Holiday Fine Art Auction Catalog (2017)

FRANKLIN BOWLES GALLERIES

HOLIDAY FINE ART AUCT I ON

2017

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FRANKLIN BOWLES GALLERIES

San Francisco / New York

HOLIDAY FINE ART AUCT I O N

2017 PREVIEWS:

Friday, December 1

10:00 AM – 10:00 PM

Saturday, December 2 11:30 AM – 12:30 PM AUCTION:

Saturday, December 2, 2017 Bidding starts at 12:30 PM LOCATION:

765 Beach Street San Francisco, CA 94109 1

FRANKLIN BOWLES GALLERIES PRESIDENT: Franklin Bowles CHIEF EXECUTIVE OFFICER: Robert Grenon

SAN FRANCISCO GALLERY CO-DIRECTOR: Sue Kim, Carla Schmidt CONSULTING DIRECTOR: Michael LaPrade SENIOR ART CONSULTANTS: Bernard Blair, Sasha Grotell, Colleen Mulligan,

Josefin Lundahl-Peterson, Dan Root, Valarie Versace ADMINISTRATION: Ken Amorino, Laura Anderson, Stacey Bellis, Rob Conley,

Delia Fernando, Lauren Hensarling, Sophuan Khun, Kimberly Macdonald, Alexandre Mandereau, Scott Saraceno

NEW YORK GALLERY DIRECTOR: Phebe Carter

ASSOCIATE DIRECTOR: Eric Chelman CURATOR: Leslie Lund ART CONSULTANTS: Duane Bousfield, Matthew Hannan, Michael Montanaro ADMINISTRATION: Kyle Phillips, Zane York

CHINA BASIN DESIGN

OPERATIONS MANAGER: Rick Potts FLOOR MANAGER: Aaron Machado FRAMERS: Tyler Hunsaker, Craig Thomson SHIPPER: Robert Bishop

FRONT COVER: TITLE PAGES:

Lot 138, Sam Francis, Untitled (detail), 1983

Lot 102, LeRoy Neiman, Can-Can,1964–69

PROJECT MANAGER :

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Ken Amorino /

CATALOG DESIGN :

D. Lee Myers /

PHOTOGRAPHY:

Scott Saraceno

St. Anthony’s is a family of resources. I came in looking for one item, and I ended up getting a whole bunch of others. I needed all of them, I just didn’t know it at the time.

– Carlos, a Social Work Center client This year, Franklin Bowles Galleries is pleased to donate a portion of the proceeds from its holiday auction to support St. Anthony Foundation which, for 65 years, has offered a gateway out of poverty to the most vulnerable among us: veterans, seniors, the working poor, homeless and low-income residents, recent immigrants, recent parolees, and the mentally and addictively ill. St. Anthony’s mission is to feed, heal, shelter, clothe, lift the spirits of those in need and create a society in which all persons flourish.

People come for food, clothing and healthcare. St. Anthony’s supports them as they pursue training, work, sobriety and purpose. In community with volunteers, donors and guests, they work on long-term solutions to homelessness and hunger while meeting the critical needs of the day.

ST. ANTHONY’S PROGRAMS • St. Anthony’s New Dining Room just re-opened in 2014 and is the only free food program in San Francisco open every day of the year. They serve an average of 2,400 hot, nutritious meals a day to poor and low-income people, including about 300 children.

• St. Anthony’s Medical Clinic is the only pediatric clinic in the Tenderloin. One of the city’s oldest and largest medical clinics, they provide primary and urgent care and specialty services to 3,100 uninsured patients, 20% of whom are children.

• St. Anthony’s Free Clothing Program is the largest in San Francisco. They provide used, ready-to-wear clothing to about 7,300 people, including 300 families sending their children to school, to unemployed and underemployed individuals looking for a job, and to homeless people seeking stability and safety in their lives.

• St. Anthony’s Social Work Center provides counseling, connections to basic services, rental assistance, emergency food boxes, payee services and laundry and haircut vouchers for over 1,600 clients a year, including 140 families.

• The Tenderloin Technology Lab helps bridge the digital divide by offering free basic and advanced computer classes and drop-in computer access for 1,700 low-income and homeless clients.

• The Father Alfred Center is one of the few year-long residential drug and alcohol recovery programs in San Francisco. It empowers 180 residents a year with the resources to overcome their addictions, to build life skills and develop work skills and experience.

• St. Anthony’s volunteer Social ACTion Program brings guests together with volunteers, staff members and the community-at-large through educational workshops and volunteer opportunities to address the causes at the root of hunger, homelessness, unemployment and addiction. Through the Advocacy Program, St. Anthony’s advocates for policies and programs that address root causes of poverty and that will better serve the needs of poor and homeless people in San Francisco.

ST. ANTHONY’S APPROACH St. Anthony’s Dining Room is more than a place to get a hot meal every day—it is a community. Whether in a residential hotel room or on the street, 83% of St. Anthony’s guests live alone, and the Dining Room is a place to share stories and smiles, a place where someone notices if they do not show up.

St. Anthony’s Gateway Strategy uses the Dining Room as an entry point into their other programs and into other services in the city. To ensure that they draw guests from the Dining Room into other programs, the Dining Room is staffed with St. Anthony’s social workers who talk with guests about other needs and connect them with additional help: food stamps, housing searches, healthcare, computer access and money management and benefit payee services.

For more information about St. Anthony Foundation, please visit www.stanthonysf.org 3

1 PIERRE BONCOMPAIN Fruits d'ete AP 9/50 signed serigraph 28 x 35 in., 2004 Gallery price: $3,000.00

2 LARRY HOROWITZ Hillside With Trees in Black and Grey AP signed etching, 39 x 15 in., 2004 Gallery price: $1,500.00

3 LARRY HOROWITZ Sienna Shadows 24/50 signed etching on paper 16 x 16 in., 1999 Gallery price: $1,800.00

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4 MIHAIL CHEMIAKIN Dancers & Spectators III 30/195 signed lithograph 36 x 26 in., 1988 Gallery price: $3,000.00 5 MIHAIL CHEMIAKIN Homage to Nureyev I 20/175 signed lithograph 30 x 21 in., 1992 Gallery price: $5,000.00 6 MIHAIL CHEMIAKIN Gendarme and Rebekka 56/125 signed lithograph 24 x 21 in., 1988 Gallery price: $2,250.00

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7 MIHAIL CHEMIAKIN The Amants Russes I 61/125 signed lithograph 34 x 24in., 1989 Gallery price: $2,750.00 8 MIHAIL CHEMIAKIN The Amants Russes II 62/125 signed lithograph 34 x 24 in., 1989 Gallery price: $2,750.00

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9 PIERRE-MARIE BRISSON Etat d'ame I 15/75 signed monograph 19 x 12 in., 1992 Gallery price: $1,400.00 10 PIERRE-MARIE BRISSON Etat d'ame II 15/75 signed monograph 19 x 12 in., 1992 Gallery price: $1,400.00 11 PIERRE-MARIE BRISSON Etat d'ame III 15/75 signed monograph 19 x 12 in., 1992 Gallery price: $1,400.00 12 PIERRE-MARIE BRISSON Florilege III original signed mixed media on canvas 36 x 23 in., 1992 Gallery price: $14,500.00

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14 LARRY HOROWITZ Bay Sunset original signed pastel on paper 12 x 20 in., 1999 Gallery price: $1,700.00

15 LARRY HOROWITZ Sepia Marsh 34/45 signed etching 23 x 30 in., 1999 Gallery price: $1,900.00

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13 LARRY HOROWITZ California Skies 1/45 signed etching 42 x 14.5 in., 2004 Gallery price: $2,500.00

16 PIERRE BONCOMPAIN La ceinture jaune AP 9/50 signed serigraph 28 x 35 in., 2004 Gallery price: $3,000.00 17 PIERRE BONCOMPAIN Au bord du lit 135/250 signed serigraph 17.5 x 24 in., 2004 Gallery price: $2,500.00

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18 IGOR MEDVEDEV Walled Jerusalem original signed mixed media on canvas 36 x 72 in., 2000 Gallery price: $16,900.00

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19 SALVADOR DALÍ Divine Comedy: Purgatory 16 ML 1088 143/150 unsigned lithograph 13 x 10.3 in., 1963 Gallery price: $1,550.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 204

20 SALVADOR DALÍ Divine Comedy: Purgatory 19 ML 1091 143/150 unsigned lithograph 13 x 10.3 in., 1963 Gallery price: $1,550.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 205

21 SALVADOR DALÍ Divine Comedy: Purgatory 22 ML 1094 3,621/4,765 unsigned lithograph 13 x 10.3 in., 1963 Gallery price: $1,550.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 206

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22 SALVADOR DALÍ Divine Comedy: Purgatory 30 ML 1102 EA signed lithograph 13 x 10.3 in., 1963 Gallery price: $5,950.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 207

23 JOAN MIRÓ Lezard aux plumes d’or 13 M. 821 6/50 signed lithograph 14 x 20 in., 1971 Gallery price: $16,500.00 Illustrated: Joan Miro Lithographs, Volume IV, Maeght, 1992, pg. 167

24 JOAN MIRÓ Lezard aux plumes d’or 7 M. 803 IX/Z signed lithograph 14 x 20 in., 1971 Gallery price: $16,500.00

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Illustrated: Joan Miro Lithographs, Volume IV, Maeght, 1992, pg. 161

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25 SALVADOR DALÍ Divine Comedy: Hell 3 ML 1041 II/III signed lithograph 13 x 10.3 in., 1963 Gallery price: $5,950.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 102

26 SALVADOR DALÍ Divine Comedy: Hell 4 ML 1042 EA signed lithograph 13 x 10.3 in., 1963 Gallery price: $5,950.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 102

27 SALVADOR DALÍ Divine Comedy: Hell 5 ML 1043 II/III signed lithograph 13 x 10.3 in., 1963 Gallery price: $5,950.00

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Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 102 .

28 JOAN MIRÓ Cantic Del Sol: Plate 4 D. 837 81/250 unsigned etching 13.8 x 20 in., 1975 Gallery price: $3,200.00 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg 177

29 JOAN MIRÓ Cantic Del Sol: Plate 11 D. 847 81/250 unsigned etching 13.8 x 20 in., 1975 Gallery price: $3,200.00 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg 181

30 JOAN MIRÓ Cantic Del Sol: Plate 12 D. 842 81/250 unsigned etching 13.8 x 20 in., 1975 Gallery price: $3,200.00 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg 179

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31 JIM DINE Very Picante AP signed cardboard relief and intaglio mixed media on paper 53.2 x 39.1 in., 1995 Gallery price: $58,000.00

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32 STEPHEN HALL The Choice from an edition of 125 signed serigraph 22 x 20 in., 1986 Gallery price: $2,500.00

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33 SALVADOR DALÍ Divine Comedy: Hell 11 ML 1049 II/III signed lithograph 13 x 10.3 in., 1963 Gallery price: $5,950.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 103

34 SALVADOR DALÍ Divine Comedy: Hell 13 ML 1051 II/III signed lithograph 13 x 10.3 in., 1963 Gallery price: $5,950.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 103

35 SALVADOR DALÍ Divine Comedy: Hell 14 ML 1052 II/III signed lithograph 13 x 10.3 in., 1963 Gallery price: $5,950.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R Michler and L. Lopsinger, Prestel, 1994 pg. 104

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36 LARRY HOROWITZ Summer Field signed monoprint 17 x 23.5 in., 1986 Gallery price: $2,300.00

37 LARRY HOROWITZ Pleasant Bay II original signed oil on canvas 30 x 40 in., 1999 Gallery price: $8,900.00

38 LARRY HOROWITZ Fiery Sunset original signed oil on canvas 20 x 60 in., 2002 Gallery price: $7,800.00

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39 PABLO PICASSO La Célestine: Jeune Fille, Célestine et Petit-Maître Bl. 1575 / Ba. 1591 323/350 unsigned etching 3.5 x 5 in., 1968 Gallery price; $4,500.00 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg 283

