SurLaTerre_Issue17 by Firefly Communications

Editorial

And he is right. This editorial, for instance, has been drafted and compiled on no less than an iPad, a Macbook and an iMac, before being laid out on a Powermac G5. That is why we have chosen to include a tribute to the great man from our Chief Creative Officer and Director of Publications, Mohamed Jaidah, from one entrepreneur to another, as our final In Focus piece of 2011. Likewise, in Origins we look at the triumphs and troubles of Apple’s early years, courtesy of Danny Issa. On a lighter note, as the year draws inexorably to its close, several territories in the GCC celebrate their National Day; from Bahrain to the UAE, there will be fireworks and celebrations. Qatar, of course will be commemorating its own National Day on December 18th, which is why we have the traditional Qatari ceremonial swords on our cover and a main feature about their craftsmanship and significance, courtesy of Senior Editor, Steven Paugh.

Comedian and Author, Stephen Fry, was quoted as saying: “It is testament to the man that two-thirds of the world’s population found out about Steve Jobs’ passing on a device that he invented...”

While the darkness draws in and the nights get colder, our thoughts are fuelled with nomadic fantasies of tropical getaways and romantic breaks. To indulge in this human condition, we have compiled our Sur la Terre “Travel 2012” special section, where Megan Masterson explores a selection of must-visit destinations and experiences the hospitality of the Chedi Muscat’s new spa extension. We also welcome back author and Al Jazeera veteran, Rosie Garthwaite, who satisfies her appetite for travel in Hungary, while Kevin Hackett offers up an exclusive report from Virgin Galactic’s new Spaceport in the New Mexico Desert. Kevin also finds himself in the mountains of northern Italy, sitting next to me as I take the wheel of my first Ferrari in our exclusive first drive of the new 458 Spider. As the only magazine from Qatar to be invited on the trip, this is a must read for our more petrol-headed Sur la Terreans, as is my (rather opinionated) round-up of the latest haute wheels at the Frankfurt Motor Show. Do you agree with me? Did I miss something? I welcome your feedback at jmccarthy@surlaterre-me.com. For those of you looking forward to the next season already, resident fashion and style guru, Sophie Jones-Cooper, dissects the Spring/ Summer 2012 collections from the latest round of fashion weeks, while you can see what is currently on offer locally in our three home-grown photoshoots for Fashion, Beauty and Accessories. That lot should be enough to stoke the coals of class until January, so why not come in from the cold and huddle around our fire of finesse with this latest instalment of SLT, the most luxurious winter-warmer there is. Wishing you all a happy and prosperous New Year, James McCarthy

Regional Managing Editor

. sur la terre . editor’s letter .

CONTENTS

DOHA NUMBER 17

the list A r t , c u lt u r e , l i f e s t y l e

the scene W e r e yo u s e e n o n t h e s c e n e ?

f o r y o u r e y e s o n ly Th e t h i n g s yo u n e e d to o w n

gl obe tro t ter Yo u r g u i d e to g lo b a l l u x u r y

rev ue W e t r y b e f o r e yo u b u y

i n focus Th e e x p e r t s â&#x20AC;&#x2122; o p i n i o n

u p cl ose a n d per son a l Ta l e n t e d a n d pa s s i o n at e p e o p l e

fe atu r e L i v e by t h e s wo r d

b e au t y Sun-kissed

tr en ds con fiden ti a l A n a ly s i n g s p r i n g / s u m m e r

â&#x20AC;&#x2DC;12

. sur la terre . contents .

CONTENTS

DOHA NUMBER 17

look book G e t t h e l at e s t lo o k

fa s h i o n D e sert rose

i n mo tion F r a n k f u r t m o to r s h o w

e xc l u s i v e i n m o t i o n F e r r a r i 45 8 s p i d e r

100

ac c e s s o r i e s G o l d e n b a z aa r

104

or igi ns Th e e a r ly d ay s o f a p p l e

112

o u t o f t h e b ox D o l u x e d i f f e r e n t ly

116

m a r k e t p l ac e P r o d u c t s ava i l a b l e lo c a l ly

118

bet w een the li n es Luxu ry by n u m b e r s

120

t r av e l e xc l u s i v e 20 11: a s pa c e o dy s s e y

124

hor izons G e t t i n g h u n g a ry

128

s pa Th e c h e d i m u s c at

131

d e s t i n a t i o n 2012 Th e p l a c e s to v i s i t i n

20 12

. sur la terre . contents .

“ D o not follow where the path may lead. G o instead where there is no path and leave a trail .” – R a l p h Wa l d o E m e r s o n

the list arts and culture

NOV-26 JAN

07-14

08-11

Museum of Islamic Art’s New Exhibit:

Dubai Film Festival

Doha Food Festival

WHEN: Now until January 26 WHERE: Museum of Islamic Art, Qatar WHAT: The Green Vault in Dresden, Germany houses the largest and one of the finest European collections of historic treasures, trinkets and ornaments. Thanks to a recent partnership between Qatar Museums Authority and Dresden State Art Collections, the famous collection is making its way to Doha’s Museum of Islamic Art. Some of these pieces date back as early as the 18th century, and yet they still shine with the original lustre of their timeless elegance and wonder. The exhibit will only be here until January 26th, so be sure to see the treasures before they make their return to the Green Vault in Germany. www.mia.org.qa/

WHEN: 7 – 14 December WHERE: All over Dubai WHAT: With almost 2,000 documentary, short and feature length submissions, the Dubai Film Festival will turn the red carpet over to up and coming filmmakers from the region. The objective of the Dubai Film Festival is to bridge the gap, “between cultures and nations to nurture and develop local and international talent,” and it has a proven record of doing just that. Winning entries from last year’s festival went on to be played all over the world. With new entries and the spotlight turned to rising talent, the festival will once again display the best of Arab, Asian and African film. Filmmakers from the region will be seeking a coveted Muhr award, given to films of exceptional quality, which will help propel them into the international market and launch successful careers. Prize money will be in excess of US $575,000 is also available in prize money, a sum that can only do wonders for production of a lucky winner’s next big film. www.dubaifilmfest.com

WHEN: 08 – 11 February WHERE: Doha Exhibition Center, Qatar WHAT: Food... and fun! Those two words capture the very essence of what these three days will be all about. More than forty of Qatar’s finest restaurants will gather to transform the exhibition center into a bountiful banquet of deliciousness. Local restaurant chefs will tingle the taste buds of those in attendance with global cuisine. Arabic, Indian, Thai, Mexican and European gourmet dishes will be cooked up for bargain prices. The food will be accompanied by a variety of carnival events and live music that promise to be fun for the whole family. Come hungry, leave happy. www.qatartourism.gov.qa

DEC

FEB

“The Dream of a King Dresden’s Green Vault”

. sur la terre . the list .

the list ENTERTAINMENT

2-5

10-13

16-24

Commercialbank Qatar Masters

Qatar Fencing Grand Prix and World Cup

Skywards Dubai Jazz Festival 2012

WHEN: 2 – 5 February WHERE: Doha Golf Club, Qatar WHAT: The European PGA tour makes its stop at the Doha Golf Club for another exciting round of golf. Top players will be teeing off on February 2nd, hoping to land some birdies and claim a part of the US $2,500,000 prize money up for grabs. Standing between an enlarged check and the champion will be 7,374 yards of challenging desert green designed by the renowned Peter Harradine. Last year’s winner, Thomas Björn from Denmark, flew through the course like an oasis breeze and overwhelmed the competition. He claimed the winner’s check and illustrious gold and pearl oyster trophy with a score of 14 under par. No champion has ever defended his title at the Qatar Masters, but Björn will look to do just that in 2012. If he can match his performance from last year, he might be the first defending champ in the tournament’s history. www.qatar-masters.com

WHEN: 10 – 13 February WHERE: Aspire Dome, Doha, Qatar WHAT: En Garde! The world of fencing will turn its eyes to the Aspire Dome in Doha as Olympic champions and international competitors gather for the Qatar Fencing Grand Prix and World Cup. The sport of fencing has been steadily growing over the years in the country under the guidance of the Qatar Fencing Federation. Competitors will be parrying, lunging and counter-attacking as they compete for the gold and prize money. Three separate tournaments will be held during the event: the men’s Grand Prix, the women’s World Cup and the national team tournament. The Fencing Grand Prix and World Cup will be a chance for local fans to watch Olympic level participants compete and learn more about fencing in Qatar. www.qatarfencing.org

WHEN: 16 – 24 February WHERE: Dubai, UAE WHAT: Get ready to snap your fingers and sway to some smooth sounds. Skywards Dubai Jazz Festival is coming back and event organisers have got something special lined up for the festival’s 10 year anniversary. The theme of this year’s outing is “The Best-of” a gathering of the top artists that have graced the stage over the history of the festival. There will be two weekend-long concerts featuring the genre’s very best as they get to the jazzy business of belting and strumming their hits. The Jazz Garden is also returning, featuring a great variety of international jazz artists over the course of five nights. With a total of nine days of live entertainment, there will be plenty to see and hear for music lovers. www.dubaijazzfest.com

FEB

. sur la terre . the list .

FEB

the list Lifestyle

25-28

21-26

13-17

Qatar Motor Show

Doha Jewellery and Watches Exhibition

Dubai International Boat Show

JAN

WHEN: 25 – 28 January WHERE: Doha Exhibition Center, Qatar WHAT: The fastest things on four wheels are driving back into Doha for the Qatar Motor Show. Beginning on the 25th of January, petrolheads from all over will gather for the country’s biggest motoring event which, according to the organiser, attracted attracted 90,000 visitors over the three day inaugural event earlier this year. The Red Bull Outdoor show that wowed crowds last year will be returning once again this year. The hi-revving show will feature stunts, thrill and the occasional spill, with trail bike jumping to drifting that is sure to impress hardcore motorsport fans and casual cruisers alike. The show floor of the exhibit will boast a display of 36 car brands featuring your favourites, including the latest from Bentley, Bugatti, Lamborghini and GM, among others. Expect big news to come from the event as well, as representatives from Formula 1 will be in attendance to make some big announcements and there will be some surprising new car reveals as well. Be there to be the first to see the latest developments in the world of motoring excellence. www.qatarmotorshow.gov.qa

FEB

WHEN: 21 – 26 February WHERE: Doha Exhibition Center, Qatar WHAT: The Doha Exhibition Center will shine brightly come February 21 when the annual Doha Jewellery and Watch Exhibit comes to town. If you are looking to buy a new necklace, ring or watch adorned with diamonds, rubies or pearls, the popular yearly exhibition is the place to be. The annual tradition, now in its ninth year, has been a bright spectacle that attracts international jewellers and watch exhibitors, all anxious to show off their best and brightest. The highest calibre of craftsmen and designer brands (Bulgari, Cartier and Piaget, to name just a few) bring their best wares to shine, providing shoppers with a great opportunity to find some of the finest pieces. If you are looking to add to your collection of fine jewellery or stylish watches, you will not want to miss the luxurious variety the exhibition has to offer. www.dohajewels.com

. sur la terre . the list .

mar

WHEN: 13 – 17 March WHERE: Dubai International Marine Club, Dubai, UAE WHAT: The Dubai International Boat Show will celebrate its 20th anniversary this year! To honour the occasion, it will host an even bigger collection of the world’s best in boating luxury. More than 20 new boating companies will be showing off their latest models of aquatic elegance to add to the already impressive collection of 60 returning exhibitors. Yachts, jet skis and all manner of boating technology will be on display for keen marine enthusiasts to browse and buy. The Dubai International Boat Show has proven itself to be one the best events in the world of yachting and this year promises to be bigger and better than ever. www.boatshowdubai.com

the list global gatherings

dec

feb

New Year’s Eve Sydney London National Celebration Gallery’s New Exhibit: Leonardo da Vinci:

FEBMAR

RBS 6 Nations Championship

Painter at the Court of Milan

WHEN: December 31 WHERE: Sydney, Australia WHAT: When you think of New Year’s Eve, you think of fireworks, and no city does it better than Sydney, Australia. Over one million people gather annually to welcome the New Year and watch the spectacle of fireworks launch from the Sydney Harbour Bridge. Say farewell to 2011 and welcome in 2012 in Sydney onboard the “Magistic Dinner Party Cruise”. The six-and-a-half hour luxury harbour cruise will guarantee a spectacular view of the fireworks display. The ship will even be a part of the “Harbour of Light” Parade making YOU a part of the celebration. A five course dinner will be prepared onboard and an open bar will be available for all in attendance. Live bands and DJ’s will also be there, playing the best music to celebrate the New Year. Don’t just watch the world’s best New Year’s celebration on the television, be a part of it! www.newyearsevesydney.net.au

WHEN: Until February 5 WHERE: Trafalgar Square, London WHAT: The National Gallery in London has compiled the most complete display of the work of a man who is arguably one of the most beloved painters in history, Leonardo da Vinci. For the first time, his rare works have been gathered from museums in Paris, Saint Petersburg, Rome and more. Alongside the works of Leonardo da Vinci will be those of his followers, highlighting not only his work but the significance of his attention to detail and desire to portray realism. Leonardo da Vinci started an artistic movement, the foundation of which will be on display for the world to see. Also on display will be a full-scale copy of one of his most famous works, The Last Supper. Accompanying the impressive piece will be the original preparatory drawings made by Leonardo himself, depicting how he designed, planned and painted the world famous piece. www.nationalgallery.org.uk

. sur la terre . the list .

WHEN: February – March WHERE: Europe WHAT: Coming off the controversies and surprises of the 2011 World Cup, you can be sure that tempers will be flaring and blood will be boiling as the 6 Nations fever takes to the pitch and age-old rivalries are once again rekindled. After a heartbreaking loss at the hands of the French, Wales will be looking avenge their semi-final exit from RWC’11, but fans will have to wait until the very end of the tournament to see the rematch. Only one team can be crowned RBS 6 Nations Champions, so will England be able to put their horrific World Cup performances to bed and defend their title? Can Italy secure their first bit of silverware? Will we see another Welsh Grand Slam? Only time will tell, but some things are guaranteed: tackles will be hard, tries will be scored and the fires of national fervour will be well and truly stoked. www.rbs6nations.com

th e scen e

Karen Millen

â&#x20AC;&#x201D; C outure for the M asses â&#x20AC;&#x201D;

Karen Millen at Villaggio Mall in Doha held a special anniversary event for favoured clients and VIP customers alike. The company showed off its latest lines and newest fashions with a mini catwalk event, while guests shopped and enjoyed the convivial atmosphere at the exclusive party.

. sur la terre . the scene .

th e scen e

51 East

â&#x20AC;&#x201D; W here lu x ury intersects with D oha â&#x20AC;&#x201D;

5 1. Mirna and Jean Paul 2. A string quartet entertained guests 3. Hisdom and Nivine 4. HE Abdullah Bin Hamad Al-Attiya, Deputy Prime Minister, cuts the ribbon 5. Ammar and Nai 6. More of the many musicians scattered around the mammoth store

. sur la terre . the scene .

th e scen e

51 East

â&#x20AC;&#x201D; W here lu x ury intersects with D oha â&#x20AC;&#x201D;

7 8

. sur la terre . the scene .

7. Hundreds of Doha VIPs attended the opening 8. Emilia and Capt. Mohammed Al-khater 9. Sami, Samantha, Ghazar, Cholpon, and Candace 10. Sarah and Lulu 11. Ania, Farid, Jessica, Abir, and Haifa 12. Cristina and Juliana Mittermeier

th e scen e

Renaissance Hotel and Apartments — A revival of lu x ury living in Q atar —

2 3

7 6

. sur la terre . the scene .

1. Dohad and Asma 2. Emirati singer, Hadman Al Abri, got the place swinging with his performance 3. Kateryna Kobets, Samar Derhalli, and Naamat Baradhy 6. Doha’s VIP’s turned out in force for the opening 4. Joy, Chris, and Alex 5. Havovi, Laura, Sandra, and Howard 7. Miriam Neumann and Nimay Parekh 8. Jennifer Bray, Casey Bray, Daniel Krikham, and Maleeya Kirkham 9. Cool tunes drifted over the pool to entertain guests

www.albidaaswords.com qatar@albidaaswords.com : T. +974 4435 4555

F. +974 4435 4222

+974 4435 42 2 2

E-mail: qatar@albidaaswords.com

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u r eyes o

WELCOME

To a world where money is no object and Cool comes at a price. A millionaire’s shopping list, FYEO gives you an iNSIDE track to the things you need to own.

