FAULT Issue 16 Teaser by FAULT Magazine

FAULT Magazine

FALL

Summer 2013

The EDGE Issue

£ 15

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ILLUMINATE

verb 1. literal (with object) light up 2. decorate (a building or structure) with lights for a special occasion 3. decorate (a page or initial letter in a manuscript) 4. to help clarify or explain Here’s a behind-the-scenes look at what went into FAULT Issue 16. We hope it helps to illuminate our creative process ...

1. Our deputy editor Rebecca Unger with Joe Jonas; 2. FAULT contributor Louis Sheridan (left) steps onto the catwalk at Burberry’s Spring/Summer 2014 show during London Fashion Week; 3. Backstage at Burberry; 4. Sasha Grey poses in front of our production team’s mood board; 5. It Brit model Cara Delevigne walking the runway at the Burberry Spring/Summer 2014 show during London Fashion Week; 6. Behind the scenes of our Jonas Brothers shoot; 7. Photographer Lee Cherry with Problem; 8. Louis Sheridan captures some of the looks backstage at Burberry; 9. Sasha Grey.

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ILLUMINATE

contents/masthead

1 OPENER 2 CONTENTS 3 MASTHEAD 160 DIRECTORY

STYLE 5 LIVE AND TICKING From imminent death by snakes to an Anthony Kedis foot massage, London girl Caroline Flack has made the most of life on TV.

89 MEDUSA Channel Greek mythology with bold, beautiful braids. 92 DECADES Fashion time capsules.

MUSIC 97 CAT-EYED QUEEN According to Charli XCX, all the best things in life are free.

11 PURPLE HAZE She’ll put a spell on you.

105 99 PROBLEMS ... but a bitch ain’t one.

17 CUBISM It’s hip to be square.

111 YOUNG BLOOD Hawking their wares for a shot at the big time.

24 BLURRED LINES You’re the hottest bitch in this place.

FILM

29 FUTURISM X-Rayed muse.

117 VOICE OF VICTORY It’s Lake Bell’s time to shine.

35 GARAGE Industrial glamour.

127 INTO THE WILD With Emile Hirsch, there’s a lot more than meets the eye.

40 GREY’S ANATOMY We all know her as the queen of the adult entertainment industry, but now Sasha Grey is pursuing another one of her many talents: literature (or, more specifically, the erotic novel).

135 POST-POTTER Being thrown head-first into stardom at a young age can often end badly, but Matthew Lewis proves that it can make for an unquestionably positive start.

50 THE GIRL WHO FELL TO EARTH Celestial chic. 56 BOY MEETS GIRL Two for the road. 62 CONCRETE JUNGLE Come walk a mile in our shoes. 71 REBEL LADY When monochrome gets mischievous.

BEAUTY 79 AN IDOL ALL ON HER OWN Jessica Sanchez has been wowing audiences and gaining a global fan base since the age of 10. Now the Californian beauty has released her first album: Me, You and The Music.

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MEN 138 THE TALENTED TRIO From Disney stars to pop icons, the Jonas Brothers have forged incredible careers in music, theatre and television—both together and apart. 151 ON THE MOVE Never sit still. 156 FAULT FOCUS We shine a spotlight on the world of photo prodigy Louie Banks. 158 CONCEPTUALIZED Is art just empty content? We ask famed conceptual artist Phillip Toledano his views on the subject.

PUBLISHING DIRECTOR Nick Artsruni

DEPUTY EDITOR Rebecca Unger

ART DIRECTOR Caroline Lawless

ONLINE/GENERAL FEATURES Louis Sheridan Chris Purnell

PRODUCTION DIRECTOR Leah Blewitt MUSIC Era Trieman CONTRIBUTORS Liis Anton Louis Banks Dinalvo Barros Giuliano Bekor Olgac Bozalp Sam Burnett Kee Chang Lee Cherry Robyn Degenhardt Filippo Fortis Sophie Gaten Iakovos Kalaitzakis Marcella Karamat Tamya Kechichian Robert Kley Christine Kreiselmaier Maurizio Laino William Lords Alice Luker Lisa Nguyen Matt Odom Marika Page Liis Plato Chris Purnell Virgile Reboul David Reiss Irvin Riviera Bryant Robinson Rebekah Roy Louis Sheridan Dove Shore Udo Spreitzenbarth Stephanie Stokkvik Luke Storey Joelle Thurston Leanne Trigg Enrique Vega Louiza Vick Ashley Weston Tom Witherow Annick Wolfers Avo Yermagyan

