Architectural Technologies & Interior Design Portfolio by Feryal Farahzad

F E R YA L FA R A H Z A D ARCHITECTURAL TECHNOLOGIES & INTERIOR DESIGN PORTFOLIO 2 0 1 4 2 0 1 8

CURRICULUM VITAE FE RYA L FA R AH ZAD

E D U CAT I O N

TECHNICA L SKILLS

Master of Science in Architectural Technologies Southern California Institute of Architecture 2017-2018

Autodesk AutoCAD Autodesk Revit Autodesk Maya Adobe Indesign Adobe Illustrator Adobe Photoshop Adobe After effects Enscape Grasshopper Rhinoceros 3D / V-ray Zbrush

Bachelor of Interior Design American University of Sharjah 2011-2016

E X PE RI E N C E Emerging Professional I Johnson Fain, Los Angeles, USA Feb2019 - Present Architectural Design Intern Coy Howard & Company, Los Angeles, USA Dec2018 - Feb2019 Junior Interior Designer IBA House Interior Architects, Dubai, UAE Feb2017-April2017 Interior Design Intern Swiss Bureau Interior Design, Dubai, UAE June2015 - July2015

ACHI E V E M E N T Illustration Design Maraya Art Center week exhibition FALL 2015

P RAC TICA L SKILLS Animation AR\VR Fabrication (Metal shop| Wood shop) Model Making Photography

CONTAC T t +1 424 270 4657 e feryal.farahzad@gmail.com a Los Angeles, California, USA

LA NGUAGES

English | Farsi | Italian

CONTENTS

A RCHITEC T U R AL T EC H N O LOGIES SUMMER2018

05 P RO PAG AT I V E DATA render | diagram | model

SPRING2018

15 D EAT H STA R I I render | model FALL2017

21 PHYG I TA L SAM P L I N G render | model SPRING2018

27 CYBORG M I S P R I S I O N render | diagram SPRING2018

35 S U P E R P RO ST H E T I C S render | drawing | model SUMMER2018

41 I MME RS E D render

SUMMER2018

49 PHYG I TAL FASH I O N I N G render | model

INTE RIOR DESIGN FALL2015

59 SUP E RM A RKE T render | drawing SPRING2015

69 P OP UP SUSHI BA R render | drawing SPRING2015

75 RECEPTION D ESK render | drawing SPRING2014

79 BATHING RITUA L render | drawing | model SPRING2016

85 THE M ONOLITH WALL render | drawing | model FALL2015

95 ILLUSTRATIONS render

SPRING2017

101 IBA HOUSE P ro j e c ts render

ARC H ITEC TU R AL TEC H N O LO GI ES P ro je c t s

SUMMER2018

P RO PAGATION OF DATA

Instructor: Marcelo Spina & Casey Rehm Team: Feryal Farahzad, Leila Khodadad

This proposal speculates the potential extension to the Music Center of Los Angeles to engage the plaza more with the city to augment the performative experience by utilizing the information that comes from lidar scanner. The super precise absolute points in space that received through lidar scanning allow for high dense detailed and projective information of existing structures. The aim is to maintain the details and explore how to use these inherited full resolution data in order to create an architectural language that leverage this complexity. The aim is to manipulate the data gathered from the lidar scanning as a generative tool to create architectural volumes and urban surfaces. In this algorithmic process, the point cloud is resampled and moved based on a structural base motion which creates a series of high resolution modules. Eventually, these modules are being aggregated through a top down performative decision that comes from massing, program, and compositional decisions.

Propagation of pointclouds

Physical models of resampled pointclouds with different stages of growth

SPRING2018

DEATH STA R II

Instructor: Marcelo Spina Team: Feryal Farahzad, Leila Khodadad

The project aims to reconstruct the fictional object â&#x20AC;&#x153;Death Star IIâ&#x20AC;? by literally embarking in a process of projective fiction, an act of both deep conceptual and cultural rigor as well as design artistry and technical dexterity. Understanding the ready-made object as a strong enough concept, the aim is to reconfigure and reconstruct the project under the rubric of a fuzzy monolith and misfigured assemblies through the lens of this pre-existing artifact. Death Star has been a source for architectural speculation in the description, conception, generation and materialization of strange and fictional objects that are somewhat trapped between, part and whole, idealized universe and mechanical instrument, planetary perfection and confined ruination.

