Zeitgeist Research Journal Marah Napierala

ZEITGEIST

MARAH NAPIERALA 14006087 DE0064 INDUSTRIAL PLACEMENT 2 FASHION Y3 2016/17

CELEBRATE UGLINESS

FEMINISM

EMBRACE IMPERFECTIONS

FASHION SYSTEM IS BROKEN

TOXIC FEMINITYSUSTAINABILITY SHOULD WE DRESS MELANIA THE WORLD HAS BECOME COMPLICATED RESISTING BY EXISTING

ZEIT

SURREALISM

EVIL WOMEN PICASSO NASTY WOMAN

GRAB EM BY THE PUSSY

BREAKING THE SYSTEM SURREALISM

POPULISM

POWER DRESSING CONFRONTATION PANDORA’S BOX

SILENT RESISTANCE

THE FU

SUBCULTERE IDENTITY

TRUMP

Y

G

POST TRUTH

WHAT HAPPENS IF THE WRONG PEOPLE WIN

LGBTQ

HISTORY REPEATING

GEIST

REFUGEES

GEORGE CONDO YOUTH CULTURE

POLITICAL CARICATURES

CREATE YOUR OWN REALITY

STATEMENT

GOLDEN 20s

EXPRESSION OF RESISTANCE

IDENTITY

PERVERSION OF RELIGION

UTURE IS FEMALE

CHRISTIANITY MISOGYNY ISLAM

INCLUSIVE NIGHTLIFE BERLIN 1920S

1920S DECADENCE

BERLIN STREET ART LLUSTRATING RISE & FALL OF WEIMAR ^

20s LESBIAN MAGAZINE

SCHWULES MUSEUM BERLIN

CHARLES JEFFREY

CROSSDRESSER MADE TO PUT ON WOMENS CLOTHING WHEN ARRESTED AS MOCKERY

QUEER SUBCULTURE

YO!SISSY MUSIC FESTIVAL BERLIN

‘I grew up in an environment where there was nothing grotesque at all.

Everything was idyllic, so I had to invent in my mind some kind of antidote to beauty’

‘You realize there is no escape from the figure. We, as humans, are figures.

And we artists are responsible, to a certain degree, to reflect the condition of humanity in our art’

ANN DEMEULEMEESTER