Jericho rosales’
Tale Filipino Films to be Screened at Tokyo Fest
Japan Launches Initiative
to Promote Entertainment Industry
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July 2015 Issue 31
President Benigno S. Aquino III’s
State Visit to Japan
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June 2015
Table of Contents 4
In Focus Manny Pacquiao: Heart of a Champion
13
FilCom Watch President Aquino to Visit Japan
6
Cover Story JayR: Fueled By Music, Driven By Passion
14
Philippine Adventures Passage to Pagsanjan
8
Spotlight Tetta Ortiz-Matera Exclusive Interview: Surviving Breast Cancer
16
Travel Japan A Tour At Tottori Sand Dunes Conan Airport
12
Celebrity News Lily James Promotes ‘Cinderella’ in Tokyo
facebook.com/FilJapMagazine
EDITOR’S NOTE Welcome to the 30th issue of FILJAP Magazine! As we enter the second half of the year, we are delighted to bring you feel-good celebrity features and inspiring real-life stories. On our cover is the Philippines’ King of R&B, JayR who welcomed us into his beautiful home and granted us an exclusive interview. He’s been reaping praises for his stint in ABS-CBN’s “Your Face Sounds Familiar” and his album “Elevated” is about to turn gold. We follow that with another exclusive story on Tetta-Ortiz Matera, a former model who won the fight against breast cancer and now considering winning a new challenge – “bring attention to Filipino design in Japan.” Then we also have an encouraging piece about Manny Pacquiao who after his defeat by Floyd Mayweather remains the real champion in our hearts for his grace, class and humility. Let us take you to a memorable trip to Pagsanjan Laguna and Tottori Sand Dunes Conan Airport. We are happy to welcome President Benigno S. Aquino III Florenda Corpuz to Japan this June! Editor-in-Chief
issuu.com/filjapmag Publisher: Yonei Toshikazu Telephone: 03-6903-2100 Editor-in-Chief: Florenda Corpuz Fax: 03-6903-2101 Associate Editor: Nel Salvador Toll-Free Fax: 0800-919-3633 Contributing Writers/ Arlene Donaire Editorial Office: 332-0034 Saitama-ken, Photographers: Oliver Corpuz Kawaguchi-shi, Namiki 4-10-6 Din Eugenio Wakosou 101 Advertising Executive: Judith Takahashi Mobile: 080-9153-2430 Distribution Executive: Genie Omata Manila Office: 407 Adalla Street, Palm Village, Layout Artist: VerJube Photographics Makati City, Philippines Advertising & 114-0004 Tokyo-to Kita-ku Telephone: 63(2) 403-42-06 E-mail: filjapmagazine@yahoo.com Sales Office: Horifune 1-26-14-501 FilJap Magazine is published by FilJap Consulting. All rights reserved. No part of this magazine may be reproduced in any manner without the permission of the publisher.
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in focus
TOKYO, Japan – Philippine President Benigno S. Aquino III arrived in the Japanese capital on June 2 for a fourday state visit aimed at attracting more Japanese investments to the Philippines and tackle concerns on the South China Sea issue.
President Benigno S. Aquino III’s
State Visit to Japan Text courtesy of PCOO Photos by Gil Nartea, Robert Vinas, Ryan Lim/Malacañang Photo Bureau
A
quino arrived at the Haneda International Airport at about 3:19 p.m. where he was welcomed by Philippine Ambassador to Japan Manuel Lopez, Japanese Parliamentary Vice Minister of Foreign Affairs Takashi Uto, Ministry of Foreign Affairs chief protocol Jun Yamazaki and Japanese Ambassador to the Philippines Kazuhide Ishikawa. Immediately after his arrival, the President met with several Japanese business leaders including Senji Miyake, chairman of the board of Kirin Holdings Co. Ltd; Teruo Asada, chairman of Marubeni; Tadashi Yanai, chairman of the Fast Retailing Co. Ltd. (Uniqlo); and officials of the Japan External Trade Organization (JETRO) at the Imperial Hotel. He also witnessed the signing of the Memorandum of Understanding on Business Promotion Cooperation between the Department of Trade and Industry and JETRO. After his meeting with the Japanese businessmen, the President met with the Filipino community at the Okura Hotel. Among those who accompanied him were Trade Secretary Gregory Domingo, Philippine Economic Zone Authority Director General Lilia de Lima, Finance Secretary Cesar Purisima, Public Works and Highways Secretary Rogelio Singson, Defense Secretary Voltaire Gazmin, Transportation and Communications Secretary Jose Emilio Abaya, Communications Secretary Herminio Coloma, Jr., and chief of the Presidential Management Staff Julia Abad. On June 3, Emperor Akihito and Empress Michiko received Aquino during a welcome ceremony held at the Imperial Palace. The Emperor thanked the President for visiting Japan. The President in turn 4
FILJAP MAGAZINE | JULY 2015
expressed his gratitude to the Emperor, especially for Japan’s contributions for the relief operations and the recovery of Eastern Visayas from the devastation caused by Typhoon Yolanda in 2013. Aquino was presented the “Grand Cordon of the Supreme Order of the Chrysanthemum,” the highest honor awarded to outstanding individuals by the Japanese monarchy. In return, he awarded Emperor Akihito the “Order of Lakandula with rank of Supremo.” During the state banquet, Aquino and Emperor Akihito paid tribute to the “deep and abiding friendship” between the Philippines and Japan, hosted by the latter and his wife, Empress Michiko, in honor of the visiting leader.
