Summer Fine Art Auction, June 2014

FRANKLIN BOWLES GALLERIES

SUMMER

FINE ART AUCTION 2

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F R A N K L IN B OW L E S G A L L ERIE S

SUMMER Preview

Friday, June 27 • 10 am – 10 pm Saturday, June 28 • 11:30 am – 12:30 pm Auction

Saturday, June 28, 2014 Bidding starts at 12:30 pm LOCATION

765 Beach Street San Francisco, CA 94109

Lot 84, Pierre Boncompain, Terrasse d’Été (detail)

F INE A RT A UCTION 2

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F R A N K L I N B O W L E S GALLERIES

President: Franklin Bowles Vice President: Jean Audigier, Ph.D. SAN FRANCISO GALLERIES Managing Director: Pamela Walsh Consulting Director: Michael LaPrade Director of Special Projects: Bernard Blair Associate Directors: Deborah Molinar, Carla Schmidt Assistant Directors: Sam McClellan, Syed Sajid Senior Art Consultants: Patrick Duman, Sasha Grotell, Don Keenan, Brittany Moorefield, Valarie Versace, Zeno Zimmerman Art Consultants: Carolina Ekstrom, Sue Kim, Sharon Weston-Lewis, Alanna Rice, Dan Root, James Todd, Jennifer Wilson Administration: Laura Anderson, Stacey Bellis, Rob Conley, Melissa Cooper, Emilee Enders, Delia Fernando, Alex Gleason, Octavio Gonzalez, Robert Grenon, Sophaun Khun, Bianca Larson, Alexandre Mandereau, Lauryn Porte, Ella Rollandi, Scott Saraceno, Lindsey Stephenson, Lauren Terrazas NEW YORK GALLERY Director: Phebe Carter Assistant Director: Eric Chelman Curator: Leslie Lund Art Consultants: Duane Bousfield, Matthew Hannan, Michael Montanaro Administration: Pedro Alvarado, Matthew Cortright, Zane York CHINA BASIN DESIGN Operations Manager: Rick Potts Floor Manager: Ryan Mortensen Framers: Kate Kuaimoku, Erik Pierson, Lewis Rossi, Maureen Shields Shipper: Phil Gee

Background: Lot 132, Heinrich Hartung, Cerisiers (detail)

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Larry Horowitz

Larry Horowitz

Sienna Shadows

Pleasant Bay

from an edition of 50

from an edition of 45

Signed Etching

Signed Etching

16 x 16 in., 1999

15 x 31 in., 1999

Gallery price: $1,800

Gallery price: $1,800

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Salvador Dali

Salvador Dali

Salvador Dali

6 Salvador Dali

Divine Comedy – Heaven 3

Divine Comedy – Heaven 11

Divine Comedy – Heaven 22

Divine Comedy – Heaven 24

ML 1108

ML 1116

ML 1127

ML 1129

from an edition of 4765

from an edition of 4765

from an edition of 4765

from an edition of 4765

Unsigned Woodcut

Unsigned Woodcut

Unsigned Woodcut

Unsigned Woodcut

16 x 13 in., 1960

16 x 13 in., 1960

16 x 13 in., 1960

16 x 13 in., 1960

Gallery price: $1,550

Gallery price: $1,550

Gallery price: $1,550

Gallery price: $1,550

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 111.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 112.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 113.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 113.

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10 Mihail Chemiakin

Still Life with Fish on Board from an edition of 150 Signed Lithograph 22 x 30 in.

Gallery price: $2,250

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11 Mihail Chemiakin

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Still Life with Fish and Bread from an edition of 250

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Igor Medvedev

Pierre Boncompain

Fuengirola, Spain

Les Primèveres sur le Kilim

from an edition of 100

from an edition of 250

Signed

Signed Serigraph

Hand-Embellished Serigraph

28 x 22 in.

15.5 x 37 in., 2006

Gallery price: $2,500

Signed Lithograph 22 x 30 in.

Gallery price: $2,250

Gallery price: $2,700

9 Pierre Boncompain

La Ceinture Jaune from an edition of 250 Signed Serigraph 28 x 35 in.

Gallery price: $3,000

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12 Marc Chagall

Bible: Oracle Over Babylon Plate 93 from an edition of 20 Unsigned Etching 12 x 9 in., 1956 Gallery price: $3,750 Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 113.

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Marc Chagall

Marc Chagall

Marc Chagall

Marc Chagall

Bible: Isaiah’s Prayer

Bible: Anointing of King Solomon

Plate 99

Bible: Elijah and the Widow of Sarepta

Plate 76

Bible: David, Vanquisher of Goliath

from an edition of 275

Plate 83

from an edition of 275

Plate 63

Unsigned Etching

from an edition of 275

Unsigned Etching

from an edition of 20

12 x 9 in., 1956

Unsigned Etching

12 x 9 in., 1956

Unsigned Etching

Gallery price: $3,750

12 x 9 in., 1956

Gallery price: $3,750

12 x 9 in., 1956

Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 119.

Gallery price: $3,750 Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 103.

Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 96.

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Gallery price: $3,750 Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 83.

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21 Joan Miró

Passage Egyptienne 1 D. 1182 from an edition of 115 Unsigned Etching with Aquatint 25.5 x 18 in., 1985 Gallery price: $9,000 Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 164.

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Pablo Picasso

Pablo Picasso

Pablo Picasso

Pablo Picasso

La Célestine

La Célestine

La Célestine

La Célestine

B. 1529 / Ba. 1545

B. 1625 / Ba. 1641

B. 1599 / Ba. 1615

B. 1628 / Ba. 1644

from an edition of 350

from an edition of 350

from an edition of 350

from an edition of 350

Unsigned Etching

Unsigned Etching

Unsigned Etching

Unsigned Etching

4.75 x 3.5 in., 1971

2.25 x 3.25 in., 1971

4.5 x 2.25 in., 1971

2.25 x 3.75 in., 1971

Gallery price: $4,450

Gallery price: $4,450

Gallery price: $4,450

Gallery price: $4,450

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 226.

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 349.

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 316.

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 352.

22 Joan Miró

Passage Egyptienne 2 D. 1183 from an edition of 115 Signed Etching with Aquatint 25.5 x 18 in., 1985 Gallery price: $18,000 Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 165.

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23 Joan Miró

Passage Egyptienne 3 D. 1184 from an edition of 115 Unsigned Etching with Aquatint 25.5 x 18 in., 1985 Gallery price: $12,000 Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 165.

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24 Joan Miró

Passage Egyptienne 4 D. 1185 from an edition of 115 Unsigned Etching with Aquatint 25.5 x 18 in., 1985 Gallery price: $12,000 Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 165.

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Salvador Dali

Salvador Dali

Salvador Dali

28 Salvador Dali

Divine Comedy – Purgatory 4

Divine Comedy – Purgatory 19

Divine Comedy – Purgatory 22

Divine Comedy – Purgatory 30

ML 1076

ML 1091

ML 1094

ML 1102

from an edition of 4765

from an edition of 4765

from an edition of 4765

from an edition of 4765

Unsigned Woodcut

Unsigned Woodcut

Unsigned Woodcut

Unsigned Woodcut

16 x 13 in., 1960

16 x 13 in., 1960

16 x 13 in., 1960

16 x 13 in., 1960

Gallery price: $1,550

Gallery price: $1,550

Gallery price: $1,550

Gallery price: $1,550

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 107.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 109.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 109.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 110.

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30 30 LeRoy Neiman

The DiMaggio Cut from an edition of 90 Signed Serigraph 31 x 39 in., 1998 Gallery price: $20,500

31 LeRoy Neiman

Mark McGwire from an edition of 509 Signed Serigraph 40 x 26 in., 1999

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Gallery price: $9,700

LeRoy Neiman

Mickey Mantle from an edition of 70 Signed Serigraph 33 x 33 in., 1999 Gallery price: $12,000

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33 Joan Miró

Càntic del Sol – Plate 2 D. 836 from an edition of 250 Unsigned Etching with Aquatint 13.5 x 20 in., 1975 Gallery price: $2,400 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 176.

34 Joan Miró

Càntic del Sol – Plate 6 D. 839 from an edition of 250 Unsigned Etching with Aquatint 13.5 x 20 in., 1975 Gallery price: $3,200 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 177.

32 LeRoy Neiman

Femlin: Hand Massage Signed Original Mixed Media on Paper 9.5 x 13.5 in., 1992 Gallery price: $31,500

35 Joan Miró

Càntic del Sol – Plate 7 D. 844 from an edition of 250 Unsigned Etching with Aquatint 13.5 x 20 in., 1975 Gallery price: $3,200 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 180.

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36 Pierre Marie Brisson

Atmosphere from an edition of 30 Signed Etching 20 x 40 in., 1999 Gallery price: $3,800

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Henri Matisse

Ronsard: Florilege des Amours Plate 8 Duthuit no. 25 from an edition of 300 Unsigned Lithograph 13 x 11 in., 1948 Gallery price: $3,500 Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres, Duthuit, 1988, pg. 198.

40 Henri Matisse

Ronsard: Florilege des Amours Plate 41 Duthuit no. 25 from an edition of 300 Unsigned Lithograph 13 x 11 in., 1948

37 Pierre Marie Brisson

Simplement

Gallery price: $3,500 Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres, Duthuit, 1988, pg. 206.

from an edition of 30 Signed Etching 32 x 32 in., 1999 Gallery price: $3,800

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41 Henri Matisse

Ronsard: Florilege des Amours Plate 39 Duthuit no. 25 from an edition of 300 Unsigned Lithograph 13 x 11 in., 1948 Gallery price: $6,950 Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres, Duthuit, 1988, pg. 206.

42 Henri Matisse

Ronsard: Florilege des Amours Plate 64 Duthuit no. 25

38 Pierre Marie Brisson

La Remontée from an edition of 30 Signed Etching 20 x 40 in., 1999 Gallery price: $3,800

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from an edition of 300 Unsigned Lithograph 13 x 11 in., 1948 Gallery price: $6,950 Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres, Duthuit, 1988, pg. 213.

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44 Joan Mir贸

Passage Egyptienne 5 D. 1186 from an edition of 115 Unsigned Etching with Aquatint 25.5 x 18 in., 1985 Gallery price: $12,000 Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 165.

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Passage Egyptienne 6 D. 1187 from an edition of 115 Unsigned Etching with Aquatint 25.5 x 18 in., 1985 Gallery price: $12,000 Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 166.

43 Henri Matisse

Ronsard: Florilege des Amours Plate 42 Duthuit no. 25 from an edition of 300 Unsigned Lithograph 13 x 11 in., 1948 Gallery price: $6,950 Illustrated: Matisse Catalogue Raisonn茅 des Ouvrages Illustres, Duthuit, 1988, pg. 207.

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46 Salvador Dali

Tristan et Iseult: Le Geant Beliagog ML 421 from an edition of 25 Signed Etching 15.75 x 10.5 in., 1970 Gallery price: $6,500 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 185.

