structure: Triple glazed curtain wall with spider joints Precedents:
Option 2 External cladding: Sculptued wire mesh Glass structure: Steel frame and (3x1.5)m glass panels Triple-glazed
Precedents: Eduardo Tresholdi and Dodi Moss
curtain wall (back)
Option 3 External cladding: Polycarbonate / ETFE panels Existing stone wall
Glass structure: Steel frame and (3x1.5)m glass panels Precedents:
Option 4 External cladding: Wire mesh panels Glass structure: Steel frame and (3x1.5)m glass panels Precedents:
Existing stairs
The Facade
PART F Bibliography and Appendix
Layers of material
NORI Bricks NORI glass brick
Ghostly intervention
Reinterpretation of Accrington’s identity within the system of absences, as well as reflecting the Conservative Club’s former building material. The transparent quality of glass appears ghostly, conveying structure that used to stand in place before its demise.
F3
F2
Existing listed facade
While recreation of the ‘ghost’ facade using NORI Bricks, another pride of Accrington, is an opportunity to convey a poetic narrative to building users as one approaches the facade, upon further exploration, employment of such glass blocks can be very tricky and the most lightweight approach in our case where we require a curtain glass system to minimise disruption on existing listed ruin. Existing facade as seen from the interior
Wire mesh facade As part of the System of Absences, wire mesh cast shadows and provides to an extent a level of shading against harsh sunlight. It facilitates to deliver the ghostly effect intended as object lessons, as well as emphasising the distinction between permanent and ephemeral, new and existing.
The Columns
PART F Bibliography and Appendix
“Embellished utility”
1891 Conservative Club corinthian detail
Retail & (2022)
Contemporary frame structure (exposed)
As most of the building structure will need to be rebuilt, instead of simply recreating the Conservative Club’s former classical column, there is an opportunity to narrate the story of the building’s lifetime and its transition from a political, more reserved, classical function to a bustling, colourful entertainment centre, through merging of the different style of columns found in historical photos, along with contemporary functional column structure that actually supports the building. The intention is for the building, the materiality itself to convey stories that can be easily understood, transcending languages, that reaches out to people regardless of their origins, rather than worded exhibition. This also suggest the intention of keeping the aesthetic of ruin while being functional as object lesson.
+
1990s Churchill’s Nightclub column mural
1891 Conservative Club wooden panels
Contemporary I-Beam structure (exposed)