“Since the postwar resumption of diplomatic relations in 1956 until today, our two countries have worked hand in hand to develop our friendly relations,” Emperor Akihito said. For his part, Aquino stated that the Philippines has found a great ally in Japan, as the two countries have been actively supporting each other in various endeavors, especially in the economic front and during times of disasters. “The pain and tragedy of the past have been healed by Japan’s commitment to a relationship based on mutual respect, dignity, and solidarity. For 59 years, our two nations have demonstrated that we can work together for our advancement and mutual benefit,” he said.
Aquino also delivered a keynote address at the Nikkei 21st International Conference on the Future of Asia, which was organized by Japan’s biggest media group. Later that day, the President delivered a speech at the National Diet, Tokyo’s bicameral legislature where he stated that the strong Philippine-Japanese partnership would be a vital counterbalance against regional instability created by conflicting claims in the South China Sea. According to him, the current economic and people-to-people engagement between the two countries is a shining example of what can be achieved when peace and stability reign over the Asia-Pacific region. “It is no wonder, then, that our two countries have become the most vocal defenders of that stability, which has recently come under threat,” he said. On June 4, Aquino spoke at the Philippine Investment Forum held at the New Otani Hotel where he encouraged members of various Japanese trade organizations to look at the Philippines as an investment destination, given its improved business climate. “The Philippines as an investment destination is more attractive today than at any other point in our history. We can further deepen, or forge partnerships in which all parties benefit. Our government’s
track record speaks for itself, as well as our sustained commitment to moving this forward,” he said. In the afternoon, the Chief Executive met with Prime Minister Shinzo Abe for a summit meeting held at the Akasaka State Guest House where they both agreed to cooperate further to ensure regional, as well as global security. “We reviewed the security challenges that confront both our nations, and pledged to cooperate in advancing our shared advocacy for members of the international community to act responsibly,” Aquino said in his message. “We believe this can be done through finding just and peaceful solutions to our territorial disputes and maritime concerns by upholding the rule of law, towards creating a secure and stable environment that serves as the bedrock of our collective progress.” After 59 years of diplomatic relations between the Philippines and Japan, the President said both countries see a bond that transcends diplomacy. He noted that aside from their strategic alliance, the two countries have agreed to further strengthen their economic relations. The two countries also agreed to work together to enhance their tourism sectors. The President also announced the signing of the Memorandum of Cooperation for Health Care between
the Department of Health and Japan’s Ministry of Health, Labor and Welfare. This memorandum will enable both countries to share knowledge on social health insurance, public hospital management, advanced technology, disaster preparedness, and human resources development. Aquino further expressed his gratitude to Japan for its role in the Bangsamoro peace process. On June 5, Aquino bade farewell to Emperor Akihito and Empress Michiko at the Imperial Hotel as the President capped his four-day state visit to Japan. After meeting the Emperor, the President proceeded to the Japan National Press Club, where he signed the guestbook and viewed the message of his mother, former president Corazon Aquino, who wrote it when she visited Japan on November 13, 1986. Aquino then delivered a speech and answered journalists’ questions during a press conference. The Japan National Press Club was the President’s last stop before he departed for home. He and his delegation left the Haneda International Airport at about 2:50 p.m. on board Philippine Airlines Flight PR 001. Aquino returned to the Philippines on Friday with P13.5 billion investment pledges and P136.9 billion loans from his four-day state visit to Japan. FILJAP MAGAZINE | JULY 2015
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Cover story
Actor Jericho Rosales – known as Echo among his family, friends and showbiz denizens -- exudes confidence on the spotlight that perhaps emanates from his years and years of experiences like how a writer turns a story into a beautiful woven narrative.
