Mapping Reading Responses Maps, Mapping, and Modernity-Denis Cosgrove
Maps, Mapping, and Modernity-A Response
Gy Debod, ‘Situationist Map of Paris Using G. P.llier’s 1956 Vue de Paris a vol d’oiseau’ in Guide psychoseographique de Paris: Discours sur les passions de I’amour {Denmark, The Imagitiist Bauhaiis, 1957)
Mapping and cartography have always been closely related, however there are clear and distinct differences between the two. Cartography deals with the scientific representation of data in a clear and logical manner. Mapping has the ability to present the same range of data, but it is done so in an artistic way. When mapping the presentation of data is done so according to principles of art such as line, shape, form, color, etc. Cartography traditionally presents data in the most cohesive manner, but even scientists must be aware of the aesthetics of their presentations. Over time, cartography has evolved to include more elements than pure data. For example, if a map contains an aerial view of a region, photographic angles may be changed, insight into history may be included, and data of an unapparent nature may be brought to light.
“...both cartography and mapping have been able to separate themselves from the world of modern art...”
Mapping has always dealt with the subjective representation of data, yet further forms of abstraction were introduced during avantgarde and modernism periods. Something as simple as a line or the use of color (or the lack thereof) may be used to represent variations in information. While cartography has begun to incorporate elements of art into its maps, both cartography and mapping have been able to separate themselves from the world of modern art in an effort to avoid the criticisms contained therein. Modern artists have been able to add their expertise to cartography, making maps a more enjoyable experience for those who read them. This is not to say that mapping is not obsolete. Mapping continues to push the boundaries of artistic representation, while cartography still holds true to its scientific roots.
Lilla LoCto and William Oulcault, “Imag. of the artists- scanned bodies as globe gores�. 122 x 244cni, chromogenic print from Sclfportrait.ntap (2000)
Maps, Mapping, and Modernity:Art and Cartography in the Twentieth Century-Denis Cosgrove (2004)
Mapping Reading
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