Top View

45 Degree top view

Physical Model

FALL2017

P HYGITA L SA MPLING

Instructor: Peter Testa Team: Marcos Dana, Feryal Farahzad, Leila Khodadad, Eddye Traverso

The project experiments moving a design from physical materials to a form of digital information like point clouds through the process of scanning and capturing those objects. We have been given 14 physical models of Le Corbusier’s Unité d'habitation. These physical objects are brought into spherical captures which make it possible to isolate information from all Points of view omitting context and scale. Unlike Corbusier’s pure objects which are completely enclosed and smooth in terms of materiality, due to the lighting conditions and angle of shots taken, the results of these scanned objects have some misreading and new imbedded qualities. The digital reconstructed model became defamiliarized through machine vision without losing their entire legibility. They are now sort of open with incomplete edges, fragmented and rough which has some kinds of granularity.

CAPTURES CAPTURES

CAPTURE CAPTURE MODELS MODELS

PAIRIN PAIR

PAIRING PAIRING M

Capture: The digital outcome of the process of photogrammetry capturing of individual physical objects. Pairing: In this stage the phygital individual objects have been combined to create pairings which created figures with new information. These figures came together based on contrast on their form, scale and their texture.

NG RING

COMPOSITION COMPOSITION

MODELS G MODELS

CHOREOGRAPHY CHOREOGRAPHY

Composition: The pairings have been combined to create set-pieces based on their contrast on their texture, and unconventional point of view and possible interactions that can be established between the objects in the new arrangement. These new images are the part of a new promenade.

Choreography (stop motion): The new 2D composition then has been reconstructed 3 dimensionally by choreographed movements of those objects in the robot lab. The aim is to create a choreography that repurposes and ties the compositions together in a fluid manner to produce a continuous loop of motion where all the objects play a role in those compositions and at the same time each object shows their own qualities to the viewer.This process reveals the fidelity or mismatching of these compositions. This work flow and toolset will allow to create new forms of modeling and generative representation which leads to create a promenade.

SPRING2018

CYBO RG MIS PR ISION Instructor: David Ruy

This project explores designing a surreal hotel that has been used as a vehicle for developing ideas about form and style by experimenting convolutional neural network. In this system, the algorithm allows to produce new images of high perceptual quality that combine the form of an arbitrary image with the style of another arbitrary image. The results provide new insights into the deep image representations learned by Convolutional Neural Networks and demonstrate their potential for high level image synthesis and manipulation. Due to the huge impact of the scale as a parameter on the CNN result, the texture of this multi-story hotel is the outcome of smaller tiles of textures that have been put together to create the whole texture of the faรงade and interior spaces. Also, the main massing of the building is the result of extrusion of CNN result and manipulating that geometry.

FORM

STYLE

CNN RESULT

Convolutional Neural Network

SPRING2018

S UP E R A N IM AL PROSTHETICS EQUUS ACINONYX

Instructor: Herwig Baumgartner Team: Rachel Chen, Marcos Dana, Feryal Farahzad ,Jinsoo Kim, Hseng Tai Lintner, Yo Tomura, Runze Zhang

Portmanteau of the genus names of the horse (Equus ferus caballus) and the cheetah (Acinonyx jubatus). The bionic horse: Equus-Acinonyx is a 1:1 prototype for a performance enhancing prosthetic limb developed to augment a horse’s range of motion. Modelled after the operational principles of a running cheetah, the limb specifically targets the horse’s ability to make abrupt turns during full gallop. Unlike the cheetah that has an ability to execute extreme changes in direction while moving at high speed, the horse’s range of motion is inversely proportional to its speed. The limb is a single material composite that makes use of performative patterning. Through the application of varying material densities and directional distribution, the limb integrates multiple properties such as springback, deflection, torsion and rigidity that function symbiotically to perform as a whole.

EQUUS ACINONYX SUPER ANIMAL PROSTHETICS Equus-Acinonyx: Portmanteau of the genus names of the horse (Equus ferus caballus) and the cheetah (Acinonyx jubatus)

THE BIONIC HORSE Equus-Acinonyx is a 1:1 prototype for a performance enhancing prosthetic limb developed to augment a horse’s range of motion. Modelled after the operational principles of a running cheetah, the limb specifically targets the horse’s ability to make abrupt turns during full gallop. Unlike the cheetah that has an ability to execute extreme changes in direction while moving at high speed, the horse’s range of motion is inversely proportional to its speed. PERFORMATIVE PATTERNING AND MATERIALITY The limb is a single material composite that makes use of performative patterning. Through the application of varying material densities and directional distribution, the limb integrates multiple properties - such as springback, deflection, torsion and rigidity - that function symbiotically to perform as a whole. FABRICATION AND DEVELOPMENT The project was developed through a series of studies incorporating PLA extrusions and a series of flexible silicone based materials with the use of robotic fabrication. The final prototype combines multiple modes of extrusion in order to produce a product that is performative, geometrically complex and has a high degree of resolution and texturing.

