NEW_filippo_oppimitti_selected works_2018.pdf

Selected works [2015-2018]

Architectural Portfolio

Filippo Oppimitti

CURRICULUM VITAE

Name Birth date Birth place Adresss Nationality E-mail Phone Skype

Filippo Oppimitti 07/09/1993 Parma (PR) Via Temistocle Calzecchi 5 Milano (MI) 20133 Italian Filooppi@hotmail.it +39 3489816514 filooppi

PROFESSIONAL EXPERIENCE May 2018/ Now

RIFORMARE PERIFERIE MILANO// Politecnico of Milan //Milan Extracurricular postgraduate Internship // 7 months Collaborator in definition and avant-project surveys on urban-architectural scale http://www.riformaremilano.polimi.it

Jan 2018/ Apr 2018

MATILDE CASSANI STUDIO//Milan Internship // 3 months Manifesta 12 Collaborator for the exhibition and performance “Tutto” in Manifesta 12 Palermo http://m12.manifesta.org/matilde-cassani/?lang=it

La Triennale di Milano Collaborator in a competition, won by the studio, for the future exhibition “Unico e Ripetibile” by Massimo De Carlo in La Triennale di Milano

http://www.triennale.org/mostra/unico-e-ripetibile-arte-e-industria-nelle-collezioni-di-massimo-de-carlo/

Mar 2017

DON’T STOP ARCHITETTURA//Milan Internship // 1 month Collaborator for Domus urban stories exhibition at Fuori Salone 2017 http://www.dontstopper.it/?p=4706

Sep 2016

DON’T STOP ARCHITETTURA//Milan Internship // 1 month Collaborator for J’arrive exhibition in Udine http://www.dontstopper.it/?p=4599

Collaborator for Museo del calcio, la stringa d’oro in Milano http://www.dontstopper.it/?p=4546

May 2015/ Jul 2016

ONEIROS VR //Milan Work // 1 year Collaboration in the development of a start-up in virtual reality [Oneiros vr] https://www.oneirosvr.com

Collaborator in the project Parma città delle Muse

EDUCATION 2015-2018

Politecnico di Milano Master Degree in Architecture 110/110 cum laude

2012-2015

Politecnico di Milano Bachelor Degree in Architecture 110/100

2007-2012

Liceo Classico G. D. Romagnosi, Parma High School 100/100 cum laude

EXHIBITIONS Jul 2018

Architecture as a critical media// Vardiya 4th // Turkish Pavilion // 16th International Architecture Exhibition // Venice Biennale http://vardiyaxpress.com/2018/07/16/diary-of-vardiya-4-architecture-as-critical-media/ https://www.youtube.com/watch?v=l2Qz_QIfx_Q

Oct 2017

Soundscape// Chile Biennal http://www.impostergable.cl/en/participantes/academia/elisa-cattaneo-zc5s-2/

Sep 2017

Soundscape// Tallin Biennal http://2017.tab.ee/programme/satellite-programme/exhibition-nature-through-mirror/

Oct 2016

Milano Animal City // Bombing Sempione//Stefano Boeri Architetti// Third Istanbul Biennal https://www.stefanoboeriarchitetti.net/en/news/milano-animal-city-at-the-third-istanbul-design-biennial/ http://arewehuman.iksv.org/exhibition/milano-animal-city/

Sep 2016

Bombing Sempione//Teatrum Botanicum // Emerging Talents// PAV// Torino http://parcoartevivente.it/mostre/archivio/mostre-2016/teatrum-botanicum/ http://atpdiary.com/teatrum-botanicumpav/

Feb 2016

Milano Animal City// Bombing Sempione// Sino European Center // Milan http://sinoeucenter.com/en/#selected-projects

WORKSHOPS Feb 2018

Feltrinelli Camp| Fondazione Giangiacomo Feltrinelli A two-day international workshop for young European researchers in the field of Urban Studies selected among 150 proposal from all over the world

Nov 2017

INUJIMA | Architecture becomes environment Studio Kazuyo Sejima // Kazuyo Sejima //Inujima //Japan House restoration

Mar 2017

MIAW2017 OMA // Ippolito Pestellini Lapparelli //Milan Project for a music festival in scalo Farini