Model Luxury >>> This model car is not just any executive desk ornament. Weighing in at US$5 million, this is the most expensive model car in the world, hewn from solid silver, gold, platinum and carbon-fibre and studded with no less than 2,000 precious stones. The project, which is in line for a number of Guiness World Records, is the brainchild of German master craftsman, Robert Gülpen, and is a collaboration between his company and Automobili Lamborghini. A prototype of the model was presented on the Lamborghini booth at the recent Frankfurt Motor Show. The

model itself is a 1:8 scale model of the Lamborghini Aventador LP 7004 and Gülpen has told SLT that at least $500,000 from the sale price of the car will be given to charity when it eventually goes under the auctioneer’s hammer in the Middle East, Russia, China or the USA. The lucky winner of the auction will get to choose exactly what the most expensive and most precious model car in the world will look like as it will be built from scratch and completely to their material specifications. www.guelpen.com

. sur la terre . for your eyes only .

u r eyes o

Ice-Cold Calling >>> Tonino Lamborghini, the son of the legendary car-maker, Ferruccio, continues his father’s penchant for design and performance with his new, limited edition Spyder Supreme Diamond cell phone. Launched in conjunction with the company’s “1947” series of watches, the bejewelled mobile celebrates the 30th anniversary of the company’s Fashion and Accessories division. The case front is set with 7.8-carats of meticulously-sourced diamonds around the anti-scratch sapphire crystal screen while the case back is covered in white alligator-patterned leather and stamped with Tonino Lamborghini’s Raging Bull icon in 18-carat gold. While it wins on exclusivity and looks, on a technical level, the phone won’t give Apple or RIM sleepless nights, but who cares that it isn’t a smart phone when it looks this stylish. Limited to just 300 pieces worldwide, the Tonino Lamborghini Spyder Supreme Diamond Edition will dial back your bank account to the tune of around $16,200. www.lamborghini.it

Bathtime Bling >>> Bathrooms are the new jewellery boxes it seems, offering those that can afford it the opportunity of enjoying a more opulent ablutionary process. Thanks to companies such as Original Style, a British-based tile emporium, you can bring a bit of bling to your bathroom with its sparkling Bullion mosaic tiles, which are made from 24-carat gold leaf, ripple-textured and encased in glass, giving an overall look of beaten gold. Part of the company’s Elite Range and mounted on a mesh backing, a shimmering shower like the one pictured with Fantasy Black floor tiles from the Tileworks range, will set you back around $415 per square metre. The company’s tiles are not just for bathroom use, either. Add some pizazz to kitchens, hallways, verandas, conservatories and porches as well, and you will not be alone as Original Style tiles have apparently been used in the homes of Hollywood film stars, some of our region’s more extravagant mosques, as well as international opera houses, which brings a whole new meaning to singing in the shower. www.originalstyle.com

Sound Investment >>> Swedish firm, Shape Audio, is bringing a whole new meaning to the term “Gold-Selling Artist” with its, frankly, stunning line-up of Musical Sculptures. The Organic Harmony is not just a premium music speaker that employs cutting-edge Class D amplifiers, digital signal processing and five-way active system audio output, but doubles up as an incredibly precious work of art. We say precious because the casing is made out of any one of several highvalue metals from Bronze, Silver and Gold, to any other kind of material you can think of if you use their bespoke service. The company told SLT that it has produced Crystal Glass, Carbon-Fibre and Marble editions for their high-paying clientele, all ranging in size and shape from dragons to anatomically correct statues of loved ones. If you are buying off the shelf though, we recommend the solid 18-carat Gold Edition which, weighing in at a hefty 215kgs, will set you back a cool $6.8 million. www.shapeaudio.com

. sur la terre . for your eyes only .

u r eyes O

WatCh CaSE >>> These days, when you ask someone the time, usually they just whip out their mobile phone. Now, if you don’t wear a watch, that task has just got a whole lot easier thanks to De Bethune’s gorgeous and very functional new bauble, the Dream Watch IV iPhone 4S Shield, a futuristic sheath for Apple’s latest phone that is wrought from polished, bead-blasted titanium. According to its designers, David Zanetta and Denis Flageollet, the Dream Watch IV represents the mechanical watch designed for 21st century wear and which raises this accessory to the rank of an authentic work of art, dedicated to the visionary Steve Jobs and “paying eloquent tribute to his groundbreaking genius.” Horologists with a keen eye will notice that the new Dream Watch IV features an embedded watch dial of hand-polished blued titanium, accented with gold and diamond stars, that employs the company’s patented DB2105S calibre with twin barrels and a silicon and platinum annular balance. Pricing for this 12-piece limited edition is not yet available because the Dream Watch IV will make its debut at next year’s SIHH in Geneva. www.debethune.com

look Sharp >>> With most of the Sur la Terre editorial team recently observing “Movember” in aid of various Prostate Cancer charities, the numerous ways of carving one’s face-fuzz has been a trending topic of conversation. While some among us preferred the convenience of an electronic razor, there were the traditionalists that favoured a nice soapy wet shave. So it was with envious eyes we looked upon the $1,315 Mühle Edition No. 1 shaving set, which comes with a badger-hair brush and an ergonomically designed razor, all packaged in a luxurious white resin gift box. Mühle, a German shaving-products company, makes the handles of both the razor and the brush from resin-coated carbonfibre, appealing to our macho inner James Bond. The Edition No. 1 is the company’s most prestigious piece from the top-end of its line up. Quality is guaranteed as Mühle has been the go-to supplier of handmade badger-hair brushes for the discerning gentleman since 1945. www.muehle-shaving.com

. sur la terre . for your eyes only .

u r eyes o

Kingpin Pong >>> Anyone who has a Nintendo Wii will have, at some point, been caught flapping aimlessly at thin air and looking like a fool by a housemate or family member while playing the infuriatingly addictive table tennis game. Fortunately Sur la Terre can spare your future sweaty blushes by offering you the real thing, but with a uniquely luxury twist. This stunningly contemporary piece of sporting equipment is designed by noted artist Tom Burr, who normally showcases his work at top museums and galleries around the world. Now he brings his modern aesthetic to your home with this limited-edition Ping-Pong table, perfectly sculpted from black rubber. It is so minimalist that it doesn’t even have court markings on it, taking the sport to levels of cool not seen since the 2007 Ben Fogler movie Balls of Fury. Available online through the US Department Store Neiman Marcus and a snip at $45,000, each table sold will see $2,500 donated to a child mentoring charity in the US. With this bad boy sitting in your majlis, the next time someone walks in on you swatting your paddle around the room, there will be gasps of admiration rather than peals of laughter. www.neimanmarcus.com

Flying High At 100 >>> By now it should be pretty well known that 2011 is the centenary year of the Spirit of Ecstasy, quite literally the Rolls-Royce of... um... car ornaments. As the year of celebration draws to a close, the guys at the glorious Goodwood factory have dressed the world’s most famous automotive icon in her most exquisite gown yet. With an estimated value of over $250,000, the bejewelled “Flying Lady” you see before you is the result of collaboration between Mouawad, the international diamond expert and royal jeweller, and Rolls-Royce Motor Cars. After gracing the front of every Rolls-Royce grille since 1911, she has now been draped in 2,300 cut diamonds by three Mouawad master craftsmen, who spent a painstaking 350 hours laying the 38.53 carats in her pavé gown. While this isn’t your usual For Your Eyes Only fare, as it is an exhibition piece more than anything, we are pretty sure that if you rock up to the Rolls-Royce bespoke team with enough folding currency in your mitts, they could make it happen for you; they can do pretty much anything for a price (though they did draw the line at giving her a beard and renaming her the “Spirit of Ecsta-Steve” as our Senior Editor, Mr Paugh once suggested). Either way, we here at SLT think it is fair to say that the Flying Lady looks pretty darned beautiful for a woman who has been, quite literally, at the forefront of luxury motoring for 100 years, wouldn’t you agree? www.rolls-roycemotorcars.com

. sur la terre . for your eyes only .

GLOB E TRO TTER

HOTEL

SHOPPING

Sandy Lane Beach Holiday Season in Resort And Spa New York Where: St. James, Barbados GPS: 13˚ 10’ 23.83” N, 59˚ 38’ 13.1 0” W

Where: New York City GPS: 40˚ 45’ 45.64” N, 73˚ 58’ 26.07” W

It took more than US$450 million to build Sandy Lane Beach Resort and Spa. With a price tag that large, it’s no surprise that this hotel is one of the most beautiful and extravagant locations in the Caribbean. The name of the resort comes from the 1,000 foot long stretch of soft white sandy beach, which is a magnificent sight in and of itself. If the beach isn’t quite your thing, guests at Sandy Lane are welcome to a multitude of other services that will relax, sooth, entertain and excite. It is home to three golf courses, and had the honor of hosting the 2006 World Golf Championships World Cup. The Spa offers a wide variety of massage treatments from the sensual, to the therapeutic. Four restaurants offer delicious meals and stunning views of the island and coast. For the more adventurous types, lurking at the bottom of the coral reef attraction is a sunken ship waiting to be explored. At the heart of the resort is The Villa: an astonishing five bedroom living space complete with a garden and a full compliment of staff to cater to your every need. Celebrities and politicians, such as Elton John, Jacqueline Kennedy and Rihanna, among others, have all chosen The Villa as thier temporary home-away-from-home. Staying at The Villa gives you all access to the wonders of Sandy Lane and will ensure you have a relaxing getaway that you will never forget. www.sandylane.com

Shopaholics rejoice! The holiday season has returned once again, and it brings with it the magic of discounts. New York City’s Fifth Avenue has long been a go-to destination of shoppers for good reason. The street has transformed itself into a winter wonderland for the holiday season and it is everything that shoppers wish for in wonder. The world’s leading designer brands, all gathered in one location, open their doors and roll down their prices. Prada, Louis Vuitton, Gucci, Tiffany & Co., Armani, Versace, and more, are ready to get customers out of the cold and into the warmth of their large and lavish shops. With dialled-down prices on high quality items, shopping in New York during the holiday season is a great way to fill up wardrobes with the latest in furs, silks and suits without emptying out the bank account. The bargain shopping deals are only complimented by the amount there is to do in the city itself. Broadway shows, art galleries and fine dining are scattered all around Fifth Avenue like a fun flurry of snowflakes. Still wondering why everyone loves New York? www.nyctourist.com

. sur la terre . globe trotter .

NIGHTLIFE

RESTAURANT

VIP Room

Noma

Where: Paris, France GPS: 55˚ 40’ 40.53” N, 12˚ 35’ 46.38” E

Where: Copenhagen, Denmark GPS: 48˚ 51’ 48.47” N, 2˚ 19’ 58.79” E

The first thing you will see when you get to VIP Room is a 15 metrelong red carpet leading the way into the best night spot in Paris. If you make it to the VIP Room, chances are you will be sharing that red carpet with a famous musician, actor or model. Celebrities can’t get enough of the VIP Room and come to the gorgeous establishment to listen to the hottest tracks spun by international DJ’s. The impressively chic decor and stellar light display that flood the club’s two storeys create an atmosphere of overall excellence. If you are hoping to stroll through the vaulted door and into the VIP Room, make sure to get there early. Night after night, hundreds of the best dressed and richest will be vying for space on the red carpet. If you are looking for a venue to hold a high class event, the VIP Room can also be rented out for private parties. Gourmet food, great service and the full VIP treatment will guarantee you and your guests have a night to remember. www.viproom.fr

The North Atlantic House is a cultural centre located at the very discrete harbour front in Copenhagen, Denmark. Like most cultural centres, North Atlantic House organises events and exhibitions to promote and share the culture of the North Atlantic region, boasting a very impressive distinction that propels its cause and attracts visitors from all over the world. That distinction is Noma, voted as the best restaurant in the world in both 2010 and 2011. Noma first opened its doors to the Danish public in 2004 and has since become an international success. Using creative methods of cooking, coupled with his knowledge of molecular gastronomy, Head Chef René Redzepi has reintroduced the elegance of Nordic Cuisine to the world. He takes a “back to basics” approach by doing away with common modern day ingredients, such as olive oil and wine, instead favouring simplicity. Ingredients used in Redzepi’s kitchen are found in the beautiful landscapes of the North Atlantic region as he turns to nature to find the best selection of grains, vegetables and spices. The result of such an approach is a truly unique, authentic and delicious dining experience that deserves to be called “The Best Restaurant in the World.” http://www.noma.dk

. sur la terre . globe trotter .

r evu e h ote l

Al Faisaliah Hotel, Riyadh Three Pearls: For making The Kingdom magic - S T EV E PAUGH unlocks the mystery of saudi lu x ury. -

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Saudi Arabia is one of those countries you usually see atop tourists’ “avoid at all costs” lists. Let’s face it, the Kingdom doesn’t exactly have the most welcoming reputation for tourism, with taxing and often impossible visa procedures, an unnerving level of conservatism (especially regarding women) and the seemingly inescapable feeling for outsiders that if you enter the country, Big Brother will be watching you. Most of these preconceptions float within the general ether of consciousness for a reason; that is to say, they are true. In fact, I fully admit that I had the same reservations when Rosewood Hotels invited Sur la Terre to the capital city of Riyadh to experience the quintessential five-star luxury of the new South wing of its immensely lauded Al Faisaliah accommodation complex. Thoughts of insane driving antics and secret police filled my head, almost preventing me from going on the trip in the first place. However, to Saudi Arabia I went, and in the end, I’m glad that I did. Thanks to Al Faisaliah South, I left Riyadh, one of Saudi’s more conservative cities, with a very different concept from when I came. Of course, this may have something to do with the fact that I was treated like gold in a sea of diamonds. Riyadh is a funny place. Unlike Doha or Dubai, it stretches out low and long. There is no skyline to speak of, because, I’m told, high-rises would encroach on the personal space and privacy of its residents. Of the two or three buildings that do punctuate Riyadh’s night skies, one in particular caught my attention as it grazed the city’s hazy horizon in a neon violet luminescence. Little did I know that this building, lit up in this particular hue to commemorate Breast Cancer Awareness Month of all things, would be my point of destination, already establishing itself in my mind as the city’s visual icon. The Al Faisaliah Tower stands at 267 metres, and because it is surrounded by little else, it becomes that much more outstanding both from afar and up close, not to mention from inside. The tower is made up of 36 floors, two of which are reserved solely for the complex’s signature panopticon restaurant, The Globe, with another dedicated to the low-lit swankiness of the Asir cigar lounge, another local favourite. Offering a 360 degree view of Riyadh from nearly every level, Al Faisaliah Tower leaves a distinct impression, particularly when arriving from the airport. However, to me, it remains in memory as the beacon to the world of luxury that surrounds its grounds. Originally built over a decade ago, Al Faisaliah Hotel has since become an institution in Riyadh and reached new zeniths of style and class in the city, introducing as it did its peerless 24-hour butler service to the Kingdom and the most spacious accommodation country wide. However, as groundbreaking as it was in 2000, what is now Al Faisaliah North has become slightly dated and is starting to show its age. So, in an effort to breathe new life into its name, status and local standing, Rosewood Hotels decided to open Al Faisaliah South, which is reinventing luxury... all over again. With 106 rooms and suites, the like of which have never been seen before in either space or sumptuousness in Saudi Arabia, the South wing is something truly special.

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Immediately when you walk into the lobby, which whispers its design inspiration within elemental swaths of soft, dune-like swells, you are made to feel both relaxed and well looked-after. Perhaps it is because of Saudi’s bad rep that the hotel staff yearns to make you feel comfortable and at home, even going so far as to greet and wish you a good day by name. “Welcome back, Mr. Steve!” was a regular chorus between my comings and goings. Rarely in any of the hotels we have reviewed for Sur la Terre have I been so set upon by a universal attention to detail. This is something that permeates more than just the ethereal atmosphere of the hotel, as it basks similarly throughout the rooms. The interior as a whole was designed under the intricate guidance of HH Princess Al Anoud Bint Khaled Al Saud, who was kind enough to meet with us at the hotel to speak about the culmination of her inspiration. In so many regional hotels and resorts, there is this acute obsession with merging the Arabesque intomodern class. Many times, this can move the design of accommodation into shlock and horror, but at Al Faisaliah South, that marriage is a happy one. As both Her Highness the Princess and Al Faisaliah’s Managing Director Peter Finamore noted, the point of the South wing is to allow high-end business travellers, who may not have time enough to enjoy the liner notes of the city’s atmosphere, a glimpse into modern Saudi culture via the hotel’s styling and service. Of course, as the Kingdom begins to open itself ever more to the waiting world, this means that the look and feel of Saudi Arabia, particularly as represented within Al Faisaliah, is more diverse than you might first imagine. With culinary merits hailing from Italy, France, Australia and many others, the restaurants alone show how Al Faisaliah has a commitment to squashing Saudi’s reputation for being overwhelmingly insular. However, it is in the suites within the South wing where this mentality really takes centre stage.

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What to Do?

Al Diriyah City

Al Faisaliah Hotel is able to organise a host of excursions for guests, including luxury shopping tours and a riding lesson at Al Khayala Equestrian Centre, but we were more interested in penetrating the, perhaps surprisingly for some, rich history of Saudi Arabia. Al Diriyah City claims its origins around 500 years ago, and stood as the capital of the First Saudi State and the birthplace of the oft-misunderstood religious doctrine of Wahhabism. After years of war, Al Diriyah fell to Ottoman Empire raiding, and was set asunder with stone and flame.

The sheer range of accommodation styles and choices is staggering, from my room, the Premiere Deluxe - which may be the smallest, but at 61 sq.m, still offers more space than I thought possible - to the mindblowingly palatial 576 sq.m Royal Penthouse Suite, which flows between two storeys, as well as stories, telling the tale of both business and family life, with grand rooms specifically catered for each. On either side of this spectrum and at all points in between, you feel the common theme of Al Faisaliah, whether it’s in the chocolaty woods, spliced with meandering slices of mellow off-whites and pops of colour, like the robust reds that relax within cushions, or the serene aquamarine incandescence threading and treading throughout calligraphic wall patterns. While this fusion obviously affected me in all of the rooms, there were two suites in particular that struck the core of my accommodation acumen, and it is these I suggest for the Saudi-bound SLT business traveller. The Oasis Suite is the true baby of HH Princess Al Anoud Bint Khaled Al Saud and, as such, has a decidedly feminine feel. Not only does the Oasis include its own in-room spa facility, but it indeed casts the “getaway” ethos symbolised in its name further thanks to its luscious environs, from the craggy tendrils of wood that thrash in its fixtures to the way it applies the evanescence of champagne bubbles to stoney facades. Alternatively is the Royal Diamond Suite, which, as its name suggests, is the image of opulence, with bejewelled elements shimmering throughout its two master bedrooms, inclusive massage room and sweeping living areas. Al Faisaliah maybe a work of art, but it should be mentioned that it’s also a work of heart. Since its establishment in 2000, the hotel has been part of the King Faisal Foundation, meaning that ALL of the profits generated by the center’s facilities support the foundation’s international scientific, cultural and community programmes. How many hotels can say that? Saudi Arabia is, for many, the flagship of all unwelcoming countries, at least in the Gulf. It’s dry (in multiple senses of the word), it’s conservative, it’s difficult to enter and there isn’t much to do. Even though I met many interesting, lovely and switched-on people (quite a few of them local), I’m not going to lie and say it is the most hospitable place on earth. On the other hand, it might very well be possible that Al Faisaliah Hotel is.