40 PABLO PICASSO La Célestine: Homme nu Assis en Tailleur, er Deux Femmes Bl. 1600 / Ba 1616 323/350 unsigned etching 4 x 3 in., 1968 Gallery price: $4,500.00

41 PABLO PICASSO La Célestine: Célestine, Maja et Complice Masculin Bl. 1602 / Ba. 1618 323/350 unsigned etching 2.5 x 5 in., 1968 Gallery price: $4,500.00

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg 317

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg 319

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42 PABLO PICASSO La Célestine: Gentilhomme et Maja Bl. 1616 / Ba. 1632 323/350 unsigned etching 4 x 3 in., 1968 Gallery price: $4,500.00 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg 336 - 337

43 PABLO PICASSO La Célestine: Enlèvement, à Cheval Bl. 1628 / Ba. 1644 323/350 unsigned etching 3 x 4 in., 1968 Gallery price: $4,500.00 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg 352

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44 MARC CHAGALL Le Cirque: Plate 21 M 509 28/250 unsigned lithograph 16 x 12.5 in., 1967 Gallery price: $5,500.00 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 214

45 MARC CHAGALL Le Cirque: Plate 25 M 514 87/250 unsigned lithograph 16 x 12.5 in., 1967 Gallery price: $5,500.00 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 214

46 MARC CHAGALL Le Cirque: Plate 26 M 515 XI/XX unsigned color lithograph 16.5 x 25 in., 1967 Gallery price: $18,500 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 214

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47 LEROY NEIMAN Resting Lion AP 26/77 signed serigraph 33.75 x 42 in., 2008 Gallery price: $7,000.00

48 LEROY NEIMAN Lion and Lioness 210/385 signed serigraph 18 x 24.5 in., 2007 Gallery price: $5,500.00

49 LEROY NEIMAN Family Portrait 499/575 signed serigraph 25 x 24 in., 2005 Gallery price: $5,000.00

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50 LEROY NEIMAN Portrait of a Cheetah 171/250 signed serigraph 28 x 21 in., 2004 Gallery price: $8,000.00

51 LEROY NEIMAN The Big Five 32/585 signed serigraph 21 x 42 in., 2001 Gallery price: $12,000.00

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52 PIERRE BONCOMPAIN Terrasse d'ete original signed pastel on paper 25.25 x 39.7 in.

Gallery price: $26,000.00

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53 PIERRE BONCOMPAIN Sieste original signed oil on canvas 26.6 x 20.8 in.

Gallery price: $25,000.00 54 PIERRE BONCOMPAIN Laying Woman original signed pastel on paper 19.6 x 25.5 in.

Gallery price: $10,000.00 55 PIERRE BONCOMPAIN Terrasse au melon original signed oil on canvas 25.5 x 19.5 in.

Gallery price: $25,000.00

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56 YURI KUPER Portrait, Untitled original signed mixed media on photograph 11.5 x 7.5 in.

Gallery price: $4,500.00 57 LUIGI KASIMIR London Tower Bridge signed aquatint 23.5 x 17.5 in., 1950 Gallery price: $1,500.00

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58 JOAN MIRÓ Cantic Del Sol: Plate 16 D. 849 81/250 unsigned etching 13.8 x 20 in., 1975 Gallery price: $2,400.00 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg 181

59 JOAN MIRÓ Cantic Del Sol: Plate 17 D. 854 81/250 unsigned etching 13.8 x 20 in., 1975 Gallery price: $2,400.00 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg 184

60 JOAN MIRÓ Cantic Del Sol: Plate 18 D. 855 81/250 unsigned etching 13.8 x 20 in., 1975 Gallery price: $2,400.00 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg 184

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61 MIQUEL GELABERT Multhihoritzo signed on back, oil on canvas 28 x 23 in., 2014 Gallery price: $4,500.00

62 GOTTFRIED SALZMANN Paris la Grande Roue: Réflection original signed watercolor 23 x 18.5 in., 2001 Gallery price: $10,500.00

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63 LEROY NEIMAN The Grenadier Bar PP 2/8 signed serigraph 34 x 24 in., 2011 $9,500.00

64 LEROY NEIMAN Buena Vista Bar 129/375 signed serigraph 28 x 37 in., 1986 $16,500.00

65 LEROY NEIMAN Place de la Concorde AP 54/60 signed serigraph 28 x 35.5 in., 2006 $6,000.00

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Salvador Dalí b. 1904, F IGUERAS , S PAIN d. 1989, F IGUERAS , S PAIN

Salvador Dalí was born Salvador Felipe Jacinto Dalí y Domenech in the Catalan town of Figueras, Spain, on May 11, 1904. In 1921, he enrolled in the Real Academia de Bellas Artes de San Fernando in Madrid, where he became a friend of Federico García Lorca and Luis Buñuel. His first solo show was held in 1925 at the Galeries Dalmau in Barcelona. In 1926, Dalí was expelled from the Academia and, the following year, he visited Paris and met Pablo Picasso. He collaborated with Buñuel on the film Un Chien Andalou in 1928.

At the end of the year, he returned to Paris and met Tristan Tzara and Paul Eluard. About this time, Dalí produced his first Surrealist publications and illustrated the works of Surrealist writers and poets. His first solo show in the United States took place at the Julien Levy Gallery in New York in 1933.

Dalí was censured by the Surrealists in 1934. Toward the end of the decade, he made several trips to Italy to study the art of the sixteenth and seventeenth centuries. In 1940, Dalí fled to the United States where he worked on theatrical productions, wrote and illustrated books and painted. A major retrospective of his work opened in 1941 at the Museum of Modern Art in New York and travelled throughout the United States. In 1942, Dalí published his autobiography and began exhibiting at M. Knoedler and Co. in New York. He returned to Europe in 1948, settling in Port Lligat, Spain. His first paintings with religious subjects date from 1948–49. In 1954, a Dalí retrospective was held at the Palazzo Pallavicini in Rome and, in 1964, an important retrospective of his work was shown in Tokyo, Nagoya and Kyoto. He continued painting, writing and illustrating during the 1960s. The Salvador Dalí Museum in Cleveland was inaugurated in 1971, and the Dalínian Holographic Room opened at M. Knoedler and Co., New York, in 1973. In 1980, a major Dalí retrospective was held at the Musée National d’Art Moderne, Centre Georges Pompidou, in Paris, and his work was exhibited at the Tate Gallery, London. The artist died on January 23, 1989, in Figueras.

66 SALVADOR DALÍ Alice in Wonderland: The Pool of Tears ML 323 HC unsigned lithograph 16.75 x 11.25 in., 1969 Gallery price: $2,650.00 Illustrated: Dali, Catalogue Raisonné 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 171

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68 67 SALVADOR DALÍ Alice in Wonderland: The Mock Turtle's Story ML 330 1921/2500 unsigned lithograph 16.75 x 11.25 in., 1969 Gallery price: $2,650.00 Illustrated: Dali, Catalogue Raisonné 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 172

68 SALVADOR DALÍ Alice in Wonderland: Who Stole the Tarts?

ML 332 315/2500 unsigned lithograph 16.75 x 11.25 in., 1969 Gallery price: $2,650.00 Illustrated: Dali, Catalogue Raisonné 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 172

69 SALVADOR DALÍ Alice in Wonderland: Alice's Evidence ML 333 1921/2500 unsigned lithograph 16.75 x 11.25 in., 1969 Gallery price: $2,650.00 Illustrated: Dali, Catalogue Raisonné 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 172

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70 MARC CHAGALL Le Cirque: Plate 7 M 497 102/250 unsigned lithograph 16 x 12.5 in., 1967 Gallery price: $5,500.00

71 MARC CHAGALL Le Cirque: Plate 9 M 502 28/250 unsigned lithograph 16 x 12.5 in., 1967 Gallery price: $5,500.00

72 MARC CHAGALL Le Cirque: Plate 17 M506 51/250 unsigned color lithograph 16.5 x 25 in., 1967 Gallery price: $5,500.00

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 212

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 212

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 213

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73 LEROY NEIMAN Oxford-Cambridge Rowing original signed mixed media on paper 19 x 26 in., 1962 Gallery price: $125,000.00

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74 LEROY NEIMAN Jimmy Breslin original signed mixed media on paper 16 x 12 in., 1967 Gallery price: $16,000.00 75 LEROY NEIMAN The Breeding original signed mixed media on paper 21 x 29 in., 1978 Gallery price: $75,000.00

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76 PIERRE-MARIE BRISSON Position III original signed mixed media on paper 26 x 20 in., 2002 Gallery price: $7,400.00

77 PIERRE-MARIE BRISSON Le Chat III original signed mixed media on canvas 22 x 18 in., 1993 Gallery price: $13,000.00

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78 PIERRE-MARIE BRISSON Petit Monde original signed mixed media on paper 29.5 X 22 in., 1999 Gallery price: $7,500.00

79 PIERRE-MARIE BRISSON Les Senteurs des Roses original signed mixed media on canvas 59 x 59 in., 1998 Gallery price: $30,000.00

80 PIERRE-MARIE BRISSON La Couturiere I original signed mixed media on canvas 59 x 59 in., 2001 Gallery price: $30,000.00

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81 PIERRE-MARIE BRISSON Vie en Acordeon II original signed mixed media on paper 26 x 20 in., 1997 Gallery price: $9,500.00 82 PIERRE-MARIE BRISSON Planche Botanique VI original signed mixed media on paper 29.5 x 22 in., 2007 Gallery price: $9,500.00 83 SALVADOR DALÍ Surrealistic Flowers (Florals): Carnation + Keys Don Quixote ML 547 210/350 signed heliogravure etching 21 x 14.25 in., 1972 Gallery price: $6,500.00 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 205

84 SALVADOR DALÍ Surrealistic Flowers (Florals): Lily + Ants ML 548 210/350 signed heliogravure etching 21 x 14.25 in., 1972 Gallery price: $6,500.00

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Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 205

85 JOAN MIRÓ Les Courtisan Grotesque10B D 670 unsigned etching 16.5 x 11 in., 1974 Gallery price: $4,000.00 Illustrated: Miro Engravings, Volume 3, Ediciones Poligrafa, 1992, pg. 71

86 JOAN MIRÓ Les Courtisan Grotesque12A D 672 unsigned etching 16.5 x 11 in., 1974 Gallery price: $4,000.00 Illustrated: Miro Engravings, Volume 3, Ediciones Poligrafa, 1992, pg. 73

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Joan Miró

b. 1893, BARCELONA / d. 1983, PALMA

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MALLORCA

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923.

In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. That year he also executed his first papiers collés (pasted papers) and collages. In 1929, he started his experiments in lithography, and his first etchings date from 1933.

During the early 1930s he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he re87 turned in 1941. Also in 1936 Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. In 1944, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958 he worked almost exclusively in these two mediums. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, Miró was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year he resumed painting, initiating a series of mural-sized canvases. During the 1960s he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978, the Musée National d’Art Moderne exhibited over five hundred works in a major retrospective of his drawings. Miró died on December 25, 1983, in Palma de Mallorca, Spain.

