Process Book - Sarah Pilgrim

Page 1

SARAHPILGRIM

Process Book for the course DSGN 2010 Fall Semester, 2010

Design Studio 1: Principles, Theories and Practices of 2D and 3D Design Prof. Michael B. LeBlanc Division of Design NSCAD University


SARAHPILGRIM

PROCESSBOOK

TABLEOF CONTENT

2

TYPESPECIMEN

5

DESIGNPERMUTATION

9

GRID

13

HIERARCHY

19

FONTFLAG

25

WORDPLAY

31

UGLYWEBSITEREGROOVING

35

PRODUCTPACKAGE

39

HOME

45

3


SARAHPILGRIM

PROCESSBOOK

TYPE SPECIMEN

4

5


SARAHPILGRIM

PROCESSBOOK

TYPE SPECIMEN CLASSNOTES

FINALTYPESPECIMEN DejaVu Serif Book

ABCDEFGHIJKLMNOPQRSTUWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 DejaVu Serif Book 10pt.

Georgia Regular 10pt.

Times Regular 10pt.

Enisl inismolummod eu feugait, sed tat ipit utem in utpat, volorem zzrit lutat lumsandre facinit vel utpat nonsenis auguer sit iusto do consed ero ex etum digna consequam vel delese commy nullum dolorem nibh estrud etum diating eros et, sed dionsed del dipsusto eumsand ionsectem acilis etue tem dolorpero cor se ero consecte facilisim acip eros digna autetuercil utetuer aessisl ing et volut laorem zzriustisl iustie minciduip ese facipit eugait vulla feugiat, vel ex essequisit alit adigna facincidui tat. Onsequis nullamet vullumsan eniam eu faccum erat.

Enisl inismolummod eu feugait, sed tat ipit utem in utpat, volorem zzrit lutat lumsandre facinit vel utpat nonsenis auguer sit iusto do consed ero ex etum digna consequam vel delese commy nullum dolorem nibh estrud etum diating eros et, sed dionsed del dipsusto eumsand ionsectem acilis etue tem dolorpero cor se ero consecte facilisim acip eros digna autetuercil utetuer aessisl ing et volut laorem zzriustisl iustie minciduip ese facipit eugait vulla feugiat, vel ex essequisit alit adigna facincidui tat. Onsequis nullamet vullumsan eniam eu faccum erat.

Enisl inismolummod eu feugait, sed tat ipit utem in utpat, volorem zzrit lutat lumsandre facinit vel utpat nonsenis auguer sit iusto do consed ero ex etum digna consequam vel delese commy nullum dolorem nibh estrud etum diating eros et, sed dionsed del dipsusto eumsand ionsectem acilis etue tem dolorpero cor se ero consecte facilisim acip eros digna autetuercil utetuer aessisl ing et volut laorem zzriustisl iustie minciduip ese facipit eugait vulla feugiat, vel ex essequisit alit adigna facincidui tat. Onsequis nullamet vullumsan eniam eu faccum erat.

A A A B B B C C C DD D E E E F F F G G G HH H J J J K K K L L L NN N OO O R R R S S S V V V

6

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

DV

Geo.

