Summer Fine Art Auction, June 30, 2018

Page 1

FRANKLIN BOWLES GALLERIES

SUMMER 2018 FINE ART AUCTION



FRANKLIN BOWLES GALLERIES San Francisco / New York

Summer 2018 Fine Art Auction

Previews: Wednesday, June 27 / 10:00 am – 6:00 pm Thursday, June 28 / 10:00 am – 6:00 pm Friday, June 29 / 10:00 am – 6:00 pm Saturday, June 30 / 11:30 am – 12:30 pm

Auction: Saturday, June 30, 2018 Bidding starts at 12:30 pm

Location: 765 Beach Street San Francisco, CA 94109


FRANKLIN BOWLES GALLERIES President: Franklin Bowles Chief Executive Officer: Robert Grenon

SAN FRANCISO GALLERY

Directors: Sue Kim, Carla Schmidt Senior Art Consultants: Sasha Grotell Valarie Versace, Dan Root Administration: Ken Amorino, Laura Anderson, Rob Conley, Delia Fernando, Sophuan Khun, Alexandre Mandereau, Kimberly Macdonald, Scott Saraceno

NEW YORK GALLERY

Director: Phebe Carter Assistant Director: Eric Chelman Curator: Leslie Lund Art Consultants: Duane Bousfield, Matthew Hannan, Michael Montanaro Administration: Kyle Phillips, Zane York

CHINA BASIN DESIGN

Operations Manager: Rick Potts Floor Manager: Aaron Machado Framers: Tyler Hunsaker, Craig Thomson Shipper: Robert Bishop

2


2 LARRY HOROWITZ

Sepia Marsh 34/45 signed Etching 12 x 24 in., 1999 Gallery price: $1,500

3 PIERRE BONCOMPAIN

Fruits d’été AP 9/50 signed Serigraph 28 x 35 in., 2004 Gallery price: $3,000

4 PIERRE BONCOMPAIN

1 LARRY HOROWITZ

California Skies 1/45 signed Monoprint Etching

La Ceinture Jaune 5/250 signed Serigraph 28 x 35 in., 2004 Gallery price: $3,000

42 x 14.5 in., 2004 Gallery price: $2,300

3


7

5

6

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

Hermitage St I Masquerade

Hermitage St II Woman with Pomegranate

Homage to Nureyev II

21/130

22/130

3/175

signed Serigraph on Paper

signed Serigraph on Paper

signed Lithograph

33 x 25 in., 1995

31 x 25 in., 1995

30 x 21 in., 1992

Gallery price: $4,500

Gallery price: $4,500

Gallery price: $5,000

8

9

10

MARC CHAGALL

MARC CHAGALL

MARC CHAGALL

Celui Qui Dit – II

Celui Qui Dit – XVII

Celui Qui Dit – XI

C. 99

C. 99

C. 99

25/25

25/25

25/25

unsigned Color Etching and Aquatint

unsigned Color Etching and Aquatint

unsigned Color Etching and Aquatint

15.5 x 12 in., 1954

15.5 x 12 in., 1954

15.5 x 12 in., 1954

Gallery price: $26,500

Gallery price: $26,500

Gallery price: $26,500

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg 293

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné,, P. Cramer, 1995, pg 293

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné,, P. Cramer, 1995, pg 294

4


13

11

12

IGOR MEDVEDEV

LEV MESHBERG

LEV MESHBERG

Pleasant Surprise II

Flowers for You

Vivaldi Venice II

117/125

46/99

117/125

signed Serigraph on Canvas

signed Lithograph

signed Lithograph

33 x 25 in., 1996

30 x 22 in., 1989

30 x 22 in., 1986

Gallery price: $2,250

Gallery price: $1,950

Gallery price: $1,950

16

14

15

PIERRE MARIE BRISSON

PIERRE MARIE BRISSON

PIERRE MARIE BRISSON

Etat D’Ame I

Etat D’Ame II

Etat D’Ame III

15/75

15/75

15/75

signed Etching

signed Etching

signed Etching

19 x 12 in., 1992

19 x 12 in., 1992

19 x 12 in., 1992

Gallery price: $1,400

Gallery price: $1,400

Gallery price: $1,400

5


17

19 17

19

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

Still Life with Fish and Bread

Nocturne Grey & Gold

53/150

107/135

signed Lithograph

signed Serigraph on Canvas

21 x 30 in., 1983

36 x 36 in., 1998

Gallery price: $1,400

Gallery price: $4,950

18

18

MIHAIL CHEMIAKIN

Still Life with Fish on Board 55/150 signed Lithograph 21 x 30 in., 1983 Gallery price: $1,400

20 SALVADOR DALÍ

Divine Comedy: Hell Canto 7 ML 1045 II/III signed Woodcut 13 X 10.2 in., 1964 Gallery price: $5,950 Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 102

21 SALVADOR DALÍ

Divine Comedy: Hell Canto 17 ML 1055 II/III signed Woodcut 13 X 10.2 in., 1964 Gallery price: $5,950 Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 104

6

20

21


23 R.C GORMAN

Era State II 26/100 signed Lithograph 22 x 30 in., 1979 Gallery price: $3,000

22 YURI KUPER

Portrait, Untitled signed Mixed Media on Photograph 11.5 x 7.5 in. Gallery price: $4,500

25 24

24

25

HENRI MATISSE

HENRI MATISSE

Pasiphae, 1944 Plate 2

Ronsard Florilege des Amours 8

D. 10

D. 25

166/250

246/300

unsigned Linocut

unsigned Lithograph

13 x 10 in., 1944

15 x 11 in., 1948

Gallery price: $5,900

Gallery price: $3,500

Illustrated: Matisse Catalogue RaisonnĂŠ des Ouvrages Illustres Duthuit, 1988, pg. 57

Illustrated: Matisse Catalogue RaisonnĂŠ des Ouvrages Illustres Duthuit, 1988, pg. 197

7


26

27 26 PABLO PICASSO

Maja et Célestine B. 1600 / Ba. 1616 323/350 unsigned Etching 2.25 x 3.25 in., 1971 Gallery price: $4,500 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg 317

27 PABLO PICASSO

Enlèvement, à Cheval B. 1628 / Ba. 1464 338/350 unsigned Etching 2.25 x 3.25 in., 1971 Gallery price: $4,500 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg 352

28 PABLO PICASSO

Couple nu Posant B. 1654 / Ba. 1670 338/350 unsigned Etching 5 x 3.5 in., 1971 Gallery price: $4,500 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg 378

28

8


29 LARRY HOROWITZ

Sienna Shadows 24/50 signed Etching 16 x 16 in., 1999 Gallery price: $1,900 30 LARRY HOROWITZ

Hillside with Trees in Black and Gray AP signed Etching 15 x 39 in., 2004 Gallery price: $2,500

29

30

31 TANNA KASIMIR-HOERNES

New York Stock Exchange unnumbered signed Aquatint 17.5 x 11 in. Gallery price: $3,000

9


32

33

34

35

32

33

34

JOAN MIRÓ

JOAN MIRÓ

JOAN MIRÓ

JOAN MIRÓ

Cantic del Sol Plate 26

Cantic del Sol Plate 27

Cantic del Sol Plate 28

Cantic del Sol Plate 29

D. 858

D. 862

D. 863

D. 864

81/250

81/250

81/250

81/250

unsigned Etching with Aquatint

unsigned Etching with Aquatint

unsigned Etching with Aquatint

unsigned Etching with Aquatint

13.5 x 20 in., 1975

13.5 x 20 in., 1975

13.5 x 20 in., 1975

13.5 x 20 in., 1975

Gallery price: $2,400

Gallery price: $3,200

Gallery price: $2,400

Gallery price: $4,200

Illustrated: J. Dupin, Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 185

Illustrated: J. Dupin, Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 187

Illustrated: J. Dupin, Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 187

Illustrated: J. Dupin, Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 188

10

35


36 LEROY NEIMAN

Roulette II AP 20/50 signed Serigraph 27 x 32 in., 1996 Gallery price: $9,000

37 LEROY NEIMAN

Satchmo AP signed Serigraph 25 x 38 in., 1976 Gallery price: $17,000

38 LEROY NEIMAN

Jazz Horns AP 21/50 signed Serigraph 28 x 21 in., 2004 Gallery price: $6,000

11


39 ALEXANDER CALDER

Untitled, 1975 A05272 signed Gouache and Ink on Paper 29.5 x 43 in., 1975 Gallery price: $295,000 This work is registered in the archives of the Calder Foundation, New York under application number A05272

12


40 ALEXANDER CALDER

Untitled, 1974 signed, Gouache on Paper 29.3 x 43.2 in., 1974 Gallery price: $295,000 This work is registered in the archives of the Calder Foundation, New York under application number A27163

13


41 MIHAIL CHEMIAKIN

Ventre de Paris IX 179/225 signed Lithograph 43 x 35 in., 1977 Gallery price: $2,500 42 MIHAIL CHEMIAKIN

Ventre de Paris XI 185/225 signed Lithograph 43 x 35 in., 1977 Gallery price: $2,500

41

42

43 IGOR MEDVEDEV

Up in the Sky signed Mixed Media on Board 30 x 40 in., 2002 Gallery price: $11,300 44 IGOR MEDVEDEV

View of Oia signed Mixed Media on Board 60 x 40 in., 2004 Gallery price: $19,000 45 IGOR MEDVEDEV

43

Walled Jerusalem signed Mixed Media on Canvas

44

36 x 72 in., 2000 Gallery price: $16,900

45 14


46

47

46 LEROY NEIMAN

American Bald Eagle AP signed Serigraph 29 x 38 in., 1979 Gallery price: $18,200

48

47 LEROY NEIMAN

Quarterback of the Eighties AP 34/90 signed Serigraph 27 x 15 in., 1990 Gallery price: $11,500 48 LEROY NEIMAN

Homage to Ali AP 28/50 signed Serigraph 20 x 35 in., 1991 Gallery price: $16,000 49 LEROY NEIMAN

The DiMaggio Cut AP 42/90 signed Serigraph 31 x 39 in., 1998

49

Gallery price: $20,500

15


50 PIERRE MARIE BRISSON

Vie en Acordeon II signed Mixed Media on Paper 20 x 26 in., 1997 Gallery price: $9,500

16

51

52

PIERRE MARIE BRISSON

PIERRE MARIE BRISSON

Petit Monde V

Printemps Jaune I

signed Mixed Media on Paper

signed Mixed Media on Paper

30 x 22 in., 2004

29.5 x 22.5 in., 2009

Gallery price:$9,500

Gallery price: $9,500


53

54

53 JOAN MIRÓ

Altamira M. 254 11/75 signed Color Lithograph 20 x 26 in., 1958 Gallery price: $19,500 Illustrated: Miro Lithographies, Volume II, Maeght, pg. 114

