FIFTYTWOMAGAZINE by FIFTYTWOMAGAZINE

F I FTYTW OMAGAZ IN E INCEPTION

NOV 2018

m a xi ne

MAXINE

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CONTRIBUTORS Photographers Mussington Photography Theartof1 Daniel Camer The Sensual Eye Forgotten Images MyIdentityDisorder HOUTKOV Precise Perspective Kabe Photography Jorgepoliophotography Damien J Marie Dame

L ETTER F ROM TH E EDI T OR A picture says a 1000 words but hides 10,000 more Welcome to our world!

Models Maxine Stewart V i k a Ve x s k a Justine Gines Rea Luira Christa Sauve Ashley Williams Shaheim Thomas Spicy Amanda Greg Guillaumond Nevada Caitlyn Michelle Kelman Stephanie Anderson Ash le y Ly nn Solange Raymond Jennifer Zarudny Karina Macconnell Ve n u e Marie Dame

A picture has a language of its own, a moment, a meaning, and expression or a feeling. All in the eye of the beholder. Thereâ&#x20AC;&#x2122;s suddenly a story behind the faces, forms, and images. The imagery draws the visitor in with an explanation.

The magazine will rely upon the use of high quality images of people, places and the imagination of its contributors.

FIFTYWOMAGAZINE will be an open forum for its involved contributors to voice there opionions, concepts Rather than just being another digital magazine, and words for the reader to have a perspective from the FIFTYTWOMAGAZINE realizes that the people and places thoughts of the writer guaranteeing a deeper involved in the images are as important as the captured understanding of why we do what we do. image itself. These associated stories and articles area valuable addition where human contact is an important This quarterly produced magazine will have no intended part of both the modelling and photogtaphy industries. It theme and will feature the art of those included in the helps add a personal perspective and or style which builds field of photography generated during the FIFTY TWO the understanding of experiences from its contributors weeks of the year. and for our readership. FIFTYTWOMAGAZINE hopes to constanly find new The focus of FIFTYTWOMAGAZINE is to locate and artists across all genres to showcase their work and celebrate imagery. Strong images capturing lighting, and talents. I hope that all that view the contents of the idenifiable subject, an ability to tell a story, the creation magazines pages will see a fresh and welcoming space of creating tension in an image by proper framing and the to celebrate imagery. ability of the image to have its own mystery. WRITTEN BY: A. MUSSINGTON

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INDEX SECTION

CO N T EN T

SAFETY

TRADE FOR PRINTS/PHOTOS

WHY I MODEL

PHOTOGRAPHERSâ&#x20AC;&#x2122; EYE

GALLERY

VENUE REVIEW

Get to know our models. A behind the scenes look at why they do what they do.

FIFTYTWOMAGAZINE strives to understand the modelling industry through the eyes and artisic work of its contibutors. Today we introduce artist and photpgrapher TheArtof1.

A collection of imagery that captures and celebrates the imagination of its viewers.

A venue with character and ambience is often a great resource for creativity. Studio Bon Soleil is a well established furnished studio in Toronto.

AUTHORED BY: INVOLVED MODEL

WRITTEN BY: THEARTOF1

FEATURED: VARIOUS

WRITTEN BY: MARIE DAME

One of the worst kept secrets in the modelling industry is SAFETY. Let us understand the need for respect and decency.

WRITTEN BY: A. MUSSINGTON

There are benefits to both parties of such an agreement. The model and photographer can build a portfolio of prints to show prospective clients at little or no cost.

WRITTEN BY: A. MUSSINGTON

THE PEOPLE WHO MADE THE MAGAZINE POSSIBLE LIKE: EDITOR/ ANDREW MUSSINGTON, WRITTERS , THEARTOF1, MARIE DAME and the contributing interiewed models. The opinions and views authored by the contibutors are not necessarily the belief of FIFTYTWOMAGAZINE itself. FIFTYTWOMAGAZINE is simply a forum for expression. All images within the magazine have been provided by the contirbutors: the photographer, the models, the venue owners. FIFTYTWOMAGAZINE understand that the images within have been created by the original photographer. If there is any dispute between the photographer and involved model regarding the provided images FIFTYTWOMAGAZINE has no responsibility.