Mar 2015

MIAW2015 MK27 // Marcio Kogan //Milan House for a special client

LECTURES Dec 2017

Politecnico di Milano// Atlas of a potential city// Strategie per l’assegnazione e la gestione anche temporanea dei beni confiscati alla criminalità// Quale futuro per i beni confiscati?//http://www.circola.org/bookcity/

Mar 2017

Politecnico di Torino// Bombing Sempione // Ontologia del Progetto https://ontologiadellaprogettazionepolito.wordpress.com/2017/03/21/lezione-7-valori-e-progetto-caso-1-bombing-sempione/

COMPETITIONS Jul 2018

Piranesi Prix de Rome// Accademia Adrianea di Architettura e Archeologia International call on the theme of landscape, architectural and museological redevelopment of the territory included in the UNESCO Buffer Zone of Villa Adriana Ongoing

Jun 2018

A New Image for Pinocchio // CODE competitions for designers Competition for the creation of the official image of Fondazione Nazionale Carlo Collodi Ongoing

Jan 2018

Vardiya / The Shift Open Call to Architecture Students For Pavilion of Turkey at the 16th International Architecture Exhibition, La Biennale Di Venezia Selected in the 122 international architecture students who produced the evolving exhibition content

May 2017

Europan 14// Productive cities Masterplan and site specific projects with SUPERSPATIAL Team for: Karlskrona, Sweden // Floating Karlskrona http://www.superspatial.eu/floating-karlskrona.html Amsterdam Papaverdriehoek, Netherlands // Everchanging Singularity http://www.superspatial.eu/everchanging-singularity.html Narvik, Norway // Urban Greenhouse http://www.superspatial.eu/urban-greenhouse.html

Apr 2016

Atmosphere// Feeding students’ life @ polimi Site specific project for the students of Città Studi Shortlisted in the first 50 projects

Mar 2015

Premio Italo Agnelli Competition for the logo of Commercial district of Abbiategrasso First prize

PUBLICATIONS 2018

Schizophonia: super silence, silence and sound

By Filippo Oppimitti, Francesco Balsarini, Gaia Meacci in Sensorial Landscape: Natural patterns. Ecological taxonomy. Technonatural esperiments.

Elisa Cristiana Cattaneo, with Davide Biselli and Caterina Cotado, Maggioli editore, series Politecnica, pages 36-37 ISBN-13: 9788891622440

ONLINE PUBLICATIONS 2016 / 2017

Bombing Sempione Abitare html http://www.abitare.it/it/habitat/urban-design/2016/04/09/milano-animal-city Milano Animal City https://milanoanimalcity.wordpress.com/portfolio/4_bombing-parco-sempione Domus Web https://www.domusweb.it/it/notizie/2016/02/20/milano_animal_city_2016.

Artribune http://www.artribune.com/tribnews/2016/02/dopo-aver-portato-gli-alberi-su-un-grattacielo-stefano-boe- ri-vuole-portare-a-milano-gli-animali-ecco-i-provocatori-progetti-degli-studenti-del-politecnico-di-milano/ Repubblica http://milano.repubblica.it/cronaca/2016/02/20/foto/boeri-133845948/#1 Milano Today http://www.milanotoday.it/milano-animal-city-2016.html http: Corriere della Sera milano.corriere.it/notizie/cronaca/16_febbraio_19/milano-animal-city-0351d734-d72211e5-a4d1- c8704a1e2204.shtml http: Panorama www.panorama.it/cultura/arte-idee/animal-city-2016-progetti-e-visioni-per-la-citta-di-milano

VIDEO MAKING Mar 2017

Miaw 2017// Panda Miaw // Far-in Festival https://www.youtube.com/watch?v=eHJ8Nss90Tc

Feb 2016

Milano animal city //Bombing Sempione https://www.youtube.com/watch?v=Vb2uq0tmueM

SKILLS Softwares

Highly competent with: Autodesk Autocad Adobe Photoshop CC Adobe InDesign CC Adobe Illustrator CC Office suite Competent: Rhinoceros 5.0 Sketchup V-ray (Rhino + Sketchup)

Languages

Italian // native speaker English // highly proficient in spoken and written English TOEIC 830/990 // FCE Cambridge University French // basic communication skills

Contents

Built Projects Tutto Domus Urban stories House Restoration

Master Thesis Project Atlas of a Potential City

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Landscape and Urban design Bombing Sempione Fire-in Festival Walking through Inujima

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Architectural design Another Break in the wall Resonance