Times

7


SARAHPILGRIM

PROCESSBOOK

DESIGN PERMUTATIONS

8

9


SARAHPILGRIM

PROCESSBOOK

DESIGN PERMUTATIONS Template for Evolving and Breeding a Monogram Design

Parent B

Parent C

P

SP C

SC

A/B Breeding Set

CP S

P P SC

P

C S

SP C

Parent A

S C

Parent D

P C S

CP SC

S

SP C

CP

S

SP C

SP C

SP C

SP C

SP C

SP C

SP C

B/C Breeding Set

P

S

P C

P

C

P

SP C

P

CP

P C

SCP

SCP

SCP

SCP

S

P

SC

C S

SCP

A/D Breeding Set

C S

CS

P

C S

CP

S

P

SP

S

SP C

P S P

C

P

P

SC

C S

SCP

C

P

SC

B/D Breeding Set

10

SP C

A/C Breeding Set

SC

SCP SCP SCP SCP SCP

FINAL SIX DESIGNS

S

11


SARAHPILGRIM

PROCESSBOOK

GRID

12

13


PROCESSBOOK

GRID COVERPAGE After placing a grid over the cover page of the Maclean’s Magazine I have noticed that the layout is incredibly symmetrical. I am able to find four prominent columns that every element on the cover can fit in. Maclean’s is a magazine suited toward a specific demographic therefore they must keep the same organized look month after month which explains their arrangement. The top section of the cover, which includes the large bold title, takes 1/3 of the space on the page. It references the empty white space created at the bottom of the page that makes it seem perfectly divided into thirds. The title of the magazine along with page information above it is centered. Also at the top, there is a right

justified text in the first column and left justified text in the fourth column. These justifications border the text between the two and only add to the pages’ symmetry. The image of the Bonhomme Carnaval and the bold text beside it are balanced and individually encompass two of the four columns. An illusive white border surrounds each element on the page without any overlapping or haphazard placement. The thickness of the white border is similar as the distance directly above and below the title. Every text and image stays within their specific boundaries and don’t go outside the line.

14

CONTENTPAGE

SARAHPILGRIM

The content page of Maclean’s Magazine, unlike the four columns of the cover page, can be divided into eight columns in which everything fits. You are able to see the smaller number of columns when looking at the lower section of the page. This section is comprised of the eight columns with centered justified text in the middle of each. The content

page as a whole is also very symmetrical. Every text and image box is placed in an orderly manner and none of them veers away from the organized look that Maclean’s is well known for. Again, a suggested white border surrounds the content on the page. At the top of the page, the title along with a subtitle below it and the date/volume are all centered justified. These three text boxes take up the two middle columns. The three images can be evenly split to fit the eight-column grid. Also centered is the text box below the images that sits on top of two larger columns of the same height and width although the highlighted titles in each column are not lined up. This is due to the unequal number of listings within these highlighted categories.

2PAGESPREAD This twopage spread taken from Maclean’s magazine can be separated in to three larger columns per page or nine smaller columns on each page. A large image sits directly at the top edge of the pages but is not centered between the two. It consumes the last of the three large columns on the first page and 1 1/3 on the following. Unlike the rest of the page layout the image box does not follow the “white bordered guidelines” that surrounding the content. Two large bold titles, on each side of the large image box, are perfectly aligned and fit in to the larger columns. At the bottom of the two pages there are a number of text boxes that are left justified and line up within the columns but do not necessarily share the same width. An image box fits in the first column at the bottom and aligns with the text box to its right. At the far right of the pages a column is filled with centered text from top to bottom. At the very bottom of the pages sit page numbers, the magazine title and a date in which they are all aligned as well as justified from left to right.

15


SARAHPILGRIM

PROCESSBOOK 2PAGECOMPARISION

By taking the grid pattern of the first two-page spread and placing it on top of the second two pages found in the magazine I am able to find many similarities. The same white border surrounds the two-page content and also has the same justified and aligned page information at the very bottom. Text and images fall within the same six columns. A difference between the two; the second page spread does not have a larger image that falls to the edge of the page but six smaller images of various sizes are placed vertically to fit one column. Another small image box is centered between the first two columns matching the grid pattern of the first grid. Horizontal lines toward the bottom of the pages differ the appropriate pattern however vertically both grids match reasonably well. The title at the top left of the page rests perfectly at the center of two columns. Every text box aligns together at the top. Comparing the two shows that one grid system is parallel to the other. There is no colouring outside of the lines when it comes to this magazine. Maclean’s is very symmetrical and rarely veers away from its standard controlled appearance, which is perhaps the reason why it is so successful in keeping their purchasers.