54 JOAN MIRÓ

L’ Oiseau Destructeur D. 512 62/75 signed Etching and Aquatint with Carborundum 28.5 x 37 in., 1969 Gallery price: $43,000 Illustrated: J. Dupin, Miro Engraver, Volume II, Ediciones Poligrafa, 1989, pg. 160

55 JOAN MIRÓ

La Harpie D. 506 58/75 signed Etching and Aquatint with Carborundum 37.2 x 27.6 in., 1969 Gallery price: $42,000

55

Illustrated: J. Dupin, Miro Engraver, Volume II, Ediciones Poligrafa, 1989, pg. 154

17


56 JOAN MIRĂ“

One plate from SĂŠrie: I D. 75 AP signed Etching with Monotype Colouring 14.9 x 17.8 in., 1947 Gallery price: $95,000 Illustrated: J. Dupin, Miro Engraver, Volume I, Ediciones Poligrafa, 1989, pg. 78

18


57 REGINALD MARSH

58

Merry-Go-Round 94/100

REGINALD MARSH

signed Etching

Irving Place Burlesk

6.75 x 9.75 in., 1930

94/100

Gallery price: $2,500

signed Etching 9.875 x 11.875 in., 1930 Gallery price: $2,500

59

60

SALVADOR DALÍ

SALVADOR DALÍ

61 SALVADOR DALÍ

Divine Comedy: Hell Canto 34

Divine Comedy: Purgatory Canto 31

Divine Comedy: Heaven Canto 23

ML 1072

ML 1103

ML 1128

II/III

II/III

II/III

signed Woodcut

signed Woodcut

signed Woodcut

13 x 10.2 in., 1964

13 x 10.2 in., 1964

13 x 10.2 in., 1964

Gallery price: $5,950

Gallery price: $5,950

Gallery price: $5,950

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 106

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 106

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 113

19


62 IGOR MEDVEDEV

In the Shadows AP 93/100 signed Serigraph on Paper 22.5 x 37.75 in., 2005 Gallery price: $1,800

63 IGOR MEDVEDEV

Scarlet Tide AP 180/215 signed Serigraph on Paper 17 x 17 in., 2006 Gallery price: $750

64 ED RUSCHA

Western Horizontal Printer’s Proof signed Lithograph 28 x 48 in., 1986 Gallery price: $13,000

20


65

66

65 REMBRANDT VAN RIJN

The Goldsmith B. 123 ii/ii Etching 3.1 x 2.25 in. Gallery price: $12,000 66 REMBRANDT VAN RIJN

Christ and the Woman of Samaria B. 70 Etching 5 x 6.25 in. Gallery price: $11,000 67 REMBRANDT VAN RIJN

Josesph and Potiphar’s Wife B. 39 ii/ii Etching 3.6 x 4.5 in.

67

Gallery price: $15,500

21


68

69

70

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

Paysage Russe I

Les Amants Russes I

Les Amants Russes II

17/120

HC XXI/XXV

6/125

signed Lithograph

signed Lithograph

signed Lithograph

29.75 x 19.875 in., 1986

34 x 24 in., 1989

34 x 24 in., 1989

Gallery price: $3,000

Gallery price: $2,750

Gallery price: $2,750

71 LEROY NEIMAN

Femlin: Belly Dancer signed Mixed Media on Paper 12.25 x 17.5 in., 1987 Gallery price: $37,000

22


72 LEROY NEIMAN

Femlin: Bow signed Mixed Media on Paper 13.25 x 7.75 in., 2003 Gallery price: $23,500

73 LEROY NEIMAN

Femlin: Brushing Her Hair signed Mixed Media on Paper 7 x 13.25 in., 1989 Gallery price: $29,000

72

73

23


74 LEROY NEIMAN

Femlin: Bunny Garland signed Mixed Media on Paper 19.5 x 22 in., 1980 Gallery price: $32,000

75 LEROY NEIMAN

International Cuisine AP 53/90 signed Serigraph 38 x 31 in., 1998 Gallery price: $20,000

24


76 PIERRE BONCOMPAIN

Sieste signed Oil on Canvas 26 x 21 in. Gallery price: $25,000

77 PIERRE BONCOMPAIN

Laying Woman signed Pastel on Paper 19 x 25 in. Gallery price: $25,000

78 PIERRE BONCOMPAIN

Terrasse au Melon signed Pastel on Paper 25 x 19 in. Gallery price: $25,000

25


79 JOAN MIRÓ

Partie de Champagne V D. 434 70/75 signed Etching and Aquatint in Colors 29 x 41 in., 1967 Gallery price: $35,000 Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1989, pg. 95

80 JOAN MIRÓ

L’Antitête (trial proof) EA signed Etching, Aquatint, Hand coloring 6 x 5 in., 1947 Gallery price: $60,000

26


81 JOAN MIRĂ“

La Calebasse D. 488 signed Etching and Aquatint with Carborundum 40 x 27.5 in., 1969 Gallery price: $125,000 Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1989, pg. 137

27


82 LEROY NEIMAN

Russian Cossack Over Moscow signed Acrylic and Enamel on Board 30 x 24 in., 1968 Gallery price: $85,000

28


83 LEROY NEIMAN

Joe Namath signed Acrylic and Enamel on Board 15.5 x 7.75 in., 1965 Gallery price: $75,000

29


84 IGOR MEDVEDEV

Harmony in Blue 276/350 signed Serigraph on Paper 33.5 x 48.5 in., 1999 Gallery price: $3,900

85 IGOR MEDVEDEV

Awaiting AP 63/110 signed Serigraph on Paper 26 x 34.75 in., 2006 Gallery price: $1,800

30


86 PABLO PICASSO

Peintre Dessinant et Modèle nu au Chapeau B.1194/Ba. 1357 109/160 signed Linocut 20.7 x 25 in., 1965 Gallery price: $65,000 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. V 1994, pg. 535

31


87 PABLO PICASSO

Peintre et Modele au Fauteuila Bascule B. 1852/ Ba. 1359 13/50 signed Linocut 24.5 x 29.6 in., 1965 Gallery price: $65,000 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. V 1994, pg. 537

32


88

89

90

91

92

93

88–93 ALEXANDER CALDER

Fetes Plate 2–7 17/200 unsigned Aquatint and Pochoir on Paper 19 x 14.3 in., 1971 Gallery price for each print: $6,300

33


34

94

95

96

97

94

95

96

MARC CHAGALL

MARC CHAGALL

MARC CHAGALL

97 MARC CHAGALL

Le Cirque – Plate XXXIII

Le Cirque – Plate VII

Le Cirque – Plate IX

Le Cirque – Plate XVI

M. 520

M. 497

M. 502

M.515

102/250

28/250

28/250

XI/XX

unsigned Lithograph

unsigned Lithograph

unsigned Lithograph

signed Color Lithograph

16 x 12.5 in., 1967

16 x 12.5 in., 1967

16 x 12.5 in., 1967

16 x 12.5 in., 1967

Gallery price: $5,500

Gallery price: $5,500

Gallery price: $5,500

Gallery price: $18,500

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg 213

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné,, P. Cramer, 1995, pg 213

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné,, P. Cramer, 1995, pg 213

Illustrated: Marc Chagall, The Lithographs, p. 242


98 LEROY NEIMAN

Mark McGwire – Homerun Record VIII signed Oil on Board 7.25 x 8.75 in., 1999 Gallery price: $25,000

99 LEROY NEIMAN

Silverdome Football AP signed Serigraph 28 x 38 in., 1982 Gallery price: $10,700

35


100 LEROY NEIMAN

Superbowl XXIII signed Acrylic and Enamel on Board 24 x 44 in., 1989 Gallery price: $145,000

36


101 PIERRE MARIE BRISSON

La Couturiere I signed Mixed Media on Canvas 59 x 59 in., 2001 Gallery price: $30,000

102 PIERRE MARIE BRISSON

Cueillette signed Mixed Media on Canvas 39 x 39 in., 2001 Gallery price: $21,500

37


103 PIERRE MARIE BRISSON

Sirocco signed Mixed Media on Canvas 46 x 35 in., 2001 Gallery price: $30,000

104 PIERRE MARIE BRISSON

Planche Botanique VI signed Mixed Media on Paper 29.5 x 22 in., 2007 Gallery price: $9,500

38


105

106

107

MARC CHAGALL

MARC CHAGALL

MARC CHAGALL

Daphnis et Chloe: Le jeunes gen de Méthyme

The Story of the Exodus Plate – XIII

The Story of the Exodus Plate – XXII

M. 324

M. 456

M. 465

IX/XX

67/250

signed Color Lithograph

signed Color Lithograph

unnumbered Color Lithograph 17 x 13 in., 1961 Gallery price: $19,500 Illustrated: Marc Chagall, The Lithographs, p. 156

18 x 13 in., 1966

18 x 13 in., 1966

Gallery price: $8,950

Gallery price: $8,950

Illustrated: Marc Chagall: The Lithographs: Catalogue Raisonné, Charles Solier, 1960, pg. 206

Illustrated: Marc Chagall: The Lithographs: Catalogue Raisonné, Charles Solier, 1960, pg. 207

108

109

110

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

Firebird II

Moscow Commem. Suite (Japan)

Homage to Nureyev I

51/185

X/XXV

10/175

signed Lithograph

signed Diptych

signed Lithograph

30 x 21 in., 1989

48 x 34 in., 1989

30 x 21 in., 1992

Gallery price: $2,250

Gallery price: $5,650

Gallery price: $5,000

39


111

112 111

40

112

JOAN MIRĂ“

JOAN MIRĂ“

Archipel Sauvage II

Trace sur la Paroi II

M. 528

M. 441

9/35

13/75

signed Etching and Aquatint in Color

signed Etching and Aquatint with Carborundum

29 x 41 in., 1970

29 x 41 in., 1967

Gallery price: $20,000

Gallery price: $32,000

Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1989, pg. 174

Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1989, pg. 102


113 JOAN MIRĂ“

Astre et FumĂŠe M. 424 47/75 signed Etching and Aquatint 29.5 x 22 in., 1967 Gallery price: $25,000 Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1989, pg. 87

41


114 SALVADOR DALÍ

Fruits troués (Pierced Fruit) signed Pencil, Watercolour, Gouache and 19th century Stipple Engraving 19 x 13 in., 1969 Gallery price: $155,000