47 Salvador Dali

Les Diners de Gala ML 1336 from an edition of 395 Signed Photolithograph 19 x 22.5 in., 1971 Gallery price: $6,950 Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 143.

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Marc Chagall

Marc Chagall

Le Cirque – Plate VII

Le Cirque – Plate XXI

M. 497

M. 509

from an edition of 250

from an edition of 250

Unsigned Lithograph

Unsigned Lithograph

16 x 12.5 in., 1967

16 x 12.5 in., 1967

Gallery price: $5,500

Gallery price: $5,500

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 224.

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 236.

49 Marc Chagall

Le Cirque – Plate IX M. 502 from an edition of 250 Unsigned Lithograph 16 x 12.5 in., 1967 Gallery price: $5,500 Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 229.

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Diana Hansen

Diana Hansen

Dancer I

Deer Dance

from an edition of 200

from an edition of 200

Signed Etching

Signed Etching

26 x 19 in.

26 x 19 in.

Gallery price: $1,350

Gallery price: $1,350

52 Tadashi Asoma

Autumn Rhapsody from an edition of 200 Signed Serigraph 36.25 x 42.5 in., 1984 Gallery price: $1,500

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Igor Medvedev

Igor Medvedev

Igor Medvedev

57 Igor Medvedev

Desert Sun

Nocturne XIV

Red Dawn

Magic Maze

Signed Original

Signed Original

Signed Original

Signed Original

Mixed Media on Board

Mixed Media on Board

Mixed Media on Board

Mixed Media on Board

39 x 26 in., 2003

38 x 32.5 in., 2005

40 x 38 in., 2004

40 x 60 in., 2001

Gallery price: $10,700

Gallery price: $14,000

Gallery price: $13,100

Gallery price: $19,000

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58 LeRoy Neiman

April at Augusta from an edition of 90 Signed Serigraph 29 x 38 in., 1990 Gallery price: $14,000

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59 LeRoy Neiman

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Pierre Marie Brisson

Pierre Marie Brisson

Femme Fleur II

Femme Fleur IV

Signed Original

Signed Original

Mixed Media on Paper

Mixed Media on Paper

25 x 20 in., 2013

25 x 20 in., 2013

Gallery price: $8,500

Gallery price: $8,500

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Sixteenth at Cypress

Pierre Marie Brisson

Artist’s Proof

Femme Fleur III

Signed Serigraph

Signed Original

29 x 38 in., 1982

Mixed Media on Paper

Gallery price: $18,000

25 x 20 in., 2013 Gallery price: $8,500

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63 Francoise Deberdt

Les Clowns from an edition of 180 Signed Lithograph 21 x 29 in.

Gallery price: $850

66 LeRoy Neiman

CafĂŠ de Paris, Rome Signed Original Mixed Media on Paper 9.25 x 6.75 in.

Gallery price: $16,000

64 LeRoy Neiman

Soccer Signed Original Mixed Media on Paper 11 x 15 in., 1977 Gallery price: $12,000

67 LeRoy Neiman

Spike Lee Signed Original

65 LeRoy Neiman

Three Figures

Mixed Media on Paper 6 x 4.25 in., 1999 Gallery price: $2,000

Signed Original Mixed Media on Paper 11.5 x 15.75 in., 1985 Gallery price: $13,000

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Salvador Dali

Salvador Dali

Salvador Dali

Salvador Dali

Salvador Dali

Les Chevaux Daliniens: La Chimère d’Horace

Les Chevaux Daliniens: Le Centaure de Crete

Les Chevaux Daliniens: La Victime de la Fête

Les Chevaux Daliniens: Clauilegnio

Les Chevaux Daliniens: Le Cheval de Labeur

ML 1270

ML 1272

ML 1280

ML 1281

ML 1282

from an edition of 250

from an edition of 250

Epreuve d’Artiste

from an edition of 250

Epreuve d’Artiste

Signed Lithograph with Embossing

Signed Lithograph with Embossing

Signed Lithograph with Embossing

Signed Lithograph with Embossing

Signed Lithograph with Embossing

26 x 20 in., 1970-72

26 x 20 in., 1970-72

26 x 20 in., 1970-72

26 x 20 in., 1970-72

26 x 20 in., 1970-72

Gallery price: $9,500

Gallery price: $9,500

Gallery price: $9,500

Gallery price: $9,500

Gallery price: $9,500

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 134.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 135.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 136.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 136.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 136.

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73 Lev Meshberg

Vivaldi’s Venice I from an edition of 120 Signed Lithograph 30 x 22 in., 1986 Gallery price: $1,475

74 LeRoy Neiman

High Seas Sailing II from an edition of 75 Signed Serigraph 38 x 26 in., 1995 Gallery price: $11,000

75 LeRoy Neiman

Café Deux Magots Artist’s Proof Signed Serigraph 28 x 34 in., 1976 Gallery price: $15,000

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76 LeRoy Neiman

Lion and Lioness from an edition of 385 Signed Serigraph 18 x 24.5 in., 2007 Gallery price: $5,500

77 LeRoy Neiman

Charging Bull from an edition of 450 Signed Serigraph

75

20.5 x 28 in., 2006 Gallery price: $6,000

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78 LeRoy Neiman

Rhino from an edition of 285 Signed Serigraph 26 x 19.5 in., 2006 Gallery price: $9,000

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79 Joan Miró

Càntic del Sol – Plate 21 D. 857 from an edition of 250 Unsigned Etching with Aquatint 13.5 x 20 in., 1975 Gallery price: $3,200 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 185.

80 Joan Miró

Càntic del Sol – Plate 23 D. 853 from an edition of 250 Unsigned Etching with Aquatint 13.5 x 20 in., 1975 Gallery price: $2,400 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 183.

81 Joan Miró

Càntic del Sol – Plate 14 D. 850 from an edition of 250 Unsigned Etching with Aquatint 13.5 x 20 in., 1975

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Marc Chagall

Marc Chagall

Odyssey: Combat Between Ulysses and Irus

Odyssey: Ulysses’ Bow

M. 810

M. 818

from an edition of 250

from an edition of 250

Unsigned Lithograph

Unsigned Lithograph

17 x 13 in., 1974

17 x 13 in., 1974

Gallery price: $7,500

Gallery price: $7,500

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 336.

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 337.

Gallery price: $3,200 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 182.

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85 Pablo Picasso

Tauromaquia: El Arrastre B. 973 / Ba. 993 from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957 Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 320.

86 Pablo Picasso

Tauromaquia: El Torero Sale en Hombros de los Aficionados B. 974 / Ba. 994 from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957 Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 321.

84 Pierre Boncompain

Terrasse d’Été Signed Original Pastel on Paper 25 x 39 in.

Gallery price: $26,000

87 Pablo Picasso

Tauromaquia: El Picador Obligando al Toro B. 962 / Ba. 982 from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957 Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 309.

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88 (facing page)

90

LeRoy Neiman

LeRoy Neiman

Steve Hegg, Cyclist

Nicole Miller

Signed Original

Signed Original

Mixed Media on Paper

Mixed Media on Paper

17.75 x 21.75 in., 1986

19.75 x 15 in., 1993

Gallery price: $18,500

Gallery price: $20,000

89 (facing page)

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LeRoy Neiman

LeRoy Neiman

LeRoy Neiman’s Corvette

Woman on a Beach

Signed Original

Signed Original

Mixed Media on Paper

Mixed Media on Paper

16.9 x 28 in., 1984

12.5 x 22.25 in.

Gallery price: $18,500

Gallery price: $28,500

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Marc Chagall

Marc Chagall

94 Marc Chagall

Le Cirque – Plate XXVI

Le Cirque – Plate XVII

Le Cirque – Plate XIX

M. 515

M. 506

M. 510

from an edition of 250

from an edition of 250

from an edition of 250

Unsigned Lithograph

Unsigned Lithograph

Unsigned Lithograph

16 x 12.5 in., 1967

16 x 25 in., 1967

16 x 25 in., 1967

Gallery price: $18,500

Gallery price: $27,000

Gallery price: $27,000

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 242.

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 233.

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 237.

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98 LeRoy Neiman

Resting Lion from an edition of 385 Signed Serigraph 33.75 x 42 in., 2008 Gallery price: $7,000

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Salvador Dali

Salvador Dali

Twelve Tribes of Israel: Joseph

Twelve Tribes of Israel: Issachar

ML 622

ML 625

Epreuve d’Artiste

Epreuve d’Artiste

Signed Etching with Stencil

Signed Etching with Stencil

20 x 14 in., 1973

20 x 14 in., 1973

Gallery price: $6,500

Gallery price: $6,500

Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 217.

Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 218.

96 Salvador Dali

Twelve Tribes of Israel: Zebulun

99 LeRoy Neiman

Resting Tiger from an edition of 360 Signed Serigraph 32.5 x 42 in., 2008 Gallery price: $9,200

ML 623 Epreuve d’Artiste Signed Etching with Stencil 20 x 14 in., 1973 Gallery price: $6,500 Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 217.

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102 Joan Miró

Les Penalités de l’Enfer 9 M. 968 from an edition of 200 Unsigned Lithograph 10.6 x 29.3 in., 1974 Gallery price: $8,500 Illustrated: Joan Miró Lithographs, Volume V, Maeght, 1992, pg. 101.

103 Joan Miró

Les Pénalites de l’Enfer 10

100

M. 969 from an edition of 200 Unsigned Lithograph 10.6 x 29.3 in., 1974 Gallery price: $8,500 Illustrated: Joan Miró Lithographs, Volume V, Maeght, 1992, pg. 101.

104 Joan Miró

Les Penalités de l’Enfer 13 M. 972 from an edition of 200 Unsigned Lithograph 10.6 x 29.3 in., 1974 Gallery price: $8,500 Illustrated: Joan Miró Lithographs, Volume V, Maeght, 1992, pg. 103.

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105 Joan Miró

Les Pénalites de l’Enfer 22

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100

101

LeRoy Neiman

LeRoy Neiman

Femlin: Cell Phone Call

Femlin: Heart-Shaped Chair

Signed Original

Signed Original

Mixed Media on Paper

Mixed Media on Paper

8 x 18 in., 1991

8.5 x 13 in., 1998

Gallery price: $37,000

Gallery price: $30,500

M. 981 from an edition of 200 Unsigned Lithograph 10.6 x 29.3 in., 1974 Gallery price: $8,500 Illustrated: Joan Miró Lithographs, Volume V, Maeght, 1992, pg. 107.

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Salvador Dali

Salvador Dali

Aliyah: Aliyah

Aliyah: A Voice is Heard

F 68-1 A

F 68-1 D

from an edition of 250

from an edition of 250

Signed Lithograph

Signed Lithograph

20 x 16 in., 1968

20 x 16 in., 1968

Gallery price: $6,500

Gallery price: $6,500

Illustrated: Official Catalog of the Graphic Works of Dali, Field, Albert, Dali Archives, 1996, pg. 152.