E DI TORIAL

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I am not a writer but these are some of my thoughts and opinions on the topic of social media. Instagram lets us

EDI TO RI A L

into the lives of the people we admire or aspire to be. The snippets of fun family pics, the foolish moments and the stories we provide for our unknown viewers. Is it also possible , that this is creating a different view of ourselves? Comparing and competing for likes and the all-important new follower. Don’t get me wrong both IG, Facebook and other social mediums have led me to see photography in a new light. The light however may not be what I had envisioned. I read of bullying, accusations of misconduct, I read of self-harm, I see depression, I see people seeking validation, I’ve read of its members battles with mental illness and more. All stories that share anxieties and insecurities for all to witness by our followers and so-called friends we have never met. Am I addicted to social media? I don’t believe I have an addictive personality. I do open my IG daily looking to see if my posted images are receiving some love! I see the work of other photographers and image makers and wonder what their journey has been like. How did they get that number of followers? I’m constantly comparing my images against others maybe to my own demise. I look for quality and depth of the images. Is it possible not to compare? Do my images compare to the next photographer?

INSECURITY, caused by the thought of being judged, not being good enough………. Self-esteem. Issues of

Do my images speak to the concept I’m trying to create?

self-esteem lead to body shaming, bullying, depression, self-harm, and cause’s my social media isola-

Do my images attract new models?

tion. Does this social medium sound like fun now?

Are my images good enough?

I am not reinventing the wheel, by speaking of my thoughts on this topic. I do believe that our willing-

Are my images worthwhile to post?

ness to provide a slanted pictorial or video based view of who we are is concerning. Why are we seeking

These questions I pose to myself, it creates anxiety, and

the admiration of people we don’t know, thinking

it creates self-doubt, not the happiness I once believed

that they are truly interested in our life journey. Are

it would promote. I believe my images are well thought

we wanting to be that important and known or are we

out and well lit. But what stops me from posting? There

trying to fill some kind of void within ourselves.

is only one reason to post, and that is to be recognized, to be heard, to make a statement.

Written by : Mark Mussington

SOCIAL MEDIA - YOUR SELF ESTEEM

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SAFETY

FI R ST SE C T IO N

A reference check, with other models about the photo-

Photographers search out models that fit their “vision”. There

grapher ftom a previous photoshoot. A direct and specific

social media search builds their thirst to get that all

conversation wit the photographer about the expectations

important, career changing image that is publishable or will set

and terms of the photoshoot.

them apart from the pack. A pack, hungry to capture the image of the next one, the most beautiful one, and the most endowed one.

How do we properly protect ourselves in the modeling industry?

WRITTEN BY: The Editor

As social networking and medias become more prevalent, we all

Let’s not be fooled by how quickly these expectations can change to unwelcomed comments, bullying and pressure.

professional at all times. A great idea would be that the photo-

Remember our peers also play a part in this. Please peers

grapher utilize a chaperone provided by themselves or the model

do not set the bar of our actions so high for an image or for

at photoshoots as much as possible. Why? To protect all involved

prospective followers. Some feel, once you go nude it’s hard

from the offering of drugs, alcohol, pressure and accusations.

to go back. The genre of art nude can be thought

Ironically the world is not a place of trust. Reputations can be

provoking and beautiful, but there may be pitfalls

forever destroyed.

involving the future location of these images. It may cause other issues for example disrespect or an unwanted

A tool that may bridge the communication gap between model

invasion of personal space.

and photographer may be the model release. This release can be used for a variety of photoshoots, from TFP (Trade for Photos),

leave ourselves open to new threats of personal security

commercial and promotional photography. This release spells

concerns. Especially in our little industry.

out terms of the interaction. Some of the terms specify the future use of the images taken during the photoshoot, the genre, the

Models, photographers and involved persons share there their

value of payment due by each side in the contract.

days pictorially. This sharing of pictorial information provides the unseemly with an opening, a door, a window to who we are!

In my expereince very few if any models ask or are offered a model release. It is an overlooked aspect of this industry. There

In modelling and photography circles it would be wise for all to

are numerous templates for the releases and there are some cell

protect themselves. This connectivity we claim to adore maybe

phone apps that cater to this situation.

more of an invitation for harm. The seeking of new “friendships” to build ourselves a following or followers. Photographers, and

Lastly the photoshoot is a great place to express ones art, and

models are constantly creeping their own accounts wondering

meet new artists. Let’s make it a safe environment for all, free of

how that like could turn into 15 minutes of fame. Talking with strangers who like, “our look, our feed, our imagery. We then begin the process of meeting our follower so we can get further images of them. A weird fixation. The only thing in common is an image. Models leave their homes with alluring wardrobe in hand,

Alegations of misconduct, lucrative modelling gigs, peer pressure, promises of being the next one. What are we to do, who do we trust, what are we ro believe?

expecting or wanting to become the next one the most viewed one. The photographer claims to like, “my look, my edge, my poses. Before you leave the door could you think of a few things to ensure your safety?