RANGE OF MOTION: LATERAL MOVEMENT AND EXTENSION

MULTI-DIRECTIONAL PATTERNING Extreme rigidity Limited deflection + torsion

FLAT STATE

FINGER JOINT Extreme rigidity Limited deflection + torsion

PARALLELE JOINT AND PATTERNING Semi-flexible / No torsion Some deflection + extreme springback

FLEXIBLE TRUSS Super-flexible / Extreme torsion Extreme deflection + strong springback

Fabrication and development: The project was developed through a series of studies incorporating PLA extrusions and a series of flexible silicone based materials with the use of robotic fabrication. The final prototype combines multiple modes of extrusion in order to produce a product that is performative, geometrically complex and has a high degree of resolution and texturing.

SUMMER2018

IMME RS E D

Instructor: Rachael McCall Team: Feryal Farahzad, Leila Khodadad

This project studies a platform to work in the territory of contemporary architecture practice, in the interest of advancing image production, techniques in modeling and animation, as well as investigating the new paradigm of virtual reality (VR). Immersed is about methods and new opportunities for sculpting and animating, thick brush strokes on fatty, dimpled figures through VR. It is a play on ideas of artificial immersive VR environments mixed with formal responses to the terms the word evokes such as to dip, dunk, plunge, sink and be totally absorbed by something. The work oscillates between 2D and 3D worlds, the virtual, augmented and real. Bodylike attributes, including ideas of posture, stance, movement, character and personality are also invoked by the word immersed. It can be read as a term that oscillates between 2D and 3D worlds. Modeled figures do not resemble human figures but instead are abstracted coherent geometry.

Sculpting in VR

A sequence of final animation

Characters modeled in VR

SUMMER2018

P HYGITA L FA SHIONING

Instructor: Peter Testa Team: Feryal Farahzad, Leila Khodadad, Reza Salehi

The project aims to explore the transformation in representational modalities with which art, architecture, design and fashion operate. Giving equal weight and importance to both digital and analog objects, this design explores a new sensibility of superposition, parallelism and layered techniques. It studies on the potential for new types of physical/informational models as objects for image capture and aesthetic composition. By using photogrammetry, the goal is to exploit discrepancies and gaps in information to generate new objects and new ways of seeing objects. The project argues for phygital sensibiliy which means exchanging traits by making a digital object more physical and a physical object more digital.

Transition of the dynamic surface

I N TE R I O R DES IG N P ro j e c ts

FALL2015

S UP E RMA RK ET

Instructor: Camilo Cerro

Fresco is a boutiqe supermarket located in Sharjah, UAE. The concept of this supermarket is based on fresh products and "Fresco" which means "Fresh" in Italian is being chosen due to this concept. The Interior of this project has been designed to create a shopper-friendly environment for customers. Efficiency has played a great role which allow to use the maxmium space for showcasing the products. In terms of materiality, the combination of glossy white color, tones of green and wood represent a very fresh, clean, healthy space which enhance the concept and help products to be displayed better in order to attract the customer's attention.

ID201

FFID

19480 1458

1458

5108

878

4163

Feryal Farahzad Interior Design

1400

INTERIOR DESIGNER:

1400

17043

1400

FERYAL FARAHZAD , SHEIKH ZAYED ROAD, DUBAI, UAE PHONE: 065155555 EMAIL: G00041084@AUS.EDU FERYAL.FARAHZAD@GMAIL.COM CLIENT:

1400

JUAN ROLAND SHEIKH ZAYED ROAD, DUBAI, UAE PHONE: 065155555 EMAIL: G00041084@AUS.EDU

765

1400

STAMP:

FIRST FLOOR PLAN SCALE 1:180

80542 6360

4243

11667

4250

4221

2854

25042

2531

9045

3139

1000

5644

350

3693

546

2962

ISSUE :

10420

24429

DATE :

2962

PROJECT NAME:

350

IDE 401 SUPERMARKET DRAWING NAME:

3693

FINISH FLOOR PLAN SCALE: DATE: DRAWING:

1:180 05-01-2016 5 of 30

PROJ.NO: DRAWN BY: CHECKED BY:

109873547 FERYAL FARAHZAD CAMILO CERRO

DRAWING NUMBER:

GROUND FLOOR PLAN SCALE 1:180

ID100 THIS COPY OF THE DRAWING BELONGS TO THE AMERICAN UNIVERSITY OF SHARJAH AND SHALL NOT BE USED OR REPRODUCED IN ANY FORM WITHOUT ITS EXPRESS PERMISSION.THE MORAL RIGHT OF THE AUTHOR IS HEREBY ASSERTED - FOR THE AVOIDANCE OF DOUBT ALL DIMENSIONS ARE MEASURED TO WALL STRUCTURE AND NOT THE FINISHES UNLESS OTHERWISE STATED

PLAN

F F

6100mm AFF 6100mm AFF

Feryal F Feryal F Feryal F

6100mm AFF

FIRST FLOOR CONSISTS ONE MANAGER OFFICE FIRST FLOOR CONSISTS AND ONE CONFERENCE ONE MANAGER OFFICE FIRST FLOOR CONSISTS ROOM AND MANAGER ONE CONFERENCE ONE OFFICE ROOM AND ONE CONFERENCE

4000mm AFF 4000mm AFF

INTERIOR DESIGNER:

INTERIOR DESIGNER: FERY

ROOM

4000mm AFF

1000mm AFF 1000mm AFF

CLIENT:

FERY JUAN SHEIK JUAN DUBA SHEIK PHON JUAN DUBA EMAIL SHEIK PHON DUBA EMAIL PHON

CLIENT: CLIENT:

AND TOILETS

1000mm AFF 0 mm 0 mm 0 mm

SHEIK DUBA SHEIK PHON FERY DUBA EMAIL SHEIK PHON FERY DUBA EMAIL PHON FERY EMAIL

INTERIOR DESIGNER: FERY

GROUND FLOOR AT BACK OF HOUSE GROUND FLOOR AT INCLUDING STORAGE BACK HOUSE GROUND FLOORROOM AT AREA,OF LOCKER INCLUDING STORAGE BACK OF HOUSE AND TOILETS AREA, LOCKER ROOM INCLUDING STORAGE AND TOILETS AREA, LOCKER ROOM

STAMP:

01 01 01

STAMP:

SECTION 01/ID201

STAMP:

SCALE 1:100 SECTION 01/ID201 SECTION 01/ID201 SCALE 1:100 SCALE 1:100

6100mm AFF 6100mm AFF 6100mm AFF

MEAT & FISH MEAT MEAT & & FISH FISH

3400mm AFF 3400mm AFF

OLIVE OLIVE OLIVE

PANELS OF BACK PAINTED GLASS PANELS OF BACK PAINTEDOF GLASS PANELS BACK

PAINTED GLASS SIGNAGE OF THE BOOTH ATTACHED TO THE SIGNAGE OF THE BOOTH GLASS PANELS ATTACHED TO THE SIGNAGE OF THE BOOTH GLASS PANELS ATTACHED TO THE GLASS PANELS STEEL PANEL HAS BEEN USED FOR INTERIOR OF STEEL PANEL HAS BEEN KITCHEN USED INTERIOR OF STEELFOR PANEL HAS BEEN KITCHEN USED FOR INTERIOR OF

3400mm AFF

KITCHEN SPECIAL SHELF FOR OLIVE OIL BOTTLES

1000mm AFF

SPECIAL SHELF FOR OLIVE OILSHELF BOTTLES SPECIAL FOR OLIVE OIL BOTTLES

1000mm AFF 1000mm AFF 0 mm 0 mm 0 mm

02 02 02

SECTION 02/ID201 SCALE 1:100 SECTION 02/ID201 SECTION 02/ID201 SCALE 1:100 SCALE 1:100

DATE : DATE : DATE :

6100mm AFF 6100mm AFF 6100mm AFF

PROJECT NAME:

INTERIOR GREEN HOUSE WITH BAMBOO TREES INTERIOR GREEN HOUSE WITH BAMBOO TREES INTERIOR GREEN HOUSE

PROJECT NAME:

IDE 401 IDE 401 IDE 401

PROJECT NAME:

WITH BAMBOO TREES

4000mm AFF 4000mm AFF

DRAWING NAME:

CUSTOMER SERVICE

4000mm AFF

DRAWING NAME:

CUSTOMER SERVICE CUSTOMER SERVICE

SCALE:

EXIT DOUBLE SIDED CASHIER UNITS DOUBLE SIDED CASHIER UNITS DOUBLE SIDED CASHIER

1000mm AFF 1000mm AFF

1:100 05-01

SCALE: DATE: DRAWING: DATE: DRAWING: DRAWING NUMBER:

1:100 05-01 10 of 05-01 10 of

ID ID ID

DRAWING: DRAWING NUMBER:

0 mm 0 mm

1:100

SCALE: DATE:

UNITS

1000mm AFF 0 mm

SHOR SHOR SHOR

DRAWING NAME:

TWO SLIDING DOORS TO EXIT TWO SLIDING DOORS TO EXIT TWO SLIDING DOORS TO

10 of

DRAWING NUMBER:

03 03 03

SECTION 03/ID201 SCALE 1:100 SECTION 03/ID201 SECTION 03/ID201 SCALE 1:100 SCALE 1:100

THIS COPY OF THE DRAWIN

AND SHALL NOT BE USED O THIS COPY OF THE DRAWIN PERMISSION.THE MORAL R AND SHALL NOT BE USED O AVOIDANCE OFTHE DOUBT ALL THIS COPY OF DRAWIN PERMISSION.THE MORAL R NOT FINISHES AND THE SHALL NOT BEUNLESS USED O AVOIDANCE OF DOUBT ALL PERMISSION.THE MORAL R NOT THE FINISHES UNLESS AVOIDANCE OF DOUBT ALL

NOT THE FINISHES UNLESS

ELEVATIONS

FFID Feryal Farahzad Interior Design

INTERIOR DESIGNER:

305

FERYAL FARAHZAD , SHEIKH ZAYED ROAD, DUBAI, UAE PHONE: 065155555 EMAIL: G00041084@AUS.EDU FERYAL.FARAHZAD@GMAIL.COM CLIENT:

JUAN ROLAND SHEIKH ZAYED ROAD, DUBAI, UAE PHONE: 065155555 EMAIL: G00041084@AUS.EDU

STAMP:

2508

BACK PAINTED GLASS PANEL

3743

BACK PAINTED GLASS PANELS SUPPORTED BY PLYWOODS ATTACHED TO THE STUD

SIGNAGE

LIGHT FIXTURE

6128 928

635

6143

DROPPED CEILING STEEL STUDS COVERED IN GYPSUM BOARD CREATING A LIGHT COVE

SIGNAGE ATTACHED TO BACK PAINTED GLASS PANEL

2695

STAINLESS STEEL PANEL USED FOR INTERIOR OF THE KITCHEN

562

DATE :

ISSUE :

895

BACK PAINTED GLASS PANEL

SHELF FOR PRODUCT RELATED TO MEAT AND FISH

SHELVING SYSTEM FOR ESPECIAL PRODUCT PROJECT NAME:

LINOLEUM FLOORING CONNECTED TO CONCRETE FLOOR SLAB

IDE 401 SUPERMARKET DRAWING NAME:

430

595

1000

2382

708

3977

708

DETAILED SECTION

708

2124 SCALE:

DETAILED SECTION SCALE 1:25

DETAILED ELEVATION

DATE:

SCALE 1:25

DRAWING:

1:25 05-01-2016 12 of 30

PROJ.NO: DRAWN BY: CHECKED BY:

109873547 FERYAL FARAHZAD CAMILO CERRO

DRAWING NUMBER:

ID300 THIS COPY OF THE DRAWING BELONGS TO THE AMERICAN UNIVERSITY OF SHARJAH AND SHALL NOT BE USED OR REPRODUCED IN ANY FORM WITHOUT ITS EXPRESS PERMISSION.THE MORAL RIGHT OF THE AUTHOR IS HEREBY ASSERTED - FOR THE AVOIDANCE OF DOUBT ALL DIMENSIONS ARE MEASURED TO WALL STRUCTURE AND NOT THE FINISHES UNLESS OTHERWISE STATED

DETAILED SECTION OF THE MAIN KITCHEN

FFID

Feryal Farahzad Interior Desi

INTERIOR DESIGNER:

759

559

FERYAL FARAHZAD , SHEIKH ZAYED ROAD, DUBAI, UAE PHONE: 065155555 EMAIL: G00041084@AUS.EDU FERYAL.FARAHZAD@GMAIL.COM CLIENT:

200

JUAN ROLAND SHEIKH ZAYED ROAD, DUBAI, UAE PHONE: 065155555 EMAIL: G00041084@AUS.EDU

3096

6128

2336

2536

3096

STAMP:

WHITE GLOSSY PAINT WITH SEAM LINES TO REPRESENTS ILLUSION OF PANELS

678

SIGNAGE ATTACHED TO THE GYPSUM WALL STUD COVERED WITH GYPSUM AND WHITE GLOSSY PAINT LIGHT BOX SHOWS AN IMAGE RELATED TO DAIRY PRODUCT