Illustrated: Official Catalog of the Graphic Works of Dali, Field, Albert, Dali Archives, 1996, pg. 153.

108 LeRoy Neiman

Sugar on 42nd Signed Original Mixed Media on Paper 13.5 x 10.5 in., 1974 Gallery price: $3,400

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LeRoy Neiman b. 1921, St. Paul, Minnesota; d. 2012, New York, New York

Luis Miguel González Lucas (November 9, 1926, Madrid — May 8, 1996) was a famous bullfighter from Spain, better known as Luis Miguel Dominguín. His father was the legendary Domingo Dominguín; he adopted his father’s name to gain popularity.

Dominguín enjoyed wide popularity during the 1940s and 1950s as he conquered bulls all over Spain, Portugal, Colombia and other locales. He debuted at the age of eleven, and was active in the card where another legend, Manolete, lost his life.

Dominguín was also a socialite having friends like Pablo Picasso. He had a tempestuous romance with the American actress, Ava Gardner, and also romanced fashion model China Machado. In 1954, he married actress Lucia Bosé, who gave birth to his son Miguel Bosé, a Grammy-winning singer. In 1959, he and his brother-in-law, Antonio Ordóñez, engaged in a bullfighting rivalry that was chronicled

by Ernest Hemingway in his book, The Dangerous Summer. Ordóñez won.

In 1971, at the age of 44, he returned to the bullring. That year he retired again, but returned to the ring in 1971, aged 45, when he attempted to fathom the sport’s continuing allure. His comeback was at Las Palmas, the Canary Islands, when he wore the costume known as the “suit of lights,” which had been designed for him by Picasso. He killed two bulls and won one ear, but was overshadowed by younger men - although the actress Deborah Kerr, who was in the crowd, insisted, “He is still the greatest bull-fighter.”

Dominguin’s last fight was in Barcelona on September 12, 1973.

He died of heart failure at 69 in 1996. He is buried in the cemetery San Enrique de Guadiaro, near Sotogrande (Cadiz).

109 LeRoy Neiman

Matador: Luis Miguel Dominguin Signed Original Oil on Canvas 30 x 40.25 in., 1960 Gallery price: $240,000

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112 Igor Medvedev

White Lace Signed Original Mixed Media on Board

110 Lev Meshberg

40 x 60 in., 2008 Gallery price: $18,000

Flowers for You from an edition of 99 Signed Lithograph 30 x 22 in., 1989 Gallery price: $1,950

113 Igor Medvedev

Fields Signed Original Mixed Media on Board 40 x 60 in., 2009 Gallery price: $18,000

111 Igor Medvedev

Golden Bough Signed Original Mixed Media on Board 40 x 34 in., 2009 Gallery price: $13,700

114 Igor Medvedev

Nest Signed Original Mixed Media on Board 40 x 60 in., 2008 Gallery price: $18,000

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115 Marc Chagall

Le Square de Paris M. 573 from an edition of 75 Signed Lithograph

Marc Chagall b. 1887, Vitebsk, Russia; d. 1985, Saint Paul de Vence, France

Marc Chagall was born on July 7, 1887, in Vitebsk, Russia. From 1907 to 1910 he studied in Saint Petersburg, at the Imperial Society for the Protection of the Arts, and later with Léon Bakst. In 1910, he moved to Paris, where he

20.9 x 15.1 in., 1969

associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He partici-

Gallery price: $35,000

pated in the Salon des Indépendants and the Salon d’Automne in 1912. His first solo show was held in 1914 at Der

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 270.

Sturm gallery in Berlin.

Chagall visited Russia in 1914 and was prevented from returning to Paris by the outbreak of war. He settled in Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie Barbazanges-Hodebert, Paris. During the 1930s he traveled to Palestine, the Netherlands, Spain, Poland and Italy.

In 1933, the Kunsthalle Basel held a major retrospective of his work.

During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948, and exhibited in Paris, Amsterdam and London. In 1951, he visited Israel and executed his first sculptures. The following year, the artist travelled in Greece and Italy.

During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he received. Among these were: windows for the synagogue of the Hadassah University Medical Center, Jerusalem (installed in 1962); a ceiling for the Paris Opéra (installed in 1964); a window for the United Nations building, New York (installed in 1964); murals for the Metropolitan Opera House, New York (installed in 1967); and windows for the cathedral in Metz, France (installed in 1968). An exhibition of the artist’s work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977–78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. Chagall died on March 28, 1985, in Saint-Paul-de-Vence, France.

116 Marc Chagall

Decouverte de Daphnis par Lamon M. 309 from an edition of 60 Signed Lithograph 21.25 x 15 in., 1961 Gallery price: $60,000 Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 141.

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117 Pablo Picasso

Femme Nue Ă la Source B. 1093 / Ba. 1326 from an edition of 50 Signed Linocut

118

24.5 x 29.5 in., 1962

Pablo Picasso

Gallery price: $60,000

Portrait de Jacqueline Ă la Fraise

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. V, 1989, pg. 481.

B. 1147 / Ba. 1321 from an edition of 50 Signed Linocut 24.5 x 17.25 in., 1962 Gallery price: $115,000 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. V, 1989, pg. 468.

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120 Louis Gabriel Eugène Isabey (attributed to)

119

Pêcheurs près de la Falaise d’Étretat

Ludovic Piette

Unsigned Original

Les Enfants au bord du Ruisseau

Oil on Canvas on Cardboard

Signed Original

15.7 x 24.8 in.

Gouache on Cardboard

Gallery price: $18,000

8.25 x 11.6 in., 1871 Gallery price: $15,500

Ludovic Piette

Louis Gabriel Eugène Isabey French, 1826-1877

Ludovic Piette was a pupil of Thomas Couture and Isidore Pils. At the Académie Suisse he became friends with both Edouard Manet and Antoine Chintreuil. Later, Camille Pissarro stayed as a guest at his house in the country and it was Pissarro who convinced him to paint in the open air and abandon the use of black. He spent time in Le Mans and St-Léonard-des-Bois between 1865 and 1876. He exhibited at the Paris Salon for the first time in 1875. His work was varied and included landscapes and genre scenes as well as historical or literary paintings. His painting Appearance of the Witches to Macbeth was purchased by William I, and is now at the Palace of Sans-Souci in Berlin. He was affiliated with the Impressionists during the early days when the “Impressionist Revolution” was underway. In 2001, Piette’s work was included in the exhibition Les Peintres et la Sarthe (Painters and the Sarthe Region) held in Le Mans at the Musée de la Reine Bérengère and at Epau Abbey.

His works can be found in the following collections: Musée de la Reine Bérengère, Le Mans, France; Louvre, Paris, France; Schloss Sans-Souci, Potsdam, Germany.

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French, 1803-1886

Born in Paris, the son of the portrait painter Jean Baptiste Isabey, Eugene Isabey practically grew up in the Louvre. He began painting, and painting well, at a young age. In 1820, he visited the Normandy coast leading him to paint seascapes that would solidify his position as a leading French romantic painter. Isabey also made drawings of other scenic areas in France to illustrate travel volumes and made many landscape drawings and watercolors throughout his life. He also traveled with Eugène Delacroix to England where he became acquainted with, and influenced by, British painters J. M. W. Turner and Richard Parkes Bonington.

He made his debut at the Salon in 1824 with seascapes and landscapes and received a first-class medal in the category of genre and marine painting. In 1827, he won another first-class medal and in 1832 was made Chvalier of the Légion d’Honneur. He had a long career receiving a first prize at the Exposition Universelle of 1855 and continuing to take part in the Paris exhibitions until 1878. He taught Eugène Boudin and Johan Barthold Jongkind, two prominent precursors of Impressionism. In 1997, the Louvre acquired a collection of Isabey’s sketchbooks, including work from the artist’s sojourns to Normandy and Brittany between 1843 and 1855, and in London between 1870 and 1871.

His works are in many important collections including: the Musée du Louvre, Paris; the Hermitage Museum, St. Petersburg, Russia; National Gallery, London; Musée d’Orsay, Paris; Metropolitan Museum of Art, New York; Wallace Collection, London; Museum of Fine Arts, Boston; Fine Arts Museums of San Francisco; J. Paul Getty Museum, Los Angeles; and the Los Angeles County Museum of Art. 57

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121

Henri Saintin

Georges Michel (attributed to)

Retour à la Tombée de la Nuit Unsigned Original

Signed Original Oil on Canvas

Oil on Canvas

63.4 x 98 in., 1873

19.6 x 23.6 in.

Gallery price: $50,000

Gallery price: $22,500

Georges Michel

Bergère et son Troupeau à l’Orée de la Forêt

French, 1763 – 1843

Georges Michel was apprenticed in 1775 to a landscape painter called Leduc. He soon became disenchanted with the fantastic and mannered landscapes of the 18th century, and turned to the idea of taking inspiration entirely from nature as did the great 17th century Dutch landscape artists, such as Salomon van Ruysdael. He exhibited at the Salon from 1796 to 1814; he did not sign or date his paintings, arguing that the artists of antiquity did not sign theirs.

Lazare Bruandet, before his death in 1804, taught Michel in the woods around Paris, in Boulogne and Meudon, where he learned to depict the nostalgic character of these rural sites. He was the earliest of the Montmartre painters. His skies, while painted using the traditional methods that often played on the contrast of leaden clouds with areas of strong light, herald the skies of Eugène Boudin. It is with good reason that he has been called the father of modern landscape. After 1843 his influence on several painters, especially Charles Emile Jacque and Jules Dupré, was of particular importance. Although he achieved little fame during his lifetime, Michel is now considered a major precursor to the Barbizon School painters.

Louis Henri Saintin

French, 1845 - 1899

Henri Saintin was born in Paris and studied under Isidore Pils, Alexandre Ségé, and Charles Edme Saint-Marcel. He was considered an excellent landscape painter, particularly of forests, river banks, and ponds. In 1873, he discovered Brittany and executed many paintings, particularly watercolors in the area. He also travelled to Venice and painted there.

His work can be found in the Musée de Montpellier, the Musée de Rennes, and museums in Auxerre, Bayonne, Besançon, Tarbes, and Tourcoing, all in France.

Michel’s work is in many museum collections including the following: Musée du Louvre, Paris; Hermitage Museum, St. Petersburg, Russia; Museum of Fine Arts, Boston; Metropolitan Museum of Art, New York; Musée des Beaux-Arts, Lyon, France; ThyssenBornemisza Museum, Madrid, Spain.

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Willem Claesz HEDA

Dutch, 1594 – 1680/2

Willem Claesz Heda occupied an important place among the painters of Haarlem. He was ignored for a long time by art-lovers: while painters of the same school such as David de Heem, Jan Fyt or Kalf, attracted high prices at public auctions, the paintings signed by Willem Heda were left unpurchased. Today, however, his merit as a painter is recognized and appreciated. His works are included in the big museums and the most famous private collections; Peter Paul Rubens possessed two of his paintings during his lifetime!