The photographer has to temper his expectations and remain

bullying, peer pressure, degradation and exploitation. The goal is to enjoy the process of making imagery. Models beware the introduction of alcohol and drugs into the mix. If these items are introduced at photoshoots what does that establish. I am unsure of any work environment where these items are deemed acceptable in order to make the involved people more comfortable.

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MussingtonPhotography

1- Communication of reasonable expectations and restrictions should be discussed in the planning phase of the particular project.

4 2- Chaperoning whenever possible will create a safe working environment for all. Have an extra face in the room.

3- Do not give into peer shaming or social media MussingtonPhotography

pressures, you do not have to compromise yourself to be successful.

4- Invest or prepare a well structured and easy to read model release outlining the rights and considerations of all involved

S E C ON D S E C T ION

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Collaborating on a photoshoot is a great aspect of the industry. Donâ&#x20AC;&#x2122;t kid yourself this does not in any way mean free. If you choose to collaborate share the expenses!

TFP

Tr a d e fo r P ri n t/P ho to s

Time for print (or trade for print, test for print, time for

of pictures which the photographer delivers to the models

pics, TFP, and sometimes print for time, PFT) is a term many

range from a single photograph or to the delivery of all

online photography communities use to describe an arran-

images (RAW or unedited from the photoshoot}.

gement between a model and a photographer

This arrangement is a transaction which is negotiated.

whereby the photographer agrees to provide the model with

Have you though of these costs:

an agreed number of pictures of the best images from the session, and a limited license to use those pictures in return

1. Travel

for the modelâ&#x20AC;&#x2122;s time.

2. Venue 3. Camera and or video Equipment

There are benefits to both parties of such an arrangement.

4. Lighting

The model can build a portfolio of prints to show to

5. Wardobe and Props

prospective clients at little or no cost, while the

6. Makeup

photographer gets a model for a particular project with

7. Concept

little if any outlay of cash.

8. TIME 9. File stotage for the images taken

Every photoshoot arranged on the various online mo-

10. Editing and delivery of the end product

delling communities is negotiated separately, with the consequence that agreed terms vary widely. The number

As you can see where is the word FREE, it is costly!

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NOTHING IS FREE

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FEATURE

MAXINE WRITTEN BY: Maxine Stewart Growing up I always aspired to be an artist, tattoos were my biggest interest. I wanted one since I was little. Once I finally got one I realized this is what I wanted to do for a living. Having the ability to put a meaningful piece on someones body to see and remind them of the reason why they got it means alot to me. And thats why I want to create art. Art with meaning!

INSTAGRAM: tinyandtatted

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My favourite style of photography is definitely edgy and sexy. I love tattoos and piercings on beautiful men and women with the style and confidence to rock the look.

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The purpose of what I do is about the meaning and the messages created in a picture or a piece of art. In my eye everything is art and life is art.

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A T T I T U D E

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WH Y I M O DEL?

03 T H IR D SEC T IO N

Modelling in social media is seen in many differnt ways. It all depends on the viewers and how they percieve the art. Some like it....some don’t and you can’t please everyone. I do what makes me and my viewers happy. I could care less about the rest. As an experienced model I conduct myself the same as I did before I started this journey; open, honest and most of all with

I had contacated Brian Coleman a well known Timmins

spontaneously. I have seen some models act like they are better

Ontario photographer. I told him I was extremely interested in

than the rest because they do different genres. It doesn’tmatter

giving modelling a shot. He accepted the challenge after seeing

who or what we, we are all the same. It’s not a competition....

potential and we carried on from there. I got my inspiration

well for me anyway. Modelling is a hobby I enjoy to the fullest.

from a model by the name of Dayna Gervais. She made me realize that I can be beautiful and go after my dreams.