FASHION Marika Page India James MENSWEAR EDITOR Kristine Kilty PARIS EDITORS Hans Weinheimer Ruth Kramer Kat Rutherford

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SPECIAL THANKS Dan Deacon Alex Mullen Veronica Skoglund Studio Gi London LONDON OFFICE Suite 7 40 Craven St. London WC2N 5NG United Kingdom

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ILLUMINATE editors’ letter

e at FAULT are occasionally asked—sometimes lightheartedly, sometimes less so (cf. “haters”)—what is the point of doing what we do? In a Western society where we are increasingly feeling the belated squeeze of various market crashes, credit crunches and banking blowouts, self-righteous bores will often point to industry, to traditional professions, to “good ol’ fashioned hard work” as a means of escape from what can loosely be described as one of the most basic truths of macroeconomics—i.e.: that everything tends to go tits-up from time to time. Creative disciplines are often pooh-poohed by those lacking the imagination—or the determination—to take them on themselves. Most of us have experienced the patronising small talk from acquaintances or the vehement diatribe about “getting a real job” from close friends or family—it comes with the territory. The standard responses to this usually involve either a bit of self-deprecating humour or swift defensive ripostes about one’s recent work. But why do we really do it? Why do people persist with creativity when times are hard, when friends and family disapprove, when arts budgets are slashed and society at large pushes them, seemingly inexorably, towards the office hamster-wheel? The answer is obvious, of course. We do it because it’s needed. “Art”, according to Leo Tolstoy, in his seminal essay “What is Art?”, “is a great matter”. He goes on to state the case for its essential role in society as a means of documenting perception and, subsequently, provoking empathetic feeling in all who experience it. Art’s role, then, is to document, to relate, to evoke emotion, to spread experience, to share feelings ... It is with that in mind that we chose the theme for FAULT Issue 16: the Illuminate issue. Pulitzer prize-winning writer Edith Wharton famously stated that “there are two ways of spreading light: to be the candle or the mirror that reflects it.” Even the the most egocentric amongst us at FAULT would put our publication in the latter category when it comes to our role in the arts world. We are fortunate enough to work with some of the great artists of our day—artists whose creative light, for better or worse, have impacted upon innumerable people throughout the world. It’s a privilege for us to be able to provide some further illumination, both for and into their talents. Having already mentioned Edith Wharton, the first ever woman to win the pre-eminent Pulitzer award, it would be churlish not to start our précis of this issue with our front cover star Lake Bell. Despite Lake’s obvious talent and long-standing achievements in the acting industry, to win Sundance Film Festival’s coveted Best Screenplay award with one’s first feature film is nothing short of a phenomenal achievement. In A World is a scintillating début for Lake, for whom the strap-line “in a world of her own” is becoming ever-more appropriate. Stunning, stylish and blessed with both exceptional comedic talent and the wherewithal between the ears to back it up, Lake’s fan base is skyrocketing—and not soon enough, by our estimations. On the other side of the creative coin—and this issue, as it happens—we have the unbelievably popular triadic talents of the Jonas Brothers. It seems like the trio have been around for a lifetime, such is their enduring popularity around the world, and it is a almost a little hard to accept that Nick, Joe and Kevin are all still in their early- to mid-twenties. This was the boy band to trump all boy bands: the three brothers who captured the hearts of teenage girls, middleaged guys and everyone in between when they first hit the stage and screen back in 2005.