STAINLESS STEEL PANEL USED FOR INTERIOR OF KITCHEN

STAINLESS STEEL PANEL

1061 3032

3032

1060

SHELVING UNIT TO DISPLAY PRODUCT

SHELVES IN KITCHEN FOR DISPLAY AND STORAGE PURPOSE

DATE :

LINOLEUM FLOORING CONNECTED TO CONCRETE FLOOR SLAB

904

ISSUE :

WHITE GLOSSY PAINT WITH SEAM LINE

389

1294

FRIDGE UNIT FOR DAIRY PRODUCT

PROJECT NAME:

IDE 401 SUPERMARK DRAWING NAME:

1000

1040

455

130

827

691

3452

DETAILED SECTION, BOOTH SCALE 1:25

691 2073

691

DETAILED SECTION, BO SCALE:

DETAILED ELEVATION, BOOTH SCALE 1:25

1:25

DATE:

05-01-2016

DRAWING:

13 of 30

PROJ.NO: DRAWN BY: CHECKED BY:

1098735

FERYAL

CAMILO

DRAWING NUMBER:

ID301

THIS COPY OF THE DRAWING BELONGS TO THE AMERICAN UNIVERSIT

AND SHALL NOT BE USED OR REPRODUCED IN ANY FORM WITHOUT IT

PERMISSION.THE MORAL RIGHT OF THE AUTHOR IS HEREBY ASSERTE

AVOIDANCE OF DOUBT ALL DIMENSIONS ARE MEASURED TO WALL ST NOT THE FINISHES UNLESS OTHERWISE STATED

DETAILED SECTION OF THE BAKERY BOOTH

1056

3450 2267

2267

1056

1183

SCALE 1:40

BOOTH CONSTRUCTION PLAN SCALE 1:40

SCALE 1:40

BOOTH REFLECTED CEILING PLAN SCALE 1:40

BOOTH CONSTRUCTION PLAN

BOOTH REFLECTED CEILING PLAN

1143

750

SCALE 1:40

750

873

1028

801

873

761

801

748

770

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5022 1028

801

761

801

748

770

750

3047

05 05

BOOTH FRONT ELEVATION SCALE 1:40

BOOTH BACK ELEVATION SCALE 1:40

1700

3047

BOOTH FRONT ELEVATION SCALE 1:40

PLAN | ELEVATIONS OF SWEETS BOOTH

2084

SCALE 1:40

06 06

BOOTH LEFT SIDE ELE SCALE 1:40

BOOTH LEFT SIDE ELEV SCALE 1:40

BOOTH FRONT ELEVATION

2170

480

1134

3047

480

669 86

155

761

3047

750

801

1700

750

1028

3047

3047 669

750

1134 480 1134 678

3047

750

761

700647

155

669678

5015 1143

SCALE 1:40

700

750

877 877 77 274 189 152 77 186 274 189 152 186

750

2170 2170 877 2084 2084 77 274 189 152 186

750

BOOTH RIGHT SIDE ELEVA

5022

155

678

750

SCALE 1:40

5022

5015 1143

SCALE 1:40

BOOTH RIGHT SIDE ELEVATION

BOOTH REFLECTED CEILING PLAN

5015

BOOTH RIGHT SIDE ELEVATION

3047 700

BOOTH CONSTRUCTION PLAN

1700

647

1183

3450

2267 1183

3450

1056

BOOTH BACK ELEVATION SCALE 1:40

BOOTH LEFT SIDE SCALE 1:40

133

HANDLE

250250

INTERIOR DESIGNER:

150150

CONTINIOUS PLASTIC PIECE AS THE MAINPLASTIC STRUCTURE CONTINIOUS PIECE AS THE MAIN STRUCTURE

CLIENT:

CONTINIOUS PLASTIC PIECE AS THE MAIN STRUCTURE

CLIENT:

PLASTIC BASKET WITH OPENINGS ON THE SIDES PLASTIC BASKET WITH OPENINGS ON THE SIDES

STAMP: STAMP:

PLASTIC BASKET WITH OPENINGS ON THE SIDES

350350

FERYAL FARAHZAD , SHEIKHFARAHZAD ZAYED ROAD, FERYAL , ROAD, PHONE: 065155555 DUBAI, UAE FERYAL FARAHZAD , EMAIL: G00041084@AUS.EDU PHONE: 065155555 SHEIKH ZAYED ROAD, FERYAL.FARAHZAD@GMAIL.C EMAIL: G00041084@AUS.EDU DUBAI, UAE FERYAL.FARAHZAD@GMAIL.CO PHONE: 065155555 EMAIL: G00041084@AUS.EDU FERYAL.FARAHZAD@GMAIL.CO JUAN ROLAND SHEIKH ZAYED ROAD, JUAN ROLAND DUBAI, ZAYED UAE ROAD, SHEIKH PHONE: 065155555 DUBAI, UAE JUAN ROLAND EMAIL: G00041084@AUS.EDU PHONE: 065155555 SHEIKH ZAYED ROAD, EMAIL: G00041084@AUS.EDU DUBAI, UAE PHONE: 065155555 EMAIL: G00041084@AUS.EDU