Modelling has introduced me to many new vendors, new friends and photographers. Having these people helping and believing

CHRISTA EVE INSTAGRAM: christa_eve_freelance_model

Bridal is my favourite genre of modelling. Bridal because I get

in me has brought me to where I never thought I would get.......

to wear many amazing dresses that make me feel like a princess

published in a bridal magazine. I would recommend modelling

every photoshoot. I am thankful for the many providers that

to others, it is fun but a tough industry. You have to want to do it

allow me to wear their dresses. Providers like Ballroom Beauty

for the right reasons.

Recycled Formal Wear from Lindsay, along with I Do Bridal Boutique and Casablanca Bridal of Courtice Ontario, they both

The major issue with the industry in my opinion are the

allowed me to showcase their dresses. I am quite thankful.

misconceptions. People may believe we are “wannabee’s”, sluts, whores and or sex goddesses. It’s not only women that model,

One of the gernres I do not take part in is art nude or nude. I

men do model too. I have at times received messages asking if I

don’t ever see myself doing this. I want to showcase myself.

am single, or wanna F--K! or have dark pictures of women who

The models that do nudes, rock it.

ask for me to play with them or messages of people wanting to rip my clothes off.

When I seek a photographer I am looking for a differnce in their portfolio, confidence and how they communicate. I also

I wish this perception would change. I always bring a friend or

look to expand their portfolio with my bridal genre. I follow

give details about the timeline of my photoshoots. The point is

hundreds of photographer’s on Instagram, Jay Terry and Dyrek

be safe and stand your ground.

Imaging are two of my favourite photographer’s. I love their style, how clean their images are and their professionalism.

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WITH PAIN COMES STRENGTH

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why not me!

FORGOTTEN IMAGES

An interview with model XSINFUL.NIGHTSX I model for many reasons.... media conveys this sense of what beauty is, or should be. Growing up, alot of people aspire to be a model being able to live out a childhood dream. Never thinking I could be good enough is INSPIRING! I used to take pictures of myself when I was a teenager, to help boost my self confidence. I posted a few self shot images online and had a photographer reach out to me because he liked my look. Modelling is a second job that I enjoy, and memories captured for me to look back on. I have flaws that make modelling more difficult, but they also make me stand out. I’m not sure I have a genre that I would say is most appealing. I enjoy a variety, and testing myself to seewhat I can create successfully. I follow different types of artists based on location, or creative works. I find beauty in lots of things, and that inspires me to want more. I dont really classify myself at all. I model part time, but I like to create. As someone who is experienced, I have mentioned to a few models who have reached out that there are a few key factors in success. 1. SAFETY If you show up to a photoshoot alone, make sure you tell a friend or two where you are going, who you are working with, and check in throughout the shoot.

DANIEL CAMER

2. REPRESENTATION Never feel obligated to do something that you are not comfortable doing. Figure out how you want to represent yourself and don’t let anyone change your mind. Always do what’s best for you! 3. HAVE FUN WITH IT

ASHLEY WILLIAMS INSTAGRAM: XSINFUL.NIGHTSX

Modelling has some areas of concern and this is my opinion The most concerning issue that comes to mind is safety. Not everyone you work with you can trust. Sometimes people try to take advantage of a situation with pressure and assumtion. You always have to be careful of these situations, because they happen, a lot more than we would like to admit!

Written by: XSINFUL.NIGHTSX INSTAGRAM: XSINFUL.NIGHTSX

DANIEL CAMER

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FORGOTTEN IMAGES

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DANIEL CAMER

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Donâ&#x20AC;&#x2122;t be afraid to be different!

FORGOTTEN IMAGES

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I decided to build my body because I understood it would give me an advantage in the modelling industry, as far as being able to branch out and be more versatile. To do underwear and swimweaar instead of only being able to book jobs that require me to be covered.

My advice to anyone coming into modelling for the first time is to always be yourself and never compromise who you are for 15 minutes of fame or a quick pay cheque. The fame will fade as fast as it came. The money will be spent but you will still have to live with yourself. So make sure you don’t do anything you will regret.

I didn’t really have any influences per say, it wasn’t anyone in particular that I looked up to. I’ve been an athelete my entire life so I grew up competing in an environment that required me to be in shape in order to excel in sports. I ran track and field and played basketball.

What I’ve learned about myself over the years is that I am more resillient than I thought. Modelling is an industry of “No !”, and how you come back after a door closes. Modelling has allowed me meet a lot of different people, and cultures from around the world.