Heda specialized in still-life and the exceptional precision of his execution never suffered from the technical dryness or preciosity of lesser painting. His color was sober, intentionally remaining within a similar range of tones, yet with a brilliant quality of light. The composition of his rich stilllifes, the sobriety of his use of color, the smooth richness of his paint, all of these contribute to Heda being one of those 17th-century Dutch painters whose works were considered part of a Golden Age of art. In short, he was a magnificent painter whose standing was finally recognized in the 19th century.

His work can be found at museums in: Antwerp, Belgium; Berlin, Germany; Besançon, France; Budapest, Hungary; Châteauroux, France; Cologne, Germany; Darmstadt, Germany; Douai, France; Dublin, Ireland; Frankfurt, Germany; Hamburg, Germany; Leipzsig, Germany; London, United Kingdom; Mainz, Germany; Munich, Germany; Oslo, Norway; Madrid, Spain; Paris, France; St. Étienne, France; Stockholm, Sweden; The Hague, Netherlands; and Toledo, Ohio, United States, among others.

123 Willem Claesz Heda (after)

Still Life with Lemon Rind Unsigned Original Oil on Canvas 31.3 x 41.5 in.

Gallery price: $65,000

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124 Joan Miró

Règne Végétal D. 462 from an edition of 75 Signed Aquatint and Carborundum 29 x 22.5 in., 1968 Gallery price: $22,500 Illustrated: Miró Engraver, Volume II, Daniel Lelong, 1989, pg. 120.

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125

126 (facing page)

Joan Miró

Joan Miró

Le Rebelle

Le Matador

D. 439

D. 510

from an edition of 75

from an edition of 75

Signed Etching with Aquatint and Carborundum

Signed Etching, Aquatint, Drypoint and Carborundum

41 x 28.75 in., 1967

53.8 x 36.6 in., 1969

Gallery price: $58,000

Gallery price: $75,000

Illustrated: Miró Engraver, Volume II, Daniel Lelong, 1989, pg. 100.

Illustrated: Miró Engraver, Volume II, Daniel Lelong, 1989, pg. 158.

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126 63

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128

Pablo Picasso

Pablo Picasso

Untitled Collage

Jacqueline de Profil Ă Droite

Signed Original

B. 854

Collage with Crayons and Pencil

from an edition of 50

19.5 x 15.75 in.

Signed Lithograph

Gallery price: $165,000

21.9 x 17.3 in., 1958 Gallery price: $165,000 Illustrated: Bloch, Georges, Catalogue de l’Oeuvre Grave et Lithographie, Editions Kornfeld, Vol. I, 1971, pg. 188.

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Pablo Picasso b. 1881, Málaga, Spain; d. 1973, Mougins, France

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blasco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats in about 1899, were crucial to his early artistic development. Picasso’s first exhibition took place in Barcelona in 1900, and that fall he went to Paris for the first of several stays during the early years of the century. Picasso settled in Paris in April 1904, and his circle of friends soon included Guillaume Apollinaire, Max Jacob, Gertrude and Leo Stein, as well as two dealers, Ambroise Vollard and Berthe Weill.

His style developed from the Blue Period (1901–04) to the Rose Period (1905) to the pivotal work Les Demoiselles d’Avignon (1907), and the subsequent evolution of Cubism from an Analytic phase (ca. 1908–11) to its Synthetic phase (beginning in 1912–13). Picasso’s collaboration on ballet and theatrical productions began in 1916. Soon thereafter, his work was characterized by neoclassicism and a renewed interest in drawing and figural representation. In the 1920s, the artist and his wife, Olga (whom he had married in 1918), continued to live in Paris, to travel frequently and to spend their summers at the beach. From 1925 to the 1930s, Picasso was involved to a certain degree with the Surrealists, and from the fall of 1931 he was especially interested in making sculpture. In 1932, with large exhibitions at the Galeries Georges Petit, Paris, and the Kunsthaus Zürich, and the publication of the first volume of Christian Zervos’s catalogue raisonné, Picasso’s fame increased markedly.

By 1936, the Spanish Civil War had profoundly affected Picasso, the expression of which culminated in his painting Guernica (1937, Museo Nacional Centro de Arte Reina Sofía, Madrid). Picasso’s association with the Communist Party began in 1944. From the late 1940s, he lived in the south of France. Among the enormous number of exhibitions that were held during the artist’s lifetime, those at the Museum of Modern Art, New York, in 1939 and the Musée des Arts Décoratifs, Paris, in 1955 were most significant. In 1961, the artist married Jacqueline Roque, and they moved to Mougins. There Picasso continued his prolific work in painting, drawing, prints, ceramics, and sculpture until his death on April 8, 1973.

129 Pablo Picasso

Françoise B. 401 from an edition of 50 Signed Lithograph 25.5 x 19.5 in., 1946 Gallery price: $225,000 Illustrated: Bloch, Georges, Catalogue de l’Oeuvre Grave et Lithographie, Editions Kornfeld, Vol. I, 1971, pg. 113.

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Joan Miró b. 1893, Barcelona; d. 1983, Palma de Mallorca

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. That year he also executed his first papiers collés (pasted papers) and collages. In 1929, he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936 Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. In 1944, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958 he worked almost exclusively in these two mediums. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, Miró was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year he resumed painting, initiating a series of mural-sized canvases. During the 1960s he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978, the Musée National d’Art Moderne exhibited over five hundred works in a major retrospective of his drawings. Miró died on December 25, 1983, in Palma de Mallorca, Spain.

130 Joan Miró

Le Somnambule D. 656 from an edition of 50 Signed Etching with Aquatint 55.5 x 37.25 in., 1974 Gallery price: $185,000 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 57.

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131 Marinus Adrianus Koekkoek

132

La Rivière en fin d’Après-Midi Signed Original

Heinrich Hartung

Oil on Panel

Cerisiers

9 x 13.5 in.

Signed Original

Gallery price: $10,000

Oil on Canvas on Board 10.8 x 14.2 in.

Gallery price: $14,500

Marinus Adrianus Koekkoek

Dutch, 1807 – 1868 or 1870

Marinus Adrianus Koekkoek was born in Middelburg in 1807 and lived most of his life in Hilversum where he died. He was the son and pupil of Johannes Hermanus Koekkoek and came from a long line of well respected Dutch landscape painters. He often included figures in his landscapes and, like many of his kin, enjoyed painting winter scenes.

Heinrich Hartung

German, 1851 – 1919

Heinrich Hartung painted genre scenes, landscapes, water and mountain-scapes. He received a commendation in Berlin in 1889 and was awarded a medal in 1890.

His work can be found in the Düsseldorf Museum in Germany.

His work can be found in the Coutrai Museum in Belgium.

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133 HenDrik Barend Koekkoek

Pauses d’un Chasseur dans la Forêt Signed Original Oil on Canvas 18 x 13.8 in.

Gallery price: $15,000

134 (facing page) Paule Gobillard

La Leçon de Piano Signed Original Oil on Panel 9.5 x 13 in.

Gallery price: $8,500

Hendrik Barend Koekkoek

Dutch, 1849 – before 1909

Henrik Barend Koekkoek is a descendant of several generations of painters specializing in Dutch landscapes, including Johannes and Hermanus Koekkoek the Elder.

Paule Gobillard

French, 1867/1869-1946

Paule Gobillard was a painter, watercolorist, and pastellist who specialized in portraying portraits, figures, genre scenes, landscapes, still-lifes, and flowers. She was the niece and pupil of Berthe Morisot, and she grew up surrounded by the Impressionists.

When Gobillard’s parents, Yves (Berthe’s sister) and Théodore Gobillard passed away, she went to live with her aunt and uncle, Morisot and Eugène Manet (brother of Edouard). The young artist learned to master the disciplines of oil and pastel from Morisot, but she excelled in the use of pastel. Even Degas, who was very hard to please, praised her pastel works. Gobillard also studied under the figure painter Henri Gervex, copied Old Masters in the Louvre, and spent time with Morisot and Manet at their country home in Mézy, painting en plein air in the garden with her aunt.

Both Morisot’s and Renoir’s influence are apparent in Gobillard’s artworks. She worked in the Impressionist style, exhibiting a soft tenderness juxtaposed by confident lines. She acquired Morisot’s soft palette and Renoir’s delicacy of brushstroke. She was inspired by their method of painting en plein air, and she continued to paint from life throughout her artistic career. Gobillard exhibited regularly in Paris at all the major Salons. She also exhibited in prominent Parisian galleries such as Durand-Ruel, Petit Druet, and Galerie Bernbeim Jeune. During Gobillard’s lifetime, she not only exhibited in France, but also in Japan, the United States, and Denmark.

Paule Gobillard’s work can be found at the Musée du Petit Palais in Paris.

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136 Léon Victor Dupré

L’Étang près du Village

135

Signed Original

Ecole Française

Oil on Panel

Pêche près de la Cõte

4.7 x 12.8 in.

Signed Original

Gallery price: $11,500

Oil on Paper on Wood 14.3 x 26 in.

Gallery price: $12,500

Ecole Française

French, 19th Century

This umbrella term, meaning “French School,” refers to works of art characterized by a classical French academic style.

Léon Victor Dupré

French, 1816-1879

Léon Victor Dupré was taught by his older brother, the painter Jules Dupré. He also worked in his father’s porcelain factory, learning the exacting skills necessary in the painting of porcelain. These talents greatly increased his technique in rendering minute detail. His canvases are seldom very large and the human and animal figures are usually quite small in relation to the grand, luminous skies of which he was fond. Like his brother, he often painted river banks under stormy skies. He won a third-class medal in 1849. His best works include Village in the Berry, Banks of the Oise and Pool in the Landes.

His works can be found in the Metropolitan Museum of Art in New York, the Fine Arts Museums of San Francisco, the Minneapolis Institute of Art, the Museum of Fine Arts in Boston and the Rijksmuseum in Amsterdam among others.

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137 Dominique Rozier

Petit Déjeuner Signed Original Oil on Canvas 13.8 x 10.6 in.

Gallery price: $13,500

138 Elisabeth Léonie Lacoste

Les Élégantes dans la Forêt Signed Original Oil on Canvas

Dominique Rozier

French, 1840-1901

Dominique Hubert Rozier was a painter of landscapes and of still-life scenes.

He specialized in the latter, creating representations of copious arrangements that included flowers, fruit, game, and fish. Rozier was a student of Antoine Vallon.

He exhibited regularly at the Paris Salon from 1869 until his death in 1901, and he also exhibited at the Salon des Artistes Français. Rozier won several medals, including bronze medals at the Exposition Universelle of 1889 and of 1900.

Dominique Rozier’s work can be found in: Muzeul National de Arta al României, Bucharest; and museums in Bergues, La Roche-sur-Yon, Lille, Lyon, Montpellier, Pontoise, and Tourcoing, all in France.