DUBAI, ZAYED UAE INTERIOR DESIGNER: SHEIKH

PLASTIC BASKET

150

1112 1112 1112

INTERIOR DESIGNER:

PLASTIC BASKET PLASTIC BASKET

250

260260 260 46 46 46 915915

STAMP:

CANTILEVERED PIECE TO SUPPERT THE BASTKET CANTILEVERED PIECE TO SUPPERT THE BASTKET

350

440440 440

Feryal Farahzad Interior De

HANDLE HANDLE

133133

439

915

FFID FFID

Feryal Farahzad Interior D Feryal Farahzad Interior De

439 439

R551 R551

130

170

170170

130130 100

100100

CANTILEVERED PIECE TO SUPPERT THE BASTKET

R551

02 02 02

SCALE 1:10

439 439

439

RENDER RENDER SCALE 1:10 SCALE 1:10 RENDER SCALE 1:10

130

250250

250

130130

03 03 03

DATE :

ISSUE :

150150

ISSUE :

150

1112 1112 1112

150150

PROJECT NAME:

350350

150

PROJECT NAME:

IDE 401 SUPERMAR IDE 401 SUPERMAR

PROJECT NAME:

350

350350

1112 1112 1112

SIDE ELEVATION SIDE ELEVATION SCALE 1:10 SCALE 1:10 SIDE ELEVATION

439 439

130130

01 01 01

SHOPPING CART PLAN SHOPPING CART PLAN SCALE 1:10 SCALE 1:10 SHOPPING CART PLAN

IDE 401 SUPERMAR

100100

131131 100

131

DRAWING NAME: DRAWING NAME:

DRAWING NAME:

SCALE: SCALE: DATE:

SHOPPING CAR SHOPPING CART

SHOPPING CART 1:10 1098 PROJ.NO:

DATE: DRAWING: SCALE:

1:10 05-01-2016 05-01-2016 21 of 30 30 05-01-2016

1:10 DRAWING: DRAWING NUMBER: 21 of DATE: DRAWING NUMBER:

04 04 04

FRONT ELEVATION FRONT ELEVATION SCALE 1:10 SCALE 1:10 FRONT ELEVATION SCALE 1:10

05 05 05

BACK ELEVATION BACK ELEVATION SCALE 1:10 SCALE 1:10 BACK ELEVATION SCALE 1:10

06 06 06

EXPLODED ISOMETRIC VIEW EXPLODED ISOMETRIC VIEW SCALE 1:10 SCALE 1:10 EXPLODED ISOMETRIC VIEW SCALE 1:10

DRAWING: DRAWING NUMBER:

PROJ.NO: DRAWN BY:

DRAWN BY: CHECKED BY: PROJ.NO: CHECKED BY: DRAWN BY:

1098 FER FERY CAM 1098 CAM FERY

ID700 ID700 21 of 30

CHECKED BY:

CAM

THIS COPY OF THE DRAWING BELONGS TO THE AMERICAN UNIV

ANDCOPY SHALL USED ORBELONGS REPRODUCED INAMERICAN ANY FORMUNIVE WITH THIS OFNOT THEBE DRAWING TO THE

PERMISSION.THE RIGHT OF THE AUTHOR HEREBY AS AND SHALL NOT BEMORAL USED OR REPRODUCED IN ANYIS FORM WITHO

AVOIDANCE OF DOUBT DIMENSIONS ARE MEASURED WA PERMISSION.THE MORAL ALL RIGHT OF THE AUTHOR IS HEREBYTO ASSE THIS OF THE DRAWING BELONGS TOSTATED THE AMERICAN UNIVE NOTCOPY THE FINISHES UNLESS OTHERWISE AVOIDANCE OF DOUBT ALL DIMENSIONS ARE MEASURED TO WAL AND SHALL NOT BE USED OR REPRODUCED IN ANY FORM WITHO NOT THE FINISHES UNLESS OTHERWISE STATED PERMISSION.THE MORAL RIGHT OF THE AUTHOR IS HEREBY ASSE