The old city is now undergoing an expansive restoration project and thanks to its recent positioning as a protected World Heritage Site, the crumbling foundations of its palaces, ramparts, homes and mosques, which were previously burned to ash, are being renewed for true explorers to enjoy. On our tour, I was told that in two short years, the facades of the city, many of which stand almost impossibly with the original rudimentary architecture of the time, will be joined by an entire area comprised of museums celebrating every aspect of its tumultuous and truly fascinating history.

Where to Eat?

Cristal

Located across the grounds in the original Al Faisaliah North, Cristal retains the charm of its age without suffering from any stagnant setbacks. A toothsome tour throughout international cuisine, the highlights of our Cristal experience were the smooth tomato-based scallop soup starter and the Grilled Australian beef tenderloin, topped with foie gras, chanterelle cream and served with broad beans and polenta cruller. It left me gastronomically gobsmacked.

La Cucina

The breakfasts every morning were excellent, offering a cold meat, cheese and fish bar, with a simple yet effective a la carte menu besides. Our business lunch of buffalo ravioli and oven-baked sea bass with artichokes, cherry tomatoes and green pea sauce was equally as satisfying. However, the true magic of La Cucina came in what I like to call a Cooking Clash! Split up into four different groups, our press junket was set against itself as we were put to the task of creating handmadefrom-scratch ravioli. Under the tutelage of Italian Chef de cuisine, Claudio Melis, the entire group had a blast learning how to hand roll and render our ravioli. For those keeping score, the Sur la Terre -led team won the prize for best flavour, which stands to reason since we have so much taste.

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Oh, One More Thing... Firefly Communications’ Chief Creative Officer Mohamed Jaidah looks back at the life and inspiration of the late Steve Jobs

n the morning of October 6, 2011, a heart stopped beating and the world lost one of the greatest minds of our time. Steve Jobs, the co-founder of Apple, the brain behind the iMac, iPod, iTunes, iPhone, iPad, and nearly every 21st century technological product that starts with “i” has passed away. Jobs was the exemplification of what an innovator is, not only because he built one of the world’s most successful tech companies, but also because he is an inspiration for millions of people around the world. Defining Steve Jobs as JUST a brilliant CEO or an outstanding innovator, however, would be restrictive; he was more than that. He was a genius.

Jobs loved to re-think how things work, deconstruct any action or process and simplify it to its foundations. His main worry wasn’t how to make people adapt to the technology Apple was coming out with; quite the contrary, his goal was to make the technology adapt to the people, in the simplest and most beautiful ways possible. He showed everyone how well-thought design and simplicity could draw millions to buy a product. Was the iPhone ever about the power of its processor? Was the iPod about what song formats you could upload? No, it was all about the design perspective and the ease of use that made these products feel natural.

I have read somewhere that on average, every person in his/her lifetime gets three ideas that are worth a billion dollars. Of course, very few people take the idea from thought to reality, and even fewer are those who succeed. The major hurdle to the billion-dollar idea (or any good idea, for what it’s worth) is to guess which one is the right one, and more importantly, how to make it successful. Steve Jobs knew just that: how to make ideas work. He far exceeded the average of three ideas, and received way more than a billion dollars with of them.

Steve Jobs kept pushing his teams to perfect the creation of the most robust and sublime technology products in the world, and Apple became the hottest product, item after item. His touch went far beyond the tech industry, because he never thought of Apple as simply a computer maker. Instead, he built it into a facilitator to integrate technology into everyone’s lifestyle and help make life easier, not to mention more fun.

I could go on and reiterate what everyone has heard and read in the news about Steve Jobs, but there is much more to him than just his personal life and the path he took. He was a different breed of leader. He wasn’t one who followed what people already knew, he was a trailblazer who managed to view the world from a different angle and tell people, “Here! This is what you really want!” Early in his career, Steve Jobs went to India for a spiritual retreat and came back very much influenced by what he learned through Buddhism. He started applying these teachings to everything, including the way he did business. From there, he decided to follow his intuition rather than hard, cold facts. The human aspect of things became much more important than anything else when thinking of a new product. Steve

When it comes to innovation, new ideas are only part of the equation. Genius requires execution. When everyone else produced boxy computers with intimidating interfaces that confronted users with unfriendly screens and blinking square boxes, Steve Jobs saw the real value in creating a simple and beautiful interface, and he always dared to dream. Trying new things to break conventional wisdom, daring and deconstructing common knowledge, these were what made him the iconoclast of creativity. In this day and age, where it seems that everyone prefers to jump onto an existing bandwagon and imitate proven successes, Steve Jobs’ passing will leave a gaping hole at the vanguard of consumer technology development. So thank you, Mr. Jobs. Thank you for being a dreamer, and for allowing so many of us to share those dreams.

“The ones who are crazy enough to think that they can change the world, are the ones who do.” Steve Jobs 1955-2011

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“ T hrow off the bowlines , sail away from the safe harbor . C atch the trade winds in your sails . E x plore . Dream . Discover .” – Ma r k Tw a i n

Come Sail Away...

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Mohammed Alshaali -

Go to any Gulf country and you will immediately see evidence of an ages-old sea-faring culture. The traditional dhows that bob on the shimmering emerald lap of the Arabian Gulf carry within their time-soaked hulls endless stories of the pearling, fishing and trading past that first put the region on the map. That oceanic obsession continues today, but is shifting like a tide, from the creaking, leaky vessels of yesteryear to the luxury yachts that sit like stoic kings atop the still seas.

ossibly the most well-known and definitely longest reigning company to continue that original Gulfi boating tradition while marrying it to the modern day of amenity is Gulf Craft. Since 1982, the UAE-based company has been the largest and leading manufacturer of luxury leisure craft in the Middle East and Africa, with fleets of opulent ships to its credit. On a recent trip to Qatar, one of the company’s most important markets, Gulf Craft Chairman, Mohammed Bin Hussein Alshaali, sat down with Sur la Terre to discuss everything about the modern boating culture in the Gulf, from the change of luxury trends to a familial commitment to his own traditions, and where the two meet. “It’s a lovely day today to go be on a yacht like this,” he says as we sit down. “I wish I had my fishing gear!” See what we mean? Gulf Craft was founded in The United Arab Emirates in 1982, and has since become the largest producer of high-end fibre glass vessels in the region. Has the market changed within that almost 30 year history? If so, how? Definitely, but the major change is on the side of customer. Their taste and requirementss are now much more selective and demanding. They know what they want. I mean, 15 to 20 years ago, you could give a customer anything because he wouldn’t know what he needed or even wanted. Today, it’s much more complex. Most customers know exactly what they want, because they have developed a certain taste. They appreciate the value of the luxury yacht, and have become more experienced with boating and the culture in general. But it’s also more than that. Before, people used to buy boats to go out fishing or spend time on the water with friends, but today, boating has become a lifestyle. Of course, the financial capabilities

of people in the region are also much higher today than they used to be. We have some customers who started with us by buying a small run-about, a 22 or 30 footer, but today they have 100 footers. That’s quite a change! How quickly do trends within the yachting world change, and how difficult is it to stay on top of an industry that is seemingly forever coming out with new advancements. It’s a daily challenge. Look, in this business, you are not just doing one thing. You have to handle naval architecture, the science of which changes daily. You are managing hydromechanics, advanced electronics, navigation and interior styling, the list goes on! You are combining so many elements in a very limited space, and everyday, you have something new in a market, which is also evolving, and then you have to cater to it. You have to have a good looking yacht that is quiet, fuel efficient and economical; so many things! Every day, you have to visit the drawing room, the construction and design to achieve the best. On a project like this, by the time you are halfway through, you feel like you have to start all over again! It sounds a bit like some of the luxury car marques, but more challenging! MUCH more! A car is like one room or one cabin. You don’t have moving living areas, or have to manage enough electrical systems to run appliances or full refrigerators, for example. Of course, we’re also on the water, which today might be calm, but tomorrow is rough, so you have to have stabilizers and make sure your design is sea worthy in general. You have to manage your life here. We make moving palaces, after all! It’s great, this business; it’s nicely challenging, but it’s also tiring. We’ve been here for 30 years, but believe me, if you asked me to go into this business today, I would say no! No way! [laughs]

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Tradition is a very big part of Gulf Craft, and as you have said, the brand offers “a new way to get to the ocean.” How important for you is that culture and what is Gulf Craft’s role in maintaining it? I think that, traditionally, our people have lived on the sea; it has been everything to us. It’s a source of living. Most of my generation, I would say, were born by the water, and lived all of our lives on or by the water. I mean, this is how our fathers and grandfathers lived, by pearl diving or captaining trade routes. My father, for example, was a ship captain from 19 years old, travelling to Africa as a tradesman, transporting goods. That’s why the water for them was everything. That was our past, and we feel like we are a part of it, but with a more modern, luxurious twist. At Gulf Craft, we bring technology to tradition. How much of your business comes from bespoke manufacturing? You must have seen some interesting personal yacht styling choices in your day - can you tell us about any particular ships that really struck you? You know, boating is about personal taste. Every customer likes different things. Some like this colour, that leather, this wood, that marble, so of course you have to do a large amount of customisation. But you can’t leave it open-ended, because for one thing, the cost would become... tremendous! There is a certain balance you have to weigh. As for interesting choices, oh yes! We’ve had some crazy ideas, many of which were fulfilled. For example, we had one customer a few years ago who said the dining room table was taking up too much space. “So,” he said, “I need a dining table that hides in the ceiling.” And we did it! It was expensive and it took a lot of engineering because of hydroelectrics and so on, but yeah, we did it. It was challenging, but in the end, it was a piece of art! In general, what do you think it is about the nautical culture that so fascinates the VVIP set? Is it simply a matter of material wealth and having another outlet to pour money into, or is it something more in line with taste? Boating is a worldwide phenomenon and it goes throughout every culture and lifestyle, but those who have “made it” in their lives, who are financially comfortable, feel like they want to enjoy themselves. I believe that being at sea is the best sense of this enjoyment. Being on the water is the most relaxing thing in the world that you can do for yourself, for your family or your friends. There’s not much better than that fresh air, that open horizon. There’s nothing like it.

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Tomorrow

(A Better You, Better Me)

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Malek Akkad -

Originally produced by the legendary Quincy Jones for the all-star 1989 album, Back on the Block , “Tomorrow (A Better You, Better Me)” has become an anthem of unity, hope and social change throughout the world. Now, over 20 years after it was originally written, “Tomorrow” is once again being re-imagined for a whole new audience: the Arab world. -

ranslated into Arabic by famed Lebanese singer, Majida El Roumi, with music by Kadim Al Sahir and co-produced by Moroccan producing heavyweight, RedOne, “Tomorrow/ Bokra” brings together superstars from across the Arab music world to recreate the magic and conscious social message of the original. Included on the song are such luminaries as Marwan Khoury, Fahad Al Kubaissi, Sofia Marrikh and Myriam Fares. Proceeds from the song will finance educational programmes in music, arts and the humanities for children across the region, in partnership with the UN World Food Program, in order to foster not only music, but the hope of a peaceful future in today’s Arab youth. Calling “Tomorrow/Bokra” an ambitious project would be an understatement. Conceived some years ago by Quincy Jones and Emirati social-entrepreneur, Badr Jafar (the project’s Executive Producer), the project is finally coming to fruition. Of course, along the way, there have been many trials and tribulations, not only in dealing with the logistics of bringing together the above superstars, but also in faithfully marrying together a western style song with a collective Arab style.

In an effort to understand further the meaning, challenges and triumphs of this unique project, Sur la Terre spoke to “Tomorrow/Bokra” producer Malek Akkad. The son of Moustapha Akkad, the famed Hollywood producer and director of Mohammad, Messenger of God, high-profile producing is in Malek’s DNA. His work as a producer on the Halloween film franchise makes him ideally talented to get through the “nightmares” of a grand effort such as “Tomorrow Bokra,” and to take it to its inevitably happy ending. You obviously have a knack for success in overseeing big productions like Tomorrow/Bokra, including directing many music videos, as well as producing movies like the sequels and remake of the classic Halloween. What drew you to this project specifically? Three things in particular; the first being Quincy Jones. From the first time I met with him almost a year ago, I was inspired and excited to work with such a great man. Although I knew we would face many difficult challenges during the production, Quincy has a way of making you feel that anything is possible. He is the calm in the middle of a storm. I was drawn to his warmth and compassion, and felt that it would be a great honour to assist him with this unique project.

The other thing that drew me to the project was that I saw it as a great opportunity to work with wonderful artists, while connecting with my heritage. I have been wanting to do something in the Arab world for a long time, and saw this as a perfect chance to do just that. It definitely won’t be the last time, either. Lastly, I wanted to be a part of this great initiative, to present a united coalition of Arab artists to the world, all for the purpose of raising money for charity. This beautiful song sounds like a love letter to the world; a call for peace, love and harmony, from the Arab world. This type of production must be difficult, especially with the cross-cultural team that has been put together. What kind of challenges did you face? This production has definitely presented me with very unique, and sometimes difficult, challenges. This being a charity project, we are working under a tight budget and schedule, so the logistics have been a lot to handle. If this was being done by a record company or television station, we would have a bigger budget, but because we must rely on donations and sponsors, everyone involved is giving so much of themselves. That’s also part of the excitement. We are making a clip that has been shot in several countries, representing over 17 nations, with a cast and crew of enormous diversity. It is definitely a “one of a kind” production. Personally, it has been very rewarding, overcoming these obstacles, working with such great talents, and doing something so positive. It will be even more rewarding when it is able to have a positive impact in the region, and hopefully, the world. Were you a fan of the original song by Quincy Jones? Do you think it has translated well into Arabic, and will that message be as strong with a new, Arab world audience? Its core message would translate well in to any language. It is a beautiful message; a better tomorrow for you and for me. In light of a very eventful year in the Arab world, I think the timing of this song is perfect. It is a message that resonates with anyone who hopes to see a better future, for themselves, their children, their communities. Under the guidance of Quincy Jones and RedOne, and great artists such as Kazem and Majida Roumy, I believe the final song will be very well received. It is upbeat and hopeful, and sounds fantastic.

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“Tomorrow/Bokra sounds like a love letter to the world; a call for peace, love and harmony, from the Arab world.” Why choose a song by an American producer, rather than using someone solely experienced in the Arab world? I think it is amazing that Quincy has taken this step and we should embrace him for it. Someone needed to put this hopeful message out to the world, and I am so grateful he has taken it upon himself to do so. Who better than the man who helped raise hundreds of millions for famine relief in Africa? We should look at his endeavor as an example, and hopefully we will see more projects like this, that encourage people to look for ways to help their fellow man. The first part of this was recorded in Rabat, Morocco - what is the importance of coming to the Gulf, and specifically Qatar? The simple answer is that Qatar supported this project wholeheartedly. We have been working in coordination with the Doha Film Institute, and I have to say that everyone there has been so wonderful and helpful. I also believe that what is happening in Qatar today is very exciting. It is projecting a modern and thriving Arab society to the world, and for this reason, it is the perfect place to film a project such as this. One cannot help but to be impressed with the development, in every field, that is going on today in Qatar, and the philanthropic endeavors of the royal family are well known.

Personally, I am very excited to see what lies ahead for Qatar, as a centre of learning and culture for years to come. It can’t be a coincidence that this project comes during what has been called the Arab spring. What effect, if any, do you hope this will have within the current social scene in the Middle East? The basic message of this song is love, really. When I see scenes of violence and suffering anywhere, I am torn. The region is surging with new beginnings, possibilities and hope. At the end of the day, we all want to see peace and prosperity in the world. I see people communicating and exchanging ideas in the region like never before, and it needs to be embraced and supported. This song represents every country in the Arab world, with its singers standing side by side with one another. This is the image I hope will stick with people after they see the video. Arabs coming together for a common purpose, helping one another, and striving for a better tomorrow. The message is love. I think John Lennon said it best: “Love is the Answer.” It may seem simple or idealistic, but really, any positive change must start with love at its centre.

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fe at u r e

Live by the

Sword

In celebration of Qatar national Day, Steve paugh cuts to the quick with a penetrating look at the history and mystery of one of the nationâ&#x20AC;&#x2122;s most iconic symbols of tradition: the saif, or Arabian sword.

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In the whole Gulf,” says the man brandishing the sword, “there is none like this.”

Even while not bearing the brunt of its blade, it is impossible not to be pierced by the beauty of this would-be weapon. Beset in a sheath of intricately decorated gold and glinting with 1,500 diamonds and rubies, this sword strikes at the air, not in violence, but with its own artistry. Its slight curve evokes its Arabian lineage, and offers a glimpse into the thrust of its originally intended purpose. This is the glory and vanguard of a vast and exquisite collection that would impress the legendary armouries of Camelot, but it is not locked in some imaginary kingdom far, far away. If you are in Qatar, this sword is right at your fingertips. The man who wields it with an almost familial pride is Hader bin Mohammad Al Suwaidi, owner of Al Bidaa Arabian Swords, a new and altogether unique boutique tucked away in the bustling streets of Souq Waqif. For over 12 years, Suwaidi has had a passion for collecting Islamic and regional antiquities, whether it was old copies of the Qur’an or other objects of traditional art. It is the Arabian swords of his collection, however, that truly sharpened his passion, and even for the most novice swordsman, it’s easy to see why. Historically, the sword, or “saif” as it is called in Arabic, plays a large role within the culture of the Middle East. Although it is no longer used in warfare, it is still regarded for its aesthetic appeal, as well as the presence it demands as a symbol of tradition. The distinct semi-crescent and more pronounced curvature of the Arabian sword, originally inspired by the shape of its older cousins in Persia, India and Turkey (during the Ottoman empire), may no longer be used for combat, but the flourish of swordplay can still be seen at festivals and events, such as during the “Ardah,” a victory dance that has since evolved into a special celebration performed on many of the region’s national days, like the one in Qatar.