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87 JOAN MIRÓ Les Courtisan Grotesque11 D 671 unsigned etching 16.5 x 23 in., 1974 Gallery price: $7,500.00 Illustrated: Miro Engravings, Volume 3, Ediciones Poligrafa, 1992, pg. 72

88 JOAN MIRÓ Llibre Dels Sis Sentits V D 1169 HC signed etching and aquatint 36.25 x 28.5 in., 1981 Gallery price: $35,000.00 89 JOAN MIRÓ Les Courtisan Grotesque13 D 673 unsigned etching 16.5 x 23 in., 1974 Gallery price: $7,500.00 Illustrated: Miro Engravings, Volume 3, Ediciones Poligrafa, 1992, pg. 74

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90 IGOR MEDVEDEV Pleasant Surprise II 8/15 signed serigraph on board 33 x 25 in., 1996 Galley price: $2,250.00 91 ALEXANDER CALDER La Mémoire Elémentiare 3 48/100 signed lithograph 20.25 x 28 in., 1978 Galley price: $8,900.00

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92 ALEXANDER CALDER La Mémoire Elémentiare 6 48/100 signed lithograph 20.25 x 28 in., 1978 Galley price: $8,900.00

93 ALEXANDER CALDER La Mémoire Elémentiare 8 48/100 signed lithograph 20.25 x 28 in., 1978 Galley price: $8,900.000

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94 MARC CHAGALL Celui qui dit: Plate II C. 99 25/25 signed etching 15 x 12 in., 1975 Galley price: $26,500.00 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg 293

95 MARC CHAGALL Celui qui dit: Plate IV C. 99 25/205 unsigned etching 15 x 12 in., 1975 Galley price: $6,750.00 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg 293

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96 EDUARDO ARRANZ-BRAVO Impompt original signed oil on canvas 79 x 79 in., 2002 Gallery price: $65,000.00 97 EDUARDO ARRANZ-BRAVO White Face on Red & Brown original signed mixed media on paper 21.5 x 31 in., 2003 Gallery price: $8,800.00

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98 MIQUEL GELABERT Lemac I original signed back oil on canvas 18 x 15 in., 2015 Gallery price: $3,250.00

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99 SALVADOR DALÍ Dix Recettes d'imortalite: L'Homme ressuscité par l'holographie de l'écureuil ML 567 D/Z signed engraving 15.5 x 22.5 in., 1973 Gallery price: $9,500.00 Illustrated: Dali, Catalogue Raisonné 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg 208

SALVADOR DALÍ Dix Recettes d'imortalite: L'Immortalité de l' impérialisme génétique ML 570 D/Z signed engraving 15.5 x 22.5 in., 1973 Gallery price: $9,500.00 100

Illustrated: Dali, Catalogue Raisonné 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg 209

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102 LEROY NEIMAN Can-Can original signed acrylic and enamel on board 24 x 30 in., 1964-69 Gallery price: $165,000.00

OPPOSITE : 101 LEROY NEIMAN Nymphs original signed acrylic and enamel on canvas 76 x 60 in., 1960 Gallery price: $250,000.00

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104 SALVADOR DALĂ?

Le Toreador Hallucinogene original unsigned mixed media collage 13 x 1 x 15 in., 1970 Gallery price: $125,000.00

103 SALVADOR DALĂ?

Pierced Fruit original unsigned gouache, watercolor, ink 19 x 13 in., 1969 Gallery price: $155,000.00

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105 LEROY NEIMAN Longchamp Paddock original signed acrylic and enamel on canvas, 28.5 x 46 in., 1961 Gallery price: $295,000.00

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106 HENRI MATISSE Nu Assis original signed pen on paper 9.5 x 12.25 in., 1929 Gallery price: $150,000.00

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107 HENRI MATISSE Pasiphae, 1944: Plate 2 166/250 signed linocut 13 x 10 in., 1944 Gallery price: $5,900.00 Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres Duthuit, 1988, pg. 57

108 HENRI MATISSE Ronsard 42 246/300 signed lithograph 15 x 11 in., 1948 Gallery price: $2,250.00 Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres Duthuit, 1988, pg.,197

109 HENRI MATISSE Ronsard 50 246/300 signed lithograph 15 x 11 in., 1948 Gallery price: $2,250.00 Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres Duthuit, 1988, pg.,197

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110 LEROY NEIMAN Russian Cossack Over Moscow original signed acrylic and enamel on board 30 x 24 in., 1968 Gallery price: $85,000.00

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LeRoy Neiman

b. 1921, S T. PAUL , M INNESOTA / d. 2012, N EW Y ORK , N EW Y ORK LeRoy Neiman was born on June 8, 1921 in St. Paul, Minnesota. As a young man, the artist attended a Roman Catholic school where he gained attention for his drawings. Later, LeRoy dropped out of school to serve in the U.S. Army during World War II and worked as a cook until the end of the war. He returned to the states in 1946, and attended the St. Paul School of Art for a short time before continuing on to the School of the Art Institute of Chicago. LeRoy earned his degree there and went on to become a member of the faculty for ten years, teaching figure drawing and fashion illustration. During his tenure, Neiman began a life-long relationship with Hugh Hefner, who, along with Art Paul, commissioned an illustration from LeRoy for the cover of Playboy magazine’s fifth edition. The artist would continue to illustrate for the magazine for the next 50 years, creating the Femlin series for the Party Jokes page and contributing to the running feature, “Man at His Leisure,” which chronicled LeRoy’s painting while traveling to exotic locations.

LeRoy spent the majority of his career capturing the leisurely lifestyles of the wealthy and famous. Travelling the world, he depicted sporting events, safari trips, horse races and international high life with brightly colored, impressionistic sketches, drawings and paintings. He worked in various mediums including: oil, enamel, watercolor, pencil drawings, pastels, serigraphy and a small number of lithographs and etchings, which add diversity to his body of work.

111 LEROY NEIMAN Femlin: Saxophone original signed mixed media on paper 15.75 x 15 in., 2002 Gallery price: $34,000.00

LeRoy Neiman gained a strong and loyal fan base over his years as an artist. Collectors and admirers of his work enjoy the vibrant colors, deep, rich textures and a certain feel for a life of opulence and grandeur that LeRoy fully embodied throughout his career. Mr. Neiman passed away on June 20, 2012 at the age of 91.

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112 LEROY NEIMAN Femlin: Decanting 1 original signed mixed media on paper 16 x 13.25 in., 1993 Gallery price: $34,000.00

113 LEROY NEIMAN Femlin: Potted Plant original signed mixed media on paper 12 x 7 in., 1983 Gallery price: $29,000.00

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114 LEROY NEIMAN Femlin: Cellphone Femlin original signed mixed media on paper 16 x 9.25 in., 1999 Gallery price: $34,000.00

115 LEROY NEIMAN Femlin: Sneakers original signed mixed media on paper 16.5 x 13.25 in.,1994 Gallery price: $37,000.00

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116 EDMA MORIZOT, Printemps en forĂŞt original signed oil on canvas, 21.25 x 25.5in., Gallery price: $15,500.00

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117 EDMA MORIZO, Automne en forêt original signed oil on canvas [relined], 21 x 25.5 in., Galler price: $15,500.00

Edma Morisot-Pontillon (or Morizot) French 1839–1921 Marie Edma Caroline Morisot, sister of Berthe Morisot, was a French landscape painter. She often was the muse for many wellknown artists including Berthe, Edouard Manet, and Henri Fantin-Latour. In 1860, she began to study under Camille Corot and, at his suggestion, began painting en plein air. Edma occasionally painted portraits but favored landscapes painted in the Barbizon tradition. She tended to paint small female figures in her landscapes as well. Her Salon debut – two landscapes -- was in the spring of 1864. She exhibited her landscapes regularly in the official Salon until 1869.

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118 ROSA BONHEUR, Étude pour le labourage Nivernais original signed oil on board, 21.3 x 31.8 in., 1848. Gallery price: $20,000.00

Rosa Bonheur French, 1822–1899 Labourage Nivernais (Ploughing in the Nivernais) was based on several outdoor studies Rosa Bonheur executed in Nivernais in the fall of 1848; her intention was to complete and exhibit the painting in the Salon of 1849. She did so and won her first medal. The image shows a powerful team of oxen, known as Charolais cattle — a large-muscular variety, performing the sombrage, the crucial ploughing at the beginning of fall, which opens up the soil to aeration during the winter. The composition focuses on the oxen rather than their accompanying drivers, who follow behind the team. The laboring oxen pull their plow in a diagonal line cutting across the field from the left side in a serene show of force. The scene is painted in bright, rich colors suggesting a late summer or early fall planting. Bonheur’s work was sometimes criticized for being too true to nature and thereby lacking in poetry and invention; yet it is clearly one of her defining strengths as an artist. To achieve her veracity to nature, Bonheur studied the cattle closely, carefully illustrating their anatomy; she avoided giving them human personalities like many other animaliers had done in the mid-nineteenth century. The study in our exhibition which details the two impressive oxen leading the pack, demonstrates Bonheur’s meticulous study of her subjects, rarely omitting the tiniest detail.

Rosa Bonheur’s works can be found in the following major museum collections: National Gallery, London, England; Musée du Louvre, Paris, France; Musée d’Orsay, Paris, France; Metropolitan Museum of Art, New York, New York; Art Institute, Chicago, Illinois; Musée des Beaux-Arts, Bourdeaux, France; Museum of Brighton, Brighton, England; Albright-Knox Art Gallery, Buffalo, New York; Musée Condé, Chantilly, France; Wallace Collection, London, England; Bilbao Fine Arts Museum, Bilbao, Spain; Art Gallery of Ontario, Toronto, Canada; Detroit Institute of Arts, Michigan; as well as museums in the following French cities: Boulogne, Grenoble, Langres, Lille, and Rouen.

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119 FRANÇOIS MARIUS GRANET, La halte devant un cloitre original signed oil on canvas, 12.75 x 16 in., Gallery price: $18,000.00

François Marius Granet French, 1775–-1849 The son of a master mason, Granet learned drawing by copying his father's print collection before enrolling as a student at the free drawing academy in his hometown of Aix-en-Provence. Starting in 1806, Granet frequently sent works back to France, from Italy, to enter in the Salons and won numerous medals. Years later Granet reached the height of his success when he was awarded the Cross of the French Legion of Honor and the ribbon of the Order of Saint Michael.

In 1826 he became a curator at the Louvre and later was named director of the Museum of French History at Versailles, until the Revolution of 1848. The Louvre collected many of Granet’s works and in 2006 exhibited his works in a special exhibition: “Francois-Marious Granet 1775-1849.”

His paintings also possess a simplicity and clarity of composition that belies the intense thought that lay behind the representation of historic and religious subjects. This subtlety, which can be seen later in the work of Corot, is particularly evident in his genre drawings and watercolors from his time in Rome.

Granet has a dedicated museum in his hometown of Aix-en-Provence, which includes many of his own works as well as the famous Portrait of Granet by Jean Auguste Dominique Ingres. His works can be found in world-class institutions including: the Getty Museum, Los Angeles, California; the Hermitage Museum, St. Petersburg, Russia; Musée du Louvre, Paris, France; the Metropolitan Museum of Art, New York, New York; the National Gallery, London, England; the National Gallery, Washington D.C.; and Versailles, France, Art Institute of Chicago, Illinois; Cleveland Museum of Art, Ohio; Harvard University Art Museums, MA; Princeton University Art Museum, NJ; Ashmolean Museum at the University of Oxford, UK; Bowes Museum, County Durham, UK; Courtauld Institute of Art, London, UK; Minneapolis Institute of Arts, Minnesota; Musee des Beaux-Arts de Rennes, France; Musee Magnin, Dijon, France; Palaid Fesch Musee des Bedauc-Arts, France; Statens Museum for Kunst (National Gallery of Denmark), Copenhagen, Denmark.

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120 CHARLES GILBERT-MARTIN, Les fleurs de l’été original signed oil on canvas, 19.7 x 24 in., Gallery price: $20,000.00

Charles Gilbert-Martin French, 1839–1905 Charles Gilbert-Martin was a French caricaturist, journalist, and still-life artist active during the 19th century. He was widely known for his satirical magazines, Le Philosophe and Le Don Quichotte, both founded by him. He founded an additional ten magazines and collaborated on another ten! After graduating from the College of Blaye, he left for Paris in 1862 to pursue a literary career. In May 1867, he founded the satirical magazine Le Philosophe alongside the painter Jean-Paul Laurens.

He wrote under the pen name Louis Lemaire and Tribelg for a short period but is one of the few caricaturists of his generation to be known by his real name. He signed all of his floral still lifes by his given name as well.