16

17


SARAHPILGRIM

PROCESSBOOK

HIERARCHY

18

19


SARAHPILGRIM

PROCESSBOOK

HIERARCHY

HIERARCHY

POSTERS

SKETCHES&IMAGES

THIS WEEK

African Heritage Month Dende do Recife Capoeira & Asia and Nu Gruv

Jazz

Labs

Concerts

this week

TD Canada Trust Atlantic Jazz Labs

AFRICAN HERITAGE MONTH

DENDE DO RECIFE CAPOEIRA AND ASIA AND NU GRUV

FREE

concerts

THIS

Presented by JazzEast and The Halifax Public Libraries

A series of free concerts celebrating

25 Years of African Heritage

J

AZZ

K

FREE

TD Canada Trust Atlantic

EE

azz

free concerts

W

Afr

ican

Her D Cap ende itage oeir M d a a o Reci onth: Nu nd Asi fe Gru aa nd v

z Jaz ntic he Atla and T st t Tru zzEas ries da Ja ibra

L y na Ca ted b ublic xP sen Pre Halifa

TD

Presented by JazzEast and The Halifax Public Libraries A series of free concerts celebrating 25 Years of African Heritage Thursday, February 19th at 7pm: Dende do Recife Capoeira

Tantallon Public Library (3646 Hammonds Plains Rd., Upper Tantallon. Call 826-3330): The ancient Brazilian art form of Capoeira evolved from the diverse African cultures that were brought to Brazil resulting from the slave trade. Through music and song, slaves concealed the combative purpose of Capoeira, while illustrating the strength and beauty of cultural sharing. Join members of Dende do Recife as they demonstrate the many elements of Capoeira and describe how this exciting dance form arrived in Nova Scotia.

Saturday, February 21st at 2pm: Asia and Nu Gruv

All ages show at Dartmouth North Public Library (134 Pinecrest Dr., Dartmouth. Call 490-5840): The Halifax-based ensemble Asia and Nu Gruv weave old-school rhythm and blues, soul and funk with contemporary urban rhymes and beats. They draw on influences such as: Aretha Franklin, Luther Vandross, Curtis Mayfield and many others. Join the band in a dance-inducing celebration of African heritage.

Thursday, February 19th at 7pm: Dende do Recife Capoeira - Tantallon Public Library (3646 Hammonds Plains Rd., Upper Tantallon. Call 826-3330): The ancient Brazilian art form of Capoeira evolved from the diverse African cultures that

were brought to Brazil resulting from the slave trade. Through music and song, slaves concealed the combative purpose of Capoeira, while illustrating the strength and beauty of cultural sharing. Join members of Dende do Recife as they demonstrate the many elements of Capoeira and describe how this exciting dance form arrived in Nova Scotia.

Saturday, February 21st at 2pm: Asia and Nu Gruv - All ages show at Dartmouth North Public Library (134 Pinecrest

Dr., Dartmouth. Call 490-5840): The Halifax-based ensemble Asia and Nu Gruv weave old-school rhythm and blues, soul and funk with contemporary urban rhymes and beats. They draw on influences such as: Aretha Franklin, Luther Vandross, Curtis Mayfield and many others. Join the band in a dance-inducing celebration of African heritage.

*These concerts are supported by TD Canada Trust’s Public Affairs and Community Activities Program (CAPA)*

A series of free concerts celebrating 25 YEARS OF AFRICAN HERITAGE

Thursday, February 19th at 7pm: Dende do Recife Capoeira - Tantallon Public Library (3646 Hammonds Plains Rd., Upper Tantallon. Call 826-3330): The ancient Brazilian art form of Capoeira evolved from the diverse African cultures that were brought to Brazil resulting from the slave trade. Through music and song, slaves concealed the combative purpose of Capoeira, while illustrating the strength and beauty of cultural sharing. Join members of Dende do Recife as they demonstrate the many elements of Capoeira and describe how this exciting dance form arrived in Nova Scotia. Saturday, February 21st at 2pm: Asia and Nu Gruv - All ages show at Dartmouth North Public Library

(134 Pinecrest Dr., Dartmouth. Call 490-5840): The Halifax-based ensemble Asia and Nu Gruv weave old-school rhythm and blues, soul and funk with contemporary urban rhymes and beats. They draw on influences such as: Aretha Franklin, Luther Vandross, Curtis Mayfield and many others. Join the band in a dance-inducing celebration of African heritage.