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Building Technology 2020: a space odyssey

Experimental Presevation Local Tools

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Tutto Performance and Exhibition for Manifesta 12 Internship: Matilde Cassani project year: 2018 site: Piazza dei Quattro Canti, Palermo, Italy team: Matilde Cassani, Leonardo Gatti, Filippo Oppimitti supervision: Matilde Cassani Tutto (everything) reworks the traditions of the Sicilian Baroque to reveal the complexity of the cultural influences coexisting in the Sicilian capital today. The proposal, a day time pyrotechnical show that have taken place on Saturday 16 June, takes into consideration the same tools and media of a public celebration, uses the same techniques of the public feast, and speaks also about contemporary times and

the newly settled communities. The four, almost identical, façades of the octagonal square present, on each floor, a decoration inspired by the past history of the city (the 4 rivers, the 4 seasons, the 4 main foreign dominators of the city and finally the 4 patron saints).

Tutto adds a “new layer” to the illustrated narration of the evolution of Palermo with four specially-made festive velvet drapes, that show the saints Santa Lucia, Santa Rosalia, San Francesco and Sant’Antonio, represented with attributes and appearance different from the traditional ones, obtained by mixing and superimposing characteristics and objects deduced from other cultures and places and taken as symbols of diversity and transformation still underway. The installation draws from the traditional Sicilian events, involves Sicilian producers and engages the whole citizenship, by becoming an official celebration day to be added to the calendar of the city’ s festivities

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Domus Urban stories Exhibition for 2017 Milano fuori salone Internship: DONTSTOP Architettura project year: 2017 site: Spazio Copernico, via Tortona 33 Milano team: Michele Brunello e Marco Brega Andrea Angeli, Francesca Cazzaniga, Elena Meroni, Filippo Oppimitti supervision: Michele Brunello e Marco Brega At the same time of the launch “Domus Urban stories”guide, it is a collection of fifteen exceptional memoirs of the culture, architecture and design world.

Domus takes a picture as relevant as ever of the present day Milan, of its past and the sensations that it

provokes, with an exhibition designed and conceived by DONTSTOP Architettura.

Through analytical indicators and macro data that put into effect a three-dimensional in a “immersive space”one. The set-up is a scenographic, emotional and informative background, of the most significant transformations of contemporary Milan. The section on the ground floor will be a counterpoint to the description on the first floor about the locations represented by the section of driving and visions of the future – the “Milano Next” – 15 special contributors involved for the occasion by Domus including Kuzuyo Sejima, Jasper Morrison and Maurizio Cattelan.

The set up is conceived by Michele Brunello, Marco Brega e Andrea Angeli made by ABS group.

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House Restoration new sewing school in Inujima course: whorkshop INUJIMA | Architecture becomes environment project year: 2017 site: Inujima, Japan team: Filippo Oppimitti, Martina Corbella, Gaia Meacci, Emanuele Moro, Alessio Palmieri, Ottavio Pedretti, Carlotta Testa supervision: Kazuyo Sejima, Kae Ito It seemed that the only way to realize the plan was to walk around the area over and over in order to become more familiar with environment. (Kazuyo Sejima) Inujima is the small Island, in the Japan Inner Sea, in wich, in the first half of 2017 we worked on, inside the Advanced Architectural Design Studio ( held

by Kazuyo Sejima ). Various sceneries appear as you take a walk around this island created by gentle hills.

The island has a gently sloping landscape so that, as you walk, the sea is continually coming into view

right next to you before disappearing again. Basins, which remain from the old quarries, appear in various points on the island as ponds. Though only one stone quarry remains active now, the ambiance of the time when quarries were thriving remains as these ponds create a landscape of its own. The old copper refinery is preserved as a heritage of industrial modernization and is now partially used as an art museum.Adjacent to the refinery, in the village, the “Inujima Art House Project� started in 2010 and empty homes and lots were transformed into exhibition spaces with careful attention to preserve the special characteristics of the place.

The workshop allowed us to immerse in the context of the island, understand it and work in it, becoming active part of its conversion. We Participated in the interior renovation of one of the abandoned buildings near the main village. The interior renovation was divided in 3 parts: (1) set up the interior space of the house, clearing and cleaning it; (2) plaster the interior walls; (3) apply a finishing layer to the walls and prepare the space to be used for the local people. We also set up a space for showing the Triennale exhibition. And we designed and realized new fornitures for the space.