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121 ROGER GODCHAUX, Jetée de fleurs original signed oil on canvas, 25.5 x 36.25 in., Gallery price: $8,500.00

Roger Godchaux French, 1878–1958 Roger Godchaux won his first medal (bronze) at the French Salon in 1922. His first state commission was ordered that same year for two bronzes for the library of the Army Museum. In 1925, the jury of the Modern Decorative and Industrial Arts Exhibition awarded him a silver medal. In 1927, he won a design contest for the French automaker Chenard-Walcker’s new emblem. In 1928, the state acquired a bronze sculpture of an elephant and he won a silver medal at the Salon. The state acquired another bronze sculpture, this one of a pigeon, in 1929.

Godchaux is celebrated for his naturalist bronze sculptures of wild animals but also created sculptures in wood, made stoneware, and painted. He was best known for his floral still lifes and was talented enough to paint commissioned portraits of his friends.

The Musée de Vernon held a posthumous retrospective of his work in 1993 and his work can be found in the following museums: Musée d’Orsay, France; Musée d’Anger, France; Musée municipal de Dieppe, France; Abbaye Saint Germain D’Auxerre, France; Musée Veron, France; and Musée Vendome, France.

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122 LÉON RICHET, Vue prise derrière l’atelier de JF Millet à Barbizon original signed oil on board, 10 x 13.9 in., Gallery price: $12,000.00

Léon Richet French, 1847–1907 Léon Richet was born in Normandy, France in 1847. He studied under Ambroise Détrez at the Académie de Valenciennes and later under the Barbizon artists Narcisse Virgile Diaz de la Peña, Jules Lefebvre, and Gustave Boulanger. He earned honors at the annual Salons beginning in 1885: honorable mention in 1885, third place in 1888, and second place in 1901. Richet’s last Salon entry was in 1906. By this time, he had become a member of the Société des Artistes Français and as such had become exempt from submitting his works for acceptance by a jury.

His works can be found in the Metropolitan Museum of Art, NY; Musee d’ORsay, Paris; Norton Simon Museum, Pasadena, CA; LACMA, Los Angeles, CA; National Gallery of Art, Washington, D.C.; Musée des Beaux-Arts, Rennes, France; Leeds Museum, England; Montréal Museum, Quebec, Canada; Musée de Nice, France; the Musée de Reims, France, and the Art Institute, Chicago, Illinois; Isabella Stewart Gardner Museum, Boston, MA; Royal Pavilion, Brighton, UK’ Taft Museum, Cincinnati, OH; Columbus Museum of Art, Columbus, OH; Detroit Institute of Arts, Detroit, MI, Municipal Gallery of Modern Art, Dublin, Ireland; National Gallery of Scotland, Edinburgh; Arnot Art Museum, Elmira, NY.

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123 ARMAND GUERY, Plaine de Barbizon en hiver original signed oil on canvas, 44.6 x 63.75 in., 1891, Gallery price: $32,000.00

Armand Guéry French, 1850–-1912 Armand Guéry was a French painter and pastellist specializing in landscapes, alpine landscapes and waterscapes. His painting trips to the Pyrenees and the Italian Alps encouraged him to paint en plein air and practice from nature. Guéry exhibited two landscapes at his first exhibition in Reims which were well received and sold. At thirty-two, he debuted at the Paris Salon of 1882 with his painting A plaine Champagne that was also well-received. He moved to Paris a year later in 1883 to pursue his painting career.

Guéry became part of the Society of French artists and won many awards while in Paris. He exhibited at the Salon des Artistes Français, where he received an honorable medal in 1885, won the Prix de Raigecourt-Goyon in 1890, a third-class medal in 1891, a second-class medal in 1894 and a jury commendation in 1900 at the Exposition Universelle.

His works can be found in the following collections: Musée d’Orsay, Paris, France; the French Embassy in St. Petersburg, Russia; the Embassy of France, Berlin, Germany; Society of Friends of the Arts of Paris, Paris, France; Mr. Ernest Fuchs, Antwerp, Belgium; collection of Van der Linden, Antwerp, Belgium; Mr. Louis de Bary, Castle Bois-de-l’Arbre, France; collection of the mayor of Hautvillers, France; Alexandre de Bary, Castly Thuisy, France; and museums in Château-Thierry, Nice, Sedan, Epernay, Morlaix, and Reims, all in France.

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124 HENRI J. HARPIGNIES Vue de Saint-Privé original signed oil on panel 14.9 x 11.7 in.

Gallery price: $12,000.00

Henri Joseph Harpignies French, 1819–916 Henri Joseph Harpignies, one of the primary regionalists in the Barbizon group, Harpignies continually discovered new sections of the country to paint. He discovered the village of Hérisson where he was to paint each summer until 1879. It was here that many young landscapists congregated around Harpignies in a group known as the Ecole d’Hérisson. In 1881, he became a member of the Société des Aquarellistes Français and in 1887 a member of the Société des Artistes Français. He also exhibited at the New Water-Colour Society in London. He was interested in depicting specific seasons or a specific time of day or night.

He often used blue notes to infuse a carefully nuanced palette of greyish-green with light. His brush strokes were light but concise, using overlapping planes to create a flattening effect. Anatole France called him the “Michelangelo of trees” and his reputation has remained strong since his death in 1916.

Harpignies was awarded the Croix de Chevalier of the Légion d’Honneur in 1875, Officerier in 1883, and Croix de Commandeur in 1901. He won the Grand Prize at the Exposition Universelle of 1900. His works are in the Musée des Beaux-Arts, Valenciennes, France; Musée d’Orsay, Paris (14); Louvre, Paris; Fine Arts Museums of San Francisco (7); Metropolitan Museum of Art, New York City; Minneapolis Institute of Arts, Minnesota; Museum of Fine Arts, Boston; National Gallery of Art, Washington D.C.; Norton Simon Museum, Pasadena, California; Cleveland Museum of Art, Ohio; Indiana University Art Museum, Bloomington; Los Angeles County Museum of Art ; Philadelphia Museum of Art; Philbrook Museum of Art, Oklahoma; Saint Louis Art Museum, Missouri; High Museum of Art, Atlanta, Georgia; Walters Art Gallery, Baltimore, Maryland; National Gallery, London, UK (5); Aberdeen Art Gallery and Museums, Scotland; Ashmolean Museum at the University of Oxford, UK; Courtauld Institute of Art, London, UK (2); Manchester City Art Gallery, UK; New Art Gallery, Walsall, England; Tate Gallery, London, UK; Fitzwilliam Museum at the University of Cambridge, UK; Hermitage Museum, Saint Petersburg, Russia; Dalhousie University Art Gallery, Halifax, Nova Scotia; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; and the Boymans and Van Beunigen Museum, Rotterdam, Netherlands. In addition, his works can be found in museums in the following French cities: Besanüon, Clamecy, Dieppe, La Roche-sur-Yon, Liege, Lille, Orléans, Rennes, Rochefort, Rouen, Soissons, and Valenciennes.

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125 HENRI VAN WYK Bord de rivière animé original signed oil on panel 8.7 x 16.1 in.

Gallery price: $7,500.00

126 EDOUARD SCHARLACH L’éleveur de Chevaux original signed oil on canvas 20.75 x 29.3 in., 1881 Gallery price: $9,000.00

125 Henri van Wyk Dutch, 1833–1899 Henri van Wyk is an Orientalist and landscape painter from Amsterdam. His paintings are traditionally Dutch in both style and subject. Water and impressive cloud formations were often featured in Dutch landscapes. To show this, the landscapes were often depicted from above ground level where a sea or river can be seen among blurred human figures and the wide sky. A low horizon line is often common as well, both to indicate the immensity of space and to allow space to paint interesting and picturesque cloud formations. Many of van Wyck’s landscape scenes were imaginary, as were all of his Orientalist paintings.

126 Eduard Scharlach German, 1811, Hanover-Müden –1891, Hanover Eduard Scharlach was a genre, animal, portrait, and military painter. He trained at the Düsseldorf School of Painting under Theodor Hildebrandt around 1836. Scharlach mainly painted peaceful horse scenes of many varieties. They typically are seen grazing, used in portraits with military men, and in pre-battle scenes. Horses were used extensively in Prussian art since many were scenes from war. By the start of the Great War, horses were scarce in military painting since they were no longer used as an efficient mode of transportation.

Scharlach's paintings can be found at Sprengel Museum Hannover.

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127 PAUL CHAIGNEAU, Avant l'orage original signed oil on canvas, 18.25 x 21.6 in., Gallery price: $20,000.00

Paul Chaigneau French, 1879–1938 Paul Chaigneau was a French artist who specialized in landscapes and animal paintings in the Barbizon style. His works resemble his father’s, Jean Ferdinand Chaigneau, who was the last major surviving member of the Barbizon School. Paul Chaigneau was born in Barbizon in his father’s home called La Bergerie, which translates to the sheep pen. His works are often of calm pastoral scenes with a shepherd herding sheep at sunrise or sunset, when natural lighting is golden and intense. With the exception of his father who was also his teacher, he was largely influenced by the iconic peasant figures of Jean François Millet and Jules Breton.

Paul Chaigneau premiered at the annual Salon in 1896 when he was only 17 years old. In 1927, he was appointed curator of the first Museum of Barbizon created in the workshop of Théodore Rousseau. Chaigneau died in Barbizon in 1938.

His works can be seen in the Musées des Beaux-Arts, Rennes, France and in the Museum of Barbizon.

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128 ÉTIENNE EUGÈNE CICÉRI, Lavandière au bord du Loing original signed oil on canvas, 35 x 44.2 in., Gallery price: $25,000.00

Étienne Eugène Cicéri French, 1813–1890 Étienne Eugène Cicéri was a French illustrator, writer, lithographer, set designer, and painter of Barbizon-inspired landscapes and Orientalist-themed work. His father taught him painting and stage design at an early age. He also took painting lessons from his great-uncle Jean Baptiste Isabey, who was famous for his miniatures and court paintings of Napoleon and other royalists from the 1820s to 1830s.

In his 20s, Eugène began documenting his travels abroad in gouache. He painted landscapes of French territories in the Caribbean as well as scenes from North Africa, Switzerland, Germany, Turkey and China. After returning to Paris, he took on a mural commission for the civic auditorium at LeMans which was unveiled in 1842, it is known to be his largest work. Cicéri made is Salon debut in 1851 and won a second-class medal a year later for his riverscape Vue Prise au bord du Loing. He continued to exhibit at the Salons during the 1850s but in 1865.

Cicéri’s work can be found in the following museums: The Louvre, Paris, France; Getty Museum, Los Angeles, California; L’école des Beaux-Arts, Rennes, France; L’école des Beaux-Arts, Angers, France; Hong Kong Museum of Art, China; National Gallery of Berlin, Germany; Princeton University Art Museum, New Jersey, US A; L’école des Beaux-Arts, Pau, France; and Musée Magnin, Dijon, France.

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129 NARCISSE DIAZ DE LA PEÑA, Repas champêtre en forêt de Fontainebleau original signed oil on canvas, 7.8 x 11.9 in., 1863, Gallery price: $17,000.00

Narcisse Virgile Diaz de la Peña French, 1807–1876 Diaz’s first Salon success was in 1844 when he exhibited four paintings and won a third-class medal. The noted critic, Théophile Thoré, praised Diaz’s work for his use of light and found him to be an important colorist. By 1845, Diaz had active followers and was creating works for private patrons; some well-known aristocrats asked him to paint their portraits. His second Salon medal, a second-class award, was received in 1846. Diaz remained popular throughout his career. Because of his financial success Diaz was able to help friends in need and Troyon, Rousseau and Millet all benefited from his generosity. Diaz reached the height of his fame in 1855 and was regarded as a master landscapist who fully understood and used the lure of the forest of Fontainebleau. His work continued to appreciate in skill and value into his last years. In 1863, Diaz met Claude Monet, Auguste Renoir, Alfred Sisley and Frédéric Bazille, who admired his brilliant colors; his late landscapes very likely influenced the Impressionists.