*These concerts are supported by TD Canada Trust’s Public Affairs and Community Activities Program (CAPA)*

*These concerts are supported by TD Canada Trust’s Public Affairs and Community Activities Program (CAPA)*

Labs

Concerts

For African Heritage Month: Dende do Recife Capoeira and Asia and Nu Gruv

this week

presented by JazzEast and The Halifax Public Libraries: A series of free concerts celebrating 25 Years of African Heritage

FREE

concerts

FREE

Jazz

TD Canada Trust Atlantic

TD Canada Trust Atlantic Jazz Lab:

Presented by JazzEast and The Halifax Public Libraries

A series of free concerts celebrating

25 Years of African Heritage

azz

free concerts African Heritage Month: Dende do Recife Capoeira and Asia and Nu Gruv

TD Canada Trust Atlantic Jazz Labs: Presented by JazzEast and The Halifax Public Libraries: A series of free concerts celebrating 25 Years of African Heritage.

THIS WEEK Thursday, February 19th at 7pm:

Thursday, February 19th at 7pm: Dende do

Recife Capoeira - Tantallon Public Library (3646 Hammonds Plains Rd., Upper Tantallon. Call 826-3330)

The ancient Brazilian art form of Capoeira evolved from the diverse African cultures that were brought to Brazil resulting from the slave trade. Through music and song, slaves concealed the combative purpose of Capoeira, while illustrating the strength and beauty of cultural sharing. Join members of Dende do Recife as they demonstrate the many elements of Capoeira and describe how this exciting dance form arrived in Nova Scotia.

THIS WEEK for African Heritage Month:

Dende do Recife Capoeira and Asia and Nu Gruv Thursday, February 19th at 7pm: Dende do Recife Capoeira - Tantallon Public Library (3646 Hammonds Plains Rd., Upper Tantallon. Call 826-3330): The ancient Brazilian art form of Capoeira evolved from the diverse African cultures that were brought to Brazil resulting from the slave trade. Through music and song, slaves concealed the combative purpose of Capoeira, while illustrating the strength and beauty of cultural sharing. Join members of Dende do Recife as they

Saturday, February 21st at 2pm: Asia and Nu Gruv. All ages show at Dartmouth North Public Library (134 Pinecrest Dr., Dartmouth. Call 490-5840)

The Halifax-based ensemble Asia and Nu Gruv weave old-school rhythm and blues, soul and funk with contemporary urban rhymes and beats. They draw on influences such as: Aretha Franklin, Luther Vandross, Curtis Mayfield and many others. Join the band in a dance-inducing celebration of African heritage. *These concerts are supported by TD Canada Trust’s Public Affairs and Community Activities Program (CAPA)*

demonstrate the many elements of Capoeira and describe how this exciting dance form arrived in Nova Scotia.

Saturday, February 21st at 2pm: Asia and Nu Gruv - All

ages show at Dartmouth North Public Library (134 Pinecrest Dr., Dartmouth. Call 490-5840): The Halifax-based ensemble Asia

Dende do Recife Capoeira - Tantallon Public Library (3646 Hammonds Plains Rd., Upper Tantallon. Call 8263330): The ancient Brazilian art form of Capoeira evolved from the diverse African cultures that were brought to Brazil resulting from the slave trade. Through music and song, slaves concealed the combative purpose of Capoeira, while illustrating the strength and beauty of cultural sharing. Join members of Dende do Recife as they demonstrate the many elements of Capoeira and describe how this exciting dance form arrived in Nova Scotia.

Saturday, February 21st at 2pm:

Asia and Nu Gruv - All ages show at Dartmouth North Public Library (134 Pinecrest Dr., Dartmouth. Call 4905840): The Halifax-based ensemble Asia and Nu Gruv weave old-school rhythm and blues, soul and funk with contemporary urban rhymes and beats. They draw on influences such as: Aretha Franklin, Luther Vandross, Curtis Mayfield and many others. Join the band in a dance-inducing celebration of African heritage.