TALE
Echo’s
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FILJAP MAGAZINE | JULY 2015
Photos courtesy of ABS-CBN, Star Records, Regal Films
I
t shows with the career choices that he makes nowadays – never afraid to take risks in roles, prioritizes meaty stories than the usual movie formula, freely tells everyone that though he’s been around for almost two decades, there is still much to learn in acting, and alongside, willingly offers a piece of advice to young artists who is now in the shoes he used to wear. There was a hint of nostalgia written all over his face when he was asked by the press recently about the remake of “Pangako Sa’Yo,” the teleserye that started it all for him opposite screen partner Kristine Hermosa. It was in this series, aired on ABS-CBN from 2000-2002, where Jericho’s mettle in acting was first noticed and the same series that made his loveteam with Kristine a success -- resulting to a string of projects that used to be elusive for the 35-year-old actor. “I feel nostalgic about it. I feel proud that the show I used to appear in is now a remake. I’m very, very happy for the two – Daniel [Padilla] and Kathryn [Bernardo], and the entire cast,” Echo said in an interview. “A piece of advice: I always say, you make a lousy them, you make a great you. And Daniel is an original. “It’s good that they are doing a remake because people love it. The teenagers of 2015 want to see Pangako Sa’Yo. They just have to do their thing. They’re guided by great directors and writers,” said the original Angelo Buenavista to Daniel and Kathryn who are now the lead stars of the remake.
Happy Soul Echo is also a picture of a happy man; his life doesn’t revolve on the world of show business alone. He found a lifetime partner in lifestyle blogger Kim Jones whom he wed last year in Boracay. Together, they look a perfect couple not just in looks but in values and interests. They both love to surf and would spend their free time on the beach catching waves. He also forges a wonderful relationship with his 14-year-old son Santino who can give his dad a run for money for his handsome looks. Echo is also continuously pursuing one of his passions – music – and is currently forming a band. Besides acting, Echo
Formidable Actor Echo is one of the most established leading men in Philippine showbiz; so formidable that if you are part of the audience and you are about to watch his film, you are surely guaranteed that it is not a crappy one because his acting skills would make up for it if it ever does. Echo’s film “Alagwa” (“Breakaway”) had a world premiere in the 17th Busan International Film Festival in 2012 and was recognized in different international film festivals. His portrayal as a father struggling to search for his son after disappearing in the city garnered him Best Actor recognitions in respected awardgiving bodies namely, 2013 Newport Beach Film Festival in California and the 36th Gawad Urian Awards. He was also nominated recently for Best Actor at the 17th Gawad PASADO Awards for his film “ABNKKBSNPLAko? The Movie” and at the 28th PMPC Star Awards for TV in 2014 for his drama series “The Legal Wife.” He also received rave reviews in his portrayal of a mestizo soldier in the film “Baler” opposite Anne Curtis. His other notable drama series include “Sana’y Wala ng Wakas,” “Green Rose,” “Kahit Isang Saglit,” “Dahil May Isang Ikaw” and “Bridges of Love,” which is now airing on ABSCBN’s primetime block.
admitted that singing is one those things that makes him happy. His last album, “Korona” was released last 2012 under Star Records that is why he is itching to make one again, probably with songs he has written in it. Nowadays, it’s easy to get updates from celebrities just by mere checking their social media accounts. Check Echo’s official Instagram account (@ jerichorosalesofficial) and you can be attuned to the tales that shaped him as a formidable actor, passionate singer, competitive surfer, a responsible dad and an amazing husband. Echo has indeed found his place and his purpose. No wonder he’s one happy soul. FILJAP MAGAZINE | JULY 2015
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SPOTLIGHT
Filipino Films
to be Screened at Tokyo Fest A noteworthy lineup of Filipino films, including a special program of the works of award-winning director Brillante Mendoza, will be shown at the Crosscut Asia section of the 28th Tokyo International Film Festival (TIFF) in October.