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Since then, however, they have set about proving that their instant success was no flash in the pan. The evidence speaks for itself: four highly successful albums, side projects galore—including Broadway musicals and performances at the White House—there’s been a clear evolution and progression in style, but everyone still wants a piece of the Jonas Brothers. One of the things we focus on a lot at FAULT is the notion that talent shines through. After spending time with too-cool-forschool indie bands and manufactured groups alike, one thing that is conspicuous amongst all musicians—either by its presence or its absence—is the talent, that so-called “X-factor”. Make no mistake: the Jonas Brothers have it in spades. It’s an idea that leads us neatly onto this issue’s Style section cover. The “X-factor” isn’t enough for Style section cover Caroline Flack, it would seem. The blonde British bombshell is hosting The Xtra Factor on U.K. small screens for the second year running after an excellent track record of presenting and starring in some of the most popular TV shows of recent years. We were thrilled when Caroline took some time on our shoot to shine a light onto the pitfalls and pleasures of working on live TV. It’s something that, half the world away, our Beauty section cover star Jessica Sanchez knows all about. The Californian star with Filipino and Mexican heritage shot to fame through her involvement in American Idol, after having previously appeared on America’s Got Talent when she was just 11 years old. Still only 18, Jessica is a global superstar in the making—or, if you are one of the millions of fans who are already enthralled, you might see her as a star already. She might claim to be “a tomboy at heart”, but Jessica is a worthy Beauty cover star in our exclusive shoot photographed by Irvin Riviera. The illuminating thing for us was to match her incredibly powerful voice to someone so young and slight of frame. You wouldn’t think it to look at her, but this girl has some set of pipes ... We’ve reached that point in the letter where any attempt to provide further illumination into an issue which is bursting at the seams with world class talent would only serve to obfuscate. We like to think that you’ll give due consideration to talents such as budding British electronic musician Charli XCX, Into the Wild star Emile Hirsch and adult entertainment queen turned outspoken media personality and author Sasha Grey, during your perusal of this issue. You will also enjoy a hugely revelatory interview with indie darlings Youngblood Hawke, during which we discuss the changing paradigm of the contemporary music industry, and our heart-to-heart with the latest heir to the throne of West coast hip-hop, Problem. Former Harry Potter actor Matthew Lewis and artists Louie Banks and Philip Toledano complete the line-up for what we consider to be an illuminating FAULT Fall issue. We hope that this issue serves as an insight into the lives of some of the most influential creative people in the world today. We also hope that it goes some way to explaining why creative people do what they do. Stars of the entertainment industry are worth millions, but they are also artists, trendmakers and trailblazers. It’s important to shine a light on that fact through whatever creative means we have at our own disposal.

This is your FAULT.

STYLE

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STYLE

caroline flack

LIVE AND TICKING From imminent death by snakes to an Anthony Kiedis foot massage, London girl Caroline Flack has made the most of life on live TV. words TOM WITHEROW photography ANNICK WOLFERS styling MARIKA PAGE makeup STEPHANIE STOKKVIK USING M.A.C hair SAM BURNETT USING L’ORÉAL TECHNI ART styling assistants SARAH STUART, ANITA GIL GOMEZ + DONATELLA ROSETTI Shot at Studio Gi, London; studiogilondon.com

rom the rising stars of the X Factor to the fading celebs of the jungle, Caroline Flack has worked alongside some of the best stars on primetime TV. Although she says she would have been at home in musical theatre, Caroline kicked off her career on the infamous Bo’ Selecta! before presenting on E4 Music. Now into her third series of the Xtra Factor, Caroline has branched out from the small screen: she’s the new face of Sure’s latest advertising campaign, and she’s also graced the cover of Maxim. But, for now, she’s focused on her TV career and working with her “geeky” new co-host, Matt Richardson. In a studio just around the corner from her East London home, Caroline talked to FAULT about her fear of live audiences, why she wants to be Kylie Minogue and why, in 2019, she might be marrying Olly Murs.