*These concerts are supported by TD Canada Trust’s Public Affairs and Community Activities Program (CAPA)*

and Nu Gruv weave old-school rhythm and blues, soul and funk with contemporary urban rhymes and beats. They draw on influences such as: Aretha Franklin, Luther Vandross, Curtis Mayfield and many others. Join the band in a dance-inducing celebration of African heritage. *These concerts are supported by TD Canada Trust’s Public Affairs and Community Activities Program (CAPA)*

20

21


SARAHPILGRIM

PROCESSBOOK

FINAL

HIERARCHY POSTER

azz

free concerts

THIS WEEK

African Heritage Month

Dende do Recife Capoeira & Asia and Nu Gruv

TD Canada Trust Atlantic Jazz Labs Presented by JazzEast and

The Halifax Public Libraries A series of free concerts celebrating

25 Years of African Heritage Thursday, February 19th at 7pm:

Saturday, February 21st at 2pm:

Tantallon Public Library (3646 Hammonds Plains Rd., Upper Tantallon. Call 826-3330): The ancient Brazilian art form of Capoeira evolved from the diverse African cultures that were brought to Brazil resulting from the slave trade. Through music and song, slaves concealed the combative purpose of Capoeira, while illustrating the strength and beauty of cultural sharing. Join members of Dende do Recife as they demonstrate the many elements of Capoeira and describe how this exciting dance form arrived in Nova Scotia.

All ages show at Dartmouth North Public Library (134 Pinecrest Dr., Dartmouth. Call 490-5840): The Halifaxbased ensemble Asia and Nu Gruv weave old-school rhythm and blues, soul and funk with contemporary urban rhymes and beats. They draw on inuences such as: Aretha Franklin, Luther Vandross, Curtis Mayfield and many others. Join the band in a dance-inducing celebration of African heritage.

Dende do Recife Capoeira

22

Asia and Nu Gruv

*These concerts are supported by TD Canada Trust’s Public Affairs and Community Activities Program (CAPA)*

23


SARAHPILGRIM

PROCESSBOOK

FONTFLAG

24

25


SARAHPILGRIM

PROCESSBOOK

dej av

FONTFLAG SKETCHES

DESIGNS

dejavu sans extra light dejavu sans extra light

dejavu sans

dejavu sans extra light dejavu sans extra dejavu sans extra light dejavu sans extra light sans extra ligh dejavu dejavu sans extra light dejavu sans extra

dejavu sans extra light dejavu sans extra light dejavusans sans extra light light dejavu extra dejavu sans extr

dejavu sans extra

dejavu sans extradejavu light

sans extra light dejavu sans dejavu extra sans lightextra light

dejavu

EXTRA LIGHT

1234

1987

1987

1987

what happened?

deja 1234

1234

1234

1234

condensed bold

DEJAVU 1234

DEJAVU memory

SANS

18

font flag

%@

EXTRA LIGHT

IMAGINATION

GO

2005

dejavu why? condensed

past

BOOK

wonder

remember

oblique

CONDENSED OBLIQUE

1987

VU

CONDENSED

1987

DEJAVU

VU

DEJAVU

1987

1987

going on?

{SANS FONT}

sans

{dejavu}THOUGHT CONDENSED &#@

DEJAVU SANS FONT

GO

past

vu

VU

CONDENSED

1987

wonder what’s

dejavu strange MEMORIES

condensed oblique

LIGHT

%@

DEJAVU

font flag deja

past

BOOK

1975

EXTRA

IMAGINATION

LIGHT

condensed

#%

font flag

EXTRA

{SANS FONT}

%@

extra light!

18

what happened?

what happened?

deja

18

dejavu why?

BOLD

sans type

SANS

2005 condensed bold oblique

1987

vu

GO

EXPERIENCE

DEJAVU SANS FONT

condensed oblique

1987

condensed bold oblique

BOLD

VU

1987

font flag

EXPERIENCE

DEJAVU SANS FONT

sans

1987

deja

strange MEMORIES

{dejavu}THOUGHT CONDENSED &#@

1987

DEJAVU

font flag

IMAGINATION

#%

dejavu

deja 23

SANS

condensed oblique

extra light!

%@

going on?

BOOK

ILLUSIONS

sans type

what happened?