Crosscut Asia is a showcase of Asian films focusing on particular countries, directors, actors and themes. This unveils the hidden gems of Asian films that portray what Asia is facing now. “Now, in the 21st century era of digital filmmaking, young independent creators are appearing in droves, gaining worldwide attention through the Cinemalaya Philippine Independent Film Festival and other indies venues. Brillante Mendoza and Lav Diaz are regulars at Cannes and other international film festivals. The Third Golden Age of Philippine Cinema has continued from around Mendoza’s debut in 2005 to the present,” the organizers said. Mendoza is a living national treasure of Philippine independent cinema. He is the first Filipino to compete and won in three major international film festivals showing authentic Filipino stories to the world. His film, “Captive” competed at the Berlin 8
FILJAP MAGAZINE | JULY 2015
International Film Festival in 2012 while “Tirador (Slingshot)” won the Caligari Film Award in 2007 of the same festival. “Thy Womb” on the other hand, won the La Navicella Venezia Cinema Award in the equally prestigious Venice Film Festival in 2012 while “Lola” was selected in competition for the same festival in 2009. But his most notable achievement is when he won the elusive Best Director in the well-renowned Cannes Film Festival for the film, “Kinatay” in 2009. The year before, his film, “Serbis (Service)” was selected in competition for the same festival. Known to his peers as “Dante,” he started as a production designer in various films and television commercials. In 2005, he founded Center Stage Productions (CSP), an independent film production outfit that aims to rethink and reinvent Filipino cinema by producing meaningful and relevant films. His debut film, “Masahista (The Masseur)” immediately
won the Golden Leopard Award in the 2005 Locarno International Film Festival in Switzerland and paved the way for the rise of alternative cinema in the Philippines. “I am delighted to be a part of this year’s Tokyo International Film Festival where my film as well as other works from the Philippines will be featured. This festival is a great occasion for everyone as it showcases not only movies from the Philippines but variety of works from around the globe that are not available at everyday cinemas. I hope everyone will have a chance to appreciate these works,” Mendoza said in a statement. His new film “Taklub,” which was selected in the Un Certain Regard section of Cannes Film Festival this year, received a special commendation from the festival’s Ecumenical Jury. The Japan Foundation Asia Center and TIFF jointly launched Crosscut Asia last year focusing on Thai cinema.
FILCOM WATCH
President Aquino Meets with the Filipino Community in Japan BE PUBLISHED
Text courtesy of PCOO Photos by Ryan Lim/Malacañang Photo Bureau
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T
OKYO, Japan – President Benigno S. Aquino III has encouraged members of the Filipino community to continue supporting the reforms he has initiated even after his term of office, which ends next year. In his message during his get-together with Filipinos living and working in Japan, held at the Okura Hotel on June 2, Aquino highlighted the developments in the country that resulted from the reforms undertaken by his administration. Through prudent spending and efficient management of the government, he said, his administration was able to advance reforms in the bureaucracy, education, social services, infrastructure, and health care, among others. “Kaya ang tama po yatang pananaw at akin pong mungkahi: ‘Di ho ba kayo ang gumawa nito; kayo ang nagdala ng pagbabago, at kayo ang magpapatuloy nito?” he said. “Marami na po talaga tayong narating,
pero marami pa rin tayong kailangang gawin.” Warning against a return to the old system when there were rampant abuses and corruption, the President said the fate of the country lies in the hands of the people, especially as the country gears up for next year’s presidential election. “Uulitin ko po: Kayo ang gumawa ng pagbabago, at kayo ang magpapatuloy nito,” he told his compatriots. “Nasa inyo ang pagpili ng tapat at matuwid na pinuno, na talaga namang gagamitin itong tinatamasa nating mas mataas na estado, upang lalo pang paangatin ang Pilipinas tungo sa katuparan ng ating mga pangarap.” The Filipino people have the opportunity to continue the country’s positive transformation, he said. The people should sustain these gains so that the future generations of Filipinos would benefit from these positive changes, he said.
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CELEBRITY NEWS
Japan Launches Initiative to Promote Entertainment Industry Kyoko Kashiwabara, Yasushi Shiina, Yokichi Osato, Kundo Koyama, Tom Yoda, Jay Sakomoto, Tsuguhiko Kadokawa and Yoshishige Shimatani Photos by Tristan Fewings/2015 Getty Images for Japan Day Project
Entertainment industry leaders and the global press corps gathered at the Foreign Correspondents’ Club of Japan on May 7 for the launch of “Japan Day Project (JDP),” an ambitious new promotional initiative designed to stimulate global markets for Japanese film, TV, manga, anime, music, game and other creative media.