“I was a client at first,” he says. “I travelled many times to places like Bahrain and Saudi Arabia for my swords, whether it was buying new ones or updating the hilts and settings on the ones I owned, but I soon discovered that I could not find the quality I was looking for in the Gulf.”

Al Suwaidi is drawn to seemingly every era and element of the sword’s progress as a symbol throughout history, and indeed owns an array, some of which were first forged some 300 years ago in what is now Iran and Syria, and others which are more modern, but inspired by some of the most noteworthy swords within Qatar’s past. However, as his passion grew to a feverish pitch and he was compelled to search out and acquire increasingly rarer antique swords, he noticed that the regional supply could not meet his demand.

Around 70 or 80 years ago, says Suwaidi, most of the swords in the Gulf were manufactured in Saudi Arabia. However, thanks to more sophisticated techniques, access to materials and a greater attention to craftsmanship, Qatar, or more specifically, Al Bidaa, has become the new epicentre in the Gulf for traditional sword-making, evidenced by the fact that buyers from the places where Al Suwaidi used to shop now come to Qatar for their swords. This may have something to do with the look of the swords from Al Bidaa.

Because of this, and thanks to the knowledge he garnered through feeding his hobby, Al Suwaidi decided to set up his own shop at home in Qatar. It was a new challenge to open something to the standard that he himself desired, but it was one that he not only relished to undertake, but has succeeded in meeting with aplomb.

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Al Suwaidi admits that around 90% of the swords in the Gulf look roughly the same, owing mostly to its shared bedouin history. However, what makes those made in Qatar different is the slight variance in the style of the hilt, or grip, setting them apart as truly unique. This one-of-a-kind national spirit is something that Al Bidaa takes to heart, particularly in the companyâ&#x20AC;&#x2122;s ability to create bespoke swords. Special orders are very important for Al Bidda, and they have become a regular request from returning customers. The bespoke process can take up to months of planning and production, but the wait is more than worth it. Al Suwaidi, his team and the company they work with that specialises in sword design, will discuss an almost infinite array of options for the customer to consider, including styles and small intricacies from stamp designs to calligraphic verses. Quite possibly the most beautiful sword in the collection is that which was mentioned at the beginning of this article. Al Suwaidi calls the gilded, jewel-festooned sword â&#x20AC;&#x153;Doha,â&#x20AC;? and at the asking price of QR 1.2 milllion, he is right in saying that there is no sword like it in the Gulf,

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or even perhaps the world. Also on the list of unbelievably beautiful bespoke pieces was a traditional dagger with a solid gold and deerskin scabbard and a hilt of pure ivory. There are some swords in Al Bidaa’s collection, which, while not as ornate but equally as beautiful, carry a slightly more intrinsic value. These include Al Suwaidi’s personal favourite, a recreation of the sword used by HH Sheikh Jassim bin Mohammed bin Thani, the founder of Qatar, which he used to curb Ottoman aggression in Qatar’s earliest days. Also available for purchase is a remake of the sword of his son, HH Sheikh Abdullah bin Mohammed Al Thani. Because of this, a visit to Al Bidaa puts you in the centre of a living, breathing history; a shinning ode to Al Suwaidi’s beloved State of Qatar. To see, touch and even wield a majestic piece of Qatar’s history, there is no better place to take up arms than Al Bidaa Arabian Swords.

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B E AUTY

sun

kissed

Production Firefly C ommunications , www.firefly- me .com ; A rt direction Roula Z inati Ayoub ; Photography Lionel Gasperini , www.lionelgasperini .com ; Model A ndrea Pearl , N ew M adison , Models ; Fashion S tylist: C hantal Mossess Boyajian ; H air : L a V edette , Fashion & I mage C onsultant; M ake -U p : Samar from Guerlain , Perfumes & C osmetics Division at Salam S tudio & S tores Guerlain L or radiance concentrate with pure gold ; Guerlain Parure gold precious light rejuvenating illuminator (01); Guerlian lingerie de Peau skin fusion fluid foundation - beige Clair (02); Guerlain Meteorites compact pressed powder - T eint Rose (01) ; Guerlain Ombre Eclat base paupieres ; Guerlain Ecrin 4 couleurs eye shadow - les cuirs (07); Guerlain eye pencil - K hol me ebony (30); Guerlain le stylo levres - Bois de santal (44)

. sur la terre . beauty .

Guerlain Meteorites compact pressed powder - Teint Rose (01) ; Guerlain blush Eclat / sculpting blush - S oleil C ouchant (02) ; Guerlain eyebrow definition pencil - Chatain (02); Guerlain liquid eye liner - Brun Cendre (05); Guerlain le 2 mascara - noir 2 noir (10); Guerlain rouge automatique lipstick - nahema (143)

. sur la terre . beauty .

Guerlain Ombre eclat base Paupieres ; Guerlain 6 colours eyeshadow - Francs - Bourgeois (10) ; Guerlain eyebrow definition pencil - Chatain (02); Guerlain le stylo Levres - terre de Sienne (45); Guerlain kiss kiss essence de gloss - Tonka (441)

. sur la terre . beauty .

Guerlain Ecrin 4 Couleurs eye shadow - les violets (01); Guerlain eyebrow definition pencil - Chatain (02); Guerlain - Noir (01); Guerlain le 2 mascara - noir 2 noir (10); Guerlain rouge automatique lipstick - chamade (164)

liquid eye liner

. sur la terre . beauty .

tr en ds confidential

The waiting

game

Sophie Jones-Cooper explores the latest fashion phenomenon of “pre-tail” and what awaits us for summer 2012.

easons are a funny thing, particularly when it comes to fashion … and especially here in the Middle East. Traditionally, the world’s fashion designers show their collections twice a year, six months ahead of launching to the fashion-hungry public. So while Paris is wrapped up in wool and fur as autumn blows in, it is eyeing up skimpy summer dresses and billowing chiffon for the coming season; clothes to look forward to, you could say. Here in the Middle East, though, when the summer collections are shown, the weather is just perfect for all that makes its way down the catwalk, and the fashion savvy cannot wait to get their hands on the new styles right there and then. No one wants to wait six months. Unfortunately, there is good reasoning behind showing the collections so far in advance of the actual season, plus it makes commercial sense. The six months allows time for buyers to place orders, brands to produce the garments and also for high street retailers to muster up their copies of the catwalk creations at a fraction of the cost. For shoppers, it is simply a waiting game, but designers are becoming more and more aware of this instant demand for their collections straight off the catwalk and pre-ordering has allowed shoppers to get ahead of the game, to be the first to get their hands on the much anticipated new season must-haves. Of course, pre-orders still don’t arrive until months after the shows, and often just a week or two ahead of the clothes hitting the stores. Waiting, it seems, is inevitable. The fashion industry is starting to realise that traditional pre-ordering isn’t cutting the mustard, and shoppers want to buy and receive the styles they see on the catwalk, there and then. Last year, Burberry

initiated a runway-to-retail concept that allowed VIP customers to receive those coveted python aviator jackets just seven or eight weeks after they made their debut at London Fashion Week. Last season, Aslaug Magnusdottir and Vogue’s Lauren Santo Domingo launched their “pre-tail” venture, Moda Operandi – an online retail service that allows members to order tomorrow’s styles today. The “pre-tail” concept has been so successful that this season they have teamed up with Vogue.com to link the runway images directly to their pre-ordering system. Where one leads, others follow, and this season has also seen Style. com debut their “Instant Get” service for one-off items, which has been designed to make catwalk must-haves available just days after the shows. American retail giant Bergdorf Goodman has also teamed up with designer Jason Wu to offer certain items from his SS 12 collection on pre-order, and Neiman Marcus have done the same with Donna Karan. Last year, Donna Karan spoke out about the need for change when it comes to collections and seasons, and made it quite clear she is in favour of bringing clothes into season - as she put it, “to reinvent the season we’re designing for.” Aside from the challenge of altering show and delivery dates to be more in line with the natural seasons, the issue of making collections more instantly available, whatever the season, is more prevailing and no easy feat for the fashion houses. It all comes down to the ability to compress the supply chains to allow designers to make faster deliveries to meet the demand. Over time, perhaps this will happen on a grander scale than it is currently, but for now, fashion followers will have to be content with “pre-tailing,” and then just wait and see.

. sur la terre . trends confidential .

Versace

Stella McCartneys

Louis Vuitton

So while we continue to wait, what does lie in store for summer 2012? Will it be worth the wait? The SS 12 shows started in the Big Apple and if two of the biggest names in fashion are anything to go by, we look set to be updating our wardrobes with all things 1920s for summer. Both Marc Jacobs and Ralph Lauren looked to the jazz era of the roaring ‘20s for their collections. While we are currently bedecking ourselves in pencil skirts and under the knee hems, for summer it will be silk palazzo pants, drop waist flapper dresses and boxy 20s style silhouettes. Look out for bold coloured dazzling sequins and plenty of fringing. While we won’t be adding any of Kanye West’s designs to our summer wish list - yes he has forayed in to the world of fashion, but probably not for long - we will be coveting Victoria Beckham’s summer wares; not only from her main line, which took a more sporty approach for the new season, but also her extremely well-received secondary collection. Moving away from her signature structured dresses, Victoria’s new line of flirty summer dresses with short hemlines wooed the front row and will be selling like hot cakes if the powers of pre-tail allow! Over in London, it was Burberry’s updated parka, which was the hands down style winner of the week and the item which style-hungry fashionistas around the world will be fighting to get their hands on ahead of its release onto the mainstream market. The pre-orders of Christopher Bailey’s parker are sure to keep the Burberry accounts department very happy. The rest of the collection was extremely wearable too and following on from this season’s mid-length hem, another signature of the collection was elegant and ladylike full below-the-knee-skirts. Luckily for Mulberry fans, the new Evelina bag, which for the new season comes in the two beach-inspired colours of Summer Khaki and Fudge, made its debut at the London show, and is, believe it or not, already available. The new shades were launched on November 1st, so not much waiting around for Mulberry.

. sur la terre . trends confidential .

Gucci..

emilio pucci ..

Dolce & Gabbana .

In Italy’s fashion capital of Milan, there was again a heavy nod to the 1920s, particularly with Gucci’s collection and its art-deco inspired patterned dresses. If you enjoyed the bold patterns of last summer’s collections, then next summer won’t disappoint, particularly if you embraced the hippy vibe of peasant blouses and gipsy skirts. Peter Dundas beautifully combined both prints with a gypsy vixen feel with a collection for Pucci of cut-off peasant tops, slip dresses and of course, some signature billowing chiffon. Prada’s playful and kitsch 1950s-inspired collection featured prints and motifs on dresses and skirts, predominantly cars, ideal for the more automotive inclined dressers. Although not the easiest of skirts to pull off and flatter, Miuccia’s gorgeous Marilyn-esque pleated skirts are also sure to be a huge hit for those breezy summer days. All eyes have been on Versace recently, what with the brand’s latest collaboration with high street giants H&M, and the project doesn’t seem to have stolen any of Donatella’s creative powers for her work on the main SS 12 collection. The show was one of Milan’s highlights and saw what Donatella describes as “the Versace siren” and “a mermaid entering the city bringing a new beat,” flaunting an array of neoprene, leather and jersey in a gorgeous soft palette of pastels and shimmering golds and silvers. This softer approach to dressing was also seen at many of the Paris shows, with designers doing a complete 360 from autumn’s more masculine and hard edged dressing to all things utterly feminine and

Alexander mcQueen..

romantic. The best example had to be Marc Jacobs’ collection for Louis Vuitton. After the feisty and dark collection for AW 11, his SS 12 was a polar extreme, focusing on girly designs including sheer pastel lace and broderie anglaise dresses. Speaking of his design inspiration, Marc commented, “After the hardness of fall, we wanted something gentle and kind, fragile but strong, too.” It seems Karl Lagerfeld took the same approach, leaving behind his boyish autumn wares, delivering instead beautifully feminine designs for summer. This was a collection that Mr. Lagerfeld talked about as being all about “lightness.” The palette was minimal with textures and fabric glistening. Pearls were the accessory du jour and could be seen everywhere from the models’ hair to belts and even adorning their bodies. Valentino’s dreamy collection, which included subtle lace, delicate florals and beautifully feminine bourgeois dresses, became the talk of the town and will certainly be worth the wait. If there is one dress to cover for next summer, it is the LWD – the little white dress. We loved Stella McCartney’s medley of gorgeous white dresses in particular, but as long as it is little and white, you can’t go wrong. If you want to be the first in your LWD, Burberry parka or Prada pleated skirt, get with the trend and get pre-tailing. Just ask yourself… is a Burberry parka really the best buy for summer in the Middle East?

. sur la terre . trends confidential .

LO O K BO O K

Fabulous in fur

Whether faux or the real deal, the choice is yours, but whatever fur you don for your winter vacation, make sure it is either sleek or shaggy and luxuriously foxy. TOP TIP: For a more subtle approach to this trend, simply accessorise with fur. Furry boots are a must for winter.

CATWALK MOMENT:

Dress the Gucci way and don’t be afraid of colour when it comes to fur, or make a Matthew Williamson style statement with a bold fur coat. BOOTS Dior, COAT Hoss Intropia, BOOTS Jimmy Choo, SCARF Hockley at Boutique1.com, HAT Karl Donoghue at Net-a-porter. com, SCARF Dior, BOOTS Tod’s, GILET Juicy Couture at Neta-porter.com, BAG Jimmy Choo, BOOTS Michael Kors, COAT Carolina Herrera, BOLERO Andrew GN at Boutique1.com

. sur la terre . look book .

lO O k BO O k

TRAVEL BAG Tod’s, SCARF Missoni at Boutique1.com, SHOES Dolce & Gabbana, SWEATER Missoni at Boutique1.com, SUIT Carolina Herrera, GLOVES Versace, WAISTCOAT Carolina Herrera, SHIRT Acne at Boutique1.com, BAG Emporio Armani

Walk oN thE uN-Wild SidE Take a winter stroll in country–ready, yet city-geek inspired wares.

CATWALK MOMENT:

Gucci and Moschino

TOP TIP: Corduroys are set to be THE trouser of the season, so lose the chinos and invest in some cords.

. sur la terre . look book .

fa s h i o n

desert rose

Production Firefly C ommunications , www.firefly-me .com ; A rt direction Roula Z inati Ayoub ; Photography Lionel Gasperini, www.lionelgasperini.com ; Model A ndrea Pearl , New M adison, Models ; Fashion S tylist: Chantal Mossess Boyajian; H air : La V edette , Fashion & I mage C onsultant; M ake -U p: ARMANI - Ms . C arla Tabet, Training M anager ; Perfumes & C osmetics Division at Salam S tudio & S tores ; V enue : QIA Qatar , Desert C ampsite . A special T hank you for Sealine Beach R esort. Outfits & Accessories ; SALAM STORES for M atthew W illiamson, A lexis Bittar , Nathalie , Lavish , V ersace , C avalli, L ove S oni, Noir , Seri Bodell , Erickson ; REMZA for K aren Millen, Class Roberto C avalli and V ersace ; CHALHOUB Group for C arolina Herrera , Celine ; ZAI Boutique for Lanvin, Plein Sud, Pier A ntonio C aspari ; BTC DOHA for D olce & Gabbana

. sur la terre . fashion .

Page 76/77: Dress Matthew Williamson; Accessories Alexis (Bracelet) Nathalie (Earrings) Lavish (Bracelet+ring) Versace (Scarf) Page 78: Dress Matthew Williamson; Scarf Lanvin; Accessories Lavish This page: Dress Dolce&Gabana; Scarf Cavalli; Accessories Nathalie (Ring) Carolina Herrera (Bracelet); Belt Roberto Cavalli

. sur la terre . fashion .

Top Dolce&Gabana; Pants Pier Antonio Gaspari; Scarf Class Roberto Cavalli; Accessories Lavish (Bracelet) Celine (Necklace) Carolina Herrera (Bracelet) Love Soni + Alexis (Rings) Opposite page: Dress Matthew Williamson; Accessories Alexis Bittar (Bracelet) Love Soni + Noir(Rings) Lavish (Earrings) Noir (Bracelet)

. sur la terre . fashion .

Page 82: Dress Lanvin; Scarf Plein Sud; Accessories Alexis (Necklace) Love Sori (Bracelet) Alexis (Earrings+Rings) This page: Dress Plein Sud; Accessories Celine (Necklace) Carolina Herrera (Bracelets); Scarf Matthew Williamson Page 84/85: Dress Sheri Bodell; Accessories Erickson (Bracelet) Alexis (Earrings+Ring); Scarf Class Roberto Cavalli

. sur la terre . fashion .

“ O ne’ s destination is never a place , but a new way of seeing things .” – He n r y Mi l l e r

i n m oti o n

The Fast Lane Through

Frankfurt

* Disclaimer:

All opinions found herein are just that...Opinions. They are purely subjective and open to debate. Do you agree with me? Was I totally wrong?..Send your opinions and feedback to jmccarthy@surlaterre-me.com.

. sur la terre . in motion .

