Project Sample #1
MIAMI PERFORMING ARTS CENTER SCI-Arc, Fall 2012
The main idea for this project was to organize the three theaters in such a way
that they are individually separate components that at various instances touch, intersect, and create tensions in space. These diagrams display this concept. There was three main focuses in the development of this project, one of them was focused on the theaters and their interior circulation, secondly, the adjoining skin that connects the theaters into one; and thirdly, the allocation of the negative space on the interior. While the main intention is to lead the visitors in and down in up to each theater, the appearance to the outside remains cautious withour trying to be pretentious. The reaction to Gehry’s Walt Disney Concert Hall is obvious without attempt to overwhelm or compete by repeating, but rather by inverting the gesture. In order to accentuate moments the eye is guided through or towards certain objects. The perception of space changes with the visitor’s position and perspective. Therefore the experience from a single particle through space changes its position as well.
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ChengFeng Lin
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Site Plan Light, Air, Circulation diagram Concept process
Atrium Light Penetration
Atrium Light Penetration
Light + Air
In-between Theater Connections
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Primitives + Boundary
Overall Form
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Permeated Solids
Form Revisited
Rearranged Bounding Volume
Lattice Connectivity
Miami Performing Arts Center
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ChengFeng Lin
1. Reception 2. Ground Theater 3. Back of House 4. Entry to Grand Theater 5. Experimental Theater
6. 7. 8 9. 10.
Entry to Experimental Theater Main Lobby Cafe Classic Theater Entry to Classic Theater
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Miami Performing Arts Center
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ChengFeng Lin
1. Ground Level Floor Plan 2. Long Elevation
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3. Fifth Level Floor Plan 2. Short Elevation
Miami Performing Arts Center
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ChengFeng Lin
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1. Concept Diagram
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2. View of Theater Interior 3. View of Interior 2. 1:200 Scale Model
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Miami Performing Arts Center
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ChengFeng Lin
1. Exterior Street View
Project Sample #2
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GRAPHIC NOVEL LIBRARY SCI-Arc, Spring 2011
This project is a Library for Graphic Novels in lower east side of Manhattan.
The idea of the library is to collect, preserve, educate, and display graphic novels. The collection is not limited to animation, anime, cartoons, comic books, comic strips, gag cartoons, illustration. The library demands the collections are maintained in a provacative and dynamic envirnment appropriate to the study, display, conservation, and celebration of various examples of the idiom. One goal of this building is to educate the public about Graphic Novels, how it is crafted, how it reflects history and how it progresses to the future. The concept of the library is having boxes rotated and align to the streets. The rotation moment then become the sprial to the ground level where the cafe and multi-purpose room are. The circulation of the library is also base on the rotation idea from the lower level of the roof level. There are two major path of each level. There will be a atrium from the basement and all the way to the roof level, this atrium bring enough skylight and fresh air from outside. A serious of flexible. modular library space to desired in order to accommodate the diversity of Graphic Novels in Scale and format of its collection.
Studying Room
Library
Library
Lobby
Lobby
Admin
Admin
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Reading
Reading
Lobby
Lobby
Library Library Archives Archives 2
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1. 2. 3. 4. 5.
ChengFeng Lin
Site Plan Program Concept Study Model Concept Diagram Elevation
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Align to Mulberry St
Rotated volume
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Align to Both St
Compressed volume
Align to different floor size
Subdivided volume
Ground spiral to the center
Spiral ground
Graphic Novel Library
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1. 2. 3. 4.