AVOIDANCE OF DOUBT ALL DIMENSIONS ARE MEASURED TO WAL NOT THE FINISHES UNLESS OTHERWISE STATED

DETAILED DRAWINGS OF THE SHOPPING CART

SPRING2015

P O P UP S US HI BAR Instructor: Juan Roldan

The requirements of this Pop up Sushi Bar are smaller than a restaurant as the produces are transported to it on a daily basis, without needing a full kitchen for preparation. The main cooking element required for this Pop-Up Sushi Bar is a Sushi counter that provides dinner for eight people every evening, always under an exclusive selection and not open to general public. The space includes three programmatic elements: an access, a lobby and a dining room.

4000

IDE-302 Design

PROJECT:

Dream of Sushi Restaurant

DRAWING:

PLAN

DISCLAIMER:

COURSE

DATE

DRAWN BY

SCALE

PAGE LOCATION

IDE 302

22-03-2015

Feryal Farahzad

1:20

1-5

SHEET NUMBER

PLN01

OR GENERAL PRESENTATION PURPOSE ONLY, AND ARE NOT INTENDED, NOR SHOULD BE USED FOR ENGINEERING DESIGN PLANS

SPRING2015

RECE PTIO N D ESK

Instructor: Robert Reid Team: Feryal Farahzad, Maryam Korchi

We were required to identify and research a luxury brand company in order to create a custom reception desk for a given space, which meets the needs of the program and the brand identity of the client. This project provides an opportunity to consider only the furniture layout requirements of the project and introduce the concept of furniture as more than simply decorative objects. This project studies how a piece of furniture can be used to designate and define spaces, create multiple forms of privacy and enhance work flow.

TOP ELEVATION

FRONT ELEVATION

BACK ELEVATION

SIDE ELEVATION | SECTIONS

SPRING2014

BATHIN G RIT UAL Instructor: Juan Roldan

A space of 10m x 4m is created to celebrate the practice of meditation and relaxation. This place is located in a hot desert of UAE, in which people visit to refresh themselves with a special experience of water. The project focuses on designing a brick wall to explore the collaboration of the units in a plane to create a space defining structure and to experiment how it can filter the light through a space. The brick wall is designed with different operations including rotation, push and pull and shifting in order to create a gradual transformation in a curvilinear outline of the wall. Initially, it is very subtle and starts to change gradually by different operations and then the activity decreases toward the end.

TOP VIEW

Physical Model

SPRING2016

THE MO N O L ITH WALL

Instructor: Daniel Chavez Team: Leen Al Ali, Jawaher Al Nabouda, Hala Alsabouni, Fatma El Feki, Feryal Farahzad, Alaa Hosam, Marwa Istanbuli, Salma Khalifa, Maryam Korchi, Xeina Malki, Nourhan Rahhal, Revathy Ramakrishnan, Priyal Ramchandani, Rama Rijjal, Nariman Zamen

The Monolith is an interactive wall that caters to the student's needs. The program we decided to fulfill is workspace that is comfortable, clean and adjustable with good lighting. Therefore, we took full advantage of the metal shop and the wood shop to create a monolith that would act as focal point to our labs. We worked with a square module that divides itself up into smaller modules creating a pattern. Moreover, the wall consists of work surfaces and benches. The tables can be used by pulling out adjacent. The benches vary in widths depending on the activity. The lighting system also is designed to ensure a comfortable light to go with the working surfaces.

Fabrication process

Partially open

Fully open

FLOOR PLAN BENCHES AND TABLES IN OPEN CONDITION

FLOOR PLAN ONLY TABLES IN OPEN CONDITION

CAAD LAB S FLOOR PLAN DIFFERENT CONDITIONS

PLAN

METAL ROD

RED OAK WOOD

METAL SHEET

PEGBOARD METAL

FRONT ELEVATION

I LLU STR ATI O N S

The purpose of this project is the reconstruction of an existing render in order to enhance technical skills.

I N TE R I O R D ES IG N P ro j e c ts at I BA H O U S E

The Ladies Majlis of the Saood Vila

I was part of their interior designer team to design space including colors and materials and types of furniture.

101

102

The dinning room of the Saood Vila

I was part of their interior designer team to design space including colors and materials and types of furniture.

103

The library room of the Saood Vila

The design of this room was fully assigned to me as an interior designer.

104

The Men Majlis

I was part of their interior designer team to design space including colors and materials and type of furnitures.

105

106

RAK Traffic Police Department

I was assigned to propose a full design for the competition of interior designing RAK police department.

107

108