Diaz de la Peña’s work can be found in the following museums: Musée du Louvre, Paris; Metropolitan Museum of Art, New York; Hermitage Museum, St. Petersburg, Russia; Musée d’Orsay, Paris; National Gallery, London; Wallace Collection, England; Fine Arts Museums of SF, California; Museum of Fine Arts, Boston; Art Institute of Chicago, Illinois; Birmingham Museums & Art Gallery, England; Detroit Institute of Arts, Michigan; Fitzwilliam Museum at the University of Cambridge, England; Rijksmuseum, Amsterdam, the Netherlands; National Galleries of Scotland, Edinburgh; National Gallery of Art, Washington D.C.; Norton Simon Museum, Pasadena, California; Art Gallery of Greater Victoria, British Columbia, Canada; Brooklyn Museum, New York; Canton Museum of Art, Ohio; Chi-Mei Museum, Tainan, Taiwan; Cleveland Museum of Art, Ohio; Frye Art Museum, Seattle; Los Angeles County Museum of Art, California; Musee des Beaux-Arts de Bordeaux, France; National Gallery of Armenia, Yerevan, Armenia; Lauren Rogers Museum of Art, Laurel, Michigan; Indianapolis Museum of Art, Indiana; Joslyn Art Museum, Omaha, Nebraska; Dublin City Gallery, Dublin, Ireland; Mildres Lane Kemper Art Museum, St. Louis, Missouri; Minneapolis Institute of Arts, Minnesota; Phoenix Art Museum, Arizona; Saint Louis Art Museum, Missouri; Philadelphia Museum of Art, Pennsylvania; San Diego Museum of Art, California; Osterreichische Galerie Belvedere, Vienna, Austria; The Walters Art Museum, Baltimore, Maryland; USC Fisher Museum of Art, Los Angeles, California; Valtion Taidemuseo (Finnish National Gallery), Helsinki, Finland; Statens Museum for Kunst (National Gallery of Denmark), Copenhagen; Detroit Institute of Arts, Detroit, MI; Sterling and Francine Clark Art Institute, Williamstown, MA; Taft Museum, Cincinnati, OH. 68

130 NARCISSE DIAZ DE LA PEÑA, Les baigneuses original signed oil on panel, 6.4 x 9.25 in., Gallery price: $14,000.00

131 NARCISSE DIAZ DE LA PEÑA, La mare dans la clairière original signed oil on canvas, 10.7 x 14.6 in., Gallery price: $22,000.00

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132 CLEMENTINE HÉLÈNE DUFAU, Hommage à Renoir original signed oil on canvas, 25.25 x 26.75 in., Gallery price: $14,500.00

Cleméntine Hélène Dufau French, 1869–1937 Cleméntine Hélène Dufau was born in Quinsac in southwestern France; she arrived in Paris with her family to study at the Académie Julian in 1889. She studied under William Bouguereau, Tony Robert-Fleury, and Gabriel Ferrier, some of the most important artists of the academic style. Académie Julian was one of the first academies to accept female students and train them using the same curriculum as the male students. It is also one of the first which allowed women to study nudes, which Dufau painted often. Most of her paintings were based on female subjects. She is best known for her posters during the Belle Epoqué period; her most famous poster, La Fronde [The Sling], 1898, shows the rise of the feminist movement in France.

She has been called one of the most brilliant painters of her generation because of her individual style, which has been described as poetic, honest, and esoteric. Her awards and honors include: the Bashkirtseff prize in 1895; a third-class medal in1897; a second-class medal in 1902; and a silver medal at the Paris Exposition of 1900. Dufau was the second woman in France to be made Chevalier of the Legion of Honor by the French Government in 1909.

Her works can be found at: Petit Palais Museum, Paris; Musee d’Orsay, Paris; Museum of Fine Arts of Bordeaux, and the following museums in France: Nantes Museum, Cognac Museum, Magnin Museum (Dijon), Marseille’s Cantini Museum, Rouen Museum, and Sorbonne Univeristy.

“La Baigneuse” belonged to Museum of Fine Arts, Bordeaux 70

133 LOUIS CABIÉ Jour d'automne original signed oil on panel 24 x 15.4 in.

Gallery price: $10,000.00

Louis Alexandre Cabié French, 1854–1939 Louis Alexandre Cabié was a Naturalist landscape painter from Dol-de-Bretagne. He was inspired by Jean-Baptiste Camille Corot and Theodore Rousseau’s landscapes of Barbizon early on but is known for creating risky and bold compositions painted in gouache and watercolor which were independent in style and of influence. Cabié became a pupil of the realist landscape painter Henri Harpignies and was formally introduced to the Barbizon School early in his artistic training. He later joined the Naturalist movement of Port-Berteau, a small and short-lived school that focused on plein air landscape painting, under the instruction of Hippolyte Pradelles, one of the founders.

Cabié debuted at the Salon des Artistes Français of 1887 and earned several awards and medals; he was eventually appointed Chevalier de la legion d’honneur. He was the chef-de-file (head) of landscape painting at the Saintonge School before moving to Bordeaux where he produced most of his landscapes until his death in 1939. Other regions he often worked in were Saintonge (a former French province) and Brittany. His later works were heavily influenced by post-Impressionism.

Louis Cabié’s work can be found at the following museums: Musée du Louvre department des Arts graphiques, Paris, France; Musée Luxembourg,Paris; Musee des Beaux-Arts, Bordeaux, France; Musée du vieux Château, Laval; Musée Goya, Castres; Musée des Beaux-Arts, Angers, France; and Musée des Beaux-Arts, Chambéry, France.

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134 CONSTANT TROYON, Paturages dans la vallée de la Touques original signed oil on canvas, 31.9 x 39.4 in., Gallery price: $24,000.00

Constantin (Constant) Troyon French 1810–1865 Constantin Troyon was a prominent animalier. He first exhibited them at the 1849 Salon; that same year he was honored with the Chevalier de la Légion d’Honneur. By the 1850s, Troyon‘s works were being sold before they were even completed. He acquired several medals throughout his career and was later featured at the Expositions Universelles of 1889 and 1900.

His works can be found at the following museums and notable galleries: Louvre, Paris; Musée d’Orsay, Paris; The Wallace Collection, London; NY Metropolitan Museum of Art; Museum of Fine Arts, Boston; National Gallery of Art, Washington D.C; Norton Simon Museum, Los Angeles; Smithsonian American Art Museum, Washington D.C.; Frick Collection, New York; Fine Art Museums of San Francisco, California; Los Angeles County Museum of Art, California; Hermitage Museum, St. Petersburg, Russia; National Galleries of Scotland; Aberdeen Art Gallery and Museums, Scotland; Chi-Mei Museum, Tainan, Taiwan; Museo Nacional de Bellas Artes, Buenos Aires; Mohamed Mahoud Khalil and Wife Museum, Cairo, Egypt; Dublin City Gallery, Ireland; Rijksmuseum Twenthe, the Netherlands; Manchester City Art Gallery, England; Statens Museum of Kunst, Copenhagen, Denmark; The Albertina Graphic Art Databank, Vienna, Austria; and additional museum collections in the United States; Brooklyn Museum, New York; Canton Museum of Art, Ohio; Carnegie Museum of Art, Pittsburgh, Pennsylvania; Clark Art Institute, Williamstown, Massachusetts; Cleveland Museum of Art, Ohio; Dahesh Museum, New York; Harvard University Art Museums, Massachusetts; Lauren Rogers Museum of Art, Laurel, Mississippi; Boston College - McMullen Museum of Art, Chestnut Hill, Massachusetts; Philadelphia Museum of Art, Pennsylvania; San Diego Museum of Art, California; Mildred Lane Kemper Art Museum, St. Louis, Missouri; The Huntington Library, Pasadena, California; and The Walters Art Museum, Baltimore, Maryland.

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135 JULES BRETON, Étude pour Le rappel des glaneuses original signed oil on cardboard, 6.8 x 13 in., 1859, Gallery price: $28,000.00

Jules Breton French, 1827–1906 Jules Breton studied initially under Félix de Vigne, whose daughter he married in 1858. He later studied at the Royal Academy of Fine Arts in Ghent, went on to work at Martin Drolling’s studio in Paris and joined the Ecole des Beaux-Arts under the direction of Horace Vernet and Jean Auguste Dominique Ingres in 1847. Breton had originally decided to specialize in genre painting, as his first submissions to the Salons of 1849 and 1850 show, but these were not very well received and the following year he began to concentrate exclusively on landscapes.

In 1854 he moved back to Courrières and between 1862 and 1866 made several visits to south and south-west France and Italy. Between 1868 and 1890 he spent many months each year at Douarnenez in Brittany. Breton was a regular exhibitor at Salons from 1849 and also exhibited at the Paris Exposition Universelle. In 1853 he had his first success at the Salon; in 1855 he was awarded a bronze medal at the Exposition Universelle, in 1857 he received a silver medal at the Salon, at the 1859 salon he won gold for The Gleaners (now in The National Gallery of Ireland). In1867 he received a gold medal at the Exposition Universelle, and in 1872 he was awarded a medal of honor at the Salon. His Salon exhibits were increasingly admired and his paintings were regularly purchased by the state and by collectors. Wisely, Breton did not let this rapid success go to his head but applied himself to perfecting his technique. He also took part in many foreign exhibitions.

Breton was decorated with the Légion d’honneur and the Order of Leopold of Belgium. In 1867 he was made an officer of the Légion d’honneur and was promoted to commander in 1885. In 1866 he was made a member of the Institute of France. He was a jury member at the Exposition Universelle of 1889 and 1900. Breton has rightly been described as a Realist tempered by a poet. He did not share the energetic technique of Bastien Lepage, nor his sense of truth. Breton’s Realism stopped at his choice of subject, his interpretation always being tinged with a certain idealistic charm. However, he did not falsify nature; he simply highlighted its happier side. His technique was Classical, very studied and impeccably precise, and his use of color was always carefully chosen and accurate.

His works can be found in the Musée d’Orsay in Paris, France; the Metropolitan Museum of Art in New York City; the Museum of Fine Arts, Boston. Massachusetts; the Musée des Beaux-Arts de Quimper, France; The National Gallery of Art, Dublin, Ireland; and the Van Gogh Museum in Amsterdam, the Netherlands.

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Sam Francis

b. 1923, S AN M ATEO , C ALIFORNIA / d. 1994, S ANTA M ONICA , C ALIFORNIA Sam Francis was born on 25 June 1923 in San Mateo, California. He studied privately with abstract figurative painter David Park in 1947 before completing his BA and MA at the University of California, Berkeley.

He was a member of the Bay Area Abstract group that included Clyfford Still, David Park and Richard Diebenkorn, and experimented with Surrealism and Abstract Expressionism, but developed his own unique styles of painting like the use of the irregular-cell or blotlike color-shape and a preference for thinned oil and acrylic pigments As his work was gaining national attention, Sam Francis left San Francisco to live in Paris and in the Orient in 1950. nedstatproHe eventually settled in Santa Monica in 1964 where he worked on different medias until his death in 1994.

The work of Sam Francis is held in the permanent collection of every encyclopedic modern art museum in the world. Sam Francis’s works have been exhibited internationally for over fifty years.