Every two years, the eyes of the automotive world turn to Germany as the IAA Frankfurt Motorshow opens its doors. This year, James McCarthy went along to view the fall collections of the finest marques, and to see the cars we will be driving in 2012 and beyond.

s the clear blue skies contrast with the many hues of autumn along the tree-lined boulevards of Frankfurt, there is a buzz around town. All roads seem to be heading for the centre of the city as 1,000 exhibitors from 32 countries prepare to show their latest two-, three- and fourwheeled wares to the 800,000 petrol heads that are about to descend upon Germanyâ&#x20AC;&#x2122;s northern metropolis.

Jaguar CX-16

At the Frankfurt Messe, the final touches are being made to the sprawling show grounds as the 64th iteration of the International Automobile Exhibition prepares to deliver what the industry hopes will be the automotive heroes of the next few years. Crammed into the aisle next to the Jaguar Land Rover stand with about 400 (possibly more) motoring hacks, I am here to pick out the wheat from the chaff, though my immediate concern is picking some photographerâ&#x20AC;&#x2122;s 300mm lens out of my teeth as he tries to push in front of me...

. sur la terre . in motion .

Jaguar CX-16

After 10 minutes of corporate spiel, whereby Jaguar Land Rover announced its new boyband-esque moniker, JLR, and a flashy new logo, the assembled throng were falling into a buzzword induced torpor. When the silk was finally pulled off, it revealed a car of such stunning beauty that a susurrus of gasps and jaws hitting the floor were the only sounds that could be heard in Halle 3. Following a procession of E-type Jaguars through the leafy streets of the city the day before to belatedly mark the 50th anniversary of the iconic car, JLR delivered the CX-16 concept, which many suggested was the car that the company should have unveiled at Geneva in March. Believe me, it was worth the wait. With the long sweeping front end and curves that would make Kim Kardashian blush with shame, this is the closest that the Tata-owned marque has come to recreating that inspirational magic of the E-type in decades. While, visually, the CX-16 is a tour de force, the car’s specs appeal is also pretty impressive. A three-litre supercharged V6 with 380 brake horsepower propels this beast from 0-100km/h in a pretty sharp 4.4 seconds and pushes it through to a top speed of 300km/h. The CX-16 is also a hybrid, allowing the C-X16 to perform as a zero tailpipe-emissions electric vehicle at speeds of up to 50mph on low throttle openings, ideal for city driving. The really good news is that sources suggest this is so much more than just a flashy concept, with production already green-lit for next year. Whether or not the iconic Growler will have its show-spec wraparound shades, though, is yet to be seen.

There are even driver-activated, retractable tyre spikes for driving on snow and ice. When you’re not taking on the great outdoors, there’s an all-zone park-assist system to help you negotiate that one tiny space left in the Carrefour car park. Due to hit the roads in 2015, DS100 Sport, with its on-road style and off-road capability has the potential wrest regional dominance from the wheels of the ubiquitous Land Cruiser and Range Rover Sport.

Land Rover DC100 Sport

Aston Martin V12 Zagato

Are the shades to be standard issue for Jag’s Growler?

Land Rover DC100 / DC100 Sport

As if we weren’t left gasping for the vapours after the CX-16, like the late Smoking Joe Fraser, JLR was not pulling its punches. Seeing the crowd stunned, it went in for the knockout, pulling the covers off a major rework of the iconic Land Rover Defender. While the standard hard-top all-terrain DC100 SUV concept was impressive, it was the quick onetwo to our now glass-jawed senses that sent us to the canvas as JLR trotted out the DC100 Sport. Since 1948, the Defender has been the epitome of utilitarian automotive durability, but this is a muscular, opentopped beast of a car. However, while this two-seater 4x4 is designed to be as useful in the rough stuff as its predecessors, it is surely set to become an instant favourite here in the GCC with its bold colours and stunning good looks. Not merely a pretty-boy off-roader either, this totally configurable machine is equipped with a raft of on-board tech that would put Iron Man to shame. Sonar-based “Wade Aid” allows the driver to know how deep that river he is about to go ploughing through actually is, while “Terrain-i” maps out the contours of the terrain ahead to create a 3D image on the dashboard screen to identify obstacles and suggest alternative routes around them.

Aston Martin showed off its wonderful One-77 and new “Carbon” edition DBS on the stand opposite its Warwickshire neighbour, JLR. While neither of these is big news, the headline coming out of Gaydon at Frankfurt was that, after both critical and customer acclaim, it has decided to put its V12 Zagato racecar concept into road-legal production. Only 150 will be built and orders are currently being taken on a first come, first served basis, with production expected to commence next year. The car itself is a celebration of the 50th anniversary of the marque’s famous DB4GT Zagato and is driven by a six-litre V12 that produces a pretty spectacular 510 brake horsepower. When coupled with the lightweight hand-crafted aluminium and carbon-fibre body, this gives the Zagato a pretty handy 4.2 second acceleration from 0-100km/h and a top speed in excess of 300km/h. There will be a few cosmetic changes to the production model, and I should imagine that Aston will flesh out the luxury additions a bit more than the rather Spartan Nürburgring racer the company was showing of on its stand; however, all of that comes at a price and Aston is asking an eye-watering US$530,540 for the Zagato. As pretty and powerful as the car is, in my opinion, and given the financial clout of most Sur la Terreans, instead of dropping half a million dollars on a slightly cosseted Aston racecar, you might as well stump up the additional million and get an even more exclusive, higher performance and considerably more scary One-77. They have a few left. Just a thought.

. sur la terre . in motion .

Aston Martin V12 Zagato

Lamborghini Sesto Elemento

Lamborghini’s launch of the Super Trofeo Stradale Gallardo, seemed a little like an afterthought. The Gallardo is far and away one of the best cars the company has ever produced, but with every new limited edition that the Sant’Agata marque unveils, I get the feeling that there is a long dead Italian mare being flogged into oblivion. While Lamborghini would probably disagree, apart from a few cosmetic additions, such as different intakes and a giant rear spoiler, there is very little to distinguish this Gallardo from the Performante or the Bicolore efforts unveiled at recent shows. The Balboni, as a rear wheel drive, six-speed manual shift effort was worth the column inches but, as I said, it is almost as if the Bull is breeding new editions for the sake of it. However, Lambo did offer something a bit more interesting than another suped-up Gallardo by announcing that the Sesto Elemento concept shown at Geneva in 2010 will now become a reality. While the Sesto Elemento is built on the Gallardo platform, it really is a technology showcase for the carbonfibre reinforced plastics (CFRP) technology that Lamborghini has been developing with Boeing. The idea of offering a greater power-to-weight ratio is the company’s way of trying to reduce its carbon emissions, while still building high performance cars that are crazy, fun to drive and will blow your face off with their speed and brutality. For Lamborghini, the Sesto Elemento represents the beginning of this new philosophy of environmental concern and a more tactile driving experience. The company says that the DNA of this V10 animal will filter through into every future Lamborghini to leave the production line. The bottom line is that with a kerb-weight of just 999kg and a V10 powerplant that delivers 570 brake horsepower, it means the Sesto Elemento has a power-to-weight ratio of just 1.75 kilograms per hp. The car catapults itself to 100km/h in just 2.5 seconds and to a top speed of well over 300km/h. What the figures cannot convey, says Lamborghini, are the Sesto Elemento’s razor-sharp handling, its voracious turn-in and its huge braking power which, it is claimed, makes for a driving experience that is “unparallelled”. So, if you had the cash, why wouldn’t you just wait and invest in an “unparallelled” car? If you would, then the Super Trofeo Stradale a pretty redundant product from the off.

Lamborghini Sesto Elemento

flags badge has been slightly adapted, with “100” in place of the traditional fleur-de-lis symbol. It also features special badges that honour Chevrolet’s racing history: a logo featuring an iconic image of Louis Chevrolet appears on the B-pillars, the centre caps of the wheels, and the centre of the steering wheel. The wheels are made of lightweight cast-spun aluminum and are specific to the respective Corvette models. Inside, the ebony leather-wrapped instrument panel and doors are complemented by red stitching on the seats, steering wheel, console and shifter, while the seat headrests carry an embossed centennial logo. When you see this rearing up in your rear-view mirror, you best just get out of the way.

Corvette Centennial Edition

Fiat 500C by Gucci

Following a wave of interest for the Fiat 500 by Gucci, with over 3,000 global orders, the two famous Italian brands have teamed up once again to make a cabriolet version, the 500C by Gucci, which I thought was one of the gems of the show. Dripping Italian chic, and personally customised by Gucci’s Creative Director, Frida Giannini, flourishes such as stylish stitching, exclusive materials such as a velvet-effect finish on the radio panel and two-tone Frau leather seats with the famous Guccissima print, which add an even greater level of cool to a modern classic. The “Gucci” web theme appears on the electric sliding roof, the seats, gearbox, key cover, mats and, with an innovative finish, on the seat belts. The exterior of the 500C by Gucci is embellished by 16” alloy wheels which are characterised by the unmistakable retro design of the spokes, while the hubcaps are adorned by the double “G” logo in matching body colour. The Gucci signature in italics is mounted on the door pillar and the tailgate, just in case you were in any doubt about the haute heritage of the car. Available in two colours, white with matte chrome elements and black with polished chrome elements, the 500C by Gucci will set you back a not inconsiderable $27,500, but you had better be quick, the order book opened in August and they are selling fast.

Chevrolet Centennial Corvette

There are iconic muscle cars and then there is the Corvette. Now, to celebrate a century of American automotive achievement, Chevy has delivered the Corvette Centennial Edition, and it looks like it means business. With a muscular and menacing look, this special edition doesn’t really offer anything new in terms of peformance, but presence... well that’s a different matter. This thing is blacker than a Spinal Tap album cover (frankly, you would find more colour in Ozzy Ozbourne’s wardrobe) and looks like something out of a Stephen King novel, probably about a demonic car or something. Painted in Carbon Flash Metallic, an exclusive colour reserved for only the Centennial Edition, with satin-black graphics and unique Centennial Satin Black wheels, the historic Corvette crossed-

. sur la terre . in motion .

Fiat “Gucci” 500C

Ferrari 458 Spider

Undoubtedly one of the stars of Frankfurt 2011, Ferrari literally lifted the lid on its 458 Spider. Following the massive success of its coupe cousin, the 458 Italia, it was only a matter of time. Alongside Jaguar’s CX-16, this is the car that takes top honours at the show. Mirroring the exquisite good looks of the Italia, with the hood up, there is very little difference in the aesthetic value of the car, but once that top comes off, it is positively stunning. Set to be a Maranello legend, this car is being touted by the motoring media as possibly one of the most complete Ferraris ever built. Fortunately, I got to drive it in Italy shortly after the Franfurt unveiling and you can read my exclusive report on page 94. Ferrari 458 Spider

Maserati Kubang

In the face of two Italian car companies doing it well, we sadly arrive at Maserati. Now, anyone who knows me will tell you that I go into spasms of nausea when I see a Porsche Cayenne or Panamera. This is because, in my opinion, they are hideous looking cars. However, in many ways, they were meant to be. They are entirely German: efficient and amazingly engineered, with more attention paid to making them work properly than anything so frivolous as aesthetics. An Italian car, like the Italian woman, is almost the polar opposite. Vain, temperamental and shouty with, quite often, more emphasis on style over substance. While they are overtly passionate and hot headed, their cars inspire outbursts of emotion in even the most reserved of us, such is their beauty and power. You fawn over them, look after them for years, buy them numerous sets of expensive new shoes from Pirelli; before they dump you by the side of the road blowing off steam and you are forced to get a taxi home. But, despite this, we remain besotted because their creation is governed less by mathematics and more by base instinct. This is why the Maserati Kubang is probably the one car at Frankfurt that should have stayed under the parachute silk. Not only is it a cynical attempt at an Italian car trying to be a German banker, it is an eyesore; an automotive abomination that is very likely to become an unavoidable carbuncle on the highways of our fair region. As an Italian, Maserati really should know better. Not only does it look like the product of a regrettably

Honourable Mentions

Among the good, the bad and the ugly at Frankfurt, there were several manufacturers that deserve an honourable mention, that space precludes me from fully waxing lyrical about. First up is British maker, Lotus. With an enviable racing pedigree, the company is starting to make a headway over here with its fantastically lightweight and fun sports cars. It is about to hit a winner with its new Evora 3 GTE. Producing more than 400 brake horsepower from a

Maserati Kubang

amorous encounter between a Cayenne and a BMW X6, but it’s shameless parents saw fit to name it “Kubang”. What is that? The sound that Maserati expects to follow the car as fellow road goers collide with each other? Probably. But not, as they would like, because they are distracted by its beauty, but because they have closed their eyes to avoid seeing it. However, that said, should Maserati decide to dilute its brand enough to green light the Kubang (and I beg them not to), it will be a license to print money in places like the GCC, where the luxury SUV is king, and in China, where a millionaire is made every minute - and a fool and his money, as they say, are soon parted.

3.5-litre V6, this carbon-fibre road rocket is sure to set pulses racing as Lotus uses it to make a push into the Middle East market. Mercedes unveiled its SLS AMG Roadster at Frankfurt to many “oohs” and “aahs” from the assembled throng, but the one question that haunted me throughout the press conference was “why?” Without its unique gullwing doors, it is just another Mercedes cabriolet. Then they started her up and it all became clear. With the roof down you get to enjoy that 6.3-litre V8 in full voice. It is probably easier to get out of in a car park as well. Fisker Automotive continues to impress with its electric supercar lineup, this year unveiling the very Ferrari FF-esque SURF concept. A four seater hatchback offering performance stats that belie its laptop-battery powertrain suggests that if we all end up going electric, these are the cars in which to do it. It’s hitting the road in 2013, so we will soon see if it causes a splash or just a ripple.

Lotus Evora 3 GTE

One to watch for the future will be London-based Eterniti Motors, which was showing a proof of concept “Super SUV” called the Hemera. Built on Porsche’s Cayenne architecture, the company says that it is just a jumping-off point from which it hopes to launch luxury vehicles that are designed and built completely in-house. With the likes of former F1 engineer Alastair Macqueen and former F1 driver Johnny Herbert at the helm, soon we might all be hoping that it will take an Eterniti to get where we are going.

. sur la terre . in motion .

EXCLUSIVE IN M OTI O N

. sur la terre . exclusive in motion .

Spider men A mere three weeks after the Frankfurt Motor Show, James McCarthy finds himself in sun-drenched northern Italy to drive one of the showâ&#x20AC;&#x2122;s biggest stars and the last of the great sports car marques yet to feel the full weight of his lead foot.

he hills are alive with the sound of 562 thrashing Italian horses bellowing in protest at the punishment being doled out to them by regular Sur la Terre motoring correspondent, Kevin Hackett. While I grin inanely in the passenger seat, letting out occasional squeals of sheer pleasure, he rapidly changes down and throws our Rosso Corsa rocket for the day into the next impossibly tight mountain corner. At the same time the glorious V8 choir, in full voice behind our heads, responds in kind by coughing and spluttering a little before starting the next verse of its automotive aria in a much more throaty and soul-shaking timbre.

As we fly by, a herd of terribly uninterested cows who have clearly seen it all before watch us impassively, in complete contrast to the locals who seem to be waiting for us. As we rush past, they wave and whoop, encouraging us to open the taps a little more. It is probably not by chance that they just happen to be on the street watching the roads, as we are not the first pair of journalists to be speeding headlong through the twisty mountain roads and beautiful villages of the Po Valley, near Modena in northern Italy in the Ferrari 458 Spider. However, SLT is the only magazine from Qatar to be trying out the latest set of haute wheels that the house of Enzo has to offer. And what a set it is. The car still bears all the aesthetic hallmarks of the 458 Italia coupe when the aluminium hard-top roof is in place, and side by side there would be very little to distinguish the two, apart from the lack of the traditional plexi-glass window of the engine cover on the Spider.

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With Great Power Comes Great Response Agility.

After a breathtaking mountain ascent, both in terms of Kevin’s instinctive driving and the stunning views afforded by the sweeping Italian countryside, it was time, as it was so eloquently put by my travelling companion, to “pop my Ferrari cherry.” After an hour of experiencing the awesome power of the car from the passenger seat, consumed by a potent mixture of nerves and excitement, I was handed the yellow-crested key.

With adrenaline coursing through my body, I fumbled for a moment before my right thumb settled on the shiny, big red start button. With barely an ounce of pressure, I brought the stallions to life once again with the deeply visceral “THRRRRUM” that had already become the soundtrack to my day. Because I have not driven the Spider’s coupe forebear, let alone any other Ferrari, I have no benchmark against which to compare this car as a driving machine. That is if you can indeed compare a Ferrari to anything else on the road. Perhaps the vehicle closest in specification and pure road-ripping DNA that someone has been foolish enough to hand me the keys to is the Lamborghini Gallardo Superleggera which, by dint of it having a (fixed) roof, precludes it from being any kind of legitimate control subject. Despite that, I was deeply aware that, while the Lambo can be quite a naughty bit of auto, its fantastic four-wheel drive system will nearly always stop you from getting gored when fighting it into a corner, while a similar power to weight ratio (2.5kg per horsepower) delivered to the road through just two rear wheels on narrow and windy mountain roads is, in my book, just asking for a stray hoof to the groin. The reason that this is no longer in evidence is due to a magnificent feat of engineering that is tantamount to automotive origami, with the 458 Spider boasting the world’s first fully retractable roof to be fitted to a rear mid-engined sports car. Somehow, the boffins in Maranello have managed to create not only a two-piece folding hardtop that fully retracts, at the push of a button, in just 14 seconds, but one that only takes up 100 litres of space directly above the engine and weighs a, frankly, staggering 25kg less than the soft-top fitted to the Ferrari F430 Spider. Equally, the car itself has only piled on 50kg of kerb weight when compared to its coupe cousin thanks to some clever design. While tortional stiffness has been maintained through the use of ultra-modern materials in the chassis, the buttresses housing both part of the roof mechanism and the newly positioned air intakes not only look incredibly sexy, but act as static rollbars, negating the need for additional heavymetal components that would be required to maintain top-down safety. While Ferrari has identified two separate demographics of driver (based mostly on ego) for both the 458 Italia and the 458 Spider, I guarantee that most right-minded people, if faced with a choice of a fixed-roof car of this calibre or the ability to have ultimately the same looks, style and performance, but with the option of going topless on a sunny day, would happily drop the additional $40,500 over the asking price of the coupe for such a pleasure. Given what I was about to experience, in hindsight, it wouldn’t even be a question.