42


115

116

117

115

116

SALVADOR DALÍ

SALVADOR DALÍ

SALVADOR DALÍ

Coeur de Fraises (Flordali): Mûres sauvages

Alchemie des philosphes: L’Ouroboros

Manhattan: Washington Gate

ML 428b

ML 843

ML 113

edition of 200

120/225

EA

signed Lithograph

signed Drypoint Etching with Lithograpy and Serigraphy

signed Etching in Bistre

30 x 22 in., 1976

Gallery price: $13,500

29 x 22 in., 1970 Gallery price: $9,000 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 186

Gallery price: $12,000 Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994 pg. 250

117

23 x 31 in., 1964 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 143

43


118 EDUARDO ARRANZ-BRAVO

Jardi-nit signed Oil on Canvas 37 x 51 in., 2005 Gallery price: $29,000

119

120

EDUARDO ARRANZ-BRAVO

EDUARDO ARRANZ-BRAVO

Els 25 de Maig XXI

Blanc Tendror IV

signed Painting on Paper

signed Oil on Canvas

13.5 x 9 in., 2007

26 x 32 in., 2002

Gallery price: $10,500

Gallery price: $19,000

44


121 ALEXANDER CALDER

Les Ballons signed Gouache on Paper 43 x 29 in., 1971 Gallery price: $200,000 This work is registered in the archives of the Calder Foundation, New York under application number A11840

45


122 PIERRE MARIE BRISSON

Petit Monde signed Mixed Media on Paper 29.5 x 22 in., 1999 Gallery price $9,500

123 IGOR MEDVEDEV

Two Guardians 39/40 signed Serigraph on Paper 30 x 22 in., 2002 Gallery price: $2,800

46


124 PABLO PICASSO

Le Repas Frugal B. 1/Ba. 2 unnumbered unsigned Etching 18.25 x 15 in., 1913 Gallery price: $325,000 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. I 1990, pg 18-20

47


125 PABLO PICASSO

Femme Au Fauteuil No. 4 B.588/M.137 37/50 signed Lithograph 30 x 22.2 in., 1949 Gallery price: $145,000 Illustrated: Pablo Picasso Lithographs, pg. 137

48


126 PABLO PICASSO

Tête de Femme, de Profil B. 6 / Ba. 7 unnumbered unsigned “Tete de Femme Profil, 67” Drypoint 11.5 x 9.8 in., 1967 Gallery price: $9,500 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. I 1990, pg 28

127 LEROY NEIMAN

Valhalla Golf Course 99/300 signed Serigraph 34 x 28 in., 2000 Gallery price: $7,000

49


128 LEROY NEIMAN

Portrait of the Black Panther signed Acrylic and Enamel on Board 20 x 20.5 in., 2001 Gallery price: $175,000

50


129 LEROY NEIMAN

Family Portrait 94/575 signed Serigraph 26 x 24 in., 2005 Gallery price: $5,000

130 LEROY NEIMAN

Portrait of the Elephant 97/450 signed Serigraph 28 x 21.75 in., 2003 Gallery price: $8,000

51


131

131

132

133

MIHAIL CHEMIAKIN

EDUARDO ARRANZ-BRAVO

Ventre de Paris XII

Pareja Tecnica

151/225

signed Mixed Media on Paper

signed Lithograph

29.5 x 21.5 in., 1979

43 x 35 in., 1977

Gallery price: $11,000

Gallery price: $2,500 132 MIHAIL CHEMIAKIN

Ventre de Paris XIV 151/225 signed Lithograph 43 x 35 in., 1977 Gallery price: $2,500

133 52


134 EDUARDO ARRANZ-BRAVO

Impompt signed Oil on Canvas 79 x 79 in., 2002 Gallery price: $65,000

53


136

135 ALEXANDER CALDER

Our Unfinished Revolution, Untitled I unnumbered unsigned Lithograph 30 x 22 in., 1975 Gallery price: $3,950

138

54

137


139

136

137

138

ALEXANDER CALDER

ALEXANDER CALDER

LEROY NEIMAN

LEROY NEIMAN

Our Unfinished Revolution, Untitled X

La Mémoire Elémentiare 8

Boxing Match Buster Mathis

Vladimir Horowitz

unnumbered

48/100

signed Acrylic and Enamel on Board

signed Acrylic and Enamel on Board

signed Lithograph

12 x 24 in., 1966

22 x 25.5 in., 1968

20 x 29 in., 1976

Gallery price: $75,000

Gallery price: $145,000

unsigned Lithograph 22 x 30 in., 1975 Gallery price: $3,950

139

Gallery price: $8,900

55


140

56


(facing page) 140 LEROY NEIMAN

Tossed Salad signed Acrylic and Enamel on Board 48 x 36 in., 1965 Gallery price: $295,000

141 141 LEROY NEIMAN

Saint-Cloud signed Mixed Media on Paper 18 x 22.5 in., 1962 Gallery price: $110,000

142 LEROY NEIMAN

Mahl, Yugoslavia signed Mixed Media on Paper 19 x 24.5 in., 1969 Gallery price: $115,000

142

57


143 JULES ACHILLE NOËL

La falaise jaune 1869 Oil on Panel, 13.9 x 10.6 in. signed and dated lower left “JULES NOËL TRÉPORT 1869” Gallery price: $15,500

JULES ACHILLE NOËL

French, 1810-1881

Jules Achille Noël was a gouache painter, watercolorist, pastellist, lithographer, and draftsman who primarily focused on maritime scenes. However, he also painted landscapes, genre scenes, and church interiors. Noël studied under Cherioux in Brest, his hometown, before moving to Paris to pursue his painting career. He exhibited regularly at the Paris Salon from 1840 to 1879, and he received several medals. Noël painted en plein air, and his preferred settings were the coasts of Brittany and Normandy. He was most successful in his representations of the Norman coast, and in this category, he is often compared to Eugène Isabey. Noël’s artworks are widely known for their lively nature and charming quality. He was very talented in capturing the varying effects of light in both gouache and watercolor. Noël’s genre scenes provide a picturesque social documentation of 19th century coastal life. Jules Achille Noël’s work can be found: Musée du Louvre, Paris; Musée des Beaux-Arts de Nantes, France; Musée des Beaux-Arts de Quimper, France; Musée des Beaux-Arts de la Cohue, Vannes, France; Collection du conseil général du Morbihan, Vannes; Musée Magnin, Dijon; National Maritime Museum, Greenwich, United Kingdom; Bowes Museum, County Durham, United Kingdom; Musée des Arts et de l’Enfance, Fécamp, France; Musée des Terre-Nuevas et de la Pèche, Fécamp; Museum of the National Academy of Design, New York; Chi-Mei Museum, Taiwan; Rijksmuseum Twenthe, Enschede, Netherlands; Town Collection of Hennebont, France; Town Collection of Landernau, France; and museums in Bernay, Brest, Briançon, Castres, Chantilly, Chartres, Chaumont, La Rochelle, Mulhouse, Nancy, Rheims, Tours, Angoulême, Besançon, Cherbourg, and Bordeaux, all in France. 58


144 JULES CHARLES ROZIER

Personnage et peintre au bord de la Seine Oil on Canvas (relined), 17.7 x 28.4 in. signed lower left “Jules Rozier” Gallery price: $14,000

JULES CHARLES ROZIER

French, 1821-1882

Jules Charles Rozier was primarily a landscapist who studied under Jean Victor Bertin and Paul Delaroche. He was a Barbizon School painter (and engraver) of genre scenes, landscapes, and seascapes, specializing in silver-grey wet landscapes. He exhibited views of the banks of the Seine, Normandy, and seascapes. His debut at the French Salon was in 1859 with views of Provence and Normandy and he exhibited regularly until his death in 1882. His work can be seen in the Bowes Museum, Barnard Castle, County Durham, England; and can also be found in museums in the following French cities: Aix, Clamecy, Dieppe, La Rochelle, Nantes, Rheims, Saumur and St. Lô.

59


145 ALEXANDRE RENÉ VERON

Troupeau près du pont sur les bords de l’Oise Oil on Canvas, 18.25 x 28.75 in. signed lower left “A R Veron” Gallery price: $13,000

ALEXANDRE RENÉ VERON

French, 1826-1897

Alexandre René Veron was a French landscape painter who studied under the neo-classicist artist, Hippolyte “Paul” Delaroche, and with the landscapist Charles François Daubigny, whom he admired and imitated artistically. Veronfirst travelled to Barbizon at the age of eighteen and was so captivated with what he experienced that he painted only landscapes after his visit. In 1848, at the age of twenty-two, he had his Salon debut with two landscapes; the first depicted a farm in Bourron-Marlotte, just a few miles south of the Fontainebleau forest, and the second was a study of the Gorge du Loup. Over the next three decades, Veronexclusively exhibited landscapes at the salon. His preferred location to paint was the forest of Fontainebleau, but he also painted scenes in Auvers-sur-Oise, Pontoise, Crécy-en-Brie, Senlis, Osny, Agenteuil, Asnières and St-Valery-sur-Somme. These locations meant that Veron painted many of the coastlines and landscapes of the French countryside. His work can be found in the Musée Daubigny in Auvers-sur-Oise, France; Cornell Fine Arts Museum, Rollins College, Florida; The Indianapolis Museum of Art, Indiana; Musée des Beaux-Arts, Dijon, Nantes, la Mans, Lyon, Perigueux, and Saint-Lo, Dole, in France; Bowes Museum, Barnard Castle, County Durham, England; Williamson Art Gallery and Museum, Birkenhead, UK.

60


146 AUGUSTE ANASTASI

Dames dans le jardin de Diane Oil on Canvas, 11.3 x 16 in. signed lower left “AUG ANASTASI” Gallery price: $8,500

AUGUSTE PAUL CHARLES ANASTASI

French, 1820-1889

The student of the great French painters, Eugène Delacroix, Camille Corot, and Hippolyte “Paul” Delaroche, Anastasi worked extensively with the Barbizon School and painted numerous views of the forest of Fontainebleau. Although famous as a Barbizon painter, he also traveled in Northern France, especially in Brittany, and in Italy, from where he brought back several landscapes. Anastasi had a successful career and enjoyed the support of his peers, the art critics, and the public. He was made a Chevalier of the Légion d’Honneur in 1868. However, in 1870, Anastasi became completely blind. Princess Mathilde (Napoleon’s niece) sheltered him at her Saint-Gratien estate. His friends organized a sale of his work, which generated enough money to keep him out of need until his death in Paris at age 69. His work can be found in Musée du Louvre, Paris; Fine Arts Museums of San Francisco, California; Harvard University Art Museum, Massachusetts; the Musée Condé, Chantilly, France; Musée national du château, Compiègne, France; Musée Antoine Vivenel, Compiègne, France; Musée des Beaux-Arts, Lille, France; Musée des Beaux-Arts, Marseille, France; Musée des Beaux-Arts, Chambéry, France; Musée du vieux château, Laval, France; Musée des Ursulines, Mâcon, France; Musée des Beaux-Arts, Angers, France; Musée des Beaux-Arts, Nantes, France; as well as museums in Antwerp, Belgium, and in the French towns of Besançon, Bourges, Mulhouse, Rennes, Rheims, and Valence.