I would have to say that my greatest accomplishments ouside of modelling was graduating with two college diplomas while being a student athelete at Humber College in Toronto. I earned a diploma in Marketing and in Accounting. Being able to sponsor two kids strtaight out of college and barely having a job, watching them grow up all the way into university. I grew up poor, in Africa. I understand the responsibility of giving back from an early age. We didn’t have lot even when we first moved to Canada but my mother would gather all the kids in the neighbourhood to come eat with us and to come eat when hungry.

I haven’t had many negative expereinces in modelling. I guess being 6’3” and posing a certain stature I don’t tend to have people want to try me!

That’s the type of influence I grew up with.

Shaheim Thomas Written by: SHY3000 INSTAGRAM: SHY3000 MUSSINGTON PHOTOGRAPHY

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Never Compromise Yourself

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Activitiy was always a huge a huge part of my life. Growing up I played every sport I could join; basketball, soccer, flag football, softball, cross county running to name a few. I joined a gym at age 13 where all I used was the eliptical for hours on end. I started jiu jitsu when I was 17 where I started weight training. I enjoyed challenging myself in the weightroom and focused on getting stronger, One of my friends was going to compete in a bikini competition and asked me to prep with her. I ended up joining her and prepared not only for bikini but also my first powerlifting meet. I was hooked bodybuilding has become a challenge not only physically but mentally as well. After struggling with eating disorders, bodybuilding enabled me to focus on strength, endurance, and power as opposed to starving myself. I gaied confidence and lifting enabled me to push past my own physical and mental limitations.

MUSSINGTON MUSSINGTONPHOTOGRAPHY PHOTOGRAPHY

There is no specific factor that has pushed me towards living a healthy lifestyle. It was moreso my want to feel better and achieve my performance goals. Living a healthy lifestyle has been one of the most important things that I have achieved. I have graduated school with honours, got into graduate scool, placed first in my division in both bodybuilding and powerlifting, modeled for various companies both as model and an athelete

The modelling industry is not easy but, definitely worth it. Breaking into the fitness industry, getting on stage, modelling shoots, requires a great deal of passion and dedication. Working out when you don’t want too, managing nutrition, and being motivated by the challenge. Don’t fall for all the gimmicks that promise quick results, be willing to dedicate a lot of time and energy to yur goals to become successful. I have learned to BE PREPARED!! Whether it is scheduling workouts or photoshoots. Bring snacks when your on the go, make meals to take with you. As a model plan ahead to ensure your on time, and bring a large varied wardrobe. Comunicationis key. Having great communication with the photographer will ensure the goals, concepts and success of the photoshoot. I have had few neagtive experiences when it comes to fitness and modelling. It may be that people identify you as a fitness athelete or model. You become like this “freak” because you are different. You will have to sacrifice and many people will not understand why you choose to train, eat and model. If you are passionate about something then go for it! Regardless of how others may view it or give opinions. Be happy thats what matters! Written by: AMANDA SPICER INSTAGRAM: SPICYMANDI

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LIVE! LIFE! LOVE!

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INSTAGRAM: Gregory Guiilaumond

PHOTOGRAPHER:

MYIDENTITYDISORDER

I arrived summer 2017 62 last FIFTYTWO MAG Afrom Z IN E France. I have lived in different countries in Europe and it feels different here. I love it! It’s just different. So far it’s been a very good Toronto has already brought me a lot experiences. It’s just the beginning, that’s the way i see it! I’m really excited about what this city has to offer me. I’m still new to modelling, I’m trying to get photoshoots done from different photographers with different styles to complete my portfolio. Each photographer has his own signature. I want to work with different professionals. I think that it’s important, they all work differently. Abroad, I did my very first photoshoot in Dublin and the second one in Paris last summer before to coming here with Hout Kov. He knows what he is doing plus he is a very nice guy and he knows how to make you comfortable. Go see his work on instagram you’ll love it. In Toronto, my first experience was with Tina Picard, I got some nice shots from her too, she’s been working with big brands. I’ve also worked with Eric Neff, he does some awesome work, he is still building his portfolio as a photographer and he is doing some modelling as well. I worked with Mussington Photography at Studio Bon Soleil, that was a great experience too,. I loved his creativity :) The last person I’ve worked with is Jaden D known as “my identity disorder “ on instagram, that was very good, we got some very very nice and professional shots. I also work with Numa Models as a model but I have not answered any casting calls yet.. I’ll change that! Before modelling, I was already into a healthy lifestyle, staying active as much as possible and eating well. It’s not easy! Even now it’s still a very difficult process but it teaches you discipline. With modelling you have to bring that lifestyle to another level and be consistent until it becomes a routine. I still allow myself 1 or 2 days a week to really eat whatever I want, without concession! It helps me to maintain this routine. Another part of my routine is obviously the gym. 5 days a week and some HITT Cardio twice a week.