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I was nearly reaching for the proverbial ice-pack as soon as we hit the first couple of corners. Racing into a hairpin chicane a little too hot, followed by some lead-footed braking and rather clumsy steering, caused the back end to flip out wildly. The evasive correction put us into the wrong lane as we exited the second corner, causing Kevin to visibly flinch with fear in the passenger seat next to me. This had absolutely nothing to do with the car of course. It was purely down to my own inexperience and an unfamiliarity of the prancing horse that I was desperately trying to rein in with all of the finesse of an inebriate trying to ride a fairground bucking bronco. The beauty of the 458 Spider, though, is that with very little time behind the wheel, you start to get an instinctive feel for the car. Once I had gauged the responsiveness of the steering, coupled with the massive amount of grip that you get from the front wheels after switching the steering mounted Manettino to “Race,” it became easier to direct the Spider into a corner and pull it around tight bends with a relative ease that belied the exhilarating results. As I took manual control, the howling V8 cried out with every imperceptible gear change from the seamless, high-revving, dual-clutch 7-speed gear box and I began to relax behind the wheel and revel in the sheer joy of driving. My confidence grew with every minute, throttling hard in the short straights, and feeling the now familiar gurgle, pop and thrust with each quick change down, closely followed by a primeval bellow as I barrelled into each corner and every banking curve in the road, safe in the knowledge that the Spider, true to its namesake, would grip to any surface. If all else failed, the huge carbon ceramic brake calipers would bring me to a grinding halt. With no pitch or roll, and just enough playful skittishness to keep me focused, the Spider took each new challenge in its stride until eventually we reached the villages on the other side of the mountain. It was pretty slow going then, but even in traffic the 458 was a joy to drive. I poked the car back into “Sport” and switched the gearbox to automatic, which Ferrari claims immediately reduces emissions by 30%. Despite this, the deftest of touches on the accelerator releases an angry growl and delivers a satisfying punch of power, causing the locals to stop, smile and wave enthusiastically. In turn you feel obliged to give them another burst, “It would be rude not to,” grinned Kevin.

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As I took manual control, the howling V8 cried out with every imperceptible gear change from the seamless, high-revving, dual-clutch 7-speed gear box and I began to relax behind the wheel and revel in the sheer joy of driving. -

As well as the dynamic appeal of the car, there is the noise. That beautiful noise. It is incredibly difficult to put down on paper just how moving it is, on both a physical and an emotional level. It is positively intoxicating to the point of addiction. Even when you are just trundling around town in automatic, this car just makes you feel like a hero. This is as much due to the aural assault that follows it as the sheer driveability of the Spider. While the sound of any approaching Ferrari engine is guaranteed to make the hairs on your neck stand on end, the company was keen to point out that a lot of work has gone into making this, the 458 Spider, its most emotive songbird yet. New rear intakes that feed into the engine differently compared to the coupe, as well as a highly re-tuned exhaust system deliver a sonic fish-hook that yanks your mouth into a permanently gormless grin. Ferrari knows this only too well, which is why our carefully planned route through the Italian countryside was interrupted by a wonderfully contrived motorway section, punctuated by long straight tunnels that pierced not only the heart of the regionâ&#x20AC;&#x2122;s picturesque mountains, but deep into the emotional core of both Kevin and myself as they allowed us to immerse ourselves completely into the amplified noise of the naturally-aspirated engine in full voice. I have goosebumps now, as I remember the stereophonic joy of two 458 Spiders vying for aural supremacy deep in the bowels of northern Italy.

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It is made all the more powerful an experience because, with the top down, you are exposed to the elements, which is quite fitting as this Ferrari is possibly the closest that something made by the hands of man can possibly come to being elemental. Or is it? Despite this seemingly gushing and sycophantic reportage on the 458 Spider, there hangs a heavy pall over the design of the car that, in the interests of journalistic integrity and objective reporting, I should bring to light. After much post-drive discussion, Kevin and I noted two glaringly obvious areas where the Ferrari could improve. Firstly, the rear parcel shelf is in no way capable of holding, as the company claims, a golf bag. Should I ever want to become a slave to the ridiculous and join the stickwaving, ball-chasing masses, I would be forced to rest my golf bag in the passenger seat. Which leads me neatly into my second complaint: there is clearly a disparity in volume between the left and right half of the passenger side footwell, which is fine if you are Heather Mills, but not so much if you’re a strapping lifestyle editor. I can only hope that these design choices don’t overshadow the less important features of the 458 Spider - like its epic turn of speed, which can be deceptive (particularly on the motorways where the speedo creeps past 200km/h with unnoticed ease), its handling, its stunning aesthetic beauty and an engine that sounds like a Norse-god snoring - and conspire against it to cost the car a place among the pantheon of Maranello greats.

What’s in a name? There are several theories as to where the automotive term “spider”, or “spyder”, originated for drop-top sports cars, but here are two of the most convincing. The first finds its origins in transportation antiquity, being derived from the time of horse-drawn carriages. A “Spider” was a lighter and quicker model than the standard phaeton carriages and had narrow, spindly wheels, a two-seat cabin and a folding sunshade made of four bows; with its black cloth top and exposed sides for air circulation, it resembled an eight-legged spider. Another school of thought, however, is that Italians, upon seeing a sports car rushing past would gesture to the driver with a winding arm movement and shout “Speeder! Speeder!” Encouraging them to give the car some welly and passers by a bit of show. Over the years this has gradually morphed into the name “Spyder” or “Spider” and, as such, has gone on to grace the tailgates of countless Ferraris, Fiats, Alpha Romeos, Lancias, Porsches and Aston Martins, among others. Interestingly, Aston Martin has long since dropped the name “Spyder” and now uses the term “Volante” which, when translated from Italian into English, spells out the word “Speeder.”

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acc e s so r i e s

The Golden bazaar Production Firefly Communications, www.firefly-me.com; Art direction Roula Zinati Ayoub; Photography Lionel Gasperini, www.lionelgasperini.com; Fashion Stylist: Chantal Mossess Boyajian SALAM STORES for Kenzo, L.K., Emilio Pucci, Love Soni ; REMZA for K aren Millen, Class Roberto C avalli and V ersace ; CHALHOUB Group for C arolina Herrera ; ZAI Boutique for Lanvin ; BTC DOHA for D olce & Gabbana , Valentino

IPAD Cover Valentino Garavani; Sunglasses Dolce & Gabana

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Short necklace Lanvin; Clutch bag Dolce&Gabbana

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Scarf CH Carolina Herrera; Bag Diane Von Furstenberg; Bracelet Love Soni

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Scarf Kenzo; Shoes I.K. Benett; Scarf Emilio Pucci; Necklace Love Soni

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Origins

Far from the Tree:

The Story of Apple Launched on April 1st, 1976, Apple could have been called a joke by industry professionals. Thirty-five years later, Apple has redefined what it means to live in the modern world. Danny Issa explores the origins of the worldâ&#x20AC;&#x2122;s most valuable company.

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Apple co-founder, Steve Wozniac, pictured last year

A young Steve Jobs sells the Apple way in the early 1980s

he history of mega corporation Apple plays out much like the plot of a typical Shakespearean play, filled with highs and lows. The story begins with idealistic heroes, hoping to make the world a better place. Soon after beginning their quest, they are met with a multitude of bumps in the proverbial road; thereafter follows the plot twists, betrayals and double crossings we have come to expect in high drama. These unforeseen difficulties force our heroes to overcome tragedy time and time again until success is found and positive results are gained. Apple Inc. was founded by three men; well, one man and two young idealists. At the age of 21, the late Steve Jobs convinced his former Hewlett-Packard co-worker Steve Wozniak, 26, and Atari co-worker Ronald Wayne, 41, to join forces with him and reinvent the world of computing. Jobs had the vision, Wozniak the engineering skills and Wayne could provide the words and the wallet. On the 1st of April, the three officially launched Apple Computer. The aim of Apple Computer was to develop and produce a cost effective personal computer. At the time, industry professionals thought the notion of home computing was pointless. Computers were expensive, normally costing thousands of dollars, and had very limited capabilities. There was no Facebook, Gmail or online shopping; therefore, paying that much money to have a typing machine in the home was considered useless. The boys of Apple Computer, however, thought it was an untapped market filled with potential.

Wozniak immediately began working on the design for a personal computer. Wayne started designing a logo and writing the instruction booklet for the machine and Jobs went out to secure some buyers. The team of three got to work in Apple Computer’s newly designated office space, the modestly sized bedroom of Steve Jobs.

The aim of Apple Computer was to develop and produce a cost effective personal computer. At the time, industry professionals thought the notion of home computing was pointless. -

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iMac G3

iMac G4

Intel iMac

Jobs’ first act as ceO of Apple was to launch the imac...

They soon found that the space was too limiting and upgraded to the much more spacious garage. It was in this garage that Wozniak would build the Apple 1, the product that would be the company’s first success story. However, the young founders and younger company would not reach its second week before it hit the first bump in the road. Doubts began to overwhelm Ronald Wayne as the ambitions of Jobs and Wozniak grew and grew. In order to finance the production of the Apple 1, Steve Jobs sold his car and took out a loan that plunged the company into debt, but he was confident that Apple Computer would make the money back. Ronald Wayne soon feared, however, that he would have to pay off any debt Jobs and Wozniak incurred. As the oldest member of the team, and the only one with financial assets to be seized, the company’s debt would fall on his shoulders if it flopped. On the 13th of April, only 12 days after Apple Computer was born, Ronald Wayne decided the risk was too great and left the company.

Enter Armas Clifford “Mike” Markkula, a self-made millionaire that had made enough to retire at the age of 32. Impressed by the tenacity of Jobs and the work of Wozniak, Markkula came out of retirement and joined Apple Computer, bringing $250,000 with him. Apple Computer grew steadily with Markkula’s guidance and money. In January 1977, Apple Computer officially became Apple Computer Inc., a name they would hold for 30 years. The change from a partnership to an incorporated entity came just in time for the launch of the Apple II. A greater improvement over its predecessor, Apple II sales took off to a great start after its release, and it did not take long before Apple Computer Inc. brought in millions of dollars. Investors began buying up shares, eager to get a slice of the profitable young company. It looked like Apple had a bright future ahead of it. Then the Apple III showed up, and signalled the beginning of Apple’s dark ages.

Jobs and Wozniak were persistent and continued working on the Apple 1. It only took three months before the duo had a completed product that was ready for sale. Close to 200 units were built and sold, generating some solid revenue for the company.

Released in 1980, the Apple III was designed to be a high-end computer. With big business and the scientific community being the target, the Apple III had more horsepower, increased capabilities and a price tag more than double its predecessor. Unfortunately for Apple, it also had problems.

The Apple 1 may have been the first success story for Apple, but it was a very limited device. Jobs and Wozniak had ideas to produce a finer computer, but product growth was restricted by a lack of finances. Two young men attempting to introduce the world to personal computing didn’t exactly appeal to the banks, and it was impossible for Apple to secure substantial loans.

The computer would overheat and shutdown frequently, and it was not long before units were returned. Apple tried to bring the machine back from the brink of death by reintroducing a new model in 1983, but it was too late. The damage had been done to the reputation of the company and the high cost of production would not be recouped. The Apple III was a rotten failure.

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iPod

iPhone

iPad

...which was followed by other game-changing devices like the ipod, the iphone and the ipad

The boys at Apple knew they needed to bounce back strongly from this major setback. It was at this point that they decided to invest in the idea of the Graphical User Interface (GUI), a computer operating system whereby a device (mouse) could be integrated and used to manipulate on-screen images. Apple also wanted to recapture support from the public after the embarrassment of the Apple III. To do so, they hired marketing genius John Sculley to serve as the company’s CEO. With new GUI technology and a new marketing scheme, Apple began working on two products, the Apple Lisa and the Macintosh. A bitter rivalry soon broke out between Steve Jobs and John Sculley, both working on the Lisa. Constant fighting between the two caused production of the Lisa to stall. Board members, not happy with the bickering, forced Jobs off the Lisa project and onto the production of the Macintosh.

the board of next, formed by steve Jobs’ after he quit Apple in 1988

Having Jobs and Sculley work on different projects did not help quell tensions in the office. The rivalry intensified as both men pushed their team to get their product out first. Sculley would win the race to release but the Lisa would be a commercial failure. Deemed too expensive, the Lisa toppled under competition. The Macintosh would do much better, taking off to a good sales start and holding steady. Just as Ronald Wayne lost faith in Steve Jobs, so too did Apple’s board of directors. Unhappy with the outcome of the Lisa, a project launched by Jobs, the board tried to reduce his role in the company. Jobs tried to launch a boardroom coup to counter, and attempted to oust Sculley. He would lose the attempted take-over and have his managerial role stripped. Infuriated, Jobs resigned, leaving the company he founded in his bedroom 12 years before to carry on without him.

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the dawn of home computing: the iconic Apple ii pc

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Apple pioneered the use of a “mouse” to navigate its computers

With Jobs gone, Sculley was given free reign to do as he pleased. His only achievment during his time as CEO was to continue developing the Macintosh line and introducing the PowerBook, a product that would define the modern day laptop. Everything else he did, however, was a commercial disaster. Product after product launched and almost immediately failed. Apple was to become an unstoppable force, but during this, its lowest period, there was no indication whatsoever of the company’s future potential for global domination. In a desperate attempt to turn it all around, board members dismissed Sculley and replaced him with Michael Spindler, but he, too, failed to help the company bear fruit. He was replaced by Gil Amelio just three years later. However, while Amelio was also unable to stop the rot at Apple’s core, before he was relieved of his duties by the board, he did do one thing right. In 1996, he bought out a small start-up company called NeXT Inc. for $429m: the company founded by Steve Jobs following his ignominious exit from Apple in 1988. It was Jobs himself that orchestrated the boardroom coup against the man that brought him back to his own company. This time, Jobs succeeded where he had failed against Sculley and took over as CEO of Apple Computers. Jobs, with the help and minimalist eye of Londonborn industrial designer, Jonathan Ive, was finally able to pull Apple out of the dark ages that threatened to topple the company by launching the first design-led “i” product – the iMac. The computer was a big success and Apple was able to capitalise on it with unimagined success outside of the computing world with the winning combination of the iPod MP3 player and the iTunes music directory system. Then came the iPhone, which changed the telephonic game forever. The connectivity abilities and built-in Safari browser meant that the iPhone was a pocket-sized portable that could connect to the internet; coupled with the impressive library of the App Store, it was soon shown to the masses that the iPhone could do virtually anything. Apple followed up the success of the iPhone with the iPad, the first tablet that people actually wanted to use.

Apple changed the world with its products. They changed how we listen to music, how we talk on the phone, how we connect, how we share information, how we use a computer, how we play games and how we teach children. -

Apple changed the world with its products. it changed how we listen to music, how we talk on the phone, how we connect, how we share information, how we use a computer, how we play games, even how we teach our children. The possibilities offered by the “iProducts” are limitless and Apple promises to keep pushing the world of technology and improve upon what has already been built. The company’s latest outing, the iPhone 4S, sold four million units in its first three days on the market. Jobs, Wozniak and Wayne started a company on April Fools Day in 1976 to bring personal computers to the world. Thirty years later, Apple products have pushed the boundaries of technology and brought the world to tiny handheld devices. With a new focus on mobile devices and the success they have found, it is no wonder that the company dropped the world ‘Computer’ from its name and officially became Apple Inc. in 2007.

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In October 2011, just weeks before Steve jobs died, Apple became the world’s most valuable company

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“ Not all those who wander are lost.” – J. R . R . To l k i e n

out of the box

Crowd

Pleasers

The third instalment of the Doha Tribeca Film Festival (DTFF) has come and gone, and with it, all of the pomp, circumstance, glitz and glamour that our tiny desert nation could handle. However, at the end of the red carpets and after the gala events, there is you, the audience: the real heart that makes festivals like this tick. That is why, this year, Sur la Terre reviews the two movies YOU chose as the best of the festival! Ladies and gentlemen, the winners of the DTFF Audience Awards!

Where Do We Go Now? (Audience Award for Best Narrative Feature)

What’s it about? Directed by Nadine Labaki and starring a cast of virtual unknowns, Where Do We Go Now tells the story of a fictional Lebanese town isolated not only geographically, but somewhat ideologically from the rest of the country. Unlike other areas in Lebanon, in this town (which the director herself said, during a press conference at Virgin megastore in Villaggio Mall, she would call “Utopia”), Muslims and Christians live together in relative peace. However, as the populace catches wind of religious violence beginning to explode elsewhere in the country, forgotten rivalries begin to rear their ugly heads. A series of unfortunate events fuels the tension and as the menfolk on both sides of the divide begin plotting to take up arms against each other, it is up to the women, still reeling from familial losses during past violence, to do anything they can to quash the coming conflagration before it completely engulfs the peaceful town. Why did you choose it? As she so deftly accomplished in Caramel, Nadine Labaki, who once again acts as well as directs, grows upon the heavy subject material organically and almost without the viewer knowing, balancing the seriousness of the story with the levity it equally requires. Using the quaint backdrop of the town and the infectious humour of an endearing Lebanese culture, Labaki crafts a beautifully melancholy story that neither races nor meanders, and can be approached by viewers from anywhere in the world.