How did you get your break on Bo’ Selecta!?

I was lucky, actually, as I was friends with Leigh [Francis]. He just said to me, ‘Have you ever done any acting?’, and I was like, ‘Errr—yeah, sure’. I hadn’t, of course. When it actually got commissioned, he said, ‘Do you wanna be a monkey, but not be a monkey’? I just said, ‘OK’. People just love you and Olly. What is it about you two in a room together?

People are obsessed with us being together— even my Mum. ‘Awww, will you marry Olly? Please!’ I don’t want to marry him. No. We’ve said that, if we get to forty, we’ve got that whole ‘best friends’ wedding’ thing going on. It’s a bit weird, though, isn’t it? Just so unromantic. ‘Ahhh, by the way . . . I’m forty now, and we said we’d do this thing, so . . . let’s do it.’ Is the Xtra Factor scripted?

We structure it; it’s quite reactive. You never know what’s going to happen—that’s what I like about it. And, of course, there are your guests, who do not follow a script at all.

Yeah, obviously, which makes structure even more important. If you don’t structure it, it would be too messy. Do you prefer having a studio audience?

I think having a studio audience is, in a way, scarier for me. It’s the silence of the audience. It’s like, oh my God . . . if they’re not laughing, what’s going to happen? It’s exciting, but it’s also scary. Tell me about your new co-host, Matt Richardson.

He’s really nice. He’s also really funny. We didn’t want to find a new Olly [Murs] as such. So we’ve got this really geeky Mr. Bean-esque guy. He’s like a hot Mr. Bean, but he’s young.

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He’s young, and up-and-coming and new. And he’s funny. Did you play a big part in choosing him?

Yeah! I felt like Simon Cowell for a day. It was nice, actually. They were asking me what I wanted. I was like, ‘Thanks, guys’! When you meet X Factor contestants early on, do you get an idea of who’s going to go the distance?

Yeah. When someone does come on who’s different it stands out. It’s like this moment when we all suddenly go, ‘Ahhh—he’s good. That’s different’. How important is their personality, alongside their singing ability?

Not so much at the beginning. You remember, Leona was so shy. You know what they say: ‘It’s all about the journey’! Do you prefer modelling or presenting?

Presenting! I prefer talking and moving. Standing still and looking at the camera isn’t my greatest skill. I get a bit self-conscious having my photo taken. What kind of advice would you give to a younger you?

Take every job you can get. I did! But, then again, I had to because I had to make a living. I think some people are like, ‘I don’t want to do this, and I don’t want to do that. I only want to do music shows’. In fact, there isn’t even a music show on at the moment apart from MTV! I think you’ve got to learn your trade and earn your stripes. With any job, really, experience is essential, especially when you do shows like the X Factor. If I had done this when I was 23 or 24, I probably wouldn’t still have my job right now. You learn so much as you go along from different people. Live TV is hard!

What’s been your worst live TV disaster?

When I did I’m A Celebrity, there was this one episode when everyone was looking at me really weirdly. At the end of the show, I asked what was going on and they were like, ‘There was a huge snake above your head and none of us wanted to mention it because we knew you would freak out’. So for the whole last half of the episode there was this snake that was ready to pounce on me. I could have died, and they didn’t care! Was there anyone you looked up to or took inspiration from when you were young?

For most people it would be Michael Jackson or Madonna. I looked back at my project and mine was Sarah Greene. How weird! Foresight! Or Kylie. I used to want to be Kylie Minogue. I still do, actually. Who’s been your favourite band or performer to interview?

The Red Hot Chili Peppers. They were the first band I ever interviewed. They sent me on tour with them and I was so nervous. I think I prayed. I’m not even religious. But they were really nice to me. Anthony Kiedis took off my shoes and massaged my feet while I was interviewing him! If you hadn’t gone into TV, what would you like to have done?