61


147 JULES BRETON

Étude pour Le rappel des glaneuses 1857 Oil on Cardboard, 6.8 x 13 in. signed lower right “Jules Breton” Gallery price: $28,000

JULES BRETON

French, 1827-1906

Jules Breton studied initially under Félix de Vigne, whose daughter he married in 1858. He later studied at the Royal Academy of Fine Arts in Ghent, went on to work at Martin Drolling’s studio in Paris and joined the Ecole des Beaux-Arts under the direction of Horace Vernet and Jean Auguste Dominique Ingres in 1847. Breton had originally decided to specialize in genre painting, as his first submissions to the Salons of 1849 and 1850 show, but these were not very well received and the following year he began to concentrate exclusively on landscapes. In 1854 he moved back to Courrières and between 1862 and 1866 made several visits to south and south-west France and Italy. Between 1868 and 1890 he spent many months each year at Douarnenez in Brittany. Breton was a regular exhibitor at Salons from 1849 and also exhibited at the Paris Exposition Universelle. In 1853 he had his first success at the Salon; in 1855 he was awarded a bronze medal at the Exposition Universelle, in 1857 he received a silver medal at the Salon, at the 1859 salon he won gold for The Gleaners (now in The National Gallery of Ireland). In 1867 he received a gold medal at the Exposition Universelle, and in 1872 he was awarded a medal of honor at the Salon. His Salon exhibits were increasingly admired and his paintings were regularly purchased by the state and by collectors. Wisely, Breton did not let this rapid success go to his head but applied himself to perfecting his technique. He also took part in many foreign exhibitions. Breton was decorated with the Légion d’Honneur and the Order of Leopold of Belgium. In 1867 he was made an officer of the Légion d’Honneur and was promoted to commander in 1885. In 1866 he was made a member of the Institute of France. He was a jury member at the Exposition Universelle of 1889 and 1900. Breton has rightly been described as a Realist tempered by a poet. He did not share the energetic technique of Bastien Lepage, nor his sense of truth. Breton’s Realism stopped at his choice of subject, his interpretation always being tinged with a certain idealistic charm. However, he did not falsify nature; he simply highlighted its happier side. His technique was Classical, very studied and impeccably precise, and his use of color was always carefully chosen and accurate. His works can be found in the Musée d’Orsay in Paris, France; the Metropolitan Museum of Art in New York City; the Museum of Fine Arts, Boston. Massachusetts; the Musée des Beaux-Arts de Quimper, France; The National Gallery of Art, Dublin, Ireland; and the Van Gogh Museum in Amsterdam, the Netherlands. 62


148 LOUIS CABIÉ

Jour d’automne Oil on Panel, 24 x 15.4 in. signed lower left “L Cabié” Gallery price: $10,000

LOUIS ALEXANDRE CABIÉ

French, 1854-1939

Louis Alexandre Cabié was a Naturalist landscape painter from Dol-de-Bretagne. He was inspired by Jean-Baptiste Camille Corot and Theodore Rousseau’s landscapes of Barbizon early on but is known for creating risky and bold compositions painted in gouache and watercolor which were independent in style and of influence. Cabié became a pupil of the realist landscape painter Henri Harpignies and was formally introduced to the Barbizon School early in his artistic training. He later joined the Naturalist movement of Port-Berteau, a small and short-lived school that focused on plein air landscape painting, under the instruction of Hippolyte Pradelles, one of the founders. Cabié debuted at the Salon des Artistes Français of 1887 and earned several awards and medals; he was eventually appointed Chevalier de la legion d’honneur. He was the chef-de-file (head) of landscape painting at the Saintonge School before moving to Bordeaux where he produced most of his landscapes until his death in 1939. Other regions he often worked in were Saintonge (a former French province) and Brittany. His later works were heavily influenced by post-Impressionism. Louis Cabié’s work can be found at the following museums: Musée du Louvre department des Arts graphiques, Paris, France; Musée Luxembourg, Paris, France; Musee des Beaux-Arts, Bordeaux, France; Musée du vieux Château, Laval, France; Musée Goya, Castres, France; Musée des Beaux-Arts, Angers, France; and Musée des Beaux-Arts, Chambéry, France.

63


149 EMILE CHARLES LAMBINET

Scène de fenaison Oil on Panel, 10.25 x 16.25 in. unsigned Gallery price: $8,500

EMILE CHARLES LAMBINET

French, 1815-1877

Emile Charles Lambinet was a painter of rural landscapes. He studied under history painter Michael Martin Drolling and under Emile Jean-Horace Vernet, who was well known for his battle scenes celebrating French military prowess. Later in his career, Lambinet also studied under Charles Daubigny and Camille Corot, painters from the Barbizon school. Although Lambinet developed his own painting style, both Barbizon masters greatly influenced his work by introducing him to plein air painting especially along the banks of rivers. He exhibited at the Salon between 1833 and 1978 and won medals in 1843, 1853, and 1857. He was made a Chevalier of the Légion d’Honneur in 1867. He kept a studio in Paris and taught several American artists including Joseph Foxcroft Cole, a relative of the Hudson River painter Thomas Cole. His work is in the following collections: Musée du Louvre, Paris; Musée Lambinet, Versailles, France; Château-Musée, Dieppe, France; Musée Condé, Chantilly, France; Musée des Beaux-Arts, Lille, France; and the Museum of Fine Arts, Boston, Massachusetts (6 paintings). His work can also be found in museums in the following French cities: Amiens, Avignon, Besançon, Brest, Moulins, Strasbourg and Tours. His work is also found in these European cities: Glasgow, Dublin and Sheffield.

64


150 LÉON RICHET

Vue prise derrière l’atelier de JF Millet à Barbizon Oil on Board, 10 x 13.9 in. signed lower right “Léon Richet” Gallery price: $6,500

LÉON RICHET

French, 1847-1907

Léon Richet was born in Normandy, France in 1847. He studied under Ambroise Détrez at the Académie de Valenciennes and later under the Barbizon artists Narcisse Virgile Diaz de la Peña, Jules Lefebvre, and Gustave Boulanger. He earned honors at the annual Salons beginning in 1885: honorable mention in 1885, third place in 1888, and second place in 1901. Richet’s last Salon entry was in 1906. By this time, he had become a member of the Société des Artistes Français and as such had become exempt from submitting his works for acceptance by a jury. His works can be found in the Metropolitan Museum of Art, NY; Musee d’Orsay, Paris; Norton Simon Museum, Pasadena, CA; LACMA, Los Angeles, CA; National Gallery of Art, Washington, DC; Musée des Beaux-Arts, Rennes, France; Leeds Museum, England; Montréal Museum, Quebec, Canada; Musée de Nice, France; the Musée de Reims, France, and the Art Institute, Chicago, IL; Isabella Stewart Gardner Museum, Boston, MA; Royal Pavilion, Brighton, UK; Taft Museum, Cincinnati, OH; Columbus Museum of Art, Columbus, OH; Detroit Institute of Arts, Detroit, MI; Municipal Gallery of Modern Art, Dublin, Ireland; National Gallery of Scotland, Edinburgh; Arnot Art Museum, Elmira, NY.

65


151 EUGÈNE CICÉRI

Lavandière au bord du Loing Oil on Canvas, 35 x 44.2 in. signed lower right “Eug Cicéri” Gallery price: $25,000

ETIENNE EUGÈNE CICÉRI

French, 1813-1890

Étienne Eugène Cicéri was a French illustrator, writer, lithographer, set designer, and painter of Barbizon-inspired landscapes and Orientalist-themed work. His father taught him painting and stage design at an early age. He also took painting lessons from his great-uncle Jean Baptiste Isabey, who was famous for his miniatures and court paintings of Napoleon and other royalists from the 1820s to 1830s. In his 20s, Eugène began documenting his travels abroad in gouache. He painted landscapes of French territories in the Caribbean as well as scenes from North Africa, Switzerland, Germany, Turkey and China. After returning to Paris, he took on a mural commission for the civic auditorium at LeMans which was unveiled in 1842, it is known to be his largest work. Cicéri made is Salon debut in 1851 and won a second-class medal a year later for his riverscape Vue Prise au bord du Loing. He continued to exhibit at the Salons during the 1850s. Cicéri’s work can be found in the following museums: The Louvre, Paris, France; Getty Museum, Los Angeles, California; L’école des Beaux-Arts, Rennes, France; L’école des Beaux-Arts, Angers, France; Hong Kong Museum of Art, China; National Gallery of Berlin, Germany; Princeton University Art Museum, New Jersey, US A; L’école des Beaux-Arts, Pau, France; and Musée Magnin, Dijon, France. 66


152 EDOUARD DEBAT-PONSAN

Vachère et batelier Oil on Canvas, 25.8 x 36.3 in. signed and dated lower left “E. DEBAT-PONSAN 92” Gallery price: $8,500

EDOUARD BERNARD DEBAT-PONSAN

French, 1847-1913

Edouard Debat-Ponsan was a late nineteenth-century Academic artist celebrated for his ability to master diverse themes in painting. The portraits he produced of Parisian politicians and celebrities are his best known works. In addition to portraits, he painted rural life, animal, historical and religious scenes, and Oriental-themed work. These paintings rivaled his portraits and many won medals and are in world-class museums today. Debat-Ponsan was born into a musical family from Toulouse and began his artistic training at the École des Beaux-Arts in Toulouse at the age of fourteen. He left to enroll at the École des Beaux-Arts in Paris and joined the studio of famed Academic painter, Alexandre Cabanel. His Salon debut was in 1870 with Le récit de Philétas and Au sortir de la carrière. Debat-Ponsan’s animal painting, Les vaches à l’abreuvoir, was first exhibited at the 1875 Salon. Like the majority of his animal paintings Debat-Ponsan emphasized the human presence, which was typically female peasant workers, continuing the tradition of Jean-Francois Millet, who was then recognized as one of the leading masters of the Barbizon school. His work can be found at the following museums: Louvre Museum, France; Musée d’Orsay, France; Musée d’Art Roger-Quilliot, Clermont-Ferrand, France; Chi-Mei Museum, Taiwan; Minneapolis Institute of Arts, USA; Musée des Augustins, Toulouse, France; and museums in the following French cities: Carcassonne, Dijon, La Rochelle, Nantes, Nimes, Pau, and Rouen. 67