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As she told Sur la Terre, this film is not specifically inspired by past Lebanese crises; instead, it draws on the universal fears of Us vs. Them. The journey of addressing this issue, where neighbours become demons and mothers become saviours, is helmed expertly by Labaki and powered by her rough-yet-ready crew. Her use of strong women continues for a reason in Where Do We Go Now?, not only in leading the film’s humorous overtones and dramatic conflict, but also in carrying to term its inherent message.

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Where Do We Go Now? is one of those films that you don’t want to see end; however, when the time comes, it does so perfectly. As the question sharing the film’s title is posed in the final scene, the director craftily dares you to answer it yourself. In so doing, the story may be open ended, but closes with a definite slam. We are not surprised in the slightest that it won the DTFF and Toronto International Film Festival audience awards, or that it is already generating feverish Oscar buzz.

Comic-Con Episode IV: A Fan’s Hope

(Audience Award for Best Documentary)

What’s it about? Morgan Spurlock, the directorial genius behind such popular documentaries as The Greatest Movie Ever Sold, Where in the World is Osama Bin Laden and of course, Super Size Me, turns his lens on the Mecca for misfits, the one place in the world it’s okay to unleash your inner geek: the San Diego Comic-Con. Unlike his other films, Spurlock rests comfortably behind the camera in this outing, never once making an appearance. In this less-visible role, he guides us through the history of the Comic-Con from its formative roots on the fringe of society into the mainstream, pop culture icon it is today. Along the way, we hear from a gathering of geekdom’s gurus, including everyone from Joss Whedon (the creator of Buffy the Vampire Slayer) and Kevin Smith (director of Clerks) to the godfather of comic books himself, Mr. Stan Lee! Spurlock also follows the dorky disciples of these greats, in the process telling the in-depth, ground-level and sometimes achingly personal stories of a whole series of truly fascinating characters. Why did you choose it? Done in an inimitably comedic style, Comic-Con stands as one of Spurlock’s greatest achievements, which is impressive. The human stories he manages to render and sculpt about a vastly misunderstood subcultural movement are instantly and universally engaging. You don’t have to be a fanboy or girl to appreciate Comic-Con, all you need is a firm love of the human condition, and respect for the lengths people will go to develop their passion, foster their skills and shine. The firsthand accounts of famous directors, actors and icons is fabulous and usually generates a lot of laughs, but the true spirit of the doc comes alive in the little people that make the comic-con so successful. Whether it’s watching on as amateur costume designer Holly Conrad prepares for the con’s masquerade parade, tearing up with aspiring comic book artist Skip Harvey as he chases his life’s dream or biting your nails with lovable lovelorn loser, James Darling, as he prepares to pop the big question to his girlfriend at the Comic-Con, this film shows that San Diego doesn’t just host a Comic-Con, it creates a whole other universe! Spurlock mentioned in the Doha Talks event that followed the premiere screening that he wasn’t sure whether the audience in the Middle East would appreciate a story about nerd culture, but given the excited buzz from the crowd during and after the film, it is clear that there are more than a few geeks in the Gulf... and we think that’s just super.

. sur la terre . out of the box .

More DTFF WINNING

Best Narrative Film: Omar Killed Me, Roschdy Zem Best Narrative Director: Omar Killed Me, Roschdy Zem Best Documentary: The Three Disappearances of Soad Hosni, Rania Stephan Best Narrative Arab Film: Normal, Merzak Allouache Best Arab Documentary: The Virgin, The Copts And Me, Namir Abdel Messeeh Best Arab Short Film: Where Are You?, Abdulaziz Al-Nujaym

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out of the box

The Kitchen

of the Sea The Four Seasons Hotel Doha announces a brand new dining / entertainment concept to Doha that is set to change the way we think about Asian fusion.

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he Four Seasons has never been shy of introducing new and exciting ventures to Doha, whether it was a new take on the lounge lifestyle with its previous “Hip India” events, or simply by allowing its guests to enjoy its classic food and beverage options. However, not to rest on its laurels, the local accommodation king is once again ready to rewrite the language that the local community speaks when it comes to entertainment options. In an exclusive, the Four Seasons introduces its brand new dining scene to “be seen” at: Nusantao - Sea Kitchens. Explaining it as “a new theatrical dining destination,” the Four Seasons offers in Nusantao an innovative concept that not only serves up the internationally-minded contemporary class you expect from the brand, but also a taste of the region’s own traditions. The name is itself a marriage of styles, flavours and cultures, with part of it coming from the word “nusantara,” which means “archipelago” in the ancient Indonesian sister language of Javanese, and the other part coming from the word “tao,” which of course means “way” or “direction” in Chinese. However, the inspiration within this heady mix goes deeper than just linguistics, and indeed contains a much more inherently cultural appeal, including at the local level. In fact, the atmosphere of Nusantao is threaded with the spirited history of the Gulf. As the folks at Four Seasons say, the ethos and cuisine of the new concept comes from “the century-old voyages of intrepid Arab traders who ventured to the far reaches of South-East Asia to trade in pearls, gems, precious woods and spices, and then returned to the Gulf with luxury goods and legendary tales.” Apparently, all spice roads lead to Doha.

In this amalgamation, it’s already apparent where Nusantao is heading, and this may have Doha diners automatically assuming that it will simply be another Asian fusion restaurant with a slightly Arab kick, of which there are admittedly quite a few around town. However, we here at Sur la Terre think that this may be more of a game-changer than you might think. Along with a sumptuous menu that includes pan-Asian dishes and delights, such as a sushi bar, a robata grill, tandoor ovens, a satay grill and tawa griddles, there will also be a pastry kitchen, which offers a glimpse into the back as the culinary team bakes, griddles and chills a bevy of enticingly exotic treats.

ingredients of Doha as possible, such as the seafood that gives Nusantao its “Sea Kitchen” subtitle, as well as the Four Seasons’ vast network of international ingredients, the chef is confident that its “fun dining, not fine dining” approach will, in his words, “make Nusantao the talk of the town.” Of course, as the old adage goes, “man cannot survive on bread alone,” so along with the edible efforts of Chef Then Kok Leong, Nusantao will also offer an endless buffet of other sensory delights. On tap within the new contemporary décor and coupled with the hot, hot heat that takes places in the open-view kitchens, Four Seasons has also specially designed a spectacular outdoor patio, replete with all elements of the natural world, including fresh breezes, the sound of lapping waves and live fire to light the way back for more. The Four Season Hotel Doha is known for creating its fair share of exceptional entertainment options in town, and with Nusantao, it’s transforming itself again into a renewed icon of iconoclastic taste.

In charge of conducting this new symphonic sea change is the Chef De Cuisine at Nusantao, Then Kok Leong. Having worked within the industry for the past 25 years throughout Southeast Asia, the good master chef is bringing his tried and true experience to this new concept. By using as many readily fresh

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M A RKET PL ACE

WelcomE

to the SLT Marketplace.

a go-to guide

of the hot products you should be buying, available in the local market now.

The X-Watch, Dewittâ&#x20AC;&#x2122;s new piece from the Concept line of watches, available in Qatar and Saudi Arabia through Ali Bin Ali Jewellery.

Fine crystal products ranging from caviar sets and wine glasses to lamps and other fine lighting fixtures are available at Baccarat in the The Tag Heuer LINK , produced by the Dubai Mall. famed Swiss watchmakers, available region wide through Rivoli Group.

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Pomellato has released new Nudo rings to celebrate 10 years of the simply classic ring, available in Qatar and Saudi Arabia through Ali Bin Ali Jewellery.

Parker has unveiled their new line of pens: Parker 5TH Technology, available in Qatar through Darwish Holding. Monaco from Tag Heuer, available region-wide through Rivoli Group.

Todâ&#x20AC;&#x2122;s Autumn/Winter collection of luxury leather items, available at Villaggio Mall, Qatar and Todâ&#x20AC;&#x2122;s boutiques region-wide.

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Sur la terre â&#x20AC;&#x2122;s destinations 2012 Your guide to luxury travel for 2012 and beyond

Qatar Exclusive: Spaceport USA Kevin Hackett heads to New Mexico with Virgin Galactic

Feeling Hungary? Rosie Garthwaite immerses herself in Eastern European culture

Oman, What A Spa Megan Masterson turns Muscat-eer and relaxes at The Chedi

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2011: a space odyssey In another Qatar exclusive for Sur la Terre, Kevin Hackett heads to the New Mexico desert to attend the opening of Virgin Galactic’s Spaceport America; only to find there’s not a long time to go before the galaxy isn’t so far, far away.

here is a luxury travel company in the UK, based in the old Roman city of Chester, that operates under the name of “Elegant Resorts.” The name says it all, really, for they cater to the whims and fancies of the rich and well-heeled with a vast selection of available destinations. Nothing here is too much trouble and the emphasis is on bespoke, luxurious, pampering, feelgood experiences. Imagine EasyJet as one end of the travel evolutionary scale and this as the other extreme. Business is booming. On the company’s website, however, there is a page devoted to one particular destination that even those with unimaginable wealth may think is beyond reach: outer space. Those fortunate people who have achieved every ambition may think there’s nothing left out there to discover, nothing to give them an adrenaline rush or make them feel like kids again; however, surely the prospect of looking out of a window – quite literally – on the world holds some appeal. Sir Richard Branson obviously thinks so. Commercial space travel has been discussed and written about for years, with many writing it off as nothing more than a (no pun intended) flight of fancy. Surely the logistics involved with taking

tourists out of Earth’s atmosphere wouldn’t be just difficult or costly, but insurmountable, they scoffed. Branson, though, isn’t a man to ignore a challenge and if there’s commercial viability in something, then he’s interested in taking it as far as he can. From planes, trains and automobiles (if you count his F1 racing team’s cars) to banking, signing up musicians like the Sex Pistols to his record label and launching a chain of record stores, to setting up his own radio station and mobile telecommunications businesses, even developing his own brand of cola and flying a hot air balloon across the Atlantic, this serial entrepreneur has all ten fingers and thumbs in countless pies. He’s a unique visionary. It’s not an exaggeration to say the man’s a legend. But space travel? Seriously? Ladies and gentlemen, say hello to Virgin Galactic. It all started in July 1969, when Branson, aged 19, watched the moon landings with his family on television. There and then he determined that one day, he too would experience space travel. Of course, he wasn’t the only hippy in the 1960s with a wild imagination, but over the years this dream refused to go away. Saying that, besides training as a NASA astronaut, how would he do it?

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Apparently being this high is quite handy when it comes to space travel as it saves a fair old chunk of change. “We get the first mile for free,” an obviously quite important burger-munching American drawls, when I ask him why this place was chosen.

He was chatting with Buzz Aldrin (as you do) while waiting in Morocco in 1995 for the weather to clear, so he could attempt circumnavigating the globe in a hot air balloon. The pair got onto the subject of commercial space travel and both agreed that the only way to make it viable, as regard to safety and commercial concerns, would be to launch a spacecraft from the air rather than the ground. A few months later, in May 1996, Dr Peter Diamandis announced the “X Prize” (later known as the Ansari X Prize) – a $10m cheque for the first non-government organisation to launch a reusable manned spacecraft into space twice within two weeks. Various designs came and went in the following years and Branson looked at them with keen interest but, as luck would have it, Burt Rutan’s Scaled Composites company, who was tasked with planning Virgin’s plane that would circumnavigate the world, non-stop, on a single tank of fuel, was also competing for the Ansari X Prize. It was here, in 2002, that Branson found the technology he had been looking for since 1969. Two years later, Branson announced to the media his plans to take thousands of paying passengers into space, while Virgin Galactic launched its website to invite future space tourists to register their interest. It crashed under the burden of global demand. He was onto something; this much was obvious. Knowing what we do about him, it’s hardly surprising that I find myself standing outside a stunning, Norman Foster-designed hangar in the middle of the desert, about an hour’s drive from the town of Las Cruces in New Mexico. This is Spaceport America, from where paying passengers will soon be heading for the stratosphere. The sky is entirely bereft of clouds, but the heat is bearable because we happen to be almost two kilometers above sea level.

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New Mexico is a surreal part of the US. It has a rich history and is famous the world over for previously being home to sheriff Pat Garrett and outlaw Billy the Kid. It’s the Wild West condensed. It’s also home to Roswell – the centre of ongoing controversies and the source of a million conspiracy theories surrounding UFOs and aliens. It’s that kind of place - there’s definitely something in the air. As I approached the facility this morning, there was the sound and physical vibration of a massive explosion. Thankfully, it turned out to be the boom from a supersonic jet, not a stray nuke. If you’d care to drop $200,000 for a two-hour excursion to the edge of outer space, for now this is where you need to head. I say “for now” because Branson has big plans to spread this operation further around the globe and Abu Dhabi, having played a key role in bringing the project to fruition (by digging deep and keeping the cash flow steady), hopes to soon have its own spaceport. Not surprisingly, several Arabian nationals have signed up for the initial space flights, and who can blame them? Ever the adventurer, Branson will be the first to make the trip, joined by his two children, Holly and Sam. His bright-eyed mum, 87-year old Eve, stands right next to me on the space-pad, explaining that the mother ship (a twin fuselage plane dubbed White Knight II), which carries the spacecraft to a height of 16km before releasing it to carry on its journey outside the atmosphere, has her name on it. She’s right, there it is: Eve. I ask her if she’s joining her son and grandchildren on the maiden voyage – she seems so full of energy that it would hardly be surprising. “No, but I am going up in Eve, and I hope to press the button that sends them on their way.” Even just a couple of minutes in her company is enough to see where Sir Richard gets his boundless energy from. There’s a band playing Latin music, acrobatic performers are abseiling from the top of the hangar and Branson, larger than life, appears up there too, coming down the ropes with the two Branson juniors (with rather less elegance than the acrobats, it has to be said), pausing halfway to address the small crowd gathered below, while opening a bottle of champagne and telling us this place is officially named “Virgin Galactic Gateway to Space.” It’s fair to say this man has had a few “moments” in his life, but this is one of the biggies. It won’t be long now – just a few more months – and he’ll be achieving that goal he set himself 42 years ago. The grin is as goofy as it’s ever been. He’s a happy man.

. sur la terre . horizons exclusive .

I’m given a guided tour around the facilities here and told that the runway is some 3km long and that, for now, the ship must take off from, and land at, the same location. When the spaceship, which looks like a miniature, more modern NASA Space Shuttle, is released from its carrier, the pilot ignites a hybrid rocket, which sends it hurtling at Mach 3 towards space. Space officially starts 100km from the surface of the earth and the ship reaches 110km, or thereabouts. The six passengers on each trip (although someone has already booked an entire flight for himself and another amorous couple has paid to be left alone so they can be the first members of the 68 mile-high club. “The interior is pretty easy to clean,” my guide assures me…) will experience weightlessness for all of six minutes. They can unfasten their safety belts and float around the cabin, looking out of the large circular windows at the view.

journeys, will return with a message for us: that, while Branson is right to call Virgin Galactic “the keys to a new dawn,” we all must do more to keep this beautiful planet intact. As Elegant Resorts go, earth will never be beaten, but it would be nice to get out for a while and take a look at what’s out there.

For all the excitement and planning involved, it’s this view that surely will never leave those privileged to go up. A terribly thin band of perfect blue haze that protects this fragile planet from countless invaders is there for now. It’s under threat from the very people it protects, but maybe the 450 fully paid-up passengers waiting patiently for their three hour-long

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Getting Hungary Published author, Al Jazeera producer, seasoned traveller and returning Sur la Terre contributor Rosie Garthwaite heads to Hungary and explores everywhere from boutique Budapest to the captivating countryside. We’re sure her story will leave you... “Hungary” for more.

t’s not often that bumping my head makes me grin, but that’s exactly what I did every morning, poking my head out of my little rented house in Hungary. Let me explain... It was hot in the Gulf and my very pregnant friend and I wanted a quick getaway that could provide an antidote for all of its desert and dust. There were rules, of course. It had to be green, to start. It also had to have culture, a little bit of mystery and, most importantly, it had to be easy. A direct flight from Doha to Budapest on Qatar Airways, and we were sorted.

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Fejer County

Just an hour outside the capital, past fields upon fields of beaming sunflowers, there lies perfection. The higgledy-piggledy lanes get smaller and smaller until there’s just about room for a horse and cart or a tiny little car like the one we had rented. It was there we found our little house for the weekend, one of British-Hungarian run Catherine’s Cottages. As we approached, the breathless caretaker and her husband hurry to explain that they are a little late in cleaning because the last people didn’t want to leave. It becomes clear why when they offer us some freshly baked bread, newly churned butter and just-brewed strawberry jam to enjoy on the terrace while we waited. I am in heaven and then - BUMP! - I hit my head for the first time. Our house is in the middle of an orchard. There is so much low-hanging fruit on the trees, vines, bushes and all sorts of other plants, most of which I don’t even recognise, that they are bowing to the ground. Most of them are so packed with juice, they look like my overly-plump fertile friend. So I do what I can to relieve the aching branches of their burden. Is there anything better than picking a warm apricot off a tree and feeling the juice dripping on to your tee shirt even before you have taken your first bite? Later, when we meet Catherine, the owner of the self-catering string of cottages, she explains that due to petrol prices, it is cheaper for people to buy their fruit from a supermarket rather than come to the countryside to pick it as they used to in years past. The farmers surrounding us can’t compete with the prices offered by the dozens of superstores we saw signposted along our journey out of the city. So the fruit stays on the trees until it falls off. Thier loss is my delicious gain. Another reason to venture outside the capital lies dotted around and practically free in the countryside: art, culture, music and dance grow here as organically as the fruit. A quick trip online in the middle of July and I was presented with maybe 20 different options, from Shakespeare on a hilltop castle to a jousting festival. Food and particularly music fairs seem to call from every town hall in the country. An hour outside of Budapest (quite close to our little idyll) was Balaton Music festival with huge acts like David Guetta, the multi-talented Thievery Corporation and DJ John Digweed, as well as smaller up-andcoming bands like Simian Mobile Disco, and that was just on the night we went. There was something truly unique about this music festival; they were on day four when we arrived... but it was clean.