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Atlas of a Potential City

Project for the management and reuse of confiscated assets from organized crime in Milan course : Master Thesis project year: 2018 site: Milano team: Filippo Oppimitti, Gaia Meacci supervision: Stefano Boeri, Azzurra Muzzonigro

The research deals with the confiscation of assets as a fundamental means for the fight against organized crime by designing new management systems and new reuse strategies to take advantages of this enormous economic and above all social potential still partially expressed.

The first part of the thesis is a wide-ranging research, that analyses the phenomenon with a multidisciplinary approach, trying to face the great problem of the almost total absence of information on the quantity and quality of the assets confiscated. The analysis starts from the

analysis of the phenomenon on a European scale and then focuses on the Italian case, deepening its historical evolution, the historical regulatory context and the process of conferment. Later it focuses on the case study of Milan defining a map of those goods that could be located.

After having systematized the collected data, highlighted the critical issues found and tried to understand how to bring out the symbolic value and meaning that these goods possess, we have therefore defined a new scenario for the life cycle of these assets. The design part focuses on the one hand, in the definition, with a meta-project approach, of a system made of urban devices, social activators, different from each other, each characterized by specific qualities that allow citizens to get in touch with these assets using them directly, and on the other hand in the development of a multifunctional project in the area surrounding Casa Chiaravalle, the largest confiscated asset in the north of Italy.

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BOMBING SEMPIONE A manifesto for a Critical Antropocentism course: Town planning design workshop project year: 2015-2016 site: Parco Sempione, Milan, Italy team: Filippo Oppimitti, Gaia Meacci, Antonin Mangin, Beatrice Rogantini supervision: Stefano Boeri, Michele Brunello The future is of the City and the cities of tomorrow must be conceived with a wider vision that takes into account not only the habitat of the human species.

Our project pushes the accelerator on the paradox of non-anthropocentrism, making it clear that whatever man does to leave space to other species is nevertheless the work of the man himself, and it would be hypocritical to think that he really renounces his centrality in the universe. The result is an extremely cynical project that imagines to “bomb” Sempione Park in Milan, taken as an example of completely domesticated, peaceful, nature deprived of that unpredictability that makes it “other” from the city of man. We bomba and dig 20 meters on the whole

area to artificially introduce a wild, unpredictable nature where man can enter his own rischio e pericolo, come una sorta di zoo al contrario in cui è turista in terra straniera. We give a financial value to this space through a touristic interest, using the excitement produced by advertisement and consumerism.

The more you pay, the closer you will get to the inside of the park There are two similar underground buildings one in front of the other, in the continuity of the wall. One is located in Arco della Pace and the other in Castello Sforzesco, both being linked by a funicular. The access-buildings around contain several levels. The poor up and the rich down, all that with a terraces shape so you can envy those downstairs. The envelope is a monumental concrete cage, the narrow voids between the bars bringing some mysterious light. In the walls around the park are two levels of galleries, the lower being at the level of the park with thinner bars. The price you pay in a way determines the model of the cage you choose for you walk around the park. And if you can afford it you can ever enter the park. But it is then up to you to ensure you own safety. You are a host inside your city, a depraved visitor of Parco Sempione, who spent money to finish in a cage.

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[1]

[2]

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[3]

[4]

Selected Online Pubblication [1] Domus web: https://www.domusweb.it/it/notizie/2016/02/20/milano_animal_city_2016.html [2] Artribune: http://www.artribune.com/tribnews/2016/02/dopo-aver-portato-gli-alberi-su-un-grattacielo-stefano-boeri-vuole-portare-a-milano-gli-animali-ecco-i-provocatori-progetti-degli-studenti-del-politecnico-di-milano/ [3] Panorama: http://www.panorama.it/cultura/arte-idee/animal-city-2016-progetti-e-visioni-per-la-citta-dimilano [4] Abitare: http://www.abitare.it/it/habitat/urban-design/2016/04/09/milano-animal-city/ 35

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FIRE-IN FESTIVAL TEMPorary event at Scalo Farini course: MIAW2017 project year: 2017 site: Scalo Farini, Milan, Italy team: Miaw A team supervision: Ippolito Pestellini Lapparelli (OMA) Our team has been commissioned to strategize, plan, design, develop and brand a large temporary event at Scalo Farini in Milan. The event was meant to celebrate urban and digital subcultures over a week of intense and unprecedented experiences. We refused to launch a long term development plan for the area believing that the fluctuations of the current and future economy cannot be grasped by the fixed nature of architecture.