When I was young, I wanted to be in theatre. I wanted to be in a musical. I was a real, like, jazz hand-y kind of kid, and I guess that’s in me. I auditioned to be the White Cat in Cats, but I never got it. That was my dream. What tracks are on your current playlist?

Disclosure: ‘White Noise’ is my favourite track of the year. I’m going to throw ‘The Gambler’ by Kenny Rogers in there; he was the best thing at Glastonbury. One more track: ‘Blurred Lines’. It’s a great song . . . just don’t listen to the lyrics. Who would your top four dinner party guests be?

It’d be people I know. I always get a bit awkward at parties when I don’t know anyone. It’d be my girls and me! What is your FAULT?

I double-book quite a lot. I make too many arrangements and have to cancel quite a lot. Sometimes instead of Caroline Flack they call me ‘Caroline Flakey’. That’s not good, is it?

Previous: necklace by Lulu Frost and top by Jane Bowler. This page: top by Markus Lupfer, trousers by Chalayan, shoes by Ursula Mascaro and harness by Culietta.

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STYLE

caroline flack This page: top by Jane Bowler, shorts by Markus Lupfer, earrings by Maria Francesca Pepe and bangle by Lulu Frost. Opposite: dress by Emma Cook, ring by Lulu Frost and other accessories by Jane Bowler.

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STYLE

caroline flack

Headpiece by Sorapol.

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She’ll put a spell on you. photography LIIS ANTON styling LIIS PLATO makeup ELLEN WALGE hair OLGA KRÕLOVA assistants MARGUS JOHANSON + JÖRGEN PAABY model KADRI RAUDSEPP @ E.M.A MODEL MANAGEMENT

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STYLE

purple haze Previous: raincoat by Armani and dress by Xenia Joost. This page: dress by Armani and boots by Acne. Opposite: jacket by Armani and scarf by Prada.

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STYLE

purple haze Skirt by Karolin Kuusik, jacket by MAX&Co. and rings by Armani (some stylistâ&#x20AC;&#x2122;s own).

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M S I B U

re. NTO squa AINO WIDYA e b ARON A L o + t IO G RIZ ip CHEON g MAU stylin ants SU FEN It’s h t REISS sis y DAVID HENRY as graph photo akeup JUSTIN @ IMG hair/m MILY GREEN E model

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STYLE cubism

Previous: dress by Marc Jacobs, cuffs by Miu Miu and neck piece by Madam Virtue & Co. This page: jacket and pants by Yohji Yamamoto, gloves by Christian Dior, boots by Camper and handbag by Barbara Gongini. Opposite: dress by Saint Laurent Paris, earrings by Camilla James and cuff by Mocha.

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STYLE

futurism Cape by Furne One, pants by Ashton Michael, necklace by Laruicci and shoes by United Nude.

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On Gloria: dress by Daniele Carlotta, belt by Byblos Milano, boots by Gfferre, ring by Voodoo Jewels by Livia Lazzari and bracelet by Sharra Pagano.

GAR AGE Industrial glamour.

photography FILIPPO FORTIS @ ARTALENTS styling DINALVA BARROS hair KIRIL VASILEV @ GREEN APPLE makeup MIKAELA ALLEYSON @ GREEN APPLE USING LORD & BERRY models GLORIA @ FASHION MODEL MANAGEMENT + HAN BING @ ELITE MILANO

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STYLE garage

On Gloria: dress by Giorgio Armani and necklace (worn as headpiece) by Sergey Grinko.

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On Han: bodysuit and skirt by Giorgio Armani, gloves by Chanel and pochette by BB Pogut Ebule.