“O
ur goals are two-fold. First, we will create platforms for Japanese industry professionals to build valuable business partnerships with international counterparts. Second, we will bring the best of Japanese culture and entertainment to influential audiences, establishing lasting personal connections between Japan and global consumers,” said Japan Day Project Brand Manager Mika Morishita. ‘Japan Day Project’ at Cannes
The first Japan Day Project was held at the prestigious Cannes Film Festival, last May 13-24. With support from the Ministry of Economy, Trade and Industry (METI), the Japanese presence and business participation at Cannes was the country’s largest in over a decade. (L-R) Actors Tadanabu Asano, Eri Fukatsu, Matasatoshi Nagase and Naomi Kawase 12
FILJAP MAGAZINE | JULY 2015
The action was centered at the Japan Pavilion in the Cannes International Village where a collection of hot new Japanese content were displayed – including manga, novels and anime. An inaugural seminar series, titled “New Gateways to the Japanese Industry,” was hosted by top figures from the Japanese and international film world, informing attendees about the best strategies for acquiring Japanese rights and coproducing with Japan. JDP also premiered a showreel of 47 of the latest films from 25 Japanese companies, giving global buyers an invaluable opportunity to preview a near-comprehensive cross-section of Japanese film today. “I am very honored to join this seminar series,” said director and producer Yoko Narahashi. She is best known as the casting director who brought actors Ken Watanabe and Rinko Kikuchi to Hollywood. “I would like to use my experience of having cast and produced international films to explain how Japan can become a much more accessible and film friendly
country to the rest of the world,” she added. Japan Day at Cannes culminated with “Kanpai Night,” a special reception toasting Japanese cinema produced by creative visionary Kundo Koyama, the creator of TV series “Iron Chef,” writer of Oscar-winning film “Departures,” also an accomplished restaurateur. Koyama brought his creative touch to France to create an unforgettable evening of Japanese cultural experiences and surprises for the global film industry. With over 800 industry guests, the party served as a valuable platform for Japanese professionals to build new business connections. “Through this project, I would like to convey to the rest of the world that Japan is a treasure chest of culture and entertainment content,” said Koyama. At the 68th Cannes Film Festival, an impressive total of seven Japanese films were screened: Hirokazu Kore-eda’s “Our Little Sister” (Competition), Naomi Kawase’s “AN” (Un Certain Regard’s Opening Film), Kiyoshi Kurosawa’s “Journey to the Shore” (Un Certain Regard) and Takashi Miike’s
“Yakuza Apocalypse: The Great War of the Underworld” (Director’s Fortnight). In the distinguished Cannes Classics program, Japan’s cinematic history was represented with screenings of “The Story of the Last Chrysanthemums” by Mizoguchi Kenji, “Battles Without Honor and Humanity” by Fukasaku Kinji and “Ran” by Akira Kurosawa. Japanese actor Ken Watanabe starred in Hollywood director Gus Van Sant’s “Sea of Trees” (Competition) and Satoshi Tsumabuki appeared in Taiwanese auteur Hou Hsiao-Hsien’s “The Assassin” (Competition). Legendary Japanese actress, Kirin Kiki, who appeared in “Our Little Sister” and “AN” attended Cannes this year and shared her enthusiasm for the project. “I’m truly grateful that this effort is being made on behalf of Japanese actors in Cannes,” she said. JDP will promote Japanese culture at the Japan Expo in July, Taiwan Comic Exhibition in August, MIPCOM and Tokyo International Film Festival in October. FILJAP MAGAZINE | JULY 2015 13
philippine adventureS
ope Floats with
BANCART Text and photos by Arlene Donaire
The worst of times does bring out the best in people. This is no longer a cliche but recurrently proven by many Filipinos, who, have raised the bar on volunteerism, selflessness and benevolence to a higher plane. The Philippines, unfortunately wrought by regular calamities and, its government, beleaguered by the lack of means to sustain recovery and rehabilitation efforts, is fortunately also home to many selfless individuals, who need no funfare and awards to help those that need relief in the aftermath of calamities like typhoons. Yolanda was not the first time but it certainly spotlighted the Filipino’s humanity and capacity to be selfless. 14
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Waterfalls
A