Atrium geometry Section A-A Geometry Process Section B-B
Studying Room
Stacks
Director’s office Reading area
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ChengFeng Lin
One directional contour wireframe
Close surface volume
Contour with Trimed surface
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Overlapping contour wireframe
Finish surface
DN UP
DN
Graphic Novel Library
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DN
b
UP
UP DN UP
a
UP
e UP DN
A
UP DN
UP DN
UP
DN
d
DN
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DN UP
UP
DN
d
e
a
a DN
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DN
UP
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UP
DN
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DN
DN UP
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b UP
UP
e e
UP
c DN
UP DN
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UP
b UP
DN UP
DN
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5 DN
DN
UP
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UP
DN
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DN DN
b UP
a UP
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DN
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DN
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ChengFeng Lin
1. Ground Level a. Main lobby b. Spring St. Entry c. Event entry d. Mulberry St. Entry e. Information
3.Third level a. Circ. Desk b. Reading area c. Studying Room d. Atrium
5. Fifth Level 1. Stacks 2. Studying area 3. Reading area 4. Information desk 5. Atrium
7. Roof Level a. Skylight b. Atrium
2. Second level a. Archives b. Reading area c. Work area d. Director’s Office e. Atrium
4. Fourth Level a. Information desk b. Stacks c. Studying area d. Reading area e. Atrium
6. Sixth Level a. Studying Room b. Workshop c. Information desk d. Atrium
7. 1/8” Scale Model
Graphic Novel Library
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1. 2. 3.
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Library Interior Axon Section Perspective C-C Exterior Street View
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ChengFeng Lin
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Project Sample #3
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MANUFACTURE SURFACE Pratt Institute, Fall 2008
The Hunter Douglas Light Research Studio is a material research based design
studio that addresses the window treatment products of the Hunter Douglas Company. The studio explores new trajectories of the manipulation of this material as a means of extending and modulating the basic performance of the product. The studio was based on the concept of the material with its beauty, transparency, publicity, privacy, and the ability of manipulated light to guide to the specific categories ambience by creating the program to this material.
While it is a group project with the combination of interior design and architecture
students, I was able to develop strategies of usage that expand beyond the standard application of this material as window treatment. Everyone had the opportunity to fully experience all parts of process. I was primarily involved in documenting all material studies. In the second half, I was specializing to the structure process and fi nal fabrication. The studio research culminated with around a full scale constructed installation.
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Above: Inside model Left: Weaving process
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ChengFeng Lin
View Inside Installation Detail Surface Type
Rad= 4’-0” Height= 12’-0” Scale= 0.9 Skip= 3 Length= 175.0 Offset= 12’-0” Area= 530.31 sf
Rad= 4’-0” Height= 12’-0” Scale= 0.6 Skip= 3 Length= 225.0 Offset= 8’-0” Area= 787.95 sf
Rad= 4’-0” Height= 12’-0” Scale= 0.7 Skip= 3 Length= 175.0 Offset= 6’-0” Area= 648.03 sf
Rad= 4’-0” Height= 12’-0” Scale= 0.5 Skip= 3 Length= 225.0 Offset= 10’-0” Area= 725.76 sf
Manufacture Surface
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Study 1 (casted light)
Study 1 (back light)
Study 3 (fold schematic)
Study 3 (detail)
Study 1 (detail)
Study 1 (fold schematic)
Study 4 (fold schematic)
Study 4 (detail)
Study 2 (casted light)
Study 2 (back light)
Study 5 (fold schematic)
Study 5 (detail)
Study 2 (detail)
Study 2 (fold schematic)
Study 6 (fold schematic)
Study 6 (detail)
ChengFeng Lin
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Material Study (casted light, back light, fold schematic,detail)
Study 7 (casted light)
Study 7 (back light)
Study 9 (fold schematic)
Study 9 (detail)
Study 7 (detail)
Study 7 (fold schematic)
Study 10 (fold schematic)
Study 10 (detail)
Study 8 (casted light)
Study 8 (back light)
Study 11 (fold schematic)
Study 11 (detail)
Study 8 (detail)
Study 8 (fold schematic)
Study 12 (fold schematic)
Study 12 (detail)
Manufacture Surface
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ChengFeng Lin
Extended Structure Beyond
Surface Projection Top View Perspective with Structure Detail Elevation
Bottom Reinforcing Ring
3 Clockwise Reinforcment Weave Bottom Reinforcing Ring
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Manufacture Surface
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ChengFeng Lin
Gallery Installation
Manufacture Surface
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ChengFeng Lin
Installation Detail