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STYLE

title goes here

In terms of life experience, it’s fair to say that Sasha Grey has done it all. The former undisputed queen of porn has made waves in almost every aspect of the mainstream entertainment industry since officially announcing her retirement in 2011. From TV and film to fashion campaigns and voiceover acting for video games, Sasha Grey has fit a lot into her 25 years. Now, two years after release Neü Sex, her first photo book, the world has just seen her novel, The Juliette Society, make a strong case for erotic fiction to be handled by the experts. words LEAH BLEWITT photography GIULIANO BEKOR styling LUKE STOREY creative direction GIULIANO BEKOR + LUKE STOREY production GIULIANO BEKOR + LEAH BLEWITT styling assistants NAOMI KOTTER + BRITTNEY MANTABLO makeup ANNA BRANSON @ THE REX AGENCY USING M.A.C hair TROY PEPPIN @ RENÉ FURTERER

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STYLE

rebel lady Jacket by Studio Nicholson and shirt by Karl Lagerfeld.

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BEAUTY

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BEAUTY

jessica sanchez

AN IDOL ALL ON HER OWN Jessica Sanchez has been wowing audiences and gaining a global fanbase since the age of 10. Now the Californian beauty has released her first album: Me, You and The Music. words LEAH BLEWITT photography IRVIN RIVERA production manager BON AMANDA photography assistant BENJAMIN KUI lighting assistant DARWIN ABAD videography FRANCIS GUM styling JENNA ENNS, ALI LEVINE + MALCOLM JORIS BACANI makeup DENIKA BEDROSSIAN makeup assistant ROB RUMSEY hair JUDD MINTER @ AIM ARTISTS

he has appeared on shows such as Showtime at the Apollo and America’s Got Talent with dazzling performances of classics such as Aretha Franklin’s ‘Respect’ and Celine Dion’s ‘I Surrender’, but Jessica Sanchez’s popularity soared while competing on American Idol. The young songstress took on monster hits such as ‘I Will Always Love You’, ‘And I’m Telling You’ and ‘Everybody Has a Dream’, broadcasting her incredible talent to millions of fans worldwide. After achieving second place in the competition, Sanchez followed up her tremendous success with an appearance on Glee, and she just released her first album, Me, You and The Music. FAULT sat down with the young starlet on her first major editorial and talked with her about her rise to fame, her plans for the rest of 2013 and how much her fans mean to her.

You have had such an incredible year. What have been some standout moments for you?

There really have been so many highlights! To start, being on Glee and releasing my album, You, Me & the Music. I’ve also enjoyed meeting my fans, performing and doing photo shoots like the one I did for FAULT. How did you find your Idol experience? So many amazing careers (including yours) have been launched via the show.

It was so much fun, but there was a lot of hard work involved, too—it was almost like boot camp in a way. I really loved meeting and working with everyone on Idol, and I really couldn’t believe all the fan support I had. It was just amazing and overwhelming! Your fans totally adore you. What’s it been like being in the public eye?

You know, I’m actually a very private person, so I’ve been working on finding a balance between life and work. I really adore my fans and can’t thank them enough for all their support. It really means so much to me! What advice would you give to other young artists on how to jump-start their careers?

Even though I’m only 18, I knew from a young age that this [becoming a singer] is what I wanted to do. I’ve been focused on that goal ever since, and I have had a lot of fun a long the way, because I love what I do. Being on shows at even a very young age—I was ten when I first

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performed on America’s Got Talent—and just doing anything and everything that you can to help you grow as a performer and an artist. Did you come from a musical family?

No, not really. I mean, my mom listened to artists like Aretha Franklin, Whitney Houston and Celine Dion. Disney also definitely had a big influence on me when I was a kid. [Laughs]

Idol to go audition for the show. I was totally exhausted after Idol ended, and I did tell Ryan Murphy [one of the creators and executive producers of the show] that I’d never done any acting before. I really didn’t think I would get the part, but then my manager got the call that I got the role, and I was totally shocked and thrilled. Being on Glee was such an amazing experience; I learned so much and had to really push myself. I even learned the choreography for ‘Clarity’ in one day. The cast and crew were all amazing. I actually just saw everyone from Glee at the Teen Choice Awards—they were beyond amazing to me! They are truly a very close cast and like family to each other. Is acting something you’d like to pursue in the future?

Definitely the future. However, music is my main thing! Tell us a bit about your personal style.