Our plan consisted of an incremental system of short term, partially ephemeral interventions.

Two axioms were given in order to build the architectural program based mainly on the previous concepts of TAZ and escapism.The main thought is to avoid the definition of one space to a preset category of urban unhappiness. Also, to avoid the existing categories and stereotypes of urban subcultures, the approach of the ressearch group was to define the target by the wishes and the discontents of people in the urban space.The matrix is a compression of the research group’s work. In order to define the target, it was first thought to categorize things that make people disconted and also things that characterises an urban group.“People who use their time to do things that no one wants to do.”“People looking for love and sex.”“People who approach the urban space in an unconventional way.” From the 18 categories, it was possible to think of 26 types of urban targets.

For them 35 ldic spaces were perceived. After, some of the first spatial categories were merged into one another.

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THEME

TARGET

PEOPLE AWAY FROM HOME

STRESSED WORKERS

PEOPLE BELONGING TO A MINORITY

ETHNIC MINORITIES

LOW PAID WORKERS UN-HAPPY WITH THEIR WORKS PEOPLE WITH A BORING WORK BASED ON REPETITION OF THE SAME ACTION PEOPLE UNHAPPY WITH THEIR FAMILY AND EDUCATION PEOPLE WHO APPROACH THE URBAN SPACE IN AN UNCOVENTIONAL WAY PEOPLE WHO USE THEIR TIME TO DO THING THAT NO ONE WANTS TO DO PEOPLE THAT WANTS TO CHANGE THEIR IDENTITY PEOPLE WHO WANTS TO ESCAPE FROM TECNOLOGY PEOPLE LOOKING FOR TRASGRESSION HIGH-PAID WORKERS WITH NO TIME, HIGH RESPONSABILITY AND STRESS

COMMUTERS LGBT COMMUNITY SEXUAL PERVERTS RELIGIOUS MINORITIES SERVANTS STUDENTS HIGH SCHOOLERS EMPLOYEE COSPLAYER PRECARIOUS WORKERS PLANKERS UNHAPPY URBANISTS PARKOURS NIGHTWORKERS HIKIKOMORI

PEOPLE WHO LIVE IN A VIRTUAL LIFE

LONELY SINGLE PEOPLE

PEOPLE LOOKING FOR LOVE AND SEX

TATTOOED

PEOPLE UNHAPPY WITH URBAN ENVIRONMENT

BODY MODIFICATORS

PEOPLE WHO WANTS TO SAY SOMETHING WITH THEIR BODY

UNKNOWN ARTISTS YOUNG ARTISTS

PEOPLE WHO WANT TO TRY NEW THINGS

PAST GLORIES

PEOPLE NOT PAID OR RECOGNISED FOR THEIR WORK

TOP MANAGERS

PEOPLE LOOKING FOR FAME AND GLORY

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OFFICE WORKERS

BUSINNESS MAN

NAME

SPACE QUALITIES

1) TEMPLE OF VOCATION

INSIDE

2) EXOTIC BOUQUETS

SENSITIVE INTERACTION

3) VISUAL JAMMING 4) MORNING STAGE

DARK

5) PSYCHEDELIC SLEEP

D.I.Y.