153 ANTOINE PLACIDE GIBERT

La basilique St Pierre et chateau St Ange vu du Tibre Oil on Canvas, 16.9 x 23.3 in. signed lower right “A Gibert” Gallery price: $17,500

ANTOINE PLACIDE GIBERT

French, 1806-1875

Antoine Placide Gibert is a French painter who is best known for his portraits featuring American aristocracy. In 1828 he enrolled at the École des Beaux-Arts in Paris under François Edouard Picot, a neoclassical painter who is famous for painting two ceilings in the Louvre’s Egyptian Room. Gibert began exhibiting at the Paris Salons in 1831 where he won the third-class medal in 1841. He continued to participate at the Salons until 1865, exclusively exhibiting historical Italian and Egyptian landscapes, genre paintings and portraits. In 1832, he placed second for the Prix de Rome, second to Jean-Hippolyte Flandrin, Ingres’ student. Gibert lived in the United States from 1841-1855. During his stay, he organized several exhibitions in New York City and Boston. John Quincy Adams, Colonel Colt, Charles Anderson Wickliff and Henry Clay Frick were among some of the American elites who commissioned portraits from Gibert. Upon returning to France, he arranged extensive travels to Italy and Egypt where he painted landscapes, urban landscapes, and history paintings. Gibert became a professor of painting at the École des Beaux-Arts in Bordeaux. Antoine-Placide Gibert’s paintings can be found at the Prado Museum, Spain; Musée des Beaux-Arts de Bordeaux, France; Musée du Périgorda Périgueux, France; Musée Municipal de Rochefort-sur-Mer, France; Chateau de Versailles, France; State Department, Washington D. C.; Kentucky Historical Society, USA; and in several private American collections.

68


154 JULES DUPRÉ

Vaches à la mare Oil on Panel, 9.65 x 13.25 in. signed lower left (faintly) “J Dupre” Gallery price: $14,500

JULES DUPRÉ

French, 1811-1889

Jules Dupré’s career as a painter began in 1831. He moved to Paris and became friends with the artist Louis Cabat and took lessons from Jean Michel Diebolt, once a pupil of Jean Louis DeMarne. His celebrated work Indiana appeared at the Salon in 1832. In Paris, Dupré made the acquaintance of a wide circle of artists and writers. He made friends with artists of the then-flourishing 1830 School, painters such as Constant Troyon, Charles François Daubigny, Jean François Millet and Paul Huet and formed a long-standing friendship with Théodore Rousseau. In 1834, Dupré accepted an invitation from Lord Grave to travel to England, where he visited London, Plymouth and Southampton, and came into contact with the work of John Constable, J.W.M. Turner, John Crome, Richard Parkes Bonington and other English masters. On his return, he showed a view of Southampton at the 1835 Salon to great acclaim. He received a third-class medal in 1835 and was made a Chevalier of the Legion of Honor in 1849; however, he stopped contributing to the annual Salons for several years from 1839 onwards, only showing again in 1852. There then followed another long absence from public exhibition; his work was not seen in the Salons again until 1867, the year of the first Exposition Universelle. He also exhibited in 1883 at the Exposition Centennial. He is considered one of the leading 19th-century French landscape painters and a chief member of the Barbizon school. Dupré’s work is part of the following important museum collections: Musée du Louvre (14 paintings), Paris; Musée d’Orsay, Paris; Metropolitan Museum of Art, New York; Frick Collection, New York; Frick Collection, New York; National Gallery of Art, Washington D.C.; Art Institute of Chicago, Illinois; Museum of Fine Arts, Boston, Massachusetts; Fine Arts Museums of San Francisco, California; Los Angeles County Museum of Art, California; Norton Simon Museum, Pasadena, California; Hermitage Museum, St. Petersburg, Russia; State Pushkin Museum of Fine Arts, Moscow, Russia; National Gallery of London; Wallace Collection, London; National Gallery of Scotland, Edinburgh; Stockholm Museum, Sweden; and The Hague Museum, Netherlands; Rijksmuseum, Amsterdam.

69


155 PIERRE DESIRÉ LAMY

La place animée à Venise 1909 Oil on Panel, 31.6 x 39.4 in. signed and dated lower left “P. FRANC LAMY VENISE 1909” Gallery price: $5,500

PIERRE DÉSIRÉ EUGÈNE FRANC LAMY (FRANC-LAMY)

French, 1855-1919

Pierre Désiré Eugène Franc Lamy, was a pupil of Isidore Pils and J. L. Gérôme. He was part of a group of students that revolted against traditional painting and their teachers to imitate the path of the Impressionists. Often exhibiting with the Impressionists, Franc-Lamy was immediately accepted into the circle and was especially friendly with Auguste Renoir. He is present in Renoir’s painting Bal du Moulin de la Galette. Franc-Lamy’s best known work is Nina de Villard’s Salon, 1875-1877, now in the Musée d’Orsay. Nina de Callias, who is Manet’s muse, a musician, and poet, was also Franc-Lamy’s lover until 1877. Several of her poems were dedicated to him and he often illustrated album covers for both Nina de Callias and Ernest Cabaner, another well known musician. Franc-Lamy primarily exhibited in Paris but travelled often to paint. Venice was one of his favorite cities to document. He was a member of the Société des Artistes Français from 1885 and took part in the Salon des Artistes Français, obtaining an honorable mention in 1887, a third class medal in 1888, an honorable mention at the 1889 Exposition Universelle, a second class medal in 1890, and a Bronze medal at the 1900 Exposition Universelle. He was made a Chevalier of the Légion d’Honneur in 1893. He exhibited across France, in London and Copenhagen. His works can be found in important museums including: the Cleveland Museum of Art, Ohio; the Smithsonian Museum in Washington D.C.; the Musée d’Orsay, Paris; and museums in the following cities in France: Clermont-Ferrand, Mácon, Nice, Poitiers, and Rouen. 70


156 PAUL LOUCHET

L’arbre vert 1897 Oil on Canvas (relined), 53.8 x 69.5 in. signed and dated lower left “Paul Louchet 1897” Gallery price: $17,500

PAUL LOUCHET

French, 1854-1936

Paul Louchet studied under Jules Lefebvre and Henri Harpignies and exhibited his work at the Salon in Paris. Something of a Renaissance man, Paul Louchet excelled in the decorative arts and acquired renown for his skill at engraving bronze. He was elected president of the bronze manufacturers’ guild and mayor of his small town of Herblay, about 25 km outside of Paris, a few years later. However, he resigned after the tragic and sudden death of his 15-year-old daughter. She died from a regional typhoid epidemic allegedly caused by the sewage dumped on fields near the town. Louchet became an outspoken environmentalist, organizing public protests and even suing the city of Paris for his daughter’s death. When he lost the case, he turned to painting the landscape he loved. Louchet is associated with the French Barbizon School, sharing their wish to depict nature without any additional adornments. His paintings “bear the mark of melancholic poetry: without any unnecessary glitter or pomposity, but with an exactness of touch and a deep sincerity.” Another great lover of nature, Paul Cézanne, said, “When I judge art, I take my painting and put it next to a God-made object like a tree or flower. If it clashes, it is not art.” By this standard, Louchet is indeed a great artist. Paul Louchet’s art can be found in the following museums: Musée du Louvre, Paris, France; Musée des Art Décoratifs, Paris, France; Musée de Sèvres, France; Brighton Museum, East Sussex, England; Musée Christofle, Paris, France. 71


157 EDMA MORIZOT AKA EDMA MORISOT-PONTILLON

Soleil couchant Oil on Canvas (relined), 21.25 x 25.6 in. signed lower left “E. Morizot” Gallery price: $20,000

EDMA MORISOT-PONTILLON (also spelled Morizot)

French 1839-1921

Marie Edma Caroline Morisot, sister of Berthe Morisot, was a French landscape painter. She often was the muse for many well-known artists including Berthe, Edouard Manet, and Henri Fantin-Latour. In 1860, she began to study under Camille Corot and, at his suggestion, began painting en plein air. Edma occasionally painted portraits but favored landscapes painted in the Barbizon tradition. She tended to paint small female figures in her landscapes as well. Her Salon debut — two landscapes — was in the spring of 1864. She exhibited her landscapes regularly in the official Salon until 1869.

72


158 EDMA MORIZOT

Printemps en forêt Oil on Canvas, 21.25 x 25.5 in. signed lower left “Morizot” Gallery price: $15,500

159 EDMA MORIZOT

Les boisières en forêt Oil on Canvas, 21.25 x 25.5 in. signed lower left “Morizot” Gallery price: $15,500

73


160 H. PASQUIER

Femme à l’abat jour 1905 Pastel on Paper, 13 x 18.2 in. signed and dated lower left “H. Pasquier 05” Gallery price: $19,000

H. PASQUIER

French, early 20th c

Little is documented on H. Pasquier, but there is reason to assume (based primarily on subject matter and style) that this pastel artist is a French woman active during the Belle Époque in Paris. In particular the paintings seem to reflect the Edwardian era – the first decade of the new century. Pasquier’s pastel drawings feature young women in intimate environments. Some pieces completed between 1904-1907 are La Conversation, Woman in White at a Window, and Femme a L’Abat Jour. The latter shows an affluent young woman in typical Edwardian garb at rest on a Louis Quinzestyle lounge sofa. The other pieces appear to have been drawn during the same session. This might explain why the artist chose to use pastel as her medium since they are easy to use and transport and don’t require the drying time of painting. Pastels gained in popularity in France during the mid 19th century and that popularity continued into the early 20th. Pasquier always included a table lamp as the single or primary light source in her drawings. Artists from the Edwardian era were interested in scientific and political aspects of the period which signaled modernity: Pasquier included the electric light and painted woman at a time when they were just beginning to be educated and work outside the home. The artist represents the Belle Époque with sweet compositions and themes that are reflective of the beautiful era which ended at the start of the first World War.