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OPPOSITE : 136 SAM FRANCIS Untitled SMF 81-009 estate-stamped on verso monotype 24.75 x 30.5 in., 1981 Gallery price: $42,500.00

137 SAM FRANCIS Untitled SF223S original state-stamped on verso watercolor and acrylic 24 x 18 in., 1991 Gallery price: $85,000.00

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138

138 SAM FRANCIS Untitled EXP-SF-0485-03 signed monotype 25 x 27 in., 1983 Gallery price: $55,000.00 139 SAM FRANCIS Untitled SFM83-502 signed monotype 29.25 x 24 in., 1983 Gallery price: $55,000.00

139 76

140 SALVADOR DALÍ Alice in Wonderland ML 321-333 Full portfolio with 13 prints: one color etching and 12 color heliogravure 1056/2500, 17 x 11.75 in., 1969 Gallery price: $35,000.00 Illustrated: Dali, Catalogue Raisonné 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 171-172

141 SALVADOR DALÍ Three Plays by the Marquis de Sade: Marianne and the Chevalier ML 1232 5/7 signed lithograph, 21 x 17 in., 1969 Gallery price: $6,500.00

142 SALVADOR DALÍ Three Plays by the Marquis de Sade: The Chevalier's Proposal ML 1234 5/7 signed lithograph, 21 x 17 in., 1969 Gallery price: $6,500.00

Illustrated: Dali, Catalogue Raisonné 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 130

Illustrated: Dali, Catalogue Raisonné 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 130

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143

143 JOAN MIRÓ Untitled; 22 Aug 1973 original unsigned crayon, pencil on paper 8.6 x 10.8 in., 1973 Gallery price: $85,000.00 144 JOAN MIRÓ Les Essencies de la Terra M. 582 74D/100 signed lithograph 20 x 14 in., 1968 Gallery price: $50,000.00 Illustrated: Joan Miro the illustrated books: Catalogue Raisonné, Cramer,1989, pg. 315

144 78

145 JOAN MIRÓ Untitled, from Les Essencies de la Terra M. 580 74C/100 signed lithograph 20 x 14 in., 1968 Gallery price: $50,000.00 Illustrated: Joan Miro the illustrated books: Catalogue Raisonné, Cramer,1989, pg. 315

146 JOAN MIRÓ Untitled, from Les Essencies de la Terra signed brush and ink over lithograph on paper 19.6 x 13.8 in., 1968 Gallery price: $38,000.00

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148

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147 LEROY NEIMAN The Lights of Broadway AP 68/90 signed serigraph 28 x 36 in., 2001 Gallery price: $14,000.00 148 LEROY NEIMAN High Stakes Blackjack - Vegas AP 47/50 signed serigraph 35.25 x 44 in., 2008 Gallery price: $6,000.00 149 LEROY NEIMAN High Seas Sailing II AP 39/75 signed serigraph 38 x 26 in., 1995 Gallery price: $11,000.00 150 LEROY NEIMAN Carousel AP 54/90 signed serigraph 26 x 44 in., 2006 Gallery price: $6,500.00

149

150 81

151 EDUARDO ARRANZ-BRAVO La Mirada IX original signed mixed media on paper 8 x 7 in., 2011 Gallery price: $3,600.00

152 EDUARDO ARRANZ-BRAVO Els 25 de Maig XXI original signed drawing on paper 13.5 x 9 in., 2007 Gallery price: $2,200.00

153 EDUARDO ARRANZ-BRAVO Pareja Tecnica original signed mixed media on paper 29.5 x 21 in., 1979 Gallery price: $6,500.00

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154 LEROY NEIMAN Some Sun Fun original acrylic and enamel on board 32.25 x 24 in., 1970 Gallery price: $150,000.00

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155 LEROY NEIMAN Mahl, Yugoslovia original signed oil on paper 19 x 24.5 in., 1969 Gallery price: $115,000.00

156 LEROY NEIMAN Equestrienne original signed acrylic and enamel on board 23.5 x 12 in., 1974 Gallery price: $105,000.00

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157 JOAN MIRĂ“ Le Grand Ordinateur D. 503 35/75, signed etching, aquatint, carborundum 41 x 26.75 in., 1969, Gallery price: $58,000.00 Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1992, pg. 151

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158 JOAN MIRĂ“ La Harpie D. 506 30/75, signed etching, aquatint, carborundum 36 x 26 in., 1969, Gallery price: $42,000.00 Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1992, pg. 154

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159 MARC CHAGALL Daphnis et Chloe: Lumière d'Atelier M. 843 49/50 signed color lithograph 21 x 16 in., 1976 Gallery price: $49,000.00 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg 154

160 JOAN MIRÓ Les Penalites de l'enfer: Plate10 M. 969 144/200 unsigned lithograph 10.6 x 29.3 in., 1974 Gallery price: $8,500.00 Illustrated: Joan Miro lithographs, Volumne IV, Maeght, 1981, pg. 101

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Marc Chagall

b. 1887, L IOZNA , B ELARUS / d. 1985, S AINT PAUL

DE

V ENCE , F RANCE

Marc Chagall was at odds with the century in which he lived. Despite this, Chagall's reputation is now secure as one of the most critically acclaimed and popular artists of the century. In an age of science and reason, Chagall defied these prevailing standards by seducing the viewer through the illogical inventiveness of his subject matter and his dazzling use of color. Chagall's popularity, in part, is due to his art being resistant to over-intellectualization which is the fate of so much art in the past century.

For Chagall, Russia was his past but Paris was his present and future. It was in Paris in 1910 –14 and again in 1923 when he finally settled there that Chagall found himself artistically. He remembered Russia as a world of whites, grays, and blacks.

It was in Paris that Chagall discovered and embraced an all-encompassing sense of color. He observed it everywhere from the streets and the sky to paintings in artists' studios and the Louvre. It was a revelation that transformed his art and caused him to later say that in Paris he was born a second time.

While in exile in America, he was finally given his first opportunity to create color prints. The series of 13 color lithographs illustrating Four Tales from the Arabian Nights were begun in 1946 and published in 1948. This publication was an extraordinary achievement considering that it was Chagall's first venture into that medium and that it was printed in New York, devoid of the tradition and skills of color printing that Paris had in abundance. However, in 1948 in the workshop of the Parisian lithographic printer Fernand Mourlot, Chagall finally found his home as a printmaker. Under the patient tutelage of printers like Charles Sorlier, Chagall found color lithography to be the perfect graphic medium for his art. Christopher Conrad has written: "lithography soon became his favored printing technique. This is certainly due primarily to the fact that he could integrate the one element he had previously always missed in his graphic art: color. Color is employed in Chagall's work with greatly varying intensity, from watercolor-like washes and fragile crayon lines to opaque layers whose effect closely resembles that of his luminescent gouaches."

In his greatest color lithographs Chagall created works that are the equal of his finest achievements in painting, drawing, stained glass, and ceramics. Henri Deschamps contributed the wonderful remark, "Chagall, they say he came into the world every morning." To see life afresh each day, to act on one's imagination and impulses in creating an art based on a poetry of feeling is Chagall's gift to the world. His work is done, his achievement secure. It is for us to appreciate his genius and take refuge from an often uncomprehending world in the beauty he left us. – Robert Flynn Johnson, Achenbach Foundation for Graphic Art, Fine Arts Museums of San Francisco

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162 162 MARC CHAGALL Ulysses and Eumaeu M. 0796 67/250 unsigned lithograph 17 x 13 in., 1975 Gallery price: $7,500.00

163

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 282

163 MARC CHAGALL Daphnis et Chloe au bord de la fontaine M. 0313 unsigned lithograph 22 X 15 in., 1961 Gallery price: $19,500.00 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 156

164 MARC CHAGALL Le jeunes gen de methyme M. 0324 unsigned lithograph 13 x 17in., 1961 Gallery price: $19,500.00 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 158 OPPOSITE : 161 MARC CHAGALL Daphnis et Chloe: Le Songe du Capitaine Bryaxis M 328 22/250, unsigned lithograph, 17 x 25 in., 1961 Gallery price: $29,500.00

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 154

164 89

165 PABLO PICASSO Portrait de Jacqueline 30/50, signed linocut, 24.25 x 29 in., 1959, Gallery price: $275,000.00 Illustrated: Picasso: Linoleum Cuts, C. Kramer, 1985, pg. 21

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166 PABLO PICASSO Le Repas Frugal Bl. 1 / Ba. 2 unsigned etching, 19 x 15 in., 1913, Gallery price: $325,000.00 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. I, 1990, pg. 18-20

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Pablo Picasso

b. 1881, M ÁLAGA , S PAIN / d. 1973, M OUGINS , F RANCE The son of an academic painter, José Ruiz Blasco, Picasso began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats in about 1899, were crucial to his early artistic development. Picasso’s first exhibition took place in Barcelona in 1900, and that fall he went to Paris for the first of several stays during the early years of the century. Picasso settled in Paris in April 1904, and his circle of friends soon included Guillaume Apollinaire, Max Jacob, Gertrude and Leo Stein, as well as two dealers, Ambroise Vollard and Berthe Weill.

His style developed from the Blue Period (1901–04) to the Rose Period (1905) to the pivotal work Les Demoiselles d’Avignon (1907), and the subsequent evolution of Cubism from an Analytic phase (ca. 1908–11) to its Synthetic phase (beginning in 1912–13). Picasso’s collaboration on ballet and theatrical productions began in 1916.

Soon thereafter, his work was characterized by neoclassicism and a renewed interest in drawing and figural representation. In the 1920s, the artist and his wife, Olga (whom he had married in 1918), continued to live in Paris, to travel frequently, and to spend their summers at the beach. From 1925 to the 1930s, Picasso was involved to a certain degree with the Surrealists, and from the fall of 1931 he was especially interested in making sculpture. In 1932, with large exhibitions at the Galeries Georges Petit, Paris, and the Kunsthaus Zürich, and the publication of the first volume of Christian Zervos’s catalogue raisonné, Picasso’s fame increased markedly.

By 1936, the Spanish Civil War had profoundly affected Picasso, the expression of which culminated in his painting Guernica (1937, Museo Nacional Centro de Arte Reina Sofía, Madrid). Picasso’s association with the Communist Party began in 1944. From the late 1940s, he lived in the south of France. Among the enormous number of exhibitions that were held during the artist’s lifetime, those at the Museum of Modern Art, New York, in 1939 and the Musée des Arts Décoratifs, Paris, in 1955 were most significant. In 1961, the artist married Jacqueline Roque, and they moved to Mougins. There Picasso continued his prolific work in painting, drawing, prints, ceramics, and sculpture until his death on April 8, 1973.

ABOVE :

167 PABLO PICASSO Tête de Femme, de Profil Bl. 6 / Ba. 7 from an edition of 250, unsigned drypoint, 11 X 9 in., 1913 Gallery price: $29,000.00 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. 1, 1990, pg 28.

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168 PABLO PICASSO Visage (Jacqueline au bandeau) 24/50 signed linocut 24 x 17.5 in., 1962 Gallery price: $60,000.00 Illustrated: Picasso: Linoleum Cuts, C. Kramer, 1985, pg. 76

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170 LEROY NEIMAN Blind Brook Polo original signed acrylic and enamel on board 23.75 x 11 in., 1965 Gallery price: $110,000.00

OPPOSITE : 169 PABLO PICASSO Untitled Cutout signed original collage 12 x 15.7 in.