6) SCREAM ROOM

FULL OF WATER

7) SILENT ROOM 8) THE SANCTUARY 9) DARK ROOM 10) FOREST STAGE 11) OXYGEN ROOM 12) SWIMMING POOL 13) COLOR FIGHT

TRANSPARENT SILENT SEXUAL CONNOTATION COVERED WITH MIRRORS OPEN AIR

14) JUNGLE VIBRATIONS

ECHO/REVERBERANT

15) MORON’S ROUTE

SOUNDPROOF

16) INFINITE STAGE

IN THE FOREST

17) PEEP-HOLE 18) TOTAL CANVAS 19) PASSION PIT

SITE SPECIFIC SAME MODULE

20) NOT-SPOT 21) FARADAY CAGE

OPEN ONLY IN SOME MOMENTS

22) TRANSFORMATION ROOM

OPEN H/24

23) RELAXING ROOM

MEDIA CONNECTED

24) OPPORTUNE OBJECTS

VISUAL INSTALLATION

25) MIRROR CAGE 26) JACUZZI BRIDGE

WITH MUSIC

27) CLIMBING WALLS

SOFT/SAFE

28) HYPERSPACE JUMP

DANGEROUS

29) HUMAN CANVAS 30) TWISTER ROOM 31) NEVERLAND 32) MOOD ROOM

CLAUSTROFOBIC MAZE FORM COLORFUL

33) JUMPING PILLOW

IN A WAGON

34) INSTINCTS ROOM

FOR ONLY ONE PERSON AT TIME COLLECTIVE

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WALKING THROUGH INUJIMA Inujima Summer School of Theatre

course: Advanced Architectural Design Studio project year: 2017 site: Island of Inujima, Japan team: Filippo Oppimitti, Gaia Meacci, Matteo Zapparoli supervision: Kazuyo Sejima, Jonas Elding, Francesca Singer, Giulia Setti

Inujima is a small island in Seto Naikai. You can walk around the whole island in about 1 to 2 hours, and to understand the true essence of the island and the strategy to develop, we have imagined an ideal path across the island, crossing the various environments and landscapes that Inujima is made up of. after completing, this ideal journey (done by analyzing descriptions, aerial photos, photos taken from the net, plants, 3d

models etc.) we decided to build on this island a summer school of theater. Therefore we decided to create a structure, active for only a certain period of the year that could attract new flows on the island without destroying its intimate and private identity. The intervention is a huge infrastructure, which includes all the school-related collective functions (classes, dormitories, canteen, relax spaces, auditorium, etc.) next to the harbor and four theater stages placed in four different areas of the island depending on the morphology and the environment: the first of these (the ruin) tackle the issue of preexistence, placing itself among the ruins of a former factory, the second (the slope) defies the height and vertigo, being placed on the top of a cliff, the third (the cliff) investigates the relationship between the land and the sea and in fact is placed on a beach and the last (the quarry) plays with the effects that the sun and shadows lead to architecture.

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ANOTHER BREAK IN THE WALL Young Hostel in the former Garage Sanremo site course: Architectural design studio I project year: 2016 site: Via Zecca Vecchia, Milan, Italy team: Filippo Oppimitti, Gaia Meacci, supervision: Cino Zucchi, Paola Sturla, Matilde Cassani

Our project started from the, risky and at the same time interesting, idea that the courtyard, even if at the urban level is a fundamental character of the historic center of Milan, it is only used as a place of passage and very little as a meeting place and social or public space, and therefore the best way to create a public space in the site where the project is, which is characterized by a great complexity and variety of alignments; was to erect a single limit element, a wall, which would have closed and defined a boundary. This idea, initially very rigid and full of conceptuality

and feasibility complexity, has not been abandoned but investigated, discussed, modified, and transformed. The wall has been filled with openings that, establish a dialogue between the city and the project. As a result, the wall becomes a permeable filter between public and private space, without losing its limit and border nature, it was no longer a monolithic element that, with its presence, looms over the city, but becomes a system of spaces linked together , each with its own character, who actively contribute to the life and vitality of the urban tissue.

Closed edges function as a framing device. These isolate a situation and thus offer new ways of perceiving a notion, a place or a condition. The perimeter wall cancels out distractions to create an area for focused experience. But edges do not only define a perimeter; the can also occur within, defining the transition between one group or action and others. Once boundaries are set, we can start to poke holes in them.

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Front elevation

Front section

Ground floor plan

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Back elevation

Back section

First floor plan

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East elevation

East section

Second floor plan

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Axonometric view

A limit with water

A small private garden where you can relax

A monumental tree as a landmark

A monumental tree as a landmark

A flooring texture that focuses entries

The bleachers where you can stop

A overhang between the public and the private dimension.

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Wall detail

Facade Detail

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RESONANCE Kindergarten and recording studio course: Design studio 2 project year: 2016-2017 site: Via Beato Angelico, Milan, Italy team: Filippo Oppimitti, Gaia Meacci, Francesco Balsarini supervision: Giancarlo Floridi, Angelo Lunati, Elisa Cattaneo

Relating to the physical consistency of the urban context and the surrounding architectures through the materials, the typology, the dimensions, the proportion, the characters and the decorum, it has been the first intention of the project to fit perfectly in the atmosphere of the place. For this reason, the project uses a shed covering in north part of the site and a tower

in the south to rise the height of the surrounding buildings and to not be compressed by the context. Differently, by a mere functionalist attitude, placing the school in a secluded environment, the project combines the school program together with a recording studio to increase its urban character. This hybrid typology is able to increase social relations in the local context thanks to its programme and its architectural forms.