rt and charity, a tested philanthrophy formula, has been given new meaning and creativity in Bancart, a conjugation of “Banca with Art.” In search of a different kind of adventure, I travelled to San Remigio, in Northern Cebu late last year, to witness and be part of a one-of-a-kind experience that can only be described as heartwarming and colorful. Bancart was born out of an earnest desire by a Cebuano couple, Clayton and Joji Tugonon, to give immediate yet lasting help to their neighbors, mostly fishermen, in San Remigio, during the aftermath of typhoon Yolanda. Although they were not spared from the destruction, with their farm and beachside residence also badly damaged, Clayton and Joji decided that their misfortune was subsidiary to the larger loss and misfortune of their neighbors. As soon as they could, they immediately gathered their own resources and distributed relief goods - food, clothing, fuel, and carpentry materials; calling on friends and family from the province and beyond, to send or bring relief goods. Soon after, the Tugonon’s still damaged beach home had become a center for relief operations as more and more friends, even from outside the country, started sending help, both cash and materials. Their simple daily relief distribution routine became bigger as they now had to do procurement and beneficiary screening. It was in the thick of this activity that Clayton and Joji came up with the idea
of Bancart. Knowing that at some point the daily distribution of relief goods would wane and government would have to take over this public obligation, they knew that it was just a matter of time that the “initial help” would need to transition to something more sustainable, to support in the rehabilitation and recovery of the families that were affected. Thus, was born Bancart, a program that aimed to help the fisherfolks go back to their means of livelihood fishing, by providing a sturdy fishing boat with a motor engine and a durable fishing net. Using their own furniture workshop and with help from their staff, the Tugonons began building the “boats of hope.” In order to imbibe a sense of social stewardship in the beneficiary-fisherfolks, Bancart is designed as a “cooperation” activity, with each fisherfolk required to provide his or her own “katig” (outrigger) and “bugsay” (paddle). Each Bancart boat is crafted with care to ensure durability and safety and finished off with a touch of unique artwork, rendered by volunteer local artists. The fisherman-beneficiary is carefully selected by the Bancart coordinators to make sure that he/she is deserving and committed. Each beneficiary would then have to pledge to be a “bantay-dagat” by signing and implementing a social contract, with responsibilities that include - stopping dynamite and poison fishing, caring for fish habitats, and ensuring the quality and safety of their boats so that it will serve them for an extended lifetime. The bancart
is not allowed to be sold or transferred to another owner. The day the fisherfolks received their boats, engines, and nets, they sail back home with their new bancarts also loaded with provisions - a sack of rice, groceries, and clothes, courtesy of the same donors for the bancas and engines. Bancart has shown what volunteerism, in its purest sense - sans politics and selfish interest; all sheer kindness, can do to change lives for the better. Since its inception in early 2013, Bancart has released over 400 boats to fisherfolks in various parts of Northern Cebu that were affected by typhoon Yolanda, from San Remigio, where it started to islands off Bantayan. A “bancart” is both symbolic and real. It represents a single act of kindness that keeps giving and it is a concrete way for improving the quality of life of each recipient and his/her family. It brings back hope and opportunities for livelihood to those that have lost so much and have very scarce means to regain their bearing. Bancart continues for as long as there are willing donors. A boat kit costs roughly P25,000 (boat - P18,500; engine - P5,000; net - P1,500). Everyone and anyone is welcome to contribute and witness the release of your donation to the deserving beneficiary. If you are interested in a Philippine adventure that gives hope to others in need, check out Bancart on facebook through the account of its founders: Cly Ton (Clayton Tugonon) and Jo George (Joji Tugonon). FILJAP MAGAZINE | JULY 2015
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5047-3
12. Melanie’s Store Aichi-ken, Nishio-shi Yamashita-cho, Hachiman Yama 70-18 Mobile: 090-1742-9738 13. Palooza International Market Aichi-ken, Nagoya-shi,
14. Aling Coring’s BAUHAUS Reine Bldg. 2F 5-3-4 Roppongi, Minato-Ku, Tokyo Tel: 03-3403-0092 15. Reche’s Phil. Mini Grocery Gifu-ken, Minokamo-shi, Kamogawa-chou 3-1-32 Tel. 0574-42-9620 Mobile: 090-9125-8775 16. Bangkok Store 332-0021 Saitama-ken, Kawaguchi-shi Nishi-Kawaguchi 1-5-12 Tel. 048-259-3054 17. MEKENI 251-0055 Kanagawa-ken, Fujisawa-shi, Minami Fujisawa 4-2 Kikuya Bldg. 3F Tel: 0466-29-5441 Mobile: 090-5767-5789 18. Club Rouge Asakusa 〒 111-0032 Tokyo-to Taiyouku Asakusa 5-30-11 2F Mobile: 090-1261-9626 19. Masagana Restaurant Nagoya-shi, Naka-ku Sakae 5-chome 18-8 Daini Shuwa Biru 501 Tel. 052-263-0662
FILJAP MAGAZINE | JULY 2015
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FILJAP MAGAZINE | JULY 2015