1987

DEJAVU

what’s

vu

going on?

wonder what’s ILLUSIONS

{SANS FONT}

1987

DEJAVU SANS FONT

1987

condensed oblique

1987

font flag deja

ILLUSIONS

what’s

DEJAVU

condensed condensed bold oblique

VU

1987

past

dejavu why?

THOUGHT CONDENSED &#@

1987

1987

1975

2005

sans

font flag

EXTRA LIGHT

GO

EXPERIENCE

1975

{dejavu}

18

IMAGINATION

strange MEMORIES

dejavu

DEJAVU

%@

1987

deja 23

SANS

BOOK

BOLD

deja 23 what happened?

1987

#%

sans type

VU

1987

DEJAVU

font flag

vu

1987

1987

wonder

condensed deja

sans

THOUGHT CONDENSED &#@ {dejavu}

1987

DEJAVU

ILLUSIONS

DEJAVU going on?

dejavu why?

{SANS FONT}

what’s

past

BOOK

1987

going on?

26

DEJAVU SANS FONT

1987

1987

condensed oblique

1987

{SANS FONT}

VU

1987

GO

strange MEMORIES

sans

{dejavu}THOUGHT CONDENSED &#@

1987

#%

EXPERIENCE

T H O U G H T

dejavu

1975

extra light!

s a n s

%@

LIGHT

2005

deja 23 p a s t

what happened?

extra light!

B O L D

BOLD

sans type

dejavu

1975

EXTRA

IMAGINATION

condensed bold oblique

DEJAVU ILLUSION

extra light!

condensed bold oblique

EXPERIENCE

dejavu sans extra li dejavu sans extra light dejavu sans extra light dejavu dejavu sans extrasans light e dejavu sans extra light dejavu sans extra light 18 23 DEJAVU SANS... it’s extra light dejavu sans extra deja dejavu sans extra light

1987

1987

1987

1987

1987

wonder what’s

going on?

27


SARAHPILGRIM

PROCESSBOOK

FINAL FONT FLAG

*

*

*

*

dejavu sans *

*

*

1234

past

why?

1987

VU

1987

1987

1987

1987

1987

what’s

going on?

ILLUSIONS

1234

18

font flag

what happened?

%@

dejavu

condensed bold obliq

vu

EXPERIE

deja

sans type

BOLD

wonder

sans

THOUGHT CONDENSED &#@ {dejavu}

DEJAVU SANS condensed

font flag

dejavu

condensed oblique

dejavu

%@

1975

GO

strange MEMORIES

what happened?

extra light!

dejavu

font flag

EXTRA LIGHT

2005

condensed bold obliq

extra

28

BOLD

ened?

sans type

EXPERIE

ILLUSIONS

VU

g on?

23 deja

18

IMAGINATION

#%

sans type

DEJAVU SANS FONT

at’s

vu

DEJAVU

87

deja

BOOK

87

87

condensed oblique

DEJAVU SANS FONT

7

DEJAVU SANS

font flag

{SANS FONT}

VU

THOUGHT CONDENSED &#@ {dejavu}

*

BOLD

sans

*

extra light!

extra light!

dejavu

1975

condensed bold oblique

23 a

hat happened?

%@

EXPERIENCE

BOLD

AVU

sans type

*

DEJAVU SANS

font flag deja

vu

18

29


SARAHPILGRIM

PROCESSBOOK

WORDPLAY

30

17

31


SARAHPILGRIM

PROCESSBOOK

WORDPLAY

FINAL

WORD PLAY

Nazi

gracious

gracious

gracious

gracious

gracious

32

Nazi

gracious

Nazi

33


SARAHPILGRIM

PROCESSBOOK

UGLY WEBSITE REGROOVING

34

35


SARAHPILGRIM

PROCESSBOOK

UGLY

FINAL

WEBSITE

WEBSITE DESIGN

REGROOVING

CFKI

Care. Share. Transform.

Coalition for Kids International Inc.

Home

Our Mission

Programs

Donate

News

Photos

Contact Us

Our Mission

Empower North American teens and youth to personally fulfill the fantasies and dreams of terminally-ill children facing circumstances beyond imagination.

Read More

Journeys for a Lifetime Program

Groups of North American teens and youth travel for 12 days on a journey to Poland and Germany. Only 30 spaces left for 2011!