Can you tell us about some of the inspirations behind the tracks found on You, Me & the Music?

Well, with the album, I wanted to showcase not only ballads—which I’m best known for—but other music, too. I wanted to take more of an urban direction and portray a sound that is truly my own. Your first album dropped recently, and on it are collaborations with some pretty amazing artists, including Ne-Yo. How did that come about? Will you be touring soon?

It was really an incredible experience, and working with Ne-Yo was amazing! He gave me so much great advice, and he is just so talented. He even wrote me a song in half an hour called ‘Plastic Roses’, which is on the album. And, yes, I will hopefully be touring in support of the album soon. It looks like you had an absolutely amazing time on Glee. What was that like for you?

I actually got a call about a week after I finished

You know, I would really love to say that I’m a tomboy, not a girly-girl. [Laughs] Truthfully, I love baggy sweats and have a more laid-back style in my downtime. But I do have fun dressing up for events and performances. What projects are you currently working on? What can fans expect from you in the coming months?

I’m promoting my album and am actually now in the process of deciding my second single to release from the album. I’m also working on something—I can’t really say what it is right now, but expect something unexpected and something big! What is your FAULT?

Video games; once I start playing, I get really into it. I’m completely competitive when it comes to that! [Laughs]

Previous: studded leotard by Dar Sara (from Shoes For the Stars, L.A.), necklace and diamond-cut earrings by Danielle Stevens, and trousers by Marc Jacobs. This page: studded leotard by Dar Sara (from Shoes For the Stars, L.A.), rings and diamondcut earrings by Danielle Stevens, triple-bronze chain bracelet with extended ring by Haati Chai, eternity bracelet by Kate Spade, blazer by Versace and hat by Topman.

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BEAUTY

jessica sanchez

This page: minidress by Guishem, brown earth gemstone rings and earrings by Deepagurnani, feather cluster bracelet by Danielle Stevens, clutch by Kate Landry and snakeskin jacket with mink fur detailing by Dar Sara (from Shoes For the Stars, L.A.). Opposite: studded leotard by Dar Sara (from Shoes For the Stars, L.A.), rings and diamond-cut earrings by Danielle Stevens, triple bronze chain bracelet with extended ring by Haati Chai, eternity bracelet by Kate Spade, blazer by Versace and hat by Topman.

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MEN

the jonas brothers

On Kevin: tie by Title of Work, shirt by Gucci, suit by John Varvatos and shoes by Tom Ford. On Joe: sweater and trousers by Salvatore Ferragamo, shoes by Diesel and bracelt by David Yurman. On Nick: shirt, trousers and shoes by Salvatore Ferragamo, belt by Gucci and tie by Title of Work.

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ILLUMINATE directory

DIRECTORY Look no further. A

Acne acnestudios.com Stockholm +46 (0) 8 522 996 00 Alexander Wang alexanderwang.com New York +1 212.532.3103 Alice Roi aliceroi.com New York Armani armani.com International Ashton Michael ashtonmichael.com Los Angeles +1 888.572.3057 Ashish ashish.co.uk London +44 07958 325 702

Barbara Gongini barbaraigongini.dk Copenhagen +45 70 21 21 40 BCBG Max Azria bcbgmaxazriagroup.com Los Angeles +1 323.589.2224 BOYY boyybag.com International Brian Lichtenberg brianlichtenberg.com Los Angeles +1 213.623.4300 Brian Atwood brianatwood.com International Basso and Brooke bassoandbrooke.com London +44 (0) 20 70971873 Bailey of Hollywood baileyhats.com Los Angeles +1 800.859.4653 Betsey Johnson betseyjohnson.com New York Bora Aksu boraaksu.com London +44 (0) 20 7515 0535 The Blonds theblondsnewyork.com New York Burberry burberry.com International Baartmans and Siegel baartmansandsiegel.com London +44(0) 207 514 8686

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FAULT Magazine

FALL

Summer 2013

The EDGE Issue