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14.8 x 18 in., 1845 Gallery price: $13,500

Elisabeth Léonie Lacoste

French, 1821-unknown

Elisabeth Lacoste was a painter of landscapes. Her maiden name was Cholet, and she exhibited under that name from 1839 to 1849. Since she was a female artist during a time in which women had very little independence, there is little biographical information about her.

Elisabeth Lacoste’s work can be found in the museum housed in Château Boulogne-sur-Mer in France.

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Salvador Dali Alice in Wonderland

139 Salvador Dali

Alice in Wonderland – Complete Portfolio ML 321-333 from an edition of 2500 Unsigned 12 Heliogravures and 1 Etching 17 x 11.75 in., 1969 Gallery price: $29,300 Illustrated: Dali, Catalogue RaisonnÊ I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pp. 171-172.

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Salvador Dalí b. 1904, Figueras, Spain; d. 1989, Figueras, Spain

Salvador Dalí was born Salvador Felipe Jacinto Dalí y Domenech in the Catalan town of Figueras, Spain, on May 11, 1904. In 1921, he enrolled in the Real Academia de Bellas Artes de San Fernando in Madrid, where he became a friend of Federico García Lorca and Luis Buñuel. His first solo show was held in 1925 at the Galeries Dalmau in Barcelona. In 1926, Dalí was expelled from the Academia and, the following year, he visited Paris and met Pablo Picasso. He collaborated with Buñuel on the film Un Chien andalou in 1928. At the end of the year, he returned to Paris and met Tristan Tzara and Paul Eluard. About this time Dalí produced his first Surrealist publications and illustrated the works of Surrealist writers and poets. His first solo show in the United States took place at the Julien Levy Gallery in New York in 1933.

Dalí was censured by the Surrealists in 1934. Toward the end of the decade, he made several trips to Italy to study the art of the sixteenth and seventeenth centuries. In 1940, Dalí fled to the United States, where he worked on theatrical productions, wrote and illustrated books, and painted. A major retrospective of his work opened in 1941 at the Museum of Modern Art in New York and traveled throughout the United States. In 1942, Dalí published his autobiography and began exhibiting at M. Knoedler and Co. in New York. He returned to Europe in 1948, settling in Port Lligat, Spain. His first paintings with religious subjects date from 1948–49. In 1954, a Dalí retrospective was held at the Palazzo Pallavicini in Rome and, in 1964, an important retrospective of his work was shown in Tokyo, Nagoya, and Kyoto. He continued painting, writing, and illustrating during the 1960s. The Salvador Dalí Museum in Cleveland was inaugurated in 1971, and the Dalinian Holographic Room opened at M. Knoedler and Co., New York, in 1973. In 1980, a major Dalí retrospective was held at the Musée National d’Art Moderne, Centre Georges Pompidou, in Paris, and his work was exhibited at the Tate Gallery, London. The artist died on January 23, 1989, in Figueras.

140 Salvador Dali

Anteater Signed Original Mixed Media on Paper 14 x 12 in., 1963 Gallery price: $65,000

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142 LeRoy Neiman

Jockey Signed Original Acrylic and Enamel on Board 32 x 11.75 in., 1959 Gallery price: $160,000

141 Salvador Dali

Etude de Nu Signed Original Mixed Media on Paper 14 x 11 in.,1950 Gallery price: $75,000

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144 Michelangelo Meucci

Les Fruits de l’Été Signed Original Oil on Canvas 35.4 x 25 in., 1893 Gallery price: $16,500

143 LeRoy Neiman

Polo Signed Original Acrylic and Enamel on Board 22 x 30 in., 1965 Gallery price: $210,000

Michelangelo Meucci

Italian, 1840 – 1900

Meucci was an Italian painter who specialized in paintings of animals, birds and still lifes, including flowers, fruit, and game. He was also known for his trompe-l’oeil paintings. He lived and worked in Florence.

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146 Emile Louis Mathon

Les Rochers dans la Sous-Bois Signed Original Oil on Canvas 39.4 x 32.7 in.

Gallery price: $19,500

145 Constantin Leroux

Deux Cygnes Signed Original Oil on Canvas 34.5 x 46 in.

Gallery price: $16,500

Constantin Leroux

French, 1850 – 1909

Little is known about the background of the artist Constantin Leroux. He painted landscape and genre paintings.

Emile Louis Mathon

French, 1855 – unknown

Emile Mathon was born in Paris and was a student of Charles Daubigny. He exhibited at the Paris Salon from 1868 to 1887. He often used a thick paste with fresh colors in his landscapes.

His work can be found in museums in Dieppe and Le Havre, France.

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147 Pierre Emmanuel Eugène Damoye

148

La Maison d’Artiste

Narcisse Diaz de la Peña

Signed Original

Les Voyageurs du Soir

Oil on Canvas

Signed Original

26.25 x 43.25 in., 1891

Oil on Panel

Gallery price: $27,500

9.5 x 13 in.

Gallery price: $35,000

Pierre Emmanuel Eugène Damoye

French, 1847 – 1916

Pierre Emmanuel Damoye had the privilege, and perhaps luck, of studying under the great leaders of the Barbizon School, Charles François Daubigny and Camille Corot, at the École des Beaux-Arts in Paris. In 1875, the year of Corot’s death, Damoye debuted at his first Salon with a winter landscape. He went on to have a decorated career in the circles of Parisian Salons. He was awarded a third-class medal in 1879, a second-class in 1884, and a gold medal at the Exposition Universelle in 1889. When a new Salon was formed in 1890, the Salon de la Société Nationale, Damoye became one of its founding and most respected members. As part of this important artistic group, Damoye gained his reputation as a true student of the Barbizon masters. In 1893, he was inducted into the Legion of Honor and, in 1900, became part of the Paris Salon jury. Some of his finest paintings were done late in his career, in particular, those of the Pas-de-Calais region between Paris and the English Channel. He is considered among the best followers of the tradition of his teachers Corot and Daubigny.

His works can be seen in the Musée du Louvre, Paris; Musée d’Orsay, Paris; Musée des Beaux-Arts, Bordeaux; Musée des Beaux-Arts, Troyes, France; and the National Museum of Art, Bucharest, Romania. His works can also be seen in museums in the following cities: Antwerp, Belgium; Helsinki, Finland; and Montreal, Canada.

88

Narcisse Virgile Diaz de la Peña

French, 1807 – 1876

Born to Spanish political refugees in Bordeaux, France, Narcisse Diaz de la Peña taught himself composition and color by studying the great works in the Louvre. In 1836, he met Théodore Rousseau and the two became friends, neighbors, and fellow artists in the village of Barbizon. Rousseau had a strong influence on Diaz, even giving him lessons on how to paint trees. Diaz went regularly to the forest of Fontainebleau to paint; he composed minutely detailed studies, reminiscent of Dutch painting, on the spot, and then used these studies to compose finished pictures in the studio. Although he is considered a leading member of the Barbizon School, Diaz never confined himself to landscape painting. He followed his own instinct—sometimes creating Orientalist compositions and figurative works in his studio, sometimes painting nature en plein air. Although Diaz never settled permanently in Barbizon, he spent most summers there and visited often throughout the year. His first Salon success was in 1844 when he exhibited four paintings and won a third-class medal. The noted critic, Théophile Thoré, praised Diaz’s work for his use of light and found him to be an important colorist. By 1845, Diaz had active followers and was creating works for private patrons; some wellknown aristocrats asked him to paint their portraits. His second Salon medal, a second-class award, was received in 1846. Diaz remained popular throughout his career. Diaz reached the height of his fame in 1855 and was regarded as a master landscapist.

His works are in many important collections including: the Musée du Louvre, Paris; Metropolitan Museum of Art, New York; Hermitage Museum, St. Petersburg, Russia; Musée d’Orsay, Paris; National Gallery, London; Wallace Collection, UK; Fine Arts Museums of San Francisco; and the Museum of Fine Arts, Boston.

89

150 Eugène Antoine Samuel Lavielle

Fontainebleau, Vaches en Forêt Signed Original Oil on Canvas 24.8 x 36.2 in.

Gallery price: $55,000

Eugène Antoine Samuel Lavieille

149 Narcisse Diaz de la Peña

Les Fleurs d’Été Signed Original Oil on Canvas 15.7 x 11.6 in.

Gallery price: $35,000

90

French, 1820-1889

Eugène Antoine Samuel Lavieille was the younger brother of Jacques Adrien Lavieille and studied under Camille Corot and Justin Lequien. After living in Barbizon, he moved to La Ferté-Milon and then to Montmartre. Lavieille and his close friend Antoine Chintreuil were among Corot’s finest pupils. He is said to have preferred painting nature in a spirit of mourning and sadness; however, this is not representative of many of his paintings. He is best known for having sought, like Charles François Daubigny, to convey the mysterious charm of evening, often with great success. Lavieille was a three-time medal winner in the Paris Salon: in 1849, 1864, and 1870. He exhibited in the first Salon des Refusés in 1863 and was elected Chevalier de la Légion d’Honneur in 1878.

His works are in the collections of the Musée du Louvre, Paris; Musée des Beaux-Arts, Lille; Musée Magnin, Dijon; Musée des Beaux-Arts, Troyes; Musée des Beaux-Arts, Rouen; Musée des Beaux-Arts, Marseille; Musée Condé, Chantilly; and the Musée Ingres, Montauban. In addition, his works can be found in museums in the following French cities: Alençon, Barbizon, Le Mans, Lille, Marseilles, Montpellier, Moulins, Nantes, Narbonne, Rouen and Tourcoing.

91

152 151

Jules Scalbert

François Millet

Promenade en Barque

Les Glaneuses

Signed Original

Unsigned Original

Oil on Canvas

Oil on Canvas

51.2 x 80.7 in.

31.5 x 45 in.

Gallery price: $120,000

Gallery price: $65,000

François Millet

French, 1851 – 1917

François Millet was the son and student of the renowned artist, Jean-François Millet. He made his debut at the Salon in 1870.

His work can be found in museums in Darmstadt, Germany and Guéret, France.

92

Jules Scalbert

French, 1851 – 1928

Jules Scalbert was a student of Isidor Pils and Henri Lehmann. He exhibited at the Salon de Paris from 1876. He also exhibited at the Salon des Artistes Français of which he became a member in 1883. He was awarded an honorable mention in 1889 and thirdclass medals in both 1891 and 1901.