I’ve always been passionate about photography, whether it’s behind the camera as a photographer or in front of the camera, as a model. When I was younger I brought my mom into different model agencies in Paris. I was maybe 15/16 years old without a portfolio, after going to 2 or 3 agencies I got very discouraged. At the time I did not have the money to spend to get a portfolio done, so I kinda let it go.

Years and years later, modellling and photography came into my mind again. Some random people and friends began complimenting me on my physique or asking me if I was a model and that I should give it a try! I slowly started to book photoshoots starting with Dublin in 2016. So it’s still very new for me. As I gain experience I would advise up and coming male models that it’s like everything, be passionate about it! It will help you in the long run. It’s not easy and it requires Work, Dedication, Patience. I believe then, that you will get results. Simply Trust the process. But it’s a lot of work and it takes time. The male modelling industry in my opinion has changed over the years. I have the feeling that there is more flexibility in the industry, age is not a barrier anymore and any type of physique can make it. It feels like there is room for everybody whether you are athletic or with a bit more weight, there is always a market where you could fit. Do the work and sell yourself! I have no foraml training as a male model. I’m a complete Autodidact. I hate to spend money in learning something that I know I can learn on my own. We have access to books, internet, now youtube tutorials, there’s plenty of tools available, and I like to try things on my own too. I’m self driven and for me, if somebody is good at something, I know I can do it better, I like to think that and put myself to work to make it happen. Time, Work and Dedication, there’s no secret.. but again, if someone can do it, Why can’t I? I’ll be honest with you, I need to work more if I want it to go somewhere in modelling.

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We are in August 2018 and I’ve only did one photoshoot this year. I had to deal with a lot of different things on the side and it’s been hard to fully dedicate myself to modelling or photography. I’m not trying to make excuses, that’s just a fact! However 1 photoshoot is not enough. At this time of the year, my plan was to have at least 7 or 8 photoshoots done. I need to catch up. For the moment, it’s more a hobby, but if my pictures get to the right people, I’m ready to fully dedicate myself to it. I have then no idea where my modelling will bring me, the only thing I know is that with what I’ve accomplished this year, I can’t really expect anything so let’s get to work! So far I haven’t had any negative modelling or photography experiences. It’ll surely come, that’s also the way you learn so I already welcome if it were to happen. While wanting to get into modelling I have discovered another passion. Photography. I remember that my dad was very interested in photography. He used to buy photography books and magazines. The passion came from him. It simply, just happened naturally by taking random pictures trying my best amd experimenting to magnify my subjects. My friends often made comments and it made me realize that I have a photographic eye. I didn’t even realise it, I compose my pictures the way I think they look the best. Again I’ve always been passionate by both sides of the camera. My perspective was always the same. At this stage I should probably think about a way to make a living in photography but it’s a huge investment in equipment. Go check my instagram (Gregory Guiilaumond) and give me your own opinion, there’s a lot of content, pictures of me and from different other stuff.

HOUTKOV

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T H E PHOTOG RAPHE RS ’ E Y E

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theartof1

FOU RT H S E C T I O N

My beginnings come from drawing and painting using pencil charcoal while attending the Ontario College of Art and Design in Toronto. During that time I was most influenced, constantly searching for ways to show my skills. I knew it would be hard for me to make a career from what I had been doing. I wondered what can I do as a visual person to apply a my skills in the business world. I noticed that everything was pictures,... images and imagery. Drawings were obviously quite low on the totem pole. Searching for a compromise, photography seemed like an outlet to create imagery. I honestly had little respect for photography as an art form. The drawing and painting world has a much differnt way and especially how things are perceived. I saw very little fine art, I wanted to prove that I could use design elements positive and negative space to create imagery much like the fine artists do. I intended to use design, composition, technical skills with the camera being the tool.