74


161 HENRI LEBASQUE

La Joconde Oil on Canvas, 30.7 x 20.9 in. unsigned Gallery price: $64,000

HENRI LEBASQUE

French, 1865-1937

Henri Lebasque studied at the Ecole des Beaux-Arts in Angers. After moving to Paris in 1886, he studied briefly under Léon Bonnat and then under Jacques Fernand Humbert; he assisted the latter in the decoration of the Panthéon. He showed at the Salon de la Société Nationale in 1896, and later at the Salon des Indépendents and the Salon d’Automne. He took part in the following collective exhibitions: Salon des Indépendents, 1886; Salon des Artistes Français; and later the Salon d’Automne, of which he was a founding member in 1903 and on whose committee he sat until his death. A set of his works was shown in 1937 at Maîtres de l’Art Indépendent (Masters of Independent Art) at the Petit Palais, Paris. In 1957, 20 years after his death, a retrospective exhibition was held at the Musée des Ponchettes in Nice, and in 1981 his works were exhibited at St-Paul-de-Vence. This piece was in the collection of Ernest Bonnault, a prominent French collector. It is mentioned in the book P. Vitry, Henry Lebasque, Paris, 1928, pp 24-25. It is included and illustrated in the catalogue raisonné: D. Bazetoux, Henri Lebasque catalogue raisonné, 2008, no. 486. Madame Denis Bazetoux estimates the date of the piece to be 1895-1896. His works can be found in the Musée d’Orsay, Paris; Musée d’Art Moderne, Paris; Musée des Beaux-Art, Lille, France; Petit Palais, Geneva, Switzerland; and in collections in the cities of Angers, Lyon, Strasbourg and Nantes in France and in Detroit, Illinois in the USA.

75


162 LOUIS ARBANT

Nature morte avec raisins Oil on Canvas, 35.25 x 46 in. signed lower left “Arbant” Gallery price: $15,000

LOUIS ARBANT

French, mid 19th c.

Louis Arbant was born in Màcon (Saône-et-Loire), France. He studied at the École des Beaux-Arts in Lyon, the same city where most of his paintings were produced; he exhibited his still lifes at the Paris Salon from 1849-1879. He was a prolific still life artist and occasionally he painted landscapes. The still lifes are carefully arranged combinations of floral, fruit, and slaughtered animals; these objects he frequently illustrated were common in France’s ordinary household. Arbant prefers to radiate his colorful still life objects with strong light which results in his trademark smoky dark background. He mainly worked with oil and watercolor. Arbant is one of few 19th century French artists who specialized in still life paintings. Because of some commercial success, several artists had begun to paint them in addition to their regular repertoire. This, combined with the Academy’s new admiration for still-life artists at mid-century resulted in a still-life revival in France and a considerable demand for the work in France and England. Later 19th century artists like Cezanne and Manet are credited with the ongoing success of still life painting. They painted still lifes as ‘non-illustrative of discourse,’ separating the art from literature, poetry, or moralism — all of which had previously characterized the genre. Arbant’s paintings can be found in the Musée des Beaux-arts in Lyon, France 76


163 CHARLES GILBERT- MARTIN

Les fleurs de l’été Oil on Canvas, 19.7 x 24 in. signed lower right “Gilbert Martin” Gallery price: $13,000

CHARLES GILBERT-MARTIN

French, 1839-1905

Charles Gilbert-Martin was a French caricaturist, journalist, and still-life artist active during the 19th century. He was widely known for his satirical magazines, Le Philosophe and Le Don Quichotte, both founded by him. He founded an additional ten magazines and collaborated on another ten! After graduating from the College of Blaye, he left for Paris in 1862 to pursue a literary career. In May 1867, he founded the satirical magazine Le Philosophe alongside the painter Jean-Paul Laurens. He wrote under the pen name Louis Lemaire and Tribelg for a short period but is one of the few caricaturists of his generation to be known by his real name. He signed all of his floral still lifes by his given name as well.

77


164

165

164

MARC CHAGALL

Composition fantastique

Fables / Fontaine Plate 76

M.896

C. 22

XV/XV

21/40

signed Color Lithograph

unsigned Etching

25 x 19 in., 1976

12 x 10 in., 1952

Gallery price: $35,000

Gallery price: $7,500

Illustrated: Marc Chagall: The Lithographs: Catalogue Raisonné, Charles Solier, 1960, pg. 351

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 74

165 MARC CHAGALL

Les Ateliers de Chagall M. 899 81/250 signed Color Lithograph 13 x 9.1 in., 1976 Gallery price: $20,000 Illustrated: Marc Chagall: The Lithographs: Catalogue Raisonné, Charles Solier, 1960, pg. 352

166

78

166

MARC CHAGALL


167

168 167

169

SALVADOR DALÍ

SALVADOR DALÍ

Tauromachie Surréaliste: La Statue

Surrealistic Flowers: Allium christophi pilique pubescentes (Cactus & Crutches)

ML 154 103/150 signed Heliogravure with Drypoint and Hand-colored with Stencil 12.5 x 16.5 in., 1970 Gallery price: $8,500 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 150

ML 543 210/350 signed Heliogravure with Etching 21 x 14.25 in., 1972 Gallery price: $6,500 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 205

168 SALVADOR DALÍ

Tristan et Iseult: Le Géant Béliagog ML 421 XV/XXV Signed Etching 15.75 x 10.5 in., 1970 Gallery price: $6,500 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 185

169

79


170

171

172

173

170

171

172

STEPHEN HALL

JIM DINE

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

The Choice

Very Picante

Homage to Nijinski I

Homage to Nijinski II

85/125

Artist’s proof

9/175

7/175

signed Serigraph

signed Cardboard Relief and Intaglio

signed Lithograph

signed Lithograph

53.2 x 39.1 in., 1995

29 x 19 in., 1992

29 x 19 in., 1992

Gallery price: $2,750

Gallery price: $2,750

22 x 20 in., 1986 Gallery price: $2,500

80

Gallery price: $58,000

173


174

175

176

177

174

175

176

MARC CHAGALL

MARC CHAGALL

MARC CHAGALL

MARC CHAGALL

Daphnis et Chloé au Bord de la Fontaine

L’Odyssée II – Ulysse and Eumée

Le Songe du Capitaine Bryaxis

Maternité Rouge

M. 313

M. 796

M. 328

M. 984

67/250

22/250

EA

unsigned Color lithograph

unsigned Color Lithograph

signed Color Lithograph

16.6 x 12.9 in., 1975

17 x 13 in., 1961

37 x 23.4in., 1980

Gallery price: $7,500

Gallery price: $29,500

Gallery price: $95,000

Illustrated: Marc Chagall: The Lithographs: Catalogue Raisonné, Charles Solier, 1960, pg. 333

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 158

Illustrated: Marc Chagall, The Lithographs, p. 370

unnumbered unsigned Color Lithograph 17 x 13 in., 1961 Gallery price: $19,500 Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 156

177

81


178 CLAES OLDENBURG

Chicago Stuffed with Numbers 47/85 signed Lithograph 47 x 31.5 in., 1997 Gallery price: $5,000

179 SAM FRANCIS

Untitled (25) SFE-223S estate – stamped on verso Mixed Media on Paper 25 x 31 in., 1991 Gallery price: $85,000

82


180 SAM FRANCIS

Untitled (27) EXP-SF-0485-03 signed Monotype printed in Colors with Embossing on Handmade Paper 25 x 30.25 in., 1983 Gallery price: $55,000

181 SAM FRANCIS

Untitled (29) SFM83-502 signed Monotype with Oil Paint, Powdered Pigment and Ink in Colors with Embossing, on Handmade Paper 29.5 x 24.5 in., 1983 Gallery price: $55,000 Printed by the Experimental Workshop in San Francisco, as noted in pencil on verso: “EXP-SF 63-11-’83.”

83


182

182 LEROY NEIMAN

Femlin as Russian Doll signed Mixed Media on Paper 9.75 x 17.25 in., 1993 Gallery price: $29,000 183 LEROY NEIMAN

Femlin: Singin’ signed Mixed Media on Paper 16.75 x 12 in., 1987 Gallery price: $30,500 184 LEROY NEIMAN

Femlin: The Hammock signed Mixed Media on Paper 12.5 x 18 in., 1986 Gallery price: $37,000 185 LEROY NEIMAN

Femlin: The Hat 2 signed Mixed Media on Paper 16.25 x 11.25 in., 1990 Gallery price: $34,000

183

84


184

185

85


186

187

188

189

186

187

188

PAUL JENKINS

LARRY HOROWITZ

LARRY HOROWITZ

LARRY HOROWITZ

Phenomena Race the Sun

Mirror Lake

Summer Field

Above the Clouds, Haleakala

signed Watercolor on Paper

signed Oil on Canvas

signed Monoprint Etching

signed Oil on Canvas

29.75 x 42 in., 1979

34 x 42 in., 2002

17 x 23.5 in., 1986

16 x 20 in., 2007

Gallery price: $28,000

Gallery price: $9,520

Gallery price: $2,300

Gallery price:. $2,800.

86

189


190 GEORGE GROSZ

Cape Cod Dunes II signed Watercolor 15.5 x 20 in. Gallery price: $29,500

191 LEROY NEIMAN

Bullfighter signed Acrylic and Enamel on Board 15 x 11 in., 1967 Gallery price: $75,000

87


192 LEROY NEIMAN

15th Hole signed Acrylic and Enamel on Board 22 x 30 in., 1969 Gallery price: $135,000

88


193 LEROY NEIMAN

Longchamp Paddock signed Acrylic and Enamel on Canvas 28.5 x 46 in.,1961 Gallery price: $295,000

89


194 LEROY NEIMAN

The Blues and the Bruins signed Acrylic and Enamel on Board 72 x 48 in., 1968 Gallery price: $150,000

90


195

196

195 REMBRANDT VAN RIJN

Three Heads of Women, One Asleep B. 368 Etching 5.75 x 3.4 in. Gallery price: $18,000 196 REMBRANDT VAN RIJN

The Baptism of the Eunuch B. 98 ii/ii Etching 7.25 x 8.5 in. Gallery price: $15,500 197 REMBRANDT VAN RIJN

The Blindness of Tobit B. 42 ii/ii Etching with Drypoint 6.5 x 5.25 in. Gallery price: $34,000

197

91


198

199

201

200

92

198

199

200

REMBRANDT VAN RIJN

REMBRANDT VAN RIJN

REMBRANDT VAN RIJN

REMBRANDT VAN RIJN

St Jerome in a Dark Chamber

Christ Carried to the Tomb

The Death of the Virgin

The Tribute Money

B. 105 ii/ii

B. 84

B. 99 iii/iii

B. 68 ii/ii

Etching

Etching

Etching with Drypoint

Etching

5.8 x 6.75 in.

5.5 x 4.5 in.

15.25 x 12 in.

2.8 x 4.2 in.