93

153 Pierre Marie Brisson

Les Belles Nostalgies II Signed Original Mixed Media on Canvas 25 x 21 in., 2012 Gallery price: $13,000

154 Pierre Marie Brisson

Miroir I

155

Signed Original

Manel Alvarez

Mixed Media on Canvas

Bird Spirit

39 x 31 in., 2011

Signed Original

Gallery price: $16,000

Marble Sculpture 10 x 26.5 x 10 in., 1979 Gallery price: $45,000

94

95

156 LeRoy Neiman

LeMans Grand Prix d’Endurance from an edition of 295 Signed Serigraph 28 x 38 in., 2004 Gallery price: $5,000

157 LeRoy Neiman

1970 America’s Cup from an edition of 285 Signed Serigraph 19 x 30.5 in., 2007 Gallery price: $6,000

159 Rembrandt

Beggar Man and Beggar Woman Conversing B. 164

158 LeRoy Neiman

Leaving the Paddock from an edition of 300 Signed Serigraph 18.75 x 38 in., 2008

Unsigned Etching

160

3.9 x 3.5 in.

Rembrandt

Gallery price: $7,500

Self-Portrait in a Flat Cap and Embroidered Dress

Illustrated: Schwartz, Gary, The Complete Etchings of Rembrandt, Dover Publications, 1988.

Unsigned Etching

B. 26 4 x 3 in.

Gallery price: $11,500 Illustrated: Schwartz, Gary, The Complete Etchings of Rembrandt, Dover Publications, 1988.

Gallery price: $6,000

96

97

161 Manel Alvarez

Torso Signed Original Marble Sculpture 39 x 9.5 x 4 in., 2006 Gallery price: $29,500

98

162 Joan Miró

Cahiers d’Art (Red) D. 14 Unsigned Pochoir 13 x 9.5 in., 1934 Gallery price: $15,000 Illustrated: Miró Engravings, Volume I, Rizzoli, 1989, pg. 36.

99

164 Joan Miró

Valentine’s Day Drawing Signed Original Mixed Media on Paper

163

11 x 15 in., 1954

Joan Miró

Gallery price: $79,000

Oda a Joan Miró 5 M. 907 from an edition of 75 Signed Lithograph 34.5 x 24 in., 1973 Gallery price: $32,500 Illustrated: Joan Miró Lithographs, Volume V, Maeght, 1992, pg. 44.

100

101

165

166

167

168

165

166

167

LeRoy Neiman

LeRoy Neiman

LeRoy Neiman

LeRoy Neiman

Chez Francis

International Auction

Ryder Cup – Medinah

Jazz Horns

from an edition of 55

from an edition of 295

from an edition of 250

from an edition of 250

Signed Serigraph

Signed Serigraph

Signed Serigraph

Signed Serigraph

21 x 28 in., 1997

28 x 38 in., 2005

22 x 33 in., 2011

28 x 21 in., 2004

Gallery price: $6,000

Gallery price: $6,500

Gallery price: $4,000

Gallery price: $6,000

102

169

170

Salvador Dali

Salvador Dali

Twelve Tribes of Israel: Asher

Twelve Tribes of Israel: Dan

ML 626

ML 627

Epreuve d’Artiste

Epreuve d’Artiste

Signed Etching with Stencil

Signed Etching with Stencil

20 x 14 in., 1973

20 x 14 in., 1973

Gallery price: $6,500

Gallery price: $6,500

Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 218.

Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 218.

168

103

171 Pablo Picasso

Tauromaquia: Citando a Banderillas B. 963 / Ba. 983 from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957 Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 310.

172 Pablo Picasso

Tauromaquia: Citando al Toro a Banderillas Sentado B. 965 / Ba. 985 from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957 Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 312.

174 Salvador Dali

173 Pablo Picasso

Tauromachie Surrèaliste: Les Moulins ML 155

Tauromaquia: El Matador Brinda la Muerte del Toro

from an edition of 100

B. 966 / Ba. 986

12.5 x 16.5 in. 1966-67

from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957

Signed Heliogravure with Drypoint and Stencil Gallery price: $8,500 Illustrated: Dali, Catalogue RaisonnĂŠ I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 150.

Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 313.

104

105

175

177

175

176

LeRoy Neiman

LeRoy Neiman

177 LeRoy Neiman

Portrait of the Elephant

Zebra Family

Portrait of the Leopard

from an edition of 90

from an edition of 300

from an edition of 85

Signed Serigraph

Signed Serigraph

Signed Serigraph

28 x 21.75 in., 2003

28 x 38 in., 1978

24 x 29 in., 1997

Gallery price: $8,000

Gallery price: $15,000

Gallery price: $25,000

176

106

107

178 Pierre Boncompain

Terrasse au Melon Signed Original Pastel on Paper 25 x 19 in.

Gallery price: $25,000

180 LeRoy Neiman

Hunt Rendezvous in Charcoal

179

Signed Original

Pierre Boncompain

Mixed Media on Paper

La Ceinture Jaune

21 x 30 in., 1961

Signed Original

Gallery price: $45,000

Pastel on Paper 19.5 x 26 in.

Gallery price: $18,000

108

109

182

183

181 (facing page)

182

Pablo Picasso

Pablo Picasso

Pablo Picasso

Femme au Fauteuil no 1 B. 587

Góngora: Femme de Profil Couronée de Fleurs

Góngora: Femme Blonde de Profil

from an edition of 50

Ba. 741

Ba. 743

Signed Lithograph

from an edition of 250

from an edition of 250

29 x 22 in., 1948

Unsigned Etching

Unsigned Etching

Gallery price: $175,000

15 x 11 in., 1947

15 x 11 in., 1947

Gallery price: $9,500

Gallery price: $9,500

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 35.

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 37.

Illustrated: Bloch, Georges, Catalogue de l’Oeuvre Grave et Lithographie, Editions Kornfeld, Vol. I, 1971, pg. 144.

183

181 110

111

187 Joan Miró

Càntic del Sol – Plate 19 D. 856 from an edition of 250 Unsigned Etching with Aquatint 13.5 x 20 in., 1975 Gallery price: $3,200 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 184.

188 Joan Miró

184

Càntic del Sol – Plate 24

185

D. 860 from an edition of 250

184

186

Salvador Dali

Salvador Dali

Aliyah: The Wailing Wall F 68-1 E

Aliyah: On the Shores of Freedom

from an edition of 250

F 68-1 K

Signed Lithograph

from an edition of 250

20 x 16 in., 1968

Signed Lithograph

Gallery price: $6,500

20 x 16 in., 1968

Illustrated: Official Catalog of the Graphic Works of Dali, Field, Albert, Dali Archives, 1996, pg. 153.

Unsigned Etching with Aquatint 13.5 x 20 in., 1975 Gallery price: $4,200 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 186.

Gallery price: $6,500 Illustrated: Official Catalog of the Graphic Works of Dali, Field, Albert, Dali Archives, 1996, pg. 153.

185 Salvador Dali

Aliyah: We Shall Go Up at Once F 68-1 J from an edition of 250 Signed Lithograph 20 x 16 in., 1968 Gallery price: $6,500 Illustrated: Official Catalog of the Graphic Works of Dali, Field, Albert, Dali Archives, 1996, pg. 153.

189 Joan Miró

Càntic del Sol – Plate 25 D. 861 from an edition of 250 Unsigned Etching with Aquatint 13.5 x 20 in., 1975 Gallery price: $4,200 Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 186.

186

112

113

192 Mihail Chemiakin

Iguana

190

Remarque 2

LeRoy Neiman

from an editon of 50

Union Square CafĂŠ

Signed Serigraph on Canvas

Signed Original

36 x 36 in.

Mixed Media on Paper

Gallery price: $6,500

10.75 x 13.75 in., 2002 Gallery price: $27,500

193 Mihail Chemiakin

Dancing with Fruits Remarque 5 from an edition of 50 Signed Serigraph on Canvas 36 x 36 in.

Gallery price: $6,500

191 LeRoy Neiman

View from Kathy’s Roof on 9/11 Signed Original Mixed Media on Paper 13.5 x 11.25 in., 2001 Gallery price: $22,500

194 Mihail Chemiakin

Shadow with Mirror Remarque 5 from an edition of 50 Signed Serigraph on Canvas 36 x 36 in.

Gallery price: $6,500

114

115

195

196

198

199

195

197

198

Joan Miró

Joan Miró

Salvador Dali

Salvador Dali

Passage Egyptienne 7

Passage Egyptienne 9

Carmen: Parody on Micaela

Carmen: Smugglers’ Meeting

D. 1188

D. 1190

ML 1305

ML 1319

from an edition of 115

from an edition of 115

from an edition of 125

from an edition of 125

Signed Etching with Aquatint

Signed Lithograph

Signed Lithograph

25.5 x 18 in., 1985

25.5 x 18 in., 1985

21 x 17 in., 1969

21 x 17 in., 1969

Gallery price: $12,000

Gallery price: $18,000

Gallery price: $7,950

Gallery price: $7,950

Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 166.

Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 166.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 139.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 140.

Unsigned Etching with Aquatint

196

200

199

Joan Miró

Salvador Dali

Passage Egyptienne 8

Carmen: Mountain Scene

D. 1189

ML 1317

from an edition of 115

from an edition of 125

Unsigned Etching with Aquatint

Signed Lithograph

25.5 x 18 in., 1985

21 x 17 in., 1969

Gallery price: $12,000

Gallery price: $7,950

Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 166.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 140.

200 197 116

117

202

203

202

203

204

205

Pablo Picasso

Pablo Picasso

Pablo Picasso

Pablo Picasso

La Célestine

La Célestine

La Célestine

La Célestine

B. 1605 / Ba. 1621

B. 1616 / Ba. 1632

B. 1630 / Ba. 1646

B. 1636 / Ba. 1652

from an edition of 350

from an edition of 350

from an edition of 350

from an edition of 350

Unsigned Etching

Unsigned Etching

Unsigned Etching

Unsigned Etching

4.5 x 2.25 in., 1971

3.25 x 2.25 in., 1971

2.25 x 3.25 in., 1971

2.25 x 3.25 in., 1971

Gallery price: $4,450

Gallery price: $4,450

Gallery price: $4,450

Gallery price: $4,450

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 332.

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 337.

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 354.

Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 360.

201 LeRoy Neiman

Russian Cossack Over Moscow Signed Original Acrylic and Enamel on Board 30 x 24 in., 1968

204

205

Gallery price: $210,000

118

119

206 Pablo Picasso

Tauromaquia: La Cogida B. 968 / Ba. 988 from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957 Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 315.

207 Pablo Picasso

Tauromaquia: Citando a Matar B. 969 / Ba. 989 from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957 Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 316.

208 Pablo Picasso

Tauromaquia: Despues de la Estocada B. 971 / Ba. 991 from an edition of 250 Unsigned Etching 11.4 x 14 in., 1957 Gallery price: $8,950 Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 318.