I absolutely classify myself as an artist first and foremost. My philosphy is...., my tag line is “I dont take pictures I make them”! As an artist I don’t actually follow or emulate anybody. There isn’t anyone I need to learn from, who I admire. I can point to Ansel Adams who caught my eye because of his technical abilities in creating black and white photograohy and imagery. I saw the realism of his landscapes to be phenominal. I want my images to be real, the images to use all the senses........ that’s the gift I got from his technical work and abilities. Realism is what I wanted artistically. That became my biggest focus and served as my influence. After my realization I was inspired, no more questions were asked, it became my purpose to research my craft. This may sound strange but, I isolated myself, I developed my own processes. I perfeceted what I produced. The concepts for my images come from various places, there is really no clear cut answer to their origin. Life creates ideas if your sensitive and paying attention to your surroundings. My surroundings stimulate my thoughts. As a photographer I am somwhat concerned that imagery isn’t valued. People may really like my work yet they dont’t want to pay you for it. It is quite insulting. Written by: theartf1 INSTAGRAM: theartof1

theartof1

I dont take pictures I make them!

theartof1

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theartof1

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F A I T H

theartof1

05 TH E GALLE RY 74

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FIFT H S E CT IO N

NEVADA CAITLYN INSTAGRAM: NEVADACAITLYNXOX

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MICHELE KELMAN INSTAGRAM: MKSARTA

KABE PHOTOGRAPHY

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KABE PHOTOGRAPHY

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STEPHANIE ANDERSON INSTAGRAM: S.ANDERSONPHOTOGRAPHY

MUSSINGTON PHOTOGRAPHY

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ASHLEY LYNN INSTAGRAM: ASHESZLYNN

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SOLANGE RAYMOND INSTAGRAM: SOLFUL.TATTOOS

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C L A S S I C

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JENNIFER ZARUDNY INSTAGRAM: JENNIFAIR28

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THE WORKSPACE SIXTH SECTION

VENUE REVIEW STUDIO BON SOLEIL

EAST STUDIO

Locating a venue for a photoshoot can be quite difficult, especially when trying to separate your work from other photographers. Some utilize the photography studio even though there is an incurred expense. The expense varies widely based on available equipment, location and the “in vogue” utilization of furnished sets. Shooting in a photography studio can be an intimidating task. In many cities workshops are offered to remove some of the barriers to understand studio lighting. The studio is a controlled environment free from unpredictable weather and offers fewer issues when planning a shoot. Today we are going to a review a popular and inspiring photoshoot venue, Studio Bon Soleil located at 90 Ontario Street within the city of Toronto. The owner and operator Marie Dame was kind enough to provide insite to the location. The venue is made of two separate unique workspaces within the same building and both offer available natural light. Around three years ago, I went away for a few weeks and put my loft up on Airbnb. I had so many inquires from photographers asking to shoot here that I decided to try and market it that way. Less laundry. This guy I know created a website for me, and I started getting bookings. It spread mostly by word of mouth. After a few months a model who shot here told me that I really needed to get on Instagram. She was very sweet and showed me how to create an account. After that it took off. I opened a second studio down the hall last year because of how busy

STUDIO BON SOLEIL EAST STUDIO

the first one was. MODEL: KATRINA MCCONNELL INSTAGRAM:_KARINA_MAC__

EAST STUDIO

I wanted to make money, and I wanted something I could do that would allow me 100 FIFTYTWO MAG A Z IN E time to write. During shoots, I take my laptop and go and work.

WEST STUDIO 101

WEST STUDIO

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It’s important to me that the vibe in the studios allows people to realize their vision. The bulk of my business is regular clients and referrals. I’m in the film business so I understand what’s needed in order for shoots to go smoothly, and the importance of getting the work that gets created here, out in the world. I’m empathetic to the plight of the artist. I understand the vulnerabilities, the instability and insecurities, the need for validation. That’s been my life for 20 plus years. I appreciate that journey, I recognize that struggle. I think that awareness comes across when people enter the space. They feel it’s a safe space where they can explore, and learn, and fail and succeed. I’m one of those people who believe art has power. It’s not a coincidence that dictators and tyrants go after artists. It happened with Stalin, The Khmer Rouge, ISIS, and you know who over at the White House. But that’s a conversation for another day. It may help that I’m a woman. The models don’t worry I’m going to hit on them, or that I’ll pretend to forget something in the studios so I can barge in and catch them half naked. I never stay during a shoot and I don’t have cameras installed. That would change the dynamic. There are multiple theories and studies showing how people modify their behavior in response to their awareness of being watched/being observed and plus I’ve got stuff to do. The list of things I’ve learned would take a book to fill. I’d say, the top five are: 1. When you open your space up to strangers, strange things are going to happen. That said, 99.9 percent of people who rent my space are decent, honest people who just want to create, to do their art. Unfortunately, that 0.1 percent does exist. I’ve had things stolen, people have broken things and not told me, shot things here that they knew I’d have a problem with. But I’ve found that if you treat people in a trustworthy way, the majority of people are going to act trustworthy in return.