Gallery price: $19,500

Gallery price: $17,500

Gallery price: $43,500

Gallery price: $14,500

201


202 GOTTFRIED SALZMANN

Paris la Grande Roue: Réflection signed Watercolor 23 x 18.5 in., 2001 Gallery price: $10,500

203 PABLO PICASSO

Dans l’Atelier: Modele et Deux Amateurs B. 1438 / Ba. 1468 46/50 Stamped Drypoint, Etching, and Aquatint 8.7 x 12.6 in., 1966 Gallery price: $11,000 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI 1994, pg. 126

93


204 PABLO PICASSO

Visage (Jacqueline au bandeau) B. 1090 / Ba. 1297 24/50 signed Linocut 24 x 17.5 in., 1964 Gallery price: $60,000 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. V 1994, pg. 396

94


205 HENRI MATISSE

Nu Assis / Seated Nude signed Pen and India Ink over Pencil on toned Paper 9.5 x 12.3 in., 1929 Gallery price: $150,000

95


206 GÉRARD SCHLOSSER

C’est en Novembre signed Acrylic on Canvas 78.7 x 78.7 in., 1991 Gallery price: $40,000

207 IGOR MEDVEDEV

Oliver AP 65/75 signed Serigraph on Paper 17.75 x 23.5 in., 2003 Gallery price: $2,300

96


208 MANEL ÀLVAREZ

Torso 2006 unsigned Bardiglio Marble 19 x 9.5 x 4 in., 2006 Gallery price: $29,500

97


210

209

212

211

209

210

211

LEROY NEIMAN

LEROY NEIMAN

LEROY NEIMAN

LEROY NEIMAN

Femlin: Typewriter

Fouquet’s

The Grenadier Bar

Washington Square Park – SF

signed Mixed Media on Paper

129/385

Printer’s proof 2/8

AP 17/56

5.87 x 8 in., 1965

signed Serigraph

signed Serigraph

signed Serigraph

Gallery price: $28,000

30 x 38 in., 1993

34 x 24 in., 2011

25 x 38 in., 2003

Gallery price: $21,500

Gallery price: $9,500

Gallery price: $10,000

98

212


213 JOAN MIRĂ“

Femme au Miroir M. 242 119/150 signed Lithograph 15 x 22 in., 1956 Gallery price: $75,000 Illustrated: Miro Lithographies, Volume II, Maeght, 1975, pg. 97

99


214 IGOR MEDVEDEV

Golden Sunset AP 25/50 signed Serigraph on Paper 17.5 x 53 in., 2001 Gallery price: $3,000

215 IGOR MEDVEDEV

Golden Arrival AP 249/250 signed Serigraph on Paper 8.5 x 23 in., 2006 Gallery price: $1,800

216 JOAN MIRÓ

Fissures VIII M.580 35/75 signed Etching with Aquatint 19.3 x 22.8 in., 1969 Gallery price: $15,000 Illustrated: Miro Engraver, Volume II, Ediciones Poligrafa, 1989, pg. 126

100


217

218

219

217

218

LEONARDO NIERMAN

MARC CHAGALL

MARC CHAGALL

Double Lunar Eclipse

Le Cirque – Plate 21

The Bible: End of Absalom 72

signed Acrylic on Masonite

M. 509

XVII/XX

24 x 31.5 in.

102/250

unsigned Etching

Gallery price: $8,500

unsigned Lithograph

12 x 9 in., 1958

16 x 12.5 in., 1967

Gallery price: $3,750

Gallery price: $5,500

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 115

Illustrated: Marc Chagall: The Illustrated Books: Catalogue Raisonné, P. Cramer, 1995, pg. 111

219

101


220 SALVADOR DALÍ

Alice in Wonderland ML 321-333 1056/2500 signed Full Portfolio with 13 Prints: 1 Color Etching and 12 Color Heliogravure 17 x 11.75 in., 1969 Gallery price: $35,000 Illustrated: Dali, Catalogue Raisonné 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 171-172

221 SALVADOR DALÍ

Le Toréador Hallucinogene unsigned Acrylic,India Ink, Photo-collage and Découpage on firm Card, slightly irregulary cut 12.9 x 1.1 x 15.1 in., 1970 Gallery price: $125,000

102


222

224 SALVADOR DALÍ

Hamlet: The King’s Ghost Appears ML 607 114/145 signed Drypoint Etching with Aquatint, Hand-colored

223

22.1 x 11.25 in., 1973 Gallery price: $8,500 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 215

222 SALVADOR DALÍ

Le Bureaucrate signed Ink on Paper 15 x 21.75 in., 1969 Gallery price: $28,000 223 SALVADOR DALÍ

Dali de Draeger by Max Gerard: De Draeger para Rodrigo Iglesias signed Felt tip Pen on Paper 22 x 12 in., 1975 Gallery price: $12,000

103


225

226

228

230

104

227

229

225

226

DIANA HANSEN

DIANA HANSEN

DIANA HANSEN

Dancers V

Deer Dance

Kachina

108/200

60/200

180/200

signed Etching

signed Etching

signed Etching

26.5 x 31.25 in.

35 x 28 in., 1978

28.25 x 23 in., 1978

Gallery price: $1,200

Gallery price: $1,200

Gallery price: $1,200

228

229

230

LEROY NEIMAN

LEROY NEIMAN

LEROY NEIMAN

Portrait of the Tiger

Resting Tiger

The Big Five

AP 27/85

AP 72/72

178/585

signed Serigraph

signed Serigraph

signed Serigraph

25 x 25 in., 1998

32.5 x 42 in., 2008

21 x 42 in., 2001

Gallery price: $25,000

Gallery price: $9,200

Gallery price: $12,000

227


231 TADASHI ASOMA

Autumn Rhapsody 155/200 signed Silkscreen 24.5 x 30 in., 1984 Gallery price: $800

232 PIERRE MARIE BRISSON

Le Chat signed Mixed Media on Canvas 18 x 22 in., 1993 Gallery price: $13,000

233 IGOR MEDVEDEV

Still Waters AP 87/95 signed Serigraph on Paper 26 x 35.5 in., 2005 Gallery price: $1,800

105


235 GEORGE BRAQUE

Le tir a l’arc V0153 IV/X signed Lithograph 6.5 x 4.4 in., 1960 Gallery price: $10,500 234 RUFFINO TAMAYO

Hombre en Blanco 3/140 signed Etching and Aquatint 29.5 x 22 in., 1976 Gallery price: $25,000

106


236

237

238

239

240

236

237

238

239

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

MIHAIL CHEMIAKIN

IGOR MEDVEDEV

LEROY NEIMAN

Chameleon (remarqued)

Dancing with Fruits (remarqued)

Shadow with Mirror (remarqued)

Sunning

Champagne, New Year’s Eve

7/10 REM V

10/10 REM IV

signed Serigraph

signed Serigraph

signed Serigraph on Paper

36 x 36 in., 1997

36 x 36 in., 1997

Gallery price: $4,950

Gallery price: $4,950

11/16 REM III signed Serigraph 36 x 36 in., 1997 Gallery price: $4,950

AP 146/181 16 x 12 in., 2000 Gallery price: $1,800

240

212/250 signed Serigraph 27 x 17.75 in., 2006 Gallery price: $4,500

107


Terms & Conditions of Sale The following, as amended by any posted notices or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by FRANKLIN BOWLES GALLERIES: 1. As used here, the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price, (b) a premium of nineteen percent (19%) of the bid price payable by the purchaser and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax (or compensating use tax of another state) and other applicable taxes. Unless exemption from such taxes is established to our satisfaction, any purchases claiming an exemption will be required to pay the tax and seek a refund from the State of California. 2. The auction is open to you at no charge and you may enter or leave at any time during the auction. To bid in person, you must raise your numbered bid card to signify bids. Only one bid is required to make an auction. FRANKLIN BOWLES GALLERIES guarantees that all art sold will be in comparable condition to that shown at previews or at the auction. Articles are sold as-is at the time of the sale. A bid by any person shall be deemed conclusive proof that the bidder has made himself/herself acquainted with the conditions of sale and agrees to be bound by them. 3. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot in accordance with all of the conditions set forth herein and thereupon (a) assumed full risk and responsibility, therefore (b) will sign a confirmation of purchase thereof, and (c) will pay the purchase price in full or such part as we may require for all lots purchased. If the purchase price is not paid or the article not removed from the premises by the winning bidder, the auctioneer holds the purchaser responsible for the cost of the article, plus all associate costs of sale and warehousing. The gallery does not provide separate appraisals for the articles purchased at auctions. Your invoice serves as your appraisal. To prevent missed deliveries and inconvenience in settlement of a purchase, no lot may be transferred. Because many of the artworks sold are fine art limited-edition prints, the auctioneer reserves the right to sell more than one of each lot during the auction. In the case when there is more than one image sold, the auctioneer will decide which bidder takes the art from the auction. The bidder awarded the art will take the art upon departure. All additional pieces sold at auction will be ready for pickup or shipment to the address noted on your auction invoice within six to eight weeks. Shipment of all items purchased will be made to any point designated by the successful bidder pursuant to, and as part of, the contract of sale. Shipping, packing and insurance are at the buyer’s expense. A charge will be incurred for each lot shipped by FRANKLIN BOWLES GALLERIES. $350.00 will be charged for each lot shipped within the United States, and $500.00 will be charged for each lot shipped outside the United States. All shipping charges are due and payable at the conclusion of the auction. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us by law, including, but without limitation the right to hold the purchaser liable for the purchase price, we at our option, may either cancel the sale, retaining as liquidated damages all payments made by the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, all other charges due hereunder and incidental damages. 4. We reserve the right to withdraw any property at any time before actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided at sale. 5. We reserve the right to reject a bid from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects. 6. If we are prevented by fire, theft or for any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser. 7. Most lots are sold subject to a reserve; a confidential minimum amount for which the seller is willing to sell a work of art. In no case does the reserve exceed the listed gallery price. 8. FRANKLIN BOWLES GALLERIES may bid and assign bid numbers for its own account at any auction (even though it may be required to pay a buyer’s premium or other charges that other bidders may be required to pay) and may have access to information concerning the lots and items contained therein that is not otherwise available to the public. Any conflict of interest or claim of competitive advantage resulting there from is expressly waived by all participants in the sale. 9. Payment terms: All items are to be paid for immediately by (a) Cash, (b) Personal check and approved credit, and/or (c) VISA, MasterCard, American Express, Diners Club or Discover Card. ALL ITEMS ARE SOLD AS IS and ALL SALES ARE FINAL.

ABSENTEE BIDS As a service to those wishing to place absentee bids, we will accept such bids in advance of sale by telephone, or in writing, on bidding forms available from FRANKLIN BOWLES GALLERIES Art Consultants. Buy bids will be accepted. All bids must state the highest bid price the bidder is willing to pay. As noted above, a 19% premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Sale results and selling prices for any lot may be obtained by calling your Art Consultant during normal business hours.