209 LeRoy Neiman

Mark McGwire – Homerun Record II Signed Original Oil on Board 12 x 9 in., 1999 Gallery price: $40,000

120

121

211

212

213

214

210 LeRoy Neiman

Mark McGwire – Homerun Record VIII Signed Original Oil on Board 7.25 x 8.75 in., 1999

211

212

213

Gallery price: $40,000

Joan Miró

Joan Miró

Joan Miró

Joan Miró

Passage Egyptienne 10

Passage Egyptienne 11

Passage Egyptienne 12

Passage Egyptienne 13

D. 1187

D. 1192

D. 1193

D. 1194

from an edition of 115

from an edition of 115

from an edition of 115

from an edition of 115

Signed Etching with Aquatint

Signed Etching with Aquatint

Signed Etching with Aquatint

Unsigned Etching with Aquatint

25.5 x 18 in., 1985

25.5 x 18 in., 1985

25.5 x 18 in., 1985

25.5 x 18 in., 1985

Gallery price: $18,000

Gallery price: $18,000

Gallery price: $18,000

Gallery price: $12,000

Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 167.

Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 167.

Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 167.

Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 167.

122

214

123

215 Marc Chagall

Bible: End of Abasalom Plate 72 from an edition of 20 Unsigned Etching 12 x 9 in., 1956 Gallery price: $3,750 Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 92.

216 Marc Chagall

Bible: Lot and His Daughters Plate 9 from an edition of 20 Unsigned Etching 12 x 9 in., 1956 Gallery price: $3,750 Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 29.

217 Marc Chagall

Bible: Mantle of Noah

215

216

Plate 5 from an edition of 20 Unsigned Etching 12 x 9 in., 1956 Gallery price: $3,750 Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 25.

218 Marc Chagall

Bible: The Circumcision Plate 6 from an edition of 275 Unsigned Etching 12 x 9 in., 1956 Gallery price: $3,750 Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 26.

219 Marc Chagall

Bible: Death of Saul Plate 65

219

from an edition of 20 Unsigned Etching 12 x 9 in., 1956 Gallery price: $3,750 Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 85.

217

124

218

125

220 Pierre Boncompain

Le Lilas du Jardin from an edition of 250 Signed Serigraph 35 x 28 in., 1999 Gallery price: $3,000

222

223

224

225

221 LeRoy Neiman

Family Portrait from an edition of 575 Signed Serigraph 25 x 24 in., 2005 Gallery price: $5,000

126

222

223

224

225

Salvador Dali

Salvador Dali

Salvador Dali

Salvador Dali

Divine Comedy – Hell 8

Divine Comedy – Hell 12

Divine Comedy – Hell 16

Divine Comedy – Hell 27

ML 1046

ML 1050

ML 1054

ML 1065

from an edition of 4765

from an edition of 4765

from an edition of 4765

from an edition of 4765

Unsigned Woodcut

Unsigned Woodcut

Unsigned Woodcut

Unsigned Woodcut

16 x 13 in. , 1960

16 x 13 in. , 1960

16 x 13 in. , 1960

16 x 13 in. , 1960

Gallery price: $1,550

Gallery price: $1,550

Gallery price: $1,550

Gallery price: $1,550

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 103.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 103.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 104.

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 105.

127

226 LeRoy Neiman

Femlin: Pulling the Shade Signed Original Mixed Media on Paper 12 x 18 in., 1987 Gallery price: $37,000

227 LeRoy Neiman

Femlin: At the Computer Signed Original

226

Mixed Media on Paper 11.75 x 20.25 in., 1984 Gallery price: $37,000

228 LeRoy Neiman

Femlin: Cell Phone Femlin Signed Original Mixed Media on Paper 16 x 9.25 in., 1999 Gallery price: $34,000

228

227

128

129

229

230

229

231

Marc Chagall

Marc Chagall

Le Cirque – Plate XXV

Le Cirque – Plate XXXVII

M. 514

M. 526

from an edition of 250

from an edition of 250

Unsigned Lithograph

Unsigned Lithograph

16 x 12.5 in., 1967

16 x 12.5 in., 1967

Gallery price: $5,500

Gallery price: $5,500

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 241.

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 253.

232

230 Marc Chagall

233

Le Cirque – Plate XXXIII M. 520 from an edition of 250 Unsigned Lithograph 16 x 12.5 in., 1967

232

Gallery price: $5,500

Salvador Dali

Igor Medvedev

Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 247.

Carmen: Whoever Carries off Carmen

Gold of Autumn

ML 1320

Signed Original

from an edition of 125

Mixed Media on Board

Signed Lithograph

20 x 60 in., 2008

21 x 17 in., 1969

Gallery price: $10,000

231

233

Gallery price: $7,950 Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 141.

130

131

235 LeRoy Neiman

Filly Legs Signed Original Mixed Media on Paper 15.25 x 19.5 in., 1978 Gallery price: $15,000

236 LeRoy Neiman

234 Manel Alvarez

Silla Signed Original Marble Sculpture

Gerry Mulligan Signed Original Mixed Media on Paper 16 x 12 in.

Gallery price: $15,000

11 x 28 x 6 in., 2005 Gallery price: $29,500

132

133

134

237

238

LeRoy Neiman

LeRoy Neiman

Eamonn McCoughlan, The Great Irish Miler

Jesse Orosco

Signed Original

Signed Original

Mixed Media on Paper

Mixed Media on Paper

28 x 22.5 in., 1986

24 x 18 in., 1984

Gallery price: $25,000

Gallery price: $50,000

135

239

242

243

244

245

240

239 Mihail Chemiakin

Paris Years: Metamorphosis from an edition of 125 Signed Lithograph 29 x 20 in.

Gallery price: $2,250

240 Mihail Chemiakin

Homage to Nureyev I from an edition of 175 Signed Lithograph

242

243

244

30 x 21 in.

Joan Miró

Joan Miró

Joan Miró

Joan Miró

Gallery price: $2,750

Càntic del Sol – Plate 3

Càntic del Sol – Plate 5

Càntic del Sol – Plate 9

Le Lezard aux Plumes d’Or 13

245

D. 840

D. 838

D. 845

M. 821

241

from an edition of 250

from an edition of 250

from an edition of 250

from an edition of 10

Mihail Chemiakin

Unsigned Etching with Aquatint

Unsigned Etching with Aquatint

Unsigned Etching with Aquatint

Signed Lithograph

Gendarme et Rebekka

13.5 x 20 in., 1975

13.5 x 20 in., 1975

13.5 x 20 in., 1975

14 x 20 in., 1971

from an edition of 125

Gallery price: $4,200

Gallery price: $4,200

Gallery price: $4,200

Gallery price: $16,500

Signed Lithograph

Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 178.

Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 177.

Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 180.

Illustrated: Joan Miró Lithographs, Volume IV, Maeght, 1981, pg. 167.

24 x 21 in.

Gallery price: $2,250

241

136

137

246 Stephen Hall

The Choice from an edition of 125 Signed Serigraph 22 x 20 in., 1986 Gallery price: $2,500

138

247 LeRoy Neiman

Champagne, New Year’s Eve from an edition of 250 Signed Serigraph 24 x 17.75 in., 2006 Gallery price: $4,500

139

Appendices:

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The following, as amended by any posted notices or oral announcements during the sale, constitute the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by Franklin Bowles Galleries: 1) As used here, the term bid price means the price at which a lot is hammered down to the purchaser by the auctioneer. The term “purchase price“is defined as the aggregate of (a) the bid price, and (b) a premium of nineteen percent (19%) of the bid price payable by the purchaser, and (c) any applicable shipping charges. Applicable sales tax will be calculated on the “purchase price”, unless the purchaser is exempt by law from the payment any California state or local sales tax (or compensating use tax of another state) and other applicable taxes. Unless exemption from such taxes is established to our satisfaction, any purchasers claiming an exemption will be required to pay the tax to us and seek a refund from the State of California.

Saturday, June 28, 2014

2) The auction is open to you at no charge and you may enter or leave at any time during the auction. To bid in person, you must raise your numbered bid card to signify bids. Only one bid is required to make an auction.Franklin Bowles Galleries guarantees that all art sold will be in comparable condition to that shown at previews or at the auction. Articles are sold as-is at the time of the sale. Any reframing will be done at additional cost to the buyer. A bid by any person shall be deemed conclusive proof that the bidder has made himself/herself acquainted with the conditions of sale and agrees to be bound by them.

If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us by law, including, but without limitation to, the right to hold the purchaser liable for the purchase price, we at our option, may cancel the sale, retaining as liquidated damages all payments made by the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, all other charges due hereunder and incidental damages.

4) We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided at sale.

5) We reserve the right to reject a bid from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.

6) If we are prevented by fire, theft or for any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser.

7) Most lots are sold subject to a reserve; a confidential minimum amount for which the seller is willing to sell a work of art. In no case does the reserve exceed the listed gallery price.

8) Franklin Bowles Galleries may bid and assign bid numbers for its own account at any auction (even though it may be required to pay a buyer’s premium or other charges that other bidders may be required to pay) and may have access to information concerning the lots and items contained therein that is not otherwise available to the public. Any conflict of interest or claim of competitive advantage resulting there from is expressly waived by all participants in the sale.

9) Payment terms: All items are to be paid for immediately by (a) Cash, (b) Personal check and approved credit, and/or (c) VISA, MasterCard, American Express, Diners Club or Discover Card. ALL ITEMS ARE SOLD AS IS and ALL SALES ARE FINAL. ABSENTEE BIDS If you are unable to attend, and wish to place bids, we will accept absentee bids in advance of sale by telephone, or in writing, on bidding forms available in this catalog or from Franklin Bowles Galleries’ Art Consultants. Buy bids will be accepted. All bids must state the highest bid price the bidder is willing to pay. As noted above, a 19% premium payable by the purchaser will be added to the bid price together with applicable sales tax, packing and insurance. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Sale results and selling prices for any lot may be obtained by calling your Art Consultant during normal business hours.

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3) On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot in accordance with all of the conditions set forth herein and thereupon (a) assumes full risk and responsibility, therefore (b) will sign a confirmation of purchase thereof, and (c) will pay the purchase price in full or such part as we may require for all lots purchased. If the purchase price is not paid or the article not removed from the premises by the winning bidder, the auctioneer holds the purchaser responsible for the cost of the article, plus all associated costs of sale and warehousing. The gallery does not provide separate letter of value for the items purchased at auction. Your invoice serves as your letter of value. To prevent missed deliveries and inconvenience in settlement of a purchase, no lot may be transferred. Because many of the artworks sold are fine art limited-edition prints, the auctioneer reserves the right to sell more than one of each lot during the auction. In the case when there is more than one image sold, the auctioneer will decide which bidder takes the art from the auction. The bidder awarded the art will take the art upon departure. All additional pieces sold at auction will be ready for pickup or shipment to the address noted on your auction invoice within six to eight weeks. Shipment of all items purchased will be made to any point designated by the successful bidder pursuant to, and as part of, the contract of sale. Shipping, packing and insurance are at the buyer’s expense. A charge will be incurred for each lot shipped by Franklin Bowles Galleries. $350.00 will be charged for each lot shipped within the United States, and $500.00 will be charged for each lot shipped outside the United States.

All shipping charges are due and payable at the conclusion of the auction.