Gallery price: $75,000.00

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171

171 ED RUSCA Western Horizontal printer's proof signed lithograph 28 x 48 in., 1986 Gallery price: $13,000.00 172 CLAES OLDENBURG Chicago Stuffed with Numbers 47/85 signed lithograph 47.5 x 31.5 in., 1977 Gallery price: $5,000.00 173 LEROY NEIMAN The Blues and the Bruins original signed acrylic and enamel on board 48 x 72 in., 1968 Gallery price: $150,000.00 174 LEROY NEIMAN Boxing Match Buster Mathis original signed acrylic and enamel on board 12 x 24 in., 1966 Gallery price: $75,000.00

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175 LEROY NEIMAN Joe Namath original signed acrylic and enamel on board 15.4 x 7.75 in., 1965 Gallery price: $75,000.00

176 MICHAEL HAFFTKA Untitled III original signed mixed media on paper 29 x 23 in., 1986 Gallery price: $5,000.00

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177 IGOR MEDVEDEV View of Oia original signed mixed media on board 60 x 40 in., 2004 Gallery price $19,000.00

178 IGOR MEDVEDEV Up in the Sky original signed mixed media on board 30 x 40 in., 2002 Gallery price: $11,300.00

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180 100

181 179 LEROY NEIMAN DiMaggio Cut AP 42/90 signed serigraph 31 x 39 in., 1998 Gallery price: $20,500.00

180 LEROY NEIMAN 18th at Pebble Beach AP signed serigraph 24 x 42 in, 1984 Gallery price: $20,000.00

181 LEROY NEIMAN 15th Hole original signed acrylic and enamel on board 22 x 30 in, 1969 Gallery price: $135,000.00

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182 JOAN MIRÓ Plate 6 from Album 13 M. 078 58/75 signed lithograph 17 x 22 in., 1948 Gallery price: $16,000.00 Illustrated: Joan Miro Lithographies, Volume I, Maeght, pg. 144

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183 JOAN MIRÓ Altamira M 254 11/75 signed color lithograph 20 x 26 in., 1958 Gallery price: $19,500.00 Illustrated: Miro Lithographies, Volume II, Maeght, pg 114

184 JOAN MIRÓ Centenary of the Imprimerie Mourlot M. 190 33/75 signed lithograph 19 x 26 in., 1953 Gallery price: $75,000.00 Illustrated: Miro Lithographies, Volume II, Maeght, pg. 41

185 JOAN MIRÓ Femme au Miror M. 174 119/150 signed lithograph 15 x 22 in., 1956 Gallery price: $75,000.00 Illustrated: Miro Lithographies, Volume II, Maeght, 1875, pg. 97

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186 JOAN MIRÓ Emenpylop D. 451 16/75 signed drypoint and cement imprint 41 x 29 in., 1968 Gallery price: $24,000.00 Illustrated: Joan Miro The Illustrated Books: Catalogue Raisonné, Jacques Dupin, 1989, pg. 109

187 JOAN MIRÓ Le Megere et la Lune D. 582 32/50 signed etching, aquatint, carborundum 18 x 24 in., 1973 Gallery price: $22,500.00 Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1992, pg. 218

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188 LEROY NEIMAN Spanish Matador original signed acrylic and enamel on board 18.25 x 10.5 in., 1967 Gallery price: $95,000.00

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189 LEROY NEIMAN Harry Connick Jr. original signed mixed media on paper 10.25 x 12.7 in., 2004 Gallery price: $7,500.00

191 LEROY NEIMAN Jilly Rizzo Portrait original signed watercolor and pencil 12 x 14 in., 1973 Gallery price: $9,500.00

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190 LEROY NEIMAN Tom Cruise at Spago original signed mixed media on paper 19.25 x 17 in., 1992 Gallery price: $35,000.00

192 LEROY NEIMAN Toots Shor with Matchbooks original signed mixed media on paper 27 x 21.5 in., 1967 Gallery price: $36,000.000

193 MARC CHAGALL MaternitĂŠ Rouge M 984 EA signed color lithograph, 46 x 30 in., 1980, Gallery price: $95,000.00 Illustrated: Marc Chagall: The Ilustrated Books: Catalogue RaisonnĂŠ, P. Cramer, 1995, pg. 370

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194 LEV MESHBERG Vivaldi Venice I 85/120 signed lithograph 30 x 22 in., 1986 Gallery price: $1,950.00

195 LEV MESHBERG Vivaldi Venice II 76/120 signed lithograph 30 x 22 in., 1986 Gallery price: $1,950.00

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196 LEROY NEIMAN St. Mark's Square, Venice 5/250 estate-stamped serigraph 25 x 38 in., 2013 Gallery price: $9,500.00 197 LEROY NEIMAN Champagne, New Year's Eve 168/250 signed serigraph 24 x 17.75 in., 2006 Gallery price: $4,500.00

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198 OTTO WACKERNAGEL Washington Bridge signed aquatint, 17.5 x 11 in., 2015 Gallery price: $1,500.00

199 STOW WENGENROTH The Far Shore signed lithograph, 11.75 x 17 in., 1957 Gallery price: $1,500.00

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200 PABLO PICASSO Sable Mouvant: Sculpteur au Travail Bl. 1183 / Ba. 1152 66/220 aquatint signed on back 15 x 11 in., 1966 Gallery price: $8,950.00 Illustrated: Baer, Brigitte, Picasso Peintre-Gravre, Editions Kornfeld, Vol. V, 1989, pg 170

201 PABLO PICASSO Sable Mouvant: Peintre et Modèle Accoudé Bl. 1188 / Ba. 1157 66/220 aquatint signed on back 15 x 11 in., 1966 Gallery price: $8,950.00 Illustrated: Baer, Brigitte, Picasso Peintre-Gravre, Editions Kornfeld, Vol. V, 1989, pg 176

202 PABLO PICASSO Buffon's L'Histoire Naturelle- Le Vautour 109/226 Bl. 341 / Ba. 588 unsigned etching 14 x 11 in., 1942 Gallery price: $7,500.00 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. III, 1985, pg 51

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203 SALVADOR DALÍ Dix Recettes d'imortalite: L'Immortalité de Castor et Pollux ML 572 D/Z signed engraving 15.5 x 22.5 in., 1973 Gallery price: $9,500.00 Illustrated: Dali, Catalogue Raisonné1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg 209

204 SALVADOR DALÍ Flordali: Passiflore (Passiflora Laurigera) ML 235 68/200 signed aquatint 23 x 15 in., 1968 Gallery price: $8,750.00 llustrated: Dali, Catalogue Raisonné1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 161

205 SALVADOR DALÍ Dix Recettes d'imortalite: L'Immortalité tetraédrique du cube ML 573 D/Z signed engraving 15.5 x 22.5 in., 1973 Gallery price: $9,500.00.

Illustrated: Dali, Catalogue Raisonné1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg 209

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206 DIANA HANSEN Deer Dance 60/200 signed etching 35 x 28 in., 1978 Gallery price: $1,200.00

207 DIANA HANSEN Kachina 180/200 signed etching 28.25 x 23 in., 1978 Gallery price: $1,200.00

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208 SALVADOR DALÍ Washington Gate ML 1131 EA signed etching 23 x 31 in., 1964 Gallery price: $13,500.00 Illustrated: Dali, Catalogue Raisonné1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg 143

209 SALVADOR DALÍ Currier & Ivves: Fire, Fire, Fire ML 1347 217/250 signed lithograph with collage 22 x 25.5 in., 1971 Gallery price: $8,500.00 Illustrated: Dali, Catalogue Raisonné1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg 144

210 SALVADOR DALÍ Battle of the Jerusalem Hills F 68 - 1M 118/250 signed lithograph 19.5 x 15.75 in., 1968 Gallery price: $6,500.00 Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 126

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211 MIHAIL CHEMIAKIN Carnival XCIII EA signed lithograph 19 x 18.5 in., 1988 Gallery price: $1,950.00

212 MIHAIL CHEMIAKIN Metaphysical Self-Portrait 16/99 signed lithograph 28.5 x 21 in., 1983-84 Gallery price: $2,250.00

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213 SALVADOR DALÍ Le Bureaucrate original signed pen on paper 15 x 21.75 in., 1969 Gallery price: $28,000.00 214 SALVADOR DALÍ Alchemie des Philosphes: L'Immortalité ML 839 216/225 signed drypoint etching with lithography and silkscreen 30 x 22 in., 1976 Gallery price: $12,000.00 Illustrated: Dali, Catalogue RaisonnéI 1924-80, R Michler and L. Lopsinger, Prestel, 1994, pg 250

214 116

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215 MARC CHAGALL Oracle Over Babylon 93 XVII/XX unsigned etching 12 x 9 in., 1958 Gallery price: $3,750.00 llustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg 116

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216 MARC CHAGALL Exodus 22 M. 465 177/250 unsigned lithograph 18 x 13 in., 1966 Gallery price: $8,950.00 Illustrated: Marc Chagall: The Lithographs: Catalogue Raisonné, Charles Solier, 1960, pg. 207

217 JOAN MIRÓ Lezard aux plumes d'or 8 C. 148 IX/X signed lithograph 13.25 x 19.3 in., 1971 Gallery price: $16,500.00 Illustrated: Joan Miro Lithographs, Volumne IV, Maeght, 1981, pg. 162

217 117

218 RUFINO TAMAYO Hombre en Blanco 3/140 signed etching and aquatint 30 x 22 in., 1976 Gallery price: $25,000.00

219 MIHAIL CHEMIAKIN Nocturne Grey & Gold: Canvas 25/135 signed serigraph on canvas 36 x 36 in., 1998 Gallery price: $4,950.00

220 ARNOLD IGER Begonia 92/300 signed etching 30 x 24.5 in., 1977 Gallery price: $800.00

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221 TADASHI ASOMA Autumn Rhapsody signed silkscreen 160/200 30 x 24.5 in., 1984 Gallery price: $800.00

222 FRANCOISE DEBERDT Les Clown 104/180 signed etching 23 x 31 in., 1979 Gallery price: $800.00

223 LUIGI KASIMIR New York Stock Exchange 28/120 signed aquaint and etching 20 x 13.75 in., 1936 Gallery price: $2,000.00

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224 LINNEA PERGOLA London 188/295 32 x 23.5 in., 1990 signed serigraph on hand-made paper Gallery price: $800.00

225 IGOR MEDVEDEV Homage to Titian original signed mixed media on paper 21.5 x 29 in., 1997 Gallery price: $8,200.00

226 MIHAIL CHEMIAKIN Chameleon (remarqued) out of an edition of 16 signed serigraph 36 x 36 in, 1997 Gallery price: $4,950.00

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227 MIHAIL CHEMIAKIN Dancing with Fruits (remarqued) out of an edition of 10 signed serigraph 36 x 36 in., 1997 Gallery price: $4,950.00

228 MIHAIL CHEMIAKIN Shadow with Mirror (remarqued) out of an edition of 10 signed serigraph 36 x 36 in., 1997 Gallery price: $4,950.00

229 SOL LEWITT Sans Titre, 1992 123/250 signed lithograph 35 x 25 in., 1992 Gallery price: $4,900.00

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C O N D I T I O N S

O F

S A L E

The following, as amended by any posted notices or oral announcements during the sale, constitute the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by FRANKLIN BOWLES GALLERIES: 1. As used here, the term bid price means the price at which a lot is knocked down to the purchaser and the term purchase price means the aggregate of (a) the bid price, (b) a premium of nineteen percent (19%) of the bid price payable by the purchaser and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax (or compensating use tax of another state) and other applicable taxes. Unless exemption from such taxes is established to our satisfaction, any purchasers claiming an exemption will be required to pay the tax to us and seek a refund from the State of California.

2. The auction is open to you at no charge and you may enter or leave at any time during the auction.To bid in person, you must raise your numbered bid card to signify bids. Only one bid is required to make an auction. FRANKLIN BOWLES GALLERIES guarantees that all art sold will be in comparable condition to that shown at previews or at the auction.Articles are sold as-is at the time of the sale. Any reframing will be done at additional cost to the buyer. A bid by any person shall be deemed conclusive proof that the bidder has made himself/herself acquainted with the conditions of sale and agrees to be bound by them.

3. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot in accordance with all of the conditions set forth herein and thereupon (a) assumes full risk and responsibility, therefore (b) will sign a confirmation of purchase thereof, and (c) will pay the purchase price in full or such part as we may require for all lots purchased. If the purchase price is not paid or the article not removed from the premises by the winning bidder, the auctioneer holds the purchaser responsible for the cost of the article, plus all associated costs of sale and warehousing. The gallery does not provide separate appraisals for the articles purchased at auction. Your invoice serves as your appraisal. To prevent missed deliveries and inconvenience in settlement of a purchase, no lot may be transferred. Because many of the artworks sold are fine artlimited-edition prints, the auctioneer reserves the right to sell more than one of each lot during the auction. In the case when there is more than one image sold, the auctioneer will decide which bidder takes the art from the auction. The bidder awarded the art will take the art upon departure. All additional pieces sold at auction will be ready for pickup or shipment to the address noted on your auction invoice within six to eight weeks. Shipment of all items purchased will be made to any point designated by the successful bidder pursuant to, and as part of, the contract of sale. Shipping, packing and insurance are at the buyer’s expense. A charge will be incurred for each lot shipped by FRANKLIN BOWLES GALLERIES. $350.00 will be charged for each lot shipped within the United States, and $500.00 will be charged for each lot shipped outside the United States. All shipping charges are due and payable at the conclusion of the auction. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us by law, including, but without limitation to, the right to hold the purchaser liable for the purchase price, we at our option, may cancel the sale, retaining as liquidated damages all payments made by the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, all other charges due hereunder and incidental damages.

4. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided at sale.

5. We reserve the right to reject a bid from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the eventof any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.

6. If we are prevented by fire, theft or for any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser.

7. Most lots are sold subject to a reserve; a confidential minimum amount for which the seller is willing to sell a work of art.

In no case does thereserve exceed the listed gallery price.

8. FRANKLIN BOWLES GALLERIES may bid and assign bid numbers for its own account at any auction (even though it may be required to pay a buyer’s premium or other charges that other bidders may be required to pay) and may have access to information concerning the lots and items contained therein that is not otherwise available to the public. Any conflict of interest or claim of competitive advantage resulting there from is expressly waived by all participants in the sale.

9. Payment terms: All items are to be paid for immediately by (a) Cash, (b) Personal check and approved credit, and/or (c) VISA, MasterCard, AmericanExpress, Diners Club or Discover Card. ALL ITEMS ARE SOLD AS IS and ALL SALES ARE FINAL.

A B S E N T E E B I D S If you are unable to attend, and wish to place bids, we will accept absentee bids in advance of sale by telephone, or in writing, on bidding forms available in this catalog or from FRANKLIN BOWLES GALLERIES’ Art Consultants. Buy bids will be accepted. All bids must state the highest bid price the bidder is willing to pay. As noted above, a 19% premium payable by the purchaser will be added to the bid price together with applicable sales tax, packing and insurance. In the event identical bids are submitted, the earliest will take precedence.Absentee bids shall be executed in competition withother absentee bids, any applicable reserve and bids from the audience.

Sale results and selling prices for any lot may be obtained by calling your Art Consultant during normal business hours.

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FAX 415.775.4090

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TELEPHONE / ABSENTEE BIDS • CONDITIONS OF SALE

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765 BEACH S T REET, S AN FRANCISCO, CA 94109 415.441.8008

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IN D E X ART IS T • LOT NUMBER • T ITLE

EDUARDO ARRANZ-BRAVO 96 Impompt 97 White Face on Red & Brown 151 La Mirada IX 152 Els 25 de Maig XXI 153 Pareja Tecnica TADASHI ASOMA 221 Autumn Rhapsody PIERRE 1 16 17 52 53 54 55

BONCOMPAIN Fruits d'ete La ceinture jaune Au bord du lit Terrasse d'ete Sieste Laying Woman Terrasse au melon

ROSA BONHEUR 118 Étude pour le labourage Nivernais JULES BRETON 135 Étude pour Le rappel des glaneuses PIERRE-MARIE BRISSON 9 Etat d'ame I 10 Etat d'ame II 11 Etat d'ame III 12 Florilege III 76 Position III 77 Le Chat III 78 Petit Monde 79 Les Senteurs des Roses 80 La Couturiere I 81 Vie en Acordeon II 82 Planche Botanique VI LOUIS CABIÉ 133 Jour d'automne 124

ALEXANDER CALDER 91 La Mémoire Elémentiare 3 92 La Mémoire Elémentiare 6 93 La Mémoire Elémentiare 8 MARC 44 45 46 70 71 72 94 95 159 161 162 163 164 193 215 216

CHAGALL Le Cirque: Plate 21 Le Cirque: Plate 25 Le Cirque: Plate 26 Le Cirque: Plate 7 Le Cirque: Plate 9 Le Cirque: Plate 17 Celui qui dit: Plate II Celui qui dit: Plate IV Daphnis et Chloe: Lumière d'Atelier Daphnis et Chloe: Le Songe du Capitaine Bryaxis Ulysses and Eumaeu Daphnis et Chloe au bord de la fonaine Le jeunes gen de methyme Maternité Rouge Oracle Over Babylon 93 Exodus 22

PAUL CHAIGNEAU 127 Avant l'orage MIHAIL CHEMIAKIN 4 Dancers & Spectators III 5 Homage to Nureyev I 6 Gendarme and Rebekka 7 The Amants Russes I 8 The Amants Russes II 211 Carnival XCIII 212 Metaphysical Self-Portrait 219 Nocturne in Grey & Gold: Canvas 226 chameleon (remarqued) 227 dancing with fruits (remarqued) 228 Shadow with Mirror (remarqued)

EUGÈNE CICÉRI Lavandière au bord du Loing 128

FRANCOISE DEBERDT Les Clown 222

SALVADOR DALÍ 19 Divine Comedy: Purgatory 16 20 Divine Comedy: Purgatory 19 Divine Comedy: Purgatory 22 21 22 Divine Comedy: Purgatory 30 25 Divine Comedy: Hell 3 26 Divine Comedy: Hell 4 27 Divine Comedy: Hell 5 33 Divine Comedy: Hell 11 34 Divine Comedy: Hell 13 35 Divine Comedy: Hell 14 66 Alice in Wonderland: The Pool of Tears 67 Alice in Wonderland: The Mock Turtle's Story 68 Alice in Wonderland: Who Stole the Tarts?

69 Alice in Wonderland: Alice's Evidence 83 Surrealistic Flowers (Florals): Carnation + Keys Don Quixote 84 Surrealistic Flowers (Florals): Lily + Ants 99 Dix Recettes d'imortalite: L'Homme ressuscité par l'holographie de l'écureuil 100 Dix Recettes d'imortalite: L'Immortalité de l' impérialisme génétique 103 Pierced Fruit 104 Le Toreador Hallucinogene 140 Alice in Wonderland: Full Suite 141 Three Plays by the Marquis de Sade: Marianne and the Chevalier 142 Three Plays by the Marquis de Sade: The Chevalier's Proposal 203 Dix Recettes d'imortalite: L'Immortalité de Castor et Pollux 204 Flordali: Passiflore (Passiflora Laurigera) 205 Dix Recettes d'imortalite: L'Immortalité tetraédrique du cube 208 Washington Gate 209 Currier & Ivves: Fire, Fire, Fire 210 Battle of the Jerusalem Hills 213 Le Bureaucrate 214 Alchemie des Philosphes: L'Immortalité

JIM DINE 31 Very Picante

NARCISSE DIAZ DE LA PEÑA 129 Repas champêtre en forêt de Fontainebleau 130 Les baigneuses 131 La mare dans la clairière

CLEMENTINE HÉLÈNE DUFAU 132 Hommage à Renoir SAM FRANCIS 136 Untitled (SFM 81-009) 137 Untitled (SF223S)) 138 Untitled (EXP-SF-0485-03) 139 Untitled (SFM83-502) MIQUEL GELABERT 61 Multhihoritzo 98 Lemac I CHARLES GILBERT- MARTIN 120 Les fleurs de l’été ROGER GODCHAUX 121 Jetée de fleurs FRANÇOIS MARIUS GRANET 119 La halte devant un cloitre ARMAND GUERY 123 Plaine de Barbizon en hiver MICHAEL HAFFTKA 176 Untitled III STEPHEN HALL 32 The Choice DIANA HANSEN 206 Deer Dance 207 Kachina HENRI J HARPIGNIES 124 Vue de Saint-Privé LARRY HOROWITZ 2 Hillside With Trees in Black and Grey 3 Sienna Shadows

125

IN D E X ART IS T • LOT NUMBER • T ITLE 13 14 15 36 37 38

California Skies Bay Sunset Sepia Marsh Summer Field Pleasant Bay II Fiery Sunset

ARNOLD IGER 220 Begonia LUIGI KASIMIR 57 London Tower Bridge 223 New York Stock Exchange YURI KUPER 56 Portrait, Untitled SOL LEWITT 229 Sans Titre, 1992 HENRI 106 107 108 109 IGOR 18 90 177 178 225

MATISSE Nu Assis Pasiphae, 1944: Plate 2 Ronsard 42 Ronsard 50

MEDVEDEV Walled Jerusalem, 2000 Pleasant Surprise II View of Oia Up in the Sky Homage to Titian

LEV MESHBERG 194 Vivaldi Venice I 195 Vivaldi Venice II JOAN 23 24 28

126

MIRÓ Lezard aux plumes d'or 13 Lezard aux plumes d'or 7 Cantic Del Sol: Plate 4

29 30 58 59 60 85 86 87 88 89 143 144 145 146 157 158 160 182 183 184 185 186 187 217

Cantic Del Sol: Plate 11 Cantic Del Sol: Plate 12 Cantic Del Sol: Plate 16 Cantic Del Sol: Plate 17 Cantic Del Sol: Plate 18 Les Courtisan Grotesque 10B Les Courtisan Grotesque 12A Les Courtisan Grotesque 11 Llibre Dels Sis Sentits V Les Courtisan Grotesque 13 Untitled; 22 Aug 1973 Les Essencies de la Terra Les Essencies de la Terra Untitled, From Les Essencies de la Terra Le Grand Ordinateur La Harpie Les Penalites de l'enfer plate 10 Plate 6, From Album 13 Altamira Centenary of the Imprimerie Mourlot Femme au Miror Emenpylop Le Megere et la Lune Lezard Aux Plumes d'Or 8

EDMA MORIZOT 116 Printemps en forêt 117 Automne en forêt LEROY 47 48 49 50 51 63 64 65 73 74

NEIMAN Resting Lion Lion and Lioness Family Portrait Portrait of a Cheetah The Big Five The Grenadier Bar Buena Vista Bar Place de la Concorde Oxford-Cambridge Rowing Jimmy Breslin

75 101 102 105 110 111 112 113 114 115 147 148 149 150 154 155 156 170 173 174 175 179 180 181 188 189 190 191 192 196 197

The Breeding Nymphs Can-Can Longchamp Paddock Russian Cossack Over Moscow Femlin: Saxophone Femlin: Decanting 1 Femlin: Potted Plant Femlin: Cellphone Femlin Femlin: Sneakers The Lights of Broadway High Stakes Blackjack - Vegas High Seas Sailing II Carousel Some Sun Fun Mahl, Yugoslovia Equestrienne Blind Brook Polo The Blues and the Bruins Boxing Match Buster Mathis Joe Namath DiMaggio Cut 18th at Pebble Beach 15th Hole Spanish Matador Harry Connick Jr. Tom Cruise at Spago Jilly Rizzo Portrait Toots Shor with Matchbooks St. Mark's Square, Venice Champagne, New Year's Eve

CLAES OLDENBURG 172 Chicago Stuffed with Numbers LINNEA PERGOLA 224 London PABLO PICASSO 39 La Célestine: Jeune Fille, Célestine et Petit-Maître

BACK COVER:

40 41 42 43 165 166 167 168 169 200 201 202

La Célestine: Homme nu Assis en Tailleur, er Deux Femmes La Célestine: Célestine, Maja et Complice Masculin La Célestine: Gentilhomme et Maja La Célestine: Enlèvement,à Cheval Portrait de Jacqueline Le Repas Frugal Tête de Femme, de Profil Visage (Jacqueline au bandeau) Untitled Cutout Sable Mouvant: Sculpteur au Travail Sable Mouvant: Peintre et Modèle Accoudé Buffon's L'Histoire Naturelle- Le Vautour

LÉON RICHET 122 Vue prise derrière l’atelier de JF Millet à Barbizon ED RUSCA 171 Western Horizontal GOTTFRIED SALZMANN 62 Paris la Grande Roue:Réflection EDOUARD SCHARLACH 126 L’éleveur de Chevaux RUFINO TAMAYO 218 Hombre en Blanco CONSTANT TROYON 134 Paturages dans la vallée de la Touques HENRI VAN WYK 125 Bord de rivière animé OTTO WACKERNAGEL 198 Washington Bridge STOW WENGENROTH 199 The Far Shore Lot 185, Joan Miró, Femme au Miror, 1956 127

765 Beach Street, San Francisco, CA 94109

415.441.8008 / 800.926.9535

431 West Broadway, New York, NY 10012

212.226.1616 / 800.926.9537

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