2. I’ve learned that as much as it bugs me when people show up early for shoots, or do stuff I find sketchy, it’s better to breathe and count to ten (or a hundred) before reacting. Unfortunately, I was tested for something once, and in the ‘Impulsivity’ part of the evaluation I scored in the 99th percentile for impulsivity which means I tend to react pretty quickly. This might be because, as an actress, I was trained to react, rather than to think and then act. That’s great for the stage, but for life and running a business, it’s probably a good idea to think and then act. 3. Instincts are never wrong. When I get a sketchy vibe from someone who wants to book, or has booked, I need to listen to that and take the appropriate steps to address the situation before it’s too late. 4. I’ve learned that people sense whether you are in it just for the money, or if you actually care. And if you care, the money will follow and the work generated in the space will be of a higher quality so everyone wins. There’s this great quote by Maya Angelou, ‘I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.” In this day and age being active on social media is essential for most businesses. That said, I wish there weren’t so many in the world who equate their number of “likes” and ‘followers’ to their value as a person. Many people have used the studio ranging from Freelance/ agency photographers and models, actors getting headshots, fashion designers, production companies/film makers shooting commercials, episodic television, movies, web series, music videos, regular folks who want engagement or family photos. Last year the Ed Harris movie “Kodachrome” shot some scenes in the East Studio which was cool because the movie is about a photographer, the sacrifices, the struggle. All genres of photography have taken place here. Fashion, maternity, engagement, wedding, boudoir, food, you name it.

I have a statement on the studio site that reads: “ Photographs or videos considered pornographic or any images that are defamatory to any subjects in the photograph are not allowed to be taken in either space. If you are unsure what this means, feel free to call me and I will clarify.” I definitely don’t want porn shot here. Bottom line — and I’m speaking from the perspective of a heterosexual woman because that’s all I know — I think the porn explosion has negatively affected the way we make love. More and more men tend to have sex with woman the way they see men having sex with women in porn. And more and more women think they need to act like porn stars to have a relationship. And no one is having any fun. I don’t want to contribute that to the world so it’s banned in my studios. I often get the argument ‘one person’s erotica is another person’s porn.’ True enough, but I agree with the United States Supreme Court Justice Potter Stewart who famously said when describing his threshold test for obscenity, ”I know it when I see it”. I also have a problem with seeing images of women chained, bound, gagged, that sort of thing, so photographs of that nature are not allowed to be taken in my studios. I get into discussions/arguments all the time with people, friends even, who say stuff like “you’re an artist, how can you censor someone art?” I think there are too many screwed up people in the world who see images of women bound and gagged and think that’s what all women want. I was on the receiving (and very much non consensual) end of that misguided assumption once, and I hated it. I understand I may be more sensitive to this than other people but the last think I’m going to do is contribute to the possibility of another woman having that experience. Call me a prude but I don’t want that energy in my spaces.

Written by: Marie DAME INSTAGRAM: STUDIOBONSOLEIL

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MOD E L R E L E A SE S

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BONUS INFO SECTION

A model release, known as a liability waiver, is a legal release typically signed by the subject of an image granting owner permission to publish the photograph in one form or another. A model release is not needed for most photograph publication because of freedom of speech rights. A model release is needed for publication where personality rights or privacy rights would otherwise be infringed. Today people are seeking publication of their images on either social media and or digital download. The publications that you are submitting to need permission to use the images that are generally the property of the photographer.

EXAMPLE

Both the photographer and the involved model should discuss and understand the rights to the images and their intended use. Too often, images are used without proper authorization. This can cause legal ramifications later, even years down the road. Many arguemets could be avoided if this document is communicated properly. A lawyer is not needed to create such a document. The example on the alternate page provides a simplistic view of what is necessary. More complex wording can be made to fit the needs of both the photographer and those involved.

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INCEPTION EDITION