Telephone / Absentee Bids:

Conditions of Sale:

Index ARTIST

•

LOT NUMBER

•

TITLE

Manel Alvarez

155 Bird Spirit 161 Torso 234 Silla

Tadashi Asoma

52

Autumn Rhapsody

Pierre Boncompain

8 9 84 178 179 220

Les Primèveres sur le Kilim La Ceinture Jaune Terrasse d’Été Terrasse au Melon La Ceinture Jaune Le Lilas du Jardin

Pierre Marie Brisson

36 37 38 60 61 62 153 154

Atmosphere Simplement La Remontée Femme Fleur II Femme Fleur III Femme Fleur IV Les Belles Nostalgies II Miroir I

Marc Chagall

12 13 14 15 16 48 49 50 82 83 92 93

Bible: Oracle Over Babylon Bible: Isaiah’s Prayer Bible: Elijah and the Widow of Sarepta Bible: Anointing of King Solomon Bible: David, Vanquisher of Goliath Le Cirque – Plate VII Le Cirque – Plate IX Le Cirque – Plate XXI Odyssey: Combat Between Ulysses and Irus Odyssey: Ulysses’ Bow Le Cirque – Plate XXVI Le Cirque – Plate XVII

94 115 116 215 216 217 218 219 229 230 231

Le Cirque – Plate XIX Le Square de Paris Decouverte de Daphnis par Lamon Bible: End of Abasalom Bible: Lot and His Daughters Bible: Mantle of Noah Bible: The Circumcision Bible: Death of Saul Le Cirque – Plate XXV Le Cirque – Plate XXXIII Le Cirque – Plate XXXVII

Mihail Chemiakin

10 11 192 193 194 239 240 241

Still Life with Fish on Board Still Life with Fish and Bread Iguana Dancing with Fruits Shadow with Mirror Paris Years: Metamorphosis Homage to Nureyev I Gendarme et Rebekka

106 107 139 140 141 169 170 174 184 185 186 198 199 200 222 223 224 225 232

147

La Maison d’Artiste

Divine Comedy – Heaven 3 Divine Comedy – Heaven 11 Divine Comedy – Heaven 22 Divine Comedy – Heaven 24 Divine Comedy – Purgatory 4 Divine Comedy – Purgatory 19 Divine Comedy – Purgatory 22 Divine Comedy – Purgatory 30 Tristan et Iseult: Le Geant Beliagog Les Diners de Gala Les Chevaux Daliniens: La Chimère d’Horace Les Chevaux Daliniens: Le Centaure de Crete Les Chevaux Daliniens: La Victime de la Fête Les Chevaux Daliniens: Clauilegnio Les Chevaux Daliniens: Le Cheval de Labeur Twelve Tribes of Israel: Joseph Twelve Tribes of Israel: Zebulun Twelve Tribes of Israel: Issachar

246 The Choice

Diana Hansen

51 53

Dancer I Deer Dance

Heinrich Hartung

132

Cerisiers

Willem Claesz Heda (after)

123

Still Life with Lemon Rind

Larry Horowitz

1 2

Sienna Shadows Pleasant Bay

Louis Gabriel Eugène Isabey (attributed to)

120

Salvador Dali

3 4 5 6 25 26 27 28 46 47 68 69 70 71 72 95 96 97

Stephen Hall

Pierre Emmanuel Eugène Damoye

Pêcheurs près de la Falaise d’Étretat

Francoise Deberdt

63

Les Clowns

Marinus Adrianus Koekkoek

131

La Rivière en fin d’Après-Midi

Narcisse Diaz de la Peña

148 149

Les Voyageurs du Soir Les Fleurs d’Été

HenDrik Barend Koekkoek

133

Pauses d’un Chasseur dans la Forêt

Léon Victor Dupré

Elisabeth Léonie Lacoste

136

138

L’Étang près du Village

Les Élégantes dans la Forêt

Ecole Française

Eugène Antoine Samuel Lavielle

135

150

Pêche près de la Cõte

Fontainebleau, Vaches en Forêt

Paule Gobillard

134

144

Aliyah: Aliyah Aliyah: A Voice is Heard Alice in Wonderland - Complete Portfolio Anteater Etude de Nu Twelve Tribes of Israel: Asher Twelve Tribes of Israel: Dan Tauromachie Surrèaliste: Les Moulins Aliyah: The Wailing Wall Aliyah: We Shall Go Up at Once Aliyah: On the Shores of Freedom Carmen: Parody on Micaela Carmen: Mountain Scene Carmen: Smugglers’ Meeting Divine Comedy – Hell 8 Divine Comedy – Hell 12 Divine Comedy – Hell 16 Divine Comedy – Hell 27 Carmen: Whoever Carries off Carmen

La Leçon de Piano

145

Index ARTIST

•

LOT NUMBER

•

TITLE

Constantin Leroux

145

Deux Cygnes

François Millet

LeRoy Neiman

151

29 30 31 32 58 59 64 65 66 67 74 75 76 77 78 88 89 90 91 98 99 100 101 108 109 142 143 156 157 158 165 166 167 168 175 176 177 180 190 191 201 209

Les Glaneuses

Emile Louis Mathon

Joan Miró

146

21 22 23 24 33 34 35 44 45 79 80 81 102 103 104 105 124 125 126 130 162 163 164 187 188 189 195 196 197 211 212 213 214 242 243 244 245

Les Rochers dans la Sous-Bois

Henri Matisse

39 40 41 42 43

Ronsard: Florilege des Amours Plate 8 Ronsard: Florilege des Amours Plate 41 Ronsard: Florilege des Amours Plate 39 Ronsard: Florilege des Amours Plate 64 Ronsard: Florilege des Amours Plate 42

Igor Medvedev

7 54 55 56 57 111 112 113 114 233

Fuengirola, Spain Desert Sun Nocturne XIV Red Dawn Magic Maze Golden Bough White Lace Fields Nest Gold of Autumn

Lev Meshberg

73 110

Vivaldi’s Venice I Flowers for You

Michelangelo Meucci

144

Les Fruits de l’Été

Georges Michel (attributed to)

121

146

Retour à la Tombée de la Nuit

Passage Egyptienne 1 Passage Egyptienne 2 Passage Egyptienne 3 Passage Egyptienne 4 Càntic del Sol - Plate 2 Càntic del Sol - Plate 6 Càntic del Sol - Plate 7 Passage Egyptienne 5 Passage Egyptienne 6 Càntic del Sol – Plate 21 Càntic del Sol – Plate 23 Càntic del Sol – Plate 14 Les Penalités de l’Enfer 9 Les Pénalites de l’Enfer 10 Les Penalités de l’Enfer 13 Les Pénalites de l’Enfer 22 Règne Végétal Le Rebelle Le Matador Le Somnambule Cahiers d’Art (Red) Oda a Joan Miró 5 Valentine’s Day Drawing Càntic del Sol – Plate 19 Càntic del Sol – Plate 24 Càntic del Sol – Plate 25 Passage Egyptienne 7 Passage Egyptienne 8 Passage Egyptienne 9 Passage Egyptienne 10 Passage Egyptienne 11 Passage Egyptienne 12 Passage Egyptienne 13 Càntic del Sol – Plate 3 Càntic del Sol – Plate 5 Càntic del Sol – Plate 9 Le Lezard aux Plumes d’Or 13

Mickey Mantle The DiMaggio Cut Mark McGwire Femlin: Hand Massage April at Augusta Sixteenth at Cypress Soccer Three Figures Café de Paris, Rome Spike Lee High Seas Sailing II Café Deux Magots Lion and Lioness Charging Bull Rhino Steve Hegg, Cyclist LeRoy Neiman’s Corvette Nicole Miller Woman on a Beach Resting Lion Resting Tiger Femlin: Cell Phone Call Femlin: Heart-Shaped Chair Sugar on 42nd Matador: Luis Miguel Dominguin Jockey Polo LeMans Grand Prix d’Endurance 1970 America’s Cup Leaving the Paddock Chez Francis International Auction Ryder Cup - Medinah Jazz Horns Portrait of the Elephant Zebra Family Portrait of the Leopard Hunt Rendezvous in Charcoal Union Square Café View from Kathy’s Roof on 9/11 Russian Cossack Over Moscow Mark McGwire – Homerun Record II

210 221 226 227 228 235 236 237 238 247

Mark McGwire – Homerun Record VIII Family Portrait Femlin: Pulling the Shade Femlin: At the Computer Femlin: Cell Phone Femlin Filly Legs Gerry Mulligan Eamonn McCoughlan, The Great Irish Miler Jesse Orosco Champagne, New Year’s Eve

Pablo Picasso

17 18 19 20 85 86

87 117 118 127 128 129 171 172 173 181 182 183 202 203 204 205 206 207 208

La Célestine La Célestine La Célestine La Célestine Tauromaquia: El Arrastre Tauromaquia: El Torero Sale en Hombros de los Aficionados Tauromaquia: El Picador Obligando al Toro Femme Nue à la Source Portrait de Jacqueline à la Fraise Untitled Collage Jacqueline de Profil à Droite Françoise Tauromaquia: Citando a Banderillas Tauromaquia: Citando al Toro a Banderillas Sentado Tauromaquia: El Matador Brinda la Muerte del Toro Femme au Fauteuil no 1 Góngora: Femme de Profil Couronée de Fleurs Góngora: Femme Blonde de Profil La Célestine La Célestine La Célestine La Célestine Tauromaquia: La Cogida Tauromaquia: Citando a Matar Tauromaquia: Despues de la Estocada

147

Index ARTIST

•

LOT NUMBER

•

TITLE

Ludovic Piette

119

Les Enfants au bord du Ruisseau

Dominique Rozier

137

Petit Déjeuner

Henri Saintin

122

Bergère et son Troupeau à l’Orée de la Forêt

Jules Scalbert

152

Promenade en Barque

Rembrandt

159 160

Beggar Man and Beggar Woman Conversing Self-Portrait in a Flat Cap and Embroidered Dress

Project Managers: Emilee Enders, Alex Gleason Photography: Catalog Design: Front cover:

Scott Saraceno Susan Tsuchiya

Lot 96, Salvador Dali, Twelve Tribes of Israel: Zebulun

Pages 140-141: Lot 143, LeRoy Neiman, Polo (detail) Pages 144-145: Lot 124, Joan Miró, Règne Végétal (detail) Pages 146-147: Lot 189, Joan Miró, Càntic del Sol – Plate 25 (detail) Page 148:

Lot 104, Joan Miró, Les Penalités de l’Enfer 13 (detail)

Back cover:

Lot 130, Joan Miró, Le Somnambule

148

$40

F R A N K L I N B O W L E S GALLERIES

SAN FRANCISCO

765/799 Beach Street San Francisco CA 94109 349 Geary Street San Francisco CA 94102 415.441.8008 / 800.926.9535 NEW YORK

431 West Broadway New York NY 10012 212.226.1616 / 800.926.9537

www.franklinbowlesgallery.com