Reserve Your Place Now

RESEARCH

36

Photo Gallery

Donate to CFKI

View Photos

Donate Here

View photos of teens helping young children searching for hope.

Contact Us

Make a contribution in support of our CFKI programs.

Registered Office - Suite 1700 1959 Upper Water Street, Halifax, Nova Scotia B3J 3N2 Canada Tel: (902) 482 4511

Entertainment News

Coalition for Kids International raises awareness and financial support from the promotion of entertainment events.

More News

CFKI

37


SARAHPILGRIM

PROCESSBOOK

PRODUCT PACKAGE

38

39


SARAHPILGRIM

B U T A N E

Honey Oil

SKETCHES

RESEARCH

PRODUCT PACKAGE

PROCESSBOOK

L’Huile de Miel

BUTANE Honey Oil 40

41


SARAHPILGRIM

PROCESSBOOK

FINAL

PRODUCT DESIGN

FINAL PRODUCT

Box Template for BHO

L’Huile de Meil B U T A N E

Un extrait puissant de cannabinoïdes psychoactifs dérivés de cannabis sativa cultivé au Manitoba, au Canada sous la stricte supervision de Santé Canada Utilisations: • soulagement de la douleur • stimulation de l'appétit • voyages d'un jour • élargissement de la conscience et un sentiment général de bien-être Tetrahydrocannabinol 98% USP

42

5ml

Instructions: Inhale, apply topically or eat. Visit our website for tasty recipes: http://luckygoldenleaf.com/ recipes Dosage: Do not use more than twice per day. Avoid eye contact. Do not use if pregnant or breastfeeding. Store at room temperature (15–30°C), away from children. See a health care practitioner on a regular basis if you suspect, or are diabetic. Consult a health care practitioner if symptoms worsen. Manufactured by: Lucky Golden Leaf Ltd. (Hong Kong) http://luckygoldenleaf.com

B U T A N E

Honey Oil

A potent extract of psychoactive cannabinoids derived from cannibis sativa grown in Manitoba, Canada under the strict supervision of Health Canada Uses: • pain relief • appetite enhancement • day trips • mind expansion and a general feeling of well-being! Tetrahydrocannabinol 98% USP

Instructions: Inspirez, appliquer localement ou à manger. Visitez notre site Web pour des recettes savoureuses: http://luckygoldenleaf.com/recipes Dose: Ne pas utiliser plus de deux fois par jour. Évitez le contact avec les yeux. Ne pas utiliser en cas de grossesse ou d’allaitement. Gardez à température ambiante (15–30°C) et hors de portée des enfants. Consultez un professionnel de la santé régulièrement si vous êtes diabétique ou si vous soupçonnez être diabétique. Consultez un professionnel de la santé si vos symptômes s'aggravent. Fabrication par: Lucky Golden Leaf Ltd. (Hong Kong) http://luckygoldenleaf.com

5ml

43


SARAHPILGRIM

PROCESSBOOK

HOME

44

45


SARAHPILGRIM

PROCESSBOOK

HOME SKETCHES

46

47


SARAHPILGRIM

PROCESSBOOK

walk in • relax • enjoy The speaker that decides for you. The ambience is a speaker with a sensory system that is able to detect the mood or moods of a human body to create the perfect moment using music and light. You simply have to walk into a room in your home and the ambience will set your lighting and music to your needs. This small, light speaker will stick on any surface of your home. It is perfect for a get together with friends or a dinner party with the family. ambience speaker is able to detect multiple moods at once and combine them to suit the needs of the whole group.

The ambience is great for mornings when it is time to wake up and prepare for work. All you have to do is walk into your bathroom and the speaker will turn the lights on high and have an energetic song play for you before work.

When you have returned home from a long day at work and need to relax your mind and body before bed, you simply have to walk into your bathroom, sit in your nice hot bath and ambience speaker will dim to a perfect candle lit room and play a peaceful melody. The ambience speaker will be perfect to suit the needs of every member of the household. You simply have to walk in, relax, and enjoy.

48

49


SARAHPILGRIM


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.