108


Telephone / Absentee Bids:

Saturday, June 30, 2018

SAN FRANCISCO - NEW YORK

PLEASE CUT OUT THIS PAGE

9


Index ARTIST

LOT NUMBER

TITLE

MANEL ÀLVAREZ

LOUIS CABIÉ

208 Torso 2006

148

Jour d’automne

AUGUSTE ANASTASI

ALEXANDER CALDER

146

39 40 88 89 90 91 92 93 121 135 136 137

Dames dans le jardin de Diane

LOUIS ARBANT

162

Nature morte avec raisins

EDUARDO ARRANZ-BRAVO

118 Jardi-nit 119 Els 25 de Maig XXI 120 Blanc Tendror IV 133 Pareja Tecnica 134 Impompt TADASHI ASOMA

231

Autumn Rhapsody

PIERRE BONCOMPAIN

3 Fruits d’été 4 La Ceinture Jaune 76 Sieste 77 Laying Woman 78 Terrasse au Melon GEORGE BRAQUE

235

Le tir a l’arc

JULES BRETON

147

Étude pour Le rappel des glaneuses

PIERRE MARIE BRISSON

14 Etat D’Ame I 15 Etat D’Ame II 16 Etat D’Ame III 50 Vie en Acordeon II 51 Petit Monde V 52 Printemps Jaune I 101 La Couturiere I 102 Cueillette 103 Sirocco 104 Planche Botanique VI 122 Petit Monde 232 Le Chat

110

Untitled , 1975 Untitled, 1974 Fetes Plate 2 Fetes Plate 3 Fetes Plate 4 Fetes Plate 5 Fetes Plate 6 Fetes Plate 7 Les Ballons Our Unfinished Revolution, Untitled I Our Unfinished Revolution, Untitled X La Mémoire Elémentiare 8

MARC CHAGALL

8 9 10 94 95 96 97 105 106 107 164 165 166 174 175 176 177 218 219

Celui Qui Dit – II Celui Qui Dit – XVII Celui Qui Dit – XI Le Cirque – Plate XXXIII Le Cirque – Plate VII Le Cirque – Plate IX Le Cirque – Plate XVI Daphnis et Chloe: Le jeunes gen de Méthyme The Story of the Exodus Plate – XIII The Story of the Exodus Plate – XXII Composition fantastique Les Ateliers de Chagall Fables / Fontaine Plate 76 Daphnis et Chloé au Bord de la Fontaine L’Odyssée II – Ulysse and Eumée Le Songe du Capitaine Bryaxis Maternité Rouge Le Cirque – Plate 21 The Bible: End of Absalom 72


MIHAIL CHEMIAKIN

EDOUARD DEBAT-PONSAN

5 6 7 17 18 19 41 42 68 69 70 108 109 110 131 132 172 173 236 237 238

152

Hermitage St I Masquerade Hermitage St II Woman with Pomegranate Homage to Nureyev II Still Life with Fish and Bread Still Life with Fish on Board Nocturne Grey & Gold Ventre de Paris IX Ventre de Paris XI Paysage Russe I Les Amants Russes I Les Amants Russes II Firebird II Moscow Museum Commemorative Suite (Japan) Homage to Nureyev I Ventre de Paris XII Ventre de Paris XIV Homage to Nijinski I Homage to Nijinski II Chameleon (remarqued) Dancing with Fruits (remarqued) Shadow with Mirror (remarqued)

EUGÈNE CICÉRI

151

Lavandière au bord du Loing

SALVADOR DALÍ

20 21 59 60 61 114 115 116 117 167 168 169 220 221 222 223 224

Divine Comedy: Hell Canto 7 Divine Comedy: Hell Canto 17 Divine Comedy: Hell Canto 34 Divine Comedy: Purgatory Canto 31 Divine Comedy: Heaven Canto 23 Fruits troués (Pierced Fruit) Coeur de Fraises (Flordali): Mûres sauvages Alchemie des philosphes: L’Ouroboros Manhattan: Washington Gate Tauromachie Surréaliste: La Statue Tristan et Iseult: Le Géant Béliagog Surrealistic Flowers: Allium christophi pilique pubescentes (Cactus & Crutches) Alice in Wonderland Le Toréador Hallucinogene Le Bureaucrate Dali de Draeger by Max Gerard: De Draeger para Rodrigo Iglesias Hamlet: The King’s Ghost Appears

Vachère et batelier

JIM DINE

171

Very Picante

JULES DUPRÉ

154

Vaches à la mare

SAM FRANCIS

179 180 181

Untitled (25) Untitled (27) Untitled (29)

ANTOINE PLACIDE GIBERT

153

La basilique St Pierre et chateau St Ange vu du Tibre

CHARLES GILBERT- MARTIN

163

Les fleurs de l’été

R.C GORMAN

23

Era State II

GEORGE GROSZ

190

Cape Cod Dunes II

STEPHEN HALL

170

The Choice

DIANA HANSEN

225 Dancers V 226 Deer Dance 227 Kachina LARRY HOROWITZ

1 2 29 30 187 188 189

California Skies Sepia Marsh Sienna Shadows Hillside with Trees in Black and Gray Mirror Lake Summer Field Above the Clouds, Haleakala

PAUL JENKINS

186

Phenomena Race the Sun

111


Index ARTIST

LOT NUMBER

TITLE

TANNA KASIMIR-HOERNES

LEV MESHBERG

31

12 13

New York Stock Exchange

Flowers for You Vivaldi Venice II

YURI KUPER

22

Portrait, Untitled

EMILE CHARLES LAMBINET

149

Scène de fenaison

PIERRE DESIRÉ LAMY

155

La place animée à Venise

HENRI LEBASQUE

161

La Joconde

PAUL LOUCHET

156

L’arbre vert

REGINALD MARSH

57 Merry-Go-Round 58 Irving Place Burlesk HENRI MATISSE

24 Pasiphae, 1944 Plate 2 25 Ronsard Florilege des Amours 8 205 Nu Assis / Seated Nude IGOR MEDVEDEV

11 Pleasant Surprise II 43 Up in the Sky 44 View of Oia 45 Walled Jerusalem 62 In the Shadows 63 Scarlet Tide 84 Harmony in Blue 85 Awaiting 123 Two Guardians 207 Oliver 214 Golden Sunset 215 Golden Arrival 233 Still Waters 239 Sunning

112

JOAN MIRÓ

32 Cantic del Sol Plate 26 33 Cantic del Sol Plate 27 34 Cantic del Sol Plate 28 35 Cantic del Sol Plate 29 53 Altamira 54 L’ Oiseau Destructeur 55 La Harpie 56 One plate from Série: I 79 Partie de Champagne V 80 L’Antitête (trial proof) 81 La Calebasse 111 Archipel Sauvage II 112 Trace sur la Paroi II 113 Astre et Fumée 213 Femme au Miroir 216 Fissures VIII EDMA MORIZOT AKA EDMA MORISOT-PONTILLON

157 158 159

Soleil couchant Printemps en forêt Les boisières en forêt

LEROY NEIMAN

36 Roulette II 37 Satchmo 38 Jazz Horns 46 American Bald Eagle 47 Quarterback of the Eighties 48 Homage to Ali 49 The DiMaggio Cut 71 Femlin: Belly Dancer 72 Femlin: Bow 73 Femlin: Brushing Her Hair 74 Femlin: Bunny Garland 75 International Cuisine 82 Russian Cossack Over Moscow 83 Joe Namath 98 Mark McGwire - Homerun Record VIII


99 Silverdome Football 100 Superbowl XXIII 127 Valhalla Golf Course 128 Portrait of the Black Panther 129 Family Portrait 130 Portrait of the Elephant 138 Boxing Match Buster Mathis 139 Vladimir Horowitz 140 Tossed Salad 141 Saint-Cloud 142 Mahl, Yugoslavia 182 Femlin as Russian Doll 183 Femlin: Singin’ 184 Femlin: The Hammock 185 Femlin: The Hat 2 191 Bullfighter 192 15th Hole 193 Longchamp Paddock 194 The Blues and the Bruins 209 Femlin: Typewriter 210 Fouquet’s 211 The Grenadier Bar 212 Washington Square Park - SF 228 Portrait of the Tiger 229 Resting Tiger 230 The Big Five 240 Champagne, New Year’s Eve LEONARDO NIERMAN

217

Double Lunar Eclipse

JULES ACHILLE NOËL

143

La falaise jaune

CLAES OLDENBURG

178

Chicago Stuffed with Numbers

PABLO PICASSO

26 27 28 86 87 124

Maja et Célestine Enlèvement, à Cheval Couple nu Posant Peintre Dessinant et Modèle nu au Chapeau Peintre et Modele au Fauteuila Bascule Le Repas Frugal

125 126 203 204

Femme Au Fauteuil No. 4 Tête de Femme, de Profil Dans l’Atelier: Modele et Deux Amateurs Visage (Jacqueline au bandeau)

H. PASQUIER

160

Femme à l’abat jour

REMBRANDT VAN RIJN

65 66 67 195 196 197 198 199 200 201

The Goldsmith Christ and the Woman of Samaria Josesph and Potiphar’s Wife Three Heads of Women, One Asleep The Baptism of the Eunuch The Blindness of Tobit St Jerome in a Dark Chamber Christ Carried to the Tomb The Death of the Virgin The Tribute Money

LÉON RICHET

150

Vue prise derrière l’atelier de JF Millet à Barbizon

JULES CHARLES ROZIER

144

Personnage et peintre au bord de la Seine

ED RUSCHA

64

Western Horizontal

GOTTFRIED SALZMANN

202 Paris la Grande Roue:Réflection GÉRARD SCHLOSSER

206 C’est en Novembre RUFFINO TAMAYO

234 Hombre en Blanco ALEXANDRE RENÉ VERON

145

Troupeau près du pont sur les bords de l’Oise

113


Project Manager: Ken Amorino Photography: Catalog Design:

Scott Saraceno Susan Tsuchiya

Front cover: Lots 88-93, Alexander Calder, Fetes Plate 2-7 Inside front cover: Lot 142, LeRoy Neiman, Mahl, Yugoslavia (detail) Page 2: Lot 174, Marc Chagall, Daphnis et ChloĂŠ au Bord de la Fontaine (detail) Page 114: Lot 53, Joan MirĂł, Altamira (detail) Back cover: Lot 125, Pablo Picasso, Femme Au Fauteuil No. 4

114



$40

www.franklinbowlesgallery.com

SAN FRANCISCO 765 Beach Street San Francisco CA 94109 415.441.8008 / 800.926.9535

NEW YORK 431 West Broadway New York NY 10012 212.226.1616 / 800.926.9537


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.