The public square is in this way the element of the project that gives more this sense of urban attitude being open to the surrounding context.

From the urban scale analysis, the project immediately moves to the interior design to make an architectural form that comes from the programme and from living the interior spaces to reach the exterior shape. This has been a way to break with the common design process and to create an architecture thought to be lived.

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East elevation

Ground floor plan

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South elevation

First floor plan

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Facade detail

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Things money can’t buy Urban scenography course: Scenography and spaces for representation project year: 2017 site: Piazza Affari, Milan team: Filippo Oppimitti, Gaia Meacci supervision: Pierluigi Salvadeo

Through the communication power of architecture our project drives us to reflect on one of the crucial themes of contemporary society, that of economic inequality. Some disconcerted data say that 1% of the world’s population owns more than the remaining 99% and that in 2016 the 8 richest men in the world had the same wealth about 426 billion dollars - of half the planet (3.6 billion poorer people) ). Starting from these statements, the project is positioned at the center of Piazza Affari, an emblematic place not only

of the Milanese economy but also of Italian financial assets. The project manifests itself in the form of a temple to money as if richness were the only God still revered on earth. The classical structure of this sacred place is however broken, deforming the columns into pyramids, making the intercolumnation variable and piercing the ceiling decorated with bright gold. The project becomes a metaphor of how despite the contemporary society living in the unhealthy will to reach a status of richness only a few at the end succeed, so, to touch the golden ceiling of our temple, are only the tips of the pyramids while the broad bases remain anchored to the ground. Lost then in the unhealthy search for enrichment, men do not realize that true values are already around them, anchored under their feet, and that they can not be bought.

The final result is a flexible scenography that can give light to a plurality of scenarios able to satisfy the different needs of the city

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gnise the opportunity that these stairs constitute, taking on account that the piazza is already accessibl PROBLEMS people. square communicate at all. Recognizing Tridente as the focus

Local Tools

point of the leisure time for students at the collegi, it’s evident that its dynamics will change and evolve with time. Its historical and social values reside not only in course: Architectural preservation workshop its materiality, but also largely in its function and use as project year: 2016 FLOWS / ACCESSIBILITY a collegio. the proposal worksofmainly onthe its Tridente’s piazza on the ground floor was supposed to be a meeting placeTherefore, and lead people to the endpoint the path: site: Tridente Building, Urbino, Italy believing that improving the functionality stairs that frame the landscapeuse viewvalue, and take to the canteen. team: Filippo Oppimitti, Balsarini Francesco, thefluxes building also entrance indirectly increase not Currently, the main access of the central body is attracting allofthe leaving will the main to the canteen and unused.

Bigi Andrea, Businaro Edoardo, Forrer Jaco, compromise historical socialaccessible values. for disable We recognise the opportunity that these stairs constitute, taking on accountits that the piazzaand is already Lusitano Adriana Through the analysis of the work of Giancarlo de people. supervision: Andrea Canziani, Andrea Luciani, Carlo, we have identified some common elements Friso beside the stairs that will reactivatethat create Isabella an elevator thishave entrance and turn the canteen an been helpful in drawing the new into vertical connection to the building of the Tridente. Repeated Collegio del Tridente forms part of the four new collegi use of metallic elements with circular tubular section, FLOWSis / ACCESSIBILITY built after Collegio del Colle. Unlike Colle, Tridente painted red, both in colleges and in other projects of arranged in straight runs that cut across the hill rather De Carlo (Ca Romanino for example) has provided than follow its contours. The change in layout was a us the incipit; the cylindrical shape, already used by reaction to the shortcomings De Carlo perceived in De Carlo in the access of building Tridente, returns to Action: del create an elevator the stairs tend that will reactivate this entrance and turn the canteen into an accessible space. the Collegio Colle, wherebeside the students to live define the new lift, which is also vertical connection very private lives like in a hotel where they do not with the same hierarchy.

Collegio del Tridente experimental preservation

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FILIPPO OPPIMITTI Filooppi@hotmail.it +39 3489816514

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