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From the laundry covered tents to the shiny dance floors, it was spic and span, both the grounds, and perhaps even more surprisingly, the people. Very strange, I thought, until we saw dozens of them swimming in the freshwater lake. A happy escape for my pregnant friend and I when the rave got... well... too “ravey.” One day driving home, I was a little confused by what seemed to be a cultish Roman fort nearby Catherine’s Cottages. “It’s Asterix and Obelix,” Catherine explains. “Huh?” “The movie version of the comics. Last year they were shooting The Eagle, and all the farmers dressed up as soldiers.” Apparently the area has become a favourite with Hollywood for its untouched ancient green land and collapsing village scenes. But it is hardly stuck in the dark ages. I spent a happy few hours on the snappy wi-fi while sunning myself next to our gorgeous pool, which is apparently all powered by solar energy panels.

Budapest

In the capital, too, the old and new sit side by side. Budapest is filled with surprises. I thought it was going to be goulash and dumplings all the way, but the food we ate was stunning. I admit my view may have been clouded by a visit to Michelin-starred Onyx on the first night, and by our private fruit garden, but everywhere we went failed to disappoint. Fresh and modern was the theme of the day, like what we found in the 19th Century New York Café. Its cherubs on the wall and Florentine frescos led us to believe we had a kitsch meal in store, but its classical

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Go/See/Do Fly Go from Dubai to Budapest via Doha with Qatar airways starting from $795 excluding taxes.

Catherine’s Cottages

In Csakbereny, call +36 303 42 4208. To book, go to: www.catherinesvineyardcottages.com/ They start from $130 per night for two staying in a self-catering cottage. There might be one bed or two depending which cottage you go for.

Brody House

Double rooms from $80. To book, contact reception@brodyhouse.com via www.brodyhouse.com, or call +361 266 1211

Car Rental You’ll have your choice from the airport on arrival, but depending on your choice, rentals start from about $50 a day.

Balaton Sound The music festival in Zamardi on Lake Balaton runs for four days each July, day tickets are $65.

VAM Design Centre Kiraly utca 26, Budapest 1061 www.visitbudapest.travel

Onyx Restaurant 1051 Budapest Vorosmarty ter 7-8 (shut for two weeks in August) has seven course tasting menus for $110 call +36 30 508 0622

New York Cafe

Erzsebet krt, 9-11, 1073 Budapest telephone +36 1 88 66 11 a three-course lunch with coffee comes to around $50.

menu belied a treat of twists on old favourites. My chateaubriand steak, for example, was quirkily served in its own frying pan. Our quick and relatively cheap lunch didn’t stop the waiters from plying us with little amuse-bouches to keep our tastebuds on their toes. Even the hotel we stayed in on our last night in Budapest – Brody House – with its long winding stairs up to the third floor made up for it with a help-yourself bar for when you build up a thirst carrying all your bags up to your room. It felt like a home away from home, except my home is probably worth the value of just two of the amazing pictures hanging in the Brody House sitting room. It is a club for local artistes and they have left their mark everywhere. We missed it, but sometimes visitors come back from dinner to find a mini-jazzfest underway amongst the art. The piano is free to use (for anyone with talent, apparently). Up on the hill on the Buda side of the river Danube, you can visit the Castle area with its underground labyrinth of getaway tunnels, but with only a few days to fill, we chose instead to cruise the labyrinth of streets, popup summer cafes and art galleries tucked away in the most unexpected places. In one warehouse normally filled with the best of contemporary art in Kiraly Street, the VAM Design Centre, we found about 400 members of the Chinese Terracotta Army, all marching motionless.

The long summer nights enabled us to get the best of our four day trip to both the city and countryside. Whether it was spending bright, hot days traversing the lazy Danube and trotting through both sides of the city, Buda and Pest, or evenings sitting in the cool on our balcony watching the sunflowers nod to sleep, traipsing through Hungary was an unforgettable trip. Four days felt like a week and I still left wanting more. There are, after all, still so many festivals and towns to discover, and still so many parts of my head left to bruise.

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spa

Out of this

world

A little break from the rat race is just what the doctor ordered, as Megan Masterson heads to The Chedi, and soaks up the ultimate in relaxation and indulgence, perfectly set on a private Omani beach.

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I just about clap my hands in glee at the sight of my bathtub – a sunken, black bath the size of a small swimming pool – in my open plan bathroom, which also features a large rain shower. With the suite’s king-sized bed, flat screen televisions, Bose sound system, complementary minibar, and private balcony modernly furnished with cushioned bamboo furniture, it’s no surprise to learn that The Chedi has consistently been awarded accolades and awards by Conde Nast Traveller readers, including the 2008 Conde Nast Readers Travel Award as the favourite hotel in the region of Africa, the Middle East and Indian Ocean, the 2009 accolade of being Best Spa in the same region, and most recently, made the magazine’s 2011 Gold List. Acclaimed for its discreet peacefulness and incredible level of service, The Chedi is a unique spa resort owned by General Hotel Management, and is part of a portfolio of boutique hotels that includes The Setai in South Beach, Miami, The Nam Hai in Vietnam and The Datai in Langkawi. This exceptionally stylish hotel, opened in 2003, is influenced by classic Omani architecture, and makes the most of its setting on a 370-metre stretch of private, sandy beach, overlooked by the stunning Harjarr mountains. As the first contemporary hotel to open in Muscat, it is decorated in muted tones, and seems to hit every note for those seeking a luxurious, exotic respite at the seaside. In fact, visitors are spoiled for choice when it comes to deciding exactly where to relax at any given hour. Besides the beach, there are three swimming pools, each one more distinct than the next. The newlyopened Long Pool stretches, as its name suggests, for a jaw-dropping 103 metres. This eternity pool borders the Spa and beach and is ringed by massive chaise longues, the perfect spot to spend an entire day. Close by is the adults-only Chedi Pool, another eternity pool, perfectly positioned on the beach to take advantage of the cooling breeze coming off the ocean, and complete with serviced cabanas. The third option is the Serai Pool, a family-friendly, 1.2-metre-deep, black mosaiced pool shaded by elegant canopies.

he sound of the surf, lapping at the soft pale sand, is the backdrop to the poolside cocktail party. It’s all little black dresses, passing trays filled with bubbling, golden champagne, and muted firelight, as we assemble around what is reputed to be the longest swimming pool in the Sultanate.

We’re at The Chedi in Muscat, Oman, a five-star resort escape, for the launch of the new luxury Spa, where treatment rooms offer sanctuary complete with breathtaking views, organic products and expertise imported from the best of the East. The Chedi is the design lovechild of Eastern-style Zen and the fantasy of 1001 Arabian Nights. Neither too large nor too fancy, it strikes just the right balance between comfort and the height of chic, with 158 rooms and suites offering maximum privacy, each one afforded a soothing view, be it of the landscaped gardens, Oman’s imposing mountains, the pristine beach, or the crystal waters of a swimming pool or large tranquil ponds. Only a short drive from Muscat’s international airport, my evening arrival at The Chedi’s dimly-lit lobby – all quietly elegant with a tented ceiling - sets a relaxing tone for a few days of indulgence and luxury. I am given the keycard to my poolside suite, one of the white-painted bungalows spread out over 21 acres, dotted among palm trees and reflecting pools.

Of course, for pampering of the body and soul, very little can compete with The Spa, where relaxation and indulgence is the raison d’etre. This sanctuary specialises in Balinese therapies and a variety of beauty rituals based on the holistic principles of aromatherapy, Ayurveda and herbalism. The product menu is rich with exclusive organic products, such as SpaRitual, REN, VOYA, ila, Abahna and Naturelle D’Orient, while therapies are drawn from the most ancient of wellness traditions, including Japanese, Tibetan, Thai, Hawaiian, and, as mentioned, Balinese and Ayurvedic. Seven treatment rooms, including four self-contained spa suites with sunken terrazzo baths, ensure complete peace and privacy, as do separate men’s and women’s steam and sauna areas, while a relaxation lounge offers a floor-to-ceiling wraparound windows with views of The Long Pool and private beach, and is the perfect spot to settle with a cup of tea and float back down to earth after a treatment. This is exactly what I did after an Ancient Balinese Massage. Some of the other standout treatments worth booking include one of the elaborate bathing rituals, The Ocean Ritual (a three-hour treatment of aromatherapeutic foot polish, ocean bath, mineral body scrub, seaweed body wrap and Chedi massage) and The Omani Bliss Ritual (two incredible hours of foot polish, Balinese massage, traditional body scrub, skin conditioner and floral bath).

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If you’d prefer to relax after working up a sweat, then visit what may be one of the more enticing gymnasiums in the Gulf. The Chedi’s 400-square-metre health club has been furnished with premium equipment, including a Power Plate, Kinesis Wall and Pilates corner, and personal trainers are available to assist guests in getting the most out of their workout. Decorated in warm tones that match the aesthetic of The Chedi, the gym has discreetly installed free-standing carved wooden screens around gym equipment, once again proving its mettle in ensuring the privacy of guests, even when they’re working up a sweat.

The award-winning Restaurant – designed with separate preparation stations where passers-by can observe the quiet confidence and friendly smiles of the various chefs – is but one dining option. Visitors equally adore the smaller Beach Restaurant, where the soundtrack is the lapping of waves and the menu spotlights the very best in seafood delights. The Arabian Courtyard and Shisha Lounge, meanwhile, offers, naturally, Middle Eastern delights, complete with live cooking stations, mezze and grilled meat and fish, a superb selection of shisha and refreshments.

The Chedi offers a limited number of memberships, comprising access to all three swimming pools, the beach, The Spa’s steam and sauna facilities, treatments and sessions with a personal trainer, as well as discounts on the best available rates at the most prestigious GHM properties worldwide, and on food and beverages throughout The Chedi.

Each of the swimming pools are also catered to by dedicated staff, offering sun-tanning guests light meals such as sandwiches and Japanese and Malaysian delicacies. Personally, I also love a great room service menu, and The Chedi does not disappoint. A vast array of breakfast options can be delivered to your room or suite until noon, while an evening menu features everything from Wagyu beef burgers to a mix-and-match smorgasbord, offering steak, prawns, lobster, creamed potatoes, rocket and parmesan salad, and an array of freshly made sauces. Visitors to the hotel are also able to order picnic baskets, no doubt for couples seeking a quiet meal for two on the secluded beach.

Aah, the food. My first experience of The Restaurant was dinner at the Datai private dining room, a glass-enclosed space set with a long table and removed from the hustle and bustle of the fantastically designed space. The convivial conversation was silenced by the arrival of our meals – ordered from a comprehensive menu that featured the best of Middle Eastern, European, Indian and Asian cuisine. Tender stuffed calamari, just-shucked fresh oysters, spicy lamb tagine, creamy risotto; every dish served was met with gusto and appreciation from my well-travelled dining companions. In fact, the macaroons alone were sublime enough to warrant a return to The Chedi.

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If your kind of holiday includes seeking refuge in an award-winning fantasy setting, where peace and quiet are de rigeur, someplace not too far from home, but far enough to warrant switching into vacation mode, then The Chedi is for you.

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let it snow - alpine luxe -

Looking like a super-stylish location for a James Bond movie? The Chalet Zermatt Peak awaits.

Nestled in the Swiss Alps, the six-star hotel, Chalet Zermatt Peak is a winter wonderland; a wonderful oasis of calm, blissfully far from city life. Zermatt’s premier chalet is in one of the world’s most desirable locations, with uninterrupted views over the picturesque village and the iconic Matterhorn. While a holiday at Zermatt in the summer would be adventure-filled, with mountain biking and hiking, we reckon it’s during the winter – when all is brilliantly blanketed in snow – that you should consider hiring this landmark chalet and staff, including concierge, chalet hosts and chef, for the holiday of a lifetime. After a journey via helicopter or aboard the Matterhorn Glacial Express, you arrive at the idyllic mountain resort, where, set into the side of the mountain, your chalet offers panoramic views over one of the best ski destinations in the world. Impeccably designed in glass, chrome, walnut and Zermatt stone, it features private tunnel access, floor-to-ceiling windows to maximise views, five bedrooms, an indoor/outdoor Jacuzzi, gym, wine cellar, dry Finnish and wet Swedish sauna options and a steam room. An astounding gallery bedroom is topped with a glass roof, offering jaw-dropping views of the surrounding mountains by day, and millions of stars by night. Not for nothing has the Chalet Zermatt Peak been named as one of “the 15 sexiest chalets in the Alps” by The Times in 2011. Warm and inviting, it’s a fantasy come to life, and although it sleeps up to 13 guests (a maximum of 10 adults), we recommend it for a romantic break with the love of your life. www.chaletzermattpeak.com

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strictly romance - once upon a time -

Ireland. The land of poets, a lush green countryside, ancient lore and a good old craic ... not to mention possibly the most romantic place on earth.

The Emerald Isle certainly has its share of majestic castles turned into luxurious getaways, but few can compare to Ashford Castle, a medieval castle turned five-star hotel on the Mayo-Galway border. Built in 1228, the castle once belonged to the famous Guinness family, and has hosted presidents and princes, from Ronald Reagan in 1985, to Prince of Wales, George V, in 1905, who loved it so much that he extended his stay with Queen Mary from a few days to three months. Almost 110 years later, visitors are still likely to do the same. Ashford has stood the test of time beautifully, its rich interior filled with centuries of care and craftsmanship, from oak panelling to the exquisite antiques. The guestrooms are decorated with period furnishings and marble bathrooms, and each has a view of the abundant gardens, river or Lough Corrib. Dine in the George V Room with its sparkling Waterford crystal chandeliers for a world-class menu of modern international and Irish cuisine, savour traditional afternoon tea in the Drawing Room, or visit Cullen’s Cottage, less than two minutes’ walk from the castle, for a casual bistro meal. Relax in the Dungeon Bar, listening to the traditional music, ballads, poetry and storytelling that the Irish are world-renowned for. Special extras: Ashford Castle offers you a stay that can be as indulgently romantic or as action-filled as you’d like, be it strolls around the 350-acre estate, golfing on the 9-hole course, visiting the Equestrian Centre or Falconry School, the first of its kind on Ireland, or spending blissful hours being pampered at the health and beauty centre. www.ashford.ie

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for the senses - music for the soul -

The Sultanate of Oman has taken a visionary step into a cultural wonderland by opening The Royal Opera House Muscat, the country’s premier venue for musical arts.

Judging by the sell-out performances of its first few months, a need for rich and artistic entertainment has certainly been met. The line-up so far has been impressive, with an opening production in October 2011 of the opera Turandot, conducted by Spanish tenor, Placido Domingo, while world-renowned Andrea Bocelli and cellist, Yo-Yo Ma, take to the stage in November. Located in the Shati Al-Qurm district of Muscat, the Royal Opera House was built on the royal orders of classical music aficionado, Sultan Qaboos of Oman, and is an architectural masterpiece, seating a maximum of 1,100 people. It is the first opera house in the world to be equipped with Radio Marconi’s multimedia interactive seatback display system, Mode23, and is part of a complex that consists of a concert theatre, auditorium, beautiful landscaped gardens, top-rate restaurants, a cultural market and an art centre. The Opera House is one of the most exciting launches of 2011 and is definitely worth a visit, especially for the New Year’s Eve Gala Performance by The Marlinsky Ballet. It’s sure to play to a packed house, so be sure to book early. www.rohmuscat.org.om

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beachside bliss - hasta la vista -

A sublime seaside setting and sumptuous five-star service, Las Ventanas is the perfect place to go barefoot in total luxury.

To say that Las Ventanas Al Paraiso, or The Windows to Paradise, is a favourite with A-list celebrities would be an understatement. This extraordinary resort, sitting gently on the Sea of Cortez on the tip of the Baja Peninsula in Los Cabos, Mexico, is practically a home away from home for the likes of Jennifer Aniston, who has been known to visit as often as five times in one year, as well as Simon Cowell, Jennifer Lopez, Cameron Diaz, and George Clooney, who is said to be building a home in the area – a new pad that could lure him permanently from his famous Lake Como palazzo. It has been built to be the best, with no expense spared. Extensive hidden subterranean tunnels – yes, just like at Disney World – hide staff going about their daily business, such as delivering your poolside glass of Chablis, so that your ocean view is never disturbed. While the scheduled tequila tasting classes, Evian facial mist cooling by the pool and a telescope in every room to watch visiting whales aren’t new in the hotel business, Las Ventanas invented them. The open-plan resort, featuring only suites, many with their own private pools, is designed and decorated to be both plush and rustic. Handcrafted Mexican tiles, marble showers, high thread count linens, fireplaces, a luxury spa and lagoon-like pools snaking through the property are part of the experience, and larger suites include rooftop terraces, second floors and butlers. Whichever way you choose to while away your days at the ultra-romantic, super-private, A-list hideaway that is Las Ventanas, they always come to the same end – being gently lulled to sleep by the sound of rolling waves